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    <title>New Books in Architecture</title>
    <link>https://newbooksnetwork.com/category/arts-letters/architecture/</link>
    <language>en</language>
    <copyright>New Books Network</copyright>
    <description>This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.

Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠

Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠

Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
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      <title>New Books in Architecture</title>
      <link>https://newbooksnetwork.com/category/arts-letters/architecture/</link>
    </image>
    <itunes:explicit>no</itunes:explicit>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>Interviews with Scholars of Architecture about their New Books</itunes:subtitle>
    <itunes:author>Marshall Poe</itunes:author>
    <itunes:summary>This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.

Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠

Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠

Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
    <content:encoded>
      <![CDATA[<p>This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.</p>
<p>Discover our 150+ channels and browse our 28,000+ episodes on our website: <a href="http://newbooksnetwork.com">⁠<u>newbooksnetwork.com</u>⁠</a></p>
<p>Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: <a href="https://newbooksnetwork.substack.com/">⁠<u>https://newbooksnetwork.substack.com/</u>⁠</a></p>
<p>Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
    </content:encoded>
    <itunes:owner>
      <itunes:name>New Books Network</itunes:name>
      <itunes:email>marshallpoe@gmail.com</itunes:email>
    </itunes:owner>
    <itunes:image href="https://megaphone.imgix.net/podcasts/28f6816e-edbe-11e8-8e1f-43c047f0081b/image/0149ba84a646c74de6b3f321d8a2ef39.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
    <itunes:category text="Arts">
      <itunes:category text="Visual Arts"/>
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    <item>
      <title>Lukas Novotny, "Modern New York: The Illustrated Story of Architecture in the Five Boroughs from 1920 to Today" (Rizzoli, 2023)</title>
      <description>In Modern New York: The Illustrated Story of Architecture in the Five Boroughs from 1920 to Today (Rizzoli, 2023), Lukas Novotny calls attention not just to the icons-- the Empire State, Chrysler, or Seagram, but also to overlooked fine new buildings in the outer boroughs. Here too, in dozens of illustrated sidebars, we glimpse the evolution of city buses, cabs, ferry boats, tugs and airplanes. A delight for tourist or scholar! But we are also left to wonder--did the incessant demand to maximize square footage in new building result in “modern” once iconic, becoming tedious ?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 25 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Modern New York: The Illustrated Story of Architecture in the Five Boroughs from 1920 to Today (Rizzoli, 2023), Lukas Novotny calls attention not just to the icons-- the Empire State, Chrysler, or Seagram, but also to overlooked fine new buildings in the outer boroughs. Here too, in dozens of illustrated sidebars, we glimpse the evolution of city buses, cabs, ferry boats, tugs and airplanes. A delight for tourist or scholar! But we are also left to wonder--did the incessant demand to maximize square footage in new building result in “modern” once iconic, becoming tedious ?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <em>Modern New York: The Illustrated Story of Architecture in the Five Boroughs from 1920 to Today</em> (Rizzoli, 2023), Lukas Novotny calls attention not just to the icons-- the Empire State, Chrysler, or Seagram, but also to overlooked fine new buildings in the outer boroughs. Here too, in dozens of illustrated sidebars, we glimpse the evolution of city buses, cabs, ferry boats, tugs and airplanes. A delight for tourist or scholar! But we are also left to wonder--did the incessant demand to maximize square footage in new building result in “modern” once iconic, becoming tedious ?</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1994</itunes:duration>
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    </item>
    <item>
      <title>Elias V. Messinas, "Synagogues of Greece: A Study of Synagogues in Macedonia and Thrace" (Bloch Publishing, 2011)</title>
      <description>Across Greece, once-thriving Jewish communities stood for more than two thousand years. From the Romaniote Jews of Ioannina to the great Sephardic center of Salonika, Jewish life shaped the cultural and urban fabric of the eastern Mediterranean.

During the Holocaust, approximately 87 percent of Greek Jewry was murdered — one of the highest destruction rates in Europe. Entire communities disappeared almost overnight.

What remained were buildings — sometimes abandoned, sometimes altered, sometimes barely recognizable — silent witnesses to lives erased.

For more than three decades, architect, researcher, and author Elias V. Messinas has devoted his life to documenting, restoring, and re-interpreting these synagogues and Jewish spaces.

His major works include:


  
The Synagogues of Greece: A Study of Synagogues in Macedonia and Thrace, a foundational architectural and historical survey,

  
The Synagogue of Verona, a landmark study in restoration practice,

  
Kahal Shalom: The Synagogue of Kos — A Chronicle of Research, Restoration, Sanctity and Ecology, and

  his recent reflective work, The Synagogue, which explores memory, encounter, and meaning through these spaces.


Messinas is both architect and historian — but perhaps most importantly, a custodian of memory, working to preserve places whose congregations no longer exist.

Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator, and host of the New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il. She's on Twitter @embracingwisdom. She blogs here and also contributes here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 13 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Across Greece, once-thriving Jewish communities stood for more than two thousand years. From the Romaniote Jews of Ioannina to the great Sephardic center of Salonika, Jewish life shaped the cultural and urban fabric of the eastern Mediterranean.

During the Holocaust, approximately 87 percent of Greek Jewry was murdered — one of the highest destruction rates in Europe. Entire communities disappeared almost overnight.

What remained were buildings — sometimes abandoned, sometimes altered, sometimes barely recognizable — silent witnesses to lives erased.

For more than three decades, architect, researcher, and author Elias V. Messinas has devoted his life to documenting, restoring, and re-interpreting these synagogues and Jewish spaces.

His major works include:


  
The Synagogues of Greece: A Study of Synagogues in Macedonia and Thrace, a foundational architectural and historical survey,

  
The Synagogue of Verona, a landmark study in restoration practice,

  
Kahal Shalom: The Synagogue of Kos — A Chronicle of Research, Restoration, Sanctity and Ecology, and

  his recent reflective work, The Synagogue, which explores memory, encounter, and meaning through these spaces.


Messinas is both architect and historian — but perhaps most importantly, a custodian of memory, working to preserve places whose congregations no longer exist.

Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator, and host of the New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il. She's on Twitter @embracingwisdom. She blogs here and also contributes here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Across Greece, once-thriving Jewish communities stood for more than two thousand years. From the Romaniote Jews of Ioannina to the great Sephardic center of Salonika, Jewish life shaped the cultural and urban fabric of the eastern Mediterranean.</p>
<p>During the Holocaust, approximately 87 percent of Greek Jewry was murdered — one of the highest destruction rates in Europe. Entire communities disappeared almost overnight.</p>
<p>What remained were buildings — sometimes abandoned, sometimes altered, sometimes barely recognizable — silent witnesses to lives erased.</p>
<p>For more than three decades, architect, researcher, and author <strong>Elias V. Messinas</strong> has devoted his life to documenting, restoring, and re-interpreting these synagogues and Jewish spaces.</p>
<p>His major works include:</p>
<ul>
  <li>
<a href="https://www.ecoama.com/publications/images/synagogues/messinas_synagogues_intro_copyright.pdf">The Synagogues of Greece: A Study of Synagogues in Macedonia and Thrace</a>, a foundational architectural and historical survey,</li>
  <li>
<em>The Synagogue of Verona</em>, a landmark study in restoration practice,</li>
  <li>
<em>Kahal Shalom: The Synagogue of Kos — A Chronicle of Research, Restoration, Sanctity and Ecology</em>, and</li>
  <li>his recent reflective work, <em>The Synagogue</em>, which explores memory, encounter, and meaning through these spaces.</li>
</ul>
<p>Messinas is both architect and historian — but perhaps most importantly, a custodian of memory, working to preserve places whose congregations no longer exist.</p>
<p>Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator, and host of the New Books Network’s <a href="https://www.vanleer.org.il/en/">Van Leer Jerusalem</a><u> Series on Ideas</u>. Write her at <a href="mailto:reneeg@vanleer.org.il">reneeg@vanleer.org.il</a>. She's on Twitter @embracingwisdom. She blogs <a href="https://www.psychologytoday.com/intl/blog/time-out"><u>here</u></a> and also contributes <a href="https://www.jpost.com/author/renee-garfinkel"><u>here</u></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2363</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Tim Altenhof, "Breathing Space: The Architecture of Pneumatic Beings" (Zone Books, 2026)</title>
      <description>Breathing Space: The Architecture of Pneumatic Beings (Zone Books, 2026) is a compelling and wide-ranging analysis of pneumatic phenomena in modern culture. Architect and historian Dr. Tim Altenhof brilliantly explores the physiology of breathing and its reciprocal relationship to bodies and buildings, both of which share a common atmosphere. Because breathing is controlled by the autonomic nervous system and cannot be willfully overridden, it takes place unconsciously and involuntarily—most of the time.

However, beginning in the mid-nineteenth century, attitudes toward breathing changed significantly. Breathing became a widely investigated cultural and physiological phenomenon and was the basis for techniques and bodily practices that heightened pulmonary awareness. New understandings of air pollution and disease stimulated a widespread preoccupation with ventilation, impacting architecture in countless ways.

Dr. Altenhof’s close readings of built structures show how the science of breathing was incorporated into architecture, whether in the design of factories, residences, or medical facilities. The lungs form a major part of the respiratory system and like no other organ tie the living body directly to its surroundings. Yet the role of lungs also poses a topological problem: engaging in atmospheric transfer, they dissolve the division between inside and outside, and despite being an internal organ, they sustain a permanent and living connection to the external world. This ambiguity and permeability constitute the spatial dimension of breathing.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 05 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Breathing Space: The Architecture of Pneumatic Beings (Zone Books, 2026) is a compelling and wide-ranging analysis of pneumatic phenomena in modern culture. Architect and historian Dr. Tim Altenhof brilliantly explores the physiology of breathing and its reciprocal relationship to bodies and buildings, both of which share a common atmosphere. Because breathing is controlled by the autonomic nervous system and cannot be willfully overridden, it takes place unconsciously and involuntarily—most of the time.

However, beginning in the mid-nineteenth century, attitudes toward breathing changed significantly. Breathing became a widely investigated cultural and physiological phenomenon and was the basis for techniques and bodily practices that heightened pulmonary awareness. New understandings of air pollution and disease stimulated a widespread preoccupation with ventilation, impacting architecture in countless ways.

Dr. Altenhof’s close readings of built structures show how the science of breathing was incorporated into architecture, whether in the design of factories, residences, or medical facilities. The lungs form a major part of the respiratory system and like no other organ tie the living body directly to its surroundings. Yet the role of lungs also poses a topological problem: engaging in atmospheric transfer, they dissolve the division between inside and outside, and despite being an internal organ, they sustain a permanent and living connection to the external world. This ambiguity and permeability constitute the spatial dimension of breathing.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781945861123">Breathing Space: The Architecture of Pneumatic Beings</a> (Zone Books, 2026) is a compelling and wide-ranging analysis of pneumatic phenomena in modern culture. Architect and historian Dr. Tim Altenhof brilliantly explores the physiology of breathing and its reciprocal relationship to bodies and buildings, both of which share a common atmosphere. Because breathing is controlled by the autonomic nervous system and cannot be willfully overridden, it takes place unconsciously and involuntarily—most of the time.</p>
<p>However, beginning in the mid-nineteenth century, attitudes toward breathing changed significantly. Breathing became a widely investigated cultural and physiological phenomenon and was the basis for techniques and bodily practices that heightened pulmonary awareness. New understandings of air pollution and disease stimulated a widespread preoccupation with ventilation, impacting architecture in countless ways.</p>
<p>Dr. Altenhof’s close readings of built structures show how the science of breathing was incorporated into architecture, whether in the design of factories, residences, or medical facilities. The lungs form a major part of the respiratory system and like no other organ tie the living body directly to its surroundings. Yet the role of lungs also poses a topological problem: engaging in atmospheric transfer, they dissolve the division between inside and outside, and despite being an internal organ, they sustain a permanent and living connection to the external world. This ambiguity and permeability constitute the spatial dimension of breathing.</p>
<p><br><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3636</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Erica Morawski, "Development Design: Hotels and Politics in the Hispanic Caribbean" (U Pittsburgh Press, 2025)</title>
      <description>Underneath picturesque views of palm trees, fruity cocktails in hotel lounges, and day trips to preserved colonial zones lies a history of tourism design that intersects with larger projects of development and national and cultural identity formation. Locating modernity and coloniality as the key framework within which tourism development takes place, Development Design: Hotels and Politics in the Hispanic Caribbean (U Pittsburgh Press, 2025) by Dr. Erica Morawski focuses on hotel design and its relation to larger urban and rural landscapes to uncover the way these seemingly carefree spaces are bound to local politics and international relations. Focusing on three sites in the Hispanic Caribbean—San Juan, Ciudad Trujillo, and Havana—Dr. Morawski traces different attitudes and approaches to tourism and its material design through five hotels that serve as case studies. Through examination of wicker chairs and lobby interiors, architecture and landscaping, public works and urban planning, Development Design illustrates the integral role hotel design played in negotiated and contested histories of development in Puerto Rico, the Dominican Republic, and Cuba.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 26 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Underneath picturesque views of palm trees, fruity cocktails in hotel lounges, and day trips to preserved colonial zones lies a history of tourism design that intersects with larger projects of development and national and cultural identity formation. Locating modernity and coloniality as the key framework within which tourism development takes place, Development Design: Hotels and Politics in the Hispanic Caribbean (U Pittsburgh Press, 2025) by Dr. Erica Morawski focuses on hotel design and its relation to larger urban and rural landscapes to uncover the way these seemingly carefree spaces are bound to local politics and international relations. Focusing on three sites in the Hispanic Caribbean—San Juan, Ciudad Trujillo, and Havana—Dr. Morawski traces different attitudes and approaches to tourism and its material design through five hotels that serve as case studies. Through examination of wicker chairs and lobby interiors, architecture and landscaping, public works and urban planning, Development Design illustrates the integral role hotel design played in negotiated and contested histories of development in Puerto Rico, the Dominican Republic, and Cuba.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Underneath picturesque views of palm trees, fruity cocktails in hotel lounges, and day trips to preserved colonial zones lies a history of tourism design that intersects with larger projects of development and national and cultural identity formation. Locating modernity and coloniality as the key framework within which tourism development takes place, <a href="https://bookshop.org/a/12343/9780822992059">Development Design: Hotels and Politics in the Hispanic Caribbean</a> (U Pittsburgh Press, 2025) by Dr. Erica Morawski focuses on hotel design and its relation to larger urban and rural landscapes to uncover the way these seemingly carefree spaces are bound to local politics and international relations. Focusing on three sites in the Hispanic Caribbean—San Juan, Ciudad Trujillo, and Havana—Dr. Morawski traces different attitudes and approaches to tourism and its material design through five hotels that serve as case studies. Through examination of wicker chairs and lobby interiors, architecture and landscaping, public works and urban planning, <em>Development Design</em> illustrates the integral role hotel design played in negotiated and contested histories of development in Puerto Rico, the Dominican Republic, and Cuba.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2697</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b00fbf36-280c-11f1-8f1a-bf2552603ad1]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK9754110825.mp3?updated=1774417719" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Imperial Depths: Mark Letteney and Matthew Larsen on the Roman Prison System (JP)</title>
      <description>The notion of abolishing prisons strikes some as an impossible dream: could we could reasonably conceive of a society that responded to harm without the possibility of long-term confinement in purpose-built institutions? To others, we already have a template. Didn’t Michel Foucault long ago show us that prisons as they exist now–in all their horror, in all their commitment not just to jail people before trial but also to imprison them afterwards–come about only in the modern episteme, concomitant with capitalism and all sorts of attendant evils?

Actually, nope. Prisons are as old as the Romans and very likely much older than that. In Ancient Mediterranean Incarceration (California, 2025). Mark Letteney (a U Washington historian who wrote The Christianization of Knowledge in Late Antiquity)directs excavations in a legionary amphitheater) and Matthew Larsen (University of Copenhagen, author of Gospels before the Book) document an ancient and durable prison system system with five key features: Centrality, surveillance, separation depth, and punitive variability.

Their RTB conversation explores key aspects of that system and its present-day legacy or parallels. Yet it ends on a note of cautious optimism from Letteney: just because we don’t find a prison-free world in ancient Rome is no reason to give up the struggle. Whatever better solution to societal safety and rehabilitation awaits us in the future, it must be something we ourselves set out to build anew.

Mentioned

Michel Foucault’s foundational Discipline and Punish (1975)

Adam Gopknik reviews Ancient Mediterranean Incarceration in The New Yorker

The Rules of Ulpian (3rd century jurist)

Wengrow and Graeber’s foundational and heavily debated The Dawn of Everything (2021)

Spencer Weinreich’s work on solitary confinement)

Erving Goffman Stigma (1963) and Asylums (1961)

Livy (eg in his History of Rome on prisons and prisoners

Who  Would Believe a Prisoner? Edited by Michelle Daniel Jones and Elizabeth Angeline Nelson

Libanius (on the abuse of Prisoners)

Fyodor Dostoyevsky. The House of the Dead

Samuel Delany Tales of Neveryon
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 12 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The notion of abolishing prisons strikes some as an impossible dream: could we could reasonably conceive of a society that responded to harm without the possibility of long-term confinement in purpose-built institutions? To others, we already have a template. Didn’t Michel Foucault long ago show us that prisons as they exist now–in all their horror, in all their commitment not just to jail people before trial but also to imprison them afterwards–come about only in the modern episteme, concomitant with capitalism and all sorts of attendant evils?

Actually, nope. Prisons are as old as the Romans and very likely much older than that. In Ancient Mediterranean Incarceration (California, 2025). Mark Letteney (a U Washington historian who wrote The Christianization of Knowledge in Late Antiquity)directs excavations in a legionary amphitheater) and Matthew Larsen (University of Copenhagen, author of Gospels before the Book) document an ancient and durable prison system system with five key features: Centrality, surveillance, separation depth, and punitive variability.

Their RTB conversation explores key aspects of that system and its present-day legacy or parallels. Yet it ends on a note of cautious optimism from Letteney: just because we don’t find a prison-free world in ancient Rome is no reason to give up the struggle. Whatever better solution to societal safety and rehabilitation awaits us in the future, it must be something we ourselves set out to build anew.

Mentioned

Michel Foucault’s foundational Discipline and Punish (1975)

Adam Gopknik reviews Ancient Mediterranean Incarceration in The New Yorker

The Rules of Ulpian (3rd century jurist)

Wengrow and Graeber’s foundational and heavily debated The Dawn of Everything (2021)

Spencer Weinreich’s work on solitary confinement)

Erving Goffman Stigma (1963) and Asylums (1961)

Livy (eg in his History of Rome on prisons and prisoners

Who  Would Believe a Prisoner? Edited by Michelle Daniel Jones and Elizabeth Angeline Nelson

Libanius (on the abuse of Prisoners)

Fyodor Dostoyevsky. The House of the Dead

Samuel Delany Tales of Neveryon
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The notion of abolishing prisons strikes some as an impossible dream: could we could reasonably conceive of a society that responded to harm without the possibility of long-term confinement in purpose-built institutions? To others, we already have a template. Didn’t Michel Foucault long ago show us that prisons as they exist now–in all their horror, in all their commitment not just to <em>jail </em>people before trial but also to imprison them afterwards–come about only in the modern episteme, concomitant with capitalism and all sorts of attendant evils?</p>
<p>Actually, nope. Prisons are as old as the Romans and very likely much older than that. In <a href="https://www.ucpress.edu/books/ancient-mediterranean-incarceration/paper">Ancient Mediterranean Incarceration</a> (California, 2025). <a href="https://history.washington.edu/people/mark-letteney">Mark Letteney</a> (a U Washington historian who wrote <a href="https://doi.org/10.1017/9781009363341"><em>The Christianization of Knowledge in Late Antiquity</em></a>)directs excavations in a <a href="https://www.haaretz.com/archaeology/2023-08-01/ty-article-magazine/archaeologists-find-roman-military-amphitheater-in-israel-with-blood-red-walls/00000189-afdb-db2e-adfd-affb274e0000">legionary amphitheater</a>) and <a href="https://researchprofiles.ku.dk/en/persons/matthew-david-larsen/">Matthew Larsen</a> (University of Copenhagen, author of <a href="https://global.oup.com/academic/product/gospels-before-the-book-9780190848583?cc=us&amp;lang=en&amp;"><em>Gospels before the Book</em></a>) document an ancient and durable prison system system with five key features: Centrality, surveillance, separation depth, and punitive variability.</p>
<p>Their RTB conversation explores key aspects of that system and its present-day legacy or parallels. Yet it ends on a note of cautious optimism from Letteney: just because we don’t find a prison-free world in ancient Rome is no reason to give up the struggle. Whatever better solution to societal safety and rehabilitation awaits us in the future, it must be something we ourselves set out to build anew.</p>
<p>Mentioned</p>
<p>Michel Foucault’s foundational <a href="https://en.wikipedia.org/wiki/Discipline_and_Punish">Discipline and Punish</a> (1975)</p>
<p>Adam Gopknik <a href="https://www.newyorker.com/magazine/2025/12/15/ancient-mediterranean-incarceration-matthew-dc-larsen-and-mark-letteney-book-review">reviews <em>Ancient Mediterranean Incarceration</em> in <em>The New Yorker</em></a></p>
<p><a href="https://droitromain.univ-grenoble-alpes.fr/Anglica/uipian_scott.html">The Rules of Ulpian</a> (3rd century jurist)</p>
<p>Wengrow and Graeber’s foundational and heavily debated <a href="https://en.wikipedia.org/wiki/The_Dawn_of_Everything">The Dawn of Everything</a> (2021)</p>
<p><a href="https://sites.harvard.edu/sjweinreich/">Spencer Weinreich’</a>s work on <a href="https://dataspace.princeton.edu/handle/88435/dsp019306t2530">solitary confinement</a>)</p>
<p>Erving Goffman <a href="https://en.wikipedia.org/wiki/Stigma:_Notes_on_the_Management_of_Spoiled_Identity">Stigma</a> (1963) and <a href="https://en.wikipedia.org/wiki/Asylums_(book)">Asylums</a> (1961)</p>
<p>Livy (eg in his <a href="https://www.loebclassics.com/view/livy-history_rome_32/1935/pb_LCL295.237.xml?readMode=reader">History of Rome </a>on prisons and prisoners</p>
<p><a href="https://www.whowouldbelieve.com/">Who  Would Believe a Prisoner?</a> Edited by Michelle Daniel Jones and Elizabeth Angeline Nelson</p>
<p><a href="https://www.loebclassics.com/view/libanius-oration_45_emperor_prisoners/1977/pb_LCL452.157.xml">Libanius </a>(on the abuse of Prisoners)</p>
<p>Fyodor Dostoyevsky. <a href="https://en.wikipedia.org/wiki/The_House_of_the_Dead_(novel)">The House of the Dead</a></p>
<p>Samuel Delany <a href="https://en.wikipedia.org/wiki/Tales_of_Nev%C3%A8r%C3%BFon">Tales of Neveryon</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2977</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1186b284-1d8f-11f1-ba0f-475aa498aeeb]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK7347686753.mp3?updated=1773263941" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lucy Lavers et al.," Adventurous Vents: A Journey through the Ventilation Shafts of Britain" (Penguin, 2025)</title>
      <description>At the heart of the modern world lie ventilation shafts. We may not notice them, but wherever there are tunnels, sewers, mines, car parks and energy stations under our feet, vents will be doing vital work keeping them cool and fume-free.

Vents come in a wonderful and inventive variety of forms. Adventurous Vents: A Journey through the Ventilation Shafts of Britain (Penguin, 2025) by Lucy Lavers, Judy Ovens, Suzanna Prizeman celebrates them both in their own right as intriguing individual structures, and as an innovative way to tell the story of Britain's subterranean industrial development from the eighteenth century to the present day.

Here are one hundred of the most interesting ventilation shafts, dotted around Britain, sometimes in the most surprising places. You'll find them masquerading as sculptures and small buildings, adorned with fine details or displaying their purpose with confidence.

Whether you're inspired to take off in search of them, or just to admire them from your armchair, vents are fabulous objects. By putting them – perhaps for the very first time – centre-stage,

Adventurous Vents celebrates a highly unusual but exciting architectural form.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 06 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>At the heart of the modern world lie ventilation shafts. We may not notice them, but wherever there are tunnels, sewers, mines, car parks and energy stations under our feet, vents will be doing vital work keeping them cool and fume-free.

Vents come in a wonderful and inventive variety of forms. Adventurous Vents: A Journey through the Ventilation Shafts of Britain (Penguin, 2025) by Lucy Lavers, Judy Ovens, Suzanna Prizeman celebrates them both in their own right as intriguing individual structures, and as an innovative way to tell the story of Britain's subterranean industrial development from the eighteenth century to the present day.

Here are one hundred of the most interesting ventilation shafts, dotted around Britain, sometimes in the most surprising places. You'll find them masquerading as sculptures and small buildings, adorned with fine details or displaying their purpose with confidence.

Whether you're inspired to take off in search of them, or just to admire them from your armchair, vents are fabulous objects. By putting them – perhaps for the very first time – centre-stage,

Adventurous Vents celebrates a highly unusual but exciting architectural form.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>At the heart of the modern world lie ventilation shafts. We may not notice them, but wherever there are tunnels, sewers, mines, car parks and energy stations under our feet, vents will be doing vital work keeping them cool and fume-free.</p>
<p>Vents come in a wonderful and inventive variety of forms. <a href="https://bookshop.org/a/12343/9780241661178">Adventurous Vents: A Journey through the Ventilation Shafts of Britain</a> (Penguin, 2025) by Lucy Lavers, Judy Ovens, Suzanna Prizeman celebrates them both in their own right as intriguing individual structures, and as an innovative way to tell the story of Britain's subterranean industrial development from the eighteenth century to the present day.</p>
<p>Here are one hundred of the most interesting ventilation shafts, dotted around Britain, sometimes in the most surprising places. You'll find them masquerading as sculptures and small buildings, adorned with fine details or displaying their purpose with confidence.</p>
<p>Whether you're inspired to take off in search of them, or just to admire them from your armchair, vents are fabulous objects. By putting them – perhaps for the very first time – centre-stage,</p>
<p><em>Adventurous Vents</em> celebrates a highly unusual but exciting architectural form.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3578</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0ccda760-1791-11f1-b288-87b2640dd8ef]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK8978020171.mp3?updated=1772604949" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Catherine Boland Erkkila, "Spaces of Immigration: American Ports, Railways, and Settlements" (U Pittsburgh Press, 2025)</title>
      <description>Spaces of Immigration﻿: American Ports, Railways, and Settlements (U Pittsburgh Press, 2025) follows the travel routes of immigrants during a foundational period of American infrastructure—from ports of arrival to train cars and depots to settlements—showing how the built environment of the railways fostered segregation through physical isolation and reinforced hierarchies according to race, ethnicity, and class. Catherine Boland Erkkila highlights the magnitude of this forced separation: how spatial design and the experiences within it reflected prejudices of contemporary middle-class Americans who viewed immigrants as poor, diseased, and dangerous. Spaces of Immigration draws attention to the control wielded by railroad companies and government officials, who dispatched European immigrants to ethnic enclaves across the Midwest, some of which still exist. This book ultimately offers a greater understanding of the immigrant experience in America through the lens of spatial history, revealing deeply embedded conflicts still pervasive in our society today.

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 06 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Spaces of Immigration﻿: American Ports, Railways, and Settlements (U Pittsburgh Press, 2025) follows the travel routes of immigrants during a foundational period of American infrastructure—from ports of arrival to train cars and depots to settlements—showing how the built environment of the railways fostered segregation through physical isolation and reinforced hierarchies according to race, ethnicity, and class. Catherine Boland Erkkila highlights the magnitude of this forced separation: how spatial design and the experiences within it reflected prejudices of contemporary middle-class Americans who viewed immigrants as poor, diseased, and dangerous. Spaces of Immigration draws attention to the control wielded by railroad companies and government officials, who dispatched European immigrants to ethnic enclaves across the Midwest, some of which still exist. This book ultimately offers a greater understanding of the immigrant experience in America through the lens of spatial history, revealing deeply embedded conflicts still pervasive in our society today.

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780822991878">Spaces of Immigration﻿: American Ports, Railways, and Settlements</a> (U Pittsburgh Press, 2025) follows the travel routes of immigrants during a foundational period of American infrastructure—from ports of arrival to train cars and depots to settlements—showing how the built environment of the railways fostered segregation through physical isolation and reinforced hierarchies according to race, ethnicity, and class. Catherine Boland Erkkila highlights the magnitude of this forced separation: how spatial design and the experiences within it reflected prejudices of contemporary middle-class Americans who viewed immigrants as poor, diseased, and dangerous. <em>Spaces of Immigration</em> draws attention to the control wielded by railroad companies and government officials, who dispatched European immigrants to ethnic enclaves across the Midwest, some of which still exist. This book ultimately offers a greater understanding of the immigrant experience in America through the lens of spatial history, revealing deeply embedded conflicts still pervasive in our society today.</p>
<p>This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of <a href="https://verlag.gta.arch.ethz.ch/en/gta:book_6db14e9d-a38e-45d4-b477-8c02cba3d1ce">Modelling the Metropolis: The Architectural Model in Victorian London</a> (2023).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2387</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[db5106c0-178e-11f1-bbc2-270d4a3ec2da]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK9840025377.mp3?updated=1772604600" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Veronique Boone, "Le Corbusier on Camera: The Unknown Films of Ernest Weissmann" (Birkhaüser, 2024)</title>
      <description>Le Corbusier on Camera: The Unknown Films of Ernest Weissmann (Birkhaüser, 2024) is based on amateur films, shot by the architect Ernest Weissmann (1903-1985) with a Pathé Motocamera in the years 1929-1933 at, among other places, the Atelier Le Corbusier and Pierre Jeanneret. These films capture moments from Le Corbusier's life that have never been seen before. It also documents his friendships with Pierre Jeanneret, Josep Lluís Sert, Charlotte Perriand, Norman Rice, Kunio Maekawa, Sigfried Giedion and others.﻿

Across six chapters, the book shows impressive stills from these films and places them in the respective historical and personal context of Le Corbusier in introductory texts. Two introductions are devoted to the history of these pioneering amateur films and to Ernest Weissmann's life and his life-long relationship with Le Corbusier.

﻿Veronique Boone is an architect from the University of Ghent, Belgium and doctor from the École Nationale Supérieure d’Architecture et de Paysage de Lille (ENSAPL), France and the Université Libre de Bruxelles (ULB), Belgium. She is an associate professor at the Faculty of Architecture La Cambre Horta at the ULB. She lectures on architectural history and theory as well as on the conservation of 20th-century architecture. Her research focuses on the history and theory, as well as the construction history, of modern architecture. She has published extensively in academic publications on Le Corbusier and the mediation of architecture by film and television, and is a correspondant for Belgian and international architectural magazines on contemporary architecture. She has worked on several exhibitions as curator and/or contributor to catalogues – among them, Lucien Hervé, l’oeil de l’architecte, CIVA, 2005; Le Corbusier and the Power of Photography, Musée des beaux-arts La Chaux-de-Fonds, 2012; L’Architecture modern à l’écran, Cinematek, 2014; In the Studio at 35, rue de Sèvres: an Amateur cameraman’s Informal View, Fondation Le Corbusier, 2017 and Atelier Jespers, 2018. She is also Vice-President of DOCOMOMO Belgium.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 27 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Le Corbusier on Camera: The Unknown Films of Ernest Weissmann (Birkhaüser, 2024) is based on amateur films, shot by the architect Ernest Weissmann (1903-1985) with a Pathé Motocamera in the years 1929-1933 at, among other places, the Atelier Le Corbusier and Pierre Jeanneret. These films capture moments from Le Corbusier's life that have never been seen before. It also documents his friendships with Pierre Jeanneret, Josep Lluís Sert, Charlotte Perriand, Norman Rice, Kunio Maekawa, Sigfried Giedion and others.﻿

Across six chapters, the book shows impressive stills from these films and places them in the respective historical and personal context of Le Corbusier in introductory texts. Two introductions are devoted to the history of these pioneering amateur films and to Ernest Weissmann's life and his life-long relationship with Le Corbusier.

﻿Veronique Boone is an architect from the University of Ghent, Belgium and doctor from the École Nationale Supérieure d’Architecture et de Paysage de Lille (ENSAPL), France and the Université Libre de Bruxelles (ULB), Belgium. She is an associate professor at the Faculty of Architecture La Cambre Horta at the ULB. She lectures on architectural history and theory as well as on the conservation of 20th-century architecture. Her research focuses on the history and theory, as well as the construction history, of modern architecture. She has published extensively in academic publications on Le Corbusier and the mediation of architecture by film and television, and is a correspondant for Belgian and international architectural magazines on contemporary architecture. She has worked on several exhibitions as curator and/or contributor to catalogues – among them, Lucien Hervé, l’oeil de l’architecte, CIVA, 2005; Le Corbusier and the Power of Photography, Musée des beaux-arts La Chaux-de-Fonds, 2012; L’Architecture modern à l’écran, Cinematek, 2014; In the Studio at 35, rue de Sèvres: an Amateur cameraman’s Informal View, Fondation Le Corbusier, 2017 and Atelier Jespers, 2018. She is also Vice-President of DOCOMOMO Belgium.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9783035627282">Le Corbusier on Camera: The Unknown Films of Ernest Weissmann</a> (Birkhaüser, 2024) is based on amateur films, shot by the architect Ernest Weissmann (1903-1985) with a Pathé Motocamera in the years 1929-1933 at, among other places, the Atelier Le Corbusier and Pierre Jeanneret. These films capture moments from Le Corbusier's life that have never been seen before. It also documents his friendships with Pierre Jeanneret, Josep Lluís Sert, Charlotte Perriand, Norman Rice, Kunio Maekawa, Sigfried Giedion and others.﻿</p>
<p>Across six chapters, the book shows impressive stills from these films and places them in the respective historical and personal context of Le Corbusier in introductory texts. Two introductions are devoted to the history of these pioneering amateur films and to Ernest Weissmann's life and his life-long relationship with Le Corbusier.</p>
<p>﻿Veronique Boone is an architect from the University of Ghent, Belgium and doctor from the École Nationale Supérieure d’Architecture et de Paysage de Lille (ENSAPL), France and the Université Libre de Bruxelles (ULB), Belgium. She is an associate professor at the Faculty of Architecture La Cambre Horta at the ULB. She lectures on architectural history and theory as well as on the conservation of 20th-century architecture. Her research focuses on the history and theory, as well as the construction history, of modern architecture. She has published extensively in academic publications on Le Corbusier and the mediation of architecture by film and television, and is a correspondant for Belgian and international architectural magazines on contemporary architecture. She has worked on several exhibitions as curator and/or contributor to catalogues – among them, <em>Lucien Hervé, l’oeil de l’architecte</em>, CIVA, 2005; <em>Le Corbusier and the Power of Photography</em>, Musée des beaux-arts La Chaux-de-Fonds, 2012; <em>L’Architecture modern à l’écran</em>, Cinematek, 2014; <em>In the Studio at 35, rue de Sèvres: an Amateur cameraman’s Informal View</em>, Fondation Le Corbusier, 2017 and Atelier Jespers, 2018. She is also Vice-President of DOCOMOMO Belgium.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1898</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[43117518-12d2-11f1-a890-035164ba0d51]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK8126457359.mp3?updated=1772083543" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Itohan I. Osayimwese, "Africa's Buildings: Architecture and the Displacement of Cultural Heritage" (Princeton UP, 2025)</title>
      <description>Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa’s buildings and addressing the ethical questions surrounding the display of these objects.Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.Richly illustrated, Africa’s Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa’s architectural heritage and restitution for African communities.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 03 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa’s buildings and addressing the ethical questions surrounding the display of these objects.Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.Richly illustrated, Africa’s Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa’s architectural heritage and restitution for African communities.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. <a href="https://bookshop.org/a/12343/9780691252469">Africa's Buildings: Architecture and the Displacement of Cultural Heritage</a> (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa’s buildings and addressing the ethical questions surrounding the display of these objects.<br>Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.<br>Richly illustrated, <em>Africa’s Buildings</em> uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa’s architectural heritage and restitution for African communities.</p>
<p><br><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4776</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f75952d0-0007-11f1-8a9b-a3b915221647]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK8702811332.mp3?updated=1770017155" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Iain Jackson et. al., "Architecture, Empire, and Trade: The United Africa Company" (Bloomsbury, 2025)</title>
      <description>Architecture, Empire, and Trade: The United Africa Company ﻿(Bloomsbury, 2025) pieces together a new architectural history of West Africa from the high colonial period through to independence. From the imperial Royal Niger Company’s charter in the 1890s through to commercial developments in the 1960s, the United Africa Company – a British company firmly embedded in the economies of colonialism, extraction, and exploitation – became the largest firm in West Africa, involved in almost every commercial enterprise and sector, and responsible for procuring architecture, infrastructure, and urban real-estate across a vast region.

Drawing on the UAC’s archive, the book reproduces an array of visual material – from photographs of streetscapes and everyday life to civic reports and city plans – and presents these alongside critical discussions to reveal an alternative account of the architecture of the region in contrast to more state-focused histories.

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 28 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Architecture, Empire, and Trade: The United Africa Company ﻿(Bloomsbury, 2025) pieces together a new architectural history of West Africa from the high colonial period through to independence. From the imperial Royal Niger Company’s charter in the 1890s through to commercial developments in the 1960s, the United Africa Company – a British company firmly embedded in the economies of colonialism, extraction, and exploitation – became the largest firm in West Africa, involved in almost every commercial enterprise and sector, and responsible for procuring architecture, infrastructure, and urban real-estate across a vast region.

Drawing on the UAC’s archive, the book reproduces an array of visual material – from photographs of streetscapes and everyday life to civic reports and city plans – and presents these alongside critical discussions to reveal an alternative account of the architecture of the region in contrast to more state-focused histories.

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781350411319">Architecture, Empire, and Trade: The United Africa Company</a><em> ﻿(Bloomsbury, 2025) </em>pieces together a new architectural history of West Africa from the high colonial period through to independence. From the imperial Royal Niger Company’s charter in the 1890s through to commercial developments in the 1960s, the United Africa Company – a British company firmly embedded in the economies of colonialism, extraction, and exploitation – became the largest firm in West Africa, involved in almost every commercial enterprise and sector, and responsible for procuring architecture, infrastructure, and urban real-estate across a vast region.</p>
<p>Drawing on the UAC’s archive, the book reproduces an array of visual material – from photographs of streetscapes and everyday life to civic reports and city plans – and presents these alongside critical discussions to reveal an alternative account of the architecture of the region in contrast to more state-focused histories.</p>
<p>This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of <a href="https://verlag.gta.arch.ethz.ch/en/gta:book_6db14e9d-a38e-45d4-b477-8c02cba3d1ce">Modelling the Metropolis: The Architectural Model in Victorian London</a> (2023).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2443</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9429a070-fb43-11f0-953c-d70db1c08b13]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK1536429735.mp3?updated=1769493523" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bram de Maeyer, "Building for Belgium: Belgian Embassies in a Globalising World (1945-2020)" (Leuven UP, 2025)</title>
      <description>Embassy buildings are the most tangible evidence of a state’s diplomatic presence abroad. State authorities have invested in the architectural conception of purpose-built embassies to flex their diplomatic muscle and project nationhood on foreign soil. While scholars have primarily focused on purpose-built embassies of (former) world powers, Building for Belgium: Belgian Embassies in a Globalising World (1945-2020) (Leuven UP, 2025) by Dr. Bram de Maeyer shifts the perspective by scrutinising the Belgian Ministry of Foreign Affairs’ embassy-building programme from 1945 to 2020.

Rather than a conventional political assessment of diplomatic relations, the book foregrounds the often-overlooked architectural lives of embassies and their social, economic, and political entanglements. By examining Belgian embassy projects across all continents, it reveals how the Belgian diplomatic corps has navigated diverse political regimes, geopolitical contexts, cultures, and building codes. More than the outcome of a deliberate policy, the embassy-building programme has been shaped by incidental decisions, private ambitions and personal tastes of Belgian diplomats, ministry officials and politicians.

Building for Belgium not only sheds light on diplomatic architecture but also connects domestic conversations about architecture in Belgium with global state-building projects. Offering fresh insights into the politics of space, it will be of value to scholars and practitioners in architecture, urban studies, international relations, cultural heritage, and Belgian and European studies.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 28 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Embassy buildings are the most tangible evidence of a state’s diplomatic presence abroad. State authorities have invested in the architectural conception of purpose-built embassies to flex their diplomatic muscle and project nationhood on foreign soil. While scholars have primarily focused on purpose-built embassies of (former) world powers, Building for Belgium: Belgian Embassies in a Globalising World (1945-2020) (Leuven UP, 2025) by Dr. Bram de Maeyer shifts the perspective by scrutinising the Belgian Ministry of Foreign Affairs’ embassy-building programme from 1945 to 2020.

Rather than a conventional political assessment of diplomatic relations, the book foregrounds the often-overlooked architectural lives of embassies and their social, economic, and political entanglements. By examining Belgian embassy projects across all continents, it reveals how the Belgian diplomatic corps has navigated diverse political regimes, geopolitical contexts, cultures, and building codes. More than the outcome of a deliberate policy, the embassy-building programme has been shaped by incidental decisions, private ambitions and personal tastes of Belgian diplomats, ministry officials and politicians.

Building for Belgium not only sheds light on diplomatic architecture but also connects domestic conversations about architecture in Belgium with global state-building projects. Offering fresh insights into the politics of space, it will be of value to scholars and practitioners in architecture, urban studies, international relations, cultural heritage, and Belgian and European studies.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Embassy buildings are the most tangible evidence of a state’s diplomatic presence abroad. State authorities have invested in the architectural conception of purpose-built embassies to flex their diplomatic muscle and project nationhood on foreign soil. While scholars have primarily focused on purpose-built embassies of (former) world powers, <a href="https://bookshop.org/a/12343/9789462704886"><em>Building for Belgium: Belgian Embassies in a Globalising World (1945-2020)</em> </a>(Leuven UP, 2025) by Dr. Bram de Maeyer shifts the perspective by scrutinising the Belgian Ministry of Foreign Affairs’ embassy-building programme from 1945 to 2020.</p>
<p>Rather than a conventional political assessment of diplomatic relations, the book foregrounds the often-overlooked architectural lives of embassies and their social, economic, and political entanglements. By examining Belgian embassy projects across all continents, it reveals how the Belgian diplomatic corps has navigated diverse political regimes, geopolitical contexts, cultures, and building codes. More than the outcome of a deliberate policy, the embassy-building programme has been shaped by incidental decisions, private ambitions and personal tastes of Belgian diplomats, ministry officials and politicians.</p>
<p><em>Building for Belgium</em> not only sheds light on diplomatic architecture but also connects domestic conversations about architecture in Belgium with global state-building projects. Offering fresh insights into the politics of space, it will be of value to scholars and practitioners in architecture, urban studies, international relations, cultural heritage, and Belgian and European studies.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2221</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6ffc2dba-fb40-11f0-96a5-d3d89e77ca9f]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK6778673834.mp3?updated=1769491690" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Edward Dimendberg ed., "Richard Neutra and the Making of the Lovell Health House, 1925–35" (Getty Research Institute, 2025)</title>
      <description>Richard Neutra and the Making of the Lovell Health House, 1925–35 (Getty Research Institute, 2025) tells the story of the Lovell Health House, designed and built by Austrian-American architect Richard Neutra (1892–1970). Perched on a steep hillside with panoramic views of Los Angeles, the home pioneered the use of concrete and steel; radically advanced the ideals of hygienic, carefree, and open-air living; and explored new relationships between space, structure, the natural world, and physical and psychological well-being. It was widely documented and written about in leading architectural journals when it was erected, and these publications elevated the house to the status of an icon in the history of modernism and an essential work of the international modern movement. It also helped to launch the global career of one of the central figures of twentieth-century architecture.The book includes new texts by Edward Dimendberg, Crosby Doe, and Nicholas Olsberg, a chronology by Thomas Hines, and historic texts by Willard D. Morgan and Richard Neutra. At the heart of the book are six narrated portfolios of visual and textual documentation on the background, design, making, circulation, reception and resonance of this seminal house. Featuring historical photography by Morgan and contemporary photography by Grant Mudford, this volume will help bring Neutra’s masterpiece to an entirely new audience.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 25 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Richard Neutra and the Making of the Lovell Health House, 1925–35 (Getty Research Institute, 2025) tells the story of the Lovell Health House, designed and built by Austrian-American architect Richard Neutra (1892–1970). Perched on a steep hillside with panoramic views of Los Angeles, the home pioneered the use of concrete and steel; radically advanced the ideals of hygienic, carefree, and open-air living; and explored new relationships between space, structure, the natural world, and physical and psychological well-being. It was widely documented and written about in leading architectural journals when it was erected, and these publications elevated the house to the status of an icon in the history of modernism and an essential work of the international modern movement. It also helped to launch the global career of one of the central figures of twentieth-century architecture.The book includes new texts by Edward Dimendberg, Crosby Doe, and Nicholas Olsberg, a chronology by Thomas Hines, and historic texts by Willard D. Morgan and Richard Neutra. At the heart of the book are six narrated portfolios of visual and textual documentation on the background, design, making, circulation, reception and resonance of this seminal house. Featuring historical photography by Morgan and contemporary photography by Grant Mudford, this volume will help bring Neutra’s masterpiece to an entirely new audience.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9798887120089">Richard Neutra and the Making of the Lovell Health House, 1925–35</a> (Getty Research Institute, 2025) tells the story of the Lovell Health House, designed and built by Austrian-American architect Richard Neutra (1892–1970). Perched on a steep hillside with panoramic views of Los Angeles, the home pioneered the use of concrete and steel; radically advanced the ideals of hygienic, carefree, and open-air living; and explored new relationships between space, structure, the natural world, and physical and psychological well-being. It was widely documented and written about in leading architectural journals when it was erected, and these publications elevated the house to the status of an icon in the history of modernism and an essential work of the international modern movement. It also helped to launch the global career of one of the central figures of twentieth-century architecture.<br>The book includes new texts by Edward Dimendberg, Crosby Doe, and Nicholas Olsberg, a chronology by Thomas Hines, and historic texts by Willard D. Morgan and Richard Neutra. At the heart of the book are six narrated portfolios of visual and textual documentation on the background, design, making, circulation, reception and resonance of this seminal house. Featuring historical photography by Morgan and contemporary photography by Grant Mudford, this volume will help bring Neutra’s masterpiece to an entirely new audience.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1932</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[de3811ee-f826-11f0-8d27-37908c212045]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK3029151555.mp3?updated=1769151401" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fernando Luiz Lara, "Spatial Theories for the Americas: Counterweights to Five Centuries of Eurocentrism" (U Pittsburgh Press, 2024)</title>
      <description>To study the built environment of the Americas is to wrestle with an inherent contradiction. While the disciplines of architecture, urban design, landscape, and planning share the fundamental belief that space and place matter, the overwhelming majority of canonical knowledge and the vernacular used to describe these disciplines comes from another, very different, continent.With Spatial Theories for the Americas: Counterweights to Five Centuries of Eurocentrism (U Pittsburgh Press, 2024), Fernando Luiz Lara discusses several theories of space—drawing on cartography, geography, anthropology, and mostly architecture—and proposes counterweights to five centuries of Eurocentrism. The first part of Spatial Theories for the Americas offers a critique of Eurocentrism in the discipline of architecture, problematizing its theoretical foundation in relation to the inseparability of modernization and colonization. The second part makes explicit the insufficiencies of a hegemonic Western tradition at the core of spatial theories by discussing a long list of authors who have thought about the Americas.To overcome centuries of Eurocentrism, Lara concludes, will require a tremendous effort, but, nonetheless, we have the responsibility of looking at the built environment of the Americas through our own lenses. Spatial Theories for the Americas proposes a fundamental step in that direction.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 13 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>To study the built environment of the Americas is to wrestle with an inherent contradiction. While the disciplines of architecture, urban design, landscape, and planning share the fundamental belief that space and place matter, the overwhelming majority of canonical knowledge and the vernacular used to describe these disciplines comes from another, very different, continent.With Spatial Theories for the Americas: Counterweights to Five Centuries of Eurocentrism (U Pittsburgh Press, 2024), Fernando Luiz Lara discusses several theories of space—drawing on cartography, geography, anthropology, and mostly architecture—and proposes counterweights to five centuries of Eurocentrism. The first part of Spatial Theories for the Americas offers a critique of Eurocentrism in the discipline of architecture, problematizing its theoretical foundation in relation to the inseparability of modernization and colonization. The second part makes explicit the insufficiencies of a hegemonic Western tradition at the core of spatial theories by discussing a long list of authors who have thought about the Americas.To overcome centuries of Eurocentrism, Lara concludes, will require a tremendous effort, but, nonetheless, we have the responsibility of looking at the built environment of the Americas through our own lenses. Spatial Theories for the Americas proposes a fundamental step in that direction.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>To study the built environment of the Americas is to wrestle with an inherent contradiction. While the disciplines of architecture, urban design, landscape, and planning share the fundamental belief that space and place matter, the overwhelming majority of canonical knowledge and the vernacular used to describe these disciplines comes from another, very different, continent.<br>With <a href="https://bookshop.org/a/12343/9780822991564">Spatial Theories for the Americas: Counterweights to Five Centuries of Eurocentrism </a>(U Pittsburgh Press, 2024), Fernando Luiz Lara discusses several theories of space—drawing on cartography, geography, anthropology, and mostly architecture—and proposes counterweights to five centuries of Eurocentrism. The first part of Spatial Theories for the Americas offers a critique of Eurocentrism in the discipline of architecture, problematizing its theoretical foundation in relation to the inseparability of modernization and colonization. The second part makes explicit the insufficiencies of a hegemonic Western tradition at the core of spatial theories by discussing a long list of authors who have thought about the Americas.<br>To overcome centuries of Eurocentrism, Lara concludes, will require a tremendous effort, but, nonetheless, we have the responsibility of looking at the built environment of the Americas through our own lenses. Spatial Theories for the Americas proposes a fundamental step in that direction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3227</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6772dc6c-ef91-11f0-b7f6-cfcfd732dd3a]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK7077647814.mp3?updated=1768207676" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Graeme Brooker, "The Story of the Interior: How We Have Shaped Rooms and How They Shape Us" (Thames &amp; Hudson, 2025)</title>
      <description>From traditional nomadic dwellings to state-of-the-art airports, through monumental temples and Baroque palaces to high-rise apartments and high-fashion boutiques, The Story of the Interior: How We Have Shaped Rooms and How They Shape Us (Thames &amp; Hudson, 2025) by Professor Graeme Brooker explores an exciting array of inside spaces from around the world to reveal how the fundamental elements of a room have evolved and endured.

Organized in three parts – The Room, The Private Interior and The Public Interior – the book presents a fascinating account of how the interior has been conceived and thought of from antiquity to the present day. By calling attention to the most basic elements of inside space – walls, doors, windows, furniture, ambience to name a few – this engaging exploration delves into how private and public interiors actively shape the way we live, work, learn and play.

The book spans a wide range of iconic and offbeat examples drawn from the world of architecture, urbanism and furniture design, as well as art installations and imagined spaces. Brooker deftly guides us through interiors as diverse as Frank Lloyd Wright’s Fallingwater, Olafur Eliasson’s The Weather Project, the Prada store in Marfa, Texas, and Sou Fujimoto’s NA House, as well as the rock-cut Buddhist temples of India, medieval European castles and ancient Egyptian tombs, to unveil the drastically different and surprisingly similar spaces that surround us.

The result is a fascinating tour of global interiors, tracing the genesis and evolution of these places and how they help us understand human presence and behaviour.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 10 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>101</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>From traditional nomadic dwellings to state-of-the-art airports, through monumental temples and Baroque palaces to high-rise apartments and high-fashion boutiques, The Story of the Interior: How We Have Shaped Rooms and How They Shape Us (Thames &amp; Hudson, 2025) by Professor Graeme Brooker explores an exciting array of inside spaces from around the world to reveal how the fundamental elements of a room have evolved and endured.

Organized in three parts – The Room, The Private Interior and The Public Interior – the book presents a fascinating account of how the interior has been conceived and thought of from antiquity to the present day. By calling attention to the most basic elements of inside space – walls, doors, windows, furniture, ambience to name a few – this engaging exploration delves into how private and public interiors actively shape the way we live, work, learn and play.

The book spans a wide range of iconic and offbeat examples drawn from the world of architecture, urbanism and furniture design, as well as art installations and imagined spaces. Brooker deftly guides us through interiors as diverse as Frank Lloyd Wright’s Fallingwater, Olafur Eliasson’s The Weather Project, the Prada store in Marfa, Texas, and Sou Fujimoto’s NA House, as well as the rock-cut Buddhist temples of India, medieval European castles and ancient Egyptian tombs, to unveil the drastically different and surprisingly similar spaces that surround us.

The result is a fascinating tour of global interiors, tracing the genesis and evolution of these places and how they help us understand human presence and behaviour.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From traditional nomadic dwellings to state-of-the-art airports, through monumental temples and Baroque palaces to high-rise apartments and high-fashion boutiques, <em>The Story of the Interior: How We Have Shaped Rooms and How They Shape Us</em> (Thames &amp; Hudson, 2025) by Professor Graeme Brooker explores an exciting array of inside spaces from around the world to reveal how the fundamental elements of a room have evolved and endured.</p>
<p>Organized in three parts – The Room, The Private Interior and The Public Interior – the book presents a fascinating account of how the interior has been conceived and thought of from antiquity to the present day. By calling attention to the most basic elements of inside space – walls, doors, windows, furniture, ambience to name a few – this engaging exploration delves into how private and public interiors actively shape the way we live, work, learn and play.</p>
<p>The book spans a wide range of iconic and offbeat examples drawn from the world of architecture, urbanism and furniture design, as well as art installations and imagined spaces. Brooker deftly guides us through interiors as diverse as Frank Lloyd Wright’s Fallingwater, Olafur Eliasson’s The Weather Project, the Prada store in Marfa, Texas, and Sou Fujimoto’s NA House, as well as the rock-cut Buddhist temples of India, medieval European castles and ancient Egyptian tombs, to unveil the drastically different and surprisingly similar spaces that surround us.</p>
<p>The result is a fascinating tour of global interiors, tracing the genesis and evolution of these places and how they help us understand human presence and behaviour.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3049</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[76136188-ed6b-11f0-b03f-27fc301d7d54]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK2192624320.mp3?updated=1767974763" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jessica Kelly and Neal Shasore, "Reconstruction:  Architecture, Society and the Aftermath of the First World War" (Bloomsbury, 2024)</title>
      <description>Reconstruction explores the impact of the First World War on the built environment - examining the immediate effects and aftermath of the Great War on the architecture of Britain and the British empire during the interwar years. While much attention has been paid by historians to post-war architectural reconstruction after 1945, the earlier developments of the interwar period (1919-1939) have been comparatively overlooked.

Sixteen essays written by leading and emerging scholars bring together new and diverse approaches to the period - a period of reconstruction, fraught with the challenges of modernity and democratisation. The collection considers the complex effects of reconstruction on design, discourse, practice, and professionalism, and deals with the full spectrum of architectural styles and approaches, privileging neither Modernism nor traditional styles. It brings to the fore social and political histories of the built environment, and makes important postcolonial interventions into the architectural history of British Imperialism at home and in its far reaches; in Egypt, South Africa, Australia, and India

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century European architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 07 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>100</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Reconstruction explores the impact of the First World War on the built environment - examining the immediate effects and aftermath of the Great War on the architecture of Britain and the British empire during the interwar years. While much attention has been paid by historians to post-war architectural reconstruction after 1945, the earlier developments of the interwar period (1919-1939) have been comparatively overlooked.

Sixteen essays written by leading and emerging scholars bring together new and diverse approaches to the period - a period of reconstruction, fraught with the challenges of modernity and democratisation. The collection considers the complex effects of reconstruction on design, discourse, practice, and professionalism, and deals with the full spectrum of architectural styles and approaches, privileging neither Modernism nor traditional styles. It brings to the fore social and political histories of the built environment, and makes important postcolonial interventions into the architectural history of British Imperialism at home and in its far reaches; in Egypt, South Africa, Australia, and India

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century European architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Reconstruction</em> explores the impact of the First World War on the built environment - examining the immediate effects and aftermath of the Great War on the architecture of Britain and the British empire during the interwar years. While much attention has been paid by historians to post-war architectural reconstruction after 1945, the earlier developments of the interwar period (1919-1939) have been comparatively overlooked.</p>
<p>Sixteen essays written by leading and emerging scholars bring together new and diverse approaches to the period - a period of reconstruction, fraught with the challenges of modernity and democratisation. The collection considers the complex effects of reconstruction on design, discourse, practice, and professionalism, and deals with the full spectrum of architectural styles and approaches, privileging neither Modernism nor traditional styles. It brings to the fore social and political histories of the built environment, and makes important postcolonial interventions into the architectural history of British Imperialism at home and in its far reaches; in Egypt, South Africa, Australia, and India</p>
<p>This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century European architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of <a href="https://verlag.gta.arch.ethz.ch/en/gta:book_6db14e9d-a38e-45d4-b477-8c02cba3d1ce">Modelling the Metropolis: The Architectural Model in Victorian London</a> (2023).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2640</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9d9811e0-eb2c-11f0-9348-0f4ba7b925ef]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK5352817392.mp3?updated=1767724460" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephanie Barczewski, "How the Country House Became English (Reaktion, 2023)</title>
      <description>How the Country House Became English (Reaktion, 2023) by Dr. Stephanie Barczewski is an exploration of the evolution of the quintessentially English country house.
Country houses have come to be regarded as quintessentially English, not only in terms of their architectural style but because they appear to embody national values of continuity and insularity. The histories of country houses and England, however, have featured episodes of violence and disruption, so how did country houses come to represent one version of English history, when in reality they reflect its full range of contradictions and complexities? This book explores the evolution of the country house, beginning with the violent impact of the Reformation and Civil War and showing how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England’s political stability.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 29 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stephanie Barczewski</itunes:subtitle>
      <itunes:summary>How the Country House Became English (Reaktion, 2023) by Dr. Stephanie Barczewski is an exploration of the evolution of the quintessentially English country house.
Country houses have come to be regarded as quintessentially English, not only in terms of their architectural style but because they appear to embody national values of continuity and insularity. The histories of country houses and England, however, have featured episodes of violence and disruption, so how did country houses come to represent one version of English history, when in reality they reflect its full range of contradictions and complexities? This book explores the evolution of the country house, beginning with the violent impact of the Reformation and Civil War and showing how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England’s political stability.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781789147605"><em>How the Country House Became English</em></a> (Reaktion, 2023) by Dr. Stephanie Barczewski is an exploration of the evolution of the quintessentially English country house.</p><p>Country houses have come to be regarded as quintessentially English, not only in terms of their architectural style but because they appear to embody national values of continuity and insularity. The histories of country houses and England, however, have featured episodes of violence and disruption, so how did country houses come to represent one version of English history, when in reality they reflect its full range of contradictions and complexities? This book explores the evolution of the country house, beginning with the violent impact of the Reformation and Civil War and showing how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England’s political stability.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3449</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4adc84a4-e27b-11f0-bbd0-130b1f418716]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK7882555856.mp3?updated=1692733822" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shiben Banerji, "Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy" (U Texas Press, 2025)</title>
      <description>War, revolution, genocide, rebellion, slump. The economic and political turmoil of the early twentieth century seemed destined to rip asunder the ties that bound colonizers and the colonized to one another. The upheaval represented an opportunity, and not just to nationalists who imagined new homelands or to socialists who dreamed of international brotherhood. For modernists in the orbit of various occultisms, the crisis of empire also represented an opportunity to reveal humanity's fundamental unity and common fate.

Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy (U Texas Press, 2025) by Dr. Shiben Banerji recounts a continuous, if also contentious, transnational exchange among modernists and occultists across the Americas, Europe, South Asia, and Australia between 1905 and 1949. At stake were the feelings and affect of a new global subject who would perceive themselves as belonging to humanity as a unified whole, and the urban environment that would foster their subjectivity. The interventions in this debate, which drew in the period's most renowned modernists, took the form of a succession of plans for cities, suburbs, and communes, as well as experiments in building, drawing, printmaking, filmmaking, and writing. Weaving together postcolonial, feminist, and Marxist insight on subject formation, Dr. Banerji advances a new way of understanding modernist urban space as the design of subjective effects.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 18 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>War, revolution, genocide, rebellion, slump. The economic and political turmoil of the early twentieth century seemed destined to rip asunder the ties that bound colonizers and the colonized to one another. The upheaval represented an opportunity, and not just to nationalists who imagined new homelands or to socialists who dreamed of international brotherhood. For modernists in the orbit of various occultisms, the crisis of empire also represented an opportunity to reveal humanity's fundamental unity and common fate.

Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy (U Texas Press, 2025) by Dr. Shiben Banerji recounts a continuous, if also contentious, transnational exchange among modernists and occultists across the Americas, Europe, South Asia, and Australia between 1905 and 1949. At stake were the feelings and affect of a new global subject who would perceive themselves as belonging to humanity as a unified whole, and the urban environment that would foster their subjectivity. The interventions in this debate, which drew in the period's most renowned modernists, took the form of a succession of plans for cities, suburbs, and communes, as well as experiments in building, drawing, printmaking, filmmaking, and writing. Weaving together postcolonial, feminist, and Marxist insight on subject formation, Dr. Banerji advances a new way of understanding modernist urban space as the design of subjective effects.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>War, revolution, genocide, rebellion, slump. The economic and political turmoil of the early twentieth century seemed destined to rip asunder the ties that bound colonizers and the colonized to one another. The upheaval represented an opportunity, and not just to nationalists who imagined new homelands or to socialists who dreamed of international brotherhood. For modernists in the orbit of various occultisms, the crisis of empire also represented an opportunity to reveal humanity's fundamental unity and common fate.</p>
<p><a href="https://bookshop.org/a/12343/9781477331422">Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy</a> (U Texas Press, 2025) by Dr. Shiben Banerji recounts a continuous, if also contentious, transnational exchange among modernists and occultists across the Americas, Europe, South Asia, and Australia between 1905 and 1949. At stake were the feelings and affect of a new global subject who would perceive themselves as belonging to humanity as a unified whole, and the urban environment that would foster their subjectivity. The interventions in this debate, which drew in the period's most renowned modernists, took the form of a succession of plans for cities, suburbs, and communes, as well as experiments in building, drawing, printmaking, filmmaking, and writing. Weaving together postcolonial, feminist, and Marxist insight on subject formation, Dr. Banerji advances a new way of understanding modernist urban space as the design of subjective effects.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3968</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5fadccf6-da6c-11f0-886b-dbc22669e460]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK7426603854.mp3?updated=1765882155" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rob Holmes et. al., "Silt Sand Slurry: Dredging, Sediment, and the Worlds We Are Making" (Applied Research &amp; Design, 2023)</title>
      <description>Silt Sand Slurry: Dredging, Sediment, and the Worlds We Are Making is a visually rich investigation into where, why, and how sediment is central to the future of America's coasts. It was written by Rob Homes, Brett Milligan, and Gena Wirth, with contributions by Sean Burkholder, Brian Davis, and Justine Holzman and published by Applied Research + Design Publishing in 2023.

Sediment is an unseen infrastructure that shapes and enables modern life. Silt is scooped from sea floors to deepen underwater highways for container ships. It is diverted from river basins to control flooding. It is collected, sorted, managed, and moved to reshape deltas, marshes, and beaches. Anthropogenic action now moves more sediment annually than ‘natural’ geologic processes — yet this global reshaping of the earth’s surface is rarely-discussed and poorly-understood.In four thematic text chapters, four geographic visual studies, and a concluding essay the authors demonstrate why sediment matters now more than ever, given our contemporary context of sea level rise, environmental change, and spatial inequality. They do this through a documentation of the geography of dredging and sediment on the four coasts of the continental United States. The book explores the many limitations of current sediment management practices, such as short-sighted efforts to keep dynamic ecosystems from changing, failure to value sediment as a resource, and inequitable decision-making processes. In response to these conditions, the authors delineate an approach to designing with sediment that is adaptive, healthy, and equitable.

In this episode, the host asked about the authors’ work with the DRC, which stands for the Dredge Research Collaborative, not the Dredge Research Collective.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 11 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Silt Sand Slurry: Dredging, Sediment, and the Worlds We Are Making is a visually rich investigation into where, why, and how sediment is central to the future of America's coasts. It was written by Rob Homes, Brett Milligan, and Gena Wirth, with contributions by Sean Burkholder, Brian Davis, and Justine Holzman and published by Applied Research + Design Publishing in 2023.

Sediment is an unseen infrastructure that shapes and enables modern life. Silt is scooped from sea floors to deepen underwater highways for container ships. It is diverted from river basins to control flooding. It is collected, sorted, managed, and moved to reshape deltas, marshes, and beaches. Anthropogenic action now moves more sediment annually than ‘natural’ geologic processes — yet this global reshaping of the earth’s surface is rarely-discussed and poorly-understood.In four thematic text chapters, four geographic visual studies, and a concluding essay the authors demonstrate why sediment matters now more than ever, given our contemporary context of sea level rise, environmental change, and spatial inequality. They do this through a documentation of the geography of dredging and sediment on the four coasts of the continental United States. The book explores the many limitations of current sediment management practices, such as short-sighted efforts to keep dynamic ecosystems from changing, failure to value sediment as a resource, and inequitable decision-making processes. In response to these conditions, the authors delineate an approach to designing with sediment that is adaptive, healthy, and equitable.

In this episode, the host asked about the authors’ work with the DRC, which stands for the Dredge Research Collaborative, not the Dredge Research Collective.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781954081840">Silt Sand Slurry: Dredging, Sediment, and the Worlds We Are Making</a> is a visually rich investigation into where, why, and how sediment is central to the future of America's coasts. It was written by Rob Homes, Brett Milligan, and Gena Wirth, with contributions by Sean Burkholder, Brian Davis, and Justine Holzman and published by Applied Research + Design Publishing in 2023.</p>
<p>Sediment is an unseen infrastructure that shapes and enables modern life. Silt is scooped from sea floors to deepen underwater highways for container ships. It is diverted from river basins to control flooding. It is collected, sorted, managed, and moved to reshape deltas, marshes, and beaches. Anthropogenic action now moves more sediment annually than ‘natural’ geologic processes — yet this global reshaping of the earth’s surface is rarely-discussed and poorly-understood.<br>In four thematic text chapters, four geographic visual studies, and a concluding essay the authors demonstrate why sediment matters now more than ever, given our contemporary context of sea level rise, environmental change, and spatial inequality. They do this through a documentation of the geography of dredging and sediment on the four coasts of the continental United States. The book explores the many limitations of current sediment management practices, such as short-sighted efforts to keep dynamic ecosystems from changing, failure to value sediment as a resource, and inequitable decision-making processes. In response to these conditions, the authors delineate an approach to designing with sediment that is adaptive, healthy, and equitable.</p>
<p>In this episode, the host asked about the authors’ work with the DRC, which stands for the Dredge Research Collaborative, not the Dredge Research Collective.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3479</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ad14cbc0-d57b-11f0-9cdc-cb497e3c9193]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK8384541085.mp3?updated=1765339909" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Benjamin Schneider, "The Unfinished Metropolis: Igniting the City-Building Revolution" (Island Press, 2025)</title>
      <description>In The Unfinished Metropolis: Igniting the City-Building Revolution (Island Press, 2025), Benjamin Schneider argues that American city-building is a lost art. U.S. cities used to constantly evolve, experimenting with new urban designs and ambitious infrastructure projects, from railroads and subways to public housing and shopping malls. But in recent years, the country has continued pursuing the same mid-20th century urban development plans—freeways, downtown office towers, suburban housing developments. The Unfinished Metropolis covers how this pattern is why Americans are so dependent on their cars, why housing is so expensive and homelessness is at crisis levels, and why downtowns are struggling and communities are fraying.

Over the course of an engaging tour of the built environment, Schneider explores common urban designs that shape our lives and color our cultural imagination: office parks, apartments, single family homes, and transit systems. He explains how these forms came to be, why they no longer function as promised, and introduces readers to the advocates and professionals around the country who are working on transformative new solutions.

Benjamin Schneider is a freelance journalist covering all things urbanism. His work has appeared in Bloomberg CityLab, MIT Technology Review, Slate, The Nation, the Los Angeles Times, and many other publications. He also writes a Substack newsletter called, “The Urban Condition.”

This interview was conducted by Timi Koyejo, an urbanist who has worked as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 09 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In The Unfinished Metropolis: Igniting the City-Building Revolution (Island Press, 2025), Benjamin Schneider argues that American city-building is a lost art. U.S. cities used to constantly evolve, experimenting with new urban designs and ambitious infrastructure projects, from railroads and subways to public housing and shopping malls. But in recent years, the country has continued pursuing the same mid-20th century urban development plans—freeways, downtown office towers, suburban housing developments. The Unfinished Metropolis covers how this pattern is why Americans are so dependent on their cars, why housing is so expensive and homelessness is at crisis levels, and why downtowns are struggling and communities are fraying.

Over the course of an engaging tour of the built environment, Schneider explores common urban designs that shape our lives and color our cultural imagination: office parks, apartments, single family homes, and transit systems. He explains how these forms came to be, why they no longer function as promised, and introduces readers to the advocates and professionals around the country who are working on transformative new solutions.

Benjamin Schneider is a freelance journalist covering all things urbanism. His work has appeared in Bloomberg CityLab, MIT Technology Review, Slate, The Nation, the Los Angeles Times, and many other publications. He also writes a Substack newsletter called, “The Urban Condition.”

This interview was conducted by Timi Koyejo, an urbanist who has worked as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781642833539"><em>The Unfinished Metropolis:</em> </a><a href="https://bookshop.org/a/12343/9781642833539">Igniting the City-Building Revolution</a><em> </em>(Island Press, 2025), Benjamin Schneider argues that American city-building is a lost art. U.S. cities used to constantly evolve, experimenting with new urban designs and ambitious infrastructure projects, from railroads and subways to public housing and shopping malls. But in recent years, the country has continued pursuing the same mid-20th century urban development plans—freeways, downtown office towers, suburban housing developments. <em>The Unfinished Metropolis</em> covers how this pattern is why Americans are so dependent on their cars, why housing is so expensive and homelessness is at crisis levels, and why downtowns are struggling and communities are fraying.</p>
<p>Over the course of an engaging tour of the built environment, Schneider explores common urban designs that shape our lives and color our cultural imagination: office parks, apartments, single family homes, and transit systems. He explains how these forms came to be, why they no longer function as promised, and introduces readers to the advocates and professionals around the country who are working on transformative new solutions.</p>
<p>Benjamin Schneider is a freelance journalist covering all things urbanism. His work has appeared in Bloomberg CityLab, MIT Technology Review, Slate, The Nation, the Los Angeles Times, and many other publications. He also writes a Substack newsletter called, “The Urban Condition.”</p>
<p><em>This interview was conducted by Timi Koyejo, an urbanist who has worked as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4383</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6b2b78ae-d408-11f0-9fe7-c79619281aa9]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK4807276004.mp3?updated=1765179501" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael McCulloch, "Building a Social Contract: Modern Workers’ Houses in Early Twentieth-Century Detroit" (Temple UP, 2023) </title>
      <description>The dream of the modern worker’s house emerged in early twentieth-century America as wage earners gained access to new, larger, and better-equipped dwellings. Building a Social Contract: Modern Workers’ Houses in Early Twentieth-Century Detroit (Temple UP, 2023) is a cogent history of the houses those workers dreamed of and labored for. Dr. Michael McCulloch chronicles the efforts of employers, government agencies, and the building industry who, along with workers themselves, produced an unprecedented boom in housing construction that peaked in the mid-1920s.

Through oral histories, letters, photographs, and period fiction, Dr. McCulloch traces wage earners’ agency in negotiating a new implicit social contract, one that rewarded hard work with upward mobility in modern houses. This promise reflected workers’ increased bargaining power but, at the same time, left them increasingly vulnerable to layoffs.

Building a Social Contract focuses on Detroit, the quintessential city of the era, where migrant workers came and were Americanized, and real estate agents and the speculative housebuilding industry thrived. The Motor City epitomized the struggle of Black workers in this period, who sought better lives through industrial labor but struggled to translate their wages into housing security amid racist segregation and violence. When Depression-era unemployment created an eviction crisis, the social contract unraveled, and workers rose up—at the polls and in the streets—to create a labor movement that reshaped American capitalism for decades.

Today, the lessons Dr. McCulloch provides from early twentieth-century Detroit are a necessary reminder that wages are not enough, and only working-class political power can secure affordable housing.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 30 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The dream of the modern worker’s house emerged in early twentieth-century America as wage earners gained access to new, larger, and better-equipped dwellings. Building a Social Contract: Modern Workers’ Houses in Early Twentieth-Century Detroit (Temple UP, 2023) is a cogent history of the houses those workers dreamed of and labored for. Dr. Michael McCulloch chronicles the efforts of employers, government agencies, and the building industry who, along with workers themselves, produced an unprecedented boom in housing construction that peaked in the mid-1920s.

Through oral histories, letters, photographs, and period fiction, Dr. McCulloch traces wage earners’ agency in negotiating a new implicit social contract, one that rewarded hard work with upward mobility in modern houses. This promise reflected workers’ increased bargaining power but, at the same time, left them increasingly vulnerable to layoffs.

Building a Social Contract focuses on Detroit, the quintessential city of the era, where migrant workers came and were Americanized, and real estate agents and the speculative housebuilding industry thrived. The Motor City epitomized the struggle of Black workers in this period, who sought better lives through industrial labor but struggled to translate their wages into housing security amid racist segregation and violence. When Depression-era unemployment created an eviction crisis, the social contract unraveled, and workers rose up—at the polls and in the streets—to create a labor movement that reshaped American capitalism for decades.

Today, the lessons Dr. McCulloch provides from early twentieth-century Detroit are a necessary reminder that wages are not enough, and only working-class political power can secure affordable housing.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The dream of the modern worker’s house emerged in early twentieth-century America as wage earners gained access to new, larger, and better-equipped dwellings. <a href="https://bookshop.org/a/12343/9781439923924">Building a Social Contract: Modern Workers’ Houses in Early Twentieth-Century Detroit</a> (Temple UP, 2023) is a cogent history of the houses those workers dreamed of and labored for. Dr. Michael McCulloch chronicles the efforts of employers, government agencies, and the building industry who, along with workers themselves, produced an unprecedented boom in housing construction that peaked in the mid-1920s.</p>
<p>Through oral histories, letters, photographs, and period fiction, Dr. McCulloch traces wage earners’ agency in negotiating a new implicit social contract, one that rewarded hard work with upward mobility in modern houses. This promise reflected workers’ increased bargaining power but, at the same time, left them increasingly vulnerable to layoffs.</p>
<p><em>Building a Social Contract</em> focuses on Detroit, the quintessential city of the era, where migrant workers came and were Americanized, and real estate agents and the speculative housebuilding industry thrived. The Motor City epitomized the struggle of Black workers in this period, who sought better lives through industrial labor but struggled to translate their wages into housing security amid racist segregation and violence. When Depression-era unemployment created an eviction crisis, the social contract unraveled, and workers rose up—at the polls and in the streets—to create a labor movement that reshaped American capitalism for decades.</p>
<p>Today, the lessons Dr. McCulloch provides from early twentieth-century Detroit are a necessary reminder that wages are not enough, and only working-class political power can secure affordable housing.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3385</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4ea737b0-cab0-11f0-954d-83684504f8d2]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK6219512653.mp3?updated=1764152146" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joanna Merwood-Salisbury, "Barbarian Architecture: Thorstein Veblen’s Chicago" (MIT Press, 2024)</title>
      <description>An important critic of modern culture, American economist Thorstein Veblen is best known for the concept of “conspicuous consumption,” the ostentatious display of goods in the service of social status. In the field of architectural history, scholars have employed Veblen in support of a wide range of arguments about modern architecture, but never has he attracted a comprehensive and critical treatment from the viewpoint of architectural history. In Barbarian Architecture: Thorstein Veblen’s Chicago (MIT Press, 2024), Joanna Merwood-Salisbury corrects this omission by reexamining Veblen's famous book as an original theory of modernity and situating it in a particular place and time—Chicago in the 1890s. Taking an interdisciplinary approach, she explores Veblen's position in relation to debates about industrial reform and aesthetics in Chicago during the period 1890–1906. Bolstered by a strong visual narrative made possible by several of Chicago's historic photographic collections, Barbarian Architecture makes a compelling and original argument for the influence of Veblen's home city on his work and ideas.

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 26 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>An important critic of modern culture, American economist Thorstein Veblen is best known for the concept of “conspicuous consumption,” the ostentatious display of goods in the service of social status. In the field of architectural history, scholars have employed Veblen in support of a wide range of arguments about modern architecture, but never has he attracted a comprehensive and critical treatment from the viewpoint of architectural history. In Barbarian Architecture: Thorstein Veblen’s Chicago (MIT Press, 2024), Joanna Merwood-Salisbury corrects this omission by reexamining Veblen's famous book as an original theory of modernity and situating it in a particular place and time—Chicago in the 1890s. Taking an interdisciplinary approach, she explores Veblen's position in relation to debates about industrial reform and aesthetics in Chicago during the period 1890–1906. Bolstered by a strong visual narrative made possible by several of Chicago's historic photographic collections, Barbarian Architecture makes a compelling and original argument for the influence of Veblen's home city on his work and ideas.

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An important critic of modern culture, American economist Thorstein Veblen is best known for the concept of “conspicuous consumption,” the ostentatious display of goods in the service of social status. In the field of architectural history, scholars have employed Veblen in support of a wide range of arguments about modern architecture, but never has he attracted a comprehensive and critical treatment from the viewpoint of architectural history. In <a href="https://bookshop.org/a/12343/9780262547413">Barbarian Architecture: Thorstein Veblen’s Chicago</a> (MIT Press, 2024), Joanna Merwood-Salisbury corrects this omission by reexamining Veblen's famous book as an original theory of modernity and situating it in a particular place and time—Chicago in the 1890s. Taking an interdisciplinary approach, she explores Veblen's position in relation to debates about industrial reform and aesthetics in Chicago during the period 1890–1906. Bolstered by a strong visual narrative made possible by several of Chicago's historic photographic collections, Barbarian Architecture makes a compelling and original argument for the influence of Veblen's home city on his work and ideas.</p>
<p>This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of <a href="https://verlag.gta.arch.ethz.ch/en/gta:book_6db14e9d-a38e-45d4-b477-8c02cba3d1ce">Modelling the Metropolis: The Architectural Model in Victorian London</a> (2023).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2376</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8189e822-c9ab-11f0-abf1-0b1f78a67faf]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK1961941726.mp3?updated=1764040530" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tom White, "Bad Dust: A History of the Asbestos Disaster" (Repeater, 2025)</title>
      <description>Once used extensively in schools, hospitals, and housing, asbestos has taken the lives of millions. Bad Dust: A History of the Asbestos Disaster (Repeater, 2025) by Tom White traces the international history of the asbestos disaster — from mining operations in apartheid South Africa to the factories and shipyards of the UK – and tells the story of the activists and workers who took on a once indomitable industry.

Illegal for the past quarter century, much asbestos still remains in place today, slowly degrading and placing us all at risk. Bad Dust reveals that the asbestos disaster has in fact only just begun, and that far from being a problem solved, the fight urgently needs to be taken up once again.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 23 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Once used extensively in schools, hospitals, and housing, asbestos has taken the lives of millions. Bad Dust: A History of the Asbestos Disaster (Repeater, 2025) by Tom White traces the international history of the asbestos disaster — from mining operations in apartheid South Africa to the factories and shipyards of the UK – and tells the story of the activists and workers who took on a once indomitable industry.

Illegal for the past quarter century, much asbestos still remains in place today, slowly degrading and placing us all at risk. Bad Dust reveals that the asbestos disaster has in fact only just begun, and that far from being a problem solved, the fight urgently needs to be taken up once again.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Once used extensively in schools, hospitals, and housing, asbestos has taken the lives of millions.<a href="https://bookshop.org/a/12343/9781915672940"> </a><a href="https://bookshop.org/a/12343/9781915672940">Bad Dust: A History of the Asbestos Disaster</a> (Repeater, 2025) by Tom White traces the international history of the asbestos disaster — from mining operations in apartheid South Africa to the factories and shipyards of the UK – and tells the story of the activists and workers who took on a once indomitable industry.</p>
<p>Illegal for the past quarter century, much asbestos still remains in place today, slowly degrading and placing us all at risk. <em>Bad Dust</em> reveals that the asbestos disaster has in fact only just begun, and that far from being a problem solved, the fight urgently needs to be taken up once again.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2380</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[30dd26b2-c6a6-11f0-9266-d7edab2b86f2]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK9302320469.mp3?updated=1763707953" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Goodall, "The Castle: A History" (Yale UP, 2022)</title>
      <description>In The Castle: A History (Yale University Press, 2022) Dr. John Goodall presents a vibrant history of the castle in Britain, from the early Middle Ages to the present day.
The castle has long had a pivotal place in British life, associated with lordship, landholding, and military might, and today it remains a powerful symbol of history. But castles have never been merely impressive fortresses—they were hubs of life, activity, and imagination.
Dr. John Goodall weaves together the history of the British castle across the span of a millennium, from the eleventh to the twenty-first century, through the voices of those who witnessed it. Drawing on chronicles, poems, letters, and novels, including the work of figures like Gawain Poet, Walter Scott, Evelyn Waugh, and P. G. Wodehouse, Dr. Goodall explores the importance of the castle in our culture and society.
From the medieval period to Civil War engagements, right up to modern manifestations in Harry Potter, Dr. Goodall reveals that the castle has always been put to different uses, and to this day continues to serve as a source of inspiration.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 17 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>119</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John Goodall</itunes:subtitle>
      <itunes:summary>In The Castle: A History (Yale University Press, 2022) Dr. John Goodall presents a vibrant history of the castle in Britain, from the early Middle Ages to the present day.
The castle has long had a pivotal place in British life, associated with lordship, landholding, and military might, and today it remains a powerful symbol of history. But castles have never been merely impressive fortresses—they were hubs of life, activity, and imagination.
Dr. John Goodall weaves together the history of the British castle across the span of a millennium, from the eleventh to the twenty-first century, through the voices of those who witnessed it. Drawing on chronicles, poems, letters, and novels, including the work of figures like Gawain Poet, Walter Scott, Evelyn Waugh, and P. G. Wodehouse, Dr. Goodall explores the importance of the castle in our culture and society.
From the medieval period to Civil War engagements, right up to modern manifestations in Harry Potter, Dr. Goodall reveals that the castle has always been put to different uses, and to this day continues to serve as a source of inspiration.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780300251906"><em>The Castle: A History</em></a> (Yale University Press, 2022) Dr. John Goodall presents a vibrant history of the castle in Britain, from the early Middle Ages to the present day.</p><p>The castle has long had a pivotal place in British life, associated with lordship, landholding, and military might, and today it remains a powerful symbol of history. But castles have never been merely impressive fortresses—they were hubs of life, activity, and imagination.</p><p>Dr. John Goodall weaves together the history of the British castle across the span of a millennium, from the eleventh to the twenty-first century, through the voices of those who witnessed it. Drawing on chronicles, poems, letters, and novels, including the work of figures like Gawain Poet, Walter Scott, Evelyn Waugh, and P. G. Wodehouse, Dr. Goodall explores the importance of the castle in our culture and society.</p><p>From the medieval period to Civil War engagements, right up to modern manifestations in Harry Potter, Dr. Goodall reveals that the castle has always been put to different uses, and to this day continues to serve as a source of inspiration.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3409</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6f410b6c-c2ff-11f0-94c2-f7f71be4ff86]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK7436681399.mp3?updated=1659011243" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Claudia Gastrow, "The Aesthetics of Belonging: Indigenous Urbanism and City Building in Oil-Boom Luanda" (UNC Press Books, 2024)</title>
      <description>After centuries of colonial rule, the end of Angola’s three-decade civil war in 2002 provided an irresistible opportunity for the government to reimagine the Luanda cityscape. Awash with petrodollars cultivated through strategic foreign relationships, President José Eduardo dos Santos rolled out a national reconstruction program that sought to transform Angola’s capital into what he considered to be a modern, world-class metropolis. Until funds dried up in 2014, the program—in conjunction with sweeping private investments in real estate—involved mass demolitions of vernacular architecture to make way for high-rise buildings, large-scale housing projects, and commercial centers. The program thus underestimated the values enshrined in the materials and designs of Luanda’s existing “informally” constructed neighborhoods, or musseques.

The Aesthetics of Belonging: Indigenous Urbanism and City Building in Oil-Boom Luanda (University of North Carolina Press, 2024) explores the political significance of aesthetics in the remaking of the city. Dr. Claudia Gastrow’s archival and ethnographic work, which includes interviews with city planners, architects, nonprofit leaders, and urban dwellers, shows how government infrastructure projects and foreign-inspired designs came to embody displacement and exclusion for many. This, Dr. Gastrow argues, catalyzed a countermovement, an aesthetic dissent rooted in critically reframing informal urbanism as Indigenous—a move that enabled the possibility of recognizing the political potential of informal settlements as spaces that produce belonging.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 31 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>229</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>After centuries of colonial rule, the end of Angola’s three-decade civil war in 2002 provided an irresistible opportunity for the government to reimagine the Luanda cityscape. Awash with petrodollars cultivated through strategic foreign relationships, President José Eduardo dos Santos rolled out a national reconstruction program that sought to transform Angola’s capital into what he considered to be a modern, world-class metropolis. Until funds dried up in 2014, the program—in conjunction with sweeping private investments in real estate—involved mass demolitions of vernacular architecture to make way for high-rise buildings, large-scale housing projects, and commercial centers. The program thus underestimated the values enshrined in the materials and designs of Luanda’s existing “informally” constructed neighborhoods, or musseques.

The Aesthetics of Belonging: Indigenous Urbanism and City Building in Oil-Boom Luanda (University of North Carolina Press, 2024) explores the political significance of aesthetics in the remaking of the city. Dr. Claudia Gastrow’s archival and ethnographic work, which includes interviews with city planners, architects, nonprofit leaders, and urban dwellers, shows how government infrastructure projects and foreign-inspired designs came to embody displacement and exclusion for many. This, Dr. Gastrow argues, catalyzed a countermovement, an aesthetic dissent rooted in critically reframing informal urbanism as Indigenous—a move that enabled the possibility of recognizing the political potential of informal settlements as spaces that produce belonging.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After centuries of colonial rule, the end of Angola’s three-decade civil war in 2002 provided an irresistible opportunity for the government to reimagine the Luanda cityscape. Awash with petrodollars cultivated through strategic foreign relationships, President José Eduardo dos Santos rolled out a national reconstruction program that sought to transform Angola’s capital into what he considered to be a modern, world-class metropolis. Until funds dried up in 2014, the program—in conjunction with sweeping private investments in real estate—involved mass demolitions of vernacular architecture to make way for high-rise buildings, large-scale housing projects, and commercial centers. The program thus underestimated the values enshrined in the materials and designs of Luanda’s existing “informally” constructed neighborhoods, or musseques.</p>
<p><em>The Aesthetics of Belonging: Indigenous Urbanism and City Building in Oil-Boom Luanda</em> (University of North Carolina Press, 2024) explores the political significance of aesthetics in the remaking of the city. Dr. Claudia Gastrow’s archival and ethnographic work, which includes interviews with city planners, architects, nonprofit leaders, and urban dwellers, shows how government infrastructure projects and foreign-inspired designs came to embody displacement and exclusion for many. This, Dr. Gastrow argues, catalyzed a countermovement, an aesthetic dissent rooted in critically reframing informal urbanism as Indigenous—a move that enabled the possibility of recognizing the political potential of informal settlements as spaces that produce belonging.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3499</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f206cfcc-b4f5-11f0-8569-ab798a6c961c]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK6389377817.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Pablo Meninato and Gregory Marinic, "Urban Labyrinths: Informal Settlements, Architecture, and Social Change in Latin America" (Routledge, 2025)</title>
      <description>Urban Labyrinths: Informal Settlements, Architecture, and Social Change in Latin America examines intervention initiatives in informal settlements in Latin American cities as social, spatial, architectural, and cultural processes.

From the mid-20th century to the present, Latin America and other regions in the Global South have experienced a remarkable demographic trend, with millions of people moving from rural areas to cities in search of work, healthcare, and education. Without other options, these migrants have created self-built settlements mostly located on the periphery of large metropolitan areas. While the initial reaction of governments was to eliminate these communities, since the 1990s, several Latin American cities began to advance new urban intervention approaches for improving quality of life. This book examines informal settlement interventions in five Latin American cities: Rio de Janeiro, Medellín, São Paulo, Buenos Aires, and Tijuana. It explores the Favela-Bairro Program in Rio de Janeiro during the 1990s which sought to improve living conditions and infrastructure in favelas. It investigates projects propelled by Social Urbanism in Medellín at the beginning of the 2000s, aimed at revitalizing marginalized areas by creating a public transportation network, constructing civic buildings, and creating public spaces. Furthermore, the book examines the long-term initiatives led by SEHAB in São Paulo, which simultaneously addresses favela upgrading works, water pollution remediation strategies, and environmental stewardship. It discusses current intervention initiatives being developed in informal settlements in Buenos Aires and Tijuana, exploring the urban design strategies that address complex challenges faced by these communities. Taken together, the Latin American architects, planners, landscape architects, researchers, and stakeholders involved in these projects confirm that urbanism, architecture, and landscape design can produce positive urban and social transformations for the most underprivileged.

This book will be of interest to students, researchers, and professionals in planning, urbanism, architecture, urban design, landscape architecture, urban geography, public policy, as well as other spatial design disciplines.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 31 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>97</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Urban Labyrinths: Informal Settlements, Architecture, and Social Change in Latin America examines intervention initiatives in informal settlements in Latin American cities as social, spatial, architectural, and cultural processes.

From the mid-20th century to the present, Latin America and other regions in the Global South have experienced a remarkable demographic trend, with millions of people moving from rural areas to cities in search of work, healthcare, and education. Without other options, these migrants have created self-built settlements mostly located on the periphery of large metropolitan areas. While the initial reaction of governments was to eliminate these communities, since the 1990s, several Latin American cities began to advance new urban intervention approaches for improving quality of life. This book examines informal settlement interventions in five Latin American cities: Rio de Janeiro, Medellín, São Paulo, Buenos Aires, and Tijuana. It explores the Favela-Bairro Program in Rio de Janeiro during the 1990s which sought to improve living conditions and infrastructure in favelas. It investigates projects propelled by Social Urbanism in Medellín at the beginning of the 2000s, aimed at revitalizing marginalized areas by creating a public transportation network, constructing civic buildings, and creating public spaces. Furthermore, the book examines the long-term initiatives led by SEHAB in São Paulo, which simultaneously addresses favela upgrading works, water pollution remediation strategies, and environmental stewardship. It discusses current intervention initiatives being developed in informal settlements in Buenos Aires and Tijuana, exploring the urban design strategies that address complex challenges faced by these communities. Taken together, the Latin American architects, planners, landscape architects, researchers, and stakeholders involved in these projects confirm that urbanism, architecture, and landscape design can produce positive urban and social transformations for the most underprivileged.

This book will be of interest to students, researchers, and professionals in planning, urbanism, architecture, urban design, landscape architecture, urban geography, public policy, as well as other spatial design disciplines.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Urban Labyrinths: Informal Settlements, Architecture, and Social Change in Latin America</em> examines intervention initiatives in informal settlements in Latin American cities as social, spatial, architectural, and cultural processes.</p>
<p>From the mid-20th century to the present, Latin America and other regions in the Global South have experienced a remarkable demographic trend, with millions of people moving from rural areas to cities in search of work, healthcare, and education. Without other options, these migrants have created self-built settlements mostly located on the periphery of large metropolitan areas. While the initial reaction of governments was to eliminate these communities, since the 1990s, several Latin American cities began to advance new urban intervention approaches for improving quality of life. This book examines informal settlement interventions in five Latin American cities: Rio de Janeiro, Medellín, São Paulo, Buenos Aires, and Tijuana. It explores the Favela-Bairro Program in Rio de Janeiro during the 1990s which sought to improve living conditions and infrastructure in favelas. It investigates projects propelled by Social Urbanism in Medellín at the beginning of the 2000s, aimed at revitalizing marginalized areas by creating a public transportation network, constructing civic buildings, and creating public spaces. Furthermore, the book examines the long-term initiatives led by SEHAB in São Paulo, which simultaneously addresses favela upgrading works, water pollution remediation strategies, and environmental stewardship. It discusses current intervention initiatives being developed in informal settlements in Buenos Aires and Tijuana, exploring the urban design strategies that address complex challenges faced by these communities. Taken together, the Latin American architects, planners, landscape architects, researchers, and stakeholders involved in these projects confirm that urbanism, architecture, and landscape design can produce positive urban and social transformations for the most underprivileged.</p>
<p>This book will be of interest to students, researchers, and professionals in planning, urbanism, architecture, urban design, landscape architecture, urban geography, public policy, as well as other spatial design disciplines.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4642</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0a297c30-b4f1-11f0-bcd3-bb62b39e439e]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK3514931073.mp3?updated=1761762496" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert Jan van Pelt, "The Barrack, 1572-1914: Chapters in the History of Emergency Architecture" (Park Books, 2024)</title>
      <description>The Barrack, 1572–1914﻿: Chapters in the History of Emergency Architecture (Park Books, 2024) tells the little-known history of a building type that many people used to register as an alien interloper in conventionally built-up areas. The barrack is a mostly lightweight construction, a hybrid between shack, tent, and traditional building. It is a highly efficient structure that sometimes also proves to be extremely durable. Easy to erect and to take down, it is—after the introduction of railways and later motor vehicles in the late 19th and early 20th centuries—also easy to transplant from one location to another. Originating as a standardized accommodation in the late 16th century, the barrack became a mass-produced utility of military and civilian mobilization in the 19th century, providing immediate shelter for soldiers as well as for displaced persons, disaster victims, or prisoners. The barrack played a decisive role in shaping the political space of modernity.

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 30 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Barrack, 1572–1914﻿: Chapters in the History of Emergency Architecture (Park Books, 2024) tells the little-known history of a building type that many people used to register as an alien interloper in conventionally built-up areas. The barrack is a mostly lightweight construction, a hybrid between shack, tent, and traditional building. It is a highly efficient structure that sometimes also proves to be extremely durable. Easy to erect and to take down, it is—after the introduction of railways and later motor vehicles in the late 19th and early 20th centuries—also easy to transplant from one location to another. Originating as a standardized accommodation in the late 16th century, the barrack became a mass-produced utility of military and civilian mobilization in the 19th century, providing immediate shelter for soldiers as well as for displaced persons, disaster victims, or prisoners. The barrack played a decisive role in shaping the political space of modernity.

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9783038603658">The Barrack, 1572–1914﻿: Chapters in the History of Emergency Architecture</a> (Park Books, 2024) tells the little-known history of a building type that many people used to register as an alien interloper in conventionally built-up areas. The barrack is a mostly lightweight construction, a hybrid between shack, tent, and traditional building. It is a highly efficient structure that sometimes also proves to be extremely durable. Easy to erect and to take down, it is—after the introduction of railways and later motor vehicles in the late 19th and early 20th centuries—also easy to transplant from one location to another. Originating as a standardized accommodation in the late 16th century, the barrack became a mass-produced utility of military and civilian mobilization in the 19th century, providing immediate shelter for soldiers as well as for displaced persons, disaster victims, or prisoners. The barrack played a decisive role in shaping the political space of modernity.</p>
<p>This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of <a href="https://verlag.gta.arch.ethz.ch/en/gta:book_6db14e9d-a38e-45d4-b477-8c02cba3d1ce">Modelling the Metropolis: The Architectural Model in Victorian London</a> (2023).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3149</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b4c0a778-b473-11f0-a1dc-2b984945a793]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK8270461077.mp3?updated=1761707787" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Cosima Clara Gillhammer, "Light on Darkness: The Untold Story of the Liturgy" (Reaktion Books, 2025)</title>
      <description>With implications for the history of religion and art alike, an exploration of the lasting influence of Christian liturgy across a range of media.

Light on Darkness: The Untold Story of the Liturgy (Reaktion Books, 2025) offers a captivating journey through the history of religious rituals in Western Europe, showcasing the profound impact of Christian liturgy on art, literature, music, and architecture. Through ten evocative stories, it explores medieval rituals and their cultural influence up to the present day, providing fresh insights into the enduring legacy of the liturgy as an expression of human emotion and religious experience. Accessible to all, this guide provides translations and explanations to uncover the hidden treasures of ancient rites and their lasting significance, appealing to those seeking a deeper understanding of Western liturgical traditions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 30 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>With implications for the history of religion and art alike, an exploration of the lasting influence of Christian liturgy across a range of media.

Light on Darkness: The Untold Story of the Liturgy (Reaktion Books, 2025) offers a captivating journey through the history of religious rituals in Western Europe, showcasing the profound impact of Christian liturgy on art, literature, music, and architecture. Through ten evocative stories, it explores medieval rituals and their cultural influence up to the present day, providing fresh insights into the enduring legacy of the liturgy as an expression of human emotion and religious experience. Accessible to all, this guide provides translations and explanations to uncover the hidden treasures of ancient rites and their lasting significance, appealing to those seeking a deeper understanding of Western liturgical traditions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With implications for the history of religion and art alike, an exploration of the lasting influence of Christian liturgy across a range of media.</p>
<p><a href="https://bookshop.org/a/12343/9781836390442">Light on Darkness: The Untold Story of the Liturgy</a> (Reaktion Books, 2025) offers a captivating journey through the history of religious rituals in Western Europe, showcasing the profound impact of Christian liturgy on art, literature, music, and architecture. Through ten evocative stories, it explores medieval rituals and their cultural influence up to the present day, providing fresh insights into the enduring legacy of the liturgy as an expression of human emotion and religious experience. Accessible to all, this guide provides translations and explanations to uncover the hidden treasures of ancient rites and their lasting significance, appealing to those seeking a deeper understanding of Western liturgical traditions.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4344</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f12061c0-b475-11f0-aa55-f3a0cb09f5a7]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK6072799535.mp3?updated=1761708285" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Janice Ross "The Choreography of Environments: How the Anna and Lawrence Halprin Home Transformed Contemporary Dance and Urban Design" (Oxford UP, 2025)</title>
      <description>The Choreography of Environments: How the Anna and Lawrence Halprin Home Transformed Contemporary Dance and Urban Design (Oxford UP, 2025) explores how objects and the domestic spaces seep into the aesthetic consciousness of movement-based artists, like dancers and urban designers, significantly shaping their approach to movement invention and choreography. If these objects and spaces happen to have been designed by a leading modernist architect and landscape designer working with the dancer, then the aesthetic imprint is amplified. Dance innovation becomes pressed into dialogue with spatial, environmental, and urban agendas. The Choreography of Environments builds on this premise to consider the use of ordinary objects from a private residence as lenses into viewing dance innovation.

Author Janice Ross posits the Halprins' 1950s iconic mid-century modern home and expansive outdoor dance deck as a hidden archive. She explores four objects from their house and gardens -- staircase, deck, chair, and window -- to trace how, despite the conservative postwar climate, this intimate domestic space became a radical template reshaping postmodern dance invention and its expansion into civic, social, and environmental engagement in the twentieth and twenty-first centuries. The work that happened in this white, middle class, Jewish-American home in a San Francisco suburb paved the way for changes that continue to resonate today across contemporary dance, performance, and urban design. These include: defamiliarizing urban landscape and gardens as cloistered theaters where civic identities are rehearsed, orchestrating collective problem solving and invention, normalizing the nude body, privileging a utilitarian and responsive rather than sentimental approach to dance in the environment, and re-positioning choreography as a vital medium for urban problem solving.

These four representative objects in the Halprin home are also used to trace the burgeoning of dance as a forceful medium for civic engagement, and its valorization of the ordinary in movement. As a whole, this book shows how dance, architecture, and landscape design would have a profound confluence through these shared domestic spaces and objects of the Halprins' lives.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 28 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Choreography of Environments: How the Anna and Lawrence Halprin Home Transformed Contemporary Dance and Urban Design (Oxford UP, 2025) explores how objects and the domestic spaces seep into the aesthetic consciousness of movement-based artists, like dancers and urban designers, significantly shaping their approach to movement invention and choreography. If these objects and spaces happen to have been designed by a leading modernist architect and landscape designer working with the dancer, then the aesthetic imprint is amplified. Dance innovation becomes pressed into dialogue with spatial, environmental, and urban agendas. The Choreography of Environments builds on this premise to consider the use of ordinary objects from a private residence as lenses into viewing dance innovation.

Author Janice Ross posits the Halprins' 1950s iconic mid-century modern home and expansive outdoor dance deck as a hidden archive. She explores four objects from their house and gardens -- staircase, deck, chair, and window -- to trace how, despite the conservative postwar climate, this intimate domestic space became a radical template reshaping postmodern dance invention and its expansion into civic, social, and environmental engagement in the twentieth and twenty-first centuries. The work that happened in this white, middle class, Jewish-American home in a San Francisco suburb paved the way for changes that continue to resonate today across contemporary dance, performance, and urban design. These include: defamiliarizing urban landscape and gardens as cloistered theaters where civic identities are rehearsed, orchestrating collective problem solving and invention, normalizing the nude body, privileging a utilitarian and responsive rather than sentimental approach to dance in the environment, and re-positioning choreography as a vital medium for urban problem solving.

These four representative objects in the Halprin home are also used to trace the burgeoning of dance as a forceful medium for civic engagement, and its valorization of the ordinary in movement. As a whole, this book shows how dance, architecture, and landscape design would have a profound confluence through these shared domestic spaces and objects of the Halprins' lives.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780197775639">The Choreography of Environments: How the Anna and Lawrence Halprin Home Transformed Contemporary Dance and Urban Design</a> (Oxford UP, 2025) explores how objects and the domestic spaces seep into the aesthetic consciousness of movement-based artists, like dancers and urban designers, significantly shaping their approach to movement invention and choreography. If these objects and spaces happen to have been designed by a leading modernist architect and landscape designer working with the dancer, then the aesthetic imprint is amplified. Dance innovation becomes pressed into dialogue with spatial, environmental, and urban agendas. <em>The Choreography of Environments</em> builds on this premise to consider the use of ordinary objects from a private residence as lenses into viewing dance innovation.</p>
<p>Author Janice Ross posits the Halprins' 1950s iconic mid-century modern home and expansive outdoor dance deck as a hidden archive. She explores four objects from their house and gardens -- staircase, deck, chair, and window -- to trace how, despite the conservative postwar climate, this intimate domestic space became a radical template reshaping postmodern dance invention and its expansion into civic, social, and environmental engagement in the twentieth and twenty-first centuries. The work that happened in this white, middle class, Jewish-American home in a San Francisco suburb paved the way for changes that continue to resonate today across contemporary dance, performance, and urban design. These include: defamiliarizing urban landscape and gardens as cloistered theaters where civic identities are rehearsed, orchestrating collective problem solving and invention, normalizing the nude body, privileging a utilitarian and responsive rather than sentimental approach to dance in the environment, and re-positioning choreography as a vital medium for urban problem solving.</p>
<p>These four representative objects in the Halprin home are also used to trace the burgeoning of dance as a forceful medium for civic engagement, and its valorization of the ordinary in movement. As a whole, this book shows how dance, architecture, and landscape design would have a profound confluence through these shared domestic spaces and objects of the Halprins' lives.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3401</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bd73617c-b30a-11f0-9e33-afe155ed353f]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK9749766957.mp3?updated=1761552147" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Emily Gee, "Hostel, House and Chambers: Accommodating the Victorian and Edwardian Working Woman" (Liverpool UP, 2025)</title>
      <description>Hostel, House and Chambers: Accommodating the Victorian and Edwardian Working Woman (Liverpool University Press, 2025) by Emily Gee is the first comprehensive study of the campaigns to house a new generation of working women, the specialised design of the buildings and the women whose lives were changed by this architectural movement. After 1900, the rapid rise of women working as clerks, secretaries or typists, in London and other cities, created an urgent need for affordable and respectable accommodation. Building on models of elegant Victorian ladies’ residential chambers and the vast working men’s lodging houses, a new type of single working women’s hostel emerged.

The handsome, if occasionally austere, façades blended into the Edwardian streetscape. However, architectural plans, literary descriptions and historic photographs reveal distinctive interiors. The hostels featured efficiently planned tiny private spaces alongside generous communal dining and sitting rooms, as well as libraries, music rooms and bicycle stores. Emphatically not charitable or municipal affairs, these were business-minded enterprises, established and advocated by other Edwardian women. In turn, these little-known buildings supported, enabled and empowered a new generation of intrepid working women. This book brings the buildings, and the residents, to vivid life through previously untapped sources.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 15 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Hostel, House and Chambers: Accommodating the Victorian and Edwardian Working Woman (Liverpool University Press, 2025) by Emily Gee is the first comprehensive study of the campaigns to house a new generation of working women, the specialised design of the buildings and the women whose lives were changed by this architectural movement. After 1900, the rapid rise of women working as clerks, secretaries or typists, in London and other cities, created an urgent need for affordable and respectable accommodation. Building on models of elegant Victorian ladies’ residential chambers and the vast working men’s lodging houses, a new type of single working women’s hostel emerged.

The handsome, if occasionally austere, façades blended into the Edwardian streetscape. However, architectural plans, literary descriptions and historic photographs reveal distinctive interiors. The hostels featured efficiently planned tiny private spaces alongside generous communal dining and sitting rooms, as well as libraries, music rooms and bicycle stores. Emphatically not charitable or municipal affairs, these were business-minded enterprises, established and advocated by other Edwardian women. In turn, these little-known buildings supported, enabled and empowered a new generation of intrepid working women. This book brings the buildings, and the residents, to vivid life through previously untapped sources.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781836244554">Hostel, House and Chambers: Accommodating the Victorian and Edwardian Working Woman</a> (Liverpool University Press, 2025) by Emily Gee is the first comprehensive study of the campaigns to house a new generation of working women, the specialised design of the buildings and the women whose lives were changed by this architectural movement. After 1900, the rapid rise of women working as clerks, secretaries or typists, in London and other cities, created an urgent need for affordable and respectable accommodation. Building on models of elegant Victorian ladies’ residential chambers and the vast working men’s lodging houses, a new type of single working women’s hostel emerged.</p>
<p>The handsome, if occasionally austere, façades blended into the Edwardian streetscape. However, architectural plans, literary descriptions and historic photographs reveal distinctive interiors. The hostels featured efficiently planned tiny private spaces alongside generous communal dining and sitting rooms, as well as libraries, music rooms and bicycle stores. Emphatically not charitable or municipal affairs, these were business-minded enterprises, established and advocated by other Edwardian women. In turn, these little-known buildings supported, enabled and empowered a new generation of intrepid working women. This book brings the buildings, and the residents, to vivid life through previously untapped sources.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2946</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f04f7b76-a879-11f0-92b9-f336bc294388]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK4653094619.mp3?updated=1760390260" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carlotta Daro, "The Architecture of the Wire: Infrastructures of Telecommunication" (MIT Press, 2025)</title>
      <description>The Architecture of the Wire explores the development of telecommunications infrastructure and its impact on the architectural and urban culture of the modern age—from poles, wires, and cables, to “micro-architectures,” such as the théâtrophone and the telephone booth. Starting with the intrepid worldwide infrastructures of the late nineteenth century, Carlotta Darò proposes a new history that explores the multiple links and crossroads of such technical “things” with architecture and art.Based on extensive research of North American company archives, and French institutional ones, and drawing on secondary literature in art and architectural history, media studies, and the history of technology, Darò examines the aesthetic implications of material objects that have forever changed our urban, rural, and domestic environments.

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores architecture in the long nineteenth century, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 05 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>96</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Architecture of the Wire explores the development of telecommunications infrastructure and its impact on the architectural and urban culture of the modern age—from poles, wires, and cables, to “micro-architectures,” such as the théâtrophone and the telephone booth. Starting with the intrepid worldwide infrastructures of the late nineteenth century, Carlotta Darò proposes a new history that explores the multiple links and crossroads of such technical “things” with architecture and art.Based on extensive research of North American company archives, and French institutional ones, and drawing on secondary literature in art and architectural history, media studies, and the history of technology, Darò examines the aesthetic implications of material objects that have forever changed our urban, rural, and domestic environments.

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores architecture in the long nineteenth century, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>The Architecture of the Wire</em> explores the development of telecommunications infrastructure and its impact on the architectural and urban culture of the modern age—from poles, wires, and cables, to “micro-architectures,” such as the théâtrophone and the telephone booth. Starting with the intrepid worldwide infrastructures of the late nineteenth century, Carlotta Darò proposes a new history that explores the multiple links and crossroads of such technical “things” with architecture and art.<br>Based on extensive research of North American company archives, and French institutional ones, and drawing on secondary literature in art and architectural history, media studies, and the history of technology, Darò examines the aesthetic implications of material objects that have forever changed our urban, rural, and domestic environments.</p>
<p>This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores architecture in the long nineteenth century, focusing on artistic techniques, technology, and political economy. Wells is the author of <a href="https://verlag.gta.arch.ethz.ch/en/gta:book_6db14e9d-a38e-45d4-b477-8c02cba3d1ce">Modelling the Metropolis: The Architectural Model in Victorian London</a> (2023).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2243</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a45a1e18-a088-11f0-9275-9b9075ff97a7]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK5282582253.mp3?updated=1759518124" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aaron Cayer, "Incorporating Architects: How American Architecture Became a Practice of Empire" (U California Press, 2025)</title>
      <description>By the end of the twentieth century, US architecture and engineering firms held more capital than entire countries, employed more people than were housed in most cities, and rented offices in more nations than comprised the UN. Within them, architects were designing not single buildings but urban systems, including the multinational infrastructures, legal codes, and financial mechanisms on which those systems came to depend. However, despite the extraordinary power of these architects, their histories remain shrouded in myth and concealed—by design.

In Incorporating Architects: How American Architecture Became a Practice of Empire (U California Press, 2025) Dr. Aaron Cayer provides a forensic analysis that traces a history of architects at one such firm, AECOM, as they assembled their own multinational corporation and embedded themselves in the operations of American empire after World War II, shielding themselves from the instabilities of a postwar political economy. Incorporating Architects reveals how architects, through their businesses more than their drawings or buildings, modulated the political economy, gripped the reins of their profession, and produced the global injustices that define our neoliberal present.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 26 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>By the end of the twentieth century, US architecture and engineering firms held more capital than entire countries, employed more people than were housed in most cities, and rented offices in more nations than comprised the UN. Within them, architects were designing not single buildings but urban systems, including the multinational infrastructures, legal codes, and financial mechanisms on which those systems came to depend. However, despite the extraordinary power of these architects, their histories remain shrouded in myth and concealed—by design.

In Incorporating Architects: How American Architecture Became a Practice of Empire (U California Press, 2025) Dr. Aaron Cayer provides a forensic analysis that traces a history of architects at one such firm, AECOM, as they assembled their own multinational corporation and embedded themselves in the operations of American empire after World War II, shielding themselves from the instabilities of a postwar political economy. Incorporating Architects reveals how architects, through their businesses more than their drawings or buildings, modulated the political economy, gripped the reins of their profession, and produced the global injustices that define our neoliberal present.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>By the end of the twentieth century, US architecture and engineering firms held more capital than entire countries, employed more people than were housed in most cities, and rented offices in more nations than comprised the UN. Within them, architects were designing not single buildings but urban systems, including the multinational infrastructures, legal codes, and financial mechanisms on which those systems came to depend. However, despite the extraordinary power of these architects, their histories remain shrouded in myth and concealed—by design.</p>
<p>In <a href="https://bookshop.org/a/12343/9780520400870">Incorporating Architects: How American Architecture Became a Practice of Empire</a> (U California Press, 2025) Dr. Aaron Cayer provides a forensic analysis that traces a history of architects at one such firm, AECOM, as they assembled their own multinational corporation and embedded themselves in the operations of American empire after World War II, shielding themselves from the instabilities of a postwar political economy. <em>Incorporating Architects</em> reveals how architects, through their businesses more than their drawings or buildings, modulated the political economy, gripped the reins of their profession, and produced the global injustices that define our neoliberal present.</p>
<p><br><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2075</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cee4cf4e-99e3-11f0-926d-ff8d19b6e2e7]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK5119182678.mp3?updated=1758786852" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Olga Touloumi, "Assembly by Design: The United Nations and Its Global Interior" (U Minnesota Press, 2024)</title>
      <description>For almost seven years after World War II, a small group of architects took on an exciting task: to imagine the spaces of global governance for a new political organization called the United Nations (UN). To create the iconic headquarters of the UN in New York City, these architects experimented with room layouts, media technologies, and design in tribunal courtrooms, assembly halls, and council chambers. The result was the creation of a new type of public space, the global interior.

Assembly by Design: The United Nations and Its Global Interior (U of Minnesota Press, 2024) shows how this space leveraged media to help the UN communicate with the world. With its media infrastructure, symbols, acoustic design, and architecture, the global interior defined political assembly both inside and outside the UN headquarters, serving as the architectural medium to organize multilateral encounters of international publics around the globe. Demonstrating how aesthetics have long held sway over political work, Olga Touloumi posits that the building framed diplomacy on the ground amid a changing political landscape that brought the United States to the forefront of international politics, destabilizing old and establishing new geopolitical alliances.

Uncovering previously closed institutional and family archives, Assembly by Design offers new information about the political and aesthetic decisions that turned the UN headquarters into a communications organism. It looks back at a moment of hope, when politicians, architects, and diplomats—believing that assembly was a matter of design—worked together to deliver platforms for global democracy and governance.

Olga Touloumi is associate professor of architectural history at Bard College. She is coeditor of Computer Architectures: Constructing the Common Ground.

Nushelle de Silva is assistant professor of architectural history at Fordham University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 30 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For almost seven years after World War II, a small group of architects took on an exciting task: to imagine the spaces of global governance for a new political organization called the United Nations (UN). To create the iconic headquarters of the UN in New York City, these architects experimented with room layouts, media technologies, and design in tribunal courtrooms, assembly halls, and council chambers. The result was the creation of a new type of public space, the global interior.

Assembly by Design: The United Nations and Its Global Interior (U of Minnesota Press, 2024) shows how this space leveraged media to help the UN communicate with the world. With its media infrastructure, symbols, acoustic design, and architecture, the global interior defined political assembly both inside and outside the UN headquarters, serving as the architectural medium to organize multilateral encounters of international publics around the globe. Demonstrating how aesthetics have long held sway over political work, Olga Touloumi posits that the building framed diplomacy on the ground amid a changing political landscape that brought the United States to the forefront of international politics, destabilizing old and establishing new geopolitical alliances.

Uncovering previously closed institutional and family archives, Assembly by Design offers new information about the political and aesthetic decisions that turned the UN headquarters into a communications organism. It looks back at a moment of hope, when politicians, architects, and diplomats—believing that assembly was a matter of design—worked together to deliver platforms for global democracy and governance.

Olga Touloumi is associate professor of architectural history at Bard College. She is coeditor of Computer Architectures: Constructing the Common Ground.

Nushelle de Silva is assistant professor of architectural history at Fordham University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For almost seven years after World War II, a small group of architects took on an exciting task: to imagine the spaces of global governance for a new political organization called the United Nations (UN). To create the iconic headquarters of the UN in New York City, these architects experimented with room layouts, media technologies, and design in tribunal courtrooms, assembly halls, and council chambers. The result was the creation of a new type of public space, the global interior.</p>
<p><a href="https://bookshop.org/a/12343/9781517913335">Assembly by Design: The United Nations and Its Global Interior</a><em> </em>(U of Minnesota Press, 2024) shows how this space leveraged media to help the UN communicate with the world. With its media infrastructure, symbols, acoustic design, and architecture, the global interior defined political assembly both inside and outside the UN headquarters, serving as the architectural medium to organize multilateral encounters of international publics around the globe. Demonstrating how aesthetics have long held sway over political work, Olga Touloumi posits that the building framed diplomacy on the ground amid a changing political landscape that brought the United States to the forefront of international politics, destabilizing old and establishing new geopolitical alliances.</p>
<p>Uncovering previously closed institutional and family archives, <em>Assembly by Design</em> offers new information about the political and aesthetic decisions that turned the UN headquarters into a communications organism. It looks back at a moment of hope, when politicians, architects, and diplomats—believing that assembly was a matter of design—worked together to deliver platforms for global democracy and governance.</p>
<p>Olga Touloumi is associate professor of architectural history at Bard College. She is coeditor of <em>Computer Architectures: Constructing the Common Ground</em>.</p>
<p>Nushelle de Silva is assistant professor of architectural history at Fordham University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3485</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[33bf239e-84a2-11f0-b72d-ef41b5f0238a]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK3994223598.mp3?updated=1756450022" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Harald Bodenschatz et al., "Urban Planning in Nazi Germany: Attack, Triumph, Terror in the European Context, 1933–1945" (DOM, 2025)</title>
      <description>Urban Planning in Nazi Germany: Attack, Triumph, Terror in the European Context, 1933–1945 (DOM, 2025) is edited by Uwe Altrock, Harald Bodenschatz, Victoria Grau, Jannik Noeske, Christiane Post, and Max Welch Guerra. The book includes contributions from Christian von Oppen, Piero Sassi, and Jannik Noeske. 

Two co-editors, Victoria Grau and Max Welch Guerra, join the New Books Network to discuss this work.

In this book, urban planning under the Nazi dictatorship is for the first time examined not only as something that evolved during the different periods of Nazi rule but also in the context of other European dictatorships of the time. The period between 1933 and 1945 saw important changes in the focus of Nazi urban planning. These affected the cast of principal actors, the content of the regime’s propaganda, cities and areas affected, programs and practices, and winners and losers. The result of this survey is a multi-layered picture that goes beyond the usual presentation of well-known power-projecting buildings to consider a range of other important aspects including housing construction, urban renewal, internal colonization, buildings for rearmament, large-scale infrastructure, industrial areas, educational institutions, and camps.

This volume marks the conclusion of a series of academic publications about urban planning and dictatorship – in the Soviet Union, Italy, Portugal and Spain. Urban Planning in Nazi Germany: Attack, Triumph, Terror in the European Context, 1933-1945 is the English language edition of Stadtbau im Nationalsozialismus: Angriff, Triumph, Terror im europäischen Kontext, 1933–1945.

Guests:

Victoria Grau (she/her), *1999, studied Urban Studies at the Bauhaus-Universität Weimar and at University College Dublin. Since 2022 research assistant at the Chair of Spatial Planning and Spatial Research at Bauhaus-Universität Weimar. Research focus: Relationship between planning, politics and economy in European metropolitan centers in the 20th and 21st century. PhD project: History of the discipline of urban planning and its reception after 1945.Max Welch Guerra (he/him), *1956, political scientist (FU Berlin), since 2003 head of chair for spatial planning and spatial research at Bauhaus-Universität Weimar. Research and teaching on spatial planning and politics with a focus on German and European history in the 20th century. Member of the International Planning History Society (IPHS), the Academic Advisory Board of the Documentation Center Nazi Party Rally Grounds / Zeppelin Grandstand and Zeppelin Field, Nuremberg, and Chairman of the Academic Advisory Board of the Academy for Territorial Development in the Leibniz Association (ARL).



.

Host:   

Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Find Jenna on Scholars@Duke or her Linktree.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 26 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Urban Planning in Nazi Germany: Attack, Triumph, Terror in the European Context, 1933–1945 (DOM, 2025) is edited by Uwe Altrock, Harald Bodenschatz, Victoria Grau, Jannik Noeske, Christiane Post, and Max Welch Guerra. The book includes contributions from Christian von Oppen, Piero Sassi, and Jannik Noeske. 

Two co-editors, Victoria Grau and Max Welch Guerra, join the New Books Network to discuss this work.

In this book, urban planning under the Nazi dictatorship is for the first time examined not only as something that evolved during the different periods of Nazi rule but also in the context of other European dictatorships of the time. The period between 1933 and 1945 saw important changes in the focus of Nazi urban planning. These affected the cast of principal actors, the content of the regime’s propaganda, cities and areas affected, programs and practices, and winners and losers. The result of this survey is a multi-layered picture that goes beyond the usual presentation of well-known power-projecting buildings to consider a range of other important aspects including housing construction, urban renewal, internal colonization, buildings for rearmament, large-scale infrastructure, industrial areas, educational institutions, and camps.

This volume marks the conclusion of a series of academic publications about urban planning and dictatorship – in the Soviet Union, Italy, Portugal and Spain. Urban Planning in Nazi Germany: Attack, Triumph, Terror in the European Context, 1933-1945 is the English language edition of Stadtbau im Nationalsozialismus: Angriff, Triumph, Terror im europäischen Kontext, 1933–1945.

Guests:

Victoria Grau (she/her), *1999, studied Urban Studies at the Bauhaus-Universität Weimar and at University College Dublin. Since 2022 research assistant at the Chair of Spatial Planning and Spatial Research at Bauhaus-Universität Weimar. Research focus: Relationship between planning, politics and economy in European metropolitan centers in the 20th and 21st century. PhD project: History of the discipline of urban planning and its reception after 1945.Max Welch Guerra (he/him), *1956, political scientist (FU Berlin), since 2003 head of chair for spatial planning and spatial research at Bauhaus-Universität Weimar. Research and teaching on spatial planning and politics with a focus on German and European history in the 20th century. Member of the International Planning History Society (IPHS), the Academic Advisory Board of the Documentation Center Nazi Party Rally Grounds / Zeppelin Grandstand and Zeppelin Field, Nuremberg, and Chairman of the Academic Advisory Board of the Academy for Territorial Development in the Leibniz Association (ARL).



.

Host:   

Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Find Jenna on Scholars@Duke or her Linktree.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9783869229324">Urban Planning in Nazi Germany: Attack, Triumph, Terror in the European Context, 1933–1945</a><em> (DOM, 2025) </em>is edited by Uwe Altrock, Harald Bodenschatz, Victoria Grau, Jannik Noeske, Christiane Post, and Max Welch Guerra. The book includes contributions from Christian von Oppen, Piero Sassi, and Jannik Noeske. </p>
<p>Two co-editors, Victoria Grau and Max Welch Guerra, join the New Books Network to discuss this work.<br></p>
<p>In this book, urban planning under the Nazi dictatorship is for the first time examined not only as something that evolved during the different periods of Nazi rule but also in the context of other European dictatorships of the time. The period between 1933 and 1945 saw important changes in the focus of Nazi urban planning. These affected the cast of principal actors, the content of the regime’s propaganda, cities and areas affected, programs and practices, and winners and losers. The result of this survey is a multi-layered picture that goes beyond the usual presentation of well-known power-projecting buildings to consider a range of other important aspects including housing construction, urban renewal, internal colonization, buildings for rearmament, large-scale infrastructure, industrial areas, educational institutions, and camps.</p>
<p>This volume marks the conclusion of a series of academic publications about urban planning and dictatorship – in the Soviet Union, Italy, Portugal and Spain.<em> Urban Planning in Nazi Germany: Attack, Triumph, Terror in the European Context, 1933-1945</em> is the English language edition of <em>Stadtbau im Nationalsozialismus: Angriff, Triumph, Terror im europäischen Kontext, 1933–1945</em>.</p>
<p><strong>Guests:</strong></p>
<p>Victoria Grau (she/her), *1999, studied Urban Studies at the Bauhaus-Universität Weimar and at University College Dublin. Since 2022 research assistant at the Chair of Spatial Planning and Spatial Research at Bauhaus-Universität Weimar. Research focus: Relationship between planning, politics and economy in European metropolitan centers in the 20th and 21st century. PhD project: History of the discipline of urban planning and its reception after 1945.<br>Max Welch Guerra (he/him), *1956, political scientist (FU Berlin), since 2003 head of chair for spatial planning and spatial research at Bauhaus-Universität Weimar. Research and teaching on spatial planning and politics with a focus on German and European history in the 20th century. Member of the International Planning History Society (IPHS), the Academic Advisory Board of the Documentation Center Nazi Party Rally Grounds / Zeppelin Grandstand and Zeppelin Field, Nuremberg, and Chairman of the Academic Advisory Board of the Academy for Territorial Development in the Leibniz Association (ARL).</p>
<p><br></p>
<p><br>.</p>
<p><strong>Host:   </strong></p>
<p>Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Find Jenna on <a href="https://scholars.duke.edu/person/Jenna.Pittman">Scholars@Duke</a> or her <a href="https://linktr.ee/jennapittman">Linktree</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3360</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7e298984-829e-11f0-aa31-63e61e72a4a0]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK1569944310.mp3?updated=1756095430" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bench Ansfield, "Born in Flames: The Business of Arson and the Remaking of the American City" (Norton, 2025)</title>
      <description>“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation’s urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords.

Ansfield’s book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks.

Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website.

Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 20 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation’s urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords.

Ansfield’s book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks.

Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website.

Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation’s urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in <a href="https://bookshop.org/a/12343/9781324093510">Born in Flames: The Business of Arson and the Remaking of the American City</a><em> </em>(Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords.</p>
<p>Ansfield’s book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like <em>The Towering Inferno</em> to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks.</p>
<p>Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. <a href="https://bsky.app/profile/benchansfield.bsky.social">Bluesky</a>. <a href="https://www.benchansfield.com/">Website</a>.</p>
<p><em>Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. </em><a href="https://twitter.com/brianfhamilton">Twitter</a><em>. </em><a href="http://brian-hamilton.org/">Website</a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2898</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5f8f0652-7cf9-11f0-b749-e7c3fa731424]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK8920139540.mp3?updated=1755578472" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Edward Berenson, "Perfect Communities: Levitt, Levittown, and the Dream of White Suburbia" (Yale UP, 2025)</title>
      <description>The rise and fall of William J. Levitt, the man who made the suburban house a mass commodity.

Two material artifacts defined the middle-class American lifestyle in the mid-twentieth century: the automobile, which brought gas stations, highways, commercial strips, and sprawl; and the single-family suburban home, the repository of many families’ long-term wealth. While the man who did the most to make the automobile a mass commodity—Henry Ford—is well known, few know the story of the man who did the same for the suburban house.

Edward Berenson describes the remarkable career of William Levitt, who did more than anyone else to create the modern suburb. In response to an unprecedented housing shortage as veterans returned home from World War II, his Levittown developments provided inexpensive mass-produced housing that was wildly popular—prospective buyers would camp out in line for two days for the chance to put down a deposit on a Levitt house. He was a celebrity, a life-changing hero to tens of thousands, and the pitchman of a renewed American Dream. But Levitt also shared Ford’s dark side. He refused to allow Black people to buy or rent in his developments and doggedly defended this practice against legal challenges. Leading the way for other developers who emulated his actions, he helped ensure that suburbs nationwide remained white enclaves. These legacies are still with us. Levitt made a major contribution to the stubborn wealth disparity between white families and Black families, and his solution to the housing crisis of the 1940s—the detached house and surrounding yard—is a primary cause of the housing crisis today.

As a person, Levitt was a strangely guileless and tragic figure. He accumulated vast wealth but, after losing control of his building company, surrendered it all through foolish investments and a lavish lifestyle that included a Long Island mansion and a two-hundred-foot yacht. Just weeks before his death, as a charity patient in a hospital to which he had once given millions, he was still imagining his great comeback.

Edward Berenson is a professor of history at New York University and director of its Institute of French Studies. His books include Europe in the Modern World, The Statue of Liberty: A Transatlantic Story, and The Accusation. He lives in Tarrytown, NY.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 13 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The rise and fall of William J. Levitt, the man who made the suburban house a mass commodity.

Two material artifacts defined the middle-class American lifestyle in the mid-twentieth century: the automobile, which brought gas stations, highways, commercial strips, and sprawl; and the single-family suburban home, the repository of many families’ long-term wealth. While the man who did the most to make the automobile a mass commodity—Henry Ford—is well known, few know the story of the man who did the same for the suburban house.

Edward Berenson describes the remarkable career of William Levitt, who did more than anyone else to create the modern suburb. In response to an unprecedented housing shortage as veterans returned home from World War II, his Levittown developments provided inexpensive mass-produced housing that was wildly popular—prospective buyers would camp out in line for two days for the chance to put down a deposit on a Levitt house. He was a celebrity, a life-changing hero to tens of thousands, and the pitchman of a renewed American Dream. But Levitt also shared Ford’s dark side. He refused to allow Black people to buy or rent in his developments and doggedly defended this practice against legal challenges. Leading the way for other developers who emulated his actions, he helped ensure that suburbs nationwide remained white enclaves. These legacies are still with us. Levitt made a major contribution to the stubborn wealth disparity between white families and Black families, and his solution to the housing crisis of the 1940s—the detached house and surrounding yard—is a primary cause of the housing crisis today.

As a person, Levitt was a strangely guileless and tragic figure. He accumulated vast wealth but, after losing control of his building company, surrendered it all through foolish investments and a lavish lifestyle that included a Long Island mansion and a two-hundred-foot yacht. Just weeks before his death, as a charity patient in a hospital to which he had once given millions, he was still imagining his great comeback.

Edward Berenson is a professor of history at New York University and director of its Institute of French Studies. His books include Europe in the Modern World, The Statue of Liberty: A Transatlantic Story, and The Accusation. He lives in Tarrytown, NY.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The rise and fall of William J. Levitt, the man who made the suburban house a mass commodity.</p>
<p>Two material artifacts defined the middle-class American lifestyle in the mid-twentieth century: the automobile, which brought gas stations, highways, commercial strips, and sprawl; and the single-family suburban home, the repository of many families’ long-term wealth. While the man who did the most to make the automobile a mass commodity—Henry Ford—is well known, few know the story of the man who did the same for the suburban house.</p>
<p>Edward Berenson describes the remarkable career of William Levitt, who did more than anyone else to create the modern suburb. In response to an unprecedented housing shortage as veterans returned home from World War II, his Levittown developments provided inexpensive mass-produced housing that was wildly popular—prospective buyers would camp out in line for two days for the chance to put down a deposit on a Levitt house. He was a celebrity, a life-changing hero to tens of thousands, and the pitchman of a renewed American Dream. But Levitt also shared Ford’s dark side. He refused to allow Black people to buy or rent in his developments and doggedly defended this practice against legal challenges. Leading the way for other developers who emulated his actions, he helped ensure that suburbs nationwide remained white enclaves. These legacies are still with us. Levitt made a major contribution to the stubborn wealth disparity between white families and Black families, and his solution to the housing crisis of the 1940s—the detached house and surrounding yard—is a primary cause of the housing crisis today.</p>
<p>As a person, Levitt was a strangely guileless and tragic figure. He accumulated vast wealth but, after losing control of his building company, surrendered it all through foolish investments and a lavish lifestyle that included a Long Island mansion and a two-hundred-foot yacht. Just weeks before his death, as a charity patient in a hospital to which he had once given millions, he was still imagining his great comeback.</p>
<p>Edward Berenson is a professor of history at New York University and director of its Institute of French Studies. His books include Europe in the Modern World, The Statue of Liberty: A Transatlantic Story, and The Accusation. He lives in Tarrytown, NY.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3788</itunes:duration>
      <guid isPermaLink="false"><![CDATA[acaef5ae-77af-11f0-bc7e-c3bb01fd233e]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK3587065252.mp3?updated=1755026033" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nezar AlSayyad and Heba Safey Eldeen, "Cinematic Cairo: Egyptian Urban Modernity from Reel to Real" (American U in Cairo Press, 2022)</title>
      <description>The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo: Egyptian Urban Modernity from Reel to Real offers a history of Cairo’s urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for Egypt’s film industry since the inception of the art form at the end of the nineteenth century. The “reel” city—imagined, perceived, and experienced—provides the spatial domain that mirrors change and allows for an interrogation of the “real” city as it encountered modernity over the course of a century.Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 07 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo: Egyptian Urban Modernity from Reel to Real offers a history of Cairo’s urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for Egypt’s film industry since the inception of the art form at the end of the nineteenth century. The “reel” city—imagined, perceived, and experienced—provides the spatial domain that mirrors change and allows for an interrogation of the “real” city as it encountered modernity over the course of a century.Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. <em>Cinematic Cairo: Egyptian Urban Modernity from Reel to Real </em>offers a history of Cairo’s urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for Egypt’s film industry since the inception of the art form at the end of the nineteenth century. The “reel” city—imagined, perceived, and experienced—provides the spatial domain that mirrors change and allows for an interrogation of the “real” city as it encountered modernity over the course of a century.<br>Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4090</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2b773ef8-72cb-11f0-b6e5-c783906fb4d1]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK3915290109.mp3?updated=1754487678" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ünver Rüstem, "Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul" (Princeton UP, 2019)</title>
      <description>In Istanbul, there is a mosque on every hill. Cruising along the Bosphorus, either for pleasure, or like the majority of Istanbul’s denizens, for transit, you cannot help but notice that the city’s landscape would be dramatically altered without the mosques of the city. In Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul (Princeton University Press, 2019), Ünver Rüstem takes a stab of a slice of that history, arguing that we should see the eighteenth-century Baroque period in Ottoman mosque architecture as innovative and not derivative in how Ottoman mosque architecture integrated Baroque elements. By doing so, he pushes back effectively against notions of Ottoman decline and demonstrates that such architecture, praised in the contemporary writings of both Ottoman and Western viewers, successfully rebranded the Ottoman capital for a changing world. He also draws our eyes to the complex social process by which mosque design develops, bringing in a cast of characters that includes non-Muslims as much as non-Muslims. On this New Books interview, we walk you through the book, Rüstem’s process, what Baroque means in different contexts and mosque architecture in Istanbul today.
Ünver Rüstem is Assistant Professor of Islamic Art and Architecture at Johns Hopkins University.
Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 27 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>102</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Rüstem takes a stab of a slice of that history, arguing that we should see the eighteenth-century Baroque period in Ottoman mosque architecture as innovative and not derivative...</itunes:subtitle>
      <itunes:summary>In Istanbul, there is a mosque on every hill. Cruising along the Bosphorus, either for pleasure, or like the majority of Istanbul’s denizens, for transit, you cannot help but notice that the city’s landscape would be dramatically altered without the mosques of the city. In Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul (Princeton University Press, 2019), Ünver Rüstem takes a stab of a slice of that history, arguing that we should see the eighteenth-century Baroque period in Ottoman mosque architecture as innovative and not derivative in how Ottoman mosque architecture integrated Baroque elements. By doing so, he pushes back effectively against notions of Ottoman decline and demonstrates that such architecture, praised in the contemporary writings of both Ottoman and Western viewers, successfully rebranded the Ottoman capital for a changing world. He also draws our eyes to the complex social process by which mosque design develops, bringing in a cast of characters that includes non-Muslims as much as non-Muslims. On this New Books interview, we walk you through the book, Rüstem’s process, what Baroque means in different contexts and mosque architecture in Istanbul today.
Ünver Rüstem is Assistant Professor of Islamic Art and Architecture at Johns Hopkins University.
Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In Istanbul, there is a mosque on every hill. Cruising along the Bosphorus, either for pleasure, or like the majority of Istanbul’s denizens, for transit, you cannot help but notice that the city’s landscape would be dramatically altered without the mosques of the city. In <a href="https://www.amazon.com/dp/069118187X/?tag=newbooinhis-20"><em>Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul</em></a><em> </em>(Princeton University Press, 2019), <a href="https://arthist.jhu.edu/directory/unver-rustem/">Ünver Rüstem</a> takes a stab of a slice of that history, arguing that we should see the eighteenth-century Baroque period in Ottoman mosque architecture as innovative and not derivative in how Ottoman mosque architecture integrated Baroque elements. By doing so, he pushes back effectively against notions of Ottoman decline and demonstrates that such architecture, praised in the contemporary writings of both Ottoman and Western viewers, successfully rebranded the Ottoman capital for a changing world. He also draws our eyes to the complex social process by which mosque design develops, bringing in a cast of characters that includes non-Muslims as much as non-Muslims. On this New Books interview, we walk you through the book, Rüstem’s process, what Baroque means in different contexts and mosque architecture in Istanbul today.</p><p>Ünver Rüstem is Assistant Professor of Islamic Art and Architecture at Johns Hopkins University.</p><p><em>Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets </em><a href="https://twitter.com/namansour26"><em>@NAMansour26</em></a><em> and produces another Middle-East and North Africa-related podcast: </em><a href="https://www.facebook.com/ReintroducingPodcast/"><em>Reintroducing</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4323</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c74a605c-68bd-11f0-b547-33b1e0217196]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK1022101261.mp3?updated=1753916134" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Allan Doig, "A History of the Church through its Buildings" (Oxford UP, 2021)</title>
      <description>A History of the Church through its Buildings (Oxford University Press, 2021) by Allan Doig takes the reader to meet people who lived through momentous religious changes in the very spaces where the story of the Church took shape. Buildings are about people, the people who conceived, designed, financed, and used them. Their stories become embedded in the very fabric itself, and as the fabric is changed through time in response to changing use, relationships, and beliefs, the architecture becomes the standing history of passing waves of humanity.

This process takes on special significance in churches, where the arrangement of the space places members of the community in relationship with one another for the performance of the church's rites and ceremonies. Moreover, architectural forms and building materials can be used to establish relationships with other buildings in other places and other times. Coordinated systems of signs, symbols, and images proclaim beliefs and doctrine, and in a wider sense carry extended narratives of the people and their faith.

Looking at the history of the church through its buildings allows us to establish a tangible connection to the lives of the people involved in some of the key moments and movements that shaped that history, and perhaps even a degree of intimacy with them. Standing in the same place where the worshippers of the past preached and taught, or in a space they built as a memorial, touching the stone they placed, or marking their final resting-place, holding a keepsake they treasured or seeing a relic they venerated, probably comes as close to a shared experience with these people as it is possible to come. Perhaps for a fleeting moment at such times their faces may come more clearly into focus.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 19 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>28</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Allan Doig</itunes:subtitle>
      <itunes:summary>A History of the Church through its Buildings (Oxford University Press, 2021) by Allan Doig takes the reader to meet people who lived through momentous religious changes in the very spaces where the story of the Church took shape. Buildings are about people, the people who conceived, designed, financed, and used them. Their stories become embedded in the very fabric itself, and as the fabric is changed through time in response to changing use, relationships, and beliefs, the architecture becomes the standing history of passing waves of humanity.

This process takes on special significance in churches, where the arrangement of the space places members of the community in relationship with one another for the performance of the church's rites and ceremonies. Moreover, architectural forms and building materials can be used to establish relationships with other buildings in other places and other times. Coordinated systems of signs, symbols, and images proclaim beliefs and doctrine, and in a wider sense carry extended narratives of the people and their faith.

Looking at the history of the church through its buildings allows us to establish a tangible connection to the lives of the people involved in some of the key moments and movements that shaped that history, and perhaps even a degree of intimacy with them. Standing in the same place where the worshippers of the past preached and taught, or in a space they built as a memorial, touching the stone they placed, or marking their final resting-place, holding a keepsake they treasured or seeing a relic they venerated, probably comes as close to a shared experience with these people as it is possible to come. Perhaps for a fleeting moment at such times their faces may come more clearly into focus.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780199575367"><em>A History of the Church through its Buildings</em></a> (Oxford University Press, 2021) by <a href="https://www.theology.ox.ac.uk/people/dr-allan-doig">Allan Doig</a> takes the reader to meet people who lived through momentous religious changes in the very spaces where the story of the Church took shape. Buildings are about people, the people who conceived, designed, financed, and used them. Their stories become embedded in the very fabric itself, and as the fabric is changed through time in response to changing use, relationships, and beliefs, the architecture becomes the standing history of passing waves of humanity.</p><p><br></p><p>This process takes on special significance in churches, where the arrangement of the space places members of the community in relationship with one another for the performance of the church's rites and ceremonies. Moreover, architectural forms and building materials can be used to establish relationships with other buildings in other places and other times. Coordinated systems of signs, symbols, and images proclaim beliefs and doctrine, and in a wider sense carry extended narratives of the people and their faith.</p><p><br></p><p>Looking at the history of the church through its buildings allows us to establish a tangible connection to the lives of the people involved in some of the key moments and movements that shaped that history, and perhaps even a degree of intimacy with them. Standing in the same place where the worshippers of the past preached and taught, or in a space they built as a memorial, touching the stone they placed, or marking their final resting-place, holding a keepsake they treasured or seeing a relic they venerated, probably comes as close to a shared experience with these people as it is possible to come. Perhaps for a fleeting moment at such times their faces may come more clearly into focus.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2235</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4ff3b11c-9e86-11eb-9f5d-87f31482d022]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3270692481.mp3?updated=1753925135" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jake Kaner and Clive Edwards, "Conservation of Twentieth-Century Furniture" (Routledge, 2024)</title>
      <description>Conservation of Twentieth-Century Furniture (Routledge, 2024) provides comprehensive and accessible coverage of the materials and techniques that are encountered in furniture of this century.

After putting the design, manufacture and conservation of twentieth-century furniture into context, the volume then offers an A-Z of materials organised into 12 chapters. Within each chapter a wide variety of material types are discussed, observed, analysed and contextualised, and a list of further sources is provided. The furniture discussed in this book ranges from designer craftsman, individually made pieces, to factory-produced batch items, and includes cabinet work, decoration, surface finishes and upholstery, observing the traditional repertoire of materials, as well as innovative materials and processes introduced over the course of this century. Following the material chapters, the book also includes brief case studies that illustrate some examples of twentieth-century furniture conservation, with a focus on metal, plastic and wood.

Conservation of Twentieth-Century Furniture is the primary resource for those working on the manufacture, history and care of furniture of this period, including conservators, curators, dealers and collectors.

Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is currently a heritage conservation intern.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 18 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Conservation of Twentieth-Century Furniture (Routledge, 2024) provides comprehensive and accessible coverage of the materials and techniques that are encountered in furniture of this century.

After putting the design, manufacture and conservation of twentieth-century furniture into context, the volume then offers an A-Z of materials organised into 12 chapters. Within each chapter a wide variety of material types are discussed, observed, analysed and contextualised, and a list of further sources is provided. The furniture discussed in this book ranges from designer craftsman, individually made pieces, to factory-produced batch items, and includes cabinet work, decoration, surface finishes and upholstery, observing the traditional repertoire of materials, as well as innovative materials and processes introduced over the course of this century. Following the material chapters, the book also includes brief case studies that illustrate some examples of twentieth-century furniture conservation, with a focus on metal, plastic and wood.

Conservation of Twentieth-Century Furniture is the primary resource for those working on the manufacture, history and care of furniture of this period, including conservators, curators, dealers and collectors.

Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is currently a heritage conservation intern.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780750656023">Conservation of Twentieth-Century Furniture</a><em> </em>(Routledge, 2024)<em> </em>provides comprehensive and accessible coverage of the materials and techniques that are encountered in furniture of this century.</p>
<p>After putting the design, manufacture and conservation of twentieth-century furniture into context, the volume then offers an A-Z of materials organised into 12 chapters. Within each chapter a wide variety of material types are discussed, observed, analysed and contextualised, and a list of further sources is provided. The furniture discussed in this book ranges from designer craftsman, individually made pieces, to factory-produced batch items, and includes cabinet work, decoration, surface finishes and upholstery, observing the traditional repertoire of materials, as well as innovative materials and processes introduced over the course of this century. Following the material chapters, the book also includes brief case studies that illustrate some examples of twentieth-century furniture conservation, with a focus on metal, plastic and wood.</p>
<p><em>Conservation of Twentieth-Century Furniture</em> is the primary resource for those working on the manufacture, history and care of furniture of this period, including conservators, curators, dealers and collectors.<br></p>
<p>Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is currently a heritage conservation intern.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2766</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e1bb3fe2-6322-11f0-ac44-4789a992a375]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK5896317239.mp3?updated=1753935010" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ignacio G. Galán, "Furnishing Fascism: Modernist Design and Politics in Italy" (U Minnesota Press, 2025)</title>
      <description>Along with the rise of Mussolini’s fascist regime, the interwar years in Italy also saw the widespread development of its modernist interior design and furnishing practices. While the regime’s politics were overtly manifest in monumental government architecture, Furnishing Fascism: Modernist Design and Politics in Italy (University of Minnesota Press, 2025) by Dr. Ignacio G. Galán examines the subtler yet effective role of household goods and decor in the cultivation of Italy’s exclusionary sense of national identity.

Presenting a fresh look at the work of various architects and designers, including iconic figures such as Gio Ponti and Carlo Enrico Rava, Dr. Galán explores how seemingly neutral products of everyday life contributed to the propagation of fascist ideology. Through extensive promotion in popular magazines and department stores, on the film sets of Cinecittà Studios, and throughout the country’s colonial territories, Italy’s modernist design practices were part of a larger political project that aimed to produce a totalizing image of cultural hegemony.

Interweaving design theory, architectural history, and media scholarship, Furnishing Fascism reexamines the period’s so-called minor arts to reveal the political entanglement of modernism in early twentieth-century Italy and offers valuable insight into the complications of cultural production under the auspices of authoritarian power.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 12 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Along with the rise of Mussolini’s fascist regime, the interwar years in Italy also saw the widespread development of its modernist interior design and furnishing practices. While the regime’s politics were overtly manifest in monumental government architecture, Furnishing Fascism: Modernist Design and Politics in Italy (University of Minnesota Press, 2025) by Dr. Ignacio G. Galán examines the subtler yet effective role of household goods and decor in the cultivation of Italy’s exclusionary sense of national identity.

Presenting a fresh look at the work of various architects and designers, including iconic figures such as Gio Ponti and Carlo Enrico Rava, Dr. Galán explores how seemingly neutral products of everyday life contributed to the propagation of fascist ideology. Through extensive promotion in popular magazines and department stores, on the film sets of Cinecittà Studios, and throughout the country’s colonial territories, Italy’s modernist design practices were part of a larger political project that aimed to produce a totalizing image of cultural hegemony.

Interweaving design theory, architectural history, and media scholarship, Furnishing Fascism reexamines the period’s so-called minor arts to reveal the political entanglement of modernism in early twentieth-century Italy and offers valuable insight into the complications of cultural production under the auspices of authoritarian power.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Along with the rise of Mussolini’s fascist regime, the interwar years in Italy also saw the widespread development of its modernist interior design and furnishing practices. While the regime’s politics were overtly manifest in monumental government architecture, <a href="https://bookshop.org/a/12343/9781517916817">Furnishing Fascism: Modernist Design and Politics in Italy</a> (University of Minnesota Press, 2025) by Dr. Ignacio G. Galán examines the subtler yet effective role of household goods and decor in the cultivation of Italy’s exclusionary sense of national identity.</p>
<p>Presenting a fresh look at the work of various architects and designers, including iconic figures such as Gio Ponti and Carlo Enrico Rava, Dr. Galán explores how seemingly neutral products of everyday life contributed to the propagation of fascist ideology. Through extensive promotion in popular magazines and department stores, on the film sets of Cinecittà Studios, and throughout the country’s colonial territories, Italy’s modernist design practices were part of a larger political project that aimed to produce a totalizing image of cultural hegemony.</p>
<p>Interweaving design theory, architectural history, and media scholarship, <em>Furnishing Fascism</em> reexamines the period’s so-called minor arts to reveal the political entanglement of modernism in early twentieth-century Italy and offers valuable insight into the complications of cultural production under the auspices of authoritarian power.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3293</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e26e14b0-5def-11f0-b289-73c126e77275]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK9899996899.mp3?updated=1752194855" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer Kaufmann-Buhler, "Open Plan: A Design History of the American Office" (Bloomsbury, 2021)</title>
      <description>Albeit inspired by a progressive vision of a working environment without walls or hierarchies, the open plan office has come to be associated with some of the most dehumanizing and alienating aspects of the modern office. Jennifer Kaufman-Buhler's fascinating new book Open Plan: A Design History of the American Office (Bloomsbury, 2021) examines the history of the open plan office concept from its early development in the late 1960s and 1970s, through its present-day dominance in working spaces throughout the world, examining the design, meaning, and use of the open plan from the perspective of architects and designers, organizations, and workers. Using the progressive vision of the early promoters of the open plan as a framework for analysis, and drawing on original archival research and contemporary discussions of the open plan, this book explores the various goals embedded in the open plan and examines how the design of the open plan evolved through the late 20th century in response to various social, cultural, organizational, technological and economic changes.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 09 Jul 2025 15:40:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer Kaufmann-Buhler</itunes:subtitle>
      <itunes:summary>Albeit inspired by a progressive vision of a working environment without walls or hierarchies, the open plan office has come to be associated with some of the most dehumanizing and alienating aspects of the modern office. Jennifer Kaufman-Buhler's fascinating new book Open Plan: A Design History of the American Office (Bloomsbury, 2021) examines the history of the open plan office concept from its early development in the late 1960s and 1970s, through its present-day dominance in working spaces throughout the world, examining the design, meaning, and use of the open plan from the perspective of architects and designers, organizations, and workers. Using the progressive vision of the early promoters of the open plan as a framework for analysis, and drawing on original archival research and contemporary discussions of the open plan, this book explores the various goals embedded in the open plan and examines how the design of the open plan evolved through the late 20th century in response to various social, cultural, organizational, technological and economic changes.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Albeit inspired by a progressive vision of a working environment without walls or hierarchies, the open plan office has come to be associated with some of the most dehumanizing and alienating aspects of the modern office. Jennifer Kaufman-Buhler's fascinating new book <a href="https://bookshop.org/a/12343/9781350044722"><em>Open Plan: A Design History of the American Office</em></a> (Bloomsbury, 2021) examines the history of the open plan office concept from its early development in the late 1960s and 1970s, through its present-day dominance in working spaces throughout the world, examining the design, meaning, and use of the open plan from the perspective of architects and designers, organizations, and workers. Using the progressive vision of the early promoters of the open plan as a framework for analysis, and drawing on original archival research and contemporary discussions of the open plan, this book explores the various goals embedded in the open plan and examines how the design of the open plan evolved through the late 20th century in response to various social, cultural, organizational, technological and economic changes.</p><p><a href="http://nushelledesilva.com/"><em>Nushelle de Silva</em></a><em> is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3005</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2b73a174-16e7-11ec-a1a4-e755ce3fab02]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7718457274.mp3?updated=1703712370" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Barr, "1960s University Buildings: The Golden Age of British Modern Architecture" (Lund Humphries, 2025) </title>
      <description>The 1960s continue to hold an almost mythical place in Western culture, particularly in Britain, where change was widespread and infiltrated many aspects of life. This included architecture, whose role in a modern democracy and the form it should take were hotly debated. 1960s University Buildings: The Golden Age of British Modern Architecture (Lund Humphries, 2025) by John Barr discusses the architectural thinking of the time through an examination of the design of university buildings. While there were notable buildings being built in other spheres, no other field of architecture provided the opportunity to express those ideas as freely, while also reflecting innovative new thinking about education and society. Somehow, the university buildings of the 1960s seemed to represent the cutting edge of modern architecture in the UK.

This book provides the first critical analysis and overview of these buildings, designed by some of the leading British architects of the period including Basil Spence, Leslie Martin, Alison and Peter Smithson, Denys Lasdun, Powell and Moya and James Stirling. By placing the buildings in a wider social, cultural and political context, it examines the combination of circumstances and attitudes that produced results that are equally admired and detested and allows us to understand how we might replicate or avoid them in the future.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 21 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The 1960s continue to hold an almost mythical place in Western culture, particularly in Britain, where change was widespread and infiltrated many aspects of life. This included architecture, whose role in a modern democracy and the form it should take were hotly debated. 1960s University Buildings: The Golden Age of British Modern Architecture (Lund Humphries, 2025) by John Barr discusses the architectural thinking of the time through an examination of the design of university buildings. While there were notable buildings being built in other spheres, no other field of architecture provided the opportunity to express those ideas as freely, while also reflecting innovative new thinking about education and society. Somehow, the university buildings of the 1960s seemed to represent the cutting edge of modern architecture in the UK.

This book provides the first critical analysis and overview of these buildings, designed by some of the leading British architects of the period including Basil Spence, Leslie Martin, Alison and Peter Smithson, Denys Lasdun, Powell and Moya and James Stirling. By placing the buildings in a wider social, cultural and political context, it examines the combination of circumstances and attitudes that produced results that are equally admired and detested and allows us to understand how we might replicate or avoid them in the future.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The 1960s continue to hold an almost mythical place in Western culture, particularly in Britain, where change was widespread and infiltrated many aspects of life. This included architecture, whose role in a modern democracy and the form it should take were hotly debated.<a href="https://bookshop.org/a/12343/9781848226708"> <em>1960s University Buildings: The Golden Age of British Modern Architecture</em> </a>(Lund Humphries, 2025) by John Barr discusses the architectural thinking of the time through an examination of the design of university buildings. While there were notable buildings being built in other spheres, no other field of architecture provided the opportunity to express those ideas as freely, while also reflecting innovative new thinking about education and society. Somehow, the university buildings of the 1960s seemed to represent the cutting edge of modern architecture in the UK.</p>
<p>This book provides the first critical analysis and overview of these buildings, designed by some of the leading British architects of the period including Basil Spence, Leslie Martin, Alison and Peter Smithson, Denys Lasdun, Powell and Moya and James Stirling. By placing the buildings in a wider social, cultural and political context, it examines the combination of circumstances and attitudes that produced results that are equally admired and detested and allows us to understand how we might replicate or avoid them in the future.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3459</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0711e8a8-4cd6-11f0-b0ca-432469a8551d]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK5305632219.mp3?updated=1750314475" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Todd Reisz, "Showpiece City: How Architecture Made Dubai" (Stanford UP, 2021)</title>
      <description>﻿Showpiece City: How Architecture Made Dubai (Stanford UP, 2020) by Todd Reisz is a critical historical account of Dubai’s transformation into a global urban spectacle. Reisz examines how architecture, master planning, and international expertise contributed to the construction of Dubai’s modern image, focusing particularly on the period between the 1950s and 1970s. Rather than narrating Dubai’s development as a spontaneous miracle of oil wealth, Reisz reveals it as a meticulously crafted project, shaped by deliberate strategies to project modernity, power, and cosmopolitanism.

Throughout the book, Reisz uses a wide range of archival materials, planning documents, interviews, and visual sources to trace how architecture and city-making became tools of governance and spectacle. He brings attention to the invisible labor—both technical and physical—that undergirded Dubai’s rise. Yet, the workers, planners, and advisors often remain shadowy figures behind the gleaming facades they helped erect.

One of the key figures Reisz highlights is British architect John Harris, whose firm was commissioned in the 1960s to create Dubai’s first master plan. Harris’s work embodied the desire to modernize without entirely erasing local culture. Yet, as Reisz notes, the imported modernist language of architecture often clashed with, or simply overrode, traditional urban forms. Dubai's early building boom was thus a hybrid project: shaped by Western notions of progress and functionality, but executed in a Gulf context where colonial histories and local aspirations intertwined.

Importantly, Showpiece City challenges narratives that paint Dubai as either a rootless fantasy or a neoliberal dystopia. Reisz treats Dubai’s history seriously, demonstrating that its urban form is the result of pragmatic decisions, diplomatic negotiations, and speculative gambles rather than mere vanity. He also critiques the romanticization of "traditional" Arab cities by showing that Gulf urbanism has long been dynamic, experimental, and globally connected. Showpiece City presents Dubai’s urbanization not as an inevitable product of oil wealth or as a superficial extravagance, but as a complex, calculated project of image-making and infrastructural ambition. Reisz’s work contributes to Middle Eastern urban studies by insisting that cities like Dubai deserve nuanced, historically grounded analysis rather than simplistic dismissals or celebrations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 18 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>301</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Todd Reisz</itunes:subtitle>
      <itunes:summary>﻿Showpiece City: How Architecture Made Dubai (Stanford UP, 2020) by Todd Reisz is a critical historical account of Dubai’s transformation into a global urban spectacle. Reisz examines how architecture, master planning, and international expertise contributed to the construction of Dubai’s modern image, focusing particularly on the period between the 1950s and 1970s. Rather than narrating Dubai’s development as a spontaneous miracle of oil wealth, Reisz reveals it as a meticulously crafted project, shaped by deliberate strategies to project modernity, power, and cosmopolitanism.

Throughout the book, Reisz uses a wide range of archival materials, planning documents, interviews, and visual sources to trace how architecture and city-making became tools of governance and spectacle. He brings attention to the invisible labor—both technical and physical—that undergirded Dubai’s rise. Yet, the workers, planners, and advisors often remain shadowy figures behind the gleaming facades they helped erect.

One of the key figures Reisz highlights is British architect John Harris, whose firm was commissioned in the 1960s to create Dubai’s first master plan. Harris’s work embodied the desire to modernize without entirely erasing local culture. Yet, as Reisz notes, the imported modernist language of architecture often clashed with, or simply overrode, traditional urban forms. Dubai's early building boom was thus a hybrid project: shaped by Western notions of progress and functionality, but executed in a Gulf context where colonial histories and local aspirations intertwined.

Importantly, Showpiece City challenges narratives that paint Dubai as either a rootless fantasy or a neoliberal dystopia. Reisz treats Dubai’s history seriously, demonstrating that its urban form is the result of pragmatic decisions, diplomatic negotiations, and speculative gambles rather than mere vanity. He also critiques the romanticization of "traditional" Arab cities by showing that Gulf urbanism has long been dynamic, experimental, and globally connected. Showpiece City presents Dubai’s urbanization not as an inevitable product of oil wealth or as a superficial extravagance, but as a complex, calculated project of image-making and infrastructural ambition. Reisz’s work contributes to Middle Eastern urban studies by insisting that cities like Dubai deserve nuanced, historically grounded analysis rather than simplistic dismissals or celebrations.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>﻿<a href="https://bookshop.org/a/12343/9781503609884">Showpiece City: How Architecture Made Dubai</a> (Stanford UP, 2020) by Todd Reisz is a critical historical account of Dubai’s transformation into a global urban spectacle. Reisz examines how architecture, master planning, and international expertise contributed to the construction of Dubai’s modern image, focusing particularly on the period between the 1950s and 1970s. Rather than narrating Dubai’s development as a spontaneous miracle of oil wealth, Reisz reveals it as a meticulously crafted project, shaped by deliberate strategies to project modernity, power, and cosmopolitanism.</p>
<p>Throughout the book, Reisz uses a wide range of archival materials, planning documents, interviews, and visual sources to trace how architecture and city-making became tools of governance and spectacle. He brings attention to the invisible labor—both technical and physical—that undergirded Dubai’s rise. Yet, the workers, planners, and advisors often remain shadowy figures behind the gleaming facades they helped erect.<br></p>
<p>One of the key figures Reisz highlights is British architect John Harris, whose firm was commissioned in the 1960s to create Dubai’s first master plan. Harris’s work embodied the desire to modernize without entirely erasing local culture. Yet, as Reisz notes, the imported modernist language of architecture often clashed with, or simply overrode, traditional urban forms. Dubai's early building boom was thus a hybrid project: shaped by Western notions of progress and functionality, but executed in a Gulf context where colonial histories and local aspirations intertwined.<br></p>
<p>Importantly, Showpiece City challenges narratives that paint Dubai as either a rootless fantasy or a neoliberal dystopia. Reisz treats Dubai’s history seriously, demonstrating that its urban form is the result of pragmatic decisions, diplomatic negotiations, and speculative gambles rather than mere vanity. He also critiques the romanticization of "traditional" Arab cities by showing that Gulf urbanism has long been dynamic, experimental, and globally connected. Showpiece City presents Dubai’s urbanization not as an inevitable product of oil wealth or as a superficial extravagance, but as a complex, calculated project of image-making and infrastructural ambition. Reisz’s work contributes to Middle Eastern urban studies by insisting that cities like Dubai deserve nuanced, historically grounded analysis rather than simplistic dismissals or celebrations.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2431</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2219a4d2-3292-11f0-b968-f3f6aa28c3cc]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK8654501278.mp3?updated=1747426704" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Serlin, "Window Shopping with Helen Keller: Architecture and Disability in Modern Culture" (U Chicago Press, 2025)</title>
      <description>Window Shopping with Helen Keller: Architecture and Disability in Modern Culture (U Chicago Press, 2025) offers a history of how encounters between architects and people with disabilities transformed modern culture.

Window Shopping with Helen Keller recovers a series of influential moments when architects and designers engaged the embodied experiences of people with disabilities. David Serlin reveals how people with sensory and physical impairments navigated urban spaces and helped to shape modern culture. Through four case studies--the lives of Joseph Merrick (aka "The Elephant Man") and Helen Keller, the projects of the Works Progress Administration, and the design of the Illinois Regional Library for the Blind and Physically Handicapped--Serlin offers a new history of modernity's entanglements with disability.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 13 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Serlin</itunes:subtitle>
      <itunes:summary>Window Shopping with Helen Keller: Architecture and Disability in Modern Culture (U Chicago Press, 2025) offers a history of how encounters between architects and people with disabilities transformed modern culture.

Window Shopping with Helen Keller recovers a series of influential moments when architects and designers engaged the embodied experiences of people with disabilities. David Serlin reveals how people with sensory and physical impairments navigated urban spaces and helped to shape modern culture. Through four case studies--the lives of Joseph Merrick (aka "The Elephant Man") and Helen Keller, the projects of the Works Progress Administration, and the design of the Illinois Regional Library for the Blind and Physically Handicapped--Serlin offers a new history of modernity's entanglements with disability.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780226748979"><em>Window Shopping with Helen Keller: Architecture and Disability in Modern Culture</em></a> (U Chicago Press, 2025) offers a history of how encounters between architects and people with disabilities transformed modern culture.</p>
<p><em>Window Shopping with Helen Keller </em>recovers a series of influential moments when architects and designers engaged the embodied experiences of people with disabilities. David Serlin reveals how people with sensory and physical impairments navigated urban spaces and helped to shape modern culture. Through four case studies--the lives of Joseph Merrick (aka "The Elephant Man") and Helen Keller, the projects of the Works Progress Administration, and the design of the Illinois Regional Library for the Blind and Physically Handicapped--Serlin offers a new history of modernity's entanglements with disability.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4487</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d83e2f20-2db6-11f0-81e1-9fa9fa2c2a47]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK1463934873.mp3?updated=1746893215" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Noise and Information in the Office</title>
      <description>Ever wonder who’s to blame for the noise and distraction of the open office? Our guest has answers.
Joseph L. Clarke is a historian of art and architecture and an associate professor at the University of Toronto. His 2021 book Echo’s Chambers: Architecture and the Idea of Acoustic Space won a 2022 CHOICE Award for Outstanding Academic Title. It’s a fascinating history of how architects have conceived of and manipulated the relationship between sound and space. His most recent publication is “Too Much Information: Noise and Communication in an Open Office.” 
In this episode we’ll talk about media theorist Marshall McLuhan and his architecturally inspired theory of acoustic space, which went on to have its own influence in the field of architecture. We’ll also dive deep into the history of the open plan office, the theories of acoustic communication that inspired it, the sonic disaster it became, and the new media technologies that were invented in response. If you’ve ever been driven to distraction by noise in a cubicle farm or open office and wondered how such a space came to be, this episode’s got answers!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 12 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Joseph L. Clarke</itunes:subtitle>
      <itunes:summary>Ever wonder who’s to blame for the noise and distraction of the open office? Our guest has answers.
Joseph L. Clarke is a historian of art and architecture and an associate professor at the University of Toronto. His 2021 book Echo’s Chambers: Architecture and the Idea of Acoustic Space won a 2022 CHOICE Award for Outstanding Academic Title. It’s a fascinating history of how architects have conceived of and manipulated the relationship between sound and space. His most recent publication is “Too Much Information: Noise and Communication in an Open Office.” 
In this episode we’ll talk about media theorist Marshall McLuhan and his architecturally inspired theory of acoustic space, which went on to have its own influence in the field of architecture. We’ll also dive deep into the history of the open plan office, the theories of acoustic communication that inspired it, the sonic disaster it became, and the new media technologies that were invented in response. If you’ve ever been driven to distraction by noise in a cubicle farm or open office and wondered how such a space came to be, this episode’s got answers!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p class="ql-align-justify">Ever wonder who’s to blame for the noise and distraction of the open office? Our guest has answers.</p><p class="ql-align-justify"><a href="https://arthistory.utoronto.ca/people/directories/all-faculty/joseph-l-clarke">Joseph L. Clarke</a> is a historian of art and architecture and an associate professor at the University of Toronto. His 2021 book <a href="https://upittpress.org/books/9780822946571/"><em>Echo’s Chambers: Architecture and the Idea of Acoustic Space</em></a> won a 2022 CHOICE Award for Outstanding Academic Title.<em> </em>It’s a fascinating history of how architects have conceived of and manipulated the relationship between sound and space. His most recent publication is <a href="https://online.ucpress.edu/jsah/article-abstract/82/4/449/198665/Too-Much-Information-Noise-and-Communication-in-an?redirectedFrom=fulltext">“Too Much Information: Noise and Communication in an Open Office.”</a><em> </em></p><p class="ql-align-justify">In this episode we’ll talk about media theorist Marshall McLuhan and his architecturally inspired theory of acoustic space, which went on to have its own influence in the field of architecture. We’ll also dive deep into the history of the open plan office, the theories of acoustic communication that inspired it, the sonic disaster it became, and the new media technologies that were invented in response. If you’ve ever been driven to distraction by noise in a cubicle farm or open office and wondered how such a space came to be, this episode’s got answers!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4353</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d3d13858-10a0-11ef-8865-9beec2589b3c]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK1174106292.mp3?updated=1715547190" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tupur Chatterjee, "Projecting Desire: Media Architectures and Moviegoing in Urban India" (NYU Press, 2025)</title>
      <description>Since the late 1990s, the multiplex in India has emerged as a dominant site of media exhibition, almost always embedded within the shopping mall. This spatial pairing has transformed the experience of moviegoing, making it impossible to inhabit one space without also passing through the other. The rise of the mall-multiplex signals a broader shift in the spectatorial imagination: away from cinema halls built for the subaltern male viewer, toward environments curated for the aspiring, mobile, and consuming middle-class woman.

Projecting Desire: Media Architectures and Moviegoing in Urban India (NYU Press, 2025) tells the story of this infrastructural and cultural transformation as it unfolded across media industries, architectural design, urban planning, and popular cinema. Tracing the multiplex’s evolution in post-liberalization India, Tupur Chatterjee reveals how this new built form not only reconfigured cinematic space, but also reshaped the aesthetics, publics, and gendered politics of the contemporary Indian city.

Rather than narrating a linear history of technological replacement, the book situates the multiplex within a longer genealogy of postcolonial urban design—one marked by caste- and class-based anxieties around visibility, safety, and leisure. It argues that the architectural mediation of cinema is central to how desire, modernity, and risk are organised in India’s media cities. Drawing on industrial and organisational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival research, Projecting Desire maps the multiplex as a space where film, infrastructure, and aspiration intersect. In doing so, it offers a critical framework for understanding how gendered publics are produced through the infrastructures of cinematic experience in the Global South.

Dr Tupur Chatterjee is an Assistant Professor in Global Film and Media in the School of English, Drama, and Film at University College Dublin. Her research spans global media industries, feminist media studies, urban spatial politics, and the material life of media technologies. Her work has been published in journals like Television and New Media, International Journal of Cultural Studies, Feminist Media Studies, South Asian Popular Culture, and Porn Studies among others. ﻿

Dr Priyam Sinha is a recipient of the Humboldt Research Award and is based at Humboldt University in Berlin. She earned her PhD from the National University of Singapore. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. More information on her research can be found on her website www.priyamsinha.com. She can also be reached at https://twitter.com/PriyamSinha﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 04 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>279</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tupur Chatterjee</itunes:subtitle>
      <itunes:summary>Since the late 1990s, the multiplex in India has emerged as a dominant site of media exhibition, almost always embedded within the shopping mall. This spatial pairing has transformed the experience of moviegoing, making it impossible to inhabit one space without also passing through the other. The rise of the mall-multiplex signals a broader shift in the spectatorial imagination: away from cinema halls built for the subaltern male viewer, toward environments curated for the aspiring, mobile, and consuming middle-class woman.

Projecting Desire: Media Architectures and Moviegoing in Urban India (NYU Press, 2025) tells the story of this infrastructural and cultural transformation as it unfolded across media industries, architectural design, urban planning, and popular cinema. Tracing the multiplex’s evolution in post-liberalization India, Tupur Chatterjee reveals how this new built form not only reconfigured cinematic space, but also reshaped the aesthetics, publics, and gendered politics of the contemporary Indian city.

Rather than narrating a linear history of technological replacement, the book situates the multiplex within a longer genealogy of postcolonial urban design—one marked by caste- and class-based anxieties around visibility, safety, and leisure. It argues that the architectural mediation of cinema is central to how desire, modernity, and risk are organised in India’s media cities. Drawing on industrial and organisational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival research, Projecting Desire maps the multiplex as a space where film, infrastructure, and aspiration intersect. In doing so, it offers a critical framework for understanding how gendered publics are produced through the infrastructures of cinematic experience in the Global South.

Dr Tupur Chatterjee is an Assistant Professor in Global Film and Media in the School of English, Drama, and Film at University College Dublin. Her research spans global media industries, feminist media studies, urban spatial politics, and the material life of media technologies. Her work has been published in journals like Television and New Media, International Journal of Cultural Studies, Feminist Media Studies, South Asian Popular Culture, and Porn Studies among others. ﻿

Dr Priyam Sinha is a recipient of the Humboldt Research Award and is based at Humboldt University in Berlin. She earned her PhD from the National University of Singapore. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. More information on her research can be found on her website www.priyamsinha.com. She can also be reached at https://twitter.com/PriyamSinha﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since the late 1990s, the multiplex in India has emerged as a dominant site of media exhibition, almost always embedded within the shopping mall. This spatial pairing has transformed the experience of moviegoing, making it impossible to inhabit one space without also passing through the other. The rise of the mall-multiplex signals a broader shift in the spectatorial imagination: away from cinema halls built for the subaltern male viewer, toward environments curated for the aspiring, mobile, and consuming middle-class woman.</p>
<p><a href="https://bookshop.org/a/12343/9781479829620">Projecting Desire: Media Architectures and Moviegoing in Urban India</a><em> </em>(NYU Press, 2025) tells the story of this infrastructural and cultural transformation as it unfolded across media industries, architectural design, urban planning, and popular cinema. Tracing the multiplex’s evolution in post-liberalization India, Tupur Chatterjee reveals how this new built form not only reconfigured cinematic space, but also reshaped the aesthetics, publics, and gendered politics of the contemporary Indian city.</p>
<p>Rather than narrating a linear history of technological replacement, the book situates the multiplex within a longer genealogy of postcolonial urban design—one marked by caste- and class-based anxieties around visibility, safety, and leisure. It argues that the architectural mediation of cinema is central to how desire, modernity, and risk are organised in India’s media cities. Drawing on industrial and organisational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival research,<em> Projecting Desire</em> maps the multiplex as a space where film, infrastructure, and aspiration intersect. In doing so, it offers a critical framework for understanding how gendered publics are produced through the infrastructures of cinematic experience in the Global South.</p>
<p>Dr Tupur Chatterjee is an Assistant Professor in Global Film and Media in the School of English, Drama, and Film at University College Dublin. Her research spans global media industries, feminist media studies, urban spatial politics, and the material life of media technologies. Her work has been published in journals like T<em>elevision and New Media</em>, <em>International Journal of Cultural Studies</em>, <em>Feminist Media Studies</em>, <em>South Asian Popular Culture</em>, and <em>Porn Studies</em> among others. ﻿<br></p>
<p>Dr Priyam Sinha is a recipient of the Humboldt Research Award and is based at Humboldt University in Berlin. She earned her PhD from the National University of Singapore. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in <em>Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora,</em> among others. More information on her research can be found on her website <a href="http://www.priyamsinha.com/">www.priyamsinha.com</a>. She can also be reached at <a href="https://twitter.com/PriyamSinha">https://twitter.com/PriyamSinha</a>﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2436</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9fc1eac0-276b-11f0-b196-57ed94ec2445]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK4116006567.mp3?updated=1746200670" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brutalism</title>
      <description>In this episode of High Theory Nasser Mufti talks with us about Brutalism. A twentieth century architectural style featuring imposing structures made of a lot of concrete, brutalist structures tend to provoke strong reactions. People either love it or they hate it – you never get a middling conversation about brutalism. Often used for government buildings, university libraries, and hospitals, Nasser suggests it represents the architecture of the state itself, massive bureaucratic structures in which we get lost, but also perhaps, nostalgia for a state that actually takes care of its citizens.
Before we recorded the episode, Nasser sent me this article about the Brutalist campus at the University of Illinois where he works, which is full of beautiful black and white images. In the episode he refers to a line in Charles Dickens’s Bleak House (1853), which describes Chesney Wold as “seamed by time.” And he reminds us that verb form “decolonizing” is quite new, even Ngũgĩ Wa Thiong’o Decolonizing the Mind: The Politics of Language in African Literature (1986) only uses the gerund in the title. The neologism “decolonizing” is distinct from the world historical project of decolonization and the historiographic method of decolonial analysis that comes from Latin American studies.
Nasser Mufti is an associate professor of English at the University of Illinois, Chicago, where his research and teaching focuses on nineteenth century British and postcolonial literature and theory. He is especially interested in literary approaches to the study of nationalism. His first book, Civilizing War: Imperial Politics and the Poetics of National Rupture (Northwestern University Press, 2018) argues that narratives of civil war energized and animated nineteenth-century British imperialism and decolonization in the twentieth century. You can read it online, open access, which is pretty damn cool! He is working on two new projects, the first, tentatively titled Britain’s Nineteenth Century, 1963-4, looks at how anticolonial and postcolonial thinkers from the Anglophone world turned to nineteenth century British literature and culture as a way to think decolonization. The second, titled “Colonia Moralia,” examines the dialectics of postcolonial Enlightenment through comparative readings of T.W. Adorno and V.S. Naipaul.
The image for this episode is a photograph of Boston City Hall, a Brutalist building mentioned in the episode. The black and white photograph shows an interior courtyard of the building, a large concrete structure with many windows, located at One City Hall Square, Boston, Suffolk County, MA. It comes from the US Library of Congress Prints and Photographs Online Collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 14 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>157</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c0eca0fa-17bc-11f0-8de2-b72d2808dcb3/image/9f49761d071db03d44d76148d94e1716.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Nasser Mufti</itunes:subtitle>
      <itunes:summary>In this episode of High Theory Nasser Mufti talks with us about Brutalism. A twentieth century architectural style featuring imposing structures made of a lot of concrete, brutalist structures tend to provoke strong reactions. People either love it or they hate it – you never get a middling conversation about brutalism. Often used for government buildings, university libraries, and hospitals, Nasser suggests it represents the architecture of the state itself, massive bureaucratic structures in which we get lost, but also perhaps, nostalgia for a state that actually takes care of its citizens.
Before we recorded the episode, Nasser sent me this article about the Brutalist campus at the University of Illinois where he works, which is full of beautiful black and white images. In the episode he refers to a line in Charles Dickens’s Bleak House (1853), which describes Chesney Wold as “seamed by time.” And he reminds us that verb form “decolonizing” is quite new, even Ngũgĩ Wa Thiong’o Decolonizing the Mind: The Politics of Language in African Literature (1986) only uses the gerund in the title. The neologism “decolonizing” is distinct from the world historical project of decolonization and the historiographic method of decolonial analysis that comes from Latin American studies.
Nasser Mufti is an associate professor of English at the University of Illinois, Chicago, where his research and teaching focuses on nineteenth century British and postcolonial literature and theory. He is especially interested in literary approaches to the study of nationalism. His first book, Civilizing War: Imperial Politics and the Poetics of National Rupture (Northwestern University Press, 2018) argues that narratives of civil war energized and animated nineteenth-century British imperialism and decolonization in the twentieth century. You can read it online, open access, which is pretty damn cool! He is working on two new projects, the first, tentatively titled Britain’s Nineteenth Century, 1963-4, looks at how anticolonial and postcolonial thinkers from the Anglophone world turned to nineteenth century British literature and culture as a way to think decolonization. The second, titled “Colonia Moralia,” examines the dialectics of postcolonial Enlightenment through comparative readings of T.W. Adorno and V.S. Naipaul.
The image for this episode is a photograph of Boston City Hall, a Brutalist building mentioned in the episode. The black and white photograph shows an interior courtyard of the building, a large concrete structure with many windows, located at One City Hall Square, Boston, Suffolk County, MA. It comes from the US Library of Congress Prints and Photographs Online Collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory Nasser Mufti talks with us about Brutalism. A twentieth century architectural style featuring imposing structures made of a lot of concrete, brutalist structures tend to provoke strong reactions. People either love it or they hate it – you never get a middling conversation about brutalism. Often used for government buildings, university libraries, and hospitals, Nasser suggests it represents the architecture of the state itself, massive bureaucratic structures in which we get lost, but also perhaps, nostalgia for a state that actually takes care of its citizens.</p><p>Before we recorded the episode, Nasser sent me <a href="https://archeyes.com/circle-campus-university-illinois-walter-netsch-som-partner/">this article</a> about the Brutalist campus at the University of Illinois where he works, which is full of beautiful black and white images. In the episode he refers to a line in Charles Dickens’s <em>Bleak House</em> (1853), which describes Chesney Wold as “seamed by time.” And he reminds us that verb form “decolonizing” is quite new, even Ngũgĩ Wa Thiong’o <em>Decolonizing the Mind: The Politics of Language in African Literature</em> (1986) only uses the gerund in the title. The neologism “decolonizing” is distinct from the world historical project of decolonization and the historiographic method of decolonial analysis that comes from Latin American studies.</p><p><a href="https://engl.uic.edu/profiles/mufti-nasser/">Nasser Mufti</a> is an associate professor of English at the University of Illinois, Chicago, where his research and teaching focuses on nineteenth century British and postcolonial literature and theory. He is especially interested in literary approaches to the study of nationalism. His first book, <a href="https://bookshop.org/a/12343/9780810136021"><em>Civilizing War: Imperial Politics and the Poetics of National Rupture</em></a> (Northwestern University Press, 2018) argues that narratives of civil war energized and animated nineteenth-century British imperialism and decolonization in the twentieth century. You can <a href="https://escholarship.org/uc/item/58h9331w">read it online, open access</a>, which is pretty damn cool! He is working on two new projects, the first, tentatively titled <em>Britain’s Nineteenth Century, 1963-4</em>, looks at how anticolonial and postcolonial thinkers from the Anglophone world turned to nineteenth century British literature and culture as a way to think decolonization. The second, titled “Colonia Moralia,” examines the dialectics of postcolonial Enlightenment through comparative readings of T.W. Adorno and V.S. Naipaul.</p><p>The image for this episode is a photograph of Boston City Hall, a Brutalist building mentioned in the episode. The black and white photograph shows an interior courtyard of the building, a large concrete structure with many windows, located at One City Hall Square, Boston, Suffolk County, MA. It comes from the <a href="https://www.loc.gov/pictures/item/ma1243.photos.076427p/resource/">US Library of Congress Prints and Photographs Online Collections</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1112</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c0eca0fa-17bc-11f0-8de2-b72d2808dcb3]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK2582924916.mp3?updated=1744476056" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Roland Mayer, "The Ruins of Rome: A Cultural History" (Cambridge UP, 2025)</title>
      <description>The beguiling ruins of Rome have a long history of allure. They first engaged the attention of later mediaeval tourists, just as they do today. The interest of travellers was captured in the Renaissance by artists, architects, topographers, antiquarians, archaeologists and writers. Once the ruins were seen to appeal to visitors, and to matter for their aesthetic quality, their protection and attractive presentation became imperative. Rome's ruins were the first to be the object of preservation orders, and novel measures were devised for their conservation in innovative archaeological parks. The city's remains provided models for souvenirs; paintings of them decorated the walls of eighteenth-century English country houses; and picturesque sham Roman ruins sprang up in landscape gardens across Europe. Writers responded in various ways to their emotional appeal. 
Roland Mayer's The Ruins of Rome: A Cultural History (Cambridge UP, 2025) will delight all those interested in the remarkable survival and preservation of a unique urban environment.
ROLAND MAYER is Emeritus Professor of Classics at King's College London.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 07 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>34</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Roland Meyer</itunes:subtitle>
      <itunes:summary>The beguiling ruins of Rome have a long history of allure. They first engaged the attention of later mediaeval tourists, just as they do today. The interest of travellers was captured in the Renaissance by artists, architects, topographers, antiquarians, archaeologists and writers. Once the ruins were seen to appeal to visitors, and to matter for their aesthetic quality, their protection and attractive presentation became imperative. Rome's ruins were the first to be the object of preservation orders, and novel measures were devised for their conservation in innovative archaeological parks. The city's remains provided models for souvenirs; paintings of them decorated the walls of eighteenth-century English country houses; and picturesque sham Roman ruins sprang up in landscape gardens across Europe. Writers responded in various ways to their emotional appeal. 
Roland Mayer's The Ruins of Rome: A Cultural History (Cambridge UP, 2025) will delight all those interested in the remarkable survival and preservation of a unique urban environment.
ROLAND MAYER is Emeritus Professor of Classics at King's College London.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The beguiling ruins of Rome have a long history of allure. They first engaged the attention of later mediaeval tourists, just as they do today. The interest of travellers was captured in the Renaissance by artists, architects, topographers, antiquarians, archaeologists and writers. Once the ruins were seen to appeal to visitors, and to matter for their aesthetic quality, their protection and attractive presentation became imperative. Rome's ruins were the first to be the object of preservation orders, and novel measures were devised for their conservation in innovative archaeological parks. The city's remains provided models for souvenirs; paintings of them decorated the walls of eighteenth-century English country houses; and picturesque sham Roman ruins sprang up in landscape gardens across Europe. Writers responded in various ways to their emotional appeal. </p><p>Roland Mayer's <a href="https://bookshop.org/a/12343/9781009430104"><em>The Ruins of Rome: A Cultural History</em> </a>(Cambridge UP, 2025) will delight all those interested in the remarkable survival and preservation of a unique urban environment.</p><p>ROLAND MAYER is Emeritus Professor of Classics at King's College London.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4410</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8f3fc916-1301-11f0-ae9c-870cb09930d6]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK7649971919.mp3?updated=1743957111" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mary Anne Hunting and Kevin D. Murphy, "Women Architects at Work: Making American Modernism" (Princeton UP, 2025)</title>
      <description>In the decades preceding World War II, professional architecture schools enrolled increasing numbers of women, but career success did not come easily. Women Architects at Work: Making American Modernism (Princeton University Press, 2025) by Dr. Mary Anne Hunting and Dr. Kevin D. Murphy tells the stories of the resilient and resourceful women who surmounted barriers of sexism, racism, and classism to take on crucial roles in the establishment and growth of Modernism across the United States.

Dr. Hunting and Dr. Murphy describe how the Cambridge School of Architecture and Landscape Architecture in Massachusetts evolved for the professional education of women between 1916 and 1942. While alumnae such as Eleanor Agnes Raymond, Victorine du Pont Homsey, and Sarah Pillsbury Harkness achieved some notoriety, others like Elizabeth-Ann Campbell Knapp and Louisa Vaughan Conrad have been largely absent from histories of Modernism. Dr. Hunting and Dr. Murphy describe how these innovative practitioners capitalized on social, educational, and professional ties to achieve success and used architecture to address social concerns, including how modernist ideas could engage with community and the environment. Some joined women-led architectural firms while others partnered with men or contributed to Modernism as retailers of household furnishings, writers and educators, photographers and designers, or fine artists.

With stunning illustrations, Women Architects at Work offers new histories of recognized figures while recovering the stories of previously unsung women, all of whom contributed to the modernization of American architecture and design.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 24 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>93</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mary Anne Hunting and Kevin D. Murphy</itunes:subtitle>
      <itunes:summary>In the decades preceding World War II, professional architecture schools enrolled increasing numbers of women, but career success did not come easily. Women Architects at Work: Making American Modernism (Princeton University Press, 2025) by Dr. Mary Anne Hunting and Dr. Kevin D. Murphy tells the stories of the resilient and resourceful women who surmounted barriers of sexism, racism, and classism to take on crucial roles in the establishment and growth of Modernism across the United States.

Dr. Hunting and Dr. Murphy describe how the Cambridge School of Architecture and Landscape Architecture in Massachusetts evolved for the professional education of women between 1916 and 1942. While alumnae such as Eleanor Agnes Raymond, Victorine du Pont Homsey, and Sarah Pillsbury Harkness achieved some notoriety, others like Elizabeth-Ann Campbell Knapp and Louisa Vaughan Conrad have been largely absent from histories of Modernism. Dr. Hunting and Dr. Murphy describe how these innovative practitioners capitalized on social, educational, and professional ties to achieve success and used architecture to address social concerns, including how modernist ideas could engage with community and the environment. Some joined women-led architectural firms while others partnered with men or contributed to Modernism as retailers of household furnishings, writers and educators, photographers and designers, or fine artists.

With stunning illustrations, Women Architects at Work offers new histories of recognized figures while recovering the stories of previously unsung women, all of whom contributed to the modernization of American architecture and design.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the decades preceding World War II, professional architecture schools enrolled increasing numbers of women, but career success did not come easily. <a href="https://bookshop.org/a/12343/9780691206691"><em>Women Architects at Work: Making American Modernism</em></a> (Princeton University Press, 2025) by Dr. Mary Anne Hunting and Dr. Kevin D. Murphy tells the stories of the resilient and resourceful women who surmounted barriers of sexism, racism, and classism to take on crucial roles in the establishment and growth of Modernism across the United States.</p><p><br></p><p>Dr. Hunting and Dr. Murphy describe how the Cambridge School of Architecture and Landscape Architecture in Massachusetts evolved for the professional education of women between 1916 and 1942. While alumnae such as Eleanor Agnes Raymond, Victorine du Pont Homsey, and Sarah Pillsbury Harkness achieved some notoriety, others like Elizabeth-Ann Campbell Knapp and Louisa Vaughan Conrad have been largely absent from histories of Modernism. Dr. Hunting and Dr. Murphy describe how these innovative practitioners capitalized on social, educational, and professional ties to achieve success and used architecture to address social concerns, including how modernist ideas could engage with community and the environment. Some joined women-led architectural firms while others partnered with men or contributed to Modernism as retailers of household furnishings, writers and educators, photographers and designers, or fine artists.</p><p><br></p><p>With stunning illustrations, <em>Women Architects at Work</em> offers new histories of recognized figures while recovering the stories of previously unsung women, all of whom contributed to the modernization of American architecture and design.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3764</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7d0d5534-0716-11f0-9591-67ce1c251e51]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK5940857403.mp3?updated=1742646323" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Simona Valeriani, "The Royal Albert Hall: Building the Arts and Sciences" (Brepols, 2024)</title>
      <description>The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London’s most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences’. Prince Albert’s overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach.
Lighting, ventilation, fireproofing, ‘ascending rooms’, cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined.
This book shows, for the first time, how the Royal Albert Hall’s building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto’ of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire’s metropole.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 05 Mar 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>159</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Simona Valeriani</itunes:subtitle>
      <itunes:summary>The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London’s most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences’. Prince Albert’s overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach.
Lighting, ventilation, fireproofing, ‘ascending rooms’, cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined.
This book shows, for the first time, how the Royal Albert Hall’s building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto’ of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire’s metropole.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9782503600260"><em>The Royal Albert Hall: Building the Arts and Sciences</em></a> (Brepols, 2024) by Dr. Simona Valeriani takes one of London’s most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences’. Prince Albert’s overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach.</p><p>Lighting, ventilation, fireproofing, ‘ascending rooms’, cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined.</p><p>This book shows, for the first time, how the Royal Albert Hall’s building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto’ of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire’s metropole.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3499</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1b7113a0-f137-11ef-8e93-f798a216b0a5]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK7241728452.mp3?updated=1740241155" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Miles Glendinning, "Mass Housing: Modern Architecture and State Power – a Global History" (Bloomsbury, 2021)</title>
      <description>Mass Housing: Modern Architecture and State Power – a Global History (Bloomsbury, 2021) is a major work that provides the first comprehensive history of one of modernism's most defining and controversial architectural legacies: the 20th-century drive to provide 'homes for the people'. Vast programs of mass housing – high-rise, low-rise, state-funded, and built in the modernist style – became a truly global phenomenon, leaving a legacy which has suffered waves of disillusionment in the West but which is now seeing a dramatic, 21st-century renaissance in the booming, crowded cities of East Asia.
Exploring the relationship between built form, ideology, and political intervention, it shows how mass housing not only reflected the transnational ideals of the Modernist project, but also became a central legitimizing pillar of nation-states worldwide. In a compelling narrative which likens the spread of mass housing to a 'Hundred Years War' of successive campaigns and retreats, it traces the history around the globe from Europe via the USA, Soviet Union and a network of international outposts, to its ultimate, optimistic resurgence in China and East Asia.
Miles Glendinning is a Professor of Architectural Conservation at the University of Edinburgh and the Director of the Scottish Centre for Conservation Studies.
This interview was conducted by Timi Koyejo, a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 15 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Miles Glendinning</itunes:subtitle>
      <itunes:summary>Mass Housing: Modern Architecture and State Power – a Global History (Bloomsbury, 2021) is a major work that provides the first comprehensive history of one of modernism's most defining and controversial architectural legacies: the 20th-century drive to provide 'homes for the people'. Vast programs of mass housing – high-rise, low-rise, state-funded, and built in the modernist style – became a truly global phenomenon, leaving a legacy which has suffered waves of disillusionment in the West but which is now seeing a dramatic, 21st-century renaissance in the booming, crowded cities of East Asia.
Exploring the relationship between built form, ideology, and political intervention, it shows how mass housing not only reflected the transnational ideals of the Modernist project, but also became a central legitimizing pillar of nation-states worldwide. In a compelling narrative which likens the spread of mass housing to a 'Hundred Years War' of successive campaigns and retreats, it traces the history around the globe from Europe via the USA, Soviet Union and a network of international outposts, to its ultimate, optimistic resurgence in China and East Asia.
Miles Glendinning is a Professor of Architectural Conservation at the University of Edinburgh and the Director of the Scottish Centre for Conservation Studies.
This interview was conducted by Timi Koyejo, a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781474222501"><em>Mass Housing: Modern Architecture and State Power – a Global History</em></a> (Bloomsbury, 2021) is a major work that provides the first comprehensive history of one of modernism's most defining and controversial architectural legacies: the 20th-century drive to provide 'homes for the people'. Vast programs of mass housing – high-rise, low-rise, state-funded, and built in the modernist style – became a truly global phenomenon, leaving a legacy which has suffered waves of disillusionment in the West but which is now seeing a dramatic, 21st-century renaissance in the booming, crowded cities of East Asia.</p><p>Exploring the relationship between built form, ideology, and political intervention, it shows how mass housing not only reflected the transnational ideals of the Modernist project, but also became a central legitimizing pillar of nation-states worldwide. In a compelling narrative which likens the spread of mass housing to a 'Hundred Years War' of successive campaigns and retreats, it traces the history around the globe from Europe via the USA, Soviet Union and a network of international outposts, to its ultimate, optimistic resurgence in China and East Asia.</p><p>Miles Glendinning is a Professor of Architectural Conservation at the University of Edinburgh and the Director of the Scottish Centre for Conservation Studies.</p><p><em>This interview was conducted by Timi Koyejo, a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4670</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b9ef622e-ea1c-11ef-883d-9bbe97295227]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK3802318825.mp3?updated=1739460212" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Philip Howell, "Pub" (Bloomsbury, 2025)</title>
      <description>The pub is an English institution. Yet its history has been obscured by myth and nostalgia. In Pub (Bloomsbury, 2025) a new addition to the Object Lessons series, Dr. Philip Howell takes the public house as an object, or rather as a series of objects: he takes the pub apart and examines its constituent elements, from pub signs to the bar staff to the calling of “time.” But Pub also explores the hidden features of the pub, such as corporate control, cultural acceptance and exclusion, and the role of the pub in communities.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 12 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>155</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Philip Howell</itunes:subtitle>
      <itunes:summary>The pub is an English institution. Yet its history has been obscured by myth and nostalgia. In Pub (Bloomsbury, 2025) a new addition to the Object Lessons series, Dr. Philip Howell takes the public house as an object, or rather as a series of objects: he takes the pub apart and examines its constituent elements, from pub signs to the bar staff to the calling of “time.” But Pub also explores the hidden features of the pub, such as corporate control, cultural acceptance and exclusion, and the role of the pub in communities.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The pub is an English institution. Yet its history has been obscured by myth and nostalgia. In <a href="https://bookshop.org/a/12343/9798765102312"><em>Pub</em></a> (Bloomsbury, 2025) a new addition to the Object Lessons series, Dr. Philip Howell takes the public house as an object, or rather as a series of objects: he takes the pub apart and examines its constituent elements, from pub signs to the bar staff to the calling of “time.” But <em>Pub</em> also explores the hidden features of the pub, such as corporate control, cultural acceptance and exclusion, and the role of the pub in communities.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2339</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f03f3c56-e64c-11ef-9b98-e7df6a105979]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK6276186035.mp3?updated=1739041050" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chandigarh</title>
      <description>Chandigarh is the shared capital city of the Indian states of Punjab and Haryana, built under the leadership of modernist and brutalist architect Le Corbusier, as an emblem of the postcolonial Indian nation state as visualized by the first Indian prime minister Jawaharlal Nehru. It was a repudiation of the imperialist architectural style, and for Le Corbusier a personal revenge project after his dissatisfactions with how he was treated during his planning for the United Nations building in New York. Vikramaditya Parakash says that it is a misconception that Chandigarh was built as a blueprint for a future utopia, when in fact it was built as a city where multiple ideas of futurity are put into play.
Dr. Vikramaditya Prakash (B.Arch, MA, Phd) works on modernism, postcoloniality and global history. Recent books include One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash and Le Corbusier’s Chandigarh Revisited: Preservation as Future Modernism. An ACSA Distinguished Professor, Vikram teaches at University of Washington, Seattle, is host of the ArchitectureTalk podcast, and co-design lead of O(U)R: Office of (Un)certainty Research.
Image: © 2025 Saronik Bosu. An interpretation of the Gandhi Bhawan at Punjab University, Chandigarh.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 04 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>152</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/28c5c54e-e167-11ef-a1f2-b39168672f90/image/0db477aa0ccc96ed0a17df1f1b174add.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Vikramaditya Prakash</itunes:subtitle>
      <itunes:summary>Chandigarh is the shared capital city of the Indian states of Punjab and Haryana, built under the leadership of modernist and brutalist architect Le Corbusier, as an emblem of the postcolonial Indian nation state as visualized by the first Indian prime minister Jawaharlal Nehru. It was a repudiation of the imperialist architectural style, and for Le Corbusier a personal revenge project after his dissatisfactions with how he was treated during his planning for the United Nations building in New York. Vikramaditya Parakash says that it is a misconception that Chandigarh was built as a blueprint for a future utopia, when in fact it was built as a city where multiple ideas of futurity are put into play.
Dr. Vikramaditya Prakash (B.Arch, MA, Phd) works on modernism, postcoloniality and global history. Recent books include One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash and Le Corbusier’s Chandigarh Revisited: Preservation as Future Modernism. An ACSA Distinguished Professor, Vikram teaches at University of Washington, Seattle, is host of the ArchitectureTalk podcast, and co-design lead of O(U)R: Office of (Un)certainty Research.
Image: © 2025 Saronik Bosu. An interpretation of the Gandhi Bhawan at Punjab University, Chandigarh.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Chandigarh is the shared capital city of the Indian states of Punjab and Haryana, built under the leadership of modernist and brutalist architect Le Corbusier, as an emblem of the postcolonial Indian nation state as visualized by the first Indian prime minister Jawaharlal Nehru. It was a repudiation of the imperialist architectural style, and for Le Corbusier a personal revenge project after his dissatisfactions with how he was treated during his planning for the United Nations building in New York. Vikramaditya Parakash says that it is a misconception that Chandigarh was built as a blueprint for a future utopia, when in fact it was built as a city where multiple ideas of futurity are put into play.</p><p><a href="https://arch.be.uw.edu/people/vikram-prakash/">Dr. Vikramaditya Prakash</a> (B.Arch, MA, Phd) works on modernism, postcoloniality and global history. Recent books include <a href="https://www.amazon.com/Art-Architecture-Furniture-Aditya-Prakash/dp/8189995685">One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash</a> and <a href="https://www.routledge.com/Le-Corbusiers-Chandigarh-Revisited-Preservation-as-Future-Modernism/Prakash/p/book/9781032447254?srsltid=AfmBOoo_G2pS9x5_lYt4FLHQZyKhUqfw_vpN32neFS1gHLUoIkxbYMX6">Le Corbusier’s Chandigarh Revisited: Preservation as Future Modernism</a>. An ACSA Distinguished Professor, Vikram teaches at University of Washington, Seattle, is host of the <a href="https://www.architecturetalk.org/">ArchitectureTalk</a> podcast, and co-design lead of <a href="https://www.officeofuncertaintyresearch.org/">O(U)R: Office of (Un)certainty Research</a>.</p><p>Image: © 2025 Saronik Bosu. An interpretation of the Gandhi Bhawan at Punjab University, Chandigarh.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1187</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[28c5c54e-e167-11ef-a1f2-b39168672f90]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK2524323265.mp3?updated=1738501935" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>In Conversation: Islamic Architecture and Europe</title>
      <description>In this episode, Ismail Patel speaks with Diana Darke about her new book, “Stealing from the Saracens: How Islamic Architecture shaped Europe”.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 29 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>34</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/240a42b4-631d-11ef-a71b-77a057c63f2e/image/472441f8cf2c8b82f4e06bef450af5d9.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Diana Darke</itunes:subtitle>
      <itunes:summary>In this episode, Ismail Patel speaks with Diana Darke about her new book, “Stealing from the Saracens: How Islamic Architecture shaped Europe”.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Ismail Patel speaks with Diana Darke about her new book, “Stealing from the Saracens: How Islamic Architecture shaped Europe”.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2472</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[38e82051-c63d-427e-95a3-3c541d5744a0]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK7636086620.mp3?updated=1724616857" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anooradha Iyer Siddiqi, "Architecture of Migration: The Dadaab Refugee Camps and Humanitarian Settlement" (Duke UP, 2023)</title>
      <description>Environments associated with migration are often seen as provisional, lacking both history and architecture. As Anooradha Iyer Siddiqi demonstrates in Architecture of Migration: The Dadaab Refugee Camps and Humanitarian Settlement (Duke UP, 2023), a refugee camp’s aesthetic and material landscapes—even if born out of emergency—reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement, tracing spatial and racial politics in the Dadaab refugee camps established in 1991 on the Kenya-Somalia border—at once a dense setting that manifests decades of architectural, planning, and design initiatives and a much older constructed environment that reflects its own ways of knowing. She moves beyond ahistorical representations of camps and their inhabitants by constructing a material and visual archive of Dadaab, finding long migratory traditions in the architecture, spatial practices, landscapes, and iconography of refugees and humanitarians. Countering conceptualizations of refugee camps as sites of border transgression, criminality, and placelessness, Siddiqi instead theorizes them as complex settlements, ecologies, and material archives created through histories of partition, sedentarization, domesticity, and migration.
This interview was conducted by Dr. Hannah Pool, whose research focuses on human mobilities. She is a senior researcher at the Max Planck Institute for the Studies of Societies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 27 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>118</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anooradha Iyer Siddiqi</itunes:subtitle>
      <itunes:summary>Environments associated with migration are often seen as provisional, lacking both history and architecture. As Anooradha Iyer Siddiqi demonstrates in Architecture of Migration: The Dadaab Refugee Camps and Humanitarian Settlement (Duke UP, 2023), a refugee camp’s aesthetic and material landscapes—even if born out of emergency—reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement, tracing spatial and racial politics in the Dadaab refugee camps established in 1991 on the Kenya-Somalia border—at once a dense setting that manifests decades of architectural, planning, and design initiatives and a much older constructed environment that reflects its own ways of knowing. She moves beyond ahistorical representations of camps and their inhabitants by constructing a material and visual archive of Dadaab, finding long migratory traditions in the architecture, spatial practices, landscapes, and iconography of refugees and humanitarians. Countering conceptualizations of refugee camps as sites of border transgression, criminality, and placelessness, Siddiqi instead theorizes them as complex settlements, ecologies, and material archives created through histories of partition, sedentarization, domesticity, and migration.
This interview was conducted by Dr. Hannah Pool, whose research focuses on human mobilities. She is a senior researcher at the Max Planck Institute for the Studies of Societies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Environments associated with migration are often seen as provisional, lacking both history and architecture. As Anooradha Iyer Siddiqi demonstrates in <a href="https://bookshop.org/a/12343/9781478025245"><em>Architecture of Migration: The Dadaab Refugee Camps and Humanitarian Settlement </em></a>(Duke UP, 2023), a refugee camp’s aesthetic and material landscapes—even if born out of emergency—reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement, tracing spatial and racial politics in the Dadaab refugee camps established in 1991 on the Kenya-Somalia border—at once a dense setting that manifests decades of architectural, planning, and design initiatives and a much older constructed environment that reflects its own ways of knowing. She moves beyond ahistorical representations of camps and their inhabitants by constructing a material and visual archive of Dadaab, finding long migratory traditions in the architecture, spatial practices, landscapes, and iconography of refugees and humanitarians. Countering conceptualizations of refugee camps as sites of border transgression, criminality, and placelessness, Siddiqi instead theorizes them as complex settlements, ecologies, and material archives created through histories of partition, sedentarization, domesticity, and migration.</p><p><em>This interview was conducted by Dr. Hannah Pool, whose research focuses on human mobilities. She is a senior researcher at the Max Planck Institute for the Studies of Societies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3986</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[98885c08-db44-11ef-b1fc-4319532b2145]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK1449900520.mp3?updated=1737828102" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Byron Ellsworth Hamann, "The Invention of the Colonial Americas: Data, Architecture, and the Archive of the Indies, 1781–1844" (Getty, 2022)</title>
      <description>The Invention of the Colonial Americas: Data, Architecture, and the Archive of the Indies, 1781–1844 (Getty, 2022) is an architectural history and media-archaeological study of changing theories and practices of government archives in Enlightenment Spain. It centers on an archive created in Seville for storing Spain's pre-1760 documents about the New World. To fill this new archive, older archives elsewhere in Spain--spaces in which records about American history were stored together with records about European history--were dismembered. The Archive of the Indies thus constructed a scholarly apparatus that made it easier to imagine the history of the Americas as independent from the history of Europe, and vice versa.
In this meticulously researched book, Byron Ellsworth Hamann explores how building layouts, systems of storage, and the arrangement of documents were designed to foster the creation of new knowledge. He draws on a rich collection of eighteenth-century architectural plans, descriptions, models, document catalogs, and surviving buildings to present a literal, materially precise account of archives as assemblages of spaces, humans, and data--assemblages that were understood circa 1800 as capable of actively generating scholarly innovation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 18 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Byron Ellsworth Hamann</itunes:subtitle>
      <itunes:summary>The Invention of the Colonial Americas: Data, Architecture, and the Archive of the Indies, 1781–1844 (Getty, 2022) is an architectural history and media-archaeological study of changing theories and practices of government archives in Enlightenment Spain. It centers on an archive created in Seville for storing Spain's pre-1760 documents about the New World. To fill this new archive, older archives elsewhere in Spain--spaces in which records about American history were stored together with records about European history--were dismembered. The Archive of the Indies thus constructed a scholarly apparatus that made it easier to imagine the history of the Americas as independent from the history of Europe, and vice versa.
In this meticulously researched book, Byron Ellsworth Hamann explores how building layouts, systems of storage, and the arrangement of documents were designed to foster the creation of new knowledge. He draws on a rich collection of eighteenth-century architectural plans, descriptions, models, document catalogs, and surviving buildings to present a literal, materially precise account of archives as assemblages of spaces, humans, and data--assemblages that were understood circa 1800 as capable of actively generating scholarly innovation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781606067734"><em>The Invention of the Colonial Americas: Data, Architecture, and the Archive of the Indies, 1781–1844 </em></a>(Getty, 2022) is an architectural history and media-archaeological study of changing theories and practices of government archives in Enlightenment Spain. It centers on an archive created in Seville for storing Spain's pre-1760 documents about the New World. To fill this new archive, older archives elsewhere in Spain--spaces in which records about American history were stored together with records about European history--were dismembered. The Archive of the Indies thus constructed a scholarly apparatus that made it easier to imagine the history of the Americas as independent from the history of Europe, and vice versa.</p><p>In this meticulously researched book, Byron Ellsworth Hamann explores how building layouts, systems of storage, and the arrangement of documents were designed to foster the creation of new knowledge. He draws on a rich collection of eighteenth-century architectural plans, descriptions, models, document catalogs, and surviving buildings to present a literal, materially precise account of archives as assemblages of spaces, humans, and data--assemblages that were understood circa 1800 as capable of actively generating scholarly innovation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3027</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[32d17cb8-d4e2-11ef-a1df-13173da08bc0]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK4134081927.mp3?updated=1737126055" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Michael Buckley, "City of Wood: San Francisco and the Architecture of the Redwood Lumber Industry" (U Texas Press, 2024)</title>
      <description>California’s 1849 gold rush triggered creation of the “instant city” of San Francisco as a to base exploit the rich natural resources of the American West. City of Wood: San Francisco and the Architecture of the Redwood Lumber Industry (University of Texas Press, 2024) examines how capitalists and workers logged the state’s vast redwood forests to create the financial capital and construction materials needed to build the regional metropolis of San Francisco. Architectural historian Dr. James Michael Buckley investigates the remote forest and its urban core as two poles of a regional “city.” This city consisted of a far-reaching network of spaces, produced as company owners and workers arrayed men and machines to extract resources and create human commodities from the region’s rich natural environment.
Combining labor, urban, industrial, and social history, City of Wood employs a variety of sources—including contemporary newspaper articles, novels, and photographs—to explore the architectural landscape of lumber, from backwoods logging camps and company towns in the woods to busy lumber docks and the homes of workers and owners in San Francisco. By imagining the redwood lumber industry as a single community spread across multiple sites—a “City of Wood”—Dr. Buckley demonstrates how capitalist resource extraction links different places along the production value chain. The result is a paradigm shift in architectural history that focuses not just on the evolution of individual building design across time, but also on economic connections that link the center and periphery across space.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 18 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>178</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James Michael Buckley</itunes:subtitle>
      <itunes:summary>California’s 1849 gold rush triggered creation of the “instant city” of San Francisco as a to base exploit the rich natural resources of the American West. City of Wood: San Francisco and the Architecture of the Redwood Lumber Industry (University of Texas Press, 2024) examines how capitalists and workers logged the state’s vast redwood forests to create the financial capital and construction materials needed to build the regional metropolis of San Francisco. Architectural historian Dr. James Michael Buckley investigates the remote forest and its urban core as two poles of a regional “city.” This city consisted of a far-reaching network of spaces, produced as company owners and workers arrayed men and machines to extract resources and create human commodities from the region’s rich natural environment.
Combining labor, urban, industrial, and social history, City of Wood employs a variety of sources—including contemporary newspaper articles, novels, and photographs—to explore the architectural landscape of lumber, from backwoods logging camps and company towns in the woods to busy lumber docks and the homes of workers and owners in San Francisco. By imagining the redwood lumber industry as a single community spread across multiple sites—a “City of Wood”—Dr. Buckley demonstrates how capitalist resource extraction links different places along the production value chain. The result is a paradigm shift in architectural history that focuses not just on the evolution of individual building design across time, but also on economic connections that link the center and periphery across space.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>California’s 1849 gold rush triggered creation of the “instant city” of San Francisco as a to base exploit the rich natural resources of the American West. <a href="https://bookshop.org/a/12343/9781477330241"><em>City of Wood: San Francisco and the Architecture of the Redwood Lumber Industry</em></a> (University of Texas Press, 2024) examines how capitalists and workers logged the state’s vast redwood forests to create the financial capital and construction materials needed to build the regional metropolis of San Francisco. Architectural historian Dr. James Michael Buckley investigates the remote forest and its urban core as two poles of a regional “city.” This city consisted of a far-reaching network of spaces, produced as company owners and workers arrayed men and machines to extract resources and create human commodities from the region’s rich natural environment.</p><p>Combining labor, urban, industrial, and social history, <em>City of Wood</em> employs a variety of sources—including contemporary newspaper articles, novels, and photographs—to explore the architectural landscape of lumber, from backwoods logging camps and company towns in the woods to busy lumber docks and the homes of workers and owners in San Francisco. By imagining the redwood lumber industry as a single community spread across multiple sites—a “City of Wood”—Dr. Buckley demonstrates how capitalist resource extraction links different places along the production value chain. The result is a paradigm shift in architectural history that focuses not just on the evolution of individual building design across time, but also on economic connections that link the center and periphery across space.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2637</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e445d39e-d420-11ef-9608-2b1cac4ef0bb]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK2835912489.mp3?updated=1737042575" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Caitlín Eilís Barrett, "Domesticating Empire: Egyptian Landscapes in Pompeian Gardens" (Oxford UP, 2019)</title>
      <description>Domesticating Empire: Egyptian Landscapes in Pompeian Gardens (Oxford University Press, 2019) is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Eilís Barrett, Associate Professor of Classics at Cornell University, draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire.
Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 08 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Barrett draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden...</itunes:subtitle>
      <itunes:summary>Domesticating Empire: Egyptian Landscapes in Pompeian Gardens (Oxford University Press, 2019) is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Eilís Barrett, Associate Professor of Classics at Cornell University, draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire.
Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/0190641355/?tag=newbooinhis-20"><em>Domesticating Empire: Egyptian Landscapes in Pompeian Gardens</em></a> (Oxford University Press, 2019) is the first contextually-oriented monograph on Egyptian imagery in Roman households. <a href="https://classics.cornell.edu/caitl%C3%ADn-eil%C3%ADs-barrett">Caitlín Eilís Barrett</a>, Associate Professor of Classics at Cornell University, draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire.</p><p><em>Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>6142</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Aurelia Campbell, "What the Emperor Built: Architecture and Empire in the Early Ming" (U Washington Press, 2020)</title>
      <description>One of the most famous rulers in Chinese history, the Yongle emperor (r. 1402–24) gained renown for constructing Beijing’s magnificent Forbidden City, directing ambitious naval expeditions, and creating the world’s largest encyclopedia. What the Emperor Built: Architecture and Empire in the Early Ming (U Washington Press, 2020) is the first book-length study devoted to the architectural projects of a single Chinese emperor.
Focusing on the imperial palaces in Beijing, a Daoist architectural complex on Mount Wudang, and a Buddhist temple on the Sino-Tibetan frontier, Aurelia Campbell demonstrates how the siting, design, and use of Yongle’s palaces and temples helped cement his authority and legitimize his usurpation of power. Campbell offers insight into Yongle’s sense of empire—from the far-flung locations in which he built, to the distant regions from which he extracted construction materials, and to the use of tens of thousands of craftsmen and other laborers. Through his constructions, Yongle connected himself to the divine, interacted with his subjects, and extended imperial influence across space and time.
Spanning issues of architectural design and construction technologies, this deft analysis reveals remarkable advancements in timber-frame construction and implements an art-historical approach to examine patronage, audience, and reception, situating the buildings within their larger historical and religious contexts.
Noelle Giuffrida is a professor and curator of Asian art at the School of Art and the David Owsley Museum of Art at Ball State University. Email: ngiuffrida@bsu.edu.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 06 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>428</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aurelia Campbell</itunes:subtitle>
      <itunes:summary>One of the most famous rulers in Chinese history, the Yongle emperor (r. 1402–24) gained renown for constructing Beijing’s magnificent Forbidden City, directing ambitious naval expeditions, and creating the world’s largest encyclopedia. What the Emperor Built: Architecture and Empire in the Early Ming (U Washington Press, 2020) is the first book-length study devoted to the architectural projects of a single Chinese emperor.
Focusing on the imperial palaces in Beijing, a Daoist architectural complex on Mount Wudang, and a Buddhist temple on the Sino-Tibetan frontier, Aurelia Campbell demonstrates how the siting, design, and use of Yongle’s palaces and temples helped cement his authority and legitimize his usurpation of power. Campbell offers insight into Yongle’s sense of empire—from the far-flung locations in which he built, to the distant regions from which he extracted construction materials, and to the use of tens of thousands of craftsmen and other laborers. Through his constructions, Yongle connected himself to the divine, interacted with his subjects, and extended imperial influence across space and time.
Spanning issues of architectural design and construction technologies, this deft analysis reveals remarkable advancements in timber-frame construction and implements an art-historical approach to examine patronage, audience, and reception, situating the buildings within their larger historical and religious contexts.
Noelle Giuffrida is a professor and curator of Asian art at the School of Art and the David Owsley Museum of Art at Ball State University. Email: ngiuffrida@bsu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One of the most famous rulers in Chinese history, the Yongle emperor (r. 1402–24) gained renown for constructing Beijing’s magnificent Forbidden City, directing ambitious naval expeditions, and creating the world’s largest encyclopedia. <a href="https://bookshop.org/a/12343/9780295746883"><em>What the Emperor Built: Architecture and Empire in the Early Ming</em></a><em> </em>(U Washington Press, 2020) is the first book-length study devoted to the architectural projects of a single Chinese emperor.</p><p>Focusing on the imperial palaces in Beijing, a Daoist architectural complex on Mount Wudang, and a Buddhist temple on the Sino-Tibetan frontier, Aurelia Campbell demonstrates how the siting, design, and use of Yongle’s palaces and temples helped cement his authority and legitimize his usurpation of power. Campbell offers insight into Yongle’s sense of empire—from the far-flung locations in which he built, to the distant regions from which he extracted construction materials, and to the use of tens of thousands of craftsmen and other laborers. Through his constructions, Yongle connected himself to the divine, interacted with his subjects, and extended imperial influence across space and time.</p><p>Spanning issues of architectural design and construction technologies, this deft analysis reveals remarkable advancements in timber-frame construction and implements an art-historical approach to examine patronage, audience, and reception, situating the buildings within their larger historical and religious contexts.</p><p><em>Noelle Giuffrida is a professor and curator of Asian art at the School of Art and the David Owsley Museum of Art at Ball State University. Email: </em><a href="http://ngiuffrida@bsu.edu/"><em>ngiuffrida@bsu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3611</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK6395021248.mp3?updated=1736091102" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shannon Mattern, "A City Is Not a Computer: Other Urban Intelligences" (Princeton UP, 2021)</title>
      <description>Computational models of urbanism—smart cities that use data-driven planning and algorithmic administration—promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. A City Is Not a Computer: Other Urban Intelligences (Princeton UP, 2021) reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models.
Shannon Mattern begins by examining the ethical and ontological implications of urban technologies and computational models, discussing how they shape and in many cases profoundly limit our engagement with cities. She looks at the methods and underlying assumptions of data-driven urbanism, and demonstrates how the “city-as-computer” metaphor, which undergirds much of today’s urban policy and design, reduces place-based knowledge to information processing. Mattern then imagines how we might sustain institutions and infrastructures that constitute more diverse, open, inclusive urban forms. She shows how the public library functions as a steward of urban intelligence, and describes the scales of upkeep needed to sustain a city’s many moving parts, from spinning hard drives to bridge repairs.
Incorporating insights from urban studies, data science, and media and information studies, A City Is Not a Computer offers a visionary new approach to urban planning and design.
Shannon Mattern is professor of anthropology at the New School for Social Research. Her books include Code and Clay, Data and Dirt: Five Thousand Years of Urban Media and The New Downtown Library: Designing with Communities. She lives in New York City. Website wordsinspace.net Instagram @atlas.sounds Twitter @shannonmattern
Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City &amp; Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 03 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>38</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Shannon Mattern</itunes:subtitle>
      <itunes:summary>Computational models of urbanism—smart cities that use data-driven planning and algorithmic administration—promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. A City Is Not a Computer: Other Urban Intelligences (Princeton UP, 2021) reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models.
Shannon Mattern begins by examining the ethical and ontological implications of urban technologies and computational models, discussing how they shape and in many cases profoundly limit our engagement with cities. She looks at the methods and underlying assumptions of data-driven urbanism, and demonstrates how the “city-as-computer” metaphor, which undergirds much of today’s urban policy and design, reduces place-based knowledge to information processing. Mattern then imagines how we might sustain institutions and infrastructures that constitute more diverse, open, inclusive urban forms. She shows how the public library functions as a steward of urban intelligence, and describes the scales of upkeep needed to sustain a city’s many moving parts, from spinning hard drives to bridge repairs.
Incorporating insights from urban studies, data science, and media and information studies, A City Is Not a Computer offers a visionary new approach to urban planning and design.
Shannon Mattern is professor of anthropology at the New School for Social Research. Her books include Code and Clay, Data and Dirt: Five Thousand Years of Urban Media and The New Downtown Library: Designing with Communities. She lives in New York City. Website wordsinspace.net Instagram @atlas.sounds Twitter @shannonmattern
Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City &amp; Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Computational models of urbanism—smart cities that use data-driven planning and algorithmic administration—promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. <a href="https://bookshop.org/a/12343/9780691208053"><em>A City Is Not a Computer: Other Urban Intelligences</em></a> (Princeton UP, 2021) reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models.</p><p>Shannon Mattern begins by examining the ethical and ontological implications of urban technologies and computational models, discussing how they shape and in many cases profoundly limit our engagement with cities. She looks at the methods and underlying assumptions of data-driven urbanism, and demonstrates how the “city-as-computer” metaphor, which undergirds much of today’s urban policy and design, reduces place-based knowledge to information processing. Mattern then imagines how we might sustain institutions and infrastructures that constitute more diverse, open, inclusive urban forms. She shows how the public library functions as a steward of urban intelligence, and describes the scales of upkeep needed to sustain a city’s many moving parts, from spinning hard drives to bridge repairs.</p><p>Incorporating insights from urban studies, data science, and media and information studies, <em>A City Is Not a Computer</em> offers a visionary new approach to urban planning and design.</p><p><strong>Shannon Mattern</strong> is professor of anthropology at the New School for Social Research. Her books include <em>Code and Clay, Data and Dirt: Five Thousand Years of Urban Media</em> and <em>The New Downtown Library: Designing with Communities</em>. She lives in New York City. Website <a href="https://wordsinspace.net/">wordsinspace.net</a> Instagram <a href="https://www.instagram.com/atlas.sounds/?hl=en">@atlas.sounds</a> Twitter <a href="https://twitter.com/shannonmattern">@shannonmattern</a></p><p><a href="https://www.alizearican.com/"><em>Alize Arıcan</em></a><em> is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in </em><a href="https://www.journals.uchicago.edu/doi/10.1086/713112"><em>Current Anthropology</em></a><em>, </em><a href="https://doi.org/10.1111/ciso.12348"><em>City &amp; Society</em></a><em>, </em><a href="https://radicalhousingjournal.org/2020/care-in-tarlabasi-amidst-heightened-inequalities-urban-transformation-and-coronavirus/"><em>Radical Housing Journal</em></a><em>, and </em><a href="https://entanglementsjournal.org/the-ghost-of-karl-marx/"><em>entanglements: experiments in multimodal ethnography</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2735</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Patrick T. Reardon, "The Loop: The 'L' Tracks That Shaped and Saved Chicago" (Southern Illinois UP, 2020)</title>
      <description>Every day Chicagoans rely on the loop of elevated train tracks to get to their jobs, classrooms, or homes in the city’s downtown. But how much do they know about the single most important structure in the history of the Windy City? In engagingly brisk prose, Patrick T. Reardon unfolds the fascinating story about how Chicago’s elevated Loop was built, gave its name to the downtown, helped unify the city, saved the city’s economy, and was itself saved from destruction in the 1970s.
Patrick T. Reardon's book The Loop: The 'L' Tracks That Shaped and Saved Chicago (Southern Illinois UP, 2020) combines urban history, biography, engineering, architecture, transportation, culture, and politics to explore the elevated Loop’s impact on the city’s development and economy and on the way Chicagoans see themselves. The Loop rooted Chicago’s downtown in a way unknown in other cities, and it protected that area—and the city itself—from the full effects of suburbanization during the second half of the twentieth century. Masses of data underlie new insights into what has made Chicago’s downtown, and the city as a whole, tick.
The Loop features a cast of colorful Chicagoans, such as legendary lawyer Clarence Darrow, poet Edgar Lee Masters, mayor Richard J. Daley, and the notorious Gray Wolves of the Chicago City Council. Charles T. Yerkes, an often-demonized figure, is shown as a visionary urban planner, and engineer John Alexander Low Waddell, a world-renowned bridge creator, is introduced to Chicagoans as the designer of their urban railway.
This fascinating exploration of how one human-built structure reshaped the social and economic landscape of Chicago is the definitive book on Chicago’s elevated Loop.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email tobtoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 03 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>48</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Patrick T. Reardon</itunes:subtitle>
      <itunes:summary>Every day Chicagoans rely on the loop of elevated train tracks to get to their jobs, classrooms, or homes in the city’s downtown. But how much do they know about the single most important structure in the history of the Windy City? In engagingly brisk prose, Patrick T. Reardon unfolds the fascinating story about how Chicago’s elevated Loop was built, gave its name to the downtown, helped unify the city, saved the city’s economy, and was itself saved from destruction in the 1970s.
Patrick T. Reardon's book The Loop: The 'L' Tracks That Shaped and Saved Chicago (Southern Illinois UP, 2020) combines urban history, biography, engineering, architecture, transportation, culture, and politics to explore the elevated Loop’s impact on the city’s development and economy and on the way Chicagoans see themselves. The Loop rooted Chicago’s downtown in a way unknown in other cities, and it protected that area—and the city itself—from the full effects of suburbanization during the second half of the twentieth century. Masses of data underlie new insights into what has made Chicago’s downtown, and the city as a whole, tick.
The Loop features a cast of colorful Chicagoans, such as legendary lawyer Clarence Darrow, poet Edgar Lee Masters, mayor Richard J. Daley, and the notorious Gray Wolves of the Chicago City Council. Charles T. Yerkes, an often-demonized figure, is shown as a visionary urban planner, and engineer John Alexander Low Waddell, a world-renowned bridge creator, is introduced to Chicagoans as the designer of their urban railway.
This fascinating exploration of how one human-built structure reshaped the social and economic landscape of Chicago is the definitive book on Chicago’s elevated Loop.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email tobtoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Every day Chicagoans rely on the loop of elevated train tracks to get to their jobs, classrooms, or homes in the city’s downtown. But how much do they know about the single most important structure in the history of the Windy City? In engagingly brisk prose, Patrick T. Reardon unfolds the fascinating story about how Chicago’s elevated Loop was built, gave its name to the downtown, helped unify the city, saved the city’s economy, and was itself saved from destruction in the 1970s.</p><p>Patrick T. Reardon's book <a href="https://bookshop.org/a/12343/9780809338108"><em>The Loop: The 'L' Tracks That Shaped and Saved Chicago</em></a> (Southern Illinois UP, 2020) combines urban history, biography, engineering, architecture, transportation, culture, and politics to explore the elevated Loop’s impact on the city’s development and economy and on the way Chicagoans see themselves. The Loop rooted Chicago’s downtown in a way unknown in other cities, and it protected that area—and the city itself—from the full effects of suburbanization during the second half of the twentieth century. Masses of data underlie new insights into what has made Chicago’s downtown, and the city as a whole, tick.</p><p><em>The Loop</em> features a cast of colorful Chicagoans, such as legendary lawyer Clarence Darrow, poet Edgar Lee Masters, mayor Richard J. Daley, and the notorious Gray Wolves of the Chicago City Council. Charles T. Yerkes, an often-demonized figure, is shown as a visionary urban planner, and engineer John Alexander Low Waddell, a world-renowned bridge creator, is introduced to Chicagoans as the designer of their urban railway.</p><p>This fascinating exploration of how one human-built structure reshaped the social and economic landscape of Chicago is the definitive book on Chicago’s elevated Loop.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to</em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2609</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[db8d897e-10cc-11ec-af47-bb6583f447f3]]></guid>
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    </item>
    <item>
      <title>Ben Highmore, "Playgrounds: The Experimental Years" (Reaktion, 2024)</title>
      <description>After World War II, a new kind of playground emerged in Northern Europe and North America. Rather than slides, swings, and roundabouts, these new playgrounds encouraged children to build shacks and invent their own entertainment. 
Playgrounds: The Experimental Years (Reaktion, 2024) tells the story of how waste grounds and bombsites were transformed into hives of activity by children and progressive educators. It shows how a belief in the imaginative capacity of children shaped a new kind of playground and how designers reimagined what playgrounds could be. Ben Highmore tells a compelling story about pioneers, designers, and charities--and above all--about the value of play.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 27 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>503</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ben Highmore</itunes:subtitle>
      <itunes:summary>After World War II, a new kind of playground emerged in Northern Europe and North America. Rather than slides, swings, and roundabouts, these new playgrounds encouraged children to build shacks and invent their own entertainment. 
Playgrounds: The Experimental Years (Reaktion, 2024) tells the story of how waste grounds and bombsites were transformed into hives of activity by children and progressive educators. It shows how a belief in the imaginative capacity of children shaped a new kind of playground and how designers reimagined what playgrounds could be. Ben Highmore tells a compelling story about pioneers, designers, and charities--and above all--about the value of play.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After World War II, a new kind of playground emerged in Northern Europe and North America. Rather than slides, swings, and roundabouts, these new playgrounds encouraged children to build shacks and invent their own entertainment. </p><p><a href="https://bookshop.org/a/12343/9781789149470"><em>Playgrounds: The Experimental Years </em></a>(Reaktion, 2024) tells the story of how waste grounds and bombsites were transformed into hives of activity by children and progressive educators. It shows how a belief in the imaginative capacity of children shaped a new kind of playground and how designers reimagined what playgrounds could be. Ben Highmore tells a compelling story about pioneers, designers, and charities--and above all--about the value of play.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2706</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4909ccc0-c0a0-11ef-aa39-d746e4205edf]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK3176135562.mp3?updated=1734898716" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Theresa Flanigan, "The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence" (Brepols, 2024)</title>
      <description>Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type.
Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge’s construction after the flood of 1333. Much of the Ponte Vecchio’s original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio’s vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops.
Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge’s patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 21 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Theresa Flanigan</itunes:subtitle>
      <itunes:summary>Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type.
Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge’s construction after the flood of 1333. Much of the Ponte Vecchio’s original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio’s vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops.
Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge’s patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type.</p><p>Drawing from early Florentine chronicles and previously unpublished archival documents, <a href="https://bookshop.org/a/12343/9781912554683"><em>The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence</em></a> (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge’s construction after the flood of 1333. Much of the Ponte Vecchio’s original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio’s vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops.</p><p>Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge’s patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2803</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2645d080-bc7c-11ef-a59d-83b88e340725]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK7163047337.mp3?updated=1734386582" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adrian Tinniswood, "The Power and the Glory: Life in the English Country House Before the Great War" (Basic Books, 2024)</title>
      <description>In the decades before the First World War, the owners of the nation’s stately homes revelled in a golden age of glory and glamour. Nothing lay beyond their reach in a world where privilege and hedonism went hand-in-hand with duty and honour.
This was a time when the ancestral seats of ancient nobility stood side-by-side with the fabulous palaces of Jewish bankers and Indian princes, when dukes and duchesses mixed with aristocratic society hostesses who had learned to dance in the chorus line and self-made millionaires who had been raised in the slums of Manchester and Birmingham.
The Power and the Glory: the Country House Before the Great War (Basic Books, 2024) Dr. Adrian Tinniswood explores the country house during this golden age, when Britain ruled over a quarter of the world’s population, when its stately homes were at their most opulent and when, for the privileged few, life in the country house was the best life of all.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 02 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>148</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adrian Tinniswood</itunes:subtitle>
      <itunes:summary>In the decades before the First World War, the owners of the nation’s stately homes revelled in a golden age of glory and glamour. Nothing lay beyond their reach in a world where privilege and hedonism went hand-in-hand with duty and honour.
This was a time when the ancestral seats of ancient nobility stood side-by-side with the fabulous palaces of Jewish bankers and Indian princes, when dukes and duchesses mixed with aristocratic society hostesses who had learned to dance in the chorus line and self-made millionaires who had been raised in the slums of Manchester and Birmingham.
The Power and the Glory: the Country House Before the Great War (Basic Books, 2024) Dr. Adrian Tinniswood explores the country house during this golden age, when Britain ruled over a quarter of the world’s population, when its stately homes were at their most opulent and when, for the privileged few, life in the country house was the best life of all.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the decades before the First World War, the owners of the nation’s stately homes revelled in a golden age of glory and glamour. Nothing lay beyond their reach in a world where privilege and hedonism went hand-in-hand with duty and honour.</p><p>This was a time when the ancestral seats of ancient nobility stood side-by-side with the fabulous palaces of Jewish bankers and Indian princes, when dukes and duchesses mixed with aristocratic society hostesses who had learned to dance in the chorus line and self-made millionaires who had been raised in the slums of Manchester and Birmingham.</p><p><a href="https://bookshop.org/a/12343/9781541602793"><em>The Power and the Glory: the Country House Before the Great War</em> </a>(Basic Books, 2024) Dr. Adrian Tinniswood explores the country house during this golden age, when Britain ruled over a quarter of the world’s population, when its stately homes were at their most opulent and when, for the privileged few, life in the country house was the best life of all.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3259</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8048bd34-af40-11ef-bf94-1b1803890a02]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK6945860932.mp3?updated=1732988448" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James T. White and John Punter, "Condoland: The Planning, Design, and Development of Toronto's CityPlace" (UBC Press, 2023)</title>
      <description>Casting an eye toward the frantic vertical urbanization of Toronto, Condoland: The Planning, Design, and Development of Toronto’s CityPlace (UBC, 2023) traces the forty-year history of the city’s largest residential megaproject. James T. White and John Punter summarize the tools used to shape Toronto’s built environment and critically explore the underlying political economy of planning and real estate development in the city.
Using detailed field studies, interviews with key actors, archival research, and with nearly two hundred illustrations, White and Punter reveal how a promise to reproduce Vancouverism, a celebrated model of Canadian urban development, unravelled under an alarmingly flexible approach to planning and design that is acquiescent to the demands of a rapacious development industry. Through a uniquely design-focused evaluation of a phenomenon increasingly known as “condo-ism,” Condoland raises key questions about the sustainability and long-term resilience of city planning.
James T. White is a professor of planning and urban design at the University of Glasgow, Scotland, and deputy director of the UK Collaborative Centre for Housing Evidence. His published work focuses on how the design of the built environment is shaped by policy, regulation, and the market in both UK and Canadian contexts.
This interview was conducted by Timi Koyejo, a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 01 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>38</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James T. White</itunes:subtitle>
      <itunes:summary>Casting an eye toward the frantic vertical urbanization of Toronto, Condoland: The Planning, Design, and Development of Toronto’s CityPlace (UBC, 2023) traces the forty-year history of the city’s largest residential megaproject. James T. White and John Punter summarize the tools used to shape Toronto’s built environment and critically explore the underlying political economy of planning and real estate development in the city.
Using detailed field studies, interviews with key actors, archival research, and with nearly two hundred illustrations, White and Punter reveal how a promise to reproduce Vancouverism, a celebrated model of Canadian urban development, unravelled under an alarmingly flexible approach to planning and design that is acquiescent to the demands of a rapacious development industry. Through a uniquely design-focused evaluation of a phenomenon increasingly known as “condo-ism,” Condoland raises key questions about the sustainability and long-term resilience of city planning.
James T. White is a professor of planning and urban design at the University of Glasgow, Scotland, and deputy director of the UK Collaborative Centre for Housing Evidence. His published work focuses on how the design of the built environment is shaped by policy, regulation, and the market in both UK and Canadian contexts.
This interview was conducted by Timi Koyejo, a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Casting an eye toward the frantic vertical urbanization of Toronto, <a href="https://bookshop.org/a/12343/9780774868396"><em>Condoland: The Planning, Design, and Development of Toronto’s CityPlace </em></a>(UBC, 2023) traces the forty-year history of the city’s largest residential megaproject. James T. White and John Punter summarize the tools used to shape Toronto’s built environment and critically explore the underlying political economy of planning and real estate development in the city.</p><p>Using detailed field studies, interviews with key actors, archival research, and with nearly two hundred illustrations, White and Punter reveal how a promise to reproduce Vancouverism, a celebrated model of Canadian urban development, unravelled under an alarmingly flexible approach to planning and design that is acquiescent to the demands of a rapacious development industry. Through a uniquely design-focused evaluation of a phenomenon increasingly known as “condo-ism,” <em>Condoland </em>raises key questions about the sustainability and long-term resilience of city planning.</p><p>James T. White is a professor of planning and urban design at the University of Glasgow, Scotland, and deputy director of the UK Collaborative Centre for Housing Evidence. His published work focuses on how the design of the built environment is shaped by policy, regulation, and the market in both UK and Canadian contexts.</p><p><em>This interview was conducted by Timi Koyejo, a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4856</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[29d69616-af26-11ef-b04d-cf2a7b11380f]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK3936022779.mp3?updated=1732977365" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brian Donahue, "Slow Wood: Greener Building from Local Forests" (Yale UP, 2024)</title>
      <description>In Slow Wood: Greener Building from Local Forests (Yale UP, 2024), environmental historian Brian Donahue advances a radical proposal for healing the relationship between humans and forests through responsible, sustainable use of local and regional wood in home building. 
American homes are typically made of lumber and plywood delivered by a global system of ruthless extraction, or of concrete and steel, which are even worse for the planet. Wood is often the most sustainable material for building, but we need to protect diverse forests as much as we desperately need more houses. Donahue addresses this modern conundrum by documenting his experiences building a timber frame home from the wood growing on his family farm, practicing “worst first” forestry. Through the stories of the trees he used (sugar maple, black cherry, black birch, and hemlock), and some he didn’t (white pine and red oak), the book also explores the history of Americans’ relationship with their forests.
Donahue provides a new interpretation of the connection between American houses and local woodlands. He delves into how this bond was broken by the rise of a market economy of industrial resource extraction and addresses the challenge of restoring a more enduring relationship. Ultimately, this book provides a blueprint and a stewardship plan for how to live more responsibly with the woods, offering a sustainable approach to both forestry and building centered on tightly connected ecological and social values.
Brian Donahue is Emeritus Professor of American Environmental Studies at Brandeis University and co-owner of Bascom Hollow Farm in Gill, Massachusetts.
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 26 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>196</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Brian Donahue</itunes:subtitle>
      <itunes:summary>In Slow Wood: Greener Building from Local Forests (Yale UP, 2024), environmental historian Brian Donahue advances a radical proposal for healing the relationship between humans and forests through responsible, sustainable use of local and regional wood in home building. 
American homes are typically made of lumber and plywood delivered by a global system of ruthless extraction, or of concrete and steel, which are even worse for the planet. Wood is often the most sustainable material for building, but we need to protect diverse forests as much as we desperately need more houses. Donahue addresses this modern conundrum by documenting his experiences building a timber frame home from the wood growing on his family farm, practicing “worst first” forestry. Through the stories of the trees he used (sugar maple, black cherry, black birch, and hemlock), and some he didn’t (white pine and red oak), the book also explores the history of Americans’ relationship with their forests.
Donahue provides a new interpretation of the connection between American houses and local woodlands. He delves into how this bond was broken by the rise of a market economy of industrial resource extraction and addresses the challenge of restoring a more enduring relationship. Ultimately, this book provides a blueprint and a stewardship plan for how to live more responsibly with the woods, offering a sustainable approach to both forestry and building centered on tightly connected ecological and social values.
Brian Donahue is Emeritus Professor of American Environmental Studies at Brandeis University and co-owner of Bascom Hollow Farm in Gill, Massachusetts.
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In<a href="https://bookshop.org/a/12343/9780300273472"> <em>Slow Wood: Greener Building from Local Forests</em></a> (Yale UP, 2024), environmental historian Brian Donahue advances a radical proposal for healing the relationship between humans and forests through responsible, sustainable use of local and regional wood in home building. </p><p>American homes are typically made of lumber and plywood delivered by a global system of ruthless extraction, or of concrete and steel, which are even worse for the planet. Wood is often the most sustainable material for building, but we need to protect diverse forests as much as we desperately need more houses. Donahue addresses this modern conundrum by documenting his experiences building a timber frame home from the wood growing on his family farm, practicing “worst first” forestry. Through the stories of the trees he used (sugar maple, black cherry, black birch, and hemlock), and some he didn’t (white pine and red oak), the book also explores the history of Americans’ relationship with their forests.</p><p>Donahue provides a new interpretation of the connection between American houses and local woodlands. He delves into how this bond was broken by the rise of a market economy of industrial resource extraction and addresses the challenge of restoring a more enduring relationship. Ultimately, this book provides a blueprint and a stewardship plan for how to live more responsibly with the woods, offering a sustainable approach to both forestry and building centered on tightly connected ecological and social values.</p><p>Brian Donahue is Emeritus Professor of American Environmental Studies at Brandeis University and co-owner of Bascom Hollow Farm in Gill, Massachusetts.</p><p><em>Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. </em><a href="https://twitter.com/brianfhamilton"><em>Twitter</em></a><em>. </em><a href="http://brian-hamilton.org/"><em>Website</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3011</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2ef348a2-aa66-11ef-aee3-ffdae40b3628]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK8634803213.mp3?updated=1732454788" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fiona Smyth, "Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century" (Manchester UP, 2024)</title>
      <description>On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument?
Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone.
Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 22 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Fiona Smyth</itunes:subtitle>
      <itunes:summary>On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument?
Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone.
Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument?</p><p><a href="https://bookshop.org/a/12343/9781526180209"><em>Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century</em> </a>(Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone.</p><p>Deeply researched and richly illustrated, <em>Pistols in St Paul's</em> brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1983</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK7821040344.mp3?updated=1732137137" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christopher Bell, "Walking East Harlem: A Neighborhood Experience" (Rutgers UP, 2024)</title>
      <description>They call it Spanish Harlem or sometimes just El Barrio. But for over a century, East Harlem has been a melting pot of many ethnic groups, including Puerto Rican, Dominican, Cuban, and Mexican immigrants, as well as Italian, Jewish, and African American communities. Though gentrification is rapidly changing the face of this section of upper Manhattan, it is still full of sites that attest to its rich cultural heritage.
Now East Harlem native Christopher Bell takes you on a tour of his beloved neighborhood. He takes you on three separate walking tours, each visiting a different part of East Harlem and each full of stories about its theaters, museums, art spaces, schools, community centers, churches, mosques, and synagogues. You'll also learn about the famous people who lived in El Barrio, such as actress Cecily Tyson, opera singer Marian Anderson, portrait artist Alice Neel, incomparable poet Julia De Burgos, and King of Latin Music Tito Puente.
Lavishly illustrated with over fifty photos, Walking East Harlem: A Neighborhood Experience ﻿(Rutgers University Press, 2024) points out not only the many architectural and cultural landmarks in the neighborhood but also the historical buildings that have since been demolished. Whether you are a tourist or a resident, this guide will give you a new appreciation for El Barrio's exciting history, cultural diversity, and continued artistic vibrancy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 20 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>37</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christopher Bell</itunes:subtitle>
      <itunes:summary>They call it Spanish Harlem or sometimes just El Barrio. But for over a century, East Harlem has been a melting pot of many ethnic groups, including Puerto Rican, Dominican, Cuban, and Mexican immigrants, as well as Italian, Jewish, and African American communities. Though gentrification is rapidly changing the face of this section of upper Manhattan, it is still full of sites that attest to its rich cultural heritage.
Now East Harlem native Christopher Bell takes you on a tour of his beloved neighborhood. He takes you on three separate walking tours, each visiting a different part of East Harlem and each full of stories about its theaters, museums, art spaces, schools, community centers, churches, mosques, and synagogues. You'll also learn about the famous people who lived in El Barrio, such as actress Cecily Tyson, opera singer Marian Anderson, portrait artist Alice Neel, incomparable poet Julia De Burgos, and King of Latin Music Tito Puente.
Lavishly illustrated with over fifty photos, Walking East Harlem: A Neighborhood Experience ﻿(Rutgers University Press, 2024) points out not only the many architectural and cultural landmarks in the neighborhood but also the historical buildings that have since been demolished. Whether you are a tourist or a resident, this guide will give you a new appreciation for El Barrio's exciting history, cultural diversity, and continued artistic vibrancy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>They call it Spanish Harlem or sometimes just El Barrio. But for over a century, East Harlem has been a melting pot of many ethnic groups, including Puerto Rican, Dominican, Cuban, and Mexican immigrants, as well as Italian, Jewish, and African American communities. Though gentrification is rapidly changing the face of this section of upper Manhattan, it is still full of sites that attest to its rich cultural heritage.</p><p>Now East Harlem native Christopher Bell takes you on a tour of his beloved neighborhood. He takes you on three separate walking tours, each visiting a different part of East Harlem and each full of stories about its theaters, museums, art spaces, schools, community centers, churches, mosques, and synagogues. You'll also learn about the famous people who lived in El Barrio, such as actress Cecily Tyson, opera singer Marian Anderson, portrait artist Alice Neel, incomparable poet Julia De Burgos, and King of Latin Music Tito Puente.</p><p>Lavishly illustrated with over fifty photos, <a href="https://bookshop.org/a/12343/9781978836532"><em>Walking East Harlem: A Neighborhood Experience</em></a><em> </em>﻿(Rutgers University Press, 2024) points out not only the many architectural and cultural landmarks in the neighborhood but also the historical buildings that have since been demolished. Whether you are a tourist or a resident, this guide will give you a new appreciation for El Barrio's exciting history, cultural diversity, and continued artistic vibrancy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2148</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Vishaan Chakrabarti, "The Architecture of Urbanity: Designing for Nature, Culture, and Joy" (Princeton UP, 2024)</title>
      <description>From one of today's most inspired architects and urban advocates, a manifesto for architecture as a force for addressing our biggest social challenges.
The world is facing unprecedented challenges, from climate change and population growth, to political division and technological dislocation, to declining mental health and fraying cultural fabric. With most of the planet's population now living in urban environments, cities are the spaces where we have the greatest potential to confront and address these problems. In this visionary book, Vishaan Chakrabarti argues for an "architecture of urbanity," showing how the design of our communities can create a more equitable, sustainable, and joyous future for us all.
Taking readers from the great cities of antiquity to the worldwide exurban sprawl of our postindustrial age, Chakrabarti examines architecture's relationship to history's greatest social, technological, and environmental dilemmas. He then presents a rich selection of work by a global array of practicing architects, demonstrating how innovative design can dramatically improve life in big cities and small settlements around the world, from campuses and refugee camps to mega-cities like São Paulo, Lima, Los Angeles, New York, Paris, and Tokyo.
Lavishly illustrated with a wealth of original graphics, data visualizations, photographs, and drawings, The Architecture of Urbanity: Designing for Nature, Culture, and Joy (Princeton UP, 2024) eloquently explains why cities are the last, best hope for humanity, and why designers must, alongside political, business, community, and cultural leaders, steward the healing of our planet.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 15 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Vishaan Chakrabarti</itunes:subtitle>
      <itunes:summary>From one of today's most inspired architects and urban advocates, a manifesto for architecture as a force for addressing our biggest social challenges.
The world is facing unprecedented challenges, from climate change and population growth, to political division and technological dislocation, to declining mental health and fraying cultural fabric. With most of the planet's population now living in urban environments, cities are the spaces where we have the greatest potential to confront and address these problems. In this visionary book, Vishaan Chakrabarti argues for an "architecture of urbanity," showing how the design of our communities can create a more equitable, sustainable, and joyous future for us all.
Taking readers from the great cities of antiquity to the worldwide exurban sprawl of our postindustrial age, Chakrabarti examines architecture's relationship to history's greatest social, technological, and environmental dilemmas. He then presents a rich selection of work by a global array of practicing architects, demonstrating how innovative design can dramatically improve life in big cities and small settlements around the world, from campuses and refugee camps to mega-cities like São Paulo, Lima, Los Angeles, New York, Paris, and Tokyo.
Lavishly illustrated with a wealth of original graphics, data visualizations, photographs, and drawings, The Architecture of Urbanity: Designing for Nature, Culture, and Joy (Princeton UP, 2024) eloquently explains why cities are the last, best hope for humanity, and why designers must, alongside political, business, community, and cultural leaders, steward the healing of our planet.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From one of today's most inspired architects and urban advocates, a manifesto for architecture as a force for addressing our biggest social challenges.</p><p>The world is facing unprecedented challenges, from climate change and population growth, to political division and technological dislocation, to declining mental health and fraying cultural fabric. With most of the planet's population now living in urban environments, cities are the spaces where we have the greatest potential to confront and address these problems. In this visionary book, Vishaan Chakrabarti argues for an "architecture of urbanity," showing how the design of our communities can create a more equitable, sustainable, and joyous future for us all.</p><p>Taking readers from the great cities of antiquity to the worldwide exurban sprawl of our postindustrial age, Chakrabarti examines architecture's relationship to history's greatest social, technological, and environmental dilemmas. He then presents a rich selection of work by a global array of practicing architects, demonstrating how innovative design can dramatically improve life in big cities and small settlements around the world, from campuses and refugee camps to mega-cities like São Paulo, Lima, Los Angeles, New York, Paris, and Tokyo.</p><p>Lavishly illustrated with a wealth of original graphics, data visualizations, photographs, and drawings, <a href="https://bookshop.org/a/12343/9780691208435"><em>The Architecture of Urbanity: Designing for Nature, Culture, and Joy</em></a><em> (</em>Princeton UP, 2024) eloquently explains why cities are the last, best hope for humanity, and why designers must, alongside political, business, community, and cultural leaders, steward the healing of our planet.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4480</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b9ae6c0c-a204-11ef-9aa6-af3539cdcb75]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK5474900217.mp3?updated=1731536306" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Subhashini Kaligotla, "Shiva's Waterfront Temples: Architects and Their Audiences in Medieval India" (Yale UP, 2022)</title>
      <description>The vibrant red sandstone temples of India's Deccan Plateau, such as the Pattadakal temple cluster, have attracted visitors since the eighth century or earlier. A UNESCO World Heritage Site and the coronation place of the Chalukya dynasty, Pattadakal and its neighboring sites are of major historical importance. 
In Shiva's Waterfront Temples: Architects and Their Audiences in Medieval India (Yale UP, 2022), Subhashini Kaligotla situates these buildings in the cosmopolitan milieu of Deccan India and considers how their makers and awestruck visitors would have seen them in their day. Kaligotla reconstructs how architects and builders approached the sites, including their use of ornamentation, responsiveness to courtly values such as pleasure and play, and ingenious juxtaposition of the first millennium's Nagara and Dravida aesthetics, a blend largely unique to Deccan plateau architecture. With over 130 color illustrations, this original book elucidates the Deccan's special place in the lexicon of medieval South Asian architecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 31 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>360</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Subhashini Kaligotla</itunes:subtitle>
      <itunes:summary>The vibrant red sandstone temples of India's Deccan Plateau, such as the Pattadakal temple cluster, have attracted visitors since the eighth century or earlier. A UNESCO World Heritage Site and the coronation place of the Chalukya dynasty, Pattadakal and its neighboring sites are of major historical importance. 
In Shiva's Waterfront Temples: Architects and Their Audiences in Medieval India (Yale UP, 2022), Subhashini Kaligotla situates these buildings in the cosmopolitan milieu of Deccan India and considers how their makers and awestruck visitors would have seen them in their day. Kaligotla reconstructs how architects and builders approached the sites, including their use of ornamentation, responsiveness to courtly values such as pleasure and play, and ingenious juxtaposition of the first millennium's Nagara and Dravida aesthetics, a blend largely unique to Deccan plateau architecture. With over 130 color illustrations, this original book elucidates the Deccan's special place in the lexicon of medieval South Asian architecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The vibrant red sandstone temples of India's Deccan Plateau, such as the Pattadakal temple cluster, have attracted visitors since the eighth century or earlier. A UNESCO World Heritage Site and the coronation place of the Chalukya dynasty, Pattadakal and its neighboring sites are of major historical importance. </p><p>In <a href="https://bookshop.org/a/12343/9780300258943"><em>Shiva's Waterfront Temples: Architects and Their Audiences in Medieval India</em></a><em> </em>(Yale UP, 2022), Subhashini Kaligotla situates these buildings in the cosmopolitan milieu of Deccan India and considers how their makers and awestruck visitors would have seen them in their day. Kaligotla reconstructs how architects and builders approached the sites, including their use of ornamentation, responsiveness to courtly values such as pleasure and play, and ingenious juxtaposition of the first millennium's Nagara and Dravida aesthetics, a blend largely unique to Deccan plateau architecture. With over 130 color illustrations, this original book elucidates the Deccan's special place in the lexicon of medieval South Asian architecture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1855</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d2331014-783a-11ef-8a9f-97bef1c84bc8]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK3087171978.mp3?updated=1726938688" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paris, Cuba, and David from Any Direction with Lucy Benjamin</title>
      <description>In this episode Pat speaks with Dr Lucy Benjamin.
Dr Lucy Benjamin is a researcher in architectural theory and creative practice. Her work focuses on the intersection of environmental theory, architecture, and philosophy, especially the emergence of repair as a design principle and the conditions for human rights in the age of eco-crisis.
They discuss time and space on the streets of Paris; repairability and broken Cuban furniture; and developing her own perspective.
A transcript of this episode is available on the Concept : Art website (www.conceptart.fm).
Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 27 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode Pat speaks with Dr Lucy Benjamin.
Dr Lucy Benjamin is a researcher in architectural theory and creative practice. Her work focuses on the intersection of environmental theory, architecture, and philosophy, especially the emergence of repair as a design principle and the conditions for human rights in the age of eco-crisis.
They discuss time and space on the streets of Paris; repairability and broken Cuban furniture; and developing her own perspective.
A transcript of this episode is available on the Concept : Art website (www.conceptart.fm).
Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode Pat speaks with Dr Lucy Benjamin.</p><p>Dr Lucy Benjamin is a researcher in architectural theory and creative practice. Her work focuses on the intersection of environmental theory, architecture, and philosophy, especially the emergence of repair as a design principle and the conditions for human rights in the age of eco-crisis.</p><p>They discuss time and space on the streets of Paris; repairability and broken Cuban furniture; and developing her own perspective.</p><p>A transcript of this episode is available on the <em>Concept : Art</em> website (<a href="http://www.conceptart.fm/">www.conceptart.fm</a>).</p><p><em>Concept : Art</em> is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1985</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[62b37bf2-93a1-11ef-9aa0-2b728ff8c5e1]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK9763784614.mp3?updated=1729951214" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>René Boer, "Smooth City: Against Urban Perfection, Towards Collective Alternatives" (Valiz, 2023)</title>
      <description>In cities across the world, a new urban condition is spreading rapidly: an ever-increasing push toward efficiency, sanitization, surveillance and the active eradication of any aberration, friction or alternative. From Dubai, Hong Kong and London to Amsterdam and Cairo, the smooth city, with its gated communities and theme-park zones, insidiously transforms urban life into seamless "experience." While the demand for safe, clean and well-functioning urban environments is understandable, the ascent of the smooth city corrodes the democratic and emancipatory potential of cities, leaving little space for the experimental and the non-normative.
In Smooth City: Against Urban Perfection, Towards Collective Alternatives (Valiz, 2023), René Boer investigates the origins, characteristics and consequences of "smoothness" and points toward possible alternatives.
René Boer is a critic, curator and organizer in and beyond the fields of architecture, art, design and heritage. Based in Amsterdam, he is a founding partner of Loom: Weaving New Worlds and an editor at Failed Architecture.
This interview was conducted by Timi Koyejo, a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 22 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>36</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with René Boer</itunes:subtitle>
      <itunes:summary>In cities across the world, a new urban condition is spreading rapidly: an ever-increasing push toward efficiency, sanitization, surveillance and the active eradication of any aberration, friction or alternative. From Dubai, Hong Kong and London to Amsterdam and Cairo, the smooth city, with its gated communities and theme-park zones, insidiously transforms urban life into seamless "experience." While the demand for safe, clean and well-functioning urban environments is understandable, the ascent of the smooth city corrodes the democratic and emancipatory potential of cities, leaving little space for the experimental and the non-normative.
In Smooth City: Against Urban Perfection, Towards Collective Alternatives (Valiz, 2023), René Boer investigates the origins, characteristics and consequences of "smoothness" and points toward possible alternatives.
René Boer is a critic, curator and organizer in and beyond the fields of architecture, art, design and heritage. Based in Amsterdam, he is a founding partner of Loom: Weaving New Worlds and an editor at Failed Architecture.
This interview was conducted by Timi Koyejo, a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In cities across the world, a new urban condition is spreading rapidly: an ever-increasing push toward efficiency, sanitization, surveillance and the active eradication of any aberration, friction or alternative. From Dubai, Hong Kong and London to Amsterdam and Cairo, the smooth city, with its gated communities and theme-park zones, insidiously transforms urban life into seamless "experience." While the demand for safe, clean and well-functioning urban environments is understandable, the ascent of the smooth city corrodes the democratic and emancipatory potential of cities, leaving little space for the experimental and the non-normative.</p><p>In <a href="https://bookshop.org/a/12343/9789493246201"><em>Smooth City: Against Urban Perfection, Towards Collective Alternatives</em></a><em> </em>(Valiz, 2023), René Boer investigates the origins, characteristics and consequences of "smoothness" and points toward possible alternatives.</p><p>René Boer is a critic, curator and organizer in and beyond the fields of architecture, art, design and heritage. Based in Amsterdam, he is a founding partner of <a href="http://loom.ooo/">Loom: Weaving New Worlds</a> and an editor at <a href="https://failedarchitecture.com/">Failed Architecture</a>.</p><p><em>This interview was conducted by Timi Koyejo, a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4092</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b9703e26-8f14-11ef-b9d5-479d6077bc4c]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK4445634637.mp3?updated=1729608565" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amanda Shoaf Vincent, "Constructing Gardens, Cultivating the City: Paris's New Parks, 1977-1995" (U Pennsylvania Press, 2023)</title>
      <description>In the space of about two decades, five major parks were proposed, designed, and created in Paris. Some emerged from competitions between professional landscape architects, others were imagined by planners working for the city, all represented a shift in what Amanda Shoaf Vincent calls “post-modern” understandings of the role of parks and garden in the city. 
In Constructing Gardens, Cultivating the City: Paris's New Parks, 1977-1995 (U Pennsylvania Press, 2023), Vincent explores the development of parks as “cultural objects” in Paris’ urban landscape, helping students and scholars of urbanism, architecture, and social and cultural history understand how parks served not only as places where people could sit, read a book, or watch their children play, but also as places where new theories about leisure and life in the city played out. In our conversation, Vincent explains how she developed this study out of a broader interest in architecture and urban space and takes listeners through each of the major parks that are the focus of her book: from Maine-Montparnasse high above the Montparnasse train station on the Left Bank to Les Halles in the center of Paris to the Park de Bercy, just a short walk away from the Bibliotheque Nationale de France. Along the way, we talk about gardeners, ironwork, and a surprising lack of park scandals in the City of Light and learn to “take parks a little more seriously,” as Vincent herself has learned to do.
Amanda Shoaf Vincent is Associate Professor in the Department of French Studies at Wake Forest University. Her research focuses on the representation and production of designed spaces (from parks to gardens to cities and buildings) in twentieth and twenty-first century France. Her work has previously appeared in French Cultural Studies, Contemporary French and Francophone Studies, and Contemporary French Civilization, among other venues. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 18 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amanda Shoaf Vincent</itunes:subtitle>
      <itunes:summary>In the space of about two decades, five major parks were proposed, designed, and created in Paris. Some emerged from competitions between professional landscape architects, others were imagined by planners working for the city, all represented a shift in what Amanda Shoaf Vincent calls “post-modern” understandings of the role of parks and garden in the city. 
In Constructing Gardens, Cultivating the City: Paris's New Parks, 1977-1995 (U Pennsylvania Press, 2023), Vincent explores the development of parks as “cultural objects” in Paris’ urban landscape, helping students and scholars of urbanism, architecture, and social and cultural history understand how parks served not only as places where people could sit, read a book, or watch their children play, but also as places where new theories about leisure and life in the city played out. In our conversation, Vincent explains how she developed this study out of a broader interest in architecture and urban space and takes listeners through each of the major parks that are the focus of her book: from Maine-Montparnasse high above the Montparnasse train station on the Left Bank to Les Halles in the center of Paris to the Park de Bercy, just a short walk away from the Bibliotheque Nationale de France. Along the way, we talk about gardeners, ironwork, and a surprising lack of park scandals in the City of Light and learn to “take parks a little more seriously,” as Vincent herself has learned to do.
Amanda Shoaf Vincent is Associate Professor in the Department of French Studies at Wake Forest University. Her research focuses on the representation and production of designed spaces (from parks to gardens to cities and buildings) in twentieth and twenty-first century France. Her work has previously appeared in French Cultural Studies, Contemporary French and Francophone Studies, and Contemporary French Civilization, among other venues. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the space of about two decades, five major parks were proposed, designed, and created in Paris. Some emerged from competitions between professional landscape architects, others were imagined by planners working for the city, all represented a shift in what Amanda Shoaf Vincent calls “post-modern” understandings of the role of parks and garden in the city. </p><p>In<a href="https://bookshop.org/a/12343/9781512823851"> <em>Constructing Gardens, Cultivating the City: Paris's New Parks, 1977-1995</em></a><em> </em>(U Pennsylvania Press, 2023), Vincent explores the development of parks as “cultural objects” in Paris’ urban landscape, helping students and scholars of urbanism, architecture, and social and cultural history understand how parks served not only as places where people could sit, read a book, or watch their children play, but also as places where new theories about leisure and life in the city played out. In our conversation, Vincent explains how she developed this study out of a broader interest in architecture and urban space and takes listeners through each of the major parks that are the focus of her book: from Maine-Montparnasse high above the Montparnasse train station on the Left Bank to Les Halles in the center of Paris to the Park de Bercy, just a short walk away from the Bibliotheque Nationale de France. Along the way, we talk about gardeners, ironwork, and a surprising lack of park scandals in the City of Light and learn to “take parks a little more seriously,” as Vincent herself has learned to do.</p><p>Amanda Shoaf Vincent is Associate Professor in the Department of French Studies at Wake Forest University. Her research focuses on the representation and production of designed spaces (from parks to gardens to cities and buildings) in twentieth and twenty-first century France. Her work has previously appeared in French Cultural Studies, Contemporary French and Francophone Studies, and Contemporary French Civilization, among other venues. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4429</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[300cf8a2-8bce-11ef-89ff-e705cffe62d8]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK2983386337.mp3?updated=1729091777" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anat Geva, "The Architecture of Modern American Synagogues, 1950s-1960s" (Texas A&amp;M UP, 2023)</title>
      <description>Today I talked to Anat Geva about The Architecture of Modern American Synagogues, 1950s-1960s (Texas A&amp;M UP, 2023).
There is no one mandate on how to build the exterior of a synagogue - something that I don't think I ever thought about, yet it was something that Professor Anat Geva focused on. Famous architects of different backgrounds built the synagogues across the USA and no two really look the same. It made me reflect on recognizing a synagogue as distinct from the outside, and the concept of a community being created through their synagogues. Focusing on the post WWII era of synagogue creation adds another layer, and the discussion went into how the art, light, and even sustainability were key elements in these creations. It seems to have interested others as well as there were some interesting reviews in the WSJ and the Journal of Architects.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 04 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>555</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anat Geva</itunes:subtitle>
      <itunes:summary>Today I talked to Anat Geva about The Architecture of Modern American Synagogues, 1950s-1960s (Texas A&amp;M UP, 2023).
There is no one mandate on how to build the exterior of a synagogue - something that I don't think I ever thought about, yet it was something that Professor Anat Geva focused on. Famous architects of different backgrounds built the synagogues across the USA and no two really look the same. It made me reflect on recognizing a synagogue as distinct from the outside, and the concept of a community being created through their synagogues. Focusing on the post WWII era of synagogue creation adds another layer, and the discussion went into how the art, light, and even sustainability were key elements in these creations. It seems to have interested others as well as there were some interesting reviews in the WSJ and the Journal of Architects.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Anat Geva about <a href="https://bookshop.org/a/12343/9781648431357"><em>The Architecture of Modern American Synagogues, 1950s-1960s</em></a> (Texas A&amp;M UP, 2023).</p><p>There is no one mandate on how to build the exterior of a synagogue - something that I don't think I ever thought about, yet it was something that Professor Anat Geva focused on. Famous architects of different backgrounds built the synagogues across the USA and no two really look the same. It made me reflect on recognizing a synagogue as distinct from the outside, and the concept of a community being created through their synagogues. Focusing on the post WWII era of synagogue creation adds another layer, and the discussion went into how the art, light, and even sustainability were key elements in these creations. It seems to have interested others as well as there were some interesting reviews<a href="https://www.wsj.com/arts-culture/books/the-architecture-of-modern-american-synagogues-review-modern-unorthodox-3b20ff24?reflink=desktopwebshare_permalink"> in the WSJ</a> and the Journal of Architects.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3112</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9dfdc2fa-81b6-11ef-8be5-cb1938cf1cfd]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK1304775351.mp3?updated=1727981341" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lynne B. Sagalyn, "Times Square Remade: The Dynamics of Urban Change" (MIT Press, 2023)</title>
      <description>What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination? 
In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen.
Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved.
Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 30 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>34</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lynne B. Sagalyn</itunes:subtitle>
      <itunes:summary>What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination? 
In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen.
Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved.
Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination? </p><p>In <a href="https://bookshop.org/a/12343/9780262048545"><em>Times Square Remade: The Dynamics of Urban Change</em></a> (MIT Press, 2023), which comes twenty years after her widely acclaimed <em>Times Square Roulette</em>, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen.</p><p>Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved.</p><p>Accompanied by nearly 160 images, more than half in colour, <em>Times Square Remade</em> is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3547</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b279a780-7e7d-11ef-83f1-d7b1c0adb059]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK2304170768.mp3?updated=1727627311" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joy Knoblauch, "The Architecture of Good Behavior: Psychology and Modern Institutional Design in Postwar America" (U Pittsburgh Press, 2020)</title>
      <description>Inspired by the rise of environmental psychology and increasing support for behavioral research after the Second World War, new initiatives at the federal, state, and local levels looked to influence the human psyche through form, or elicit desired behaviors with environmental incentives, implementing what Joy Knoblauch calls “psychological functionalism.”
Recruited by federal construction and research programs for institutional reform and expansion—which included hospitals, mental health centers, prisons, and public housing—architects theorized new ways to control behavior and make it more functional by exercising soft power, or power through persuasion, with their designs.
In the 1960s –1970s era of anti-institutional sentiment, they hoped to offer an enlightened, palatable, more humane solution to larger social problems related to health, mental health, justice, and security of the population by applying psychological expertise to institutional design.
In turn, Knoblauch argues, architects gained new roles as researchers, organizers, and writers while theories of confinement, territory, and surveillance proliferated. The Architecture of Good Behavior: Psychology and Modern Institutional Design in Postwar America (University of Pittsburgh Press) explores psychological functionalism as a political tool and the architectural projects funded by a postwar nation in its efforts to govern, exert control over, and ultimately pacify its patients, prisoners, and residents.
Joy Knoblauch is Assistant Professor of Architecture at the University of Michigan, where she teaches history and theory of architecture as an exploration of architecture's engagement with politics and science.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 18 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joy Knoblauch</itunes:subtitle>
      <itunes:summary>Inspired by the rise of environmental psychology and increasing support for behavioral research after the Second World War, new initiatives at the federal, state, and local levels looked to influence the human psyche through form, or elicit desired behaviors with environmental incentives, implementing what Joy Knoblauch calls “psychological functionalism.”
Recruited by federal construction and research programs for institutional reform and expansion—which included hospitals, mental health centers, prisons, and public housing—architects theorized new ways to control behavior and make it more functional by exercising soft power, or power through persuasion, with their designs.
In the 1960s –1970s era of anti-institutional sentiment, they hoped to offer an enlightened, palatable, more humane solution to larger social problems related to health, mental health, justice, and security of the population by applying psychological expertise to institutional design.
In turn, Knoblauch argues, architects gained new roles as researchers, organizers, and writers while theories of confinement, territory, and surveillance proliferated. The Architecture of Good Behavior: Psychology and Modern Institutional Design in Postwar America (University of Pittsburgh Press) explores psychological functionalism as a political tool and the architectural projects funded by a postwar nation in its efforts to govern, exert control over, and ultimately pacify its patients, prisoners, and residents.
Joy Knoblauch is Assistant Professor of Architecture at the University of Michigan, where she teaches history and theory of architecture as an exploration of architecture's engagement with politics and science.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Inspired by the rise of environmental psychology and increasing support for behavioral research after the Second World War, new initiatives at the federal, state, and local levels looked to influence the human psyche through form, or elicit desired behaviors with environmental incentives, implementing what Joy Knoblauch calls “psychological functionalism.”</p><p>Recruited by federal construction and research programs for institutional reform and expansion—which included hospitals, mental health centers, prisons, and public housing—architects theorized new ways to control behavior and make it more functional by exercising soft power, or power through persuasion, with their designs.</p><p>In the 1960s –1970s era of anti-institutional sentiment, they hoped to offer an enlightened, palatable, more humane solution to larger social problems related to health, mental health, justice, and security of the population by applying psychological expertise to institutional design.</p><p>In turn, Knoblauch argues, architects gained new roles as researchers, organizers, and writers while theories of confinement, territory, and surveillance proliferated. <a href="https://bookshop.org/a/12343/9780822945738"><em>The Architecture of Good Behavior: Psychology and Modern Institutional Design in Postwar America</em></a> (University of Pittsburgh Press) explores psychological functionalism as a political tool and the architectural projects funded by a postwar nation in its efforts to govern, exert control over, and ultimately pacify its patients, prisoners, and residents.</p><p><a href="https://taubmancollege.umich.edu/faculty/directory/joy-knoblauch">Joy Knoblauch</a> is Assistant Professor of Architecture at the University of Michigan, where she teaches history and theory of architecture as an exploration of architecture's engagement with politics and science.</p><p><a href="http://www.clairedclark.com/"><em>Claire Clark</em></a><em> is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2437</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ac1268fc-7534-11ef-9e72-036d3a0fd16e]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK6353266167.mp3?updated=1726607363" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Farshid Emami, "Isfahan: Architecture and Urban Experience in Early Modern Iran" (Penn State UP, 2024)</title>
      <description>A vibrant urban settlement from mediaeval times and the royal seat of the Safavid dynasty, the city of Isfahan emerged as a great metropolis during the seventeenth century. Using key sources, Isfahan: Architecture and Urban Experience in Early Modern Iran (Penn State University Press, 2024) reconstructs the spaces and senses of this dynamic city.
Focusing on nuances of urban experience, Dr. Farshid Emami expands our understanding of Isfahan in a global context. He takes the reader on an evocative journey through the city’s markets, promenades, and coffeehouses, bringing to life the social landscapes that animated the lives of urban dwellers and shaped their perceptions of themselves and the world. In doing so, Emami reveals seventeenth-century Isfahan as more than a cluster of beautiful monuments and gardens. It was a cosmopolitan city, where senses and materials, nature and artifice, and ritual and sociability acted in unison, engendering urban experiences that became paramount across the globe during the early modern period.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 17 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>77</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Farshid Emami</itunes:subtitle>
      <itunes:summary>A vibrant urban settlement from mediaeval times and the royal seat of the Safavid dynasty, the city of Isfahan emerged as a great metropolis during the seventeenth century. Using key sources, Isfahan: Architecture and Urban Experience in Early Modern Iran (Penn State University Press, 2024) reconstructs the spaces and senses of this dynamic city.
Focusing on nuances of urban experience, Dr. Farshid Emami expands our understanding of Isfahan in a global context. He takes the reader on an evocative journey through the city’s markets, promenades, and coffeehouses, bringing to life the social landscapes that animated the lives of urban dwellers and shaped their perceptions of themselves and the world. In doing so, Emami reveals seventeenth-century Isfahan as more than a cluster of beautiful monuments and gardens. It was a cosmopolitan city, where senses and materials, nature and artifice, and ritual and sociability acted in unison, engendering urban experiences that became paramount across the globe during the early modern period.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A vibrant urban settlement from mediaeval times and the royal seat of the Safavid dynasty, the city of Isfahan emerged as a great metropolis during the seventeenth century. Using key sources, <a href="https://bookshop.org/a/12343/9780271095523"><em>Isfahan: Architecture and Urban Experience in Early Modern Iran</em></a> (Penn State University Press, 2024) reconstructs the spaces and senses of this dynamic city.</p><p>Focusing on nuances of urban experience, Dr. Farshid Emami expands our understanding of Isfahan in a global context. He takes the reader on an evocative journey through the city’s markets, promenades, and coffeehouses, bringing to life the social landscapes that animated the lives of urban dwellers and shaped their perceptions of themselves and the world. In doing so, Emami reveals seventeenth-century Isfahan as more than a cluster of beautiful monuments and gardens. It was a cosmopolitan city, where senses and materials, nature and artifice, and ritual and sociability acted in unison, engendering urban experiences that became paramount across the globe during the early modern period.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3072</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[230fd676-5b48-11ef-83e9-e3b1e5fab9ad]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK5677131583.mp3?updated=1723756927" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Arif Hasan, "The Search for Shelter: Writings on Land and Housing" (Oxford UP, 2022)</title>
      <description>The Search for Shelter: Writings on Land and Housing (Oxford UP, 2022) sheds light on the global population living in slums, which has increased from 1 billion in 2014 to 1.6 billion in 2018. The book also looks at the impact of neoliberalism on urban planning, the manner of organization and the struggles of the communities affected by these processes, the cultural and political decision-making processes of the State, and their repercussions on the form and life of the city. In this book, Arif Hasan discusses the conflicts between ground realities, academic theory, governmental policies, and international interventions in the shelter sector. With the help of individual case studies, he goes into depths of the various issues faced, and in certain instances also gives recommendations to improve upon the situation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 10 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>91</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Arif Hasan</itunes:subtitle>
      <itunes:summary>The Search for Shelter: Writings on Land and Housing (Oxford UP, 2022) sheds light on the global population living in slums, which has increased from 1 billion in 2014 to 1.6 billion in 2018. The book also looks at the impact of neoliberalism on urban planning, the manner of organization and the struggles of the communities affected by these processes, the cultural and political decision-making processes of the State, and their repercussions on the form and life of the city. In this book, Arif Hasan discusses the conflicts between ground realities, academic theory, governmental policies, and international interventions in the shelter sector. With the help of individual case studies, he goes into depths of the various issues faced, and in certain instances also gives recommendations to improve upon the situation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780190702502"><em>The Search for Shelter: Writings on Land and Housing</em></a><em> </em>(Oxford UP, 2022) sheds light on the global population living in slums, which has increased from 1 billion in 2014 to 1.6 billion in 2018. The book also looks at the impact of neoliberalism on urban planning, the manner of organization and the struggles of the communities affected by these processes, the cultural and political decision-making processes of the State, and their repercussions on the form and life of the city. In this book, Arif Hasan discusses the conflicts between ground realities, academic theory, governmental policies, and international interventions in the shelter sector. With the help of individual case studies, he goes into depths of the various issues faced, and in certain instances also gives recommendations to improve upon the situation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3033</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ef32a82a-5655-11ef-9e3d-b33f9a9f4556]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK8394300650.mp3?updated=1723214544" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Swati Chattopadhyay, "Small Spaces: Recasting the Architecture of Empire" (Bloomsbury, 2023)</title>
      <description>Swati Chattopadhyay's book Small Spaces: Recasting the Architecture of Empire (Bloomsbury, 2023) recasts the history of the British empire by focusing on the small spaces that made the empire possible. It takes as its subject a series of small architectural spaces, objects, and landscapes and uses them to narrate the untold stories of the marginalized people-the servants, women, children, subalterns, and racialized minorities-who held up the infrastructure of empire. In so doing it opens up an important new approach to architectural history: an invitation to shift our attention from the large to the small scale. 
Taking the British empire in India as its primary focus, this book presents eighteen short, readable chapters to explore an array of overlooked places and spaces. From cook rooms and slave quarters to outhouses, go-downs, and medicine cupboards, each chapter reveals how and why these kinds of minor spaces are so important to understanding colonialism. With the focus of history so often on the large scale - global trade networks, vast regions, and architectures of power and domination - Small Spaces shows instead how we need to rethink this aura of magnitude so that our reading is not beholden such imperialist optics. With chapters which can be read separately as individual accounts of objects, spaces, and buildings, and introductions showing how this critical methodology can challenge the methods and theories of urban and architectural history, Small Spaces is a must-read for anyone wishing to decolonize disciplinary practices in the field of architectural, urban, and colonial history. Altogether, it provides a paradigm-breaking account of how to 'unlearn empire', whether in British India or elsewhere.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 03 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>90</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Swati Chattopadhyay</itunes:subtitle>
      <itunes:summary>Swati Chattopadhyay's book Small Spaces: Recasting the Architecture of Empire (Bloomsbury, 2023) recasts the history of the British empire by focusing on the small spaces that made the empire possible. It takes as its subject a series of small architectural spaces, objects, and landscapes and uses them to narrate the untold stories of the marginalized people-the servants, women, children, subalterns, and racialized minorities-who held up the infrastructure of empire. In so doing it opens up an important new approach to architectural history: an invitation to shift our attention from the large to the small scale. 
Taking the British empire in India as its primary focus, this book presents eighteen short, readable chapters to explore an array of overlooked places and spaces. From cook rooms and slave quarters to outhouses, go-downs, and medicine cupboards, each chapter reveals how and why these kinds of minor spaces are so important to understanding colonialism. With the focus of history so often on the large scale - global trade networks, vast regions, and architectures of power and domination - Small Spaces shows instead how we need to rethink this aura of magnitude so that our reading is not beholden such imperialist optics. With chapters which can be read separately as individual accounts of objects, spaces, and buildings, and introductions showing how this critical methodology can challenge the methods and theories of urban and architectural history, Small Spaces is a must-read for anyone wishing to decolonize disciplinary practices in the field of architectural, urban, and colonial history. Altogether, it provides a paradigm-breaking account of how to 'unlearn empire', whether in British India or elsewhere.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Swati Chattopadhyay's book<em> </em><a href="https://bookshop.org/a/12343/9781350288201"><em>Small Spaces: Recasting the Architecture of Empire</em></a> (Bloomsbury, 2023) recasts the history of the British empire by focusing on the small spaces that made the empire possible. It takes as its subject a series of small architectural spaces, objects, and landscapes and uses them to narrate the untold stories of the marginalized people-the servants, women, children, subalterns, and racialized minorities-who held up the infrastructure of empire. In so doing it opens up an important new approach to architectural history: an invitation to shift our attention from the large to the small scale. </p><p>Taking the British empire in India as its primary focus, this book presents eighteen short, readable chapters to explore an array of overlooked places and spaces. From cook rooms and slave quarters to outhouses, go-downs, and medicine cupboards, each chapter reveals how and why these kinds of minor spaces are so important to understanding colonialism. With the focus of history so often on the large scale - global trade networks, vast regions, and architectures of power and domination - Small Spaces shows instead how we need to rethink this aura of magnitude so that our reading is not beholden such imperialist optics. With chapters which can be read separately as individual accounts of objects, spaces, and buildings, and introductions showing how this critical methodology can challenge the methods and theories of urban and architectural history, Small Spaces is a must-read for anyone wishing to decolonize disciplinary practices in the field of architectural, urban, and colonial history. Altogether, it provides a paradigm-breaking account of how to 'unlearn empire', whether in British India or elsewhere.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3287</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c6bedd90-50ca-11ef-93e1-27f1bb4f2f4e]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK8605072177.mp3?updated=1722603325" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Everyday Architecture in Context: Public Markets in Hong Kong (1842-1981) (Chinese U of Hong Kong Press, 2023)</title>
      <description>How do public markets, as ordinary as they seem, carry the weight of a city’s history? How do such everyday buildings reflect a city’s changing political, social, and economic needs, through their yearslong transformations in forms, functions, and management?
Today’s book is: Everyday Architecture in Context: Public Markets in Hong Kong, 1842-1981 (Chinese University of Hong Kong Press, 2023), by Dr. Carmen C. M. Tsui. Integrating architecture and history, the book invites readers to go through the growth and governance of colonial Hong Kong by tracing the past and present of public markets as a study of extensive first-hand historical materials. Readers witness the changes in Hong Kong markets from hawker pitches to classical market halls to clean modernist municipal complexes. This book offers a new perspective of understanding the familiar everyday markets with historical contexts possibly unfamiliar to most, studying markets as a microcosm of the city and a capsule of its history.
Our guest is: Dr. Carmen C. M. Tsui, who is an architect and urban historian. She is an associate professor in the Department of History at Lingnan University, HKSAR. She obtained her Ph.D. in Architecture from the University of California, Berkeley, with a specialization in the history of architecture and urbanism.
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell (and why) and what happens to those we never tell.
Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 01 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>225</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Carmen C. M. Tsui</itunes:subtitle>
      <itunes:summary>How do public markets, as ordinary as they seem, carry the weight of a city’s history? How do such everyday buildings reflect a city’s changing political, social, and economic needs, through their yearslong transformations in forms, functions, and management?
Today’s book is: Everyday Architecture in Context: Public Markets in Hong Kong, 1842-1981 (Chinese University of Hong Kong Press, 2023), by Dr. Carmen C. M. Tsui. Integrating architecture and history, the book invites readers to go through the growth and governance of colonial Hong Kong by tracing the past and present of public markets as a study of extensive first-hand historical materials. Readers witness the changes in Hong Kong markets from hawker pitches to classical market halls to clean modernist municipal complexes. This book offers a new perspective of understanding the familiar everyday markets with historical contexts possibly unfamiliar to most, studying markets as a microcosm of the city and a capsule of its history.
Our guest is: Dr. Carmen C. M. Tsui, who is an architect and urban historian. She is an associate professor in the Department of History at Lingnan University, HKSAR. She obtained her Ph.D. in Architecture from the University of California, Berkeley, with a specialization in the history of architecture and urbanism.
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell (and why) and what happens to those we never tell.
Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do public markets, as ordinary as they seem, carry the weight of a city’s history? How do such everyday buildings reflect a city’s changing political, social, and economic needs, through their yearslong transformations in forms, functions, and management?</p><p>Today’s book is: <a href="https://bookshop.org/a/12343/9789882372740"><em>Everyday Architecture in Context: Public Markets in Hong Kong, 1842-1981</em></a><em> </em>(Chinese University of Hong Kong Press, 2023), by Dr. Carmen C. M. Tsui. Integrating architecture and history, the book invites readers to go through the growth and governance of colonial Hong Kong by tracing the past and present of public markets as a study of extensive first-hand historical materials. Readers witness the changes in Hong Kong markets from hawker pitches to classical market halls to clean modernist municipal complexes. This book offers a new perspective of understanding the familiar everyday markets with historical contexts possibly unfamiliar to most, studying markets as a microcosm of the city and a capsule of its history.</p><p>Our guest is: Dr. Carmen C. M. Tsui, who is an architect and urban historian. She is an associate professor in the Department of History at Lingnan University, HKSAR. She obtained her Ph.D. in Architecture from the University of California, Berkeley, with a specialization in the history of architecture and urbanism.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell (and why) and what happens to those we never tell.</p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3050</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2b47b746-4789-11ef-939b-6f6ae65b5565]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK5331156946.mp3?updated=1721585301" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jorge Almazán et al., "Emergent Tokyo:: Designing the Spontaneous City" (Oro Editions, 2024)</title>
      <description>If ancient Kyoto stands for orderly elegance, then Tokyo, within the world’s most populated metropolitan area, calls to mind–– jam-packed chaos. But in Emergent Tokyo: Designing the Spontaneous City (Oro Editions, 2022), Professor Jorge Almazán of Keio University and his Studio Lab colleagues ask us to look again—at the shops, markets, restaurants and tiny bars in back alleys, side streets and underneath highway bridges and rail lines. Within walking distance of a commuter rail station, small wood frame detached houses on tiny lots define a cohesive neighborhood. The order underlying a seemingly chaotic cityscape makes for an eminently livable city. Finishing this remarkable study, the reader may ask—have we been overlooking under-utilized space in my town? Why not little houses on small lots? Why can’t we walk to a shop around the corner? If Jane Jacobs’ Death and Life of Great American Cities opened your eyes, then consider Emergent Tokyo. With Dr. Almazán as our guide, Tokyo has much to teach.
James Wunsch, Emeritus Professor of Historical Studies, Empire State College (SUNY)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 19 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>28</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jorge Almazán</itunes:subtitle>
      <itunes:summary>If ancient Kyoto stands for orderly elegance, then Tokyo, within the world’s most populated metropolitan area, calls to mind–– jam-packed chaos. But in Emergent Tokyo: Designing the Spontaneous City (Oro Editions, 2022), Professor Jorge Almazán of Keio University and his Studio Lab colleagues ask us to look again—at the shops, markets, restaurants and tiny bars in back alleys, side streets and underneath highway bridges and rail lines. Within walking distance of a commuter rail station, small wood frame detached houses on tiny lots define a cohesive neighborhood. The order underlying a seemingly chaotic cityscape makes for an eminently livable city. Finishing this remarkable study, the reader may ask—have we been overlooking under-utilized space in my town? Why not little houses on small lots? Why can’t we walk to a shop around the corner? If Jane Jacobs’ Death and Life of Great American Cities opened your eyes, then consider Emergent Tokyo. With Dr. Almazán as our guide, Tokyo has much to teach.
James Wunsch, Emeritus Professor of Historical Studies, Empire State College (SUNY)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If ancient Kyoto stands for orderly elegance, then Tokyo, within the world’s most populated metropolitan area, calls to mind–– jam-packed chaos. But in<em> </em><a href="https://bookshop.org/a/12343/9781951541323"><em>Emergent Tokyo: Designing the Spontaneous City</em></a> (Oro Editions, 2022), Professor Jorge Almazán of Keio University and his Studio Lab colleagues ask us to look again—at the shops, markets, restaurants and tiny bars in back alleys, side streets and underneath highway bridges and rail lines. Within walking distance of a commuter rail station, small wood frame detached houses on tiny lots define a cohesive neighborhood. The order underlying a seemingly chaotic cityscape makes for an eminently livable city. Finishing this remarkable study, the reader may ask—have we been overlooking under-utilized space in my town? Why not little houses on small lots? Why can’t we walk to a shop around the corner? If Jane Jacobs’ <em>Death and Life of Great American Cities</em> opened your eyes, then consider <em>Emergent Tokyo</em>. With Dr. Almazán as our guide, Tokyo has much to teach.</p><p><em>James Wunsch, Emeritus Professor of Historical Studies, Empire State College (SUNY)</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2174</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3ad873f4-2b45-11ef-95bd-67ada06edba8]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK7648600783.mp3?updated=1718476412" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Victoria Perry, "A Bittersweet Heritage: Slavery, Architecture and the British Landscape" (Hurst, 2022)</title>
      <description>The 2020 toppling of slave-trader Edward Colston's statue by Black Lives Matter protesters in Bristol was a dramatic reminder of Britain's role in trans-Atlantic slavery, too often overlooked. Yet the legacy of that predatory economy reaches far beyond bronze memorials; it continues to shape the entire visual fabric of the country.
Architect Victoria Perry explores the relationship between the wealth of slave-owning elites and the architecture and landscapes of Georgian Britain. She reveals how profits from Caribbean sugar plantations fed the opulence of stately homes and landscape gardens. Trade in slaves and slave-grown products also boosted the prosperity of ports like Bristol, Liverpool and Glasgow, shifting cultural influence towards the Atlantic west. New artistic centers like Bath emerged, while investment in poor, remote areas of Wales, Cumbria and Scotland led to their "reimagining" as tourist destinations: Snowdonia, the Lakes and the Highlands. The patronage of absentee planters popularized British ideas of "natural scenery"--viewing mountains, rivers and rocks as landscape art--and then exported the concept of "sublime and picturesque" landscapes across the Atlantic.
A Bittersweet Heritage: Slavery, Architecture and the British Landscape (Hurst, 2022) unearths the slavery-tainted history of Britain's manors, ports, roads and countryside, and powerfully explains what this legacy means today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 14 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>446</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Victoria Perry</itunes:subtitle>
      <itunes:summary>The 2020 toppling of slave-trader Edward Colston's statue by Black Lives Matter protesters in Bristol was a dramatic reminder of Britain's role in trans-Atlantic slavery, too often overlooked. Yet the legacy of that predatory economy reaches far beyond bronze memorials; it continues to shape the entire visual fabric of the country.
Architect Victoria Perry explores the relationship between the wealth of slave-owning elites and the architecture and landscapes of Georgian Britain. She reveals how profits from Caribbean sugar plantations fed the opulence of stately homes and landscape gardens. Trade in slaves and slave-grown products also boosted the prosperity of ports like Bristol, Liverpool and Glasgow, shifting cultural influence towards the Atlantic west. New artistic centers like Bath emerged, while investment in poor, remote areas of Wales, Cumbria and Scotland led to their "reimagining" as tourist destinations: Snowdonia, the Lakes and the Highlands. The patronage of absentee planters popularized British ideas of "natural scenery"--viewing mountains, rivers and rocks as landscape art--and then exported the concept of "sublime and picturesque" landscapes across the Atlantic.
A Bittersweet Heritage: Slavery, Architecture and the British Landscape (Hurst, 2022) unearths the slavery-tainted history of Britain's manors, ports, roads and countryside, and powerfully explains what this legacy means today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The 2020 toppling of slave-trader Edward Colston's statue by Black Lives Matter protesters in Bristol was a dramatic reminder of Britain's role in trans-Atlantic slavery, too often overlooked. Yet the legacy of that predatory economy reaches far beyond bronze memorials; it continues to shape the entire visual fabric of the country.</p><p>Architect Victoria Perry explores the relationship between the wealth of slave-owning elites and the architecture and landscapes of Georgian Britain. She reveals how profits from Caribbean sugar plantations fed the opulence of stately homes and landscape gardens. Trade in slaves and slave-grown products also boosted the prosperity of ports like Bristol, Liverpool and Glasgow, shifting cultural influence towards the Atlantic west. New artistic centers like Bath emerged, while investment in poor, remote areas of Wales, Cumbria and Scotland led to their "reimagining" as tourist destinations: Snowdonia, the Lakes and the Highlands. The patronage of absentee planters popularized British ideas of "natural scenery"--viewing mountains, rivers and rocks as landscape art--and then exported the concept of "sublime and picturesque" landscapes across the Atlantic.</p><p><a href="https://bookshop.org/a/12343/9781787386969"><em>A Bittersweet Heritage: Slavery, Architecture and the British Landscape</em></a><em> </em>(Hurst, 2022) unearths the slavery-tainted history of Britain's manors, ports, roads and countryside, and powerfully explains what this legacy means today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3282</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3cda83f6-e098-11ee-9886-e7dc38d871a5]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK2934324654.mp3?updated=1710265726" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Piotr Florczyk, "Swimming Pool" (Bloombury, 2024)</title>
      <description>This instalment of the Object Lessons series focuses on the Swimming Pool (Bloomsbury, 2024). The book explores the pool as a place where humans seek to attain the unique union between mind and body.
As a former world-ranked swimmer whose journey toward naturalisation and U.S. citizenship began with a swimming fellowship, Piotr Florczyk reflects on his own adventures in swimming pools while taking a closer look at artists, architects, writers, and others who have helped to cement the swimming pool's prominent and iconic role in our society and culture.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 12 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>269</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Piotr Florczyk</itunes:subtitle>
      <itunes:summary>This instalment of the Object Lessons series focuses on the Swimming Pool (Bloomsbury, 2024). The book explores the pool as a place where humans seek to attain the unique union between mind and body.
As a former world-ranked swimmer whose journey toward naturalisation and U.S. citizenship began with a swimming fellowship, Piotr Florczyk reflects on his own adventures in swimming pools while taking a closer look at artists, architects, writers, and others who have helped to cement the swimming pool's prominent and iconic role in our society and culture.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This instalment of the Object Lessons series focuses on the <a href="https://bookshop.org/a/12343/9781501394874"><em>Swimming Pool</em></a> (Bloomsbury, 2024). The book explores the pool as a place where humans seek to attain the unique union between mind and body.</p><p>As a former world-ranked swimmer whose journey toward naturalisation and U.S. citizenship began with a swimming fellowship, Piotr Florczyk reflects on his own adventures in swimming pools while taking a closer look at artists, architects, writers, and others who have helped to cement the swimming pool's prominent and iconic role in our society and culture.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2181</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a08d13ce-de58-11ee-adf5-275487e9a61c]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK8451226053.mp3?updated=1710018790" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hsuan L. Hsu, "Air Conditioning" (Bloomsbury, 2024)</title>
      <description>Air conditioning aspires to be unnoticed. Yet, by manipulating the air around us, it quietly conditions the baseline conditions of our physical, mental, and emotional experience. From offices and libraries to contemporary art museums and shopping malls, climate control systems shore up the fantasy of a comfortable, self-contained body that does not have to reckon with temperature. At the same time that air conditioning makes temperature a non-issue in (some) people's daily lives, thermoception-or the sensory perception of temperature-is being carefully studied and exploited as a tool of marketing, social control, and labour management.
Yet air conditioning isn't for everybody: its reliance on carbon fuels divides the world into habitable, climate-controlled bubbles and increasingly uninhabitable environments where AC is unavailable. Hsuan Hsu's Air Conditioning (Bloomsbury, 2024) explores questions about culture, ethics, ecology, and social justice raised by the history and uneven distribution of climate controlling technologies.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 08 Mar 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>361</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hsuan L. Hsu</itunes:subtitle>
      <itunes:summary>Air conditioning aspires to be unnoticed. Yet, by manipulating the air around us, it quietly conditions the baseline conditions of our physical, mental, and emotional experience. From offices and libraries to contemporary art museums and shopping malls, climate control systems shore up the fantasy of a comfortable, self-contained body that does not have to reckon with temperature. At the same time that air conditioning makes temperature a non-issue in (some) people's daily lives, thermoception-or the sensory perception of temperature-is being carefully studied and exploited as a tool of marketing, social control, and labour management.
Yet air conditioning isn't for everybody: its reliance on carbon fuels divides the world into habitable, climate-controlled bubbles and increasingly uninhabitable environments where AC is unavailable. Hsuan Hsu's Air Conditioning (Bloomsbury, 2024) explores questions about culture, ethics, ecology, and social justice raised by the history and uneven distribution of climate controlling technologies.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Air conditioning aspires to be unnoticed. Yet, by manipulating the air around us, it quietly conditions the baseline conditions of our physical, mental, and emotional experience. From offices and libraries to contemporary art museums and shopping malls, climate control systems shore up the fantasy of a comfortable, self-contained body that does not have to reckon with temperature. At the same time that air conditioning makes temperature a non-issue in (some) people's daily lives, thermoception-or the sensory perception of temperature-is being carefully studied and exploited as a tool of marketing, social control, and labour management.</p><p>Yet air conditioning isn't for everybody: its reliance on carbon fuels divides the world into habitable, climate-controlled bubbles and increasingly uninhabitable environments where AC is unavailable. Hsuan Hsu's <a href="https://bookshop.org/a/12343/9781501377822"><em>Air Conditioning</em></a> (Bloomsbury, 2024) explores questions about culture, ethics, ecology, and social justice raised by the history and uneven distribution of climate controlling technologies.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2654</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8884b9b4-dcc1-11ee-86c6-77e8be2ea54f]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK8992966101.mp3?updated=1709843989" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah El-Kazaz, "Politics in the Crevices: Urban Design and the Making of Property Markets in Cairo and Istanbul" (Duke UP, 2023)</title>
      <description>In Politics in the Crevices: Urban Design and the Making of Property Markets in Cairo and Istanbul (Duke UP, 2023), Sarah El-Kazaz takes readers into the world of urban planning and design practices in Istanbul and Cairo. In this transnational ethnography of neighborhoods undergoing contested rapid transformations, she reveals how the battle for housing has shifted away from traditional political arenas onto private crevices of the city. She outlines how multiple actors—from highly capitalized international NGOs and corporations to city dwellers, bureaucrats, and planning experts—use careful urban design to empower conflicting agendas, whether manipulating property markets to protect affordable housing or corner luxury real estate. El-Kazaz shows that such contemporary politicizations of urban design stem from unresolved struggles at the heart of messy transitions from the welfare state to neoliberalism, which have shifted the politics of redistribution from contested political arenas to design practices operating within market logics, ultimately relocating political struggles onto the city’s most intimate crevices. In so doing, she raises critical questions about the role of market reforms in redistributing resources and challenges readers to rethink neoliberalism and the fundamental ways it shapes cities and polities.
Sarah El-Kazaz is Associate Professor in the politics department at SOAS, University of London. Her research interests include: critical political economy, urbanism, infrastructure and digital politics, and her new book project investigates the politics of digital infrastructures by following “Cloud” technologies across the Global South. Her work appears in peer-reviewed journals including: Comparative Studies in Society and History, and City and Society. She previously taught at Oberlin College, and completed a PhD at Princeton University.
Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 15 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>705</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sarah El-Kazaz</itunes:subtitle>
      <itunes:summary>In Politics in the Crevices: Urban Design and the Making of Property Markets in Cairo and Istanbul (Duke UP, 2023), Sarah El-Kazaz takes readers into the world of urban planning and design practices in Istanbul and Cairo. In this transnational ethnography of neighborhoods undergoing contested rapid transformations, she reveals how the battle for housing has shifted away from traditional political arenas onto private crevices of the city. She outlines how multiple actors—from highly capitalized international NGOs and corporations to city dwellers, bureaucrats, and planning experts—use careful urban design to empower conflicting agendas, whether manipulating property markets to protect affordable housing or corner luxury real estate. El-Kazaz shows that such contemporary politicizations of urban design stem from unresolved struggles at the heart of messy transitions from the welfare state to neoliberalism, which have shifted the politics of redistribution from contested political arenas to design practices operating within market logics, ultimately relocating political struggles onto the city’s most intimate crevices. In so doing, she raises critical questions about the role of market reforms in redistributing resources and challenges readers to rethink neoliberalism and the fundamental ways it shapes cities and polities.
Sarah El-Kazaz is Associate Professor in the politics department at SOAS, University of London. Her research interests include: critical political economy, urbanism, infrastructure and digital politics, and her new book project investigates the politics of digital infrastructures by following “Cloud” technologies across the Global South. Her work appears in peer-reviewed journals including: Comparative Studies in Society and History, and City and Society. She previously taught at Oberlin College, and completed a PhD at Princeton University.
Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/politics-in-the-crevices"><em>Politics in the Crevices: Urban Design and the Making of Property Markets in Cairo and Istanbul </em></a>(Duke UP, 2023), Sarah El-Kazaz takes readers into the world of urban planning and design practices in Istanbul and Cairo. In this transnational ethnography of neighborhoods undergoing contested rapid transformations, she reveals how the battle for housing has shifted away from traditional political arenas onto private crevices of the city. She outlines how multiple actors—from highly capitalized international NGOs and corporations to city dwellers, bureaucrats, and planning experts—use careful urban design to empower conflicting agendas, whether manipulating property markets to protect affordable housing or corner luxury real estate. El-Kazaz shows that such contemporary politicizations of urban design stem from unresolved struggles at the heart of messy transitions from the welfare state to neoliberalism, which have shifted the politics of redistribution from contested political arenas to design practices operating <em>within</em> market logics, ultimately relocating political struggles onto the city’s most intimate crevices. In so doing, she raises critical questions about the role of market reforms in redistributing resources and challenges readers to rethink neoliberalism and the fundamental ways it shapes cities and polities.</p><p>Sarah El-Kazaz is Associate Professor in the politics department at SOAS, University of London. Her research interests include: critical political economy, urbanism, infrastructure and digital politics, and her new book project investigates the politics of digital infrastructures by following “Cloud” technologies across the Global South. Her work appears in peer-reviewed journals including: <em>Comparative Studies in Society and History, </em>and<em> City and Society.</em> She previously taught at Oberlin College, and completed a PhD at Princeton University.</p><p><a href="https://labdelaa.expressions.syr.edu/"><em>Lamis Abdelaaty</em></a><em> is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of </em><a href="https://global.oup.com/academic/product/discrimination-and-delegation-9780197530061"><em>Discrimination and Delegation: Explaining State Responses to Refugees</em></a><em> (Oxford University Press, 2021). Email her comments at </em><a href="mailto:labdelaa@syr.edu"><em>labdelaa@syr.edu</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3087</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[80b00d58-cb6c-11ee-ab3d-8f1249f80219]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK5386692430.mp3?updated=1707938266" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Despina Stratigakos, "Hitler’s Northern Utopia: Building the New Order in Occupied Norway" (Princeton UP, 2020)</title>
      <description>In her new book Hitler’s Northern Utopia: Building the New Order in Occupied Norway (Princeton University Press, 2020), Despina Stratigakos investigates the Nazi occupation of Norway. Between 1940 and 1945, German occupiers transformed Norway into a vast construction zone. This remarkable building campaign, largely unknown today, was designed to extend the Greater German Reich beyond the Arctic Circle and turn the Scandinavian country into a racial utopia. From ideal new cities to a scenic superhighway stretching from Berlin to northern Norway, plans to remake the country into a model “Aryan” society fired the imaginations of Hitler, his architect Albert Speer, and other Nazi leaders. In Hitler’s Northern Utopia, Despina Stratigakos provides the first major history of Nazi efforts to build a Nordic empire—one that they believed would improve their genetic stock and confirm their destiny as a new order of Vikings.
Drawing on extraordinary unpublished diaries, photographs, and maps, as well as newspapers from the period, Hitler’s Northern Utopia tells the story of a broad range of completed and unrealized architectural and infrastructure projects far beyond the well-known German military defenses built on Norway’s Atlantic coast. These ventures included maternity centers, cultural and recreational facilities for German soldiers, and a plan to create quintessential National Socialist communities out of twenty-three towns damaged in the German invasion, an overhaul Norwegian architects were expected to lead. The most ambitious scheme—a German cultural capital and naval base—remained a closely guarded secret for fear of provoking Norwegian resistance.
A gripping account of the rise of a Nazi landscape in occupied Norway, Hitler’s Northern Utopia reveals a haunting vision of what might have been—a world colonized under the swastika.
Despina Stratigakos is vice provost and professor of architecture at the University at Buffalo, State University of New York.
Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 11 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>96</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Between 1940 and 1945, German occupiers transformed Norway into a vast construction zone....</itunes:subtitle>
      <itunes:summary>In her new book Hitler’s Northern Utopia: Building the New Order in Occupied Norway (Princeton University Press, 2020), Despina Stratigakos investigates the Nazi occupation of Norway. Between 1940 and 1945, German occupiers transformed Norway into a vast construction zone. This remarkable building campaign, largely unknown today, was designed to extend the Greater German Reich beyond the Arctic Circle and turn the Scandinavian country into a racial utopia. From ideal new cities to a scenic superhighway stretching from Berlin to northern Norway, plans to remake the country into a model “Aryan” society fired the imaginations of Hitler, his architect Albert Speer, and other Nazi leaders. In Hitler’s Northern Utopia, Despina Stratigakos provides the first major history of Nazi efforts to build a Nordic empire—one that they believed would improve their genetic stock and confirm their destiny as a new order of Vikings.
Drawing on extraordinary unpublished diaries, photographs, and maps, as well as newspapers from the period, Hitler’s Northern Utopia tells the story of a broad range of completed and unrealized architectural and infrastructure projects far beyond the well-known German military defenses built on Norway’s Atlantic coast. These ventures included maternity centers, cultural and recreational facilities for German soldiers, and a plan to create quintessential National Socialist communities out of twenty-three towns damaged in the German invasion, an overhaul Norwegian architects were expected to lead. The most ambitious scheme—a German cultural capital and naval base—remained a closely guarded secret for fear of provoking Norwegian resistance.
A gripping account of the rise of a Nazi landscape in occupied Norway, Hitler’s Northern Utopia reveals a haunting vision of what might have been—a world colonized under the swastika.
Despina Stratigakos is vice provost and professor of architecture at the University at Buffalo, State University of New York.
Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book <a href="https://bookshop.org/a/12343/9780691198217"><em>Hitler’s Northern Utopia: Building the New Order in Occupied Norway</em></a> (Princeton University Press, 2020), Despina Stratigakos investigates the Nazi occupation of Norway. Between 1940 and 1945, German occupiers transformed Norway into a vast construction zone. This remarkable building campaign, largely unknown today, was designed to extend the Greater German Reich beyond the Arctic Circle and turn the Scandinavian country into a racial utopia. From ideal new cities to a scenic superhighway stretching from Berlin to northern Norway, plans to remake the country into a model “Aryan” society fired the imaginations of Hitler, his architect Albert Speer, and other Nazi leaders. In <em>Hitler’s Northern Utopia</em>, Despina Stratigakos provides the first major history of Nazi efforts to build a Nordic empire—one that they believed would improve their genetic stock and confirm their destiny as a new order of Vikings.</p><p>Drawing on extraordinary unpublished diaries, photographs, and maps, as well as newspapers from the period, <em>Hitler’s Northern Utopia </em>tells the story of a broad range of completed and unrealized architectural and infrastructure projects far beyond the well-known German military defenses built on Norway’s Atlantic coast. These ventures included maternity centers, cultural and recreational facilities for German soldiers, and a plan to create quintessential National Socialist communities out of twenty-three towns damaged in the German invasion, an overhaul Norwegian architects were expected to lead. The most ambitious scheme—a German cultural capital and naval base—remained a closely guarded secret for fear of provoking Norwegian resistance.</p><p>A gripping account of the rise of a Nazi landscape in occupied Norway, <em>Hitler’s Northern Utopia </em>reveals a haunting vision of what might have been—a world colonized under the swastika.</p><p>Despina Stratigakos is vice provost and professor of architecture at the University at Buffalo, State University of New York.</p><p><em>Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter </em><a href="https://twitter.com/craig_sorvillo?lang=en"><em>@craig_sorvillo</em></a><em>.</em></p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3518</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e65a97cc-c84c-11ee-8297-bf838817b43b]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK8200548717.mp3?updated=1707594487" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kateryna Malaia, "Taking the Soviet Union Apart Room by Room: Domestic Architecture before and after 1991" (Northern Illinois UP, 2023)</title>
      <description>In Taking the Soviet Union Apart Room by Room: Domestic Architecture Before and After 1991 (Northern Illinois UP, 2023) Kateryna Malaia examines the transformation of domestic spaces and architecture during the period of perestroika (1985-1991) and the first post-Soviet decades. In analysing how Soviet and post-Soviet city dwellers altered their homes amidst a period of profound socio-cultural change, Malaia provides unique insight into the relationship between the transformation of domestic spaces and the transition of Soviet urbanites into post-Soviet citizens.
Kateryna Malaia is an Assistant Professor of Architecture at the University of Utah. Her research focuses on the evolution of residential architecture, the politics of monument construction and demolition, how the collapse of the USSR has transformed urban dwellings, and housing insecurity. Malaia’s writing has been published in East/West: Journal of Ukrainian Studies, PLATFORM, Architectural Histories, and the Journal of the Society of Architectural Historians.
Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 07 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>259</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kateryna Malaia</itunes:subtitle>
      <itunes:summary>In Taking the Soviet Union Apart Room by Room: Domestic Architecture Before and After 1991 (Northern Illinois UP, 2023) Kateryna Malaia examines the transformation of domestic spaces and architecture during the period of perestroika (1985-1991) and the first post-Soviet decades. In analysing how Soviet and post-Soviet city dwellers altered their homes amidst a period of profound socio-cultural change, Malaia provides unique insight into the relationship between the transformation of domestic spaces and the transition of Soviet urbanites into post-Soviet citizens.
Kateryna Malaia is an Assistant Professor of Architecture at the University of Utah. Her research focuses on the evolution of residential architecture, the politics of monument construction and demolition, how the collapse of the USSR has transformed urban dwellings, and housing insecurity. Malaia’s writing has been published in East/West: Journal of Ukrainian Studies, PLATFORM, Architectural Histories, and the Journal of the Society of Architectural Historians.
Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781501771200"><em>Taking the Soviet Union Apart Room by Room: Domestic Architecture Before and After 1991</em></a><em> (Northern Illinois UP, 2023) </em>Kateryna Malaia examines the transformation of domestic spaces and architecture during the period of perestroika (1985-1991) and the first post-Soviet decades. In analysing how Soviet and post-Soviet city dwellers altered their homes amidst a period of profound socio-cultural change, Malaia provides unique insight into the relationship between the transformation of domestic spaces and the transition of Soviet urbanites into post-Soviet citizens.</p><p><a href="https://soa.cap.utah.edu/faculty-and-staff/kateryna-malaia/">Kateryna Malaia</a> is an Assistant Professor of Architecture at the University of Utah. Her research focuses on the evolution of residential architecture, the politics of monument construction and demolition, how the collapse of the USSR has transformed urban dwellings, and housing insecurity. Malaia’s writing has been published in <em>East/West: Journal of Ukrainian Studies</em>,<em> PLATFORM</em>, <em>Architectural Histories</em>, and the <em>Journal of the Society of Architectural Historians</em>.</p><p><a href="https://history.cass.anu.edu.au/people/iva-glisic-0"><em>Iva Glisic</em></a><em> is a historian and art historian specialising in modern Russia and the Balkans.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2683</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[beab10e4-acc7-11ee-80d9-67490e2d5875]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK4296038780.mp3?updated=1704569003" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Seth Bernard, "Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy" (Oxford UP, 2018)</title>
      <description>Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy (Oxford University Press, 2018), offers a holistic treatment of the development of the Mid-Republican city from 396 to 168 BCE. As Romans established imperial control over Italy and beyond, the city itself radically transformed from an ambitious central Italian settlement into the capital of the Mediterranean world. Seth Bernard describes this transformation in terms of both new urban architecture, much of it unprecedented in form and extent, and new socioeconomic structures, including slavery, coinage, and market-exchange. These physical and historical developments were closely linked: building the Republican city was expensive, and meeting such costs had significant implications for urban society. Building Mid-Republican Rome brings both architectural and socioeconomic developments into a single account of urban change.
Seth Bernard, an Assistant Professor of Classics at the University of Toronto, assembles a wide array of evidence, from literary sources to coins, epigraphy, and especially archaeological remains, revealing the period's importance for the decline of the Roman state's reliance on obligation and dependency and the rise of slavery and an urban labor market. This narrative is told through an investigation of the evolving institutional frameworks shaping the organization of public construction. A quantitative model of the costs of the Republican city walls reconstructs their economic impact. A new account of building technology in the period allows for a better understanding of the social and demographic profile of the city's builders. Building Mid-Republican Rome thus provides an innovative synthesis of a major Western city's spatial and historical aspects, shedding much-needed light on a seminal period in Rome's development.
Ryan Tripp teaches history in California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 07 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Seth Bernard</itunes:subtitle>
      <itunes:summary>Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy (Oxford University Press, 2018), offers a holistic treatment of the development of the Mid-Republican city from 396 to 168 BCE. As Romans established imperial control over Italy and beyond, the city itself radically transformed from an ambitious central Italian settlement into the capital of the Mediterranean world. Seth Bernard describes this transformation in terms of both new urban architecture, much of it unprecedented in form and extent, and new socioeconomic structures, including slavery, coinage, and market-exchange. These physical and historical developments were closely linked: building the Republican city was expensive, and meeting such costs had significant implications for urban society. Building Mid-Republican Rome brings both architectural and socioeconomic developments into a single account of urban change.
Seth Bernard, an Assistant Professor of Classics at the University of Toronto, assembles a wide array of evidence, from literary sources to coins, epigraphy, and especially archaeological remains, revealing the period's importance for the decline of the Roman state's reliance on obligation and dependency and the rise of slavery and an urban labor market. This narrative is told through an investigation of the evolving institutional frameworks shaping the organization of public construction. A quantitative model of the costs of the Republican city walls reconstructs their economic impact. A new account of building technology in the period allows for a better understanding of the social and demographic profile of the city's builders. Building Mid-Republican Rome thus provides an innovative synthesis of a major Western city's spatial and historical aspects, shedding much-needed light on a seminal period in Rome's development.
Ryan Tripp teaches history in California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://aax-us-east.amazon-adsystem.com/x/c/QvdVukXB6rxT2ho3nK-mRHMAAAFpXiNAVAEAAAFKAXR3vOc/https://www.amazon.com/dp/0190878789/?creativeASIN=0190878789&amp;linkCode=w61&amp;imprToken=UKbYofSNSTPjF8laK6jXaw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy</em></a> (Oxford University Press, 2018), offers a holistic treatment of the development of the Mid-Republican city from 396 to 168 BCE. As Romans established imperial control over Italy and beyond, the city itself radically transformed from an ambitious central Italian settlement into the capital of the Mediterranean world. <a href="http://classics.utoronto.ca/people/faculty/seth-bernard/">Seth Bernard</a> describes this transformation in terms of both new urban architecture, much of it unprecedented in form and extent, and new socioeconomic structures, including slavery, coinage, and market-exchange. These physical and historical developments were closely linked: building the Republican city was expensive, and meeting such costs had significant implications for urban society. <em>Building Mid-Republican Rome</em> brings both architectural and socioeconomic developments into a single account of urban change.</p><p>Seth Bernard, an Assistant Professor of Classics at the University of Toronto, assembles a wide array of evidence, from literary sources to coins, epigraphy, and especially archaeological remains, revealing the period's importance for the decline of the Roman state's reliance on obligation and dependency and the rise of slavery and an urban labor market. This narrative is told through an investigation of the evolving institutional frameworks shaping the organization of public construction. A quantitative model of the costs of the Republican city walls reconstructs their economic impact. A new account of building technology in the period allows for a better understanding of the social and demographic profile of the city's builders. <em>Building Mid-Republican</em> <em>Rome</em> thus provides an innovative synthesis of a major Western city's spatial and historical aspects, shedding much-needed light on a seminal period in Rome's development.</p><p><em>Ryan Tripp teaches history in California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2132</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK6207893527.mp3?updated=1704574999" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Virginia Chieffo Raguin, "The Illuminated Window: Stories Across Time" (Reaktion Books, 2023)</title>
      <description>The Illuminated Window: Stories Across Times (Reaktion, 2023) is a unique journey through stained-glass installations that spans both time and place. Diverse in technique and style, these windows speak for the communities that created them. From the twelfth to the twenty-first century, we find in the windows stories of conflict, commemoration, devotion and celebration.
Dr. Virginia Chieffo Raguin is our guide through the cathedrals of Chartres, Canterbury and Cologne, and takes us from Paris’s Sainte-Chapelle to Swiss guildhalls, Iran’s Pink Mosque, Tiffany’s chapel for the World Exposition, Frank Lloyd Wright’s houses and more. As she reveals, the art of stained glass relies on not only a single maker, but the relationship between the physical site, the patron’s aims, the work’s legibility for the spectator and the prevailing style of the era. This is a fascinating and beautifully illustrated volume for anyone interested in stained-glass works.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 05 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>154</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Virginia Chieffo Raguin</itunes:subtitle>
      <itunes:summary>The Illuminated Window: Stories Across Times (Reaktion, 2023) is a unique journey through stained-glass installations that spans both time and place. Diverse in technique and style, these windows speak for the communities that created them. From the twelfth to the twenty-first century, we find in the windows stories of conflict, commemoration, devotion and celebration.
Dr. Virginia Chieffo Raguin is our guide through the cathedrals of Chartres, Canterbury and Cologne, and takes us from Paris’s Sainte-Chapelle to Swiss guildhalls, Iran’s Pink Mosque, Tiffany’s chapel for the World Exposition, Frank Lloyd Wright’s houses and more. As she reveals, the art of stained glass relies on not only a single maker, but the relationship between the physical site, the patron’s aims, the work’s legibility for the spectator and the prevailing style of the era. This is a fascinating and beautifully illustrated volume for anyone interested in stained-glass works.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781789147933"><em>The Illuminated Window: Stories Across Times</em></a> (Reaktion, 2023) is a unique journey through stained-glass installations that spans both time and place. Diverse in technique and style, these windows speak for the communities that created them. From the twelfth to the twenty-first century, we find in the windows stories of conflict, commemoration, devotion and celebration.</p><p>Dr. Virginia Chieffo Raguin is our guide through the cathedrals of Chartres, Canterbury and Cologne, and takes us from Paris’s Sainte-Chapelle to Swiss guildhalls, Iran’s Pink Mosque, Tiffany’s chapel for the World Exposition, Frank Lloyd Wright’s houses and more. As she reveals, the art of stained glass relies on not only a single maker, but the relationship between the physical site, the patron’s aims, the work’s legibility for the spectator and the prevailing style of the era. This is a fascinating and beautifully illustrated volume for anyone interested in stained-glass works.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3146</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6dce4b7e-ab4a-11ee-b007-9f69f64a89c6]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK9678179154.mp3?updated=1704404892" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Susanna Phillips Newbury, "The Speculative City: Art, Real Estate, and the Making of Global Los Angeles" (U Minnesota Press, 2021)</title>
      <description>Underlying every great city is a rich and vibrant culture that shapes the texture of life within. In The Speculative City: Art, Real Estate, and the Making of Global Los Angeles (U Minnesota Press, 2021), Susanna Phillips Newbury teases out how art and Los Angeles shaped one another’s evolution. She compellingly articulates how together they transformed the Southland, establishing the foundation for its contemporary art infrastructure, and explains how artists came to influence Los Angeles’s burgeoning definition as the global city of the twenty-first century.
Pairing particular works of art with specific innovations in real estate development, The Speculative City reveals the connections between real estate and contemporary art as they constructed Los Angeles’s present-day cityscape. From banal parking lots to Frank Gehry’s designs for artists’ studios and museums, Newbury examines pivotal interventions by artists and architects, city officials and cultural philanthropists, concluding with an examination of how, in the wake of the 2008 global credit crisis, contemporary art emerged as a financial asset to fuel private wealth and urban gentrification.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 04 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Susanna Phillips Newbury</itunes:subtitle>
      <itunes:summary>Underlying every great city is a rich and vibrant culture that shapes the texture of life within. In The Speculative City: Art, Real Estate, and the Making of Global Los Angeles (U Minnesota Press, 2021), Susanna Phillips Newbury teases out how art and Los Angeles shaped one another’s evolution. She compellingly articulates how together they transformed the Southland, establishing the foundation for its contemporary art infrastructure, and explains how artists came to influence Los Angeles’s burgeoning definition as the global city of the twenty-first century.
Pairing particular works of art with specific innovations in real estate development, The Speculative City reveals the connections between real estate and contemporary art as they constructed Los Angeles’s present-day cityscape. From banal parking lots to Frank Gehry’s designs for artists’ studios and museums, Newbury examines pivotal interventions by artists and architects, city officials and cultural philanthropists, concluding with an examination of how, in the wake of the 2008 global credit crisis, contemporary art emerged as a financial asset to fuel private wealth and urban gentrification.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Underlying every great city is a rich and vibrant culture that shapes the texture of life within. In <a href="https://bookshop.org/a/12343/9781517903183"><em>The Speculative City: Art, Real Estate, and the Making of Global Los Angeles</em></a><em> </em>(U Minnesota Press, 2021), Susanna Phillips Newbury teases out how art and Los Angeles shaped one another’s evolution. She compellingly articulates how together they transformed the Southland, establishing the foundation for its contemporary art infrastructure, and explains how artists came to influence Los Angeles’s burgeoning definition as the global city of the twenty-first century.</p><p>Pairing particular works of art with specific innovations in real estate development, <em>The Speculative City</em> reveals the connections between real estate and contemporary art as they constructed Los Angeles’s present-day cityscape. From banal parking lots to Frank Gehry’s designs for artists’ studios and museums, Newbury examines pivotal interventions by artists and architects, city officials and cultural philanthropists, concluding with an examination of how, in the wake of the 2008 global credit crisis, contemporary art emerged as a financial asset to fuel private wealth and urban gentrification.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2286</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[30a2f4a4-1329-11ec-aed6-2fcc2d0909e9]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN5945669711.mp3?updated=1704317482" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel Campo, "Postindustrial DIY: Recovering American Rust Belt Icons" (Fordham UP, 2023)</title>
      <description>A pioneering Detroit automobile factory. A legendary iron mill at the edge of Pittsburgh. A campus of concrete grain elevators in Buffalo. Two monumental train stations, one in Buffalo, the other in Detroit. These once noble sites have since fallen from their towering grace. As local elected leaders did everything they could to destroy what was left of these places, citizens saw beauty and utility in these industrial ruins and felt compelled to act. Postindustrial DIY: Recovering American Rust Belt Icons (Fordham UP, 2023) tells their story. 
The culmination of over a dozen years of on-the-ground investigation, ethnography, and historical analysis, author and urbanist Daniel Campo immerses the reader into this postindustrial landscape, weaving the perspectives of dozens of DIY protagonists as well as architects, planners, and preservationists. Working without capital, expertise, and sometimes permission in a milieu dominated by powerful political and economic interests, these do-it-yourself actors are driven by passion and a sense of civic duty rather than profit or political expediency. They have craftily remade these sites into collective preservation projects and democratic grounds for arts and culture, environmental engagement, regional celebrations, itinerant play, and in-the-moment constructions. Their projects are generating excitement about the prospect of Rust belt life, even as they often remain invisible to the uninformed passerby and fall short of professional preservation or environmental reclamation standards. Demonstrating that there is no such thing as a site that is "too far gone" to save or reuse, 
Postindustrial DIY is rich with case studies that demonstrate how great architecture is not simply for the elites or wealthy. The citizen preservationists and urbanists described in this book offer looser, more playful, and often more publicly satisfying alternatives to the development practices that have transformed iconic sites into expensive real estate or a clean slate for the next profitable endeavor. Transcending the disciplinary boundaries of architecture, historic preservation, city planning and landscape architecture, Postindustrial DIY suggests new ways to engage, adapt and preserve architecturally compelling sites and bottom-up strategies for Rustbelt revival.
﻿Stephen Pimpare is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 20 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>169</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel Campo</itunes:subtitle>
      <itunes:summary>A pioneering Detroit automobile factory. A legendary iron mill at the edge of Pittsburgh. A campus of concrete grain elevators in Buffalo. Two monumental train stations, one in Buffalo, the other in Detroit. These once noble sites have since fallen from their towering grace. As local elected leaders did everything they could to destroy what was left of these places, citizens saw beauty and utility in these industrial ruins and felt compelled to act. Postindustrial DIY: Recovering American Rust Belt Icons (Fordham UP, 2023) tells their story. 
The culmination of over a dozen years of on-the-ground investigation, ethnography, and historical analysis, author and urbanist Daniel Campo immerses the reader into this postindustrial landscape, weaving the perspectives of dozens of DIY protagonists as well as architects, planners, and preservationists. Working without capital, expertise, and sometimes permission in a milieu dominated by powerful political and economic interests, these do-it-yourself actors are driven by passion and a sense of civic duty rather than profit or political expediency. They have craftily remade these sites into collective preservation projects and democratic grounds for arts and culture, environmental engagement, regional celebrations, itinerant play, and in-the-moment constructions. Their projects are generating excitement about the prospect of Rust belt life, even as they often remain invisible to the uninformed passerby and fall short of professional preservation or environmental reclamation standards. Demonstrating that there is no such thing as a site that is "too far gone" to save or reuse, 
Postindustrial DIY is rich with case studies that demonstrate how great architecture is not simply for the elites or wealthy. The citizen preservationists and urbanists described in this book offer looser, more playful, and often more publicly satisfying alternatives to the development practices that have transformed iconic sites into expensive real estate or a clean slate for the next profitable endeavor. Transcending the disciplinary boundaries of architecture, historic preservation, city planning and landscape architecture, Postindustrial DIY suggests new ways to engage, adapt and preserve architecturally compelling sites and bottom-up strategies for Rustbelt revival.
﻿Stephen Pimpare is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A pioneering Detroit automobile factory. A legendary iron mill at the edge of Pittsburgh. A campus of concrete grain elevators in Buffalo. Two monumental train stations, one in Buffalo, the other in Detroit. These once noble sites have since fallen from their towering grace. As local elected leaders did everything they could to destroy what was left of these places, citizens saw beauty and utility in these industrial ruins and felt compelled to act. <a href="https://bookshop.org/a/12343/9781531504687"><em>Postindustrial DIY: Recovering American Rust Belt Icons</em></a> (Fordham UP, 2023) tells their story. </p><p>The culmination of over a dozen years of on-the-ground investigation, ethnography, and historical analysis, author and urbanist Daniel Campo immerses the reader into this postindustrial landscape, weaving the perspectives of dozens of DIY protagonists as well as architects, planners, and preservationists. Working without capital, expertise, and sometimes permission in a milieu dominated by powerful political and economic interests, these do-it-yourself actors are driven by passion and a sense of civic duty rather than profit or political expediency. They have craftily remade these sites into collective preservation projects and democratic grounds for arts and culture, environmental engagement, regional celebrations, itinerant play, and in-the-moment constructions. Their projects are generating excitement about the prospect of Rust belt life, even as they often remain invisible to the uninformed passerby and fall short of professional preservation or environmental reclamation standards. Demonstrating that there is no such thing as a site that is "too far gone" to save or reuse, </p><p><em>Postindustrial DIY</em> is rich with case studies that demonstrate how great architecture is not simply for the elites or wealthy. The citizen preservationists and urbanists described in this book offer looser, more playful, and often more publicly satisfying alternatives to the development practices that have transformed iconic sites into expensive real estate or a clean slate for the next profitable endeavor. Transcending the disciplinary boundaries of architecture, historic preservation, city planning and landscape architecture, Postindustrial DIY suggests new ways to engage, adapt and preserve architecturally compelling sites and bottom-up strategies for Rustbelt revival.</p><p><em>﻿</em><a href="https://www.linkedin.com/in/stephenpimpare/"><em>Stephen Pimpare</em></a><em> is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2251</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cc27764e-9e86-11ee-b3ef-9bcd370e3a70]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK3615227052.mp3?updated=1703001424" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tristan G. Brown, "Laws of the Land: Fengshui and the State in Qing Dynasty China" (Princeton UP, 2023)</title>
      <description>Welcome to another episode of New Books in Chinese Studies. I am your host, Julia Keblinska, and I am speaking today to Prof. Tristan Brown about his book, Laws of the Land: Fengshui and the State in Qing Dynasty China (Princeton UP, 2023). Brown’s book considers fengshui, that is, the knowledge of orienting structures, such as graves and houses, in accordance with well-established cosmological principles, as an administrative technology and language of power that was intrinsic to governance through the Qing legal code. Fengshui has long been dismissed as a “superstition” whose historical significance is limited to its obstruction of (narrowly) infrastructural development and (broadly) modernization. Laws of the Land instead pushes us to understand fengshui as a form of knowledge production that allowed the state to govern in an era of increasing resource scarcity and crisis. 
The book covers cases related to land use (and misuse) in relation to graves, examination success, and mining concerns. It introduces readers to a cast of claimants, defendants, and legal “experts,” including clerks who meticulously mapped conflicted landscapes and geomancers who gave evidence in court. In his analysis of fengshui and Qing dynastic collapse, Brown builds upon the work of other scholars who reject narratives of Chinese “reaction” to Western influence and incursion; he posits instead the legal system’s entanglement with fengshui shows a vibrant interaction of various epistemological systems. I am very much looking forward to my conversation with Prof. Brown about the “life and death of Qing landscape.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 11 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>79</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tristan G. Brown</itunes:subtitle>
      <itunes:summary>Welcome to another episode of New Books in Chinese Studies. I am your host, Julia Keblinska, and I am speaking today to Prof. Tristan Brown about his book, Laws of the Land: Fengshui and the State in Qing Dynasty China (Princeton UP, 2023). Brown’s book considers fengshui, that is, the knowledge of orienting structures, such as graves and houses, in accordance with well-established cosmological principles, as an administrative technology and language of power that was intrinsic to governance through the Qing legal code. Fengshui has long been dismissed as a “superstition” whose historical significance is limited to its obstruction of (narrowly) infrastructural development and (broadly) modernization. Laws of the Land instead pushes us to understand fengshui as a form of knowledge production that allowed the state to govern in an era of increasing resource scarcity and crisis. 
The book covers cases related to land use (and misuse) in relation to graves, examination success, and mining concerns. It introduces readers to a cast of claimants, defendants, and legal “experts,” including clerks who meticulously mapped conflicted landscapes and geomancers who gave evidence in court. In his analysis of fengshui and Qing dynastic collapse, Brown builds upon the work of other scholars who reject narratives of Chinese “reaction” to Western influence and incursion; he posits instead the legal system’s entanglement with fengshui shows a vibrant interaction of various epistemological systems. I am very much looking forward to my conversation with Prof. Brown about the “life and death of Qing landscape.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Welcome to another episode of New Books in Chinese Studies. I am your host, Julia Keblinska, and I am speaking today to Prof. Tristan Brown about his book, <a href="https://bookshop.org/a/12343/9780691246734"><em>Laws of the Land: Fengshui and the State in Qing Dynasty China</em></a><em> </em>(Princeton UP, 2023). Brown’s book considers fengshui, that is, the knowledge of orienting structures, such as graves and houses, in accordance with well-established cosmological principles, as an administrative technology and language of power that was intrinsic to governance through the Qing legal code. Fengshui has long been dismissed as a “superstition” whose historical significance is limited to its obstruction of (narrowly) infrastructural development and (broadly) modernization. <em>Laws of the Land</em> instead pushes us to understand fengshui as a form of knowledge production that allowed the state to govern in an era of increasing resource scarcity and crisis. </p><p>The book covers cases related to land use (and misuse) in relation to graves, examination success, and mining concerns. It introduces readers to a cast of claimants, defendants, and legal “experts,” including clerks who meticulously mapped conflicted landscapes and geomancers who gave evidence in court. In his analysis of fengshui and Qing dynastic collapse, Brown builds upon the work of other scholars who reject narratives of Chinese “reaction” to Western influence and incursion; he posits instead the legal system’s entanglement with fengshui shows a vibrant interaction of various epistemological systems. I am very much looking forward to my conversation with Prof. Brown about the “life and death of Qing landscape.”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3463</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[de67865e-96da-11ee-9ed7-af95949963e7]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK7286688542.mp3?updated=1702157942" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joshua Skarf, "ArchitecTorah: Architectural Ideas in Judaism and the Weekly Torah Portion" (Urim, 2023)</title>
      <description>Joshua Skarf's book ArchitecTorah: Architectural Ideas in Judaism and the Weekly Torah Portion (Urim, 2023) is a collection of 178 short essays that investigate the Torah through the lens of architecture. Each essay briefly introduces a piece of architectural theory, a building, or a section of building code and then reexamines a well-known topic in the Torah to uncover new and insightful interpretations.
﻿Matthew Miller is a graduate of Yeshivat Yesodei HaTorah. He studied Jewish Studies and Linguistics at McGill for his BA and completed an MA in Hebrew Linguistics at Queen Mary University of London. He works with Jewish organizations in media and content distribution, such as TheHabura.com and RabbiEfremGoldberg.org.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 02 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>459</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joshua Skarf</itunes:subtitle>
      <itunes:summary>Joshua Skarf's book ArchitecTorah: Architectural Ideas in Judaism and the Weekly Torah Portion (Urim, 2023) is a collection of 178 short essays that investigate the Torah through the lens of architecture. Each essay briefly introduces a piece of architectural theory, a building, or a section of building code and then reexamines a well-known topic in the Torah to uncover new and insightful interpretations.
﻿Matthew Miller is a graduate of Yeshivat Yesodei HaTorah. He studied Jewish Studies and Linguistics at McGill for his BA and completed an MA in Hebrew Linguistics at Queen Mary University of London. He works with Jewish organizations in media and content distribution, such as TheHabura.com and RabbiEfremGoldberg.org.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Joshua Skarf's book <a href="https://bookshop.org/a/12343/9789655243680"><em>ArchitecTorah: Architectural Ideas in Judaism and the Weekly Torah Portion</em></a><em> </em>(Urim, 2023) is a collection of 178 short essays that investigate the Torah through the lens of architecture. Each essay briefly introduces a piece of architectural theory, a building, or a section of building code and then reexamines a well-known topic in the Torah to uncover new and insightful interpretations.</p><p><em>﻿</em><a href="https://www.linkedin.com/in/mjmiller7/"><em>Matthew Miller</em></a><em> is a graduate of Yeshivat Yesodei HaTorah. He studied Jewish Studies and Linguistics at McGill for his BA and completed an MA in Hebrew Linguistics at Queen Mary University of London. He works with Jewish organizations in media and content distribution, such as TheHabura.com and RabbiEfremGoldberg.org.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2757</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cf9668f0-9088-11ee-ad7d-87a1e9da537f]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK9739336748.mp3?updated=1701463990" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel Jütte, "Transparency: The Material History of an Idea" (Yale UP, 2023)</title>
      <description>Transparency is a mantra of our day. It is key to the Western understanding of a liberal society. We expect transparency from, for instance, political institutions, corporations, and the media. But how did it become such a powerful—and global—idea?
From ancient glass to Apple’s corporate headquarters, Transparency: the Material History of an Idea (Yale University Press, 2023) is the first to probe how Western people have experienced, conceptualized, and evaluated transparency. Dr. Daniel Jütte argues that the experience of transparency has been inextricably linked to one element of Western architecture: the glass window.
Windows are meant to be unnoticed. Yet a historical perspective reveals the role that glass has played in shaping how we see and interpret the world. A seemingly “pure” material, glass has been endowed, throughout history, with political, social, and cultural meaning, in manifold and sometimes conflicting ways. At the same time, Jütte raises questions about the future of vitreous transparency—its costs in terms of visual privacy but also its ecological price tag in an age of accelerating climate change.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 01 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>358</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel Jütte</itunes:subtitle>
      <itunes:summary>Transparency is a mantra of our day. It is key to the Western understanding of a liberal society. We expect transparency from, for instance, political institutions, corporations, and the media. But how did it become such a powerful—and global—idea?
From ancient glass to Apple’s corporate headquarters, Transparency: the Material History of an Idea (Yale University Press, 2023) is the first to probe how Western people have experienced, conceptualized, and evaluated transparency. Dr. Daniel Jütte argues that the experience of transparency has been inextricably linked to one element of Western architecture: the glass window.
Windows are meant to be unnoticed. Yet a historical perspective reveals the role that glass has played in shaping how we see and interpret the world. A seemingly “pure” material, glass has been endowed, throughout history, with political, social, and cultural meaning, in manifold and sometimes conflicting ways. At the same time, Jütte raises questions about the future of vitreous transparency—its costs in terms of visual privacy but also its ecological price tag in an age of accelerating climate change.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Transparency is a mantra of our day. It is key to the Western understanding of a liberal society. We expect transparency from, for instance, political institutions, corporations, and the media. But how did it become such a powerful—and global—idea?</p><p>From ancient glass to Apple’s corporate headquarters, <a href="https://bookshop.org/a/12343/9780300237245"><em>Transparency: the Material History of an Idea</em></a> (Yale University Press, 2023) is the first to probe how Western people have experienced, conceptualized, and evaluated transparency. Dr. Daniel Jütte argues that the experience of transparency has been inextricably linked to one element of Western architecture: the glass window.</p><p>Windows are meant to be unnoticed. Yet a historical perspective reveals the role that glass has played in shaping how we see and interpret the world. A seemingly “pure” material, glass has been endowed, throughout history, with political, social, and cultural meaning, in manifold and sometimes conflicting ways. At the same time, Jütte raises questions about the future of vitreous transparency—its costs in terms of visual privacy but also its ecological price tag in an age of accelerating climate change.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3783</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7735e662-8fcb-11ee-a834-77b33b54c60e]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK3040719255.mp3?updated=1701382061" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Richard Schoch, "Shakespeare’s House: A Window onto his Life and Legacy" (Bloomsbury, 2023)</title>
      <description>In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In Shakespeare’s House: A Window onto his Life and Legacy (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself.
Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 29 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>106</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Richard Schoch</itunes:subtitle>
      <itunes:summary>In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In Shakespeare’s House: A Window onto his Life and Legacy (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself.
Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In <a href="https://bookshop.org/a/12343/9781350409354"><em>Shakespeare’s House: A Window onto his Life and Legacy</em></a> (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself.</p><p>Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3566</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b85428c8-8ca3-11ee-af48-7bb37ffa79f3]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK5846645654.mp3?updated=1701034747" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lydia Zvyagintseva and Mary Greenshields, "Land in Libraries: Toward a Materialist Conception of Education" (Library Juice Press, 2022)</title>
      <description>The question of land is largely absent in libraries. Deeply committed to the neoliberal project as a guiding ideology of the profession, libraries exist at once as ahistorical, atheoretical, and landless institutions in their understanding of themselves, their work, and their impact on people.
Land in Libraries: Toward a Materialist Conception of Education (Library Juice Press, 2023) seeks to contribute to the growing body of work on libraries and the anthropocene, decolonization, and climate change through writing in theory and practice. This edited volume explores both non-metaphorical (actual, material) as well as conceptual perspectives on land. Contributions to this book center land as a foundational category underpinning social relations, as a necessity for the function and reproduction of capitalism, and as a place where we work and learn together. Fundamentally, we live on the land and how we live in relation to the land matters to how we understand ourselves as individuals and a society.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 23 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lydia Zvyagintseva and Mary Greenshields</itunes:subtitle>
      <itunes:summary>The question of land is largely absent in libraries. Deeply committed to the neoliberal project as a guiding ideology of the profession, libraries exist at once as ahistorical, atheoretical, and landless institutions in their understanding of themselves, their work, and their impact on people.
Land in Libraries: Toward a Materialist Conception of Education (Library Juice Press, 2023) seeks to contribute to the growing body of work on libraries and the anthropocene, decolonization, and climate change through writing in theory and practice. This edited volume explores both non-metaphorical (actual, material) as well as conceptual perspectives on land. Contributions to this book center land as a foundational category underpinning social relations, as a necessity for the function and reproduction of capitalism, and as a place where we work and learn together. Fundamentally, we live on the land and how we live in relation to the land matters to how we understand ourselves as individuals and a society.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The question of land is largely absent in libraries. Deeply committed to the neoliberal project as a guiding ideology of the profession, libraries exist at once as ahistorical, atheoretical, and landless institutions in their understanding of themselves, their work, and their impact on people.</p><p><a href="https://bookshop.org/a/12343/9781634001397"><em>Land in Libraries: Toward a Materialist Conception of Education</em></a><em> </em>(Library Juice Press, 2023) seeks to contribute to the growing body of work on libraries and the anthropocene, decolonization, and climate change through writing in theory and practice. This edited volume explores both non-metaphorical (actual, material) as well as conceptual perspectives on land. Contributions to this book center land as a foundational category underpinning social relations, as a necessity for the function and reproduction of capitalism, and as a place where we work and learn together. Fundamentally, we live on the land and how we live in relation to the land matters to how we understand ourselves as individuals and a society.</p><p><a href="https://linktr.ee/jenhoyer">Jen Hoyer</a> is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a>. Jen edits for <a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a> and organizes with the <a href="https://tpscollective.org/">TPS Collective</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2330</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[30ffac40-8941-11ee-9ec3-77c34a2f92ef]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK7568868626.mp3?updated=1700662871" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ruth Dalton, "Living in Houses: A Personal History English Domestic Architecture" (Lund Humphries, 2022)</title>
      <description>In Living in Houses: A Personal History of English Domestic Architecture (Lund Humphries, 2022), Dr. Ruth Dalton presents a rich and rewarding history of houses in England through the stories of nine houses, dating from the 1600s to the 1980s, which have been inhabited by the author, an architect and academic. Chronologically ordered, the book covers rural vernacular houses from the 17th Century, Georgian and Victorian townhouses, villas and converted industrial buildings, Edwardian semis and 20th-century council housing and mixed tenure new developments.
Firstly reflecting on the author’s own experience of the house, each chapter then examines its historical context, before making a detailed analysis of the buildings design and layout, usefully illustrated with architectural drawings. Each chapter concludes with a useful discussion of lessons learnt from each house/historic period and compares them with contemporary houses which use similar materials, construction techniques or ideas. It not only details the evolution of the design and construction of houses through the centuries, but also includes concise but highly informative sections on the history of various types of construction and materiality, such as brickmaking and timber and steel frame; sections on conversion and adaptive reuse and what works and what doesn't; the evolution of styles; housing density; ownership; and the three broad waves of council/social housing etc.
On reflecting on her own experiences, the author provides useful insights into how we relate to our homes, how they shape and affect us and the value and meaning of the home. 
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 22 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>104</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ruth Dalton</itunes:subtitle>
      <itunes:summary>In Living in Houses: A Personal History of English Domestic Architecture (Lund Humphries, 2022), Dr. Ruth Dalton presents a rich and rewarding history of houses in England through the stories of nine houses, dating from the 1600s to the 1980s, which have been inhabited by the author, an architect and academic. Chronologically ordered, the book covers rural vernacular houses from the 17th Century, Georgian and Victorian townhouses, villas and converted industrial buildings, Edwardian semis and 20th-century council housing and mixed tenure new developments.
Firstly reflecting on the author’s own experience of the house, each chapter then examines its historical context, before making a detailed analysis of the buildings design and layout, usefully illustrated with architectural drawings. Each chapter concludes with a useful discussion of lessons learnt from each house/historic period and compares them with contemporary houses which use similar materials, construction techniques or ideas. It not only details the evolution of the design and construction of houses through the centuries, but also includes concise but highly informative sections on the history of various types of construction and materiality, such as brickmaking and timber and steel frame; sections on conversion and adaptive reuse and what works and what doesn't; the evolution of styles; housing density; ownership; and the three broad waves of council/social housing etc.
On reflecting on her own experiences, the author provides useful insights into how we relate to our homes, how they shape and affect us and the value and meaning of the home. 
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781848224957"><em>Living in Houses: A Personal History of English Domestic Architecture</em></a> (Lund Humphries, 2022), Dr. Ruth Dalton presents a rich and rewarding history of houses in England through the stories of nine houses, dating from the 1600s to the 1980s, which have been inhabited by the author, an architect and academic. Chronologically ordered, the book covers rural vernacular houses from the 17th Century, Georgian and Victorian townhouses, villas and converted industrial buildings, Edwardian semis and 20th-century council housing and mixed tenure new developments.</p><p>Firstly reflecting on the author’s own experience of the house, each chapter then examines its historical context, before making a detailed analysis of the buildings design and layout, usefully illustrated with architectural drawings. Each chapter concludes with a useful discussion of lessons learnt from each house/historic period and compares them with contemporary houses which use similar materials, construction techniques or ideas. It not only details the evolution of the design and construction of houses through the centuries, but also includes concise but highly informative sections on the history of various types of construction and materiality, such as brickmaking and timber and steel frame; sections on conversion and adaptive reuse and what works and what doesn't; the evolution of styles; housing density; ownership; and the three broad waves of council/social housing etc.</p><p>On reflecting on her own experiences, the author provides useful insights into how we relate to our homes, how they shape and affect us and the value and meaning of the home. </p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2702</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3639e6e0-871a-11ee-96af-8714f3bda8df]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBNK4563415676.mp3?updated=1700426218" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chad Randl and D. Medina Lasansky, "Playing Place: Board Games, Popular Culture, Space" (MIT Press, 2023)</title>
      <description>An essay collection exploring the board game's relationship to the built environment, revealing the unexpected ways that play reflects perceptions of space.
Board games harness the creation of entirely new worlds. From the medieval warlord to the modern urban planner, players are permitted to inhabit a staggering variety of roles and are prompted to incorporate preexisting notions of placemaking into their decisions. To what extent do board games represent the social context of their production? How might they reinforce or subvert normative ideas of community and fulfillment? In Playing Place: Board Games, Popular Culture, Space (MIT Press, 2023), Chad Randl and D. Medina Lasansky have curated a collection of thirty-seven fascinating essays, supplemented by a rich trove of photo illustrations, that unpack these questions with breadth and care.
Although board games are often recreational objects, their mythologies and infrastructure do not exist in a vacuum—rather, they echo and reproduce prevalent cultural landscapes. This thesis forms the throughline of pieces reflecting on subjects as diverse as the rigidly gendered fantasies of classic mass-market games; the imperial convictions embedded in games that position player-protagonists as conquerors establishing dominion over their “discoveries”; and even the uncanny prescience of games that have players responding to a global pandemic. Representing a thrilling convergence of historiography, architectural history, and media studies scholarship, Playing Place suggests not only that tabletop games should be taken seriously but also that the medium itself is uniquely capable of facilitating our critical consideration of structures that are often taken for granted.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 09 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chad Randl</itunes:subtitle>
      <itunes:summary>An essay collection exploring the board game's relationship to the built environment, revealing the unexpected ways that play reflects perceptions of space.
Board games harness the creation of entirely new worlds. From the medieval warlord to the modern urban planner, players are permitted to inhabit a staggering variety of roles and are prompted to incorporate preexisting notions of placemaking into their decisions. To what extent do board games represent the social context of their production? How might they reinforce or subvert normative ideas of community and fulfillment? In Playing Place: Board Games, Popular Culture, Space (MIT Press, 2023), Chad Randl and D. Medina Lasansky have curated a collection of thirty-seven fascinating essays, supplemented by a rich trove of photo illustrations, that unpack these questions with breadth and care.
Although board games are often recreational objects, their mythologies and infrastructure do not exist in a vacuum—rather, they echo and reproduce prevalent cultural landscapes. This thesis forms the throughline of pieces reflecting on subjects as diverse as the rigidly gendered fantasies of classic mass-market games; the imperial convictions embedded in games that position player-protagonists as conquerors establishing dominion over their “discoveries”; and even the uncanny prescience of games that have players responding to a global pandemic. Representing a thrilling convergence of historiography, architectural history, and media studies scholarship, Playing Place suggests not only that tabletop games should be taken seriously but also that the medium itself is uniquely capable of facilitating our critical consideration of structures that are often taken for granted.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An essay collection exploring the board game's relationship to the built environment, revealing the unexpected ways that play reflects perceptions of space.</p><p>Board games harness the creation of entirely new worlds. From the medieval warlord to the modern urban planner, players are permitted to inhabit a staggering variety of roles and are prompted to incorporate preexisting notions of placemaking into their decisions. To what extent do board games represent the social context of their production? How might they reinforce or subvert normative ideas of community and fulfillment? In <a href="https://bookshop.org/a/12343/9780262047838"><em>Playing Place: Board Games, Popular Culture, Space</em></a><em> </em>(MIT Press, 2023), Chad Randl and D. Medina Lasansky have curated a collection of thirty-seven fascinating essays, supplemented by a rich trove of photo illustrations, that unpack these questions with breadth and care.</p><p>Although board games are often recreational objects, their mythologies and infrastructure do not exist in a vacuum—rather, they echo and reproduce prevalent cultural landscapes. This thesis forms the throughline of pieces reflecting on subjects as diverse as the rigidly gendered fantasies of classic mass-market games; the imperial convictions embedded in games that position player-protagonists as conquerors establishing dominion over their “discoveries”; and even the uncanny prescience of games that have players responding to a global pandemic. Representing a thrilling convergence of historiography, architectural history, and media studies scholarship, Playing Place suggests not only that tabletop games should be taken seriously but also that the medium itself is uniquely capable of facilitating our critical consideration of structures that are often taken for granted.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2254</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a90ef406-7c1d-11ee-abe2-db39190deee0]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR9161479680.mp3?updated=1699218264" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Faiza Moatasim, "Master Plans and Encroachments: The Architecture of Informality in Islamabad" (U Pennsylvania Press, 2023)</title>
      <description>Among urban designers and municipal officials, the term encroachment is defined as a deviation from the official master plan. But in cities today, such informal modifications to the urban fabric are deeply enmeshed with formal planning procedures. 
Master Plans and Encroachments: The Architecture of Informality in Islamabad (University of Pennsylvania Press, 2023) examines informality in the high-modernist city of Islamabad as a strategic conformity to official schemes and regulations rather than as a deviation from them. For the new administrative capital of Pakistan designed in 1959 by Greek architect and planner Constantinos A. Doxiadis, Islamabad's master plan offers a clear template of formal urban design within which informal spaces and processes have been articulated. Drawing on deep archival research, wide-ranging interviews, and an array of visual material, including photographs, maps, and architectural drawings, Dr. Faiza Moatasim shows how Islamabad's master plan is not simply a blueprint that guides future urban development or makes its violations apparent; it is used by both city officials and citizens to develop informal spaces that accommodate unfulfilled needs and desires of those living and working in the city. Master Plans and Encroachments is the first book that examines the informal practices of both the privileged and the underprivileged. The book highlights how low-, middle-, and upper-income people do not randomly build informal spaces; they strategically use architectural techniques to support their informal claims to space, which are often met with the government's tacit approval.
In this episode, Tayeba Batool talks to Dr. Faiza Moatasim about the spatial, material, class, and gendered negotiations and experiences that are imprinted on the city through Masterplans. Dr. Moatasim also shares how her research on a postcolonial city such as Islamabad projects onto urbanisms and encroachments elsewhere, and what we can learn the complexities of urban planning and architecture. The conversation also creates a space to address experiences with publishing inter-disciplinary research and highlight the necessity of learning from cities that are often overlooked in the dialogue about and on urban spaces.
Dr. Faiza Moatasim is an Assistant Professor of Architecture in Urbanism and Urban Design at the USC School of Architecture. Tayeba Batool is a PhD Candidate in Anthropology at the University of Pennsylvania.
﻿Tayeba Batool is a PhD Candidate in the Department of Anthropology at the University of Pennsylvania.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 30 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Faiza Moatasim</itunes:subtitle>
      <itunes:summary>Among urban designers and municipal officials, the term encroachment is defined as a deviation from the official master plan. But in cities today, such informal modifications to the urban fabric are deeply enmeshed with formal planning procedures. 
Master Plans and Encroachments: The Architecture of Informality in Islamabad (University of Pennsylvania Press, 2023) examines informality in the high-modernist city of Islamabad as a strategic conformity to official schemes and regulations rather than as a deviation from them. For the new administrative capital of Pakistan designed in 1959 by Greek architect and planner Constantinos A. Doxiadis, Islamabad's master plan offers a clear template of formal urban design within which informal spaces and processes have been articulated. Drawing on deep archival research, wide-ranging interviews, and an array of visual material, including photographs, maps, and architectural drawings, Dr. Faiza Moatasim shows how Islamabad's master plan is not simply a blueprint that guides future urban development or makes its violations apparent; it is used by both city officials and citizens to develop informal spaces that accommodate unfulfilled needs and desires of those living and working in the city. Master Plans and Encroachments is the first book that examines the informal practices of both the privileged and the underprivileged. The book highlights how low-, middle-, and upper-income people do not randomly build informal spaces; they strategically use architectural techniques to support their informal claims to space, which are often met with the government's tacit approval.
In this episode, Tayeba Batool talks to Dr. Faiza Moatasim about the spatial, material, class, and gendered negotiations and experiences that are imprinted on the city through Masterplans. Dr. Moatasim also shares how her research on a postcolonial city such as Islamabad projects onto urbanisms and encroachments elsewhere, and what we can learn the complexities of urban planning and architecture. The conversation also creates a space to address experiences with publishing inter-disciplinary research and highlight the necessity of learning from cities that are often overlooked in the dialogue about and on urban spaces.
Dr. Faiza Moatasim is an Assistant Professor of Architecture in Urbanism and Urban Design at the USC School of Architecture. Tayeba Batool is a PhD Candidate in Anthropology at the University of Pennsylvania.
﻿Tayeba Batool is a PhD Candidate in the Department of Anthropology at the University of Pennsylvania.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Among urban designers and municipal officials, the term encroachment is defined as a deviation from the official master plan. But in cities today, such informal modifications to the urban fabric are deeply enmeshed with formal planning procedures. </p><p><a href="https://bookshop.org/a/12343/9781512825206"><em>Master Plans and Encroachments: The Architecture of Informality in Islamabad</em></a> (University of Pennsylvania Press, 2023) examines informality in the high-modernist city of Islamabad as a strategic conformity to official schemes and regulations rather than as a deviation from them. For the new administrative capital of Pakistan designed in 1959 by Greek architect and planner Constantinos A. Doxiadis, Islamabad's master plan offers a clear template of formal urban design within which informal spaces and processes have been articulated. Drawing on deep archival research, wide-ranging interviews, and an array of visual material, including photographs, maps, and architectural drawings, Dr. Faiza Moatasim shows how Islamabad's master plan is not simply a blueprint that guides future urban development or makes its violations apparent; it is used by both city officials and citizens to develop informal spaces that accommodate unfulfilled needs and desires of those living and working in the city. Master Plans and Encroachments is the first book that examines the informal practices of both the privileged and the underprivileged. The book highlights how low-, middle-, and upper-income people do not randomly build informal spaces; they strategically use architectural techniques to support their informal claims to space, which are often met with the government's tacit approval.</p><p>In this episode, Tayeba Batool talks to Dr. Faiza Moatasim about the spatial, material, class, and gendered negotiations and experiences that are imprinted on the city through Masterplans. Dr. Moatasim also shares how her research on a postcolonial city such as Islamabad projects onto urbanisms and encroachments elsewhere, and what we can learn the complexities of urban planning and architecture. The conversation also creates a space to address experiences with publishing inter-disciplinary research and highlight the necessity of learning from cities that are often overlooked in the dialogue about and on urban spaces.</p><p><a href="https://arch.usc.edu/people/faiza-moatasim">Dr. Faiza Moatasim</a> is an Assistant Professor of Architecture in Urbanism and Urban Design at the USC School of Architecture. <a href="https://anthropology.sas.upenn.edu/people/tayeba-batool">Tayeba Batool</a> is a PhD Candidate in Anthropology at the University of Pennsylvania.</p><p><em>﻿</em><a href="https://anthropology.sas.upenn.edu/people/tayeba-batool"><em>Tayeba Batool </em></a><em>is a PhD Candidate in the Department of Anthropology at the University of Pennsylvania.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3241</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5a5d269e-7442-11ee-8a03-1fa4f86d1ade]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR4111047526.mp3?updated=1698354432" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Janice Rieger, "Design, Disability and Embodiment: Spatial Justice and Perspectives of Power" (Routledge, 2023)</title>
      <description>Janice Rieger's book Design, Disability and Embodiment: Spatial Justice and Perspectives of Power (Routledge, 2023) explores the spatial and social injustices within our streets, malls, schools, and public institutions. Taken-for-granted acts like going for a walk, seeing an exhibition with a friend, and going to school are, for people with disabilities, conditional or precluded acts due to exclusion by design.
This book stimulates debate and discussion about current practice and studies in spatial design in the context of disability and the growing need for inclusive design globally. Case studies of inclusive design in spaces like museums, malls, galleries and universities are presented to challenge and expose the perspectives of power and spatial injustices that still exist within these spaces today. The international case studies presented purposely privilege the voices and perspectives of people with disabilities, to expose the multisensorial perspectives of spatial justice in order to understand inclusion more holistically through embodiment.
If you are an architect, designer, arts educator, curator or museum professional or just want a world where spatial justice is possible, then this book will provide you with a new perspective of spatial design through critical disability studies, allyship and codesign, where tangible approaches and practices for inclusive design are explored.
Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 04 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>36</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Janice Rieger</itunes:subtitle>
      <itunes:summary>Janice Rieger's book Design, Disability and Embodiment: Spatial Justice and Perspectives of Power (Routledge, 2023) explores the spatial and social injustices within our streets, malls, schools, and public institutions. Taken-for-granted acts like going for a walk, seeing an exhibition with a friend, and going to school are, for people with disabilities, conditional or precluded acts due to exclusion by design.
This book stimulates debate and discussion about current practice and studies in spatial design in the context of disability and the growing need for inclusive design globally. Case studies of inclusive design in spaces like museums, malls, galleries and universities are presented to challenge and expose the perspectives of power and spatial injustices that still exist within these spaces today. The international case studies presented purposely privilege the voices and perspectives of people with disabilities, to expose the multisensorial perspectives of spatial justice in order to understand inclusion more holistically through embodiment.
If you are an architect, designer, arts educator, curator or museum professional or just want a world where spatial justice is possible, then this book will provide you with a new perspective of spatial design through critical disability studies, allyship and codesign, where tangible approaches and practices for inclusive design are explored.
Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Janice Rieger's book<em> </em><a href="https://bookshop.org/a/12343/9781032076843"><em>Design, Disability and Embodiment: Spatial Justice and Perspectives of Power</em></a><em> </em>(Routledge, 2023) explores the spatial and social injustices within our streets, malls, schools, and public institutions. Taken-for-granted acts like going for a walk, seeing an exhibition with a friend, and going to school are, for people with disabilities, conditional or precluded acts due to exclusion by design.</p><p>This book stimulates debate and discussion about current practice and studies in spatial design in the context of disability and the growing need for inclusive design globally. Case studies of inclusive design in spaces like museums, malls, galleries and universities are presented to challenge and expose the perspectives of power and spatial injustices that still exist within these spaces today. The international case studies presented purposely privilege the voices and perspectives of people with disabilities, to expose the multisensorial perspectives of spatial justice in order to understand inclusion more holistically through embodiment.</p><p>If you are an architect, designer, arts educator, curator or museum professional or just want a world where spatial justice is possible, then this book will provide you with a new perspective of spatial design through critical disability studies, allyship and codesign, where tangible approaches and practices for inclusive design are explored.</p><p><a href="https://arts-sciences.buffalo.edu/history/graduate/GraduateHistoryAssociation/GradStudentProfiles/ShuWan.html"><em>Shu Wan</em></a><em> is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1747</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a57c4c9e-5ef9-11ee-b01e-d371db5a9a5c]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR4516176688.mp3?updated=1696014562" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Antony Kalashnikov, "Monuments for Posterity: Self-Commemoration and the Stalinist Culture of Time" (Cornell UP, 2023)</title>
      <description>Antony Kalashnikov's Monuments for Posterity: Self-Commemoration and the Stalinist Culture of Time (Cornell UP, 2023) analyzes Stalinist monument-building. From the 1930's through the Great Patriotic War, architectural monuments such as subway stations were designed to emphasize the perpetual endurance of the nation, regardless of the many crises of the period. The contemporary popularity of Stalinist-era architectural forms has endured. Why this should be so is a question worth pondering, and Monuments for Posterity does just that, in addition to offering a fresh reading of Stalinist architecture in its own time.
Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 23 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>248</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Antony Kalashnikov</itunes:subtitle>
      <itunes:summary>Antony Kalashnikov's Monuments for Posterity: Self-Commemoration and the Stalinist Culture of Time (Cornell UP, 2023) analyzes Stalinist monument-building. From the 1930's through the Great Patriotic War, architectural monuments such as subway stations were designed to emphasize the perpetual endurance of the nation, regardless of the many crises of the period. The contemporary popularity of Stalinist-era architectural forms has endured. Why this should be so is a question worth pondering, and Monuments for Posterity does just that, in addition to offering a fresh reading of Stalinist architecture in its own time.
Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Antony Kalashnikov's <a href="https://bookshop.org/a/12343/9781501774270"><em>Monuments for Posterity: Self-Commemoration and the Stalinist Culture of Time</em></a> (Cornell UP, 2023) analyzes Stalinist monument-building. From the 1930's through the Great Patriotic War, architectural monuments such as subway stations were designed to emphasize the perpetual endurance of the nation, regardless of the many crises of the period. The contemporary popularity of Stalinist-era architectural forms has endured. Why this should be so is a question worth pondering, and <em>Monuments for Posterity </em>does just that, in addition to offering a fresh reading of Stalinist architecture in its own time.</p><p><em>Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3556</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9bdb3a0c-57d2-11ee-bcf0-4b68e9ca2362]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR4472409516.mp3?updated=1695227800" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Moisés Kopper, "Architectures of Hope: Infrastructural Citizenship and Class Mobility in Brazil's Public Housing" (U Michigan Press, 2022)</title>
      <description>Moisés Kopper's Architectures of Hope: Infrastructural Citizenship and Class Mobility in Brazil's Public Housing (U Michigan Press, 2022) examines how communal idealism, electoral politics, and low-income consumer markets made first-time homeownership a reality for millions of low-income Brazilians over the last ten years.
Drawing on a five-year-long ethnography among city planners, architects, street-level bureaucrats, politicians, market and bank representatives, community leaders, and past, present, and future beneficiaries, Moisés Kopper tells the story of how a group of grassroots housing activists rose from oblivion to build a model community. He explores the strategies set forth by housing activists as they waited and hoped for—and eventually secured—homeownership through Minha Casa Minha Vida’s public-private infrastructure. By showing how these efforts coalesced in Porto Alegre—Brazil’s once progressive hotspot—he interrogates the value systems and novel arrangements of power and market that underlie the country’s post-neoliberal project of modern and inclusive development.
By chronicling the making and remaking of material hope in the aftermath of Minha Casa Minha Vida, Architectures of Hope reopens the future as a powerful venue for ethnographic inquiry and urban development.
Moisés Kopper is Research Professor at the Institute of Development Policy, University of Antwerp.
Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban life, futurity, care, and migration. You can find her on Twitter @alizearican.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 19 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>254</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Moisés Kopper</itunes:subtitle>
      <itunes:summary>Moisés Kopper's Architectures of Hope: Infrastructural Citizenship and Class Mobility in Brazil's Public Housing (U Michigan Press, 2022) examines how communal idealism, electoral politics, and low-income consumer markets made first-time homeownership a reality for millions of low-income Brazilians over the last ten years.
Drawing on a five-year-long ethnography among city planners, architects, street-level bureaucrats, politicians, market and bank representatives, community leaders, and past, present, and future beneficiaries, Moisés Kopper tells the story of how a group of grassroots housing activists rose from oblivion to build a model community. He explores the strategies set forth by housing activists as they waited and hoped for—and eventually secured—homeownership through Minha Casa Minha Vida’s public-private infrastructure. By showing how these efforts coalesced in Porto Alegre—Brazil’s once progressive hotspot—he interrogates the value systems and novel arrangements of power and market that underlie the country’s post-neoliberal project of modern and inclusive development.
By chronicling the making and remaking of material hope in the aftermath of Minha Casa Minha Vida, Architectures of Hope reopens the future as a powerful venue for ethnographic inquiry and urban development.
Moisés Kopper is Research Professor at the Institute of Development Policy, University of Antwerp.
Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban life, futurity, care, and migration. You can find her on Twitter @alizearican.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Moisés Kopper's<a href="https://bookshop.org/a/12343/9780472055647"> <em>Architectures of Hope: Infrastructural Citizenship and Class Mobility in Brazil's Public Housing</em></a><em> </em>(U Michigan Press, 2022) examines how communal idealism, electoral politics, and low-income consumer markets made first-time homeownership a reality for millions of low-income Brazilians over the last ten years.</p><p>Drawing on a five-year-long ethnography among city planners, architects, street-level bureaucrats, politicians, market and bank representatives, community leaders, and past, present, and future beneficiaries, Moisés Kopper tells the story of how a group of grassroots housing activists rose from oblivion to build a model community. He explores the strategies set forth by housing activists as they waited and hoped for—and eventually secured—homeownership through Minha Casa Minha Vida’s public-private infrastructure. By showing how these efforts coalesced in Porto Alegre—Brazil’s once progressive hotspot—he interrogates the value systems and novel arrangements of power and market that underlie the country’s post-neoliberal project of modern and inclusive development.</p><p>By chronicling the making and remaking of material hope in the aftermath of Minha Casa Minha Vida, <em>Architectures of Hope</em> reopens the future as a powerful venue for ethnographic inquiry and urban development.</p><p>Moisés Kopper is Research Professor at the Institute of Development Policy, University of Antwerp.</p><p><a href="https://www.alizearican.com/"><em>Alize Arıcan</em></a><em> is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban life, futurity, care, and migration. You can find her on Twitter </em><a href="https://twitter.com/alizearican"><em>@alizearican</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3053</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[532bb342-53de-11ee-bfd1-5ba702e956fd]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR1726024928.mp3?updated=1694792975" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>A Better Way to Buy Books</title>
      <description>Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. 
Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 12 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>109</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Conversation with Andy Hunter, Founder and CEO, Bookshop.org</itunes:subtitle>
      <itunes:summary>Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. 
Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, <a href="https://bookshop.org/">Bookshop.org</a> has already raised more than $27,000,000. In this interview, <a href="https://www.linkedin.com/in/andy-hunter-64484224/">Andy Hunter</a>, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. </p><p>Andy Hunter is CEO and Founder of Bookshop.org. He also co-created <a href="https://lithub.com/">Literary Hub</a>.</p><p><em>Caleb Zakarin is the Assistant Editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1964</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3d8a5e1e-50b2-11ee-9f7c-bf7b9e5b7991]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR8390868982.mp3?updated=1694441399" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Helen Hester and Nick Srnicek, "After Work: A History of the Home and the Fight for Free Time" (Verso, 2023)</title>
      <description>Does it ever feel like you have no free time? You come home after work and instead of finding a space of rest and relaxation, you're confronted by a pile of new tasks to complete – cooking, cleaning, looking after the kids, and so on.
In After Work: A History of the Home and the Fight for Free Time (Verso, 2023), Dr. Helen Hester and Dr. Nick Srnicek lay out how unpaid work in our homes has come to take up an ever-increasing portion of our lives – how the vacuum of free time has been taken up by vacuuming. Examining the history of the home over the past century – from running water to white goods to smart homes – they show how repeated efforts to reduce the burden of this work have faced a variety of barriers, challenges, and reversals.
Charting the trajectory of our domestic spaces over the past century, Dr. Hester and Dr. Srnicek consider new possibilities for the future, uncovering the abandoned ideas of anti-housework visionaries and sketching out a path towards real free time for all, where everyone is at liberty to pursue their passions, or do nothing at all. It will require rethinking our living arrangements, our expectations and our cities.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 06 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1353</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nick Srnicek</itunes:subtitle>
      <itunes:summary>Does it ever feel like you have no free time? You come home after work and instead of finding a space of rest and relaxation, you're confronted by a pile of new tasks to complete – cooking, cleaning, looking after the kids, and so on.
In After Work: A History of the Home and the Fight for Free Time (Verso, 2023), Dr. Helen Hester and Dr. Nick Srnicek lay out how unpaid work in our homes has come to take up an ever-increasing portion of our lives – how the vacuum of free time has been taken up by vacuuming. Examining the history of the home over the past century – from running water to white goods to smart homes – they show how repeated efforts to reduce the burden of this work have faced a variety of barriers, challenges, and reversals.
Charting the trajectory of our domestic spaces over the past century, Dr. Hester and Dr. Srnicek consider new possibilities for the future, uncovering the abandoned ideas of anti-housework visionaries and sketching out a path towards real free time for all, where everyone is at liberty to pursue their passions, or do nothing at all. It will require rethinking our living arrangements, our expectations and our cities.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Does it ever feel like you have no free time? You come home after work and instead of finding a space of rest and relaxation, you're confronted by a pile of new tasks to complete – cooking, cleaning, looking after the kids, and so on.</p><p>In <a href="https://bookshop.org/a/12343/9781786633071"><em>After Work: A History of the Home and the Fight for Free Time</em></a> (Verso, 2023), Dr. Helen Hester and Dr. Nick Srnicek lay out how unpaid work in our homes has come to take up an ever-increasing portion of our lives – how the vacuum of free time has been taken up by vacuuming. Examining the history of the home over the past century – from running water to white goods to smart homes – they show how repeated efforts to reduce the burden of this work have faced a variety of barriers, challenges, and reversals.</p><p>Charting the trajectory of our domestic spaces over the past century, Dr. Hester and Dr. Srnicek consider new possibilities for the future, uncovering the abandoned ideas of anti-housework visionaries and sketching out a path towards real free time for all, where everyone is at liberty to pursue their passions, or do nothing at all. It will require rethinking our living arrangements, our expectations and our cities.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2882</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[02a26158-4a80-11ee-b670-8bfa26763959]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR9338730372.mp3?updated=1693763007" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shira Gill, "Organized Living: Solutions and Inspiration for Your Home" (Ten Speed Press, 2023)</title>
      <description>In Organized Living: Solutions and Inspiration for Your Home (Ten Speed Press, 2023), Gill takes us on a global tour of home organizers learning organizing protips along the way.
Kickstart your organized life with this inspiring visual guide from the author of Minimalista.
“A fresh, global, and beautifully diverse perspective on calming the clutter.”—Kelli Lamb, author of Home with Rue and editorial director of Rue
People are naturally curious about the homes of professional organizers. Organized Living was inspired by Shira’s desire to provide a glimpse into a rarely-seen world: The homes of people who organize others. Shira showcases the homes of twenty-five international home organizers, offering an exclusive behind-the-scenes look into this meticulously kept world. Organized Living introduces you to the aspirational spaces of the most organized people in the world, the organizers themselves, and the passion that fuels their work. Through stunning images and absorbing interviews, you’ll gain expert tips and resources, loads of visual inspiration, and clever organizing hacks you can use in your own home, such as:
• Ditching the packaging
• Choosing stylish storage
• Elevating the most neglected spaces
• Putting things away, right away
Through books, TV shows, and social media platforms, home organizers have been elevated as top lifestyle influencers and have cemented their place in the cultural zeitgeist. And Shira Gill, the organizer of organizers, is the perfect tour guide to walk us through these professional organizers’ homes.
If you’re seeking less clutter, overwhelm, and stress in your life, and are looking to create more time and energy for the things that matter most, Organized Living is your chance to learn directly from the best in the business.
Meg Gambino is an artist and activist currently working as the Client and Community Relations Manager at a local nonprofit focused on ending hunger in North Penn. Her life mission is to creatively empower others by modeling reconciliation between communities of people and people on the margins. Find her on Instagram @megambino.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 03 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>89</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Shira Gill</itunes:subtitle>
      <itunes:summary>In Organized Living: Solutions and Inspiration for Your Home (Ten Speed Press, 2023), Gill takes us on a global tour of home organizers learning organizing protips along the way.
Kickstart your organized life with this inspiring visual guide from the author of Minimalista.
“A fresh, global, and beautifully diverse perspective on calming the clutter.”—Kelli Lamb, author of Home with Rue and editorial director of Rue
People are naturally curious about the homes of professional organizers. Organized Living was inspired by Shira’s desire to provide a glimpse into a rarely-seen world: The homes of people who organize others. Shira showcases the homes of twenty-five international home organizers, offering an exclusive behind-the-scenes look into this meticulously kept world. Organized Living introduces you to the aspirational spaces of the most organized people in the world, the organizers themselves, and the passion that fuels their work. Through stunning images and absorbing interviews, you’ll gain expert tips and resources, loads of visual inspiration, and clever organizing hacks you can use in your own home, such as:
• Ditching the packaging
• Choosing stylish storage
• Elevating the most neglected spaces
• Putting things away, right away
Through books, TV shows, and social media platforms, home organizers have been elevated as top lifestyle influencers and have cemented their place in the cultural zeitgeist. And Shira Gill, the organizer of organizers, is the perfect tour guide to walk us through these professional organizers’ homes.
If you’re seeking less clutter, overwhelm, and stress in your life, and are looking to create more time and energy for the things that matter most, Organized Living is your chance to learn directly from the best in the business.
Meg Gambino is an artist and activist currently working as the Client and Community Relations Manager at a local nonprofit focused on ending hunger in North Penn. Her life mission is to creatively empower others by modeling reconciliation between communities of people and people on the margins. Find her on Instagram @megambino.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781984861184"><em>Organized Living: Solutions and Inspiration for Your Home</em></a><em> </em>(Ten Speed Press, 2023), Gill takes us on a global tour of home organizers learning organizing protips along the way.</p><p>Kickstart your organized life with this inspiring visual guide from the author of <em>Minimalista</em>.</p><p>“A fresh, global, and beautifully diverse perspective on calming the clutter.”—Kelli Lamb, author of <em>Home with Rue</em> and editorial director of Rue</p><p>People are naturally curious about the homes of professional organizers.<em> Organized Living</em> was inspired by Shira’s desire to provide a glimpse into a rarely-seen world: The homes of people who organize others. Shira showcases the homes of twenty-five international home organizers, offering an exclusive behind-the-scenes look into this meticulously kept world. <em>Organized Living</em> introduces you to the aspirational spaces of the most organized people in the world, the organizers themselves, and the passion that fuels their work. Through stunning images and absorbing interviews, you’ll gain expert tips and resources, loads of visual inspiration, and clever organizing hacks you can use in your own home, such as:</p><p>• Ditching the packaging</p><p>• Choosing stylish storage</p><p>• Elevating the most neglected spaces</p><p>• Putting things away, right away</p><p>Through books, TV shows, and social media platforms, home organizers have been elevated as top lifestyle influencers and have cemented their place in the cultural zeitgeist. And Shira Gill, the organizer of organizers, is the perfect tour guide to walk us through these professional organizers’ homes.</p><p>If you’re seeking less clutter, overwhelm, and stress in your life, and are looking to create more time and energy for the things that matter most, <em>Organized Living</em> is your chance to learn directly from the best in the business.</p><p><em>Meg Gambino is an artist and activist currently working as the Client and Community Relations Manager at a local nonprofit focused on ending hunger in North Penn. Her life mission is to creatively empower others by modeling reconciliation between communities of people and people on the margins. Find her on Instagram @megambino.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1727</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5b3e4580-4994-11ee-bf71-97840400281d]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR2923041042.mp3?updated=1693662753" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephanie Barczewski, "How the Country House Became English (Reaktion, 2023)</title>
      <description>How the Country House Became English (Reaktion, 2023) by Dr. Stephanie Barczewski is an exploration of the evolution of the quintessentially English country house.
Country houses have come to be regarded as quintessentially English, not only in terms of their architectural style but because they appear to embody national values of continuity and insularity. The histories of country houses and England, however, have featured episodes of violence and disruption, so how did country houses come to represent one version of English history, when in reality they reflect its full range of contradictions and complexities? This book explores the evolution of the country house, beginning with the violent impact of the Reformation and Civil War and showing how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England’s political stability.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 23 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stephanie Barczewski</itunes:subtitle>
      <itunes:summary>How the Country House Became English (Reaktion, 2023) by Dr. Stephanie Barczewski is an exploration of the evolution of the quintessentially English country house.
Country houses have come to be regarded as quintessentially English, not only in terms of their architectural style but because they appear to embody national values of continuity and insularity. The histories of country houses and England, however, have featured episodes of violence and disruption, so how did country houses come to represent one version of English history, when in reality they reflect its full range of contradictions and complexities? This book explores the evolution of the country house, beginning with the violent impact of the Reformation and Civil War and showing how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England’s political stability.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781789147605"><em>How the Country House Became English</em></a> (Reaktion, 2023) by Dr. Stephanie Barczewski is an exploration of the evolution of the quintessentially English country house.</p><p>Country houses have come to be regarded as quintessentially English, not only in terms of their architectural style but because they appear to embody national values of continuity and insularity. The histories of country houses and England, however, have featured episodes of violence and disruption, so how did country houses come to represent one version of English history, when in reality they reflect its full range of contradictions and complexities? This book explores the evolution of the country house, beginning with the violent impact of the Reformation and Civil War and showing how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England’s political stability.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3449</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1c62b562-4124-11ee-a8ec-af30f36f4f60]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR6365763426.mp3?updated=1692733822" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christian Parreno, "Boredom, Architecture, and Spatial Experience" (Bloomsbury, 2021)</title>
      <description>Boredom is a ubiquitous feature of modern life. Endured by everyone, it is both cause and effect of modernity, and of situations, spaces and surroundings. As such, this book argues, boredom shares an intimate relationship with architecture-one that has been seldom explored in architectural history and theory.
Boredom, Architecture, and Spatial Experience (Bloomsbury, 2021) investigates that relationship, showing how an understanding of boredom affords us a new way of looking at and understanding the modern experience. It reconstructs a series of episodes in architectural history, from the 19th century to the present, to survey how boredom became a normalized component of the everyday, how it infiltrated into the production and reception of architecture, and how it serves to diagnose moments of crisis in the continuous transformations of the built environment.
Erudite and innovative, the work moves deftly from architectural theory and philosophy to literature and psychology to make its case. Combining archival material, scholarly sources, and illuminating excerpts from conversations with practitioners and thinkers-including Charles Jencks, Rem Koolhaas, Sylvia Lavin, and Jorge Silvetti-it reveals the complexity and importance of boredom in architecture.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 14 Aug 2023 18:52:24 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>52</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christian Parreno</itunes:subtitle>
      <itunes:summary>Boredom is a ubiquitous feature of modern life. Endured by everyone, it is both cause and effect of modernity, and of situations, spaces and surroundings. As such, this book argues, boredom shares an intimate relationship with architecture-one that has been seldom explored in architectural history and theory.
Boredom, Architecture, and Spatial Experience (Bloomsbury, 2021) investigates that relationship, showing how an understanding of boredom affords us a new way of looking at and understanding the modern experience. It reconstructs a series of episodes in architectural history, from the 19th century to the present, to survey how boredom became a normalized component of the everyday, how it infiltrated into the production and reception of architecture, and how it serves to diagnose moments of crisis in the continuous transformations of the built environment.
Erudite and innovative, the work moves deftly from architectural theory and philosophy to literature and psychology to make its case. Combining archival material, scholarly sources, and illuminating excerpts from conversations with practitioners and thinkers-including Charles Jencks, Rem Koolhaas, Sylvia Lavin, and Jorge Silvetti-it reveals the complexity and importance of boredom in architecture.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Boredom is a ubiquitous feature of modern life. Endured by everyone, it is both cause and effect of modernity, and of situations, spaces and surroundings. As such, this book argues, boredom shares an intimate relationship with architecture-one that has been seldom explored in architectural history and theory.</p><p><a href="https://bookshop.org/a/12343/9781350148130"><em>Boredom, Architecture, and Spatial Experience</em></a><em> </em>(Bloomsbury, 2021) investigates that relationship, showing how an understanding of boredom affords us a new way of looking at and understanding the modern experience. It reconstructs a series of episodes in architectural history, from the 19th century to the present, to survey how boredom became a normalized component of the everyday, how it infiltrated into the production and reception of architecture, and how it serves to diagnose moments of crisis in the continuous transformations of the built environment.</p><p>Erudite and innovative, the work moves deftly from architectural theory and philosophy to literature and psychology to make its case. Combining archival material, scholarly sources, and illuminating excerpts from conversations with practitioners and thinkers-including Charles Jencks, Rem Koolhaas, Sylvia Lavin, and Jorge Silvetti-it reveals the complexity and importance of boredom in architecture.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2106</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[093cf82c-22f3-11ec-a794-d72640bab2d3]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN9352801486.mp3?updated=1633119078" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Flora Samuel, "Housing for Hope and Wellbeing" (Routledge, 2022)</title>
      <description>Housing and neighborhoods have an important contribution to make to our wellbeing and our sense of our place in the world. Housing for Hope and Wellbeing (Routledge, 2023), written for a lay audience (with policy makers firmly in mind) offers a useful and intelligible overview of our housing system and why it is in ‘crisis’ while acting as an important reminder of how housing contributes to social value, defined as community, health, self development and identity. It argues for a holistic digital map-based planning system that allows for the sensitive balancing of the triple bottom line of sustainability: social, environmental, and economic value. It sets out a vision of what our housing system could look like if we really put the wellbeing of people and planet first, as well as a route map on how to get there.
Written primarily from the point of view of an architect, the account weaves across industry, practice, and academia cross-cutting disciplines to provide an integrated view of the field. The book focuses on the UK housing scene but draws on and provides lessons for housing cultures across the globe. Illustrated throughout with case studies, this is the go-to book for anyone who wants to look at housing in a holistic way.
Flora Samuel is Professor of Architecture at the University of Cambridge. She helped set up the new School of Architecture at the University of Reading and is former Head of the University of Sheffield School of Architecture and the first RIBA Vice President for Research. The author of Why Architects Matter: Evidencing and Communicating the Value of Architects (Routledge, 2018) she has spent the last decade researching the positive impact of good design on people. Her interests are now moving to land use and social justice, both key to addressing climate change. She is well known as an industry advisor on the social value of the design of housing and places and a strong advocate of social value mapping. She is also known for her unorthodox writings on Le Corbusier, about whom she has published extensively. A mother of three daughters, she is based in Wales.
Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica. His research interests lie at the intersection of Urban Geography, Social Exclusion, and Psychology. His dissertation research focuses on the link among negative psychosocial dispositions, exclusion, and under-development among marginalized communities in Port of Spain, Trinidad and Tobago. You can find him on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 07 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>157</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Flora Samuel</itunes:subtitle>
      <itunes:summary>Housing and neighborhoods have an important contribution to make to our wellbeing and our sense of our place in the world. Housing for Hope and Wellbeing (Routledge, 2023), written for a lay audience (with policy makers firmly in mind) offers a useful and intelligible overview of our housing system and why it is in ‘crisis’ while acting as an important reminder of how housing contributes to social value, defined as community, health, self development and identity. It argues for a holistic digital map-based planning system that allows for the sensitive balancing of the triple bottom line of sustainability: social, environmental, and economic value. It sets out a vision of what our housing system could look like if we really put the wellbeing of people and planet first, as well as a route map on how to get there.
Written primarily from the point of view of an architect, the account weaves across industry, practice, and academia cross-cutting disciplines to provide an integrated view of the field. The book focuses on the UK housing scene but draws on and provides lessons for housing cultures across the globe. Illustrated throughout with case studies, this is the go-to book for anyone who wants to look at housing in a holistic way.
Flora Samuel is Professor of Architecture at the University of Cambridge. She helped set up the new School of Architecture at the University of Reading and is former Head of the University of Sheffield School of Architecture and the first RIBA Vice President for Research. The author of Why Architects Matter: Evidencing and Communicating the Value of Architects (Routledge, 2018) she has spent the last decade researching the positive impact of good design on people. Her interests are now moving to land use and social justice, both key to addressing climate change. She is well known as an industry advisor on the social value of the design of housing and places and a strong advocate of social value mapping. She is also known for her unorthodox writings on Le Corbusier, about whom she has published extensively. A mother of three daughters, she is based in Wales.
Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica. His research interests lie at the intersection of Urban Geography, Social Exclusion, and Psychology. His dissertation research focuses on the link among negative psychosocial dispositions, exclusion, and under-development among marginalized communities in Port of Spain, Trinidad and Tobago. You can find him on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Housing and neighborhoods have an important contribution to make to our wellbeing and our sense of our place in the world. <a href="https://bookshop.org/a/12343/9780367469023"><em>Housing for Hope and Wellbeing</em> </a>(Routledge, 2023), written for a lay audience (with policy makers firmly in mind) offers a useful and intelligible overview of our housing system and why it is in ‘crisis’ while acting as an important reminder of how housing contributes to social value, defined as community, health, self development and identity. It argues for a holistic digital map-based planning system that allows for the sensitive balancing of the triple bottom line of sustainability: social, environmental, and economic value. It sets out a vision of what our housing system could look like if we really put the wellbeing of people and planet first, as well as a route map on how to get there.</p><p>Written primarily from the point of view of an architect, the account weaves across industry, practice, and academia cross-cutting disciplines to provide an integrated view of the field. The book focuses on the UK housing scene but draws on and provides lessons for housing cultures across the globe. Illustrated throughout with case studies, this is the go-to book for anyone who wants to look at housing in a holistic way.</p><p><a href="https://www.arct.cam.ac.uk/staff/professor-flora-samuel">Flora Samuel</a> is Professor of Architecture at the University of Cambridge. She helped set up the new School of Architecture at the University of Reading and is former Head of the University of Sheffield School of Architecture and the first RIBA Vice President for Research. The author of <a href="https://www.routledge.com/Why-Architects-Matter-Evidencing-and-Communicating-the-Value-of-Architects/Samuel/p/book/9781138783935"><em>Why Architects Matter: Evidencing and Communicating the Value of Architects</em></a> (Routledge, 2018) she has spent the last decade researching the positive impact of good design on people. Her interests are now moving to land use and social justice, both key to addressing climate change. She is well known as an industry advisor on the social value of the design of housing and places and a strong advocate of social value mapping. She is also known for her unorthodox writings on Le Corbusier, about whom she has published extensively. A mother of three daughters, she is based in Wales.</p><p><a href="https://www.mona.uwi.edu/dogg/graduate-students/mr-aleem-mahabir"><em>Aleem Mahabir</em></a><em> is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica. His research interests lie at the intersection of Urban Geography, Social Exclusion, and Psychology. His dissertation research focuses on the link among negative psychosocial dispositions, exclusion, and under-development among marginalized communities in Port of Spain, Trinidad and Tobago. You can find him on </em><a href="https://twitter.com/AleemMahabir"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3572</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ddf0c866-346f-11ee-8ebb-c7a6eb185fb4]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR5415773914.mp3?updated=1691337098" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ambient Commons: Attention in the Age of Embodied Information</title>
      <description>The world is filling with ever more kinds of media, in ever more contexts and formats. Glowing rectangles have become part of the scene; screens, large and small, appear everywhere. Physical locations are increasingly tagged and digitally augmented. Amid this flood, your attention practices matter more than ever. You might not be able to tune this world out. So it is worth remembering that underneath all these augmentations and data flows, fixed forms persist, and that to notice them can improve other sensibilities. In Ambient Commons, Malcolm McCullough explores the workings of attention through a rediscovery of surroundings.
McCullough describes what he calls the Ambient: an increasing tendency to perceive information superabundance whole, where individual signals matter less and at least some mediation assumes inhabitable form. He explores how the fixed forms of architecture and the city play a cognitive role in the flow of ambient information. As a persistently inhabited world, can the Ambient be understood as a shared cultural resource, to be socially curated, voluntarily limited, and self-governed as if a commons? Ambient Commons invites you to look past current obsessions with smart phones to rethink attention itself, to care for more situated, often inescapable forms of information.
Malcolm McCullough is Associate Professor of Architecture and Design at the University of Michigan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 02 Aug 2023 20:02:45 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>132</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Malcolm McCullough</itunes:subtitle>
      <itunes:summary>The world is filling with ever more kinds of media, in ever more contexts and formats. Glowing rectangles have become part of the scene; screens, large and small, appear everywhere. Physical locations are increasingly tagged and digitally augmented. Amid this flood, your attention practices matter more than ever. You might not be able to tune this world out. So it is worth remembering that underneath all these augmentations and data flows, fixed forms persist, and that to notice them can improve other sensibilities. In Ambient Commons, Malcolm McCullough explores the workings of attention through a rediscovery of surroundings.
McCullough describes what he calls the Ambient: an increasing tendency to perceive information superabundance whole, where individual signals matter less and at least some mediation assumes inhabitable form. He explores how the fixed forms of architecture and the city play a cognitive role in the flow of ambient information. As a persistently inhabited world, can the Ambient be understood as a shared cultural resource, to be socially curated, voluntarily limited, and self-governed as if a commons? Ambient Commons invites you to look past current obsessions with smart phones to rethink attention itself, to care for more situated, often inescapable forms of information.
Malcolm McCullough is Associate Professor of Architecture and Design at the University of Michigan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The world is filling with ever more kinds of media, in ever more contexts and formats. Glowing rectangles have become part of the scene; screens, large and small, appear everywhere. Physical locations are increasingly tagged and digitally augmented. Amid this flood, your attention practices matter more than ever. You might not be able to tune this world out. So it is worth remembering that underneath all these augmentations and data flows, fixed forms persist, and that to notice them can improve other sensibilities. In <a href="https://mitpress.mit.edu/9780262528399/ambient-commons/">Ambient Commons</a>, Malcolm McCullough explores the workings of attention through a rediscovery of surroundings.</p><p>McCullough describes what he calls the Ambient: an increasing tendency to perceive information superabundance whole, where individual signals matter less and at least some mediation assumes inhabitable form. He explores how the fixed forms of architecture and the city play a cognitive role in the flow of ambient information. As a persistently inhabited world, can the Ambient be understood as a shared cultural resource, to be socially curated, voluntarily limited, and self-governed as if a commons? Ambient Commons invites you to look past current obsessions with smart phones to rethink attention itself, to care for more situated, often inescapable forms of information.</p><p>Malcolm McCullough is Associate Professor of Architecture and Design at the University of Michigan.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>971</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8d3eb1b0-316f-11ee-b35a-5ba0a5f1492c]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR6367983091.mp3?updated=1677071249" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Finola O'Kane, "Landscape Design and Revolution in Ireland and the United States, 1688-1815" (Paul Mellon Centre, 2023)</title>
      <description>Landscape Design and Revolution in Ireland and the United States, 1688-1815 (Yale University Press, 2023) by Dr. Finola O’Kane explores how revolutionary ideas were translated into landscape design, encompassing liberty, equality, improvement and colonialism.
Spanning the designed landscapes of England’s Glorious Revolution of 1688, the American Revolution of 1776 and the Irish rebellion of 1798, with some detours into revolutionary France, this book traces a comparative history of property structures and landscape design across the eighteenth-century Atlantic world and evolving concepts of plantation and improvement within imperial ideology. Revolutionaries such as Jean-Jacques Rousseau, George Washington, Arthur Young, Lord Edward FitzGerald and Pierce Butler constructed houses, farms and landscape gardens—many of which have since been forgotten or selectively overlooked. How did the new republics and revolutionaries, having overthrown social hierarchies, translate their principles into spatial form?
As the eighteenth-century ideology of improvement was applied to a variety of transatlantic and enslaved environments, new landscape designs were created—stretching from the suburbs of Dublin to the sea islands of the state of Georgia. Yet these revolutionary ideas of equality and freedom often contradicted reality, particularly where the traditional design of the great landed estate—the building block of aristocratic power throughout Europe—intersected with that of the farm and the plantation.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 30 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>47</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Finola O'Kane</itunes:subtitle>
      <itunes:summary>Landscape Design and Revolution in Ireland and the United States, 1688-1815 (Yale University Press, 2023) by Dr. Finola O’Kane explores how revolutionary ideas were translated into landscape design, encompassing liberty, equality, improvement and colonialism.
Spanning the designed landscapes of England’s Glorious Revolution of 1688, the American Revolution of 1776 and the Irish rebellion of 1798, with some detours into revolutionary France, this book traces a comparative history of property structures and landscape design across the eighteenth-century Atlantic world and evolving concepts of plantation and improvement within imperial ideology. Revolutionaries such as Jean-Jacques Rousseau, George Washington, Arthur Young, Lord Edward FitzGerald and Pierce Butler constructed houses, farms and landscape gardens—many of which have since been forgotten or selectively overlooked. How did the new republics and revolutionaries, having overthrown social hierarchies, translate their principles into spatial form?
As the eighteenth-century ideology of improvement was applied to a variety of transatlantic and enslaved environments, new landscape designs were created—stretching from the suburbs of Dublin to the sea islands of the state of Georgia. Yet these revolutionary ideas of equality and freedom often contradicted reality, particularly where the traditional design of the great landed estate—the building block of aristocratic power throughout Europe—intersected with that of the farm and the plantation.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781913107383"><em>Landscape Design and Revolution in Ireland and the United States, 1688-1815</em></a> (Yale University Press, 2023) by Dr. Finola O’Kane explores how revolutionary ideas were translated into landscape design, encompassing liberty, equality, improvement and colonialism.</p><p>Spanning the designed landscapes of England’s Glorious Revolution of 1688, the American Revolution of 1776 and the Irish rebellion of 1798, with some detours into revolutionary France, this book traces a comparative history of property structures and landscape design across the eighteenth-century Atlantic world and evolving concepts of plantation and improvement within imperial ideology. Revolutionaries such as Jean-Jacques Rousseau, George Washington, Arthur Young, Lord Edward FitzGerald and Pierce Butler constructed houses, farms and landscape gardens—many of which have since been forgotten or selectively overlooked. How did the new republics and revolutionaries, having overthrown social hierarchies, translate their principles into spatial form?</p><p>As the eighteenth-century ideology of improvement was applied to a variety of transatlantic and enslaved environments, new landscape designs were created—stretching from the suburbs of Dublin to the sea islands of the state of Georgia. Yet these revolutionary ideas of equality and freedom often contradicted reality, particularly where the traditional design of the great landed estate—the building block of aristocratic power throughout Europe—intersected with that of the farm and the plantation.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3422</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f79a392e-2e29-11ee-bcb8-0be6e4ac089c]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR3627130194.mp3?updated=1690647266" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Simone Ferracina, "Ecologies of Inception: Design Potentials on a Warming Planet" (Routledge, 2022)</title>
      <description>Responding to increasing levels of planetary pollution, waste generation, carbon dioxide emission and environmental collapse, Simone Ferracina's book Ecologies of Inception: Design Potentials on a Warming Planet (Routledge, 2022) re-thinks potentiality―an object’s ability to change―in architecture and design.
The book problematizes the still-prevailing modern paradigm of design practice: the technical tabula rasa, a tendency to begin from scratch and use raw, amorphous, and obedient materials that can be easily and effectively manipulated, facilitating a seamless and faithful embodiment of intentions. Instead, the philosophy of design developed in the text prompts―through a variety of case studies, thinkers, and disciplines―a collective reconsideration of value, dissociating it from the projects and signatures of any one author or generation. Whereas the merits of up-cycling and circular design are canonically defined vis-à-vis status-quo economic and socio-cultural orthodoxies, this project unpacks the theoretical assumptions that underpin these practices, showing that they perpetuate the same biases and exclusions that generate waste in the first place.
As an alternative, the book introduces a nodal and exaptive paradigm for design: a conceptual and methodological toolset for engaging the durational and anthropocenic materiality of the third millennium, and for radically prioritizing practices of maintenance, reuse, care, and co-option. This approach, which is inspired by (and builds upon) evolutionary biology, technological disobedience, queer use, adaptive reuse, experimental preservation, and improvisational practices such as collage, adhocism, bricolage, and kit-bashing, refuses to reduce pre-existing material substrates to abstract lists of properties or featureless lumps, encountering them on their own terms―as situated individuals and co-authors.
Ecologies of Inception will appeal to undergraduate and postgraduate students, educators, and professional architects and designers interested in sustainable design and seeking to develop conceptual and design tools commensurate with the magnitude and urgency of the climate emergency.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 08 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>88</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Simone Ferracina</itunes:subtitle>
      <itunes:summary>Responding to increasing levels of planetary pollution, waste generation, carbon dioxide emission and environmental collapse, Simone Ferracina's book Ecologies of Inception: Design Potentials on a Warming Planet (Routledge, 2022) re-thinks potentiality―an object’s ability to change―in architecture and design.
The book problematizes the still-prevailing modern paradigm of design practice: the technical tabula rasa, a tendency to begin from scratch and use raw, amorphous, and obedient materials that can be easily and effectively manipulated, facilitating a seamless and faithful embodiment of intentions. Instead, the philosophy of design developed in the text prompts―through a variety of case studies, thinkers, and disciplines―a collective reconsideration of value, dissociating it from the projects and signatures of any one author or generation. Whereas the merits of up-cycling and circular design are canonically defined vis-à-vis status-quo economic and socio-cultural orthodoxies, this project unpacks the theoretical assumptions that underpin these practices, showing that they perpetuate the same biases and exclusions that generate waste in the first place.
As an alternative, the book introduces a nodal and exaptive paradigm for design: a conceptual and methodological toolset for engaging the durational and anthropocenic materiality of the third millennium, and for radically prioritizing practices of maintenance, reuse, care, and co-option. This approach, which is inspired by (and builds upon) evolutionary biology, technological disobedience, queer use, adaptive reuse, experimental preservation, and improvisational practices such as collage, adhocism, bricolage, and kit-bashing, refuses to reduce pre-existing material substrates to abstract lists of properties or featureless lumps, encountering them on their own terms―as situated individuals and co-authors.
Ecologies of Inception will appeal to undergraduate and postgraduate students, educators, and professional architects and designers interested in sustainable design and seeking to develop conceptual and design tools commensurate with the magnitude and urgency of the climate emergency.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Responding to increasing levels of planetary pollution, waste generation, carbon dioxide emission and environmental collapse, Simone Ferracina's book <a href="https://bookshop.org/a/12343/9780367858766"><em>Ecologies of Inception: Design Potentials on a Warming Planet</em></a><em> </em>(Routledge, 2022) re-thinks potentiality―an object’s ability to change―in architecture and design.</p><p>The book problematizes the still-prevailing modern paradigm of design practice: the technical tabula rasa, a tendency to begin from scratch and use raw, amorphous, and obedient materials that can be easily and effectively manipulated, facilitating a seamless and faithful embodiment of intentions. Instead, the philosophy of design developed in the text prompts―through a variety of case studies, thinkers, and disciplines―a collective reconsideration of value, dissociating it from the projects and signatures of any one author or generation. Whereas the merits of up-cycling and circular design are canonically defined vis-à-vis status-quo economic and socio-cultural orthodoxies, this project unpacks the theoretical assumptions that underpin these practices, showing that they perpetuate the same biases and exclusions that generate waste in the first place.</p><p>As an alternative, the book introduces a nodal and exaptive paradigm for design: a conceptual and methodological toolset for engaging the durational and anthropocenic materiality of the third millennium, and for radically prioritizing practices of maintenance, reuse, care, and co-option. This approach, which is inspired by (and builds upon) evolutionary biology, technological disobedience, queer use, adaptive reuse, experimental preservation, and improvisational practices such as collage, adhocism, bricolage, and kit-bashing, refuses to reduce pre-existing material substrates to abstract lists of properties or featureless lumps, encountering them on their own terms―as situated individuals and co-authors.</p><p><em>Ecologies of Inception</em> will appeal to undergraduate and postgraduate students, educators, and professional architects and designers interested in sustainable design and seeking to develop conceptual and design tools commensurate with the magnitude and urgency of the climate emergency.</p><p><a href="https://toepferarchitecture.com/"><em>Bryan Toepfer</em></a><em>, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1781</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b165d2b2-1d01-11ee-af36-cb97d7148bb0]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR7864104428.mp3?updated=1688760811" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bleak Houses: Disappointment and Failure in Architecture</title>
      <description>The usual history of architecture is a grand narrative of soaring monuments and heroic makers. But it is also a false narrative in many ways, rarely acknowledging the personal failures and disappointments of architects. In Bleak Houses, Timothy Brittain-Catlin investigates the underside of architecture, the stories of losers and unfulfillment often ignored by an architectural criticism that values novelty, fame, and virility over fallibility and rejection.
As architectural criticism promotes increasingly narrow values, dismissing certain styles wholesale and subjecting buildings to a Victorian litmus test of “real” versus “fake,” Brittain-Catlin explains the effect this superficial criticality has had not only on architectural discourse but on the quality of buildings. The fact that most buildings receive no critical scrutiny at all has resulted in vast stretches of ugly modern housing and a pervasive public illiteracy about architecture.
Timothy Brittain-Catlin is Senior Lecturer at the new Kent School of Architecture, University of Kent. His writing has appeared in The World of Interiors, Architectural Review, and many other publications.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 29 Jun 2023 21:29:40 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>122</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Timothy Brittain-Catlin</itunes:subtitle>
      <itunes:summary>The usual history of architecture is a grand narrative of soaring monuments and heroic makers. But it is also a false narrative in many ways, rarely acknowledging the personal failures and disappointments of architects. In Bleak Houses, Timothy Brittain-Catlin investigates the underside of architecture, the stories of losers and unfulfillment often ignored by an architectural criticism that values novelty, fame, and virility over fallibility and rejection.
As architectural criticism promotes increasingly narrow values, dismissing certain styles wholesale and subjecting buildings to a Victorian litmus test of “real” versus “fake,” Brittain-Catlin explains the effect this superficial criticality has had not only on architectural discourse but on the quality of buildings. The fact that most buildings receive no critical scrutiny at all has resulted in vast stretches of ugly modern housing and a pervasive public illiteracy about architecture.
Timothy Brittain-Catlin is Senior Lecturer at the new Kent School of Architecture, University of Kent. His writing has appeared in The World of Interiors, Architectural Review, and many other publications.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The usual history of architecture is a grand narrative of soaring monuments and heroic makers. But it is also a false narrative in many ways, rarely acknowledging the personal failures and disappointments of architects. In <a href="https://mitpress.mit.edu/9780262528856/bleak-houses/">Bleak Houses</a>, Timothy Brittain-Catlin investigates the underside of architecture, the stories of losers and unfulfillment often ignored by an architectural criticism that values novelty, fame, and virility over fallibility and rejection.</p><p>As architectural criticism promotes increasingly narrow values, dismissing certain styles wholesale and subjecting buildings to a Victorian litmus test of “real” versus “fake,” Brittain-Catlin explains the effect this superficial criticality has had not only on architectural discourse but on the quality of buildings. The fact that most buildings receive no critical scrutiny at all has resulted in vast stretches of ugly modern housing and a pervasive public illiteracy about architecture.</p><p>Timothy Brittain-Catlin is Senior Lecturer at the new Kent School of Architecture, University of Kent. His writing has appeared in The World of Interiors, Architectural Review, and many other publications.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1106</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0ec965fc-16c4-11ee-9e84-cbeb67255866]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR7040846784.mp3?updated=1677069277" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Constant’s “New Babylon": An Interview with Jérémie McGowan</title>
      <description>“New Babylon” is an architectural and urban planning project designed by the Dutch artist Constant Nieuwenhuys between 1959 and 1974 in response to certain economic and social conditions he perceived to exist in the modern city: its emphasis on work and the production of capital, its highly-planned, gridded spaces. 
“New Babylon” put forward an ideal city planning model in which people would be able to enter a state of what Constant called homo ludens, “men at play.” “New Babylonians” would be members of a leisure class, in constant movement in and between cities designed to be highly flexible, mobile, and to encourage a state of perpetual adventure and exploration. While “New Babylon” explicitly positioned nomadism as an ideal which should be embraced on a wider scale, the influence of an actual nomadic community on the design and conceptualization of the project has been largely overlooked. Namely, Constant drew heavily on interactions with and influence from Romani culture and heritage. 
In this episode, Jérémie McGowan, whose PhD dissertation at the University of Edinburgh analyzed the Romani influence on “New Babylon,” joins me to discuss the ideologies underlying “New Babylon;” how Romani influences manifest in the project; and how and under what circumstances nomads can be either culturally idealized or vilified.
Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 21 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>28</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>“New Babylon” is an architectural and urban planning project designed by the Dutch artist Constant Nieuwenhuys between 1959 and 1974 in response to certain economic and social conditions he perceived to exist in the modern city: its emphasis on work and the production of capital, its highly-planned, gridded spaces. 
“New Babylon” put forward an ideal city planning model in which people would be able to enter a state of what Constant called homo ludens, “men at play.” “New Babylonians” would be members of a leisure class, in constant movement in and between cities designed to be highly flexible, mobile, and to encourage a state of perpetual adventure and exploration. While “New Babylon” explicitly positioned nomadism as an ideal which should be embraced on a wider scale, the influence of an actual nomadic community on the design and conceptualization of the project has been largely overlooked. Namely, Constant drew heavily on interactions with and influence from Romani culture and heritage. 
In this episode, Jérémie McGowan, whose PhD dissertation at the University of Edinburgh analyzed the Romani influence on “New Babylon,” joins me to discuss the ideologies underlying “New Babylon;” how Romani influences manifest in the project; and how and under what circumstances nomads can be either culturally idealized or vilified.
Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“New Babylon” is an architectural and urban planning project designed by the Dutch artist Constant Nieuwenhuys between 1959 and 1974 in response to certain economic and social conditions he perceived to exist in the modern city: its emphasis on work and the production of capital, its highly-planned, gridded spaces. </p><p>“New Babylon” put forward an ideal city planning model in which people would be able to enter a state of what Constant called <em>homo ludens</em>, “men at play.” “New Babylonians” would be members of a leisure class, in constant movement in and between cities designed to be highly flexible, mobile, and to encourage a state of perpetual adventure and exploration. While “New Babylon” explicitly positioned nomadism as an ideal which should be embraced on a wider scale, the influence of an actual nomadic community on the design and conceptualization of the project has been largely overlooked. Namely, Constant drew heavily on interactions with and influence from Romani culture and heritage. </p><p>In this episode, Jérémie McGowan, <a href="https://era.ed.ac.uk/handle/1842/8227?show=full">whose PhD dissertation</a> at the University of Edinburgh analyzed the Romani influence on “New Babylon,” joins me to discuss the ideologies underlying “New Babylon;” how Romani influences manifest in the project; and how and under what circumstances nomads can be either culturally idealized or vilified.</p><p><a href="https://architecture.mit.edu/people/maggie-freeman"><em>Maggie Freeman</em></a><em> is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3401</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[53d40b8c-0adc-11ee-9a26-77b3c8988dba]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR3623312529.mp3?updated=1686765710" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The History of the American Shopping Mall and Its Cultures</title>
      <description>Writer and design critic Alexandra Lange talks about her book, Meet Me by the Fountain: An Inside History of the Shopping Mall (Bloombury, 2023), with Peoples &amp; Things host, Lee Vinsel. Meet Me by the Fountain is a history of the American shopping mall from its emergence to recent attempts to reinvent and reconceptualize the shells of “dead” shopping centers. Along the way, it details the mall’s many ironies and contradictions and how it became the center and icon of community and culture, especially youth culture, in the late 20th century. Lange and Vinsel also discuss Lange’s larger career and her work as an architecture and design critic.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 19 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Conversation with Alexandra Lange</itunes:subtitle>
      <itunes:summary>Writer and design critic Alexandra Lange talks about her book, Meet Me by the Fountain: An Inside History of the Shopping Mall (Bloombury, 2023), with Peoples &amp; Things host, Lee Vinsel. Meet Me by the Fountain is a history of the American shopping mall from its emergence to recent attempts to reinvent and reconceptualize the shells of “dead” shopping centers. Along the way, it details the mall’s many ironies and contradictions and how it became the center and icon of community and culture, especially youth culture, in the late 20th century. Lange and Vinsel also discuss Lange’s larger career and her work as an architecture and design critic.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Writer and design critic Alexandra Lange talks about her book, <a href="https://bookshop.org/a/12343/9781635576023"><em>Meet Me by the Fountain: An Inside History of the Shopping Mall</em></a> (Bloombury, 2023), with Peoples &amp; Things host, Lee Vinsel. <em>Meet Me by the Fountain </em>is a history of the American shopping mall from its emergence to recent attempts to reinvent and reconceptualize the shells of “dead” shopping centers. Along the way, it details the mall’s many ironies and contradictions and how it became the center and icon of community and culture, especially youth culture, in the late 20th century. Lange and Vinsel also discuss Lange’s larger career and her work as an architecture and design critic.</p><p><a href="https://liberalarts.vt.edu/departments-and-schools/department-of-science-technology-and-society/faculty/lee-vinsel.html"><em>Lee Vinsel</em></a><em> is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, </em><a href="https://bookshop.org/a/12343/9781421429656"><em>Moving Violations: Automobiles, Experts, and Regulations in the United States</em></a><em>, was published by Johns Hopkins University Press in July 2019.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4075</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cfffee00-0de9-11ee-97d8-5fcdad64c019]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR1246882893.mp3?updated=1687101042" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gabriel Schwake, "Dwelling on the Green Line" (Cambridge UP, 2022)</title>
      <description>Today I talked to Gabriel Schwake about his book Dwelling on the Green Line (Cambridge UP, 2022).
Concealed within the walls of settlements along the Green-Line, the border between Israel and the occupied West-Bank, is a complex history of territoriality, privatisation and multifaceted class dynamics. Since the late 1970s, the state aimed to expand the heavily populated coastal area eastwards into the occupied Palestinian territories, granting favoured groups of individuals, developers and entrepreneurs the ability to influence the formation of built space as a means to continuously develop and settle national frontiers. As these settlements developed, they became a physical manifestation of the relationship between the political interest to control space and the ability to form it. 
Telling a socio-political and economic story from an architectural and urban history perspective, Gabriel Schwake shows how this production of space can be seen not only as a cultural phenomenon, but also as one that is deeply entangled with geopolitical agendas.
Roberto Mazza is currently a Visiting Lecturer at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Website: www.robertomazza.org
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 17 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>220</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gabriel Schwake</itunes:subtitle>
      <itunes:summary>Today I talked to Gabriel Schwake about his book Dwelling on the Green Line (Cambridge UP, 2022).
Concealed within the walls of settlements along the Green-Line, the border between Israel and the occupied West-Bank, is a complex history of territoriality, privatisation and multifaceted class dynamics. Since the late 1970s, the state aimed to expand the heavily populated coastal area eastwards into the occupied Palestinian territories, granting favoured groups of individuals, developers and entrepreneurs the ability to influence the formation of built space as a means to continuously develop and settle national frontiers. As these settlements developed, they became a physical manifestation of the relationship between the political interest to control space and the ability to form it. 
Telling a socio-political and economic story from an architectural and urban history perspective, Gabriel Schwake shows how this production of space can be seen not only as a cultural phenomenon, but also as one that is deeply entangled with geopolitical agendas.
Roberto Mazza is currently a Visiting Lecturer at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Website: www.robertomazza.org
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Gabriel Schwake about his book <a href="https://bookshop.org/a/12343/9781316512890"><em>Dwelling on the Green Line</em></a><em> </em>(Cambridge UP, 2022).</p><p>Concealed within the walls of settlements along the Green-Line, the border between Israel and the occupied West-Bank, is a complex history of territoriality, privatisation and multifaceted class dynamics. Since the late 1970s, the state aimed to expand the heavily populated coastal area eastwards into the occupied Palestinian territories, granting favoured groups of individuals, developers and entrepreneurs the ability to influence the formation of built space as a means to continuously develop and settle national frontiers. As these settlements developed, they became a physical manifestation of the relationship between the political interest to control space and the ability to form it. </p><p>Telling a socio-political and economic story from an architectural and urban history perspective, Gabriel Schwake shows how this production of space can be seen not only as a cultural phenomenon, but also as one that is deeply entangled with geopolitical agendas.</p><p><em>Roberto Mazza is currently a Visiting Lecturer at Northwestern University. He is the host of the </em><a href="https://shows.acast.com/jerusalemunplugged"><em>Jerusalem Unplugged Podcast</em></a><em> and to discuss and propose a book for interview can be reached at </em><a href="mailto:robbymazza@gmail.com"><em>robbymazza@gmail.com</em></a><em>. Twitter and IG: @robbyref Website: </em><a href="http://www.robertomazza.org/"><em>www.robertomazza.org</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3097</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b845a64a-0c5b-11ee-b636-0b51cf4c71fe]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR3818299292.mp3?updated=1686930333" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael T. Friedman, "Mallparks: Baseball Stadiums and the Culture of Consumption" (Cornell UP, 2023)</title>
      <description>In Mallparks: Baseball Stadiums and the Culture of Consumption (Cornell UP, 2023), Michael T. Friedman observes that as cathedrals represented power relations in medieval towns and skyscrapers epitomized those within industrial cities, sports stadiums exemplify urban American consumption at the turn of the twenty-first century. Grounded in Henri Lefebvre and George Ritzer's spatial theories in their analyses of consumption spaces, Mallparks examines how the designers of this generation of baseball stadiums follow the principles of theme park and shopping mall design to create highly effective and efficient consumption sites.
In his exploration of these contemporary cathedrals of sport and consumption, Friedman discusses the history of stadium design, the amenities and aesthetics of stadium spaces, and the intentions and conceptions of architects, team officials, and civic leaders. He grounds his analysis in case studies of Oriole Park at Camden Yards in Baltimore; Fenway Park in Boston; Dodger Stadium in Los Angeles; Nationals Park in Washington, DC; Target Field in Minneapolis; and Truist Park in Atlanta.
Emilio J. Weber is a master’s student in the Physical Cultural Studies research group at the University of Maryland at College Park. He can be reached at ejweber@umd.edu or on twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 07 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>248</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael T. Friedman</itunes:subtitle>
      <itunes:summary>In Mallparks: Baseball Stadiums and the Culture of Consumption (Cornell UP, 2023), Michael T. Friedman observes that as cathedrals represented power relations in medieval towns and skyscrapers epitomized those within industrial cities, sports stadiums exemplify urban American consumption at the turn of the twenty-first century. Grounded in Henri Lefebvre and George Ritzer's spatial theories in their analyses of consumption spaces, Mallparks examines how the designers of this generation of baseball stadiums follow the principles of theme park and shopping mall design to create highly effective and efficient consumption sites.
In his exploration of these contemporary cathedrals of sport and consumption, Friedman discusses the history of stadium design, the amenities and aesthetics of stadium spaces, and the intentions and conceptions of architects, team officials, and civic leaders. He grounds his analysis in case studies of Oriole Park at Camden Yards in Baltimore; Fenway Park in Boston; Dodger Stadium in Los Angeles; Nationals Park in Washington, DC; Target Field in Minneapolis; and Truist Park in Atlanta.
Emilio J. Weber is a master’s student in the Physical Cultural Studies research group at the University of Maryland at College Park. He can be reached at ejweber@umd.edu or on twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781501769290"><em>Mallparks: Baseball Stadiums and the Culture of Consumption</em></a><em> </em>(Cornell UP, 2023), Michael T. Friedman observes that as cathedrals represented power relations in medieval towns and skyscrapers epitomized those within industrial cities, sports stadiums exemplify urban American consumption at the turn of the twenty-first century. Grounded in Henri Lefebvre and George Ritzer's spatial theories in their analyses of consumption spaces, Mallparks examines how the designers of this generation of baseball stadiums follow the principles of theme park and shopping mall design to create highly effective and efficient consumption sites.</p><p>In his exploration of these contemporary cathedrals of sport and consumption, Friedman discusses the history of stadium design, the amenities and aesthetics of stadium spaces, and the intentions and conceptions of architects, team officials, and civic leaders. He grounds his analysis in case studies of Oriole Park at Camden Yards in Baltimore; Fenway Park in Boston; Dodger Stadium in Los Angeles; Nationals Park in Washington, DC; Target Field in Minneapolis; and Truist Park in Atlanta.</p><p><em>Emilio J. Weber is a master’s student in the Physical Cultural Studies research group at the University of Maryland at College Park. He can be reached at </em><a href="mailto:ejweber@umd.edu"><em>ejweber@umd.edu</em></a><em> or on </em><a href="https://twitter.com/emiliojweber"><em>twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4478</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0c392b96-02fc-11ee-b61a-d314803f6851]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NSR4380593910.mp3?updated=1685899229" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Celia Fisher, "The Story of Follies: Architectures of Eccentricity" (Reaktion Books, 2022)</title>
      <description>In The Story of Follies: Architectures of Eccentricity (Reaktion, 2023), Celia Fisher presents an amusing, informative guide to a fanciful and charming building, the folly.
Are they frivolous or practical? Follies are buildings constructed primarily for decoration, but suggest another purpose through their appearance. In this superbly illustrated book Celia Fisher describes follies in their historical and architectural context, looks at their social and political significance and highlights their relevance today. She explores follies built in protest, follies in oriental and gothic styles, animal-related follies, waterside follies and grottoes, and, finally, follies in glass and steel. Featuring many fine illustrations, from historical paintings to contemporary photographs and prints, and taking in follies from Great Britain, Ireland and throughout Europe and beyond, this is an amusing and informative guide to fanciful, charming buildings.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 04 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>86</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Celia Fisher</itunes:subtitle>
      <itunes:summary>In The Story of Follies: Architectures of Eccentricity (Reaktion, 2023), Celia Fisher presents an amusing, informative guide to a fanciful and charming building, the folly.
Are they frivolous or practical? Follies are buildings constructed primarily for decoration, but suggest another purpose through their appearance. In this superbly illustrated book Celia Fisher describes follies in their historical and architectural context, looks at their social and political significance and highlights their relevance today. She explores follies built in protest, follies in oriental and gothic styles, animal-related follies, waterside follies and grottoes, and, finally, follies in glass and steel. Featuring many fine illustrations, from historical paintings to contemporary photographs and prints, and taking in follies from Great Britain, Ireland and throughout Europe and beyond, this is an amusing and informative guide to fanciful, charming buildings.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781789146356"><em>The Story of Follies: Architectures of Eccentricity</em></a> (Reaktion, 2023), Celia Fisher presents an amusing, informative guide to a fanciful and charming building, the folly.</p><p>Are they frivolous or practical? Follies are buildings constructed primarily for decoration, but suggest another purpose through their appearance. In this superbly illustrated book Celia Fisher describes follies in their historical and architectural context, looks at their social and political significance and highlights their relevance today. She explores follies built in protest, follies in oriental and gothic styles, animal-related follies, waterside follies and grottoes, and, finally, follies in glass and steel. Featuring many fine illustrations, from historical paintings to contemporary photographs and prints, and taking in follies from Great Britain, Ireland and throughout Europe and beyond, this is an amusing and informative guide to fanciful, charming buildings.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3309</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e6d10758-fff3-11ed-bc48-8f9eadd265c7]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN6758788782.mp3?updated=1685566408" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Publishing in Art, Architecture and Visual Culture</title>
      <description>This episode features discussions with Thomas Weaver (Senior Acquisitions Editor for Art and Architecture) and Victoria Hindley (Acquisitions Editor in Visual Culture and Design) about publishing in the fields of art, architecture, and visual culture, as part of our virtual attendance of the 2021 College Art Association Conference. 
Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 26 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>89</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/80a06360-fc07-11ed-8b90-b7206bd230cd/image/MITPpodcastweaverhindley6tcic.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Thomas Weaver and Victoria Hindley </itunes:subtitle>
      <itunes:summary>This episode features discussions with Thomas Weaver (Senior Acquisitions Editor for Art and Architecture) and Victoria Hindley (Acquisitions Editor in Visual Culture and Design) about publishing in the fields of art, architecture, and visual culture, as part of our virtual attendance of the 2021 College Art Association Conference. 
Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode features discussions with Thomas Weaver (Senior Acquisitions Editor for Art and Architecture) and Victoria Hindley (Acquisitions Editor in Visual Culture and Design) about publishing in the fields of art, architecture, and visual culture, as part of our virtual attendance of <a href="https://www.collegeart.org/programs/conference/">the 2021 College Art Association Conference</a>. </p><p>Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3301</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[mitpress.podbean.com/706c6dbd-90b3-3767-b659-cac87a43f079]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN2458877016.mp3?updated=1677013062" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Infrastructural Brutalism: Art and the Necropolitics of Infrastructure</title>
      <description>Michael Truscello, author of Infrastructural Brutalism: Art and the Necropolitics of Infrastructure, discusses the ways in which infrastructure determines who may live and who must die under contemporary capitalism.
In this book, Michael Truscello looks at the industrial infrastructure not as an invisible system of connectivity and mobility that keeps capitalism humming in the background but as a manufactured miasma of despair, toxicity, and death. Truscello terms this “infrastructural brutalism”—a formulation that not only alludes to the historical nexus of infrastructure and the concrete aesthetic of Brutalist architecture but also describes the ecological, political, and psychological brutality of industrial infrastructures.
Truscello explores the necropolitics of infrastructure—how infrastructure determines who may live and who must die—through the lens of artistic media. He examines the white settler nostalgia of “drowned town” fiction written after the Tennessee Valley Authority flooded rural areas for hydroelectric projects; argues that the road movie represents a struggle with liberal governmentality; considers the ruins of oil capitalism, as seen in photographic landscapes of postindustrial waste; and offers an account of “death train narratives” ranging from the history of the Holocaust to postapocalyptic fiction. Finally, he calls for “brisantic politics,” a culture of unmaking that is capable of slowing the advance of capitalist suicide. “Brisance” refers to the shattering effect of an explosive, but Truscello uses the term to signal a variety of practices for defeating infrastructural power. Brisantic politics, he warns, would require a reorientation of radical politics toward infrastructure, sabotage, and cascading destruction in an interconnected world.
The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin.
Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 20 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a3d0c7a2-f712-11ed-a7be-bfa7924115ca/image/MITPpodcasttruscello65k81.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Michael Truscello</itunes:subtitle>
      <itunes:summary>Michael Truscello, author of Infrastructural Brutalism: Art and the Necropolitics of Infrastructure, discusses the ways in which infrastructure determines who may live and who must die under contemporary capitalism.
In this book, Michael Truscello looks at the industrial infrastructure not as an invisible system of connectivity and mobility that keeps capitalism humming in the background but as a manufactured miasma of despair, toxicity, and death. Truscello terms this “infrastructural brutalism”—a formulation that not only alludes to the historical nexus of infrastructure and the concrete aesthetic of Brutalist architecture but also describes the ecological, political, and psychological brutality of industrial infrastructures.
Truscello explores the necropolitics of infrastructure—how infrastructure determines who may live and who must die—through the lens of artistic media. He examines the white settler nostalgia of “drowned town” fiction written after the Tennessee Valley Authority flooded rural areas for hydroelectric projects; argues that the road movie represents a struggle with liberal governmentality; considers the ruins of oil capitalism, as seen in photographic landscapes of postindustrial waste; and offers an account of “death train narratives” ranging from the history of the Holocaust to postapocalyptic fiction. Finally, he calls for “brisantic politics,” a culture of unmaking that is capable of slowing the advance of capitalist suicide. “Brisance” refers to the shattering effect of an explosive, but Truscello uses the term to signal a variety of practices for defeating infrastructural power. Brisantic politics, he warns, would require a reorientation of radical politics toward infrastructure, sabotage, and cascading destruction in an interconnected world.
The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin.
Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Michael Truscello, author of <a href="https://mitpress.mit.edu/books/infrastructural-brutalism"><em>Infrastructural Brutalism: Art and the Necropolitics of Infrastructure</em></a>, discusses the ways in which infrastructure determines who may live and who must die under contemporary capitalism.</p><p>In this book, Michael Truscello looks at the industrial infrastructure not as an invisible system of connectivity and mobility that keeps capitalism humming in the background but as a manufactured miasma of despair, toxicity, and death. Truscello terms this “infrastructural brutalism”—a formulation that not only alludes to the historical nexus of infrastructure and the concrete aesthetic of Brutalist architecture but also describes the ecological, political, and psychological brutality of industrial infrastructures.</p><p>Truscello explores the necropolitics of infrastructure—how infrastructure determines who may live and who must die—through the lens of artistic media. He examines the white settler nostalgia of “drowned town” fiction written after the Tennessee Valley Authority flooded rural areas for hydroelectric projects; argues that the road movie represents a struggle with liberal governmentality; considers the ruins of oil capitalism, as seen in photographic landscapes of postindustrial waste; and offers an account of “death train narratives” ranging from the history of the Holocaust to postapocalyptic fiction. Finally, he calls for “brisantic politics,” a culture of unmaking that is capable of slowing the advance of capitalist suicide. “Brisance” refers to the shattering effect of an explosive, but Truscello uses the term to signal a variety of practices for defeating infrastructural power. Brisantic politics, he warns, would require a reorientation of radical politics toward infrastructure, sabotage, and cascading destruction in an interconnected world.</p><p>The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin.</p><p>Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2891</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[mitpress.podbean.com/7ddbab36-0954-3530-bddf-c4fc02865668]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN4059381460.mp3?updated=1677011807" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Garrett L. Washington, "Church Space and the Capital in Prewar Japan" (U Hawaii Press, 2022)</title>
      <description>Garrett Washington’s Church Space and the Capital in Prewar Japan (Hawai’i 2022) brings a fresh perspective to the question of Protestant Christianity’s outsized influence in modernizing Japan from almost the moment the centuries-long ban was lifted in the 1870s. Washington roots his research in the physical space of Protestant houses of worship in Tokyo, exploring the ways that the churches became distinctively Japanese spaces and institutions that nurtured discourses and practices that affected the social, intellectual, and political development of Japan during the four decades of 1880-1920 that are the focus of the book. 
Church Space begins with the creation of churches in the treaty ports and their migration into the centers of the new imperial capital, and examines the ways in which Western-style buildings commissioned by Japanese pastors came to house congregations with many elite and influential members who together wrestled with the role of Protestant Christianity in the development of modern Japan. Washington shows that both pastoral and lay discourses―especially in the spaces of women’s and youth groups―were linked robustly to the public lives of the congregants and the ways in which urban Japanese Protestantism impacted the course of Japan for decades.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 16 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>122</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Garrett L. Washington</itunes:subtitle>
      <itunes:summary>Garrett Washington’s Church Space and the Capital in Prewar Japan (Hawai’i 2022) brings a fresh perspective to the question of Protestant Christianity’s outsized influence in modernizing Japan from almost the moment the centuries-long ban was lifted in the 1870s. Washington roots his research in the physical space of Protestant houses of worship in Tokyo, exploring the ways that the churches became distinctively Japanese spaces and institutions that nurtured discourses and practices that affected the social, intellectual, and political development of Japan during the four decades of 1880-1920 that are the focus of the book. 
Church Space begins with the creation of churches in the treaty ports and their migration into the centers of the new imperial capital, and examines the ways in which Western-style buildings commissioned by Japanese pastors came to house congregations with many elite and influential members who together wrestled with the role of Protestant Christianity in the development of modern Japan. Washington shows that both pastoral and lay discourses―especially in the spaces of women’s and youth groups―were linked robustly to the public lives of the congregants and the ways in which urban Japanese Protestantism impacted the course of Japan for decades.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Garrett Washington’s <a href="https://bookshop.org/a/12343/9780824891718"><em>Church Space and the Capital in Prewar Japan</em></a> (Hawai’i 2022) brings a fresh perspective to the question of Protestant Christianity’s outsized influence in modernizing Japan from almost the moment the centuries-long ban was lifted in the 1870s. Washington roots his research in the physical space of Protestant houses of worship in Tokyo, exploring the ways that the churches became distinctively Japanese spaces and institutions that nurtured discourses and practices that affected the social, intellectual, and political development of Japan during the four decades of 1880-1920 that are the focus of the book. </p><p><em>Church Space</em> begins with the creation of churches in the treaty ports and their migration into the centers of the new imperial capital, and examines the ways in which Western-style buildings commissioned by Japanese pastors came to house congregations with many elite and influential members who together wrestled with the role of Protestant Christianity in the development of modern Japan. Washington shows that both pastoral and lay discourses―especially in the spaces of women’s and youth groups―were linked robustly to the public lives of the congregants and the ways in which urban Japanese Protestantism impacted the course of Japan for decades.</p><p><a href="https://www.uib.no/en/persons/Nathan.Edwin.Hopson"><em>Nathan Hopson</em></a><em> is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3673</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8a267b5a-f260-11ed-8236-d7ab2d3978b7]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN4167699649.mp3?updated=1684073702" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Barbara Penner et al., "Extinct: A Compendium of Obsolete Objects" (Reaktion Books, 2021)</title>
      <description>So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct: A Compendium of Obsolete Objects (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.
Barbara Penner is professor of architectural humanities at the Bartlett School of Architecture, University College London.
Adrian Forty is professor emeritus of architectural history at the Bartlett School of Architecture, University College London.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 08 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>68</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Barbara Penner and Adrian Forty</itunes:subtitle>
      <itunes:summary>So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct: A Compendium of Obsolete Objects (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.
Barbara Penner is professor of architectural humanities at the Bartlett School of Architecture, University College London.
Adrian Forty is professor emeritus of architectural history at the Bartlett School of Architecture, University College London.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. <a href="https://bookshop.org/a/12343/9781789144529"><em>Extinct: A Compendium of Obsolete Objects</em></a> (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.</p><p>Barbara Penner is professor of architectural humanities at the Bartlett School of Architecture, University College London.</p><p>Adrian Forty is professor emeritus of architectural history at the Bartlett School of Architecture, University College London.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3747</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a0f8c13e-eb77-11ed-8b5a-873a8415ddd0]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN5465804620.mp3?updated=1683313661" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Garage: A History</title>
      <description>On this episode of the MIT Press podcast, Olivia Erlanger and Luis Ortega Govela discuss their book, Garage.
Frank Lloyd Wright invented the garage when he moved the automobile out of the stable into a room of its own. Steve Jobs and Steve Wozniak (allegedly) started Apple Computer in a garage. Suburban men turned garages into man caves to escape from family life. Nirvana and No Doubt played their first chords as garage bands. What began as an architectural construct became a cultural construct. In this provocative history and deconstruction of an American icon, Olivia Erlanger and Luis Ortega Govela use the garage as a lens through which to view the advent of suburbia, the myth of the perfect family, and the degradation of the American dream.
The stories of what happened in these garages became self-fulfilling prophecies the more they were repeated. Hewlett-Packard was founded in a garage that now bears a plaque: The Birthplace of Silicon Valley. Google followed suit, dreamed up in a Menlo Park garage a few decades later. Also conceived in a garage: the toy company Mattel, creator of Barbie, the postwar, posthuman representation of American women. Garages became guest rooms, game rooms, home gyms, wine cellars, and secret bondage lairs, a no-commute destination for makers and DIYers--surfboard designers, ski makers, pet keepers, flannel-wearing musicians, weed-growing nuns. The garage was an aboveground underground, offering both a safe space for withdrawal and a stage for participation--opportunities for isolation or empowerment.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 16 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9faf99ba-dcb8-11ed-90af-ef2a6d177fff/image/mitpress-logo-podcast.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Olivia Erlanger and Luis Ortega Govela</itunes:subtitle>
      <itunes:summary>On this episode of the MIT Press podcast, Olivia Erlanger and Luis Ortega Govela discuss their book, Garage.
Frank Lloyd Wright invented the garage when he moved the automobile out of the stable into a room of its own. Steve Jobs and Steve Wozniak (allegedly) started Apple Computer in a garage. Suburban men turned garages into man caves to escape from family life. Nirvana and No Doubt played their first chords as garage bands. What began as an architectural construct became a cultural construct. In this provocative history and deconstruction of an American icon, Olivia Erlanger and Luis Ortega Govela use the garage as a lens through which to view the advent of suburbia, the myth of the perfect family, and the degradation of the American dream.
The stories of what happened in these garages became self-fulfilling prophecies the more they were repeated. Hewlett-Packard was founded in a garage that now bears a plaque: The Birthplace of Silicon Valley. Google followed suit, dreamed up in a Menlo Park garage a few decades later. Also conceived in a garage: the toy company Mattel, creator of Barbie, the postwar, posthuman representation of American women. Garages became guest rooms, game rooms, home gyms, wine cellars, and secret bondage lairs, a no-commute destination for makers and DIYers--surfboard designers, ski makers, pet keepers, flannel-wearing musicians, weed-growing nuns. The garage was an aboveground underground, offering both a safe space for withdrawal and a stage for participation--opportunities for isolation or empowerment.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode of the MIT Press podcast, Olivia Erlanger and Luis Ortega Govela discuss their book, <a href="https://mitpress.mit.edu/books/garage"><em>Garage</em></a>.</p><p>Frank Lloyd Wright invented the garage when he moved the automobile out of the stable into a room of its own. Steve Jobs and Steve Wozniak (allegedly) started Apple Computer in a garage. Suburban men turned garages into man caves to escape from family life. Nirvana and No Doubt played their first chords as garage bands. What began as an architectural construct became a cultural construct. In this provocative history and deconstruction of an American icon, Olivia Erlanger and Luis Ortega Govela use the garage as a lens through which to view the advent of suburbia, the myth of the perfect family, and the degradation of the American dream.</p><p>The stories of what happened in these garages became self-fulfilling prophecies the more they were repeated. Hewlett-Packard was founded in a garage that now bears a plaque: <em>The Birthplace of Silicon Valley</em>. Google followed suit, dreamed up in a Menlo Park garage a few decades later. Also conceived in a garage: the toy company Mattel, creator of Barbie, the postwar, posthuman representation of American women. Garages became guest rooms, game rooms, home gyms, wine cellars, and secret bondage lairs, a no-commute destination for makers and DIYers--surfboard designers, ski makers, pet keepers, flannel-wearing musicians, weed-growing nuns. The garage was an aboveground underground, offering both a safe space for withdrawal and a stage for participation--opportunities for isolation or empowerment.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1523</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[mitpress.podbean.com/garage-a-conversation-with-olivia-erlanger-and-luis-ortega-govela-aa0b7670d120dc5bfb1660e71dd1ca98]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN9433644507.mp3?updated=1676988821" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Howard Gillette, Jr., "The Paradox of Urban Revitalization: Progress and Poverty in America's Postindustrial Era" (U Pennsylvania Press, 2022)</title>
      <description>In the twenty-first century, cities in the United States that had suffered most the shift to a postindustrial era entered a period widely proclaimed as an urban renaissance. From Detroit to Newark to Oakland and elsewhere commentators saw cities rising again. Yet revitalization generated a second urban crisis marked by growing inequality and civil unrest reminiscent of the upheavals associated with the first urban crisis in the mid-twentieth century. The urban poor and residents of color have remained very much at a disadvantage in the face of racially biased capital investments, narrowing options for affordable housing, and mass incarceration. In profiling nine cities grappling with challenges of the twenty-first century, author Howard Gillette, Jr. evaluates the uneven efforts to secure racial and class equity as city fortunes have risen. 
Charting the tension between the practice of corporate subsidy and efforts to assure social justice, The Paradox of Urban Revitalization: Progress and Poverty in America's Postindustrial Era (U Pennsylvania Press, 2022) assesses the course of urban politics and policy over the past half century, before the COVID-19 pandemic upended everything, and details prospects for achieving greater equity in the years ahead.
Nicole Trujillo-Pagán is a sociologist and Associate Professor at Wayne State University who studies race, the Latina/o/x population, and socio-spatial mobility. You can follow her on Twitter @BorderStruggles.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 09 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Howard Gillette, Jr.,</itunes:subtitle>
      <itunes:summary>In the twenty-first century, cities in the United States that had suffered most the shift to a postindustrial era entered a period widely proclaimed as an urban renaissance. From Detroit to Newark to Oakland and elsewhere commentators saw cities rising again. Yet revitalization generated a second urban crisis marked by growing inequality and civil unrest reminiscent of the upheavals associated with the first urban crisis in the mid-twentieth century. The urban poor and residents of color have remained very much at a disadvantage in the face of racially biased capital investments, narrowing options for affordable housing, and mass incarceration. In profiling nine cities grappling with challenges of the twenty-first century, author Howard Gillette, Jr. evaluates the uneven efforts to secure racial and class equity as city fortunes have risen. 
Charting the tension between the practice of corporate subsidy and efforts to assure social justice, The Paradox of Urban Revitalization: Progress and Poverty in America's Postindustrial Era (U Pennsylvania Press, 2022) assesses the course of urban politics and policy over the past half century, before the COVID-19 pandemic upended everything, and details prospects for achieving greater equity in the years ahead.
Nicole Trujillo-Pagán is a sociologist and Associate Professor at Wayne State University who studies race, the Latina/o/x population, and socio-spatial mobility. You can follow her on Twitter @BorderStruggles.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the twenty-first century, cities in the United States that had suffered most the shift to a postindustrial era entered a period widely proclaimed as an urban renaissance. From Detroit to Newark to Oakland and elsewhere commentators saw cities rising again. Yet revitalization generated a second urban crisis marked by growing inequality and civil unrest reminiscent of the upheavals associated with the first urban crisis in the mid-twentieth century. The urban poor and residents of color have remained very much at a disadvantage in the face of racially biased capital investments, narrowing options for affordable housing, and mass incarceration. In profiling nine cities grappling with challenges of the twenty-first century, author Howard Gillette, Jr. evaluates the uneven efforts to secure racial and class equity as city fortunes have risen. </p><p>Charting the tension between the practice of corporate subsidy and efforts to assure social justice, <a href="https://bookshop.org/a/12343/9780812253719"><em>The Paradox of Urban Revitalization: Progress and Poverty in America's Postindustrial Era</em></a><em> </em>(U Pennsylvania Press, 2022) assesses the course of urban politics and policy over the past half century, before the COVID-19 pandemic upended everything, and details prospects for achieving greater equity in the years ahead.</p><p><a href="https://www.linkedin.com/in/nicole-trujillo-pagan/"><em>Nicole Trujillo-Pagán</em></a><em> is a sociologist and Associate Professor at Wayne State University who studies race, the Latina/o/x population, and socio-spatial mobility. You can follow her on Twitter @BorderStruggles.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3598</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e0ccda5e-d25c-11ed-9320-e75cfd506f54]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN6096516104.mp3?updated=1680891373" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Thresholds 46: SCATTER!</title>
      <description>Anne Graziano and Eliyahu Keller, editors of Thresholds 46: SCATTER!, talk about the mission of the journal; the making of the SCATTER! issue; the role of student journals; and how to make architectural knowledge and education more accessible.
Established in 1992, Thresholds is the annual peer-reviewed journal produced by the MIT Department of Architecture. Each independently themed issue features content from leading scholars and practitioners in the fields of architecture, art, and culture.
About the Speakers:
Anne Graziano is a student of architecture, artist, and editor. She is currently a Master of Architecture candidate and graduate fellow at MIT. Her studies focus on representation and circulation of architecture and architectural knowledge as it pertains to digital and physical infrastructures.
Eliyahu Keller is an architect, researcher, and author. He is currently pursuing a PhD in history, theory, and criticism of architecture and art at MIT. He has served as a research assistant for the Harvard-Mellon Urban Initiative and was a member of the Berlin Portal Research Group.
Related Content:

Thresholds 45: MYTH


Thresholds 46: SCATTER! on Facebook



Thresholds 46: SCATTER! on Instragram



Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 03 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>36</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/90d92b72-d272-11ed-a833-57100bead446/image/THLD_46_Scatter_Cover_.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Anne Graziano and Eliyahu Keller</itunes:subtitle>
      <itunes:summary>Anne Graziano and Eliyahu Keller, editors of Thresholds 46: SCATTER!, talk about the mission of the journal; the making of the SCATTER! issue; the role of student journals; and how to make architectural knowledge and education more accessible.
Established in 1992, Thresholds is the annual peer-reviewed journal produced by the MIT Department of Architecture. Each independently themed issue features content from leading scholars and practitioners in the fields of architecture, art, and culture.
About the Speakers:
Anne Graziano is a student of architecture, artist, and editor. She is currently a Master of Architecture candidate and graduate fellow at MIT. Her studies focus on representation and circulation of architecture and architectural knowledge as it pertains to digital and physical infrastructures.
Eliyahu Keller is an architect, researcher, and author. He is currently pursuing a PhD in history, theory, and criticism of architecture and art at MIT. He has served as a research assistant for the Harvard-Mellon Urban Initiative and was a member of the Berlin Portal Research Group.
Related Content:

Thresholds 45: MYTH


Thresholds 46: SCATTER! on Facebook



Thresholds 46: SCATTER! on Instragram



Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Anne Graziano and Eliyahu Keller, editors of <em>Thresholds</em> 46: SCATTER!, talk about the mission of the journal; the making of the SCATTER! issue; the role of student journals; and how to make architectural knowledge and education more accessible.</p><p>Established in 1992, <em>Thresholds</em> is the annual peer-reviewed journal produced by the MIT Department of Architecture. Each independently themed issue features content from leading scholars and practitioners in the fields of architecture, art, and culture.</p><p>About the Speakers:</p><p>Anne Graziano is a student of architecture, artist, and editor. She is currently a Master of Architecture candidate and graduate fellow at MIT. Her studies focus on representation and circulation of architecture and architectural knowledge as it pertains to digital and physical infrastructures.</p><p>Eliyahu Keller is an architect, researcher, and author. He is currently pursuing a PhD in history, theory, and criticism of architecture and art at MIT. He has served as a research assistant for the Harvard-Mellon Urban Initiative and was a member of the Berlin Portal Research Group.</p><p>Related Content:</p><ul>
<li><a href="https://www.mitpressjournals.org/toc/thld/45"><em>Thresholds</em> 45: MYTH</a></li>
<li>
<em>Thresholds</em> 46: SCATTER! on <a href="https://www.facebook.com/scatter46/">Facebook</a>
</li>
<li>
<em>Thresholds</em> 46: SCATTER! on <a href="https://www.instagram.com/mit_scatter">Instragram</a>
</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1145</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[mitpress.podbean.com/thresholds-46-scatter-24b00f90dd1700f333f1ee8f1a4eedd1]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3000413273.mp3?updated=1676986048" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eva Hagberg, "When Eero Met His Match: Aline Louchheim Saarinen and the Making of an Architect" (Princeton UP, 2022)</title>
      <description>Aline B. Louchheim (1914-1972) was an art critic on assignment for the New York Times in 1953 when she first met the Finnish-American architect Eero Saarinen. She would become his wife and the driving force behind his rise to critical prominence. When Eero Met His Match: Aline Louchheim Saarinen and the Making of an Architect (Princeton UP, 2022) draws on the couple's personal correspondence to reconstruct the early days of their thrilling courtship and traces Louchheim's gradual takeover of Saarinen's public narrative in the 1950s, the decade when his career soared to unprecedented heights.
Drawing on her own experiences as an architecture journalist on the receiving end of press pitches and then as a secret publicist for high-end architects, Eva Hagberg paints an unforgettable portrait of Louchheim while revealing the inner workings of a media world that has always relied on secrecy, friendship, and the exchange of favors. She describes how Louchheim codified the practices of architectural publicity that have become widely adopted today, and shows how, without Louchheim as his wife and publicist, Saarinen's work would not have been nearly as well known.
Providing a new understanding of postwar architectural history in the United States, When Eero Met His Match is both a poignant love story and a superb biographical study that challenges us to reconsider the relationship between fame and media representation, and the ways the narratives of others can become our own.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 01 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eva Hagberg</itunes:subtitle>
      <itunes:summary>Aline B. Louchheim (1914-1972) was an art critic on assignment for the New York Times in 1953 when she first met the Finnish-American architect Eero Saarinen. She would become his wife and the driving force behind his rise to critical prominence. When Eero Met His Match: Aline Louchheim Saarinen and the Making of an Architect (Princeton UP, 2022) draws on the couple's personal correspondence to reconstruct the early days of their thrilling courtship and traces Louchheim's gradual takeover of Saarinen's public narrative in the 1950s, the decade when his career soared to unprecedented heights.
Drawing on her own experiences as an architecture journalist on the receiving end of press pitches and then as a secret publicist for high-end architects, Eva Hagberg paints an unforgettable portrait of Louchheim while revealing the inner workings of a media world that has always relied on secrecy, friendship, and the exchange of favors. She describes how Louchheim codified the practices of architectural publicity that have become widely adopted today, and shows how, without Louchheim as his wife and publicist, Saarinen's work would not have been nearly as well known.
Providing a new understanding of postwar architectural history in the United States, When Eero Met His Match is both a poignant love story and a superb biographical study that challenges us to reconsider the relationship between fame and media representation, and the ways the narratives of others can become our own.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Aline B. Louchheim (1914-1972) was an art critic on assignment for the <em>New York Times</em> in 1953 when she first met the Finnish-American architect Eero Saarinen. She would become his wife and the driving force behind his rise to critical prominence. <a href="https://bookshop.org/a/12343/9780691206677"><em>When Eero Met His Match: Aline Louchheim Saarinen and the Making of an Architect</em></a> (Princeton UP, 2022) draws on the couple's personal correspondence to reconstruct the early days of their thrilling courtship and traces Louchheim's gradual takeover of Saarinen's public narrative in the 1950s, the decade when his career soared to unprecedented heights.</p><p>Drawing on her own experiences as an architecture journalist on the receiving end of press pitches and then as a secret publicist for high-end architects, Eva Hagberg paints an unforgettable portrait of Louchheim while revealing the inner workings of a media world that has always relied on secrecy, friendship, and the exchange of favors. She describes how Louchheim codified the practices of architectural publicity that have become widely adopted today, and shows how, without Louchheim as his wife and publicist, Saarinen's work would not have been nearly as well known.</p><p>Providing a new understanding of postwar architectural history in the United States, <em>When Eero Met His Match</em> is both a poignant love story and a superb biographical study that challenges us to reconsider the relationship between fame and media representation, and the ways the narratives of others can become our own.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2787</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a47cbd8a-c050-11ed-a2a6-332451158c9f]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN2102553961.mp3?updated=1678568874" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Wake Smith, "Pandora's Toolbox: The Hopes and Hazards of Climate Intervention" (Cambridge UP, 2022)</title>
      <description>Reaching net zero emissions will not be the end of the climate struggle, but only the end of the beginning. For centuries thereafter, temperatures will remain elevated; climate damages will continue to accrue and sea levels will continue to rise. Even the urgent and utterly essential task of reaching net zero cannot be achieved rapidly by emissions reductions alone. To hasten net zero and minimize climate damages thereafter, we will also need massive carbon removal and storage. We may even need to reduce incoming solar radiation in order to lower unacceptably high temperatures. Such unproven and potentially risky climate interventions raise mind-blowing questions of governance and ethics.
Wake Smith's book Pandora's Toolbox: The Hopes and Hazards of Climate Intervention (Cambridge UP, 2022) offers readers an accessible and authoritative introduction to both the hopes and hazards of some of humanity's most controversial technologies, which may nevertheless provide the key to saving our world.
﻿Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 28 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>86</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Wake Smith</itunes:subtitle>
      <itunes:summary>Reaching net zero emissions will not be the end of the climate struggle, but only the end of the beginning. For centuries thereafter, temperatures will remain elevated; climate damages will continue to accrue and sea levels will continue to rise. Even the urgent and utterly essential task of reaching net zero cannot be achieved rapidly by emissions reductions alone. To hasten net zero and minimize climate damages thereafter, we will also need massive carbon removal and storage. We may even need to reduce incoming solar radiation in order to lower unacceptably high temperatures. Such unproven and potentially risky climate interventions raise mind-blowing questions of governance and ethics.
Wake Smith's book Pandora's Toolbox: The Hopes and Hazards of Climate Intervention (Cambridge UP, 2022) offers readers an accessible and authoritative introduction to both the hopes and hazards of some of humanity's most controversial technologies, which may nevertheless provide the key to saving our world.
﻿Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Reaching net zero emissions will not be the end of the climate struggle, but only the end of the beginning. For centuries thereafter, temperatures will remain elevated; climate damages will continue to accrue and sea levels will continue to rise. Even the urgent and utterly essential task of reaching net zero cannot be achieved rapidly by emissions reductions alone. To hasten net zero and minimize climate damages thereafter, we will also need massive carbon removal and storage. We may even need to reduce incoming solar radiation in order to lower unacceptably high temperatures. Such unproven and potentially risky climate interventions raise mind-blowing questions of governance and ethics.</p><p>Wake Smith's book <a href="https://bookshop.org/a/12343/9781316518434"><em>Pandora's Toolbox: The Hopes and Hazards of Climate Intervention</em></a> (Cambridge UP, 2022) offers readers an accessible and authoritative introduction to both the hopes and hazards of some of humanity's most controversial technologies, which may nevertheless provide the key to saving our world.</p><p><em>﻿</em><a href="https://toepferarchitecture.com/"><em>Bryan Toepfer</em></a><em>, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1692</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2649f6a4-c9b9-11ed-8099-a72d363e7e08]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3226970419.mp3?updated=1679603835" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Larisa Grollemond and Bryan C. Keene, "The Fantasy of the Middle Ages: An Epic Journey through Imaginary Medieval Worlds" (Getty, 2022)</title>
      <description>This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture.
From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons &amp; Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators.
The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars.
This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022.
Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019).
Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London.
Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master’s in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 27 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Larisa Grollemond and Bryan C. Keene</itunes:subtitle>
      <itunes:summary>This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture.
From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons &amp; Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators.
The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars.
This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022.
Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019).
Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London.
Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master’s in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture.</p><p>From the soaring castles of <em>Sleeping Beauty</em> to the bloody battles of<em> Game of Thrones</em>, from Middle-earth in<em> The Lord of the Rings</em> to mythical beasts in Dungeons &amp; Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators.</p><p><a href="https://bookshop.org/p/books/the-fantasy-of-the-middle-ages-an-epic-journey-through-imaginary-medieval-worlds-bryan-c-keene/17779785?ean=9781606067581"><em>The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds</em></a> (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by <em>Game of Thrones </em>costume designer Michele Clapton,<em> The Fantasy of the Middle Ages</em> will surprise and delight both enthusiasts and scholars.</p><p>This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022.</p><p>Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for <em>Book of Beasts: The Bestiary in the Medieval World</em> (Getty Publications, 2019).</p><p>Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London.</p><p><a href="https://www.linkedin.com/in/evanzarkadas/"><em>Evan Zarkadas</em></a><em> (MA) is an independent scholar of European and Medieval history and an educator. He received his master’s in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3703</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[923f4a00-c7ff-11ed-9753-7bba90025e9d]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN5628151674.mp3?updated=1679414073" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kristin Hass, "Blunt Instruments: Recognizing Racist Cultural Infrastructure in Memorials, Museums, and Patriotic Practices" (Beacon Press, 2022)</title>
      <description>Blunt Instruments: Recognizing Racist Cultural Infrastructure in Memorials, Museums, and Patriotic Practices (Beacon Press, 2022) provides a field guide to the memorials, museums, and practices that commemorate white supremacy in the United States—and how to reimagine a more deeply shared cultural infrastructure for the future.
Cultural infrastructure has been designed to maintain structures of inequality, and while it doesn’t seem to be explicitly about race, it often is. Blunt Instruments helps readers identify, contextualize, and name elements of our everyday landscapes and cultural practices that are designed to seem benign or natural but which, in fact, work tirelessly to tell us vital stories about who we are, how we came to be, and who belongs.
Examining landmark moments such as the erection of the first American museum and Colin Kaepernick’s kneeling pledge of allegiance, historian Kristin Hass explores the complicated histories of sites of cultural infrastructure. With sharp analysis and a broad lens, Hass makes the undeniable case that understanding what cultural infrastructure is, and the deep and broad impact that it has, is essential to understanding how structures of inequity are maintained and how they might be dismantled.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 26 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kristin Hass</itunes:subtitle>
      <itunes:summary>Blunt Instruments: Recognizing Racist Cultural Infrastructure in Memorials, Museums, and Patriotic Practices (Beacon Press, 2022) provides a field guide to the memorials, museums, and practices that commemorate white supremacy in the United States—and how to reimagine a more deeply shared cultural infrastructure for the future.
Cultural infrastructure has been designed to maintain structures of inequality, and while it doesn’t seem to be explicitly about race, it often is. Blunt Instruments helps readers identify, contextualize, and name elements of our everyday landscapes and cultural practices that are designed to seem benign or natural but which, in fact, work tirelessly to tell us vital stories about who we are, how we came to be, and who belongs.
Examining landmark moments such as the erection of the first American museum and Colin Kaepernick’s kneeling pledge of allegiance, historian Kristin Hass explores the complicated histories of sites of cultural infrastructure. With sharp analysis and a broad lens, Hass makes the undeniable case that understanding what cultural infrastructure is, and the deep and broad impact that it has, is essential to understanding how structures of inequity are maintained and how they might be dismantled.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780807006719"><em>Blunt Instruments: Recognizing Racist Cultural Infrastructure in Memorials, Museums, and Patriotic Practices</em></a><em> </em>(Beacon Press, 2022) provides a field guide to the memorials, museums, and practices that commemorate white supremacy in the United States—and how to reimagine a more deeply shared cultural infrastructure for the future.</p><p>Cultural infrastructure has been designed to maintain structures of inequality, and while it doesn’t seem to be explicitly about race, it often is. <em>Blunt Instruments</em> helps readers identify, contextualize, and name elements of our everyday landscapes and cultural practices that are designed to seem benign or natural but which, in fact, work tirelessly to tell us vital stories about who we are, how we came to be, and who belongs.</p><p>Examining landmark moments such as the erection of the first American museum and Colin Kaepernick’s kneeling pledge of allegiance, historian Kristin Hass explores the complicated histories of sites of cultural infrastructure. With sharp analysis and a broad lens, Hass makes the undeniable case that understanding what cultural infrastructure is, and the deep and broad impact that it has, is essential to understanding how structures of inequity are maintained and how they might be dismantled.</p><p><a href="https://twitter.com/jenhoyer">Jen Hoyer </a>is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a> and a volunteer at<a href="https://interferencearchive.org/"> Interference Archive</a>. Jen edits for <a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a> and organizes with the <a href="https://tpscollective.org/">TPS Collective</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3806</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d8fea602-c764-11ed-8e12-c7e93ba8acd1]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7344198545.mp3?updated=1679347680" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Reinhold Martin, "Knowledge Worlds: Media, Materiality, and the Making of the Modern University" (Columbia UP, 2021)</title>
      <description>What do the technical practices, procedures, and systems that have shaped institutions of higher learning in the United States, from the Ivy League and women’s colleges to historically black colleges and land-grant universities, teach us about the production and distribution of knowledge? Addressing media theory, architectural history, and the history of academia, Knowledge Worlds: Media, Materiality, and the Making of the Modern University (Columbia UP, 2021) reconceives the university as a media complex comprising a network of infrastructures and operations through which knowledge is made, conveyed, and withheld.
Reinhold Martin argues that the material infrastructures of the modern university—the architecture of academic buildings, the configuration of seminar tables, the organization of campus plans—reveal the ways in which knowledge is created and reproduced in different kinds of institutions. He reconstructs changes in aesthetic strategies, pedagogical techniques, and political economy to show how the boundaries that govern higher education have shifted over the past two centuries. From colleges chartered as rights-bearing corporations to research universities conceived as knowledge factories, educating some has always depended upon excluding others. Knowledge Worlds shows how the division of intellectual labor was redrawn as new students entered, expertise circulated, science repurposed old myths, and humanists cultivated new forms of social and intellectual capital. Combining histories of architecture, technology, knowledge, and institutions into a critical media history, Martin traces the uneven movement in the academy from liberal to neoliberal reason.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 25 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>85</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Reinhold Martin</itunes:subtitle>
      <itunes:summary>What do the technical practices, procedures, and systems that have shaped institutions of higher learning in the United States, from the Ivy League and women’s colleges to historically black colleges and land-grant universities, teach us about the production and distribution of knowledge? Addressing media theory, architectural history, and the history of academia, Knowledge Worlds: Media, Materiality, and the Making of the Modern University (Columbia UP, 2021) reconceives the university as a media complex comprising a network of infrastructures and operations through which knowledge is made, conveyed, and withheld.
Reinhold Martin argues that the material infrastructures of the modern university—the architecture of academic buildings, the configuration of seminar tables, the organization of campus plans—reveal the ways in which knowledge is created and reproduced in different kinds of institutions. He reconstructs changes in aesthetic strategies, pedagogical techniques, and political economy to show how the boundaries that govern higher education have shifted over the past two centuries. From colleges chartered as rights-bearing corporations to research universities conceived as knowledge factories, educating some has always depended upon excluding others. Knowledge Worlds shows how the division of intellectual labor was redrawn as new students entered, expertise circulated, science repurposed old myths, and humanists cultivated new forms of social and intellectual capital. Combining histories of architecture, technology, knowledge, and institutions into a critical media history, Martin traces the uneven movement in the academy from liberal to neoliberal reason.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What do the technical practices, procedures, and systems that have shaped institutions of higher learning in the United States, from the Ivy League and women’s colleges to historically black colleges and land-grant universities, teach us about the production and distribution of knowledge? Addressing media theory, architectural history, and the history of academia, <a href="https://bookshop.org/a/12343/9780231189835"><em>Knowledge Worlds: Media, Materiality, and the Making of the Modern University</em> </a>(Columbia UP, 2021) reconceives the university as a media complex comprising a network of infrastructures and operations through which knowledge is made, conveyed, and withheld.</p><p>Reinhold Martin argues that the material infrastructures of the modern university—the architecture of academic buildings, the configuration of seminar tables, the organization of campus plans—reveal the ways in which knowledge is created and reproduced in different kinds of institutions. He reconstructs changes in aesthetic strategies, pedagogical techniques, and political economy to show how the boundaries that govern higher education have shifted over the past two centuries. From colleges chartered as rights-bearing corporations to research universities conceived as knowledge factories, educating some has always depended upon excluding others. <em>Knowledge Worlds</em> shows how the division of intellectual labor was redrawn as new students entered, expertise circulated, science repurposed old myths, and humanists cultivated new forms of social and intellectual capital. Combining histories of architecture, technology, knowledge, and institutions into a critical media history, Martin traces the uneven movement in the academy from liberal to neoliberal reason.</p><p><a href="http://nushelledesilva.com/"><em>Nushelle de Silva</em></a><em> is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>6122</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8f7ee310-c715-11ed-894e-cbc11c978b10]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN1378008737.mp3?updated=1679314115" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jake Rudin and Erin Pellegrino, "Out of Architecture: The Value of Architects Beyond Traditional Practice" (Routledge, 2022)</title>
      <description>Jake Rudin and Erin Pellegrino's book Out of Architecture: The Value of Architects Beyond Traditional Practice (Routledge, 2022) is both a call to reassess the architecture profession and its education, and a toolkit for graduates and working architects to untangle their skills, passions, and value from traditional architectural practice and consider alternate pathways. Written by design professionals and expert career consultants, this book is informed by numerous client accounts as well as the authors' own stories and routes out of architecture.
The initial chapters follow the narrative of a typical architecture training in the US, highlighting the many highs and lows, skills honed, and ultimately the huge disconnect that can occur between architectural education and practice. Subsequent chapters explore a disillusionment with the profession, unhealthy work cultures, mentorship, working with lead architects, toxic perfectionism, and the notion of a calling. Authors then present the hopeful accounts of many architects who escaped a profession known for its grueling working conditions to find fulfilling, well-paying, creative jobs that better utilize the skills of architecture than the architectural profession itself.
Written in a unique combination of storytelling and analysis, this patchwork of client and author stories makes for an immersive, provocative, and enjoyable listen. A wide range of architecture students, graduates, educators, and professionals will recognize themselves within the chapters of this book and find prompts to reassess their working practices, teaching styles, and the profession itself. It will be of particular value to those students skeptical of joining the architecture workforce, as well as those further along and considering a career change.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 25 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jake Rudin and Erin Pellegrino</itunes:subtitle>
      <itunes:summary>Jake Rudin and Erin Pellegrino's book Out of Architecture: The Value of Architects Beyond Traditional Practice (Routledge, 2022) is both a call to reassess the architecture profession and its education, and a toolkit for graduates and working architects to untangle their skills, passions, and value from traditional architectural practice and consider alternate pathways. Written by design professionals and expert career consultants, this book is informed by numerous client accounts as well as the authors' own stories and routes out of architecture.
The initial chapters follow the narrative of a typical architecture training in the US, highlighting the many highs and lows, skills honed, and ultimately the huge disconnect that can occur between architectural education and practice. Subsequent chapters explore a disillusionment with the profession, unhealthy work cultures, mentorship, working with lead architects, toxic perfectionism, and the notion of a calling. Authors then present the hopeful accounts of many architects who escaped a profession known for its grueling working conditions to find fulfilling, well-paying, creative jobs that better utilize the skills of architecture than the architectural profession itself.
Written in a unique combination of storytelling and analysis, this patchwork of client and author stories makes for an immersive, provocative, and enjoyable listen. A wide range of architecture students, graduates, educators, and professionals will recognize themselves within the chapters of this book and find prompts to reassess their working practices, teaching styles, and the profession itself. It will be of particular value to those students skeptical of joining the architecture workforce, as well as those further along and considering a career change.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jake Rudin and Erin Pellegrino's book <a href="https://bookshop.org/a/12343/9781032292946"><em>Out of Architecture: The Value of Architects Beyond Traditional Practice</em></a><em> </em>(Routledge, 2022) is both a call to reassess the architecture profession and its education, and a toolkit for graduates and working architects to untangle their skills, passions, and value from traditional architectural practice and consider alternate pathways. Written by design professionals and expert career consultants, this book is informed by numerous client accounts as well as the authors' own stories and routes out of architecture.</p><p>The initial chapters follow the narrative of a typical architecture training in the US, highlighting the many highs and lows, skills honed, and ultimately the huge disconnect that can occur between architectural education and practice. Subsequent chapters explore a disillusionment with the profession, unhealthy work cultures, mentorship, working with lead architects, toxic perfectionism, and the notion of a calling. Authors then present the hopeful accounts of many architects who escaped a profession known for its grueling working conditions to find fulfilling, well-paying, creative jobs that better utilize the skills of architecture than the architectural profession itself.</p><p>Written in a unique combination of storytelling and analysis, this patchwork of client and author stories makes for an immersive, provocative, and enjoyable listen. A wide range of architecture students, graduates, educators, and professionals will recognize themselves within the chapters of this book and find prompts to reassess their working practices, teaching styles, and the profession itself. It will be of particular value to those students skeptical of joining the architecture workforce, as well as those further along and considering a career change.</p><p><a href="https://toepferarchitecture.com/"><em>Bryan Toepfer</em></a><em>, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2701</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b3836692-c5ac-11ed-a429-3f6719f3418e]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3877785364.mp3?updated=1679159273" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brian Tokar and Tamra Gilbertson, "Climate Justice and Community Renewal: Resistance and Grassroots Solutions" (Routledge, 2020)</title>
      <description>Brian Tokar and Tamra Gilbertson's book Climate Justice and Community Renewal: Resistance and Grassroots Solutions (Routledge, 2020) brings together the voices of people from five continents who live, work, and research on the front lines of climate resistance and renewal.
The many contributors to this volume explore the impacts of extreme weather events in Africa, the Caribbean and on Pacific islands, experiences of life-long defenders of the land and forests in Brazil, India, Indonesia, and eastern Canada, and efforts to halt the expansion of fossil-fuel infrastructure from North America to South Africa. They offer various perspectives on how a just transition toward a fossil-free economy can take shape, as they share efforts to protect water resources, better feed their communities, and implement new approaches to urban policy and energy democracy.
Climate Justice and Community Renewal uniquely highlights the accounts of people who are directly engaged in local climate struggles and community renewal efforts, including on-the-ground land defenders, community organizers, leaders of international campaigns, agroecologists, activist-scholars, and many others. It will appeal to students, researchers, activists, and all who appreciate the need for a truly justice-centered response to escalating climate disruptions.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 20 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Brian Tokar</itunes:subtitle>
      <itunes:summary>Brian Tokar and Tamra Gilbertson's book Climate Justice and Community Renewal: Resistance and Grassroots Solutions (Routledge, 2020) brings together the voices of people from five continents who live, work, and research on the front lines of climate resistance and renewal.
The many contributors to this volume explore the impacts of extreme weather events in Africa, the Caribbean and on Pacific islands, experiences of life-long defenders of the land and forests in Brazil, India, Indonesia, and eastern Canada, and efforts to halt the expansion of fossil-fuel infrastructure from North America to South Africa. They offer various perspectives on how a just transition toward a fossil-free economy can take shape, as they share efforts to protect water resources, better feed their communities, and implement new approaches to urban policy and energy democracy.
Climate Justice and Community Renewal uniquely highlights the accounts of people who are directly engaged in local climate struggles and community renewal efforts, including on-the-ground land defenders, community organizers, leaders of international campaigns, agroecologists, activist-scholars, and many others. It will appeal to students, researchers, activists, and all who appreciate the need for a truly justice-centered response to escalating climate disruptions.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Brian Tokar and Tamra Gilbertson's book <a href="https://bookshop.org/a/12343/9780367228491"><em>Climate Justice and Community Renewal: Resistance and Grassroots Solutions</em></a> (Routledge, 2020) brings together the voices of people from five continents who live, work, and research on the front lines of climate resistance and renewal.</p><p>The many contributors to this volume explore the impacts of extreme weather events in Africa, the Caribbean and on Pacific islands, experiences of life-long defenders of the land and forests in Brazil, India, Indonesia, and eastern Canada, and efforts to halt the expansion of fossil-fuel infrastructure from North America to South Africa. They offer various perspectives on how a just transition toward a fossil-free economy can take shape, as they share efforts to protect water resources, better feed their communities, and implement new approaches to urban policy and energy democracy.</p><p><em>Climate Justice and Community Renewal</em> uniquely highlights the accounts of people who are directly engaged in local climate struggles and community renewal efforts, including on-the-ground land defenders, community organizers, leaders of international campaigns, agroecologists, activist-scholars, and many others. It will appeal to students, researchers, activists, and all who appreciate the need for a truly justice-centered response to escalating climate disruptions.</p><p><a href="https://toepferarchitecture.com/"><em>Bryan Toepfer</em></a><em>, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1813</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d414c78c-c5ae-11ed-a193-8b84bfbb870d]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7530195414.mp3?updated=1679159319" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ali Mozaffari and Nigel Westbrook, "Development, Architecture, and the Formation of Heritage in Late Twentieth-Century Iran" (Manchester UP, 2020)</title>
      <description>Development, Architecture, and the Formation of Heritage in Late Twentieth-Century Iran (Manchester UP, 2020) analyses the use of the past and the production of heritage through architectural design in the developmental context of Iran, a country that has endured radical cultural and political shifts in the past five decades. Offering a trans-disciplinary approach toward complex relationship between architecture, development, and heritage, Mozaffari and Westbrook suggest that transformations in developmental contexts like Iran must be seen in relation to global political and historical exchanges, as well as the specificities of localities.
The premise of the book is that development has been a globalizing project that originated in the West. Transposed into other contexts, this project instigates a renewed historical consciousness and imagination of the past. The authors explore the rise of this consciousness in architecture, examining the theoretical context to the debates, international exchanges made in architectural congresses in the 1970s, the use of housing as the vehicle for everyday heritage, and forms of symbolic public architecture that reflect monumental time.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 08 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>82</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ali Mozaffari</itunes:subtitle>
      <itunes:summary>Development, Architecture, and the Formation of Heritage in Late Twentieth-Century Iran (Manchester UP, 2020) analyses the use of the past and the production of heritage through architectural design in the developmental context of Iran, a country that has endured radical cultural and political shifts in the past five decades. Offering a trans-disciplinary approach toward complex relationship between architecture, development, and heritage, Mozaffari and Westbrook suggest that transformations in developmental contexts like Iran must be seen in relation to global political and historical exchanges, as well as the specificities of localities.
The premise of the book is that development has been a globalizing project that originated in the West. Transposed into other contexts, this project instigates a renewed historical consciousness and imagination of the past. The authors explore the rise of this consciousness in architecture, examining the theoretical context to the debates, international exchanges made in architectural congresses in the 1970s, the use of housing as the vehicle for everyday heritage, and forms of symbolic public architecture that reflect monumental time.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781526150158"><em>Development, Architecture, and the Formation of Heritage in Late Twentieth-Century Iran</em></a> (Manchester UP, 2020) analyses the use of the past and the production of heritage through architectural design in the developmental context of Iran, a country that has endured radical cultural and political shifts in the past five decades. Offering a trans-disciplinary approach toward complex relationship between architecture, development, and heritage, Mozaffari and Westbrook suggest that transformations in developmental contexts like Iran must be seen in relation to global political and historical exchanges, as well as the specificities of localities.</p><p>The premise of the book is that development has been a globalizing project that originated in the West. Transposed into other contexts, this project instigates a renewed historical consciousness and imagination of the past. The authors explore the rise of this consciousness in architecture, examining the theoretical context to the debates, international exchanges made in architectural congresses in the 1970s, the use of housing as the vehicle for everyday heritage, and forms of symbolic public architecture that reflect monumental time.</p><p><a href="https://toepferarchitecture.com/"><em>Bryan Toepfer</em></a><em>, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1822</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fe464070-bab0-11ed-a9c6-a3fc32247a48]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN8342664115.mp3?updated=1677950879" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dave Colangelo, "The Building as Screen: A History, Theory, and Practice of Massive Media" (Amsterdam UP, 2019)</title>
      <description>The Building as Screen: A History, Theory, and Practice of Massive Media (Amsterdam UP, 2019) describes, historicizes, theorizes, and creatively deploys massive media -- a set of techno-social assemblages and practices that include large outdoor projections, programmable architectural façades, and urban screens -- in order to better understand their critical and creative potential. Massive media is named as such not only because of the size and subsequent visibility of this phenomenon but also for its characteristic networks and interactive screen and cinema-like qualities. Examples include the programmable lighting of the Empire State Building and the interactive projections of Montreal’s Quartier des spectacles, as well as a number of works created by the author himself. This book argues that massive media enables and necessitates the development of new practices of expanded cinema, public data visualization, and installation art and curation that blend the logics of urban space, monumentality, and the public sphere with the aesthetics and affordances of digital information and the moving image.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 28 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dave Colangelo</itunes:subtitle>
      <itunes:summary>The Building as Screen: A History, Theory, and Practice of Massive Media (Amsterdam UP, 2019) describes, historicizes, theorizes, and creatively deploys massive media -- a set of techno-social assemblages and practices that include large outdoor projections, programmable architectural façades, and urban screens -- in order to better understand their critical and creative potential. Massive media is named as such not only because of the size and subsequent visibility of this phenomenon but also for its characteristic networks and interactive screen and cinema-like qualities. Examples include the programmable lighting of the Empire State Building and the interactive projections of Montreal’s Quartier des spectacles, as well as a number of works created by the author himself. This book argues that massive media enables and necessitates the development of new practices of expanded cinema, public data visualization, and installation art and curation that blend the logics of urban space, monumentality, and the public sphere with the aesthetics and affordances of digital information and the moving image.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9789462989498"><em>The Building as Screen: A History, Theory, and Practice of Massive Media</em></a><em> </em>(Amsterdam UP, 2019) describes, historicizes, theorizes, and creatively deploys massive media -- a set of techno-social assemblages and practices that include large outdoor projections, programmable architectural façades, and urban screens -- in order to better understand their critical and creative potential. Massive media is named as such not only because of the size and subsequent visibility of this phenomenon but also for its characteristic networks and interactive screen and cinema-like qualities. Examples include the programmable lighting of the Empire State Building and the interactive projections of Montreal’s Quartier des spectacles, as well as a number of works created by the author himself. This book argues that massive media enables and necessitates the development of new practices of expanded cinema, public data visualization, and installation art and curation that blend the logics of urban space, monumentality, and the public sphere with the aesthetics and affordances of digital information and the moving image.</p><p><a href="https://toepferarchitecture.com/"><em>Bryan Toepfer</em></a><em>, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1484</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b0e8a614-b480-11ed-ae2d-e74bdd6c8e6f]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN2428867947.mp3?updated=1677270333" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Vinci, "Reconstructing the Garrick: Adler and Sullivan's Lost Masterpiece" (Alphawood Exhibitions, 2021)</title>
      <description>For six months in 1961, Richard Nickel, John Vinci, and David Norris salvaged the interior and exterior ornamentation of the Garrick Theater, Adler &amp; Sullivan’s magnificent architectural masterpiece in Chicago’s theater district. The building was replaced by a parking garage, and its demolition ignited the historic preservation movement in Chicago.
The Garrick (originally the Schiller Building) was built in 1892 and featured elaborate embellishments, especially in its theater and exterior, including the ornamentation and colorful decorative stenciling that would become hallmarks of Louis Sullivan’s career. Reconstructing the Garrick: Adler and Sullivan's Lost Masterpiece (Alphawood Exhibitions, 2021) documents the enormous salvaging job undertaken to preserve elements of the building’s design, but also presents the full life story of the Garrick, featuring historic and architectural photographs, essays by prominent architectural and art historians, interviews, drawings, ephemera from throughout its lively history and details of its remarkable ornamentation—a significant resource and compelling tribute to one of Chicago’s finest lost buildings. A seventy-two-page facsimile of Richard Nickel’s salvage workbook is tipped into the binding.
﻿Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 23 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>80</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John Vinci</itunes:subtitle>
      <itunes:summary>For six months in 1961, Richard Nickel, John Vinci, and David Norris salvaged the interior and exterior ornamentation of the Garrick Theater, Adler &amp; Sullivan’s magnificent architectural masterpiece in Chicago’s theater district. The building was replaced by a parking garage, and its demolition ignited the historic preservation movement in Chicago.
The Garrick (originally the Schiller Building) was built in 1892 and featured elaborate embellishments, especially in its theater and exterior, including the ornamentation and colorful decorative stenciling that would become hallmarks of Louis Sullivan’s career. Reconstructing the Garrick: Adler and Sullivan's Lost Masterpiece (Alphawood Exhibitions, 2021) documents the enormous salvaging job undertaken to preserve elements of the building’s design, but also presents the full life story of the Garrick, featuring historic and architectural photographs, essays by prominent architectural and art historians, interviews, drawings, ephemera from throughout its lively history and details of its remarkable ornamentation—a significant resource and compelling tribute to one of Chicago’s finest lost buildings. A seventy-two-page facsimile of Richard Nickel’s salvage workbook is tipped into the binding.
﻿Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For six months in 1961, Richard Nickel, John Vinci, and David Norris salvaged the interior and exterior ornamentation of the Garrick Theater, Adler &amp; Sullivan’s magnificent architectural masterpiece in Chicago’s theater district. The building was replaced by a parking garage, and its demolition ignited the historic preservation movement in Chicago.</p><p>The Garrick (originally the Schiller Building) was built in 1892 and featured elaborate embellishments, especially in its theater and exterior, including the ornamentation and colorful decorative stenciling that would become hallmarks of Louis Sullivan’s career. <a href="https://bookshop.org/a/12343/9781517912802"><em>Reconstructing the Garrick: Adler and Sullivan's Lost Masterpiece</em></a><em> </em>(Alphawood Exhibitions, 2021) documents the enormous salvaging job undertaken to preserve elements of the building’s design, but also presents the full life story of the Garrick, featuring historic and architectural photographs, essays by prominent architectural and art historians, interviews, drawings, ephemera from throughout its lively history and details of its remarkable ornamentation—a significant resource and compelling tribute to one of Chicago’s finest lost buildings. A seventy-two-page facsimile of Richard Nickel’s salvage workbook is tipped into the binding.</p><p><em>﻿</em><a href="https://toepferarchitecture.com/"><em>Bryan Toepfer</em></a><em>, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1862</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c13ec41c-aedb-11ed-8f15-7f577e1a31c1]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3782894762.mp3?updated=1676649869" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Why Should Cultural Heritage Be Protected?</title>
      <description>Where people are killed and abused in warfare and violent conflict, artifacts of cultural heritage are often destroyed and mistreated as well. Indeed, in the World War II-era efforts to promote the then-novel idea of genocide, the Polish lawyer and activist Raphael Lemkin sought to codify the notion that genocide was both personal and cultural. What has come of his efforts?
In this episode of International Horizons, we are joined by Irina Bokova, former Director-General of UNESCO and former Bulgarian ambassador to France and Monaco, who discusses the reasons why cultural heritage should be defended and preserved. Bokova provides different examples of how terrorist groups have destroyed ancient cultural heritage, the evolution of the legal frameworks to protect it, and how -- despite the disregard for international law these days -- the protection of cultural heritage is evolving.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 20 Feb 2023 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Irina Bokova, former UNESCO Director-General</itunes:subtitle>
      <itunes:summary>Where people are killed and abused in warfare and violent conflict, artifacts of cultural heritage are often destroyed and mistreated as well. Indeed, in the World War II-era efforts to promote the then-novel idea of genocide, the Polish lawyer and activist Raphael Lemkin sought to codify the notion that genocide was both personal and cultural. What has come of his efforts?
In this episode of International Horizons, we are joined by Irina Bokova, former Director-General of UNESCO and former Bulgarian ambassador to France and Monaco, who discusses the reasons why cultural heritage should be defended and preserved. Bokova provides different examples of how terrorist groups have destroyed ancient cultural heritage, the evolution of the legal frameworks to protect it, and how -- despite the disregard for international law these days -- the protection of cultural heritage is evolving.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Where people are killed and abused in warfare and violent conflict, artifacts of cultural heritage are often destroyed and mistreated as well. Indeed, in the World War II-era efforts to promote the then-novel idea of genocide, the Polish lawyer and activist Raphael Lemkin sought to codify the notion that genocide was both personal and cultural. What has come of his efforts?</p><p>In this episode of International Horizons, we are joined by Irina Bokova, former Director-General of UNESCO and former Bulgarian ambassador to France and Monaco, who discusses the reasons why cultural heritage should be defended and preserved. Bokova provides different examples of how terrorist groups have destroyed ancient cultural heritage, the evolution of the legal frameworks to protect it, and how -- despite the disregard for international law these days -- the protection of cultural heritage is evolving.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1792</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b5b3bdaa-b124-11ed-bc33-176850684ffd]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN8759390578.mp3?updated=1676900890" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fabio Duarte and Ricardo Alvarez, "Urban Play: Make-Believe, Technology, and Space" (MIT Press, 2021)</title>
      <description>Why technology is most transformative when it is playful, and innovative spatial design happens only when designers are both tinkerers and dreamers.
In Urban Play: Make-Believe, Technology, and Space (MIT Press, 2021), Fábio Duarte and Ricardo Álvarez argue that the merely functional aspects of technology may undermine its transformative power. Technology is powerful not when it becomes optimally functional, but while it is still playful and open to experimentation. It is through play—in the sense of acting for one's own enjoyment rather than to achieve a goal—that we explore new territories, create new devices and languages, and transform ourselves. Only then can innovative spatial design create resonant spaces that go beyond functionalism to evoke an emotional response in those who use them.
The authors show how creativity emerges in moments of instability, when a new technology overthrows an established one, or when internal factors change a technology until it becomes a different technology. Exploring the role of fantasy in design, they examine Disney World and its outsize influence on design and on forms of social interaction beyond the entertainment world. They also consider Las Vegas and Dubai, desert cities that combine technology with fantasies of pleasure and wealth. Video games and interactive media, they show, infuse the design process with interactivity and participatory dynamics, leaving spaces open to variations depending on the users' behavior. Throughout, they pinpoint the critical moments when technology plays a key role in reshaping how we design and experience spaces.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is the author of Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington, 2022). His general area of study is on media representations of people and place at festivals and celebrations. He is currently working on his next book where he conducted research on an annual canoeing and kayaking event that takes place on the Upper Mississippi River. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 18 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>273</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Fabio Duarte</itunes:subtitle>
      <itunes:summary>Why technology is most transformative when it is playful, and innovative spatial design happens only when designers are both tinkerers and dreamers.
In Urban Play: Make-Believe, Technology, and Space (MIT Press, 2021), Fábio Duarte and Ricardo Álvarez argue that the merely functional aspects of technology may undermine its transformative power. Technology is powerful not when it becomes optimally functional, but while it is still playful and open to experimentation. It is through play—in the sense of acting for one's own enjoyment rather than to achieve a goal—that we explore new territories, create new devices and languages, and transform ourselves. Only then can innovative spatial design create resonant spaces that go beyond functionalism to evoke an emotional response in those who use them.
The authors show how creativity emerges in moments of instability, when a new technology overthrows an established one, or when internal factors change a technology until it becomes a different technology. Exploring the role of fantasy in design, they examine Disney World and its outsize influence on design and on forms of social interaction beyond the entertainment world. They also consider Las Vegas and Dubai, desert cities that combine technology with fantasies of pleasure and wealth. Video games and interactive media, they show, infuse the design process with interactivity and participatory dynamics, leaving spaces open to variations depending on the users' behavior. Throughout, they pinpoint the critical moments when technology plays a key role in reshaping how we design and experience spaces.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is the author of Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington, 2022). His general area of study is on media representations of people and place at festivals and celebrations. He is currently working on his next book where he conducted research on an annual canoeing and kayaking event that takes place on the Upper Mississippi River. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why technology is most transformative when it is playful, and innovative spatial design happens only when designers are both tinkerers and dreamers.</p><p>In <a href="https://bookshop.org/a/12343/9780262045346"><em>Urban Play: Make-Believe, Technology, and Space</em></a> (MIT Press, 2021), Fábio Duarte and Ricardo Álvarez argue that the merely functional aspects of technology may undermine its transformative power. Technology is powerful not when it becomes optimally functional, but while it is still playful and open to experimentation. It is through play—in the sense of acting for one's own enjoyment rather than to achieve a goal—that we explore new territories, create new devices and languages, and transform ourselves. Only then can innovative spatial design create resonant spaces that go beyond functionalism to evoke an emotional response in those who use them.</p><p>The authors show how creativity emerges in moments of instability, when a new technology overthrows an established one, or when internal factors change a technology until it becomes a different technology. Exploring the role of fantasy in design, they examine Disney World and its outsize influence on design and on forms of social interaction beyond the entertainment world. They also consider Las Vegas and Dubai, desert cities that combine technology with fantasies of pleasure and wealth. Video games and interactive media, they show, infuse the design process with interactivity and participatory dynamics, leaving spaces open to variations depending on the users' behavior. Throughout, they pinpoint the critical moments when technology plays a key role in reshaping how we design and experience spaces.</p><p><a href="https://newbooksnetwork.com/hosts/profile/af43960f-eb1c-452b-a784-ba3dae90949f"><em>Michael O. Johnston, Ph.D.</em></a><em> is an Assistant Professor of Sociology at William Penn University. He is the author of Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington, 2022). His general area of study is on media representations of people and place at festivals and celebrations. He is currently working on his next book where he conducted research on an annual canoeing and kayaking event that takes place on the Upper Mississippi River. To learn more about Michael O. Johnston you can go to his </em><a href="https://profjohnston.weebly.com/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4195</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9c2e2750-aa24-11ed-828c-4373f92b52f3]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7707233345.mp3?updated=1676131979" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sheila R. Foster and Christian Iaione, "Co-Cities: Innovative Transitions toward Just and Self-Sustaining Communities" (MIT Press, 2022)</title>
      <description>A new model of urban governance, mapping the route to a more equitable management of a city’s infrastructure and services. The majority of the world’s inhabitants live in cities, but even with the vast wealth and resources these cities generate, their most vulnerable populations live without adequate or affordable housing, safe water, healthy food, and other essentials. And yet, cities also often harbor the solutions to the inequalities they create, as this book makes clear. 
With examples drawn from cities worldwide, Co-Cities: Innovative Transitions toward Just and Self-Sustaining Communities (MIT Press, 2022) outlines practices, laws, and policies that are presently fostering innovation in the provision of urban services, spurring collaborative economies as a driver of local sustainable development, and promoting inclusive and equitable regeneration of blighted urban areas. Identifying core elements of these diverse efforts, Sheila R. Foster and Christian Iaione develop a framework for understanding how certain initiatives position local communities as key actors in the production, delivery, and management of urban assets or local resources. Within this framework, they explain the forms such initiatives increasingly take, like community land trusts, new kinds of co-housing, neighborhood cooperatives, community-shared broadband and energy networks, and new local offices focused on citizen science and civic imagination. The “Co-City” framework is uniquely rooted in the authors’ own decades-long research and first-hand experience working in cities around the world. Foster and Iaione offer their observations as “design principles”—adaptable to local context—to help guide further experimentation in building just and self-sustaining urban communities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 08 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>85</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sheila R. Foster and Christian Iaione</itunes:subtitle>
      <itunes:summary>A new model of urban governance, mapping the route to a more equitable management of a city’s infrastructure and services. The majority of the world’s inhabitants live in cities, but even with the vast wealth and resources these cities generate, their most vulnerable populations live without adequate or affordable housing, safe water, healthy food, and other essentials. And yet, cities also often harbor the solutions to the inequalities they create, as this book makes clear. 
With examples drawn from cities worldwide, Co-Cities: Innovative Transitions toward Just and Self-Sustaining Communities (MIT Press, 2022) outlines practices, laws, and policies that are presently fostering innovation in the provision of urban services, spurring collaborative economies as a driver of local sustainable development, and promoting inclusive and equitable regeneration of blighted urban areas. Identifying core elements of these diverse efforts, Sheila R. Foster and Christian Iaione develop a framework for understanding how certain initiatives position local communities as key actors in the production, delivery, and management of urban assets or local resources. Within this framework, they explain the forms such initiatives increasingly take, like community land trusts, new kinds of co-housing, neighborhood cooperatives, community-shared broadband and energy networks, and new local offices focused on citizen science and civic imagination. The “Co-City” framework is uniquely rooted in the authors’ own decades-long research and first-hand experience working in cities around the world. Foster and Iaione offer their observations as “design principles”—adaptable to local context—to help guide further experimentation in building just and self-sustaining urban communities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A new model of urban governance, mapping the route to a more equitable management of a city’s infrastructure and services. The majority of the world’s inhabitants live in cities, but even with the vast wealth and resources these cities generate, their most vulnerable populations live without adequate or affordable housing, safe water, healthy food, and other essentials. And yet, cities also often harbor the solutions to the inequalities they create, as this book makes clear. </p><p>With examples drawn from cities worldwide, <a href="https://bookshop.org/a/12343/9780262539982"><em>Co-Cities: Innovative Transitions toward Just and Self-Sustaining Communities</em></a> (MIT Press, 2022) outlines practices, laws, and policies that are presently fostering innovation in the provision of urban services, spurring collaborative economies as a driver of local sustainable development, and promoting inclusive and equitable regeneration of blighted urban areas. Identifying core elements of these diverse efforts, Sheila R. Foster and Christian Iaione develop a framework for understanding how certain initiatives position local communities as key actors in the production, delivery, and management of urban assets or local resources. Within this framework, they explain the forms such initiatives increasingly take, like community land trusts, new kinds of co-housing, neighborhood cooperatives, community-shared broadband and energy networks, and new local offices focused on citizen science and civic imagination. The “Co-City” framework is uniquely rooted in the authors’ own decades-long research and first-hand experience working in cities around the world. Foster and Iaione offer their observations as “design principles”—adaptable to local context—to help guide further experimentation in building just and self-sustaining urban communities.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3553</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[edd3cb22-a345-11ed-9392-1fdaf6a86368]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN5567983698.mp3?updated=1675376088" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jack Ahern, "Design with Nature on Cape Cod and the Islands" (U Massachusetts Press, 2022)</title>
      <description>Cape Cod and the islands of Martha’s Vineyard and Nantucket are special places known for their distinctive flora, including pine-oak forests, sandplain grasslands, and sand dunes peppered with bearberry shrubs. Unfortunately, this unique sense of place is under threat. In recent decades, contemporary landscape practices have come to depend on environmentally stressful fertilizers and irrigation systems, replacing this sensitive ecoregion’s native flora with generic turfgrasses and popular commercial nursery trees and shrubs that could exist anywhere.
Design with Nature on Cape Cod and the Islands (U Massachusetts Press, 2022) seeks to reverse this damaging trend by offering landscape professionals, local officials, and homeowners a sustainable approach to landscape design based on the ecoregion’s native plants and plant communities. Presenting detailed discussions of Cape Cod’s natural history, Jack Ahern focuses on the principal plant communities that define its landscape character and that are well adapted to local soils and growing conditions, including climate change. The book also includes strategies for ecological planting design and a portfolio of photographs of active ecologically designed landscapes.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 08 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>79</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jack Ahern</itunes:subtitle>
      <itunes:summary>Cape Cod and the islands of Martha’s Vineyard and Nantucket are special places known for their distinctive flora, including pine-oak forests, sandplain grasslands, and sand dunes peppered with bearberry shrubs. Unfortunately, this unique sense of place is under threat. In recent decades, contemporary landscape practices have come to depend on environmentally stressful fertilizers and irrigation systems, replacing this sensitive ecoregion’s native flora with generic turfgrasses and popular commercial nursery trees and shrubs that could exist anywhere.
Design with Nature on Cape Cod and the Islands (U Massachusetts Press, 2022) seeks to reverse this damaging trend by offering landscape professionals, local officials, and homeowners a sustainable approach to landscape design based on the ecoregion’s native plants and plant communities. Presenting detailed discussions of Cape Cod’s natural history, Jack Ahern focuses on the principal plant communities that define its landscape character and that are well adapted to local soils and growing conditions, including climate change. The book also includes strategies for ecological planting design and a portfolio of photographs of active ecologically designed landscapes.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cape Cod and the islands of Martha’s Vineyard and Nantucket are special places known for their distinctive flora, including pine-oak forests, sandplain grasslands, and sand dunes peppered with bearberry shrubs. Unfortunately, this unique sense of place is under threat. In recent decades, contemporary landscape practices have come to depend on environmentally stressful fertilizers and irrigation systems, replacing this sensitive ecoregion’s native flora with generic turfgrasses and popular commercial nursery trees and shrubs that could exist anywhere.</p><p><a href="https://bookshop.org/a/12343/9781625346339"><em>Design with Nature on Cape Cod and the Islands</em></a><em> </em>(U Massachusetts Press, 2022) seeks to reverse this damaging trend by offering landscape professionals, local officials, and homeowners a sustainable approach to landscape design based on the ecoregion’s native plants and plant communities. Presenting detailed discussions of Cape Cod’s natural history, Jack Ahern focuses on the principal plant communities that define its landscape character and that are well adapted to local soils and growing conditions, including climate change. The book also includes strategies for ecological planting design and a portfolio of photographs of active ecologically designed landscapes.</p><p><a href="https://toepferarchitecture.com/"><em>Bryan Toepfer</em></a><em>, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2113</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[676695ce-a340-11ed-8318-4b92c68feac3]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN1143568473.mp3?updated=1675966708" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robin Bartram, "Stacked Decks: Building Inspectors and the Reproduction of Urban Inequality" (U Chicago Press, 2022)</title>
      <description>Though we rarely see them at work, building inspectors have the power to significantly shape our lives through their discretionary decisions. The building inspectors of Chicago are at the heart of sociologist Robin Bartram’s analysis of how individuals impact—or attempt to impact—housing inequality. In Stacked Decks: Building Inspectors and the Reproduction of Urban Inequality (U Chicago Press, 2022), she reveals surprising patterns in the judgment calls inspectors make when deciding whom to cite for building code violations. These predominantly white, male inspectors largely recognize that they work within an unequal housing landscape that systematically disadvantages poor people and people of color through redlining, property taxes, and city spending that favor wealthy neighborhoods. Stacked Decks illustrates the uphill battle inspectors face when trying to change a housing system that works against those with the fewest resources.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 29 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>269</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robin Bartram</itunes:subtitle>
      <itunes:summary>Though we rarely see them at work, building inspectors have the power to significantly shape our lives through their discretionary decisions. The building inspectors of Chicago are at the heart of sociologist Robin Bartram’s analysis of how individuals impact—or attempt to impact—housing inequality. In Stacked Decks: Building Inspectors and the Reproduction of Urban Inequality (U Chicago Press, 2022), she reveals surprising patterns in the judgment calls inspectors make when deciding whom to cite for building code violations. These predominantly white, male inspectors largely recognize that they work within an unequal housing landscape that systematically disadvantages poor people and people of color through redlining, property taxes, and city spending that favor wealthy neighborhoods. Stacked Decks illustrates the uphill battle inspectors face when trying to change a housing system that works against those with the fewest resources.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Though we rarely see them at work, building inspectors have the power to significantly shape our lives through their discretionary decisions. The building inspectors of Chicago are at the heart of sociologist Robin Bartram’s analysis of how individuals impact—or attempt to impact—housing inequality. In <a href="https://bookshop.org/a/12343/9780226821146"><em>Stacked Decks: Building Inspectors and the Reproduction of Urban Inequality</em></a><em> </em>(U Chicago Press, 2022), she reveals surprising patterns in the judgment calls inspectors make when deciding whom to cite for building code violations. These predominantly white, male inspectors largely recognize that they work within an unequal housing landscape that systematically disadvantages poor people and people of color through redlining, property taxes, and city spending that favor wealthy neighborhoods. <em>Stacked Decks</em> illustrates the uphill battle inspectors face when trying to change a housing system that works against those with the fewest resources.</p><p><a href="https://profjohnston.weebly.com/"><em>Michael O. Johnston</em></a><em>, Ph.D. is an Assistant Professor of Sociology at William Penn University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1801</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5ffe0766-9efb-11ed-b67e-37765b2d5dbb]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7880901343.mp3?updated=1674904226" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Padma Kaimal, "Opening Kailasanatha: The Temple in Kanchipuram Revealed in Time and Space" (U Washington Press, 2020)</title>
      <description>In Opening Kailasanatha: The Temple in Kanchipuram Revealed in Time and Space (U Washington Press, 2020), Padma Kaimal deciphers the intentions of the monument’s makers, reaching back across centuries to illuminate worldviews of the ancient Indic south. By focusing on the material form of the complex—the architecture, inscriptions, and sculptures, along with the spaces they carve out that guide light, shadow, sound, and footsteps—Kaimal offers insights that complement what surviving texts tell us about Shaiva Siddhanta ideas and practices, providing a rare opportunity to walk in the distant past.
Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 26 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>238</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Padma Kaimal</itunes:subtitle>
      <itunes:summary>In Opening Kailasanatha: The Temple in Kanchipuram Revealed in Time and Space (U Washington Press, 2020), Padma Kaimal deciphers the intentions of the monument’s makers, reaching back across centuries to illuminate worldviews of the ancient Indic south. By focusing on the material form of the complex—the architecture, inscriptions, and sculptures, along with the spaces they carve out that guide light, shadow, sound, and footsteps—Kaimal offers insights that complement what surviving texts tell us about Shaiva Siddhanta ideas and practices, providing a rare opportunity to walk in the distant past.
Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780295747774"><em>Opening Kailasanatha: The Temple in Kanchipuram Revealed in Time and Space</em></a><em> </em>(U Washington Press, 2020), Padma Kaimal deciphers the intentions of the monument’s makers, reaching back across centuries to illuminate worldviews of the ancient Indic south. By focusing on the material form of the complex—the architecture, inscriptions, and sculptures, along with the spaces they carve out that guide light, shadow, sound, and footsteps—Kaimal offers insights that complement what surviving texts tell us about Shaiva Siddhanta ideas and practices, providing a rare opportunity to walk in the distant past.</p><p><em>Raj Balkaran is a scholar, online educator, and life coach. For information see </em><a href="https://rajbalkaran.com/"><em>rajbalkaran.com.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2493</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[76f7f014-70af-11ed-9408-e749363f2789]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7810725855.mp3?updated=1669814121" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Namita Vijay Dharia, "The Industrial Ephemeral: Labor and Love in Indian Architecture and Construction" (U California Press, 2022)</title>
      <description>What transformative effects does a multimillion-dollar industry have on those who work within it? The Industrial Ephemeral presents the untold stories of the people, politics, and production chains behind architecture, real estate, and construction in areas surrounding New Delhi, India. 
In The Industrial Ephemeral: Labor and Love in Indian Architecture and Construction (U California Press, 2022), the personal histories of those in India's large laboring classes are brought to life as Namita Vijay Dharia discusses the aggressive environmental and ecological transformation of the region in the twenty-first century. Urban planning and architecture are messy processes that intertwine migratory pathways, corruption politics, labor struggle, ecological transformations, and technological development. The aggressive actions of the construction activity produce an atmosphere of ephemerality in urban regions, creating an aesthetic condition that supports industrial political economy. Dharia's brilliant analysis of the aesthetics and experiences of work lends visibility to the struggle of workers in an era of growing urban inequality.
Garima Jaju is a Smuts fellow at the University of Cambridge.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 22 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>209</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Namita Vijay Dharia</itunes:subtitle>
      <itunes:summary>What transformative effects does a multimillion-dollar industry have on those who work within it? The Industrial Ephemeral presents the untold stories of the people, politics, and production chains behind architecture, real estate, and construction in areas surrounding New Delhi, India. 
In The Industrial Ephemeral: Labor and Love in Indian Architecture and Construction (U California Press, 2022), the personal histories of those in India's large laboring classes are brought to life as Namita Vijay Dharia discusses the aggressive environmental and ecological transformation of the region in the twenty-first century. Urban planning and architecture are messy processes that intertwine migratory pathways, corruption politics, labor struggle, ecological transformations, and technological development. The aggressive actions of the construction activity produce an atmosphere of ephemerality in urban regions, creating an aesthetic condition that supports industrial political economy. Dharia's brilliant analysis of the aesthetics and experiences of work lends visibility to the struggle of workers in an era of growing urban inequality.
Garima Jaju is a Smuts fellow at the University of Cambridge.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What transformative effects does a multimillion-dollar industry have on those who work within it? The Industrial Ephemeral presents the untold stories of the people, politics, and production chains behind architecture, real estate, and construction in areas surrounding New Delhi, India. </p><p>In <a href="https://bookshop.org/a/12343/9780520383104"><em>The Industrial Ephemeral: Labor and Love in Indian Architecture and Construction</em></a> (U California Press, 2022), the personal histories of those in India's large laboring classes are brought to life as Namita Vijay Dharia discusses the aggressive environmental and ecological transformation of the region in the twenty-first century. Urban planning and architecture are messy processes that intertwine migratory pathways, corruption politics, labor struggle, ecological transformations, and technological development. The aggressive actions of the construction activity produce an atmosphere of ephemerality in urban regions, creating an aesthetic condition that supports industrial political economy. Dharia's brilliant analysis of the aesthetics and experiences of work lends visibility to the struggle of workers in an era of growing urban inequality.</p><p><a href="https://research.sociology.cam.ac.uk/profile/dr-garima-jaju"><em>Garima Jaju</em></a><em> is a Smuts fellow at the University of Cambridge.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3133</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[918d889a-98e5-11ed-82d3-3fc5ae7796e3]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN9774711846.mp3?updated=1674234925" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer Forestal, "Designing for Democracy: How to Build Community in Digital Environments" (Oxford UP, 2021)</title>
      <description>Political Theorist Jennifer Forestal’s new book is a fascinating exploration of contemporary democracy and how it operates in different spaces. Forestal’s avenue into the question of democracy and the space in which it functions comes out of the idea of how spaces are designed and for what reasons. This idea of built environments—be they city centers in urban areas, software architecture, or the existence and width of sidewalks—contribute to how we, as individuals and community members, operate in those spaces. Forestal is paying particular attention to participatory democracy, where community members come together to solve problems collectively. 
Designing for Democracy: How to Build Community in Digital Environments (Oxford UP, 2021)weaves together the concrete, the actual spaces where we can gather together or where we are pushed apart, and the theoretical, the way democracy, as a concept, draws on the will of the people to govern themselves. In examining democratic theory, Forestal integrates work from Aristotle, Alexis de Tocqueville, and John Dewey, all of whom provide frameworks for thinking about and understanding interactions between individuals and the effort to share responsibility to govern in common.
Forestal unpacks the many ways that built environments guide our choices and behavior—from how the layout of a grocery store pushes us towards certain kinds of purchases, to the design of sidewalks or the absence of sidewalks as determining our public engagement or disengagement—and how this is an often overlooked or obscured exertion of power, especially political power. The power of the built environment trains us in a variety of ways, and this is an area where changing the design of the space in which we exist can also change our behavior and can shift our perspectives. Democratic theory is predicated on individuals acting together, and the space in which we do this contributes to the success of these efforts, or their fragmentation. Social media spaces are very much like the physical built environment, and Forestal examines three different social media spaces, Twitter, Facebook, and Reddit, exploring how they are and are not hospitable spaces for democracy.
Designing for Democracy: How to Build Community in Digital Environments is an original analysis of how physical and virtual spaces provide individuals with barriers or openings to engagement, and how these spaces can shift our behavior and our priorities. Ultimately, democracy is an idea that must be translated by real people in real spaces and places, and how we all engage with one another is not just important, it is the basis for the implementation of this concept of self-government.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 19 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>636</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer Forestal</itunes:subtitle>
      <itunes:summary>Political Theorist Jennifer Forestal’s new book is a fascinating exploration of contemporary democracy and how it operates in different spaces. Forestal’s avenue into the question of democracy and the space in which it functions comes out of the idea of how spaces are designed and for what reasons. This idea of built environments—be they city centers in urban areas, software architecture, or the existence and width of sidewalks—contribute to how we, as individuals and community members, operate in those spaces. Forestal is paying particular attention to participatory democracy, where community members come together to solve problems collectively. 
Designing for Democracy: How to Build Community in Digital Environments (Oxford UP, 2021)weaves together the concrete, the actual spaces where we can gather together or where we are pushed apart, and the theoretical, the way democracy, as a concept, draws on the will of the people to govern themselves. In examining democratic theory, Forestal integrates work from Aristotle, Alexis de Tocqueville, and John Dewey, all of whom provide frameworks for thinking about and understanding interactions between individuals and the effort to share responsibility to govern in common.
Forestal unpacks the many ways that built environments guide our choices and behavior—from how the layout of a grocery store pushes us towards certain kinds of purchases, to the design of sidewalks or the absence of sidewalks as determining our public engagement or disengagement—and how this is an often overlooked or obscured exertion of power, especially political power. The power of the built environment trains us in a variety of ways, and this is an area where changing the design of the space in which we exist can also change our behavior and can shift our perspectives. Democratic theory is predicated on individuals acting together, and the space in which we do this contributes to the success of these efforts, or their fragmentation. Social media spaces are very much like the physical built environment, and Forestal examines three different social media spaces, Twitter, Facebook, and Reddit, exploring how they are and are not hospitable spaces for democracy.
Designing for Democracy: How to Build Community in Digital Environments is an original analysis of how physical and virtual spaces provide individuals with barriers or openings to engagement, and how these spaces can shift our behavior and our priorities. Ultimately, democracy is an idea that must be translated by real people in real spaces and places, and how we all engage with one another is not just important, it is the basis for the implementation of this concept of self-government.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Political Theorist Jennifer Forestal’s new book is a fascinating exploration of contemporary democracy and how it operates in different spaces. Forestal’s avenue into the question of democracy and the space in which it functions comes out of the idea of how spaces are designed and for what reasons. This idea of built environments—be they city centers in urban areas, software architecture, or the existence and width of sidewalks—contribute to how we, as individuals and community members, operate in those spaces. Forestal is paying particular attention to participatory democracy, where community members come together to solve problems collectively. </p><p><a href="https://bookshop.org/a/12343/9780197568750"><em>Designing for Democracy: How to Build Community in Digital Environments</em></a> (Oxford UP, 2021)weaves together the concrete, the actual spaces where we can gather together or where we are pushed apart, and the theoretical, the way democracy, as a concept, draws on the will of the people to govern themselves. In examining democratic theory, Forestal integrates work from Aristotle, Alexis de Tocqueville, and John Dewey, all of whom provide frameworks for thinking about and understanding interactions between individuals and the effort to share responsibility to govern in common.</p><p>Forestal unpacks the many ways that built environments guide our choices and behavior—from how the layout of a grocery store pushes us towards certain kinds of purchases, to the design of sidewalks or the absence of sidewalks as determining our public engagement or disengagement—and how this is an often overlooked or obscured exertion of power, especially political power. The power of the built environment trains us in a variety of ways, and this is an area where changing the design of the space in which we exist can also change our behavior and can shift our perspectives. Democratic theory is predicated on individuals acting together, and the space in which we do this contributes to the success of these efforts, or their fragmentation. Social media spaces are very much like the physical built environment, and Forestal examines three different social media spaces, Twitter, Facebook, and Reddit, exploring how they are and are not hospitable spaces for democracy.</p><p><em>Designing for Democracy: How to Build Community in Digital Environments</em> is an original analysis of how physical and virtual spaces provide individuals with barriers or openings to engagement, and how these spaces can shift our behavior and our priorities. Ultimately, democracy is an idea that must be translated by real people in real spaces and places, and how we all engage with one another is not just important, it is the basis for the implementation of this concept of self-government.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe</em></a><em> (University Press of Kansas, 2022), as well as co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2344</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e113ad66-973e-11ed-be55-f300cdf75115]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN1084756226.mp3?updated=1674053236" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Oana Serban, "After Thomas Kuhn: The Structure of Aesthetic Revolutions" (de Gruyter, 2022)</title>
      <description>Thomas Kuhn’s The Structure of Scientific Revolutions revolutionized the way philosophers and historians of science thought about science, scientific progress, and the nature of scientific knowledge. But Kuhn himself also considered later on how his framework might apply to art. In After Thomas Kuhn: The Structure of Aesthetic Revolutions (De Gruyter, 2022), Oana Serban elaborates on the suggestions and proposals of Kuhn and others to develop a new view of aesthetic and artistic progress and change based in Kuhn’s work. Serban, who is a lecturer in philosophy at the University of Bucharest, adds the key concept of aesthetic validity to the Kuhnian analysis as central to the concept of an aesthetic revolution. The dominance of a particular aesthetic paradigm depends on broadly political factors and are responses to particular ideological questions, such as “What is the relation between humans and God?” Artistic revolutions, in contrast, are stylistic expressions of these ideological frames, such that the norms, values, and styles in art can be transgressive without being Kuhnian revolutions.
Carrie Figdor is professor of philosophy at the University of Iowa.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 12 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>305</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Oana Serban</itunes:subtitle>
      <itunes:summary>Thomas Kuhn’s The Structure of Scientific Revolutions revolutionized the way philosophers and historians of science thought about science, scientific progress, and the nature of scientific knowledge. But Kuhn himself also considered later on how his framework might apply to art. In After Thomas Kuhn: The Structure of Aesthetic Revolutions (De Gruyter, 2022), Oana Serban elaborates on the suggestions and proposals of Kuhn and others to develop a new view of aesthetic and artistic progress and change based in Kuhn’s work. Serban, who is a lecturer in philosophy at the University of Bucharest, adds the key concept of aesthetic validity to the Kuhnian analysis as central to the concept of an aesthetic revolution. The dominance of a particular aesthetic paradigm depends on broadly political factors and are responses to particular ideological questions, such as “What is the relation between humans and God?” Artistic revolutions, in contrast, are stylistic expressions of these ideological frames, such that the norms, values, and styles in art can be transgressive without being Kuhnian revolutions.
Carrie Figdor is professor of philosophy at the University of Iowa.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Thomas Kuhn’s <em>The Structure of Scientific Revolutions</em> revolutionized the way philosophers and historians of science thought about science, scientific progress, and the nature of scientific knowledge. But Kuhn himself also considered later on how his framework might apply to art. In <a href="https://bookshop.org/a/12343/9783110774610"><em>After Thomas Kuhn: The Structure of Aesthetic Revolutions</em></a> (De Gruyter, 2022), Oana Serban elaborates on the suggestions and proposals of Kuhn and others to develop a new view of aesthetic and artistic progress and change based in Kuhn’s work. Serban, who is a lecturer in philosophy at the University of Bucharest, adds the key concept of aesthetic validity to the Kuhnian analysis as central to the concept of an aesthetic revolution. The dominance of a particular aesthetic paradigm depends on broadly political factors and are responses to particular ideological questions, such as “What is the relation between humans and God?” Artistic revolutions, in contrast, are stylistic expressions of these ideological frames, such that the norms, values, and styles in art can be transgressive without being Kuhnian revolutions.</p><p><a href="https://clas.uiowa.edu/philosophy/people/carrie-figdor"><em>Carrie Figdor</em></a><em> is professor of philosophy at the University of Iowa.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3958</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[780a15da-91e9-11ed-890c-8fc88b9ad81c]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN5129704844.mp3?updated=1673467332" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Pamela Karimi, "Alternative Iran: Contemporary Art and Critical Spatial Practice" (Stanford UP, 2022)</title>
      <description>Alternative Iran offers a unique contribution to the field of contemporary art, investigating how Iranian artists engage with space and site amid the pressures of the art market and the state's regulatory regimes. Since the 1980s, political, economic, and intellectual forces have driven Iran's creative class toward increasingly original forms of artmaking not meant for official venues. Instead, these art forms appear in private homes with "trusted" audiences, derelict buildings, leftover urban zones, and remote natural sites. These unusual cultural scenes are not only sites of personal encounters, but also part of the collective experience of Iran's citizens. 
Drawing on interviews with over a hundred artists, gallerists, theater experts, musicians, and designers, Pamela Karimi throws into sharp relief extraordinary art and performance activities that have received little attention outside Iran. Attending to nonconforming curatorial projects, independent guerrilla installations, escapist practices, and tacitly subversive performances, Karimi also discloses the push-and-pull games between the art community and the authorities, and discusses myriad instances of tentative coalition as opposed to outright partnership or uncompromising resistance. Illustrated with more than 120 full-color images, Alternative Iran: Contemporary Art and Critical Spatial Practice (Stanford UP, 2022) provides entry into Iran's unique artistic experiences without catering to voyeuristic curiosity around Iran's often-perceived "underground" culture.
Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 22 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>128</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Pamela Karimi</itunes:subtitle>
      <itunes:summary>Alternative Iran offers a unique contribution to the field of contemporary art, investigating how Iranian artists engage with space and site amid the pressures of the art market and the state's regulatory regimes. Since the 1980s, political, economic, and intellectual forces have driven Iran's creative class toward increasingly original forms of artmaking not meant for official venues. Instead, these art forms appear in private homes with "trusted" audiences, derelict buildings, leftover urban zones, and remote natural sites. These unusual cultural scenes are not only sites of personal encounters, but also part of the collective experience of Iran's citizens. 
Drawing on interviews with over a hundred artists, gallerists, theater experts, musicians, and designers, Pamela Karimi throws into sharp relief extraordinary art and performance activities that have received little attention outside Iran. Attending to nonconforming curatorial projects, independent guerrilla installations, escapist practices, and tacitly subversive performances, Karimi also discloses the push-and-pull games between the art community and the authorities, and discusses myriad instances of tentative coalition as opposed to outright partnership or uncompromising resistance. Illustrated with more than 120 full-color images, Alternative Iran: Contemporary Art and Critical Spatial Practice (Stanford UP, 2022) provides entry into Iran's unique artistic experiences without catering to voyeuristic curiosity around Iran's often-perceived "underground" culture.
Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Alternative Iran offers a unique contribution to the field of contemporary art, investigating how Iranian artists engage with space and site amid the pressures of the art market and the state's regulatory regimes. Since the 1980s, political, economic, and intellectual forces have driven Iran's creative class toward increasingly original forms of artmaking not meant for official venues. Instead, these art forms appear in private homes with "trusted" audiences, derelict buildings, leftover urban zones, and remote natural sites. These unusual cultural scenes are not only sites of personal encounters, but also part of the collective experience of Iran's citizens. </p><p>Drawing on interviews with over a hundred artists, gallerists, theater experts, musicians, and designers, Pamela Karimi throws into sharp relief extraordinary art and performance activities that have received little attention outside Iran. Attending to nonconforming curatorial projects, independent guerrilla installations, escapist practices, and tacitly subversive performances, Karimi also discloses the push-and-pull games between the art community and the authorities, and discusses myriad instances of tentative coalition as opposed to outright partnership or uncompromising resistance. Illustrated with more than 120 full-color images, <a href="https://bookshop.org/a/12343/9781503630017"><em>Alternative Iran: Contemporary Art and Critical Spatial Practice</em></a> (Stanford UP, 2022) provides entry into Iran's unique artistic experiences without catering to voyeuristic curiosity around Iran's often-perceived "underground" culture.</p><p><a href="https://arthistory.uic.edu/profiles/rafie-kaveh/"><em>Kaveh Rafie</em></a><em> is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4139</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Yahia Shawkat, "Egypt's Housing Crisis: The Shaping of Urban Space" (American U in Cairo Press, 2020)</title>
      <description>Along with football and religion, housing is a fundamental cornerstone of Egyptian life: it can make or break marriage proposals, invigorate or slow down the economy, and popularize or embarrass a ruler. Housing is political. Almost every Egyptian ruler over the last eighty years has directly associated himself with at least one large-scale housing project. It is also big business, with Egypt currently the world leader in per capita housing production, building at almost double China’s rate, and creating a housing surplus that counts in the millions of units.
Despite this, Egypt has been in the grip of a housing crisis for almost eight decades. From the 1940s onward, officials deployed a number of policies to create adequate housing for the country’s growing population. By the 1970s, housing production had outstripped population growth, but today half of Egypt’s one hundred million people cannot afford a decent home.
Egypt's Housing Crisis: The Shaping of Urban Space (American U in Cairo Press, 2020) takes presidential speeches, parliamentary reports, legislation, and official statistics as the basis with which to investigate the tools that officials have used to ‘solve’ the housing crisis—rent control, social housing, and amnesties for informal self-building—as well as the inescapable reality of these policies’ outcomes. Yahia Shawkat argues that wars, mass displacement, and rural–urban migration played a part in creating the problem early on, but that neoliberal deregulation, crony capitalism and corruption, and neglectful planning have made things steadily worse ever since. In the final analysis he asks, is affordable housing for all really that hard to achieve?
Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 02 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>261</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Yahia Shawkat</itunes:subtitle>
      <itunes:summary>Along with football and religion, housing is a fundamental cornerstone of Egyptian life: it can make or break marriage proposals, invigorate or slow down the economy, and popularize or embarrass a ruler. Housing is political. Almost every Egyptian ruler over the last eighty years has directly associated himself with at least one large-scale housing project. It is also big business, with Egypt currently the world leader in per capita housing production, building at almost double China’s rate, and creating a housing surplus that counts in the millions of units.
Despite this, Egypt has been in the grip of a housing crisis for almost eight decades. From the 1940s onward, officials deployed a number of policies to create adequate housing for the country’s growing population. By the 1970s, housing production had outstripped population growth, but today half of Egypt’s one hundred million people cannot afford a decent home.
Egypt's Housing Crisis: The Shaping of Urban Space (American U in Cairo Press, 2020) takes presidential speeches, parliamentary reports, legislation, and official statistics as the basis with which to investigate the tools that officials have used to ‘solve’ the housing crisis—rent control, social housing, and amnesties for informal self-building—as well as the inescapable reality of these policies’ outcomes. Yahia Shawkat argues that wars, mass displacement, and rural–urban migration played a part in creating the problem early on, but that neoliberal deregulation, crony capitalism and corruption, and neglectful planning have made things steadily worse ever since. In the final analysis he asks, is affordable housing for all really that hard to achieve?
Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Along with football and religion, housing is a fundamental cornerstone of Egyptian life: it can make or break marriage proposals, invigorate or slow down the economy, and popularize or embarrass a ruler. Housing is political. Almost every Egyptian ruler over the last eighty years has directly associated himself with at least one large-scale housing project. It is also big business, with Egypt currently the world leader in per capita housing production, building at almost double China’s rate, and creating a housing surplus that counts in the millions of units.</p><p>Despite this, Egypt has been in the grip of a housing crisis for almost eight decades. From the 1940s onward, officials deployed a number of policies to create adequate housing for the country’s growing population. By the 1970s, housing production had outstripped population growth, but today half of Egypt’s one hundred million people cannot afford a decent home.</p><p><a href="https://bookshop.org/a/12343/9789774169571"><em>Egypt's Housing Crisis: The Shaping of Urban Space</em></a> (American U in Cairo Press, 2020) takes presidential speeches, parliamentary reports, legislation, and official statistics as the basis with which to investigate the tools that officials have used to ‘solve’ the housing crisis—rent control, social housing, and amnesties for informal self-building—as well as the inescapable reality of these policies’ outcomes. Yahia Shawkat argues that wars, mass displacement, and rural–urban migration played a part in creating the problem early on, but that neoliberal deregulation, crony capitalism and corruption, and neglectful planning have made things steadily worse ever since. In the final analysis he asks, is affordable housing for all really that hard to achieve?</p><p><em>Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of </em><a href="https://doingsociology.org/"><em>Doing Sociology</em></a><em>. Patgiri can be reached at @Rituparna37 on Twitter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1722</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0f46b7ca-7014-11ed-93ec-67c6401513a6]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN9847594344.mp3?updated=1669747114" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephanie Azzarone, "Heaven on the Hudson: Mansions, Monuments, and Marvels of Riverside Park" (Fordham UP, 2022)</title>
      <description>On the west side of Manhattan, Riverside Park winds between the banks of the Hudson River and the elegant housing of Riverside Drive. In her new book Heaven on the Hudson: Mansions, Monuments, and Marvels of Riverside Park (Fordham UP, 2022), Stephanie Azzarone seeks to lift the park and its surroundings from the shadows of more famous places, like Fifth Avenue, Central Park, and Central Park West.
The first half of Heaven on the Hudson covers the history of Riverside Park and Riverside Drive, from colonial times to the recent past. The second half takes readers on a tour of both, punctuated by historically grounded descriptions of buildings, monuments, memorials and recreation areas. Her chapters are accompanied by historical illustrations, contemporary photographs by Robert F. Rodriguez, and a glossary that helps readers new to architecture makes sense of architectural terms. Azzarone, who writes as a long-time resident and local historian who loves the park and the drive, has produced a book that is at once detailed and passionate.
Robert W. Snyder, Manhattan Borough Historian and professor emeritus at Rutgers University, is editing an anthology of New Yorkers’ memories of the COVID-19 pandemic for Cornell University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 30 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>207</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stephanie Azzarone</itunes:subtitle>
      <itunes:summary>On the west side of Manhattan, Riverside Park winds between the banks of the Hudson River and the elegant housing of Riverside Drive. In her new book Heaven on the Hudson: Mansions, Monuments, and Marvels of Riverside Park (Fordham UP, 2022), Stephanie Azzarone seeks to lift the park and its surroundings from the shadows of more famous places, like Fifth Avenue, Central Park, and Central Park West.
The first half of Heaven on the Hudson covers the history of Riverside Park and Riverside Drive, from colonial times to the recent past. The second half takes readers on a tour of both, punctuated by historically grounded descriptions of buildings, monuments, memorials and recreation areas. Her chapters are accompanied by historical illustrations, contemporary photographs by Robert F. Rodriguez, and a glossary that helps readers new to architecture makes sense of architectural terms. Azzarone, who writes as a long-time resident and local historian who loves the park and the drive, has produced a book that is at once detailed and passionate.
Robert W. Snyder, Manhattan Borough Historian and professor emeritus at Rutgers University, is editing an anthology of New Yorkers’ memories of the COVID-19 pandemic for Cornell University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On the west side of Manhattan, Riverside Park winds between the banks of the Hudson River and the elegant housing of Riverside Drive. In her new book <a href="https://bookshop.org/a/12343/9781531501006"><em>Heaven on the Hudson: Mansions, Monuments, and Marvels of Riverside Park</em></a><em> </em>(Fordham UP, 2022), Stephanie Azzarone seeks to lift the park and its surroundings from the shadows of more famous places, like Fifth Avenue, Central Park, and Central Park West.</p><p>The first half of <em>Heaven on the Hudson</em> covers the history of Riverside Park and Riverside Drive, from colonial times to the recent past. The second half takes readers on a tour of both, punctuated by historically grounded descriptions of buildings, monuments, memorials and recreation areas. Her chapters are accompanied by historical illustrations, contemporary photographs by Robert F. Rodriguez, and a glossary that helps readers new to architecture makes sense of architectural terms. Azzarone, who writes as a long-time resident and local historian who loves the park and the drive, has produced a book that is at once detailed and passionate.</p><p><em>Robert W. Snyder, Manhattan Borough Historian and professor emeritus at Rutgers University, is editing an anthology of New Yorkers’ memories of the COVID-19 pandemic for Cornell University Press.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1779</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2e8af498-6f51-11ed-8a1e-d70747362a2c]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN2320191495.mp3?updated=1669663143" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul Watt, "Estate Regeneration and Its Discontents: Public Housing, Place and Inequality in London" (Policy Press, 2021)</title>
      <description>It is widely accepted that London is in the midst of a serious housing crisis, manifested most obviously in city's soaring rents. While the causes of this crisis are manifold, many people have come to argue that the diminished role of public housing, which includes council estates, is a major contributing factor. Yet the bitter irony is that, at a time of such massive housing shortages, London's council estates are disappearing from the city's skyline in the name of renewal and regeneration. In Estate Regeneration and Its Discontents: Public Housing, Place and Inequality in London (Policy Press, 2021), Watt provides a systematic policy and sociological account of the transformation of council housing in London over the last three decades, drawing on extensive fieldwork, interviews, and statistical and documentary analysis undertaken in several London boroughs. The book explores what this dramatic shift in housing implies for ever-widening inequality in London's distribution of wealth.
Anna Zhelnina holds a Ph.D. in Sociology and is a postdoctoral fellow at the University of Helsinki. To learn more, visit her website or follow Anna on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 28 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>260</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul Watt</itunes:subtitle>
      <itunes:summary>It is widely accepted that London is in the midst of a serious housing crisis, manifested most obviously in city's soaring rents. While the causes of this crisis are manifold, many people have come to argue that the diminished role of public housing, which includes council estates, is a major contributing factor. Yet the bitter irony is that, at a time of such massive housing shortages, London's council estates are disappearing from the city's skyline in the name of renewal and regeneration. In Estate Regeneration and Its Discontents: Public Housing, Place and Inequality in London (Policy Press, 2021), Watt provides a systematic policy and sociological account of the transformation of council housing in London over the last three decades, drawing on extensive fieldwork, interviews, and statistical and documentary analysis undertaken in several London boroughs. The book explores what this dramatic shift in housing implies for ever-widening inequality in London's distribution of wealth.
Anna Zhelnina holds a Ph.D. in Sociology and is a postdoctoral fellow at the University of Helsinki. To learn more, visit her website or follow Anna on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is widely accepted that London is in the midst of a serious housing crisis, manifested most obviously in city's soaring rents. While the causes of this crisis are manifold, many people have come to argue that the diminished role of public housing, which includes council estates, is a major contributing factor. Yet the bitter irony is that, at a time of such massive housing shortages, London's council estates are disappearing from the city's skyline in the name of renewal and regeneration. In <a href="https://bookshop.org/a/12343/9781447329190"><em>Estate Regeneration and Its Discontents: Public Housing, Place and Inequality in London</em></a> (Policy Press, 2021), Watt provides a systematic policy and sociological account of the transformation of council housing in London over the last three decades, drawing on extensive fieldwork, interviews, and statistical and documentary analysis undertaken in several London boroughs. The book explores what this dramatic shift in housing implies for ever-widening inequality in London's distribution of wealth.</p><p><em>Anna Zhelnina holds a Ph.D. in Sociology and is a postdoctoral fellow at the University of Helsinki. To learn more, visit</em><a href="https://annazhelnina.com/"><em> her website</em></a><em> or follow Anna on </em><a href="https://twitter.com/AnnaZhelnina"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3594</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0a06e77a-6d9a-11ed-9d73-43ba4fc36841]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN6563200679.mp3?updated=1669474910" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Graham Harman, "Architecture and Objects" (U Minnesota Press, 2022)</title>
      <description>Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects (U Minnesota Press, 2022), the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function.
Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building’s visual style, function with its stated purpose—and constrain architecture’s possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both (zero-form and zero-function) that together provide a convincing rejoinder to Immanuel Kant’s dismissal of architecture as “impure.”
Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 04 Nov 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>326</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Graham Harman</itunes:subtitle>
      <itunes:summary>Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects (U Minnesota Press, 2022), the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function.
Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building’s visual style, function with its stated purpose—and constrain architecture’s possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both (zero-form and zero-function) that together provide a convincing rejoinder to Immanuel Kant’s dismissal of architecture as “impure.”
Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. <a href="https://bookshop.org/a/12343/9781517908539"><em>Architecture and Objects</em></a><em> </em>(U Minnesota Press, 2022), the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function.</p><p>Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building’s visual style, function with its stated purpose—and constrain architecture’s possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both (zero-form and zero-function) that together provide a convincing rejoinder to Immanuel Kant’s dismissal of architecture as “impure.”</p><p>Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”.</em> <em>For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3871</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[85b5348a-5620-11ed-94b7-b758002bdcd9]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN9033348080.mp3?updated=1666894005" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Álvaro Sevilla-Buitrago, "Against the Commons: A Radical History of Urban Planning" (U Minnesota Press, 2022)</title>
      <description>Characterized by shared, self-managed access to food, housing, and basic conditions for a creative life, the commons are essential for communities to flourish and protect spaces of collective autonomy from capitalist encroachment. In a narrative spanning more than three centuries, Against the Commons: A Radical History of Urban Planning (University of Minnesota Press, 2022) provides a radical counter history of urban planning that explores how capitalism and spatial politics have evolved to address this challenge. Highlighting episodes from preindustrial England, New York City and Chicago between the 1850s and the early 1900s, Weimar-era Berlin, and neoliberal Milan, Álvaro Sevilla-Buitrago shows how capitalist urbanization has eroded the egalitarian, convivial life-worlds around the commons. 
In this episode, channel host Tayeba Batool talks with Dr. Álvaro Sevilla-Buitrago on the book's argument about the ways through which urbanization shapes the social fabric of places and territories. The conversation touches upon the impact of planning and design initiatives on working-class communities and popular strata, and the various, multiple, and incremental modes of dispossession that are implicated in struggles over land, shared resources, public space, neighborhoods, creativity, and spatial imaginaries. We hear from Dr. Sevilla-Buitrago about the possibilities and alternates to a post-capitalist urban planning, one in which the structure of collective spaces is ultimately defined by the people who inhabit them.
Dr. Álvaro Sevilla-Buitrago is an Associate Professor of Urban Planning at the School of Architecture, Universidad Politécnica de Madrid. Tayeba Batool is a PhD Candidate in Anthropology at the University of Pennsylvania.
Tayeba Batool is a PhD Candidate in the Department of Anthropology at the University of Pennsylvania.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 21 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Álvaro Sevilla-Buitrago</itunes:subtitle>
      <itunes:summary>Characterized by shared, self-managed access to food, housing, and basic conditions for a creative life, the commons are essential for communities to flourish and protect spaces of collective autonomy from capitalist encroachment. In a narrative spanning more than three centuries, Against the Commons: A Radical History of Urban Planning (University of Minnesota Press, 2022) provides a radical counter history of urban planning that explores how capitalism and spatial politics have evolved to address this challenge. Highlighting episodes from preindustrial England, New York City and Chicago between the 1850s and the early 1900s, Weimar-era Berlin, and neoliberal Milan, Álvaro Sevilla-Buitrago shows how capitalist urbanization has eroded the egalitarian, convivial life-worlds around the commons. 
In this episode, channel host Tayeba Batool talks with Dr. Álvaro Sevilla-Buitrago on the book's argument about the ways through which urbanization shapes the social fabric of places and territories. The conversation touches upon the impact of planning and design initiatives on working-class communities and popular strata, and the various, multiple, and incremental modes of dispossession that are implicated in struggles over land, shared resources, public space, neighborhoods, creativity, and spatial imaginaries. We hear from Dr. Sevilla-Buitrago about the possibilities and alternates to a post-capitalist urban planning, one in which the structure of collective spaces is ultimately defined by the people who inhabit them.
Dr. Álvaro Sevilla-Buitrago is an Associate Professor of Urban Planning at the School of Architecture, Universidad Politécnica de Madrid. Tayeba Batool is a PhD Candidate in Anthropology at the University of Pennsylvania.
Tayeba Batool is a PhD Candidate in the Department of Anthropology at the University of Pennsylvania.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Characterized by shared, self-managed access to food, housing, and basic conditions for a creative life, the commons are essential for communities to flourish and protect spaces of collective autonomy from capitalist encroachment. In a narrative spanning more than three centuries, <a href="https://bookshop.org/a/12343/9781517911751"><em>Against the Commons: A Radical History of Urban Planning</em></a><em> </em>(University of Minnesota Press, 2022) provides a radical counter history of urban planning that explores how capitalism and spatial politics have evolved to address this challenge. Highlighting episodes from preindustrial England, New York City and Chicago between the 1850s and the early 1900s, Weimar-era Berlin, and neoliberal Milan, Álvaro Sevilla-Buitrago shows how capitalist urbanization has eroded the egalitarian, convivial life-worlds around the commons. </p><p>In this episode, channel host Tayeba Batool talks with Dr. Álvaro Sevilla-Buitrago on the book's argument about the ways through which urbanization shapes the social fabric of places and territories. The conversation touches upon the impact of planning and design initiatives on working-class communities and popular strata, and the various, multiple, and incremental modes of dispossession that are implicated in struggles over land, shared resources, public space, neighborhoods, creativity, and spatial imaginaries. We hear from Dr. Sevilla-Buitrago about the possibilities and alternates to a post-capitalist urban planning, one in which the structure of collective spaces is ultimately defined by the people who inhabit them.</p><p>Dr. Álvaro Sevilla-Buitrago is an Associate Professor of Urban Planning at the School of Architecture, Universidad Politécnica de Madrid. Tayeba Batool is a PhD Candidate in Anthropology at the University of Pennsylvania.</p><p><a href="https://anthropology.sas.upenn.edu/people/tayeba-batool"><em>Tayeba Batool </em></a><em>is a PhD Candidate in the Department of Anthropology at the University of Pennsylvania.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3803</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7a21c7b8-4bfe-11ed-864b-4b3af8d1b225]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN6192214468.mp3?updated=1665779747" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ian Wray, "No Little Plans: How Government Built America’s Wealth and Infrastructure" (Routledge, 2019)</title>
      <description>Is planning for America anathema to the pursuit of life, liberty and happiness? Is it true, as thinkers such as Friedrich Von Hayek, Milton Friedman, and Ayn Rand have claimed, that planning leads to dictatorship, that the state is economically inefficient, and that prosperity is owed primarily to the workings of a free market? To answer these questions Ian Wray’s book goes in search of an America shaped by government, plans and bureaucrats, not by businesses, bankers and shareholders. He demonstrates that government plans did not damage American wealth. On the contrary, they built it, and in the most profound ways.
In three parts, No Little Plans: How Government Built America’s Wealth and Infrastructure (Routledge, 2019) is an intellectual roller coaster. Part I takes the reader downhill, examining the rise and fall of rational planning, and looks at the converging bands of planning critics, led on the right by the Chicago School of Economics, on the left by the rise of conservation and the ‘counterculture’, and two brilliantly iconoclastic writers – Jane Jacobs and Rachel Carson.
In Part II, eight case studies take us from the trans-continental railroads through the national parks, the Federal dams and hydropower schemes, the wartime arsenal of democracy, to the postwar interstate highways, planning for New York, the moon shot and the creation of the internet. These are stories of immense government achievement.
Part III looks at what might lie ahead, reflecting on a huge irony: the ideology which underpins the economic and political rise of Asia (by which America now feels so threatened) echoes the pragmatic plans and actions which once secured America’s rise to globalism.
Ian Wray is Visiting Professor in Civic Design and Heseltine Institute Fellow at the University of Liverpool. He is a Fellow of the Academy of Social Sciences and Vice Chair of World Heritage UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 22 Sep 2022 20:46:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>37</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Wray’s book goes in search of an America shaped by government, plans and bureaucrats, not by businesses, bankers and shareholders. He demonstrates that government plans did not damage American wealth. On the contrary, they built it, and in the most profound ways...</itunes:subtitle>
      <itunes:summary>Is planning for America anathema to the pursuit of life, liberty and happiness? Is it true, as thinkers such as Friedrich Von Hayek, Milton Friedman, and Ayn Rand have claimed, that planning leads to dictatorship, that the state is economically inefficient, and that prosperity is owed primarily to the workings of a free market? To answer these questions Ian Wray’s book goes in search of an America shaped by government, plans and bureaucrats, not by businesses, bankers and shareholders. He demonstrates that government plans did not damage American wealth. On the contrary, they built it, and in the most profound ways.
In three parts, No Little Plans: How Government Built America’s Wealth and Infrastructure (Routledge, 2019) is an intellectual roller coaster. Part I takes the reader downhill, examining the rise and fall of rational planning, and looks at the converging bands of planning critics, led on the right by the Chicago School of Economics, on the left by the rise of conservation and the ‘counterculture’, and two brilliantly iconoclastic writers – Jane Jacobs and Rachel Carson.
In Part II, eight case studies take us from the trans-continental railroads through the national parks, the Federal dams and hydropower schemes, the wartime arsenal of democracy, to the postwar interstate highways, planning for New York, the moon shot and the creation of the internet. These are stories of immense government achievement.
Part III looks at what might lie ahead, reflecting on a huge irony: the ideology which underpins the economic and political rise of Asia (by which America now feels so threatened) echoes the pragmatic plans and actions which once secured America’s rise to globalism.
Ian Wray is Visiting Professor in Civic Design and Heseltine Institute Fellow at the University of Liverpool. He is a Fellow of the Academy of Social Sciences and Vice Chair of World Heritage UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is planning for America anathema to the pursuit of life, liberty and happiness? Is it true, as thinkers such as Friedrich Von Hayek, Milton Friedman, and Ayn Rand have claimed, that planning leads to dictatorship, that the state is economically inefficient, and that prosperity is owed primarily to the workings of a free market? To answer these questions <a href="https://www.liverpool.ac.uk/heseltine-institute/about/honorary-fellows/ian-wray/">Ian Wray</a>’s book goes in search of an America shaped by government, plans and bureaucrats, not by businesses, bankers and shareholders. He demonstrates that government plans did not damage American wealth. On the contrary, they built it, and in the most profound ways.</p><p>In three parts, <a href="http://www.amazon.com/dp/1138594091/?tag=newbooinhis-20"><em>No Little Plans: How Government Built America’s Wealth and Infrastructure</em></a> (Routledge, 2019) is an intellectual roller coaster. Part I takes the reader downhill, examining the rise and fall of rational planning, and looks at the converging bands of planning critics, led on the right by the Chicago School of Economics, on the left by the rise of conservation and the ‘counterculture’, and two brilliantly iconoclastic writers – Jane Jacobs and Rachel Carson.</p><p>In Part II, eight case studies take us from the trans-continental railroads through the national parks, the Federal dams and hydropower schemes, the wartime arsenal of democracy, to the postwar interstate highways, planning for New York, the moon shot and the creation of the internet. These are stories of immense government achievement.</p><p>Part III looks at what might lie ahead, reflecting on a huge irony: the ideology which underpins the economic and political rise of Asia (by which America now feels so threatened) echoes the pragmatic plans and actions which once secured America’s rise to globalism.</p><p>Ian Wray is Visiting Professor in Civic Design and Heseltine Institute Fellow at the University of Liverpool. He is a Fellow of the Academy of Social Sciences and Vice Chair of World Heritage UK.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3284</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ac190f6a-3ae0-11ea-929d-77255f1f9434]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT3420845153.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alex Nathanson, "A History of Solar Power Art and Design" (Routledge, 2021)</title>
      <description>Alex Nathanson's book A History of Solar Power Art and Design (Routledge, 2021) examines the history of creative applications of photovoltaic (PV) solar power, including sound art, wearable technology, public art, industrial design, digital media, building integrated design, and many others.
The growth in artists and designers incorporating solar power into their work reflects broader social, economic, and political events. As the cost of PV cells has come down, they have become more accessible and have found their way into a growing range of design applications and artistic practices. As climate change continues to transform our environment and becomes a greater public concern, the importance of integrating sustainable energy technologies into our culture grows as well.
The book will be of interest to scholars working in art history, design history, design studies, environmental studies, environmental humanities, and sustainable energy design.
﻿Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 19 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>78</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alex Nathanson</itunes:subtitle>
      <itunes:summary>Alex Nathanson's book A History of Solar Power Art and Design (Routledge, 2021) examines the history of creative applications of photovoltaic (PV) solar power, including sound art, wearable technology, public art, industrial design, digital media, building integrated design, and many others.
The growth in artists and designers incorporating solar power into their work reflects broader social, economic, and political events. As the cost of PV cells has come down, they have become more accessible and have found their way into a growing range of design applications and artistic practices. As climate change continues to transform our environment and becomes a greater public concern, the importance of integrating sustainable energy technologies into our culture grows as well.
The book will be of interest to scholars working in art history, design history, design studies, environmental studies, environmental humanities, and sustainable energy design.
﻿Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Alex Nathanson's book <a href="https://bookshop.org/a/12343/9780367465681"><em>A History of Solar Power Art and Design</em></a> (Routledge, 2021) examines the history of creative applications of photovoltaic (PV) solar power, including sound art, wearable technology, public art, industrial design, digital media, building integrated design, and many others.</p><p>The growth in artists and designers incorporating solar power into their work reflects broader social, economic, and political events. As the cost of PV cells has come down, they have become more accessible and have found their way into a growing range of design applications and artistic practices. As climate change continues to transform our environment and becomes a greater public concern, the importance of integrating sustainable energy technologies into our culture grows as well.</p><p>The book will be of interest to scholars working in art history, design history, design studies, environmental studies, environmental humanities, and sustainable energy design.</p><p><em>﻿</em><a href="https://toepferarchitecture.com/"><em>Bryan Toepfer</em></a><em>, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>﻿</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1462</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[31f8484e-32a5-11ed-96b2-c33123406294]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN4513674825.mp3?updated=1662992361" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mrill Ingram, "Loving Orphaned Space: The Art and Science of Belonging to Earth" (Temple UP, 2022)</title>
      <description>How we relate to orphaned space matters. Voids, marginalia, empty spaces—from abandoned gas stations to polluted waterways—are created and maintained by politics, and often go unquestioned. In Loving Orphaned Space: The Art and Science of Belonging to Earth (Temple UP, 2022), Mrill Ingram provides a call to action to claim and to cherish these neglected spaces and make them a source of inspiration through art and/or remuneration.
Ingram advocates not only for “urban greening” and “green planning,” but also for “radical caring.” These efforts create awareness and understanding of ecological connectivity and environmental justice issues—from the expropriation of land from tribal nations, to how race and class issues contribute to creating orphaned space. Case studies feature artists, scientists, and community collaborations in Chicago, New York, and Fargo, ND, where grounded and practical work of a fundamentally feminist nature challenges us to build networks of connection and care.
The work of environmental artists who venture into and transform these disconnected sites of infrastructure allow us to rethink how to manage the enormous amount of existing overlooked and abused space. Loving Orphaned Space provides new ways humans can negotiate being better citizens of Earth.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 16 Sep 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>74</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mrill Ingram</itunes:subtitle>
      <itunes:summary>How we relate to orphaned space matters. Voids, marginalia, empty spaces—from abandoned gas stations to polluted waterways—are created and maintained by politics, and often go unquestioned. In Loving Orphaned Space: The Art and Science of Belonging to Earth (Temple UP, 2022), Mrill Ingram provides a call to action to claim and to cherish these neglected spaces and make them a source of inspiration through art and/or remuneration.
Ingram advocates not only for “urban greening” and “green planning,” but also for “radical caring.” These efforts create awareness and understanding of ecological connectivity and environmental justice issues—from the expropriation of land from tribal nations, to how race and class issues contribute to creating orphaned space. Case studies feature artists, scientists, and community collaborations in Chicago, New York, and Fargo, ND, where grounded and practical work of a fundamentally feminist nature challenges us to build networks of connection and care.
The work of environmental artists who venture into and transform these disconnected sites of infrastructure allow us to rethink how to manage the enormous amount of existing overlooked and abused space. Loving Orphaned Space provides new ways humans can negotiate being better citizens of Earth.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How we relate to orphaned space matters. Voids, marginalia, empty spaces—from abandoned gas stations to polluted waterways—are created and maintained by politics, and often go unquestioned. In <a href="https://bookshop.org/a/12343/9781439921951"><em>Loving Orphaned Space: The Art and Science of Belonging to Earth</em></a><em> </em>(Temple UP, 2022), Mrill Ingram provides a call to action to claim and to cherish these neglected spaces and make them a source of inspiration through art and/or remuneration.</p><p>Ingram advocates not only for “urban greening” and “green planning,” but also for “radical caring.” These efforts create awareness and understanding of ecological connectivity and environmental justice issues—from the expropriation of land from tribal nations, to how race and class issues contribute to creating orphaned space. Case studies feature artists, scientists, and community collaborations in Chicago, New York, and Fargo, ND, where grounded and practical work of a fundamentally feminist nature challenges us to build networks of connection and care.</p><p>The work of environmental artists who venture into and transform these disconnected sites of infrastructure allow us to rethink how to manage the enormous amount of existing overlooked and abused space. <em>Loving Orphaned Space </em>provides new ways humans can negotiate being better citizens of Earth.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2718</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[568e4b62-3053-11ed-9e7c-f3f2b6654b8b]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7637152488.mp3?updated=1662737149" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer L. Allen, "Sustainable Utopias: The Art and Politics of Hope in Germany" (Harvard UP, 2022)</title>
      <description>By most accounts, the twentieth century was not kind to utopian thought. The violence of two world wars, Cold War anxieties, and a widespread sense of crisis after the 1973 global oil shock appeared to doom dreams of a better world. The eventual victory of capitalism and, seemingly, liberal democracy relieved some fears but exchanged them for complacency and cynicism.
Not, however, in West Germany. In Sustainable Utopias: The Art and Politics of Hope in Germany (Harvard UP, 2022), Jennifer Allen showcases grassroots activism of the 1980s and 1990s that envisioned a radically different society based on community-centered politics―a society in which the democratization of culture and power ameliorated alienation and resisted the impotence of end-of-history narratives. Berlin’s History Workshop liberated research from university confines by providing opportunities for ordinary people to write and debate the story of the nation. The Green Party made the politics of direct democracy central to its program. Artists changed the way people viewed and acted in public spaces by installing objects in unexpected environments, including the Stolpersteine: paving stones, embedded in residential sidewalks, bearing the names of Nazi victims. These activists went beyond just trafficking in ideas. They forged new infrastructures, spaces, and behaviors that gave everyday people real agency in their communities. Undergirding this activism was the environmentalist concept of sustainability, which demanded that any alternative to existing society be both enduring and adaptable.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 14 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>136</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer L. Allen</itunes:subtitle>
      <itunes:summary>By most accounts, the twentieth century was not kind to utopian thought. The violence of two world wars, Cold War anxieties, and a widespread sense of crisis after the 1973 global oil shock appeared to doom dreams of a better world. The eventual victory of capitalism and, seemingly, liberal democracy relieved some fears but exchanged them for complacency and cynicism.
Not, however, in West Germany. In Sustainable Utopias: The Art and Politics of Hope in Germany (Harvard UP, 2022), Jennifer Allen showcases grassroots activism of the 1980s and 1990s that envisioned a radically different society based on community-centered politics―a society in which the democratization of culture and power ameliorated alienation and resisted the impotence of end-of-history narratives. Berlin’s History Workshop liberated research from university confines by providing opportunities for ordinary people to write and debate the story of the nation. The Green Party made the politics of direct democracy central to its program. Artists changed the way people viewed and acted in public spaces by installing objects in unexpected environments, including the Stolpersteine: paving stones, embedded in residential sidewalks, bearing the names of Nazi victims. These activists went beyond just trafficking in ideas. They forged new infrastructures, spaces, and behaviors that gave everyday people real agency in their communities. Undergirding this activism was the environmentalist concept of sustainability, which demanded that any alternative to existing society be both enduring and adaptable.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>By most accounts, the twentieth century was not kind to utopian thought. The violence of two world wars, Cold War anxieties, and a widespread sense of crisis after the 1973 global oil shock appeared to doom dreams of a better world. The eventual victory of capitalism and, seemingly, liberal democracy relieved some fears but exchanged them for complacency and cynicism.</p><p>Not, however, in West Germany. In <a href="https://bookshop.org/a/12343/9780674249141"><em>Sustainable Utopias: The Art and Politics of Hope in Germany</em></a> (Harvard UP, 2022), Jennifer Allen showcases grassroots activism of the 1980s and 1990s that envisioned a radically different society based on community-centered politics―a society in which the democratization of culture and power ameliorated alienation and resisted the impotence of end-of-history narratives. Berlin’s History Workshop liberated research from university confines by providing opportunities for ordinary people to write and debate the story of the nation. The Green Party made the politics of direct democracy central to its program. Artists changed the way people viewed and acted in public spaces by installing objects in unexpected environments, including the Stolpersteine: paving stones, embedded in residential sidewalks, bearing the names of Nazi victims. These activists went beyond just trafficking in ideas. They forged new infrastructures, spaces, and behaviors that gave everyday people real agency in their communities. Undergirding this activism was the environmentalist concept of sustainability, which demanded that any alternative to existing society be both enduring and adaptable.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4438</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7aea1db4-2edd-11ed-8a9c-97115b4bd0fa]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN6219081368.mp3?updated=1662577778" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicholas Gamso, "Art After Liberalism" (Columbia UP, 2022)</title>
      <description>Art After Liberalism (Columbia UP, 2022) is an account of creative practice at a moment of converging political and social rifts – a moment that could be described as a crisis of liberalism. The apparent failures of liberal thinking are a starting point for an inquiry into emergent ways of living, acting, and making art in the company of others.
What happens when the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development can no longer be counted on to produce a world worth living in? It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, colonization, moral debt, and ecological devastation.
Nicholas Gamso speaks to Pierre d’Alancaisez about the ills of liberalism and art’s role in deciding on what may come after the impasse.
Nicholas Gamso is a writer and academic who works across theory, visual culture, performance, and space/place. He’s an editor at Places.

Kara Walker, A Subtlety, 2014

Manaf Halbouni, Monument, 2017

Warren Kanders controversy at the Whitney


Triple Chaser by Forensic Architecture

My conversations with and on Forensic Architecture


Wolfgang Tillmans and his anti-Brexit campaign


Ren Hang


Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 12 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>117</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicholas Gamso</itunes:subtitle>
      <itunes:summary>Art After Liberalism (Columbia UP, 2022) is an account of creative practice at a moment of converging political and social rifts – a moment that could be described as a crisis of liberalism. The apparent failures of liberal thinking are a starting point for an inquiry into emergent ways of living, acting, and making art in the company of others.
What happens when the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development can no longer be counted on to produce a world worth living in? It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, colonization, moral debt, and ecological devastation.
Nicholas Gamso speaks to Pierre d’Alancaisez about the ills of liberalism and art’s role in deciding on what may come after the impasse.
Nicholas Gamso is a writer and academic who works across theory, visual culture, performance, and space/place. He’s an editor at Places.

Kara Walker, A Subtlety, 2014

Manaf Halbouni, Monument, 2017

Warren Kanders controversy at the Whitney


Triple Chaser by Forensic Architecture

My conversations with and on Forensic Architecture


Wolfgang Tillmans and his anti-Brexit campaign


Ren Hang


Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781941332689"><em>Art After Liberalism</em></a><em> </em>(Columbia UP, 2022) is an account of creative practice at a moment of converging political and social rifts – a moment that could be described as a crisis of liberalism. The apparent failures of liberal thinking are a starting point for an inquiry into emergent ways of living, acting, and making art in the company of others.</p><p>What happens when the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development can no longer be counted on to produce a world worth living in? It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, colonization, moral debt, and ecological devastation.</p><p>Nicholas Gamso speaks to Pierre d’Alancaisez about the ills of liberalism and art’s role in deciding on what may come after the impasse.</p><p><a href="https://www.nicholas-gamso.com/">Nicholas Gamso</a> is a writer and academic who works across theory, visual culture, performance, and space/place. He’s an editor at <a href="https://placesjournal.org/"><em>Places</em></a><em>.</em></p><ul>
<li><a href="https://creativetime.org/projects/karawalker/">Kara Walker, <em>A Subtlety</em>, 2014</a></li>
<li><a href="https://learngerman.dw.com/en/monument-to-aleppo-opens-to-protests-in-dresden/a-37445794">Manaf Halbouni, <em>Monument</em>, 2017</a></li>
<li><a href="https://www.nytimes.com/2019/07/25/arts/whitney-warren-kanders-resigns.html">Warren Kanders controversy at the Whitney</a></li>
<li>
<a href="https://forensic-architecture.org/investigation/triple-chaser"><em>Triple Chaser</em></a> by Forensic Architecture</li>
<li><a href="https://petitpoi.net/tag/forensic-architecture/">My conversations with and on <em>Forensic Architecture</em></a></li>
<li>
<a href="https://tillmans.co.uk/">Wolfgang Tillmans</a> and his <a href="https://tillmans.co.uk/campaign-eu">anti-Brexit campaign</a>
</li>
<li><a href="https://www.itsliquid.com/renhang-photography.html">Ren Hang</a></li>
</ul><p><br></p><p><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>5011</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a913b968-2d28-11ed-8396-17ef0becd3e0]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN6503031895.mp3?updated=1662390050" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christina E. Crawford, "Spatial Revolution: Architecture and Planning in the Early Soviet Union" (Cornell UP, 2022)</title>
      <description>Spatial Revolution: Architecture and Planning in the Early Soviet Union (Cornell UP, 2022) is the first comparative parallel study of Soviet architecture and planning to create a narrative arc across a vast geography. The narrative binds together three critical industrial-residential projects in Baku, Magnitogorsk, and Kharkiv, built during the first fifteen years of the Soviet project and followed attentively worldwide after the collapse of capitalist markets in 1929.
Among the revelations provided by Christina E. Crawford is the degree to which outside experts participated in the construction of the Soviet industrial complex, while facing difficult topographies, near-impossible deadlines, and inchoate theories of socialist space-making.
Crawford describes how early Soviet architecture and planning activities were kinetic and negotiated and how questions about the proper distribution of people and industry under socialism were posed and refined through the construction of brick and mortar, steel and concrete projects, living laboratories that tested alternative spatial models. As a result, Spatial Revolution answers important questions of how the first Soviet industrialization drive was a catalyst for construction of thousands of new enterprises on remote sites across the Eurasian continent, an effort that spread to far-flung sites in other socialist states—and capitalist welfare states—for decades to follow.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 19 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>77</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christina E. Crawford</itunes:subtitle>
      <itunes:summary>Spatial Revolution: Architecture and Planning in the Early Soviet Union (Cornell UP, 2022) is the first comparative parallel study of Soviet architecture and planning to create a narrative arc across a vast geography. The narrative binds together three critical industrial-residential projects in Baku, Magnitogorsk, and Kharkiv, built during the first fifteen years of the Soviet project and followed attentively worldwide after the collapse of capitalist markets in 1929.
Among the revelations provided by Christina E. Crawford is the degree to which outside experts participated in the construction of the Soviet industrial complex, while facing difficult topographies, near-impossible deadlines, and inchoate theories of socialist space-making.
Crawford describes how early Soviet architecture and planning activities were kinetic and negotiated and how questions about the proper distribution of people and industry under socialism were posed and refined through the construction of brick and mortar, steel and concrete projects, living laboratories that tested alternative spatial models. As a result, Spatial Revolution answers important questions of how the first Soviet industrialization drive was a catalyst for construction of thousands of new enterprises on remote sites across the Eurasian continent, an effort that spread to far-flung sites in other socialist states—and capitalist welfare states—for decades to follow.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781501759192"><em>Spatial Revolution: Architecture and Planning in the Early Soviet Union</em></a><em> </em>(Cornell UP, 2022) is the first comparative parallel study of Soviet architecture and planning to create a narrative arc across a vast geography. The narrative binds together three critical industrial-residential projects in Baku, Magnitogorsk, and Kharkiv, built during the first fifteen years of the Soviet project and followed attentively worldwide after the collapse of capitalist markets in 1929.</p><p>Among the revelations provided by Christina E. Crawford is the degree to which outside experts participated in the construction of the Soviet industrial complex, while facing difficult topographies, near-impossible deadlines, and inchoate theories of socialist space-making.</p><p>Crawford describes how early Soviet architecture and planning activities were kinetic and negotiated and how questions about the proper distribution of people and industry under socialism were posed and refined through the construction of brick and mortar, steel and concrete projects, living laboratories that tested alternative spatial models. As a result, <em>Spatial Revolution</em> answers important questions of how the first Soviet industrialization drive was a catalyst for construction of thousands of new enterprises on remote sites across the Eurasian continent, an effort that spread to far-flung sites in other socialist states—and capitalist welfare states—for decades to follow.</p><p><a href="https://toepferarchitecture.com/"><em>Bryan Toepfer</em></a><em>, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1434</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4e3fec1e-1a5e-11ed-8fb0-b7fa6a9c83e1]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3432591295.mp3?updated=1660323132" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Julia Walker, "Berlin Contemporary: Architecture and Politics After 1990" (Bloomsbury, 2021)</title>
      <description>For years following reunification, Berlin was the largest construction site in Europe, with striking new architecture proliferating throughout the city in the 1990s and early 2000s. Among the most visible and the most contested of the new projects were those designed for the national government and its related functions.
Julia Walker's Berlin Contemporary: Architecture and Politics After 1990 (Bloomsbury, 2021) explores these buildings and plans, tracing their antecedents while also situating their iconic forms and influential designers within the spectacular world of global contemporary architecture. Close studies of these sites, including the Reichstag, the Chancellery, and the reconstruction of the Berlin Stadtschloss (now known as the Humboldt Forum), demonstrate the complexity of Berlin's political and architectural “rebuilding”-and reveal the intricate historical negotiations that architecture was summoned to perform.
Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 16 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Julia Walker</itunes:subtitle>
      <itunes:summary>For years following reunification, Berlin was the largest construction site in Europe, with striking new architecture proliferating throughout the city in the 1990s and early 2000s. Among the most visible and the most contested of the new projects were those designed for the national government and its related functions.
Julia Walker's Berlin Contemporary: Architecture and Politics After 1990 (Bloomsbury, 2021) explores these buildings and plans, tracing their antecedents while also situating their iconic forms and influential designers within the spectacular world of global contemporary architecture. Close studies of these sites, including the Reichstag, the Chancellery, and the reconstruction of the Berlin Stadtschloss (now known as the Humboldt Forum), demonstrate the complexity of Berlin's political and architectural “rebuilding”-and reveal the intricate historical negotiations that architecture was summoned to perform.
Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For years following reunification, Berlin was the largest construction site in Europe, with striking new architecture proliferating throughout the city in the 1990s and early 2000s. Among the most visible and the most contested of the new projects were those designed for the national government and its related functions.</p><p>Julia Walker's <a href="https://bookshop.org/a/12343/9781501367526"><em>Berlin Contemporary: Architecture and Politics After 1990</em></a><em> </em>(Bloomsbury, 2021) explores these buildings and plans, tracing their antecedents while also situating their iconic forms and influential designers within the spectacular world of global contemporary architecture. Close studies of these sites, including the Reichstag, the Chancellery, and the reconstruction of the Berlin Stadtschloss (now known as the Humboldt Forum), demonstrate the complexity of Berlin's political and architectural “rebuilding”-and reveal the intricate historical negotiations that architecture was summoned to perform.</p><p><a href="http://linkedin.com/in/lea-h-greenberg-b23836201"><em>Lea Greenberg</em></a><em> is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3483</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c2b665d2-1bfd-11ed-bd17-bff80de0ce71]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3523181568.mp3?updated=1660501563" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Katherine L. Carroll, "Building Schools, Making Doctors: Architecture and the Modern American Physician" (U Pittsburgh Press, 2022)</title>
      <description>In the late nineteenth century, medical educators intent on transforming American physicians into scientifically trained, elite professionals recognized the value of medical school design for their reform efforts. Between 1893 and 1940, nearly every medical college in the country rebuilt or substantially renovated its facility. In Building Schools, Making Doctors: Architecture and the Modern American Physician (U Pittsburgh Press, 2022), Katherine Carroll reveals how the schools constructed during this fifty-year period did more than passively house a remodeled system of medical training; they actively participated in defining and promoting an innovative pedagogy, modern science, and the new physician.
Interdisciplinary and wide ranging, her study moves architecture from the periphery of medical education to the center, uncovering a network of medical educators, architects, and philanthropists who believed that the educational environment itself shaped how students learned and the type of physicians they became. Carroll offers the first comprehensive study of the science and pedagogy formulated by the buildings, the influence of the schools’ donors and architects, the impact of the structures on the urban landscape and the local community, and the facilities’ privileging of white men within the medical profession during this formative period for physicians and medical schools.
Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England. Her book, Acupuncture as Revolution: Suffering, Liberation, and Love (Brevis Press) was published in 2021.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 09 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>168</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Katherine L. Carroll</itunes:subtitle>
      <itunes:summary>In the late nineteenth century, medical educators intent on transforming American physicians into scientifically trained, elite professionals recognized the value of medical school design for their reform efforts. Between 1893 and 1940, nearly every medical college in the country rebuilt or substantially renovated its facility. In Building Schools, Making Doctors: Architecture and the Modern American Physician (U Pittsburgh Press, 2022), Katherine Carroll reveals how the schools constructed during this fifty-year period did more than passively house a remodeled system of medical training; they actively participated in defining and promoting an innovative pedagogy, modern science, and the new physician.
Interdisciplinary and wide ranging, her study moves architecture from the periphery of medical education to the center, uncovering a network of medical educators, architects, and philanthropists who believed that the educational environment itself shaped how students learned and the type of physicians they became. Carroll offers the first comprehensive study of the science and pedagogy formulated by the buildings, the influence of the schools’ donors and architects, the impact of the structures on the urban landscape and the local community, and the facilities’ privileging of white men within the medical profession during this formative period for physicians and medical schools.
Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England. Her book, Acupuncture as Revolution: Suffering, Liberation, and Love (Brevis Press) was published in 2021.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the late nineteenth century, medical educators intent on transforming American physicians into scientifically trained, elite professionals recognized the value of medical school design for their reform efforts. Between 1893 and 1940, nearly every medical college in the country rebuilt or substantially renovated its facility. In <a href="https://bookshop.org/a/12343/9780822947059"><em>Building Schools, Making Doctors: Architecture and the Modern American Physician</em></a><em> </em>(U Pittsburgh Press, 2022), Katherine Carroll reveals how the schools constructed during this fifty-year period did more than passively house a remodeled system of medical training; they actively participated in defining and promoting an innovative pedagogy, modern science, and the new physician.</p><p>Interdisciplinary and wide ranging, her study moves architecture from the periphery of medical education to the center, uncovering a network of medical educators, architects, and philanthropists who believed that the educational environment itself shaped how students learned and the type of physicians they became. Carroll offers the first comprehensive study of the science and pedagogy formulated by the buildings, the influence of the schools’ donors and architects, the impact of the structures on the urban landscape and the local community, and the facilities’ privileging of white men within the medical profession during this formative period for physicians and medical schools.</p><p><em>Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England. Her book, Acupuncture as Revolution: Suffering, Liberation, and Love (Brevis Press) was published in 2021.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2649</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f706dd52-164f-11ed-bd26-f7249568d910]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN5748132873.mp3?updated=1659877022" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Goodall, "The Castle: A History" (Yale UP, 2022)</title>
      <description>In The Castle: A History (Yale University Press, 2022) Dr. John Goodall presents a vibrant history of the castle in Britain, from the early Middle Ages to the present day.
The castle has long had a pivotal place in British life, associated with lordship, landholding, and military might, and today it remains a powerful symbol of history. But castles have never been merely impressive fortresses—they were hubs of life, activity, and imagination.
Dr. John Goodall weaves together the history of the British castle across the span of a millennium, from the eleventh to the twenty-first century, through the voices of those who witnessed it. Drawing on chronicles, poems, letters, and novels, including the work of figures like Gawain Poet, Walter Scott, Evelyn Waugh, and P. G. Wodehouse, Dr. Goodall explores the importance of the castle in our culture and society.
From the medieval period to Civil War engagements, right up to modern manifestations in Harry Potter, Dr. Goodall reveals that the castle has always been put to different uses, and to this day continues to serve as a source of inspiration.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 05 Aug 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>119</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In The Castle: A History (Yale University Press, 2022) Dr. John Goodall presents a vibrant history of the castle in Britain, from the early Middle Ages to the present day.
The castle has long had a pivotal place in British life, associated with lordship, landholding, and military might, and today it remains a powerful symbol of history. But castles have never been merely impressive fortresses—they were hubs of life, activity, and imagination.
Dr. John Goodall weaves together the history of the British castle across the span of a millennium, from the eleventh to the twenty-first century, through the voices of those who witnessed it. Drawing on chronicles, poems, letters, and novels, including the work of figures like Gawain Poet, Walter Scott, Evelyn Waugh, and P. G. Wodehouse, Dr. Goodall explores the importance of the castle in our culture and society.
From the medieval period to Civil War engagements, right up to modern manifestations in Harry Potter, Dr. Goodall reveals that the castle has always been put to different uses, and to this day continues to serve as a source of inspiration.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780300251906"><em>The Castle: A History</em></a> (Yale University Press, 2022) Dr. John Goodall presents a vibrant history of the castle in Britain, from the early Middle Ages to the present day.</p><p>The castle has long had a pivotal place in British life, associated with lordship, landholding, and military might, and today it remains a powerful symbol of history. But castles have never been merely impressive fortresses—they were hubs of life, activity, and imagination.</p><p>Dr. John Goodall weaves together the history of the British castle across the span of a millennium, from the eleventh to the twenty-first century, through the voices of those who witnessed it. Drawing on chronicles, poems, letters, and novels, including the work of figures like Gawain Poet, Walter Scott, Evelyn Waugh, and P. G. Wodehouse, Dr. Goodall explores the importance of the castle in our culture and society.</p><p>From the medieval period to Civil War engagements, right up to modern manifestations in Harry Potter, Dr. Goodall reveals that the castle has always been put to different uses, and to this day continues to serve as a source of inspiration.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3244</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6f7a782c-0e6f-11ed-9e62-fff61e73aaf9]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN1823217166.mp3?updated=1659011243" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fred Delcomyn and James L. Ellis, "A Backyard Prairie: The Hidden Beauty of Tallgrass and Wildflowers" (Southern Illinois UP, 2021)</title>
      <description>In 2003 Fred Delcomyn imagined his backyard of two and a half acres, farmed for corn and soybeans for generations, restored to tallgrass prairie. Over the next seventeen years, Delcomyn, with help from his friend James L. Ellis scored, seeded, monitored, reseeded, and burned these acres into prairie. In A Backyard Prairie: The Hidden Beauty of Tallgrass and Wildflowers (Southern Illinois UP, 2021), they document their journey and reveal the incredible potential of a backyard to travel back to a time before the wild prairie was put into plow rows. It has been said, “Anyone can love the mountains, but it takes a soul to love the prairie.” This book shows us how.
The first book to celebrate a smaller, more private restoration, A Backyard Prairie offers a vivid portrait of what makes a prairie. Delcomyn and Ellis describe selecting and planting seeds, recount the management of a prescribed fire, and capture the prairie’s seasonal parades of colorful flowers in concert with an ever-growing variety of animals, from the minute eastern tailed-blue butterfly to the imperious red-winged blackbird and the reclusive coyote.
This book offers a unique account of their work and their discovery of a real backyard, an inviting island of grass and flowers uncovered and revealed. We often travel miles and miles to find nature larger than ourselves. In this rich account of small prairie restoration, Delcomyn and Ellis encourage the revival of original prairie in our backyards and the patient, beauty-seeking soul sleeping within ourselves.
﻿Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 04 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>76</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Fred Delcomyn and James L. Ellis</itunes:subtitle>
      <itunes:summary>In 2003 Fred Delcomyn imagined his backyard of two and a half acres, farmed for corn and soybeans for generations, restored to tallgrass prairie. Over the next seventeen years, Delcomyn, with help from his friend James L. Ellis scored, seeded, monitored, reseeded, and burned these acres into prairie. In A Backyard Prairie: The Hidden Beauty of Tallgrass and Wildflowers (Southern Illinois UP, 2021), they document their journey and reveal the incredible potential of a backyard to travel back to a time before the wild prairie was put into plow rows. It has been said, “Anyone can love the mountains, but it takes a soul to love the prairie.” This book shows us how.
The first book to celebrate a smaller, more private restoration, A Backyard Prairie offers a vivid portrait of what makes a prairie. Delcomyn and Ellis describe selecting and planting seeds, recount the management of a prescribed fire, and capture the prairie’s seasonal parades of colorful flowers in concert with an ever-growing variety of animals, from the minute eastern tailed-blue butterfly to the imperious red-winged blackbird and the reclusive coyote.
This book offers a unique account of their work and their discovery of a real backyard, an inviting island of grass and flowers uncovered and revealed. We often travel miles and miles to find nature larger than ourselves. In this rich account of small prairie restoration, Delcomyn and Ellis encourage the revival of original prairie in our backyards and the patient, beauty-seeking soul sleeping within ourselves.
﻿Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2003 Fred Delcomyn imagined his backyard of two and a half acres, farmed for corn and soybeans for generations, restored to tallgrass prairie. Over the next seventeen years, Delcomyn, with help from his friend James L. Ellis scored, seeded, monitored, reseeded, and burned these acres into prairie. In <a href="https://bookshop.org/a/12343/9780809338184"><em>A Backyard Prairie: The Hidden Beauty of Tallgrass and Wildflowers</em></a><em> </em>(Southern Illinois UP, 2021), they document their journey and reveal the incredible potential of a backyard to travel back to a time before the wild prairie was put into plow rows. It has been said, “Anyone can love the mountains, but it takes a soul to love the prairie.” This book shows us how.</p><p>The first book to celebrate a smaller, more private restoration, <em>A Backyard Prairie</em> offers a vivid portrait of what makes a prairie. Delcomyn and Ellis describe selecting and planting seeds, recount the management of a prescribed fire, and capture the prairie’s seasonal parades of colorful flowers in concert with an ever-growing variety of animals, from the minute eastern tailed-blue butterfly to the imperious red-winged blackbird and the reclusive coyote.</p><p>This book offers a unique account of their work and their discovery of a real backyard, an inviting island of grass and flowers uncovered and revealed. We often travel miles and miles to find nature larger than ourselves. In this rich account of small prairie restoration, Delcomyn and Ellis encourage the revival of original prairie in our backyards and the patient, beauty-seeking soul sleeping within ourselves.</p><p><em>﻿</em><a href="https://toepferarchitecture.com/"><em>Bryan Toepfer</em></a><em>, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>﻿</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1848</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aebf90e8-0ddf-11ed-ae7d-4f73f8f96dc1]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN9806361656.mp3?updated=1658949452" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Cole Roskam, "Designing Reform: Architecture in the People's Republic of China, 1970-1992" (Yale UP, 2021)</title>
      <description>China’s urban landscapes are full of radically different architectural styles which memorialise different eras in the country’s political past, from the remains of imperial palaces or city walls, to Republican-era shophouses, early-PRC medium-rise apartments, and soaring glass buildings of twenty-first-century vintage. But lodged – both temporally and physically – between these latter two are constructions from a time that is only now beginning to receive more attention, namely the early reform period of the 1970s-90s.
This is exactly the timespan covered in Cole Roskam’s excellent new book Designing Reform: Architecture in the People's Republic of China, 1970-1992 (Yale UP, 2021) which shows that architecture had a key place in the emerging political, social and cultural developments of China’s pivotal post-Mao years. Examining stylistic, institutional, sociological and aesthetic aspects to Chinese architecture and its cross-border entanglements, this is a book which – as we transition deeper into Xi Jinping’s ‘new era’ – has much to say about an intriguing and occluded period of recent history which is not just Chinese but truly global.
Ed Pulford is an Anthropologist and Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 26 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>456</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Cole Roskam</itunes:subtitle>
      <itunes:summary>China’s urban landscapes are full of radically different architectural styles which memorialise different eras in the country’s political past, from the remains of imperial palaces or city walls, to Republican-era shophouses, early-PRC medium-rise apartments, and soaring glass buildings of twenty-first-century vintage. But lodged – both temporally and physically – between these latter two are constructions from a time that is only now beginning to receive more attention, namely the early reform period of the 1970s-90s.
This is exactly the timespan covered in Cole Roskam’s excellent new book Designing Reform: Architecture in the People's Republic of China, 1970-1992 (Yale UP, 2021) which shows that architecture had a key place in the emerging political, social and cultural developments of China’s pivotal post-Mao years. Examining stylistic, institutional, sociological and aesthetic aspects to Chinese architecture and its cross-border entanglements, this is a book which – as we transition deeper into Xi Jinping’s ‘new era’ – has much to say about an intriguing and occluded period of recent history which is not just Chinese but truly global.
Ed Pulford is an Anthropologist and Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>China’s urban landscapes are full of radically different architectural styles which memorialise different eras in the country’s political past, from the remains of imperial palaces or city walls, to Republican-era shophouses, early-PRC medium-rise apartments, and soaring glass buildings of twenty-first-century vintage. But lodged – both temporally and physically – between these latter two are constructions from a time that is only now beginning to receive more attention, namely the early reform period of the 1970s-90s.</p><p>This is exactly the timespan covered in <a href="https://www.arch.hku.hk/staff/arch/roskam-cole/">Cole Roskam</a>’s excellent new book <a href="https://bookshop.org/a/12343/9780300235951"><em>Designing Reform: Architecture in the People's Republic of China, 1970-1992</em></a><em> </em>(Yale UP, 2021) which shows that architecture had a key place in the emerging political, social and cultural developments of China’s pivotal post-Mao years. Examining stylistic, institutional, sociological and aesthetic aspects to Chinese architecture and its cross-border entanglements, this is a book which – as we transition deeper into Xi Jinping’s ‘new era’ – has much to say about an intriguing and occluded period of recent history which is not just Chinese but truly global.</p><p><a href="https://www.research.manchester.ac.uk/portal/ed.pulford.html"><em>Ed Pulford</em></a><em> is an Anthropologist and Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3803</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e37fa378-0794-11ed-ac54-0b900495685f]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN1629225745.mp3?updated=1658257822" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ann Marie Borys, "American Unitarian Churches: Architecture of a Democratic Religion" (U Massachusetts Press, 2021)</title>
      <description>The Unitarian religious tradition was a product of the same eighteenth-century democratic ideals that fueled the American Revolution and informed the founding of the United States. Its liberal humanistic principles influenced institutions such as Harvard University and philosophical movements like Transcendentalism. Yet, its role in the history of American architecture is little known and studied.
In American Unitarian Churches: Architecture of a Democratic Religion (U Massachusetts Press, 2021), Ann Marie Borys argues that the progressive values and identity of the Unitarian religion are intimately intertwined with ideals of American democracy and visibly expressed in the architecture of its churches. Over time, church architecture has continued to evolve in response to developments within the faith, and many contemporary projects are built to serve religious, practical, and civic functions simultaneously. Focusing primarily on churches of the nineteenth and twentieth centuries, including Frank Lloyd Wright's Unity Temple and Louis Kahn's First Unitarian Church, Borys explores building histories, biographies of leaders, and broader sociohistorical contexts. As this essential study makes clear, to examine Unitarianism through its churches is to see American architecture anew, and to find an authentic architectural expression of American democratic identity.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 22 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>75</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ann Marie Borys</itunes:subtitle>
      <itunes:summary>The Unitarian religious tradition was a product of the same eighteenth-century democratic ideals that fueled the American Revolution and informed the founding of the United States. Its liberal humanistic principles influenced institutions such as Harvard University and philosophical movements like Transcendentalism. Yet, its role in the history of American architecture is little known and studied.
In American Unitarian Churches: Architecture of a Democratic Religion (U Massachusetts Press, 2021), Ann Marie Borys argues that the progressive values and identity of the Unitarian religion are intimately intertwined with ideals of American democracy and visibly expressed in the architecture of its churches. Over time, church architecture has continued to evolve in response to developments within the faith, and many contemporary projects are built to serve religious, practical, and civic functions simultaneously. Focusing primarily on churches of the nineteenth and twentieth centuries, including Frank Lloyd Wright's Unity Temple and Louis Kahn's First Unitarian Church, Borys explores building histories, biographies of leaders, and broader sociohistorical contexts. As this essential study makes clear, to examine Unitarianism through its churches is to see American architecture anew, and to find an authentic architectural expression of American democratic identity.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Unitarian religious tradition was a product of the same eighteenth-century democratic ideals that fueled the American Revolution and informed the founding of the United States. Its liberal humanistic principles influenced institutions such as Harvard University and philosophical movements like Transcendentalism. Yet, its role in the history of American architecture is little known and studied.</p><p>In <a href="https://bookshop.org/a/12343/9781625346032"><em>American Unitarian Churches: Architecture of a Democratic Religion</em></a><em> </em>(U Massachusetts Press, 2021), Ann Marie Borys argues that the progressive values and identity of the Unitarian religion are intimately intertwined with ideals of American democracy and visibly expressed in the architecture of its churches. Over time, church architecture has continued to evolve in response to developments within the faith, and many contemporary projects are built to serve religious, practical, and civic functions simultaneously. Focusing primarily on churches of the nineteenth and twentieth centuries, including Frank Lloyd Wright's Unity Temple and Louis Kahn's First Unitarian Church, Borys explores building histories, biographies of leaders, and broader sociohistorical contexts. As this essential study makes clear, to examine Unitarianism through its churches is to see American architecture anew, and to find an authentic architectural expression of American democratic identity.</p><p><a href="https://toepferarchitecture.com/"><em>Bryan Toepfer</em></a><em>, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1588</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a6bc1346-03a6-11ed-bc4c-672dd0e89778]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN5896781211.mp3?updated=1657825337" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andrew Witt, "Formulations: Architecture, Mathematics, Culture" (MIT Press, 2022)</title>
      <description>In Formulations: Architecture, Mathematics, Culture (MIT Press, 2022), Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics. The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled for design. Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects.
Witt presents a series of extensively illustrated “biographies of method”—episodes that chart the myriad ways in which mathematics, particularly the mathematical notion of modeling and drawing, was spliced into the creative practice of design. These include early drawing machines that mechanized curvature; the incorporation of geometric maquettes—“theorems made flesh”—into the toolbox of design; the virtualization of buildings and landscapes through surveyed triangulation and photogrammetry; formal and functional topology; stereoscopic drawing; the economic implications of cubic matrices; and a strange synthesis of the technological, mineral, and biological: crystallographic design.
Trained in both architecture and mathematics, Witt uses mathematics as a lens through which to understand the relationship between architecture and a much broader set of sciences and visual techniques. Through an intercultural exchange with other disciplines, he argues, architecture adapted not only the shapes and surfaces of mathematics but also its values and epistemic ideals.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 08 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>74</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrew Witt</itunes:subtitle>
      <itunes:summary>In Formulations: Architecture, Mathematics, Culture (MIT Press, 2022), Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics. The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled for design. Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects.
Witt presents a series of extensively illustrated “biographies of method”—episodes that chart the myriad ways in which mathematics, particularly the mathematical notion of modeling and drawing, was spliced into the creative practice of design. These include early drawing machines that mechanized curvature; the incorporation of geometric maquettes—“theorems made flesh”—into the toolbox of design; the virtualization of buildings and landscapes through surveyed triangulation and photogrammetry; formal and functional topology; stereoscopic drawing; the economic implications of cubic matrices; and a strange synthesis of the technological, mineral, and biological: crystallographic design.
Trained in both architecture and mathematics, Witt uses mathematics as a lens through which to understand the relationship between architecture and a much broader set of sciences and visual techniques. Through an intercultural exchange with other disciplines, he argues, architecture adapted not only the shapes and surfaces of mathematics but also its values and epistemic ideals.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780262543002"><em>Formulations: Architecture, Mathematics, Culture</em></a><em> </em>(MIT Press, 2022), Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics. The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled for design. Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects.</p><p>Witt presents a series of extensively illustrated “biographies of method”—episodes that chart the myriad ways in which mathematics, particularly the mathematical notion of modeling and drawing, was spliced into the creative practice of design. These include early drawing machines that mechanized curvature; the incorporation of geometric maquettes—“theorems made flesh”—into the toolbox of design; the virtualization of buildings and landscapes through surveyed triangulation and photogrammetry; formal and functional topology; stereoscopic drawing; the economic implications of cubic matrices; and a strange synthesis of the technological, mineral, and biological: crystallographic design.</p><p>Trained in both architecture and mathematics, Witt uses mathematics as a lens through which to understand the relationship between architecture and a much broader set of sciences and visual techniques. Through an intercultural exchange with other disciplines, he argues, architecture adapted not only the shapes and surfaces of mathematics but also its values and epistemic ideals.</p><p><a href="https://toepferarchitecture.com/"><em>Bryan Toepfer</em></a><em>, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1133</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4dd56324-f8a0-11ec-b161-0b968918ddc7]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3314290332.mp3?updated=1656613093" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>On the Roman Catacombs: A Discussion with William Gruen</title>
      <description>Ever wonder about the Roman catacombs? Look no further. Today I talked to William "Chip" Gruen of Muhlenberg College about his article "Roman Catacombs" from the collection The Reception of Jesus in the First Three Centuries (2019) from Bloomsbury.
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      <pubDate>Tue, 28 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>241</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with William Gruen</itunes:subtitle>
      <itunes:summary>Ever wonder about the Roman catacombs? Look no further. Today I talked to William "Chip" Gruen of Muhlenberg College about his article "Roman Catacombs" from the collection The Reception of Jesus in the First Three Centuries (2019) from Bloomsbury.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ever wonder about the Roman catacombs? Look no further. Today I talked to William "Chip" Gruen of Muhlenberg College about his article "Roman Catacombs" from the collection <a href="https://bookshop.org/a/12343/9780567000194"><em>The Reception of Jesus in the First Three Centuries</em></a><em> </em>(2019) from Bloomsbury.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3340</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[790f2a40-efde-11ec-b387-eb9548808d6f]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3394674592.mp3?updated=1655650399" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fleur Watson, "The New Curator: Exhibiting Architecture and Design" (Routledge, 2021)</title>
      <description>The New Curator: Exhibiting Architecture and Design (Routledge, 2021) examines the challenges inherent in exhibiting design ideas. Traditionally, exhibitions of architecture and design have predominantly focused on displaying finished outcomes or communicating a work through representation.
In this ground-breaking new book, Fleur Watson unveils the emergence of the ‘new curator’. Instead of exhibiting finished works or artefacts, the rise of ‘performative curation’ provides a space where experimental methods for encountering design ideas are being tested. Here, the role of the curator is not that of ‘custodian’ or ‘expert’ but with the intent to create a shared space of encounter with audiences.
To illustrate this phenomenon, the book explores a diverse, international range of exhibitions. Divided into six themes, a series of project profiles are contextualized through conversations with influential curators and cultural producers such as Paola Antonelli, Kayoko Ota, Mimi Zeiger, Catherine Ince, Aric Chen, Zoë Ryan, Beatrice Leanza, Prem Krishnamurthy, Marina Otero Verzier, Brook Andrew, Carroll Go-Sam, Rory Hyde, Eva Franch i Gilabert, Patti Anahory and Paula Nascimento.
Featuring over 100 color illustrations, this highly designed, beautiful book offers an innovative contribution to the field. An essential read for students and professionals in architecture, design, art, visual culture, museum studies, curatorial studies and cultural theory. The book also features a foreword by Deyan Sudjic and an afterword by Leon van Schaik AO.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 07 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>73</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Fleur Watson</itunes:subtitle>
      <itunes:summary>The New Curator: Exhibiting Architecture and Design (Routledge, 2021) examines the challenges inherent in exhibiting design ideas. Traditionally, exhibitions of architecture and design have predominantly focused on displaying finished outcomes or communicating a work through representation.
In this ground-breaking new book, Fleur Watson unveils the emergence of the ‘new curator’. Instead of exhibiting finished works or artefacts, the rise of ‘performative curation’ provides a space where experimental methods for encountering design ideas are being tested. Here, the role of the curator is not that of ‘custodian’ or ‘expert’ but with the intent to create a shared space of encounter with audiences.
To illustrate this phenomenon, the book explores a diverse, international range of exhibitions. Divided into six themes, a series of project profiles are contextualized through conversations with influential curators and cultural producers such as Paola Antonelli, Kayoko Ota, Mimi Zeiger, Catherine Ince, Aric Chen, Zoë Ryan, Beatrice Leanza, Prem Krishnamurthy, Marina Otero Verzier, Brook Andrew, Carroll Go-Sam, Rory Hyde, Eva Franch i Gilabert, Patti Anahory and Paula Nascimento.
Featuring over 100 color illustrations, this highly designed, beautiful book offers an innovative contribution to the field. An essential read for students and professionals in architecture, design, art, visual culture, museum studies, curatorial studies and cultural theory. The book also features a foreword by Deyan Sudjic and an afterword by Leon van Schaik AO.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781138492738"><em>The New Curator: Exhibiting Architecture and Design</em></a> (Routledge, 2021) examines the challenges inherent in exhibiting design ideas. Traditionally, exhibitions of architecture and design have predominantly focused on displaying finished outcomes or communicating a work through representation.</p><p>In this ground-breaking new book, Fleur Watson unveils the emergence of the ‘new curator’. Instead of exhibiting finished works or artefacts, the rise of ‘performative curation’ provides a space where experimental methods for encountering design ideas are being tested. Here, the role of the curator is not that of ‘custodian’ or ‘expert’ but with the intent to create a shared space of encounter with audiences.</p><p>To illustrate this phenomenon, the book explores a diverse, international range of exhibitions. Divided into six themes, a series of project profiles are contextualized through conversations with influential curators and cultural producers such as Paola Antonelli, Kayoko Ota, Mimi Zeiger, Catherine Ince, Aric Chen, Zoë Ryan, Beatrice Leanza, Prem Krishnamurthy, Marina Otero Verzier, Brook Andrew, Carroll Go-Sam, Rory Hyde, Eva Franch i Gilabert, Patti Anahory and Paula Nascimento.</p><p>Featuring over 100 color illustrations, this highly designed, beautiful book offers an innovative contribution to the field. An essential read for students and professionals in architecture, design, art, visual culture, museum studies, curatorial studies and cultural theory. The book also features a foreword by Deyan Sudjic and an afterword by Leon van Schaik AO.</p><p><a href="https://toepferarchitecture.com/"><em>Bryan Toepfer</em></a><em>, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.﻿</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2115</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a65dedc0-e1c8-11ec-9439-9b3cf8746415]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN9404025080.mp3?updated=1654101771" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephen M. Wheeler and Christina D. Rosan, "Reimagining Sustainable Cities: Strategies for Designing Greener, Healthier, More Equitable Communities" (U California Press, 2021)</title>
      <description>What would it take to make urban places greener, more affordable, more equitable, and healthier for everyone? In recent years, cities have stepped up efforts to address climate and sustainability crises. But progress has not been fast enough or gone deep enough. If communities are to thrive in the future, we need to quickly imagine and implement an entirely new approach to urban development: one that is centered on equity and rethinks social, political, and economic systems as well as urban designs. With attention to this need for structural change, Reimagining Sustainable Cities advocates for a community-informed model of racially, economically, and socially just cities and regions. The book aims to rethink urban sustainability for a new era.
In Reimagining Sustainable Cities: Strategies for Designing Greener, Healthier, More Equitable Communities (U California Press, 2021), Stephen M. Wheeler and Christina D. Rosan ask big-picture questions of interest to readers worldwide: How do we get to carbon neutrality? How do we adapt to a climate-changed world? How can we create affordable, inclusive, and equitable cities? While many books dwell on the analysis of problems, Reimagining Sustainable Cities prioritizes solutions-oriented thinking--surveying historical trends, providing examples of constructive action worldwide, and outlining alternative problem-solving strategies. Wheeler and Rosan use a social ecology lens and draw perspectives from multiple disciplines. Positive, readable, and constructive in tone, Reimagining Sustainable Cities identifies actions ranging from urban design to institutional restructuring that can bring about fundamental change and prepare us for the challenges ahead.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 01 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stephen M. Wheeler</itunes:subtitle>
      <itunes:summary>What would it take to make urban places greener, more affordable, more equitable, and healthier for everyone? In recent years, cities have stepped up efforts to address climate and sustainability crises. But progress has not been fast enough or gone deep enough. If communities are to thrive in the future, we need to quickly imagine and implement an entirely new approach to urban development: one that is centered on equity and rethinks social, political, and economic systems as well as urban designs. With attention to this need for structural change, Reimagining Sustainable Cities advocates for a community-informed model of racially, economically, and socially just cities and regions. The book aims to rethink urban sustainability for a new era.
In Reimagining Sustainable Cities: Strategies for Designing Greener, Healthier, More Equitable Communities (U California Press, 2021), Stephen M. Wheeler and Christina D. Rosan ask big-picture questions of interest to readers worldwide: How do we get to carbon neutrality? How do we adapt to a climate-changed world? How can we create affordable, inclusive, and equitable cities? While many books dwell on the analysis of problems, Reimagining Sustainable Cities prioritizes solutions-oriented thinking--surveying historical trends, providing examples of constructive action worldwide, and outlining alternative problem-solving strategies. Wheeler and Rosan use a social ecology lens and draw perspectives from multiple disciplines. Positive, readable, and constructive in tone, Reimagining Sustainable Cities identifies actions ranging from urban design to institutional restructuring that can bring about fundamental change and prepare us for the challenges ahead.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What would it take to make urban places greener, more affordable, more equitable, and healthier for everyone? In recent years, cities have stepped up efforts to address climate and sustainability crises. But progress has not been fast enough or gone deep enough. If communities are to thrive in the future, we need to quickly imagine and implement an entirely new approach to urban development: one that is centered on equity and rethinks social, political, and economic systems as well as urban designs. With attention to this need for structural change, <em>Reimagining Sustainable Cities</em> advocates for a community-informed model of racially, economically, and socially just cities and regions. The book aims to rethink urban sustainability for a new era.</p><p>In <a href="https://bookshop.org/a/12343/9780520381216"><em>Reimagining Sustainable Cities: Strategies for Designing Greener, Healthier, More Equitable Communities</em></a><em> </em>(U California Press, 2021), Stephen M. Wheeler and Christina D. Rosan ask big-picture questions of interest to readers worldwide: How do we get to carbon neutrality? How do we adapt to a climate-changed world? How can we create affordable, inclusive, and equitable cities? While many books dwell on the analysis of problems, <em>Reimagining Sustainable Cities</em> prioritizes solutions-oriented thinking--surveying historical trends, providing examples of constructive action worldwide, and outlining alternative problem-solving strategies. Wheeler and Rosan use a social ecology lens and draw perspectives from multiple disciplines. Positive, readable, and constructive in tone, <em>Reimagining Sustainable Cities</em> identifies actions ranging from urban design to institutional restructuring that can bring about fundamental change and prepare us for the challenges ahead.</p><p><em>Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3945</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6fcb60c4-deb9-11ec-9c6b-9746291cd822]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN6495281627.mp3?updated=1653765024" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John DeFerrari and Douglas Peter Sefton, "Sixteenth Street NW: Washington, DC's Avenue of Ambitions" (Georgetown UP, 2022)</title>
      <description>Sixteenth Street NW in Washington, DC, has been called the Avenue of the Presidents, Executive Avenue, and the Avenue of Churches. From the front door of the White House, this north-south artery runs through the middle of the District and extends just past its border with Maryland. The street is as central to the cityscape as it is to DC's history and culture.
In Sixteenth Street NW: Washington, DC's Avenue of Ambitions (Georgetown UP, 2022), John DeFerrari and Douglas Peter Sefton depict the social and architectural history of the street and immediate neighborhoods, inviting readers to explore how the push and pull between ordinary Washingtonians and powerful elites has shaped the corridor ― and the city. This highly illustrated book features notable buildings along Sixteenth Street and recounts colorful stories of those who lived, worked, and worshipped there. Maps offer readers an opportunity to create self-guided tours of the places and people that have defined this main thoroughfare over time.
What readers will find is that both then and now, Sixteenth Street NW has been shaped by a diverse array of people and communities. The street, and the book, feature a range of sites ― from Black Lives Matter Plaza to the White House, from mansions and rowhomes to apartment buildings, from Meridian Hill (Malcolm X) Park with its drum circles to Rock Creek Park with its tennis tournaments, and from hotels to houses of worship. Sixteenth Street, NW reveals a cross section of Washington, DC, that shows the vibrant makeup of our nation's capital.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 20 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Sixteenth Street NW in Washington, DC, has been called the Avenue of the Presidents, Executive Avenue, and the Avenue of Churches. From the front door of the White House, this north-south artery runs through the middle of the District and extends just past its border with Maryland. The street is as central to the cityscape as it is to DC's history and culture.
In Sixteenth Street NW: Washington, DC's Avenue of Ambitions (Georgetown UP, 2022), John DeFerrari and Douglas Peter Sefton depict the social and architectural history of the street and immediate neighborhoods, inviting readers to explore how the push and pull between ordinary Washingtonians and powerful elites has shaped the corridor ― and the city. This highly illustrated book features notable buildings along Sixteenth Street and recounts colorful stories of those who lived, worked, and worshipped there. Maps offer readers an opportunity to create self-guided tours of the places and people that have defined this main thoroughfare over time.
What readers will find is that both then and now, Sixteenth Street NW has been shaped by a diverse array of people and communities. The street, and the book, feature a range of sites ― from Black Lives Matter Plaza to the White House, from mansions and rowhomes to apartment buildings, from Meridian Hill (Malcolm X) Park with its drum circles to Rock Creek Park with its tennis tournaments, and from hotels to houses of worship. Sixteenth Street, NW reveals a cross section of Washington, DC, that shows the vibrant makeup of our nation's capital.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sixteenth Street NW in Washington, DC, has been called the Avenue of the Presidents, Executive Avenue, and the Avenue of Churches. From the front door of the White House, this north-south artery runs through the middle of the District and extends just past its border with Maryland. The street is as central to the cityscape as it is to DC's history and culture.</p><p>In <a href="https://bookshop.org/a/12343/9781647121563"><em>Sixteenth Street NW: Washington, DC's Avenue of Ambitions</em></a> (Georgetown UP, 2022), John DeFerrari and Douglas Peter Sefton depict the social and architectural history of the street and immediate neighborhoods, inviting readers to explore how the push and pull between ordinary Washingtonians and powerful elites has shaped the corridor ― and the city. This highly illustrated book features notable buildings along Sixteenth Street and recounts colorful stories of those who lived, worked, and worshipped there. Maps offer readers an opportunity to create self-guided tours of the places and people that have defined this main thoroughfare over time.</p><p>What readers will find is that both then and now, Sixteenth Street NW has been shaped by a diverse array of people and communities. The street, and the book, feature a range of sites ― from Black Lives Matter Plaza to the White House, from mansions and rowhomes to apartment buildings, from Meridian Hill (Malcolm X) Park with its drum circles to Rock Creek Park with its tennis tournaments, and from hotels to houses of worship. <em>Sixteenth Street, NW</em> reveals a cross section of Washington, DC, that shows the vibrant makeup of our nation's capital.</p><p><a href="https://toepferarchitecture.com/"><em>Bryan Toepfer</em></a><em>, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2337</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7e3f9196-d385-11ec-a576-db1d8f3fe24d]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN4100811623.mp3?updated=1652533653" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lisa Reilly, "The Invention of Norman Visual Culture: Art, Politics, and Dynastic Ambition" (Cambridge UP, 2020)</title>
      <description>In The Invention of Norman Visual Culture: Art, Politics, and Dynastic Ambition (Cambridge UP, 2020), Lisa Reilly establishes a new interpretive paradigm for the eleventh and twelfth-century art and architecture of the Norman world in France, England, and Sicily. Traditionally, scholars have considered iconic works like the Cappella Palatina and the Bayeux Embroidery in a geographically piecemeal fashion that prevents us from seeing their full significance. Here, Reilly examines these works individually and within the larger context of a connected Norman world. Just as Rollo founded the Normandy "of different nationalities", the Normans created a visual culture that relied on an assemblage of forms. To the modern eye, these works are perceived as culturally diverse. As Reilly demonstrates, the multiple sources for Norman visual culture served to expand their meaning. Norman artworks represented the cultural mix of each locale, and the triumph of Norman rule, not just as a military victory but as a legitimate succession, and often as the return of true Christian rule.
﻿Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 20 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>95</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lisa Reilly</itunes:subtitle>
      <itunes:summary>In The Invention of Norman Visual Culture: Art, Politics, and Dynastic Ambition (Cambridge UP, 2020), Lisa Reilly establishes a new interpretive paradigm for the eleventh and twelfth-century art and architecture of the Norman world in France, England, and Sicily. Traditionally, scholars have considered iconic works like the Cappella Palatina and the Bayeux Embroidery in a geographically piecemeal fashion that prevents us from seeing their full significance. Here, Reilly examines these works individually and within the larger context of a connected Norman world. Just as Rollo founded the Normandy "of different nationalities", the Normans created a visual culture that relied on an assemblage of forms. To the modern eye, these works are perceived as culturally diverse. As Reilly demonstrates, the multiple sources for Norman visual culture served to expand their meaning. Norman artworks represented the cultural mix of each locale, and the triumph of Norman rule, not just as a military victory but as a legitimate succession, and often as the return of true Christian rule.
﻿Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781108488167"><em>The Invention of Norman Visual Culture: Art, Politics, and Dynastic Ambition</em></a> (Cambridge UP, 2020), Lisa Reilly establishes a new interpretive paradigm for the eleventh and twelfth-century art and architecture of the Norman world in France, England, and Sicily. Traditionally, scholars have considered iconic works like the Cappella Palatina and the Bayeux Embroidery in a geographically piecemeal fashion that prevents us from seeing their full significance. Here, Reilly examines these works individually and within the larger context of a connected Norman world. Just as Rollo founded the Normandy "of different nationalities", the Normans created a visual culture that relied on an assemblage of forms. To the modern eye, these works are perceived as culturally diverse. As Reilly demonstrates, the multiple sources for Norman visual culture served to expand their meaning. Norman artworks represented the cultural mix of each locale, and the triumph of Norman rule, not just as a military victory but as a legitimate succession, and often as the return of true Christian rule.</p><p><em>﻿Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3117</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aff75512-bb6a-11ec-8b80-532b83fa2bb6]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN9824445953.mp3?updated=1649882970" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hilton Judin, "Architecture, State Modernism and Cultural Nationalism in the Apartheid Capital" (Routledge, 2021)</title>
      <description>Hilton Judin's book Architecture, State Modernism and Cultural Nationalism in the Apartheid Capital (Routledge, 2021) is the first comprehensive investigation of the architecture of the apartheid state in the period of rapid economic growth and political repression from 1957 to 1966 when buildings took on an ideological role that was never remote from the increasingly dominant administrative, legislative and policing mechanisms of the regime. It considers how this process reflected the usurpation of a regional modernism and looks to contribute to wider discourses on international postwar modernism in architecture.
Buildings in Pretoria that came to embody ambitions of the apartheid state for industrialization and progress serve as case studies. These were widely acclaimed projects that embodied for apartheid officials the pursuit of modernization but carried latent apprehensions of Afrikaners about their growing economic prospects and cultural estrangement in Africa. It is a less known and marginal story due to the dearth of material and documents buried in archives and untranslated documents. Many of the documents, drawings and photographs in the book are unpublished and include classified material and photographs from the National Nuclear Research Centre, negatives of 1960s from Pretoria News and documents and pamphlets from Afrikaner Broederbond archives.
State architecture became the most iconic public manifestation of an evolving expression of white cultural identity as a new generation of architects in Pretoria took up the challenge of finding form to their prospects and beliefs. It was an opportunistic faith in Afrikaners who urgently needed to entrench their vulnerable and contested position on the African continent. The shift from provincial town to apartheid capital was swift and relentless. Little was left to stand in the way of the ambitions and aim of the state as people were uprooted and forcibly relocated, structures torn down and block upon block of administration towers and slabs erected across Pretoria.
This book will be of great interest to students and scholars of architectural history as well as those with an interest in postcolonial studies, political science, and social anthropology.
﻿Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 19 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>71</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hilton Judin</itunes:subtitle>
      <itunes:summary>Hilton Judin's book Architecture, State Modernism and Cultural Nationalism in the Apartheid Capital (Routledge, 2021) is the first comprehensive investigation of the architecture of the apartheid state in the period of rapid economic growth and political repression from 1957 to 1966 when buildings took on an ideological role that was never remote from the increasingly dominant administrative, legislative and policing mechanisms of the regime. It considers how this process reflected the usurpation of a regional modernism and looks to contribute to wider discourses on international postwar modernism in architecture.
Buildings in Pretoria that came to embody ambitions of the apartheid state for industrialization and progress serve as case studies. These were widely acclaimed projects that embodied for apartheid officials the pursuit of modernization but carried latent apprehensions of Afrikaners about their growing economic prospects and cultural estrangement in Africa. It is a less known and marginal story due to the dearth of material and documents buried in archives and untranslated documents. Many of the documents, drawings and photographs in the book are unpublished and include classified material and photographs from the National Nuclear Research Centre, negatives of 1960s from Pretoria News and documents and pamphlets from Afrikaner Broederbond archives.
State architecture became the most iconic public manifestation of an evolving expression of white cultural identity as a new generation of architects in Pretoria took up the challenge of finding form to their prospects and beliefs. It was an opportunistic faith in Afrikaners who urgently needed to entrench their vulnerable and contested position on the African continent. The shift from provincial town to apartheid capital was swift and relentless. Little was left to stand in the way of the ambitions and aim of the state as people were uprooted and forcibly relocated, structures torn down and block upon block of administration towers and slabs erected across Pretoria.
This book will be of great interest to students and scholars of architectural history as well as those with an interest in postcolonial studies, political science, and social anthropology.
﻿Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Hilton Judin's book <a href="https://bookshop.org/a/12343/9780198816485"><em>Architecture, State Modernism and Cultural Nationalism in the Apartheid Capital</em></a> (Routledge, 2021) is the first comprehensive investigation of the architecture of the apartheid state in the period of rapid economic growth and political repression from 1957 to 1966 when buildings took on an ideological role that was never remote from the increasingly dominant administrative, legislative and policing mechanisms of the regime. It considers how this process reflected the usurpation of a regional modernism and looks to contribute to wider discourses on international postwar modernism in architecture.</p><p>Buildings in Pretoria that came to embody ambitions of the apartheid state for industrialization and progress serve as case studies. These were widely acclaimed projects that embodied for apartheid officials the pursuit of modernization but carried latent apprehensions of Afrikaners about their growing economic prospects and cultural estrangement in Africa. It is a less known and marginal story due to the dearth of material and documents buried in archives and untranslated documents. Many of the documents, drawings and photographs in the book are unpublished and include classified material and photographs from the National Nuclear Research Centre, negatives of 1960s from Pretoria News and documents and pamphlets from Afrikaner Broederbond archives.</p><p>State architecture became the most iconic public manifestation of an evolving expression of white cultural identity as a new generation of architects in Pretoria took up the challenge of finding form to their prospects and beliefs. It was an opportunistic faith in Afrikaners who urgently needed to entrench their vulnerable and contested position on the African continent. The shift from provincial town to apartheid capital was swift and relentless. Little was left to stand in the way of the ambitions and aim of the state as people were uprooted and forcibly relocated, structures torn down and block upon block of administration towers and slabs erected across Pretoria.</p><p>This book will be of great interest to students and scholars of architectural history as well as those with an interest in postcolonial studies, political science, and social anthropology.</p><p><em>﻿</em><a href="https://toepferarchitecture.com/"><em>Bryan Toepfer</em></a><em>, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1600</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[25d2851c-ba63-11ec-845b-8f171c90675d]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7123341770.mp3?updated=1649770768" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laura J. Martin, "Wild by Design: The Rise of Ecological Restoration" (Harvard UP, 2022)</title>
      <description>Environmental restoration is a global pursuit and a major political concern. Governments, nonprofits, private corporations, and other institutions spend billions of dollars each year to remove invasive species, build wetlands, and reintroduce species driven from their habitats. But restoration has not always been so intensively practiced. It began as the pastime of a few wildflower enthusiasts and the first practitioners of the new scientific discipline of ecology.
Restoration has been a touchstone of United States environmentalism since the beginning of the twentieth century. Diverging from popular ideas about preservation, which romanticized nature as an Eden to be left untouched by human hands, and conservation, the managed use of natural resources, restoration emerged as a “third way.” Restorationists grappled with the deepest puzzles of human care for life on earth: How to intervene in nature for nature’s own sake? What are the natural baselines that humans should aim to restore? Is it possible to design nature without destroying wildness? In Wild by Design: The Rise of Ecological Restoration (Harvard University Press, 2022), Laura J. Martin shows how, over time, amateur and professional ecologists, interest groups, and government agencies coalesced around a mode of environmental management that sought to respect the world-making, and even the decision-making, of other species. At the same time, restoration science reshaped material environments in ways that powerfully influenced what we understand the wild to be.
In Wild by Design, restoration’s past provides vital knowledge for climate change policy. But Martin also offers something more—a meditation on what it means to be wild and a call for ecological restoration that is socially just.
Laura J. Martin is Assistant Professor of Environmental Studies at Williams College. She is a past fellow of the American Council of Learned Societies, the Stanford Humanities Center, and the Harvard University Center for the Environment. She has written for Scientific American, Slate, Environmental History, Environmental Humanities, Trends in Ecology and Evolution, and other publications.
Kathryn B. Carpenter is a doctoral candidate in the history of science at Princeton University. She is currently researching the history of tornado science and storm chasing in the twentieth-century United States. She is also the creator and host of Drafting the Past, a podcast on the craft of writing history. You can reach her on twitter, @katebcarp.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 13 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>101</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Laura J. Martin</itunes:subtitle>
      <itunes:summary>Environmental restoration is a global pursuit and a major political concern. Governments, nonprofits, private corporations, and other institutions spend billions of dollars each year to remove invasive species, build wetlands, and reintroduce species driven from their habitats. But restoration has not always been so intensively practiced. It began as the pastime of a few wildflower enthusiasts and the first practitioners of the new scientific discipline of ecology.
Restoration has been a touchstone of United States environmentalism since the beginning of the twentieth century. Diverging from popular ideas about preservation, which romanticized nature as an Eden to be left untouched by human hands, and conservation, the managed use of natural resources, restoration emerged as a “third way.” Restorationists grappled with the deepest puzzles of human care for life on earth: How to intervene in nature for nature’s own sake? What are the natural baselines that humans should aim to restore? Is it possible to design nature without destroying wildness? In Wild by Design: The Rise of Ecological Restoration (Harvard University Press, 2022), Laura J. Martin shows how, over time, amateur and professional ecologists, interest groups, and government agencies coalesced around a mode of environmental management that sought to respect the world-making, and even the decision-making, of other species. At the same time, restoration science reshaped material environments in ways that powerfully influenced what we understand the wild to be.
In Wild by Design, restoration’s past provides vital knowledge for climate change policy. But Martin also offers something more—a meditation on what it means to be wild and a call for ecological restoration that is socially just.
Laura J. Martin is Assistant Professor of Environmental Studies at Williams College. She is a past fellow of the American Council of Learned Societies, the Stanford Humanities Center, and the Harvard University Center for the Environment. She has written for Scientific American, Slate, Environmental History, Environmental Humanities, Trends in Ecology and Evolution, and other publications.
Kathryn B. Carpenter is a doctoral candidate in the history of science at Princeton University. She is currently researching the history of tornado science and storm chasing in the twentieth-century United States. She is also the creator and host of Drafting the Past, a podcast on the craft of writing history. You can reach her on twitter, @katebcarp.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Environmental restoration is a global pursuit and a major political concern. Governments, nonprofits, private corporations, and other institutions spend billions of dollars each year to remove invasive species, build wetlands, and reintroduce species driven from their habitats. But restoration has not always been so intensively practiced. It began as the pastime of a few wildflower enthusiasts and the first practitioners of the new scientific discipline of ecology.</p><p>Restoration has been a touchstone of United States environmentalism since the beginning of the twentieth century. Diverging from popular ideas about preservation, which romanticized nature as an Eden to be left untouched by human hands, and conservation, the managed use of natural resources, restoration emerged as a “third way.” Restorationists grappled with the deepest puzzles of human care for life on earth: How to intervene in nature for nature’s own sake? What are the natural baselines that humans should aim to restore? Is it possible to design nature without destroying wildness? In <a href="https://bookshop.org/a/12343/9780674979420"><em>Wild by Design: The Rise of Ecological Restoration</em></a> (Harvard University Press, 2022), <strong>Laura J. Martin</strong> shows how, over time, amateur and professional ecologists, interest groups, and government agencies coalesced around a mode of environmental management that sought to respect the world-making, and even the decision-making, of other species. At the same time, restoration science reshaped material environments in ways that powerfully influenced what we understand the wild to be.</p><p>In <em>Wild by Design</em>, restoration’s past provides vital knowledge for climate change policy. But Martin also offers something more—a meditation on what it means to be wild and a call for ecological restoration that is socially just.</p><p><strong>Laura J. Martin</strong> is Assistant Professor of Environmental Studies at <a href="https://www.williams.edu/">Williams College</a>. She is a past fellow of the American Council of Learned Societies, the Stanford Humanities Center, and the Harvard University Center for the Environment. She has written for <a href="https://www.scientificamerican.com/">Scientific American</a>, <a href="https://slate.com/">Slate</a>, <a href="https://academic.oup.com/envhis">Environmental History</a>, <a href="https://environmentalhumanities.org/">Environmental Humanities</a>, <a href="https://www.sciencedirect.com/journal/trends-in-ecology-and-evolution">Trends in Ecology and Evolution</a>, and other publications.</p><p><a href="http://kathrynbcarpenter.com/"><em>Kathryn B. Carpenter</em></a><em> is a doctoral candidate in the history of science at Princeton University. She is currently researching the history of tornado science and storm chasing in the twentieth-century United States. She is also the creator and host of </em><a href="https://draftingthepast.com/"><em>Drafting the Past</em></a><em>, a podcast on the craft of writing history. You can reach her on twitter, </em><a href="https://twitter.com/katebcarp"><em>@katebcarp</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3323</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[89b79450-b5ae-11ec-a590-bf4271482c3c]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN2710896845.mp3?updated=1649215584" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Richard K. Rein, "American Urbanist: How William H. Whyte's Unconventional Wisdom Reshaped Public Life" (Island Press, 2022)</title>
      <description>On an otherwise normal weekday in the 1980s, commuters on busy Route 1 in central New Jersey noticed an alarming sight: a man in a suit and tie dashing across four lanes of traffic, then scurrying through a narrow underpass as cars whizzed by within inches. The man was William “Holly” Whyte, a pioneer of people-centered urban design. Decades before this perilous trek to a meeting in the suburbs, he had urged planners to look beyond their desks and drawings: “You have to get out and walk.”
American Urbanist: How William H. Whyte's Unconventional Wisdom Reshaped Public Life (Island Press, 2022) shares the life and wisdom of a man whose advocacy reshaped many of the places we know and love today—from New York’s bustling Bryant Park to preserved forests and farmlands around the country. Holly’s experiences as a WWII intelligence officer and leader of the genre-defining reporters at Fortune Magazine in the 1950s shaped his razor-sharp assessments of how the world actually worked—not how it was assumed to work. His 1956 bestseller, The Organization Man, catapulted the dangers of “groupthink” and conformity into the national consciousness.
Over his five decades of research and writing, Holly’s wide-ranging work changed how people thought about careers and companies, cities and suburbs, urban planning, open space preservation, and more. He was part of the rising environmental movement, helped spur change at the planning office of New York City, and narrated two films about urban life, in addition to writing six books. No matter the topic, Holly advocated for the decision-makers to be people, not just experts.
“We need the kind of curiosity that blows the lid off everything,” Holly once said. His life offers encouragement to be thoughtful and bold in asking questions and in making space for differing viewpoints. This revealing biography offers a rare glimpse into the mind of an iconoclast whose healthy skepticism of the status quo can help guide our efforts to create the kinds of places we want to live in today.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 01 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>70</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Richard K. Rein</itunes:subtitle>
      <itunes:summary>On an otherwise normal weekday in the 1980s, commuters on busy Route 1 in central New Jersey noticed an alarming sight: a man in a suit and tie dashing across four lanes of traffic, then scurrying through a narrow underpass as cars whizzed by within inches. The man was William “Holly” Whyte, a pioneer of people-centered urban design. Decades before this perilous trek to a meeting in the suburbs, he had urged planners to look beyond their desks and drawings: “You have to get out and walk.”
American Urbanist: How William H. Whyte's Unconventional Wisdom Reshaped Public Life (Island Press, 2022) shares the life and wisdom of a man whose advocacy reshaped many of the places we know and love today—from New York’s bustling Bryant Park to preserved forests and farmlands around the country. Holly’s experiences as a WWII intelligence officer and leader of the genre-defining reporters at Fortune Magazine in the 1950s shaped his razor-sharp assessments of how the world actually worked—not how it was assumed to work. His 1956 bestseller, The Organization Man, catapulted the dangers of “groupthink” and conformity into the national consciousness.
Over his five decades of research and writing, Holly’s wide-ranging work changed how people thought about careers and companies, cities and suburbs, urban planning, open space preservation, and more. He was part of the rising environmental movement, helped spur change at the planning office of New York City, and narrated two films about urban life, in addition to writing six books. No matter the topic, Holly advocated for the decision-makers to be people, not just experts.
“We need the kind of curiosity that blows the lid off everything,” Holly once said. His life offers encouragement to be thoughtful and bold in asking questions and in making space for differing viewpoints. This revealing biography offers a rare glimpse into the mind of an iconoclast whose healthy skepticism of the status quo can help guide our efforts to create the kinds of places we want to live in today.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On an otherwise normal weekday in the 1980s, commuters on busy Route 1 in central New Jersey noticed an alarming sight: a man in a suit and tie dashing across four lanes of traffic, then scurrying through a narrow underpass as cars whizzed by within inches. The man was William “Holly” Whyte, a pioneer of people-centered urban design. Decades before this perilous trek to a meeting in the suburbs, he had urged planners to look beyond their desks and drawings: “You have to get out and walk.”</p><p><a href="https://bookshop.org/a/12343/9781642831702"><em>American Urbanist: How William H. Whyte's Unconventional Wisdom Reshaped Public Life</em></a><em> </em>(Island Press, 2022) shares the life and wisdom of a man whose advocacy reshaped many of the places we know and love today—from New York’s bustling Bryant Park to preserved forests and farmlands around the country. Holly’s experiences as a WWII intelligence officer and leader of the genre-defining reporters at<em> Fortune Magazine</em> in the 1950s shaped his razor-sharp assessments of how the world actually worked—not how it was assumed to work. His 1956 bestseller, <em>The Organization Man</em>, catapulted the dangers of “groupthink” and conformity into the national consciousness.</p><p>Over his five decades of research and writing, Holly’s wide-ranging work changed how people thought about careers and companies, cities and suburbs, urban planning, open space preservation, and more. He was part of the rising environmental movement, helped spur change at the planning office of New York City, and narrated two films about urban life, in addition to writing six books. No matter the topic, Holly advocated for the decision-makers to be people, not just experts.</p><p>“We need the kind of curiosity that blows the lid off everything,” Holly once said. His life offers encouragement to be thoughtful and bold in asking questions and in making space for differing viewpoints. This revealing biography offers a rare glimpse into the mind of an iconoclast whose healthy skepticism of the status quo can help guide our efforts to create the kinds of places we want to live in today.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1968</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[351a7b80-ab9d-11ec-99e2-17561f18ce79]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3194742784.mp3?updated=1648145523" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lucy Donkin, "Standing on Holy Ground in the Middle Ages" (Cornell UP, 2022)</title>
      <description>Dr. Lucy Donkin’s Standing on Holy Ground in the Middle Ages (Cornell University Press, 2022) illuminates how the floor surface shaped the ways in which people in Medieval Western Europe and beyond experienced sacred spaces.
The ground beneath our feet plays a crucial, yet often overlooked, role in our relationship with the environments we inhabit and the spaces with which we interact. “The ground beneath our feet goes unnoticed for the most part. Yet it guides our steps and shapes our identity in many ways. We obey or disregard markings that indicate where to cross the road, stand back from the edge of the platform, or position ourselves on a sports pitch…Differencing convention in homes and places of worship remind us that our own treatment of the surface is culturally constructed."
Dr. Donkin argues that “In the Middle Ages too, the surface of the ground conveyed information to those who stood on it, prompted physical and imaginative responses, and marked out individual and groups in accordance with the values and concerns of the time. Indeed, in some respects, it played a greater role today in articulating space and identity, especially within ecclesiastical settings…. This book focuses on Medieval interaction with holy ground, within and beyond the church interior, asking how these shaped both place and people.”
By focusing on this surface as a point of encounter, Dr. Donkin positions it within a series of vertically stacked layers—the earth itself, permanent and temporary floor coverings, and the bodies of the living above ground and the dead beneath—providing new perspectives on how sacred space was defined and decorated, including the veneration of holy footprints, consecration ceremonies, and the demarcation of certain places for particular activities.
Using a wide array of visual and textual sources, Standing on Holy Ground in the Middle Ages also details ways in which interaction with this surface shaped people's identities, whether as individuals, office holders, or members of religious communities. Gestures such as trampling and prostration, the repeated employment of specific locations, and burial beneath particular people or actions used the surface to express likeness and difference. From pilgrimage sites in the Holy Land to cathedrals, abbeys, and local parish churches across the Latin West, Dr. Donkin frames the ground as a shared surface, both a feature of diverse, distant places and subject to a variety of uses over time—while also offering a model for understanding spatial relationships in other periods, regions, and contexts.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 01 Apr 2022 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1175</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lucy Donkin</itunes:subtitle>
      <itunes:summary>Dr. Lucy Donkin’s Standing on Holy Ground in the Middle Ages (Cornell University Press, 2022) illuminates how the floor surface shaped the ways in which people in Medieval Western Europe and beyond experienced sacred spaces.
The ground beneath our feet plays a crucial, yet often overlooked, role in our relationship with the environments we inhabit and the spaces with which we interact. “The ground beneath our feet goes unnoticed for the most part. Yet it guides our steps and shapes our identity in many ways. We obey or disregard markings that indicate where to cross the road, stand back from the edge of the platform, or position ourselves on a sports pitch…Differencing convention in homes and places of worship remind us that our own treatment of the surface is culturally constructed."
Dr. Donkin argues that “In the Middle Ages too, the surface of the ground conveyed information to those who stood on it, prompted physical and imaginative responses, and marked out individual and groups in accordance with the values and concerns of the time. Indeed, in some respects, it played a greater role today in articulating space and identity, especially within ecclesiastical settings…. This book focuses on Medieval interaction with holy ground, within and beyond the church interior, asking how these shaped both place and people.”
By focusing on this surface as a point of encounter, Dr. Donkin positions it within a series of vertically stacked layers—the earth itself, permanent and temporary floor coverings, and the bodies of the living above ground and the dead beneath—providing new perspectives on how sacred space was defined and decorated, including the veneration of holy footprints, consecration ceremonies, and the demarcation of certain places for particular activities.
Using a wide array of visual and textual sources, Standing on Holy Ground in the Middle Ages also details ways in which interaction with this surface shaped people's identities, whether as individuals, office holders, or members of religious communities. Gestures such as trampling and prostration, the repeated employment of specific locations, and burial beneath particular people or actions used the surface to express likeness and difference. From pilgrimage sites in the Holy Land to cathedrals, abbeys, and local parish churches across the Latin West, Dr. Donkin frames the ground as a shared surface, both a feature of diverse, distant places and subject to a variety of uses over time—while also offering a model for understanding spatial relationships in other periods, regions, and contexts.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Lucy Donkin’s <a href="https://bookshop.org/a/12343/9781501751127"><em>Standing on Holy Ground in the Middle Ages</em> </a>(Cornell University Press, 2022) illuminates how the floor surface shaped the ways in which people in Medieval Western Europe and beyond experienced sacred spaces.</p><p>The ground beneath our feet plays a crucial, yet often overlooked, role in our relationship with the environments we inhabit and the spaces with which we interact. “The ground beneath our feet goes unnoticed for the most part. Yet it guides our steps and shapes our identity in many ways. We obey or disregard markings that indicate where to cross the road, stand back from the edge of the platform, or position ourselves on a sports pitch…Differencing convention in homes and places of worship remind us that our own treatment of the surface is culturally constructed."</p><p>Dr. Donkin argues that “In the Middle Ages too, the surface of the ground conveyed information to those who stood on it, prompted physical and imaginative responses, and marked out individual and groups in accordance with the values and concerns of the time. Indeed, in some respects, it played a greater role today in articulating space and identity, especially within ecclesiastical settings…. This book focuses on Medieval interaction with holy ground, within and beyond the church interior, asking how these shaped both place and people.”</p><p>By focusing on this surface as a point of encounter, Dr. Donkin positions it within a series of vertically stacked layers—the earth itself, permanent and temporary floor coverings, and the bodies of the living above ground and the dead beneath—providing new perspectives on how sacred space was defined and decorated, including the veneration of holy footprints, consecration ceremonies, and the demarcation of certain places for particular activities.</p><p>Using a wide array of visual and textual sources, <em>Standing on Holy Ground in the Middle Ages</em> also details ways in which interaction with this surface shaped people's identities, whether as individuals, office holders, or members of religious communities. Gestures such as trampling and prostration, the repeated employment of specific locations, and burial beneath particular people or actions used the surface to express likeness and difference. From pilgrimage sites in the Holy Land to cathedrals, abbeys, and local parish churches across the Latin West, Dr. Donkin frames the ground as a shared surface, both a feature of diverse, distant places and subject to a variety of uses over time—while also offering a model for understanding spatial relationships in other periods, regions, and contexts.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4090</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[040d25d4-abab-11ec-866f-c34f12a1b315]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7187799303.mp3?updated=1648151382" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nadir Lahiji, "Architecture, Philosophy, and the Pedagogy of Cinema: From Benjamin to Badiou" (Routledge, 2021)</title>
      <description>Philosophers on the art of cinema mainly remain silent about architecture. Discussing cinema as ‘mass art’, they tend to forget that architecture, before cinema, was the only existing ‘mass art’. In Architecture, Philosophy, and the Pedagogy of Cinema: From Benjamin to Badiou (Routledge, 2021), Nadir Lahiji proposes that the philosophical understanding of the collective human sensorium in the apparatus of perception must once again find its true training ground in architecture.
Building art puts the collective mass in the position of an ‘expert critic’ who identifies themselves with the technical apparatus of architecture. Only then can architecture regain its status as ‘mass art’ and, as the book contends, only then can it resume its function as the only ‘artform’ that is designed for the political pedagogy of masses, which originally belonged to it in the period of modernity before the invention of cinema.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 11 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nadir Lahiji</itunes:subtitle>
      <itunes:summary>Philosophers on the art of cinema mainly remain silent about architecture. Discussing cinema as ‘mass art’, they tend to forget that architecture, before cinema, was the only existing ‘mass art’. In Architecture, Philosophy, and the Pedagogy of Cinema: From Benjamin to Badiou (Routledge, 2021), Nadir Lahiji proposes that the philosophical understanding of the collective human sensorium in the apparatus of perception must once again find its true training ground in architecture.
Building art puts the collective mass in the position of an ‘expert critic’ who identifies themselves with the technical apparatus of architecture. Only then can architecture regain its status as ‘mass art’ and, as the book contends, only then can it resume its function as the only ‘artform’ that is designed for the political pedagogy of masses, which originally belonged to it in the period of modernity before the invention of cinema.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Philosophers on the art of cinema mainly remain silent about architecture. Discussing cinema as ‘mass art’, they tend to forget that architecture, before cinema, was the only existing ‘mass art’. In <a href="https://bookshop.org/books/architecture-philosophy-and-the-pedagogy-of-cinema-from-benjamin-to-badiou-9780367762810/9780367762810"><em>Architecture, Philosophy, and the Pedagogy of Cinema: From Benjamin to Badiou</em></a> (Routledge, 2021), Nadir Lahiji proposes that the philosophical understanding of the collective human sensorium in the apparatus of perception must once again find its true training ground in architecture.</p><p>Building art puts the collective mass in the position of an ‘expert critic’ who identifies themselves with the technical apparatus of architecture. Only then can architecture regain its status as ‘mass art’ and, as the book contends, only then can it resume its function as the only ‘artform’ that is designed for the political pedagogy of masses, which originally belonged to it in the period of modernity before the invention of cinema.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1693</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[405e9cc4-9be4-11ec-b8fd-33cdc0baa984]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN4790337215.mp3?updated=1646416818" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Architecture, Climatic Privilege, and Migrant Labour in Singapore</title>
      <description>Migration and architecture have emerged as a new topic of research at a global level. Migrant worker dormitories in Singapore, for example, are sites where structural inequities in architecture and legal regulations have had a significant impact on the living conditions of migrant workers, and they hit the headlines in 2020 as sites for the rapid spread of COVID.
Dr Jennifer Ferng joins Dr Natali Pearson on SSEAC Stories to talk about the relationship between architecture and labour, arguing that climate change, capital, and power intersect with the forced displacement of migrants to reinforce existing inequalities of ethnicity, class, and citizenship in Singapore.
About Jennifer Ferng:
Dr Jennifer Ferng is Senior Lecturer in Architecture and Academic Director at the University of Sydney. Her research addresses asylum seekers and refugees, forced displacement, and migration in the built environment of the Asia-Pacific region. Most recently, she was a Visiting Research Fellow at the Institute of Advanced Studies (IAS) at University College London in 2021.
For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 03 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>52</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer Ferng</itunes:subtitle>
      <itunes:summary>Migration and architecture have emerged as a new topic of research at a global level. Migrant worker dormitories in Singapore, for example, are sites where structural inequities in architecture and legal regulations have had a significant impact on the living conditions of migrant workers, and they hit the headlines in 2020 as sites for the rapid spread of COVID.
Dr Jennifer Ferng joins Dr Natali Pearson on SSEAC Stories to talk about the relationship between architecture and labour, arguing that climate change, capital, and power intersect with the forced displacement of migrants to reinforce existing inequalities of ethnicity, class, and citizenship in Singapore.
About Jennifer Ferng:
Dr Jennifer Ferng is Senior Lecturer in Architecture and Academic Director at the University of Sydney. Her research addresses asylum seekers and refugees, forced displacement, and migration in the built environment of the Asia-Pacific region. Most recently, she was a Visiting Research Fellow at the Institute of Advanced Studies (IAS) at University College London in 2021.
For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Migration and architecture have emerged as a new topic of research at a global level. Migrant worker dormitories in Singapore, for example, are sites where structural inequities in architecture and legal regulations have had a significant impact on the living conditions of migrant workers, and they hit the headlines in 2020 as sites for the rapid spread of COVID.</p><p>Dr Jennifer Ferng joins Dr Natali Pearson on SSEAC Stories to talk about the relationship between architecture and labour, arguing that climate change, capital, and power intersect with the forced displacement of migrants to reinforce existing inequalities of ethnicity, class, and citizenship in Singapore.</p><p><strong>About Jennifer Ferng:</strong></p><p><a href="https://www.sydney.edu.au/architecture/about/our-people/academic-staff/jennifer-ferng.html">Dr Jennifer Ferng</a> is Senior Lecturer in Architecture and Academic Director at the University of Sydney. Her research addresses asylum seekers and refugees, forced displacement, and migration in the built environment of the Asia-Pacific region. Most recently, she was a Visiting Research Fellow at the Institute of Advanced Studies (IAS) at University College London in 2021.</p><p>For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: <a href="http://www.sydney.edu.au/sseac">www.sydney.edu.au/sseac</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1231</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f5a57b5c-8695-11ec-84e2-53f6b3b8d49d]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN1334581020.mp3?updated=1644074147" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Merrill, "Louis Kahn: The Importance of Drawing" (Lars Muller Publishers, 2021)</title>
      <description>“The importance of a drawing is immense, because it’s the architect’s language,” said the architect Louis Kahn to his masterclass in 1967. While most studies of Kahn focus on his built works or theory and use drawings mainly to illustrate these, this publication chooses to focus on Kahn's drawings as primary sources of insight into his architectural intelligence and imagination. Lavishly illustrated with over 900 high-quality reproductions of work by Kahn and his associates, incisively presented by a group of acclaimed architectural experts, The Importance of a Drawing is a deep immersion into Kahn’s work and his design process.
A testament to Kahn’s masterly craft, this volume also makes a provocative primer on architectural representation by posing timely questions on how architects use drawings to see, learn, conjecture and reveal. Destined to become a standard reference on Kahn, this book is an essential addition to the libraries of established designers as well as students of architecture.
The result of years of extensive research, The Importance of a Drawing contains original contributions and historical texts from Michael Merrill, Michael Benedikt, Michael B. Cadwell, Louis I. Kahn, Nathaniel Kahn, Sue Ann Kahn, David Leatherbarrow, Michael J. Lewis, Robert McCarter, Marshall D. Meyers, Jane Murphy, Harriet Pattison, Gina Pollara, Colin Rowe, David Van Zanten, Richard Wesley and William Whitaker.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 03 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>68</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Merrill</itunes:subtitle>
      <itunes:summary>“The importance of a drawing is immense, because it’s the architect’s language,” said the architect Louis Kahn to his masterclass in 1967. While most studies of Kahn focus on his built works or theory and use drawings mainly to illustrate these, this publication chooses to focus on Kahn's drawings as primary sources of insight into his architectural intelligence and imagination. Lavishly illustrated with over 900 high-quality reproductions of work by Kahn and his associates, incisively presented by a group of acclaimed architectural experts, The Importance of a Drawing is a deep immersion into Kahn’s work and his design process.
A testament to Kahn’s masterly craft, this volume also makes a provocative primer on architectural representation by posing timely questions on how architects use drawings to see, learn, conjecture and reveal. Destined to become a standard reference on Kahn, this book is an essential addition to the libraries of established designers as well as students of architecture.
The result of years of extensive research, The Importance of a Drawing contains original contributions and historical texts from Michael Merrill, Michael Benedikt, Michael B. Cadwell, Louis I. Kahn, Nathaniel Kahn, Sue Ann Kahn, David Leatherbarrow, Michael J. Lewis, Robert McCarter, Marshall D. Meyers, Jane Murphy, Harriet Pattison, Gina Pollara, Colin Rowe, David Van Zanten, Richard Wesley and William Whitaker.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“The importance of a drawing is immense, because it’s the architect’s language,” said the architect Louis Kahn to his masterclass in 1967. While most studies of Kahn focus on his built works or theory and use drawings mainly to illustrate these, this publication chooses to focus on Kahn's drawings as primary sources of insight into his architectural intelligence and imagination. Lavishly illustrated with over 900 high-quality reproductions of work by Kahn and his associates, incisively presented by a group of acclaimed architectural experts, <a href="https://bookshop.org/a/12343/9783037786444"><em>The Importance of a Drawing</em></a> is a deep immersion into Kahn’s work and his design process.</p><p>A testament to Kahn’s masterly craft, this volume also makes a provocative primer on architectural representation by posing timely questions on how architects use drawings to see, learn, conjecture and reveal. Destined to become a standard reference on Kahn, this book is an essential addition to the libraries of established designers as well as students of architecture.</p><p>The result of years of extensive research, <em>The Importance of a Drawing</em> contains original contributions and historical texts from Michael Merrill, Michael Benedikt, Michael B. Cadwell, Louis I. Kahn, Nathaniel Kahn, Sue Ann Kahn, David Leatherbarrow, Michael J. Lewis, Robert McCarter, Marshall D. Meyers, Jane Murphy, Harriet Pattison, Gina Pollara, Colin Rowe, David Van Zanten, Richard Wesley and William Whitaker.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1555</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[25559184-9726-11ec-b98a-37492cdd3c17]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN6039943965.mp3?updated=1646332404" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kerry Dean Carso, "Follies in America: A History of Garden and Park Architecture" (Cornell UP, 2021)</title>
      <description>Follies in America: A History of Garden and Park Architecture (Cornell UP, 2021) examines historicized garden buildings, known as "follies," from the nation's founding through the American centennial celebration in 1876. 
In a period of increasing nationalism, follies―such as temples, summerhouses, towers, and ruins―brought a range of European architectural styles to the United States. By imprinting the land with symbols of European culture, landscape gardeners brought their idea of civilization to the American wilderness.
Kerry Dean Carso's interdisciplinary approach in Follies in America examines both buildings and their counterparts in literature and art, demonstrating that follies provide a window into major themes in nineteenth-century American culture, including tensions between Jeffersonian agrarianism and urban life, the ascendancy of middle-class tourism, and gentility and social class aspirations.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. ﻿He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 23 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>67</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kerry Dean Carso</itunes:subtitle>
      <itunes:summary>Follies in America: A History of Garden and Park Architecture (Cornell UP, 2021) examines historicized garden buildings, known as "follies," from the nation's founding through the American centennial celebration in 1876. 
In a period of increasing nationalism, follies―such as temples, summerhouses, towers, and ruins―brought a range of European architectural styles to the United States. By imprinting the land with symbols of European culture, landscape gardeners brought their idea of civilization to the American wilderness.
Kerry Dean Carso's interdisciplinary approach in Follies in America examines both buildings and their counterparts in literature and art, demonstrating that follies provide a window into major themes in nineteenth-century American culture, including tensions between Jeffersonian agrarianism and urban life, the ascendancy of middle-class tourism, and gentility and social class aspirations.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. ﻿He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781501755934"><em>Follies in America: A History of Garden and Park Architecture</em></a><em> </em>(Cornell UP, 2021) examines historicized garden buildings, known as "follies," from the nation's founding through the American centennial celebration in 1876. </p><p>In a period of increasing nationalism, follies―such as temples, summerhouses, towers, and ruins―brought a range of European architectural styles to the United States. By imprinting the land with symbols of European culture, landscape gardeners brought their idea of civilization to the American wilderness.</p><p>Kerry Dean Carso's interdisciplinary approach in <em>Follies in America</em> examines both buildings and their counterparts in literature and art, demonstrating that follies provide a window into major themes in nineteenth-century American culture, including tensions between Jeffersonian agrarianism and urban life, the ascendancy of middle-class tourism, and gentility and social class aspirations.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. </em>﻿<em>He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.”</em> <em>He is an Assistant Professor at Alfred State College and has served as the Director of Education</em> <em>for the AIA Rochester Board of Directors.</em> <em>Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1443</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN8844303335.mp3?updated=1645132290" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kristina Wilson, "Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design" (Princeton UP, 2021)</title>
      <description>In the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design (Princeton UP, 2021) offers a powerful new look at how codes of race, gender, and identity influenced—and were influenced by—Modern design and shaped its presentation to consumers.
Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others.
A striking counter-narrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture.
 Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 22 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>66</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kristina Wilson</itunes:subtitle>
      <itunes:summary>In the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design (Princeton UP, 2021) offers a powerful new look at how codes of race, gender, and identity influenced—and were influenced by—Modern design and shaped its presentation to consumers.
Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others.
A striking counter-narrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture.
 Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in <em>Life</em> and <em>Ebony</em>, furniture, art, and more, <a href="https://bookshop.org/a/12343/9780691208190"><em>Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design</em></a><em> </em>(Princeton UP, 2021) offers a powerful new look at how codes of race, gender, and identity influenced—and were influenced by—Modern design and shaped its presentation to consumers.</p><p>Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as <em>Ebony</em> magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others.</p><p>A striking counter-narrative to conventional histories of design, <em>Mid-Century Modernism and the American Body</em> unveils fresh perspectives on one of the most distinctive movements in American visual culture.</p><p><em> </em><a href="http://nushelledesilva.com/"><em>Nushelle de Silva</em></a><em> is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3817</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN2134498574.mp3?updated=1645038135" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kian Goh, "Form and Flow: The Spatial Politics of Urban Resilience and Climate Justice" (MIT Press, 2021)</title>
      <description>Cities around the world are formulating plans to respond to climate change and adapt to its impact. Often, marginalized urban residents resist these plans, offering “counterplans” to protest unjust and exclusionary actions. In Form and Flow: The Spatial Politics of Urban Resilience and Climate Justice (MIT Press, 2021), Kian Goh examines climate change response strategies in three cities—New York, Jakarta, and Rotterdam—and the mobilization of community groups to fight the perceived injustices and oversights of these plans. Looking through the lenses of urban design and socioecological spatial politics, Goh reveals how contested visions of the future city are produced and gain power.
Goh describes, on the one hand, a growing global network of urban environmental planning organizations intertwined with capitalist urban development, and, on the other, social movements that themselves often harness the power of networks. She explores such initiatives as Rebuild By Design in New York, the Giant Sea Wall plan in Jakarta, and Rotterdam Climate Proof, and discovers competing narratives, including community resiliency in Brooklyn and grassroots activism in the informal “kampungs” of Jakarta. Drawing on participatory fieldwork and her own background in architecture and urban design, Goh offers both theoretical explanations and practical planning and design strategies. She reframes the critical concerns of urban climate change responses, presenting a sociospatial typology of urban adaptation and considering the notion of a “just” resilience. Finally, she proposes a theoretical framework for designing equitable and just urban climate futures.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 17 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kian Goh</itunes:subtitle>
      <itunes:summary>Cities around the world are formulating plans to respond to climate change and adapt to its impact. Often, marginalized urban residents resist these plans, offering “counterplans” to protest unjust and exclusionary actions. In Form and Flow: The Spatial Politics of Urban Resilience and Climate Justice (MIT Press, 2021), Kian Goh examines climate change response strategies in three cities—New York, Jakarta, and Rotterdam—and the mobilization of community groups to fight the perceived injustices and oversights of these plans. Looking through the lenses of urban design and socioecological spatial politics, Goh reveals how contested visions of the future city are produced and gain power.
Goh describes, on the one hand, a growing global network of urban environmental planning organizations intertwined with capitalist urban development, and, on the other, social movements that themselves often harness the power of networks. She explores such initiatives as Rebuild By Design in New York, the Giant Sea Wall plan in Jakarta, and Rotterdam Climate Proof, and discovers competing narratives, including community resiliency in Brooklyn and grassroots activism in the informal “kampungs” of Jakarta. Drawing on participatory fieldwork and her own background in architecture and urban design, Goh offers both theoretical explanations and practical planning and design strategies. She reframes the critical concerns of urban climate change responses, presenting a sociospatial typology of urban adaptation and considering the notion of a “just” resilience. Finally, she proposes a theoretical framework for designing equitable and just urban climate futures.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cities around the world are formulating plans to respond to climate change and adapt to its impact. Often, marginalized urban residents resist these plans, offering “counterplans” to protest unjust and exclusionary actions. In <a href="https://bookshop.org/a/12343/9780262543057"><em>Form and Flow: The Spatial Politics of Urban Resilience and Climate Justice</em></a> (MIT Press, 2021), Kian Goh examines climate change response strategies in three cities—New York, Jakarta, and Rotterdam—and the mobilization of community groups to fight the perceived injustices and oversights of these plans. Looking through the lenses of urban design and socioecological spatial politics, Goh reveals how contested visions of the future city are produced and gain power.</p><p>Goh describes, on the one hand, a growing global network of urban environmental planning organizations intertwined with capitalist urban development, and, on the other, social movements that themselves often harness the power of networks. She explores such initiatives as Rebuild By Design in New York, the Giant Sea Wall plan in Jakarta, and Rotterdam Climate Proof, and discovers competing narratives, including community resiliency in Brooklyn and grassroots activism in the informal “kampungs” of Jakarta. Drawing on participatory fieldwork and her own background in architecture and urban design, Goh offers both theoretical explanations and practical planning and design strategies. She reframes the critical concerns of urban climate change responses, presenting a sociospatial typology of urban adaptation and considering the notion of a “just” resilience. Finally, she proposes a theoretical framework for designing equitable and just urban climate futures.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2048</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN4486717531.mp3?updated=1644604449" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Keller Easterling, "Medium Design: Knowing How to Work on the World" (Verso, 2021)</title>
      <description>How do we formulate alternative approaches to the world’s unresponsive or intractable dilemmas, from climate change, to inequality, to concentrations of authoritarian power? Keller Easterling argues that the search for singular solutions is a mistake. Instead, she offers the perspective of medium design, one that considers not only separate objects, ideas and events but also the space between them. This background matrix with all its latent potentials is profoundly underexploited in a culture that is good at naming things but not so good at seeing how they connect and interact.
In case studies dealing with everything from automation and migration to explosive urban growth and atmospheric changes, Medium Design: Knowing How to Work on the World (Verso, 2021) looks not to new technologies for innovation but rather to sophisticated relationships between emergent and incumbent technologies. It does not try to eliminate problems but rather put them together in productive combinations. And it offers forms of activism for modulating power and temperament in organisations of all kinds.
Keller Easterling speaks to Pierre d'Alancaisez about thinking in a world where 'nothing works', the paradoxical possibilities for solving concurrent problems, and the chances of winning games rigged by the Superbug.
Keller Easterling is a designer, writer, and the Enid Storm Dwyer Professor of Architecture at Yale. She is the author of Extrastatecraft: The Power of Infrastructure Space (Verso, 2014) and numerous other books and articles. Easterling was a 2019 United States Artist Fellow in Architecture and Design, and the recipient of the 2019 Blueprint Award for Critical Thinking.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 17 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>88</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Keller Easterling</itunes:subtitle>
      <itunes:summary>How do we formulate alternative approaches to the world’s unresponsive or intractable dilemmas, from climate change, to inequality, to concentrations of authoritarian power? Keller Easterling argues that the search for singular solutions is a mistake. Instead, she offers the perspective of medium design, one that considers not only separate objects, ideas and events but also the space between them. This background matrix with all its latent potentials is profoundly underexploited in a culture that is good at naming things but not so good at seeing how they connect and interact.
In case studies dealing with everything from automation and migration to explosive urban growth and atmospheric changes, Medium Design: Knowing How to Work on the World (Verso, 2021) looks not to new technologies for innovation but rather to sophisticated relationships between emergent and incumbent technologies. It does not try to eliminate problems but rather put them together in productive combinations. And it offers forms of activism for modulating power and temperament in organisations of all kinds.
Keller Easterling speaks to Pierre d'Alancaisez about thinking in a world where 'nothing works', the paradoxical possibilities for solving concurrent problems, and the chances of winning games rigged by the Superbug.
Keller Easterling is a designer, writer, and the Enid Storm Dwyer Professor of Architecture at Yale. She is the author of Extrastatecraft: The Power of Infrastructure Space (Verso, 2014) and numerous other books and articles. Easterling was a 2019 United States Artist Fellow in Architecture and Design, and the recipient of the 2019 Blueprint Award for Critical Thinking.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do we formulate alternative approaches to the world’s unresponsive or intractable dilemmas, from climate change, to inequality, to concentrations of authoritarian power? Keller Easterling argues that the search for singular solutions is a mistake. Instead, she offers the perspective of medium design, one that considers not only separate objects, ideas and events but also the space between them. This background matrix with all its latent potentials is profoundly underexploited in a culture that is good at naming things but not so good at seeing how they connect and interact.</p><p>In case studies dealing with everything from automation and migration to explosive urban growth and atmospheric changes, <a href="https://bookshop.org/a/12343/9781788739320"><em>Medium Design: Knowing How to Work on the World </em></a>(Verso, 2021) looks not to new technologies for innovation but rather to sophisticated relationships between emergent and incumbent technologies. It does not try to eliminate problems but rather put them together in productive combinations. And it offers forms of activism for modulating power and temperament in organisations of all kinds.</p><p>Keller Easterling speaks to Pierre d'Alancaisez about thinking in a world where 'nothing works', the paradoxical possibilities for solving concurrent problems, and the chances of winning games rigged by the Superbug.</p><p><a href="http://kellereasterling.com/">Keller Easterling</a> is a designer, writer, and the Enid Storm Dwyer Professor of Architecture at Yale. She is the<em> author of Extrastatecraft: The Power of Infrastructure Space </em>(Verso, 2014) and numerous other books and articles. Easterling was a 2019 United States Artist Fellow in Architecture and Design, and the recipient of the 2019 Blueprint Award for Critical Thinking.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2990</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Randall Whitehead and Clifton S. Lemon, "Beautiful Light: An Insider’s Guide to LED Lighting in Homes and Gardens" (Routledge, 2021)</title>
      <description>Beautiful Light: An Insider’s Guide to LED Lighting in Homes and Gardens (Routledge, 2021) by internationally acclaimed lighting designer Randall Whitehead and lighting industry expert and educator Clifton Stanley Lemon is a combination of idea book, design resource, and product guide. It explores the transition in residential lighting from incandescent light sources to LEDs, and how to apply LED lighting with great success.It begins with the fundamental characteristics of light, including color temperature, color rendering, and spectral power distribution, and how LEDs differ from older light sources. Combining innovative graphics with the enduring design principles of good lighting, the book explains how to design with light layers, light people, and balance daylight and electric light. Every room of the house, as well as exterior and garden spaces, is addressed in 33 case studies of residential lighting with LEDs, with a wide variety of lighting projects in different styles.
Showcasing over 200 color photographs of dramatic interiors beautifully lit with LEDs, and clear, concise descriptions of design strategies and product specifications, Beautiful Light helps both professionals and non-professionals successfully navigate the new era of LEDs in residential lighting.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 09 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Randall Whitehead and Clifton S. Lemon</itunes:subtitle>
      <itunes:summary>Beautiful Light: An Insider’s Guide to LED Lighting in Homes and Gardens (Routledge, 2021) by internationally acclaimed lighting designer Randall Whitehead and lighting industry expert and educator Clifton Stanley Lemon is a combination of idea book, design resource, and product guide. It explores the transition in residential lighting from incandescent light sources to LEDs, and how to apply LED lighting with great success.It begins with the fundamental characteristics of light, including color temperature, color rendering, and spectral power distribution, and how LEDs differ from older light sources. Combining innovative graphics with the enduring design principles of good lighting, the book explains how to design with light layers, light people, and balance daylight and electric light. Every room of the house, as well as exterior and garden spaces, is addressed in 33 case studies of residential lighting with LEDs, with a wide variety of lighting projects in different styles.
Showcasing over 200 color photographs of dramatic interiors beautifully lit with LEDs, and clear, concise descriptions of design strategies and product specifications, Beautiful Light helps both professionals and non-professionals successfully navigate the new era of LEDs in residential lighting.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780367618001"><em>Beautiful Light: An Insider’s Guide to LED Lighting in Homes and Gardens</em></a><em> </em>(Routledge, 2021) by internationally acclaimed lighting designer Randall Whitehead and lighting industry expert and educator Clifton Stanley Lemon is a combination of idea book, design resource, and product guide. It explores the transition in residential lighting from incandescent light sources to LEDs, and how to apply LED lighting with great success.It begins with the fundamental characteristics of light, including color temperature, color rendering, and spectral power distribution, and how LEDs differ from older light sources. Combining innovative graphics with the enduring design principles of good lighting, the book explains how to design with light layers, light people, and balance daylight and electric light. Every room of the house, as well as exterior and garden spaces, is addressed in 33 case studies of residential lighting with LEDs, with a wide variety of lighting projects in different styles.</p><p>Showcasing over 200 color photographs of dramatic interiors beautifully lit with LEDs, and clear, concise descriptions of design strategies and product specifications, <em>Beautiful Light</em> helps both professionals and non-professionals successfully navigate the new era of LEDs in residential lighting.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2092</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fac3be66-851c-11ec-a251-77e60e34b30c]]></guid>
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    </item>
    <item>
      <title>Carla Yanni, "The Architecture of Madness: Insane Asylums in the United States" (U Minnesota Press, 2007)</title>
      <description>Elaborately conceived, grandly constructed insane asylums—ranging in appearance from classical temples to Gothic castles—were once a common sight looming on the outskirts of American towns and cities. Many of these buildings were razed long ago, and those that remain stand as grim reminders of an often cruel system. For much of the nineteenth century, however, these asylums epitomized the widely held belief among doctors and social reformers that insanity was a curable disease and that environment—architecture in particular—was the most effective means of treatment.
In The Architecture of Madness: Insane Asylums in the United States (U Minnesota Press, 2007), Carla Yanni tells a compelling story of therapeutic design, from America’s earliest purpose—built institutions for the insane to the asylum construction frenzy in the second half of the century. At the center of Yanni’s inquiry is Dr. Thomas Kirkbride, a Pennsylvania-born Quaker, who in the 1840s devised a novel way to house the mentally diseased that emphasized segregation by severity of illness, ease of treatment and surveillance, and ventilation. After the Civil War, American architects designed Kirkbride-plan hospitals across the country.
Before the end of the century, interest in the Kirkbride plan had begun to decline. Many of the asylums had deteriorated into human warehouses, strengthening arguments against the monolithic structures advocated by Kirkbride. At the same time, the medical profession began embracing a more neurological approach to mental disease that considered architecture as largely irrelevant to its treatment.
Generously illustrated, The Architecture of Madness is a fresh and original look at the American medical establishment’s century-long preoccupation with therapeutic architecture as a way to cure social ills.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 28 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>63</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Carla Yanni</itunes:subtitle>
      <itunes:summary>Elaborately conceived, grandly constructed insane asylums—ranging in appearance from classical temples to Gothic castles—were once a common sight looming on the outskirts of American towns and cities. Many of these buildings were razed long ago, and those that remain stand as grim reminders of an often cruel system. For much of the nineteenth century, however, these asylums epitomized the widely held belief among doctors and social reformers that insanity was a curable disease and that environment—architecture in particular—was the most effective means of treatment.
In The Architecture of Madness: Insane Asylums in the United States (U Minnesota Press, 2007), Carla Yanni tells a compelling story of therapeutic design, from America’s earliest purpose—built institutions for the insane to the asylum construction frenzy in the second half of the century. At the center of Yanni’s inquiry is Dr. Thomas Kirkbride, a Pennsylvania-born Quaker, who in the 1840s devised a novel way to house the mentally diseased that emphasized segregation by severity of illness, ease of treatment and surveillance, and ventilation. After the Civil War, American architects designed Kirkbride-plan hospitals across the country.
Before the end of the century, interest in the Kirkbride plan had begun to decline. Many of the asylums had deteriorated into human warehouses, strengthening arguments against the monolithic structures advocated by Kirkbride. At the same time, the medical profession began embracing a more neurological approach to mental disease that considered architecture as largely irrelevant to its treatment.
Generously illustrated, The Architecture of Madness is a fresh and original look at the American medical establishment’s century-long preoccupation with therapeutic architecture as a way to cure social ills.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Elaborately conceived, grandly constructed insane asylums—ranging in appearance from classical temples to Gothic castles—were once a common sight looming on the outskirts of American towns and cities. Many of these buildings were razed long ago, and those that remain stand as grim reminders of an often cruel system. For much of the nineteenth century, however, these asylums epitomized the widely held belief among doctors and social reformers that insanity was a curable disease and that environment—architecture in particular—was the most effective means of treatment.</p><p>In <a href="https://bookshop.org/a/12343/9780816649402"><em>The Architecture of Madness: Insane Asylums in the United States</em></a><em> </em>(U Minnesota Press, 2007), Carla Yanni tells a compelling story of therapeutic design, from America’s earliest purpose—built institutions for the insane to the asylum construction frenzy in the second half of the century. At the center of Yanni’s inquiry is Dr. Thomas Kirkbride, a Pennsylvania-born Quaker, who in the 1840s devised a novel way to house the mentally diseased that emphasized segregation by severity of illness, ease of treatment and surveillance, and ventilation. After the Civil War, American architects designed Kirkbride-plan hospitals across the country.</p><p>Before the end of the century, interest in the Kirkbride plan had begun to decline. Many of the asylums had deteriorated into human warehouses, strengthening arguments against the monolithic structures advocated by Kirkbride. At the same time, the medical profession began embracing a more neurological approach to mental disease that considered architecture as largely irrelevant to its treatment.</p><p>Generously illustrated, <em>The Architecture of Madness</em> is a fresh and original look at the American medical establishment’s century-long preoccupation with therapeutic architecture as a way to cure social ills.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2018</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[431a6b76-7ac1-11ec-bb1c-a342665c22b0]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN1730674728.mp3?updated=1642773709" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aleksandra Prica, "Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900" (U Chicago Press, 2021)</title>
      <description>Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism’s nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900 (U Chicago Press, 2021) pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, and encompassing Latin, Italian, French, German, and English sources, Aleksandra Prica addresses ruins as textual forms, examining them in their extraordinary geographical and temporal breadth, highlighting their variability and reflexivity, and uncovering new lines of aesthetic and intellectual affinity. Through close readings, she traverses eight hundred years of intellectual and literary history, from Seneca and Petrarch to Hegel, Goethe, and Georg Simmel. She tracks European discourses on ruins as they metamorphose over time, identifying surprising resemblances and resonances, ignored contrasts and tensions, as well as the shared apprehensions and ideas that come to light in the excavation of these discourses.
Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 21 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>117</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aleksandra Prica</itunes:subtitle>
      <itunes:summary>Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism’s nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900 (U Chicago Press, 2021) pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, and encompassing Latin, Italian, French, German, and English sources, Aleksandra Prica addresses ruins as textual forms, examining them in their extraordinary geographical and temporal breadth, highlighting their variability and reflexivity, and uncovering new lines of aesthetic and intellectual affinity. Through close readings, she traverses eight hundred years of intellectual and literary history, from Seneca and Petrarch to Hegel, Goethe, and Georg Simmel. She tracks European discourses on ruins as they metamorphose over time, identifying surprising resemblances and resonances, ignored contrasts and tensions, as well as the shared apprehensions and ideas that come to light in the excavation of these discourses.
Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism’s nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. <a href="https://bookshop.org/a/12343/9780226811314"><em>Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900</em></a><em> </em>(U Chicago Press, 2021) pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, and encompassing Latin, Italian, French, German, and English sources, Aleksandra Prica addresses ruins as textual forms, examining them in their extraordinary geographical and temporal breadth, highlighting their variability and reflexivity, and uncovering new lines of aesthetic and intellectual affinity. Through close readings, she traverses eight hundred years of intellectual and literary history, from Seneca and Petrarch to Hegel, Goethe, and Georg Simmel. She tracks European discourses on ruins as they metamorphose over time, identifying surprising resemblances and resonances, ignored contrasts and tensions, as well as the shared apprehensions and ideas that come to light in the excavation of these discourses.</p><p><a href="http://linkedin.com/in/lea-h-greenberg-b23836201"><em>Lea Greenberg</em></a><em> is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3483</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a37b13f0-49ff-11ec-b517-638503f8e070]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN4970204941.mp3?updated=1642785049" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ginger Nolan, "Savage Mind to Savage Machine: Racial Science and Twentieth-Century Design" (U Minnesota Press, 2021)</title>
      <description>Attempting to derive aesthetic systems from natural structures of human cognition, designers looked toward the “savage mind”—a way of thinking they associated with a racialized subaltern. In Savage Mind to Savage Machine: Racial Science and Twentieth-Century Design (U Minnesota Press, 2021), Ginger Nolan uncovers an enduring relationship between “the savage” and the development of technology and its wide-ranging impact on society, including in the fields of architecture and urbanism, the industrial arts, and digital design.
Nolan focuses on the relationship between the applied arts and the structuralist social sciences, proposing that the late-nineteenth-century rise of Freudian psychology, ethnology, and structuralist linguistics offered innovations and new opportunities in studying human cognition. She looks at institutions ranging from the Public Industrial Arts School of Philadelphia and the Weimar Bauhaus to the MIT Media Lab and the Centre Mondial Informatique, revealing a persistent theme of twentieth-century design: to supplant language with more subliminal, aesthetic modes of communication, thereby inculcating a deep intimacy between human habit and new technologies of production, communication, and consumption.
This book’s ultimate critique is of the development of the ergonomics of the spirit—the design of the human cognitive apparatus in relation to new aesthetic technologies. Nolan sees these ergonomics as a means of depoliticizing societies through aesthetic technologies intended to seamlessly integrate humans into the programs of capitalist modernity. Revising key modernist design narratives, Savage Mind to Savage Machine provides a deep historical foundation for understanding our contemporary world.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 18 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>62</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ginger Nolan</itunes:subtitle>
      <itunes:summary>Attempting to derive aesthetic systems from natural structures of human cognition, designers looked toward the “savage mind”—a way of thinking they associated with a racialized subaltern. In Savage Mind to Savage Machine: Racial Science and Twentieth-Century Design (U Minnesota Press, 2021), Ginger Nolan uncovers an enduring relationship between “the savage” and the development of technology and its wide-ranging impact on society, including in the fields of architecture and urbanism, the industrial arts, and digital design.
Nolan focuses on the relationship between the applied arts and the structuralist social sciences, proposing that the late-nineteenth-century rise of Freudian psychology, ethnology, and structuralist linguistics offered innovations and new opportunities in studying human cognition. She looks at institutions ranging from the Public Industrial Arts School of Philadelphia and the Weimar Bauhaus to the MIT Media Lab and the Centre Mondial Informatique, revealing a persistent theme of twentieth-century design: to supplant language with more subliminal, aesthetic modes of communication, thereby inculcating a deep intimacy between human habit and new technologies of production, communication, and consumption.
This book’s ultimate critique is of the development of the ergonomics of the spirit—the design of the human cognitive apparatus in relation to new aesthetic technologies. Nolan sees these ergonomics as a means of depoliticizing societies through aesthetic technologies intended to seamlessly integrate humans into the programs of capitalist modernity. Revising key modernist design narratives, Savage Mind to Savage Machine provides a deep historical foundation for understanding our contemporary world.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Attempting to derive aesthetic systems from natural structures of human cognition, designers looked toward the “savage mind”—a way of thinking they associated with a racialized subaltern. In <a href="https://bookshop.org/a/12343/9781517905866"><em>Savage Mind to Savage Machine: Racial Science and Twentieth-Century Design</em></a><em> </em>(U Minnesota Press, 2021), Ginger Nolan uncovers an enduring relationship between “the savage” and the development of technology and its wide-ranging impact on society, including in the fields of architecture and urbanism, the industrial arts, and digital design.</p><p>Nolan focuses on the relationship between the applied arts and the structuralist social sciences, proposing that the late-nineteenth-century rise of Freudian psychology, ethnology, and structuralist linguistics offered innovations and new opportunities in studying human cognition. She looks at institutions ranging from the Public Industrial Arts School of Philadelphia and the Weimar Bauhaus to the MIT Media Lab and the Centre Mondial Informatique, revealing a persistent theme of twentieth-century design: to supplant language with more subliminal, aesthetic modes of communication, thereby inculcating a deep intimacy between human habit and new technologies of production, communication, and consumption.</p><p>This book’s ultimate critique is of the development of the ergonomics of the spirit—the design of the human cognitive apparatus in relation to new aesthetic technologies. Nolan sees these ergonomics as a means of depoliticizing societies through aesthetic technologies intended to seamlessly integrate humans into the programs of capitalist modernity. Revising key modernist design narratives, <em>Savage Mind to Savage Machine</em> provides a deep historical foundation for understanding our contemporary world.</p><p><a href="https://toepferarchitecture.com/"><em>Bryan Toepfer</em></a><em>, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1360</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9c5ed9a2-76ce-11ec-9b75-ff1ae647c5c0]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN1827405577.mp3?updated=1642339473" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Tait, "The Architecture Concept Book" (Thames and Hudson, 2018)</title>
      <description>Inspired by the complexity and heterogeneity of the world around us, and by the rise of new technologies and their associated behavior, The Architecture Concept Book (Thames and Hudson, 2018) seeks to stimulate young architects and students to think outside of what is often a rather conservative and self-perpetuating professional domain and to be influenced by everything around them.
Organized thematically, the book explores thirty-five architectural concepts, which cover wide-ranging topics not always typically included in the study of architecture. James Tait traces the connections between concepts such as familiarity, control, and memory and basic architectural components such as the entrance, arch, columns, and services, to social phenomena such as gathering and reveling, before concluding with texts on shelter, relaxing, and working. Even in a digital age, Tait insists that “we must always think before we design. We must always have a reason to build.”
Each theme is accompanied by photographs, plans, and illustrations specifically drawn by the author to explain spatial ideas, form small scale to the urban.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 11 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>61</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James Tait</itunes:subtitle>
      <itunes:summary>Inspired by the complexity and heterogeneity of the world around us, and by the rise of new technologies and their associated behavior, The Architecture Concept Book (Thames and Hudson, 2018) seeks to stimulate young architects and students to think outside of what is often a rather conservative and self-perpetuating professional domain and to be influenced by everything around them.
Organized thematically, the book explores thirty-five architectural concepts, which cover wide-ranging topics not always typically included in the study of architecture. James Tait traces the connections between concepts such as familiarity, control, and memory and basic architectural components such as the entrance, arch, columns, and services, to social phenomena such as gathering and reveling, before concluding with texts on shelter, relaxing, and working. Even in a digital age, Tait insists that “we must always think before we design. We must always have a reason to build.”
Each theme is accompanied by photographs, plans, and illustrations specifically drawn by the author to explain spatial ideas, form small scale to the urban.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Inspired by the complexity and heterogeneity of the world around us, and by the rise of new technologies and their associated behavior, <a href="https://bookshop.org/a/12343/9780500294130"><em>The Architecture Concept Book</em></a> (Thames and Hudson, 2018) seeks to stimulate young architects and students to think outside of what is often a rather conservative and self-perpetuating professional domain and to be influenced by everything around them.</p><p>Organized thematically, the book explores thirty-five architectural concepts, which cover wide-ranging topics not always typically included in the study of architecture. James Tait traces the connections between concepts such as familiarity, control, and memory and basic architectural components such as the entrance, arch, columns, and services, to social phenomena such as gathering and reveling, before concluding with texts on shelter, relaxing, and working. Even in a digital age, Tait insists that “we must always think before we design. We must always have a reason to build.”</p><p>Each theme is accompanied by photographs, plans, and illustrations specifically drawn by the author to explain spatial ideas, form small scale to the urban.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1539</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>David Karmon, "Architecture and the Senses in the Italian Renaissance: The Varieties of Architectural Experience" (Cambridge UP, 2021)</title>
      <description>Architecture and the Senses in the Italian Renaissance: The Varieties of Architectural Experience (Cambridge UP, 2021) is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 07 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Karmon</itunes:subtitle>
      <itunes:summary>Architecture and the Senses in the Italian Renaissance: The Varieties of Architectural Experience (Cambridge UP, 2021) is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781108477987"><em>Architecture and the Senses in the Italian Renaissance: The Varieties of Architectural Experience</em></a> (Cambridge UP, 2021) is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1581</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN2536109989.mp3?updated=1642606314" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>D. Fairchild Ruggles, "Tree of Pearls: The Extraordinary Architectural Patronage of the 13th-Century Egyptian Slave-Queen Shajar Al-Durr" (Oxford UP, 2020)</title>
      <description>Shajar al-Durr--known as "Tree of Pearls"--began her remarkable career as a child slave, given as property to Sultan Salih of Egypt. She became his concubine, was manumitted, became his wife, served as governing regent, and ultimately rose to become the legitimately appointed sultan of Egypt in 1250 after her husband's death. Shajar al-Durr used her wealth and power to add a tomb to his urban madrasa; with this innovation, madrasas and many other charitably endowed architectural complexes became commemorative monuments, a practice that remains widespread today. A highly unusual case of a Muslim woman authorized to rule in her own name, her reign ended after only three months when she was forced to share her governance with an army general and for political expediency to marry him.
Despite the fact that Shajar al-Durr's story ends tragically with her assassination and hasty burial, her deeds in her lifetime offer a stark alternative to the continued belief that women in the medieval period were unseen, anonymous, and inconsequential in a world that belonged to men. D. Fairchild Ruggles' Tree of Pearls: The Extraordinary Architectural Patronage of the 13th-Century Egyptian Slave-Queen Shajar Al-Durr (Oxford UP, 2020)--the first ever in English--places the rise and fall of the sultan-queen in the wider context of the cultural and architectural development of Cairo, the city that still holds one of the largest and most important collections of Islamic monuments in the world.
Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 05 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>80</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with D. Fairchild Ruggles</itunes:subtitle>
      <itunes:summary>Shajar al-Durr--known as "Tree of Pearls"--began her remarkable career as a child slave, given as property to Sultan Salih of Egypt. She became his concubine, was manumitted, became his wife, served as governing regent, and ultimately rose to become the legitimately appointed sultan of Egypt in 1250 after her husband's death. Shajar al-Durr used her wealth and power to add a tomb to his urban madrasa; with this innovation, madrasas and many other charitably endowed architectural complexes became commemorative monuments, a practice that remains widespread today. A highly unusual case of a Muslim woman authorized to rule in her own name, her reign ended after only three months when she was forced to share her governance with an army general and for political expediency to marry him.
Despite the fact that Shajar al-Durr's story ends tragically with her assassination and hasty burial, her deeds in her lifetime offer a stark alternative to the continued belief that women in the medieval period were unseen, anonymous, and inconsequential in a world that belonged to men. D. Fairchild Ruggles' Tree of Pearls: The Extraordinary Architectural Patronage of the 13th-Century Egyptian Slave-Queen Shajar Al-Durr (Oxford UP, 2020)--the first ever in English--places the rise and fall of the sultan-queen in the wider context of the cultural and architectural development of Cairo, the city that still holds one of the largest and most important collections of Islamic monuments in the world.
Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Shajar al-Durr--known as "Tree of Pearls"--began her remarkable career as a child slave, given as property to Sultan Salih of Egypt. She became his concubine, was manumitted, became his wife, served as governing regent, and ultimately rose to become the legitimately appointed sultan of Egypt in 1250 after her husband's death. Shajar al-Durr used her wealth and power to add a tomb to his urban madrasa; with this innovation, madrasas and many other charitably endowed architectural complexes became commemorative monuments, a practice that remains widespread today. A highly unusual case of a Muslim woman authorized to rule in her own name, her reign ended after only three months when she was forced to share her governance with an army general and for political expediency to marry him.</p><p>Despite the fact that Shajar al-Durr's story ends tragically with her assassination and hasty burial, her deeds in her lifetime offer a stark alternative to the continued belief that women in the medieval period were unseen, anonymous, and inconsequential in a world that belonged to men. D. Fairchild Ruggles' <a href="https://bookshop.org/a/12343/9780190873202"><em>Tree of Pearls: The Extraordinary Architectural Patronage of the 13th-Century Egyptian Slave-Queen Shajar Al-Durr</em></a> (Oxford UP, 2020)--the first ever in English--places the rise and fall of the sultan-queen in the wider context of the cultural and architectural development of Cairo, the city that still holds one of the largest and most important collections of Islamic monuments in the world.</p><p><em>Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3351</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8695940a-6b1e-11ec-bb61-635017f7b7b0]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN2267491625.mp3?updated=1641059053" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Malika Maskarinec, "The Forces of Form in German Modernism" (Northwestern UP, 2018)</title>
      <description>The late 19th and early 20th centuries in Europe were times of intense technological, social and political change and transformation, and so it’s no surprise that much of the art and literature of this period was equal in its innovative intensity, attempting to make sense of times that were radically out of joint. Traditional scholarship on this period has focused on the alienation and disassociation that can be experienced when trying to keep up with the frenetic pace of modern life. But is this what the artists and writers of the day were trying to communicate to their audience?
Without discounting the alienating effects of modernity, Malika Maskarinec has stepped in with a fascinating monograph on the period, The Forces of Form in German Modernism (Northwestern UP, 2018), which challenges and complicates this reading, drawing our attention to other themes present in the work of the period. Turning to various archival sources to see what the artists and their peers were interested in, Maskarinec finds a collection of figures reflecting on questions of the forces and forms that hold bodies together against the weight of gravity. In this intellectual milieu, buildings and statues capacity to hold themselves up can be part of profound aesthetic experience, abstract shapes maintaining their position on a page can stir feelings of empathy, and even simple everyday activities such as laying down, standing up and walking around are activities of profound existential importance. Touching on figures such as Schopenhauer, Rodin, Simmel, Klee and Kafka, Maskarinec’s book is overflowing with insights that will help students and scholars of the period revisit these works with fresh eyes, and like the artists and writers discussed, she will prove an excellent interlocutor for all those interested in what it means to be human.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 05 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>130</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Malika Maskarinec</itunes:subtitle>
      <itunes:summary>The late 19th and early 20th centuries in Europe were times of intense technological, social and political change and transformation, and so it’s no surprise that much of the art and literature of this period was equal in its innovative intensity, attempting to make sense of times that were radically out of joint. Traditional scholarship on this period has focused on the alienation and disassociation that can be experienced when trying to keep up with the frenetic pace of modern life. But is this what the artists and writers of the day were trying to communicate to their audience?
Without discounting the alienating effects of modernity, Malika Maskarinec has stepped in with a fascinating monograph on the period, The Forces of Form in German Modernism (Northwestern UP, 2018), which challenges and complicates this reading, drawing our attention to other themes present in the work of the period. Turning to various archival sources to see what the artists and their peers were interested in, Maskarinec finds a collection of figures reflecting on questions of the forces and forms that hold bodies together against the weight of gravity. In this intellectual milieu, buildings and statues capacity to hold themselves up can be part of profound aesthetic experience, abstract shapes maintaining their position on a page can stir feelings of empathy, and even simple everyday activities such as laying down, standing up and walking around are activities of profound existential importance. Touching on figures such as Schopenhauer, Rodin, Simmel, Klee and Kafka, Maskarinec’s book is overflowing with insights that will help students and scholars of the period revisit these works with fresh eyes, and like the artists and writers discussed, she will prove an excellent interlocutor for all those interested in what it means to be human.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The late 19th and early 20th centuries in Europe were times of intense technological, social and political change and transformation, and so it’s no surprise that much of the art and literature of this period was equal in its innovative intensity, attempting to make sense of times that were radically out of joint. Traditional scholarship on this period has focused on the alienation and disassociation that can be experienced when trying to keep up with the frenetic pace of modern life. But is this what the artists and writers of the day were trying to communicate to their audience?</p><p>Without discounting the alienating effects of modernity, Malika Maskarinec has stepped in with a fascinating monograph on the period, <a href="https://bookshop.org/a/12343/9780810137691"><em>The Forces of Form in German Modernism</em></a><em> </em>(Northwestern UP, 2018), which challenges and complicates this reading, drawing our attention to other themes present in the work of the period. Turning to various archival sources to see what the artists and their peers were interested in, Maskarinec finds a collection of figures reflecting on questions of the forces and forms that hold bodies together against the weight of gravity. In this intellectual milieu, buildings and statues capacity to hold themselves up can be part of profound aesthetic experience, abstract shapes maintaining their position on a page can stir feelings of empathy, and even simple everyday activities such as laying down, standing up and walking around are activities of profound existential importance. Touching on figures such as Schopenhauer, Rodin, Simmel, Klee and Kafka, Maskarinec’s book is overflowing with insights that will help students and scholars of the period revisit these works with fresh eyes, and like the artists and writers discussed, she will prove an excellent interlocutor for all those interested in what it means to be human.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4368</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7cb4a8c6-6b29-11ec-bd7b-371ff9881bef]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN8315594864.mp3?updated=1641745551" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anna Bokov, "Avant-Garde as Method: Vkhutemas and the Pedagogy of Space, 1920-1930" (Park Publishing, 2020)</title>
      <description>In Avant-Garde as Method: Vkhutemas and the Pedagogy of Space, 1920-1930 (Park Publishing, 2020), Anna Bokov examines the history of the Higher Art and Technical Studios (Vysshie khudozhestvenno-tekhnicheskie masterskie) in Moscow, known most commonly by its acronym Vkhutemas. Operating between 1920 and 1930, Vkhutemas was a centre for developing new pedagogical methods to support mass education in art and technology. In this richly illustrated study, Bokov traces how radical experiments in art, architecture, and design were translated into systematic body of knowledge – and how this knowledge was then applied in various projects aimed at shaping modern Soviet society. From small utensils and furniture pieces to large-scale urban designs, the Vkhutemas influence was visible everywhere, and Bokov foregrounds the school’s impact both on the formation of modernism, along with its lasting creative legacy.
Anna Bokov is an architect, urban designer, and historian specialising in the history of the avant-garde movements and design pedagogy. She is a faculty member at the Cooper Union and the City College in New York and Fellow of the Centre for Advanced Studies in Architecture at ETH Zürich.
Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 29 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anna Bokov</itunes:subtitle>
      <itunes:summary>In Avant-Garde as Method: Vkhutemas and the Pedagogy of Space, 1920-1930 (Park Publishing, 2020), Anna Bokov examines the history of the Higher Art and Technical Studios (Vysshie khudozhestvenno-tekhnicheskie masterskie) in Moscow, known most commonly by its acronym Vkhutemas. Operating between 1920 and 1930, Vkhutemas was a centre for developing new pedagogical methods to support mass education in art and technology. In this richly illustrated study, Bokov traces how radical experiments in art, architecture, and design were translated into systematic body of knowledge – and how this knowledge was then applied in various projects aimed at shaping modern Soviet society. From small utensils and furniture pieces to large-scale urban designs, the Vkhutemas influence was visible everywhere, and Bokov foregrounds the school’s impact both on the formation of modernism, along with its lasting creative legacy.
Anna Bokov is an architect, urban designer, and historian specialising in the history of the avant-garde movements and design pedagogy. She is a faculty member at the Cooper Union and the City College in New York and Fellow of the Centre for Advanced Studies in Architecture at ETH Zürich.
Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9783038601340"><em>Avant-Garde as Method: Vkhutemas and the Pedagogy of Space, 1920-1930</em></a><em> </em>(Park Publishing, 2020), Anna Bokov examines the history of the Higher Art and Technical Studios (Vysshie khudozhestvenno-tekhnicheskie masterskie) in Moscow, known most commonly by its acronym Vkhutemas. Operating between 1920 and 1930, Vkhutemas was a centre for developing new pedagogical methods to support mass education in art and technology. In this richly illustrated study, Bokov traces how radical experiments in art, architecture, and design were translated into systematic body of knowledge – and how this knowledge was then applied in various projects aimed at shaping modern Soviet society. From small utensils and furniture pieces to large-scale urban designs, the Vkhutemas influence was visible everywhere, and Bokov foregrounds the school’s impact both on the formation of modernism, along with its lasting creative legacy.</p><p>Anna Bokov is an architect, urban designer, and historian specialising in the history of the avant-garde movements and design pedagogy. She is a faculty member at the Cooper Union and the City College in New York and Fellow of the Centre for Advanced Studies in Architecture at ETH Zürich.</p><p><em>Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4424</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0091e6fc-62a8-11ec-9f71-97f3c1a2d4a7]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7135960450.mp3?updated=1640812316" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul Kidder, "Minoru Yamasaki and the Fragility of Architecture" (Routledge, 2021)</title>
      <description>Few figures in the American arts have stories richer in irony than does architect Minoru Yamasaki. While his twin towers of New York’s World Trade Center are internationally iconic, few who know the icon recognize its architect’s name or know much about his portfolio of more than 200 buildings. One is tempted to call him America’s most famous forgotten architect. He was classed in the top tier of his profession in the 1950s and ’60s, as he carried modernism in novel directions, yet today he is best known not for buildings that stand but for two projects that were destroyed under tragic circumstances: the twin towers and the Pruitt-Igoe housing project in St. Louis. This book undertakes a reinterpretation of Yamasaki’s significance that combines architectural history with the study of his intersection with defining moments of American history and culture. The story of the loss and vulnerability of Yamasaki’s legacy illustrates the fragility of all architecture in the face of natural and historical forces, yet in Yamasaki’s view, fragility is also a positive quality in architecture: the source of its refinement, beauty, and humanity. We learn something essential about architecture when we explore this tension of strength and fragility.
In the course of interpreting Yamasaki’s architecture through the wide lens of the book we see the mid-century role of Detroit as an industrial power and architectural mecca; we follow a debate over public housing that entailed the creation and eventual destruction of many thousands of units; we examine competing attempts to embody democratic ideals in architecture and to represent those ideals in foreign lands; we ponder the consequences of anti-Japanese prejudice and the masculism of the architectural profession; we see Yamasaki’s style criticized for its arid minimalism yet equally for its delicacy and charm; we observe Yamasaki making a great name for himself in the Arab world but his twin towers ultimately destroyed by Islamic militants. As this curious tale of ironies unfolds, it invites reflection on the core of modern architecture’s search for meaning and on the creative possibilities its legacy continues to offer.
Beautifully illustrated with over 100 color illustrations of Yamasaki’s buildings, Minoru Yamasaki and the Fragility of Architecture (Routledge, 2021) will be of interest to students, academics and professionals in a range of disciplines, including architectural history, architectural theory, architectural preservation, and urban design and planning.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 22 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul Kidder</itunes:subtitle>
      <itunes:summary>Few figures in the American arts have stories richer in irony than does architect Minoru Yamasaki. While his twin towers of New York’s World Trade Center are internationally iconic, few who know the icon recognize its architect’s name or know much about his portfolio of more than 200 buildings. One is tempted to call him America’s most famous forgotten architect. He was classed in the top tier of his profession in the 1950s and ’60s, as he carried modernism in novel directions, yet today he is best known not for buildings that stand but for two projects that were destroyed under tragic circumstances: the twin towers and the Pruitt-Igoe housing project in St. Louis. This book undertakes a reinterpretation of Yamasaki’s significance that combines architectural history with the study of his intersection with defining moments of American history and culture. The story of the loss and vulnerability of Yamasaki’s legacy illustrates the fragility of all architecture in the face of natural and historical forces, yet in Yamasaki’s view, fragility is also a positive quality in architecture: the source of its refinement, beauty, and humanity. We learn something essential about architecture when we explore this tension of strength and fragility.
In the course of interpreting Yamasaki’s architecture through the wide lens of the book we see the mid-century role of Detroit as an industrial power and architectural mecca; we follow a debate over public housing that entailed the creation and eventual destruction of many thousands of units; we examine competing attempts to embody democratic ideals in architecture and to represent those ideals in foreign lands; we ponder the consequences of anti-Japanese prejudice and the masculism of the architectural profession; we see Yamasaki’s style criticized for its arid minimalism yet equally for its delicacy and charm; we observe Yamasaki making a great name for himself in the Arab world but his twin towers ultimately destroyed by Islamic militants. As this curious tale of ironies unfolds, it invites reflection on the core of modern architecture’s search for meaning and on the creative possibilities its legacy continues to offer.
Beautifully illustrated with over 100 color illustrations of Yamasaki’s buildings, Minoru Yamasaki and the Fragility of Architecture (Routledge, 2021) will be of interest to students, academics and professionals in a range of disciplines, including architectural history, architectural theory, architectural preservation, and urban design and planning.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Few figures in the American arts have stories richer in irony than does architect Minoru Yamasaki. While his twin towers of New York’s World Trade Center are internationally iconic, few who know the icon recognize its architect’s name or know much about his portfolio of more than 200 buildings. One is tempted to call him America’s most famous forgotten architect. He was classed in the top tier of his profession in the 1950s and ’60s, as he carried modernism in novel directions, yet today he is best known not for buildings that stand but for two projects that were destroyed under tragic circumstances: the twin towers and the Pruitt-Igoe housing project in St. Louis. This book undertakes a reinterpretation of Yamasaki’s significance that combines architectural history with the study of his intersection with defining moments of American history and culture. The story of the loss and vulnerability of Yamasaki’s legacy illustrates the fragility of all architecture in the face of natural and historical forces, yet in Yamasaki’s view, fragility is also a positive quality in architecture: the source of its refinement, beauty, and humanity. We learn something essential about architecture when we explore this tension of strength and fragility.</p><p>In the course of interpreting Yamasaki’s architecture through the wide lens of the book we see the mid-century role of Detroit as an industrial power and architectural mecca; we follow a debate over public housing that entailed the creation and eventual destruction of many thousands of units; we examine competing attempts to embody democratic ideals in architecture and to represent those ideals in foreign lands; we ponder the consequences of anti-Japanese prejudice and the masculism of the architectural profession; we see Yamasaki’s style criticized for its arid minimalism yet equally for its delicacy and charm; we observe Yamasaki making a great name for himself in the Arab world but his twin towers ultimately destroyed by Islamic militants. As this curious tale of ironies unfolds, it invites reflection on the core of modern architecture’s search for meaning and on the creative possibilities its legacy continues to offer.</p><p>Beautifully illustrated with over 100 color illustrations of Yamasaki’s buildings, <a href="https://bookshop.org/a/12343/9780367629526"><em>Minoru Yamasaki and the Fragility of Architecture</em></a> (Routledge, 2021) will be of interest to students, academics and professionals in a range of disciplines, including architectural history, architectural theory, architectural preservation, and urban design and planning.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1964</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN8851021219.mp3?updated=1639660241" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anna McSweeney, "From Granada to Berlin: The Alhambra Cupola" (Kettler Verlag, 2020)</title>
      <description>Part of the series CAHIM Connecting Art Histories in the Museum, Anna McSweeney's book From Granada to Berlin: The Alhambra Cupola (Kettler Verlag, 2020) is the story of an extraordinary survivor from the Alhambra palace in Granada, Spain: the Alhambra cupola, now in the Museum of Islamic Art in Berlin. The cupola, a ceiling crafted from carved and painted wood, was made to crown an exquisite mirador in one of the earliest palace buildings of the Alhambra. The book is the cupola's biography from its medieval construction to its imminent redisplay in Berlin. It traces the long history of the Alhambra through the prism of the cupola, from the Muslim craftsmen who built it, to its adaptation by the Christian conquerors after the fall of Granada in 1492, to its creation as a heritage site. The cupola was sketched by artists from across Europe before it was dismantled by a German financier and taken to Berlin in the 19th century. It witnessed the dramatic events of the 20th century in Germany and was eventually bought by the Museum in 1978. In recent decades, the new visibility of the cupola to the wider public has prompted questions about the object and its movement from Granada to Berlin. Its removal from the Alhambra and the complex reasons behind this loss is central to this biography. Setting the cupola within the wider context of Islamic heritage, it considers the role of collecting practices in the transformation of living monuments into heritage sites in the 20th century. This book presents a focused study of this unique object that cuts across academic disciplines and geographic boundaries to reveal a new perspective on the legacy of Islamic art in Europe and its continuing relevance today.
Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 21 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>78</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anna McSweeney</itunes:subtitle>
      <itunes:summary>Part of the series CAHIM Connecting Art Histories in the Museum, Anna McSweeney's book From Granada to Berlin: The Alhambra Cupola (Kettler Verlag, 2020) is the story of an extraordinary survivor from the Alhambra palace in Granada, Spain: the Alhambra cupola, now in the Museum of Islamic Art in Berlin. The cupola, a ceiling crafted from carved and painted wood, was made to crown an exquisite mirador in one of the earliest palace buildings of the Alhambra. The book is the cupola's biography from its medieval construction to its imminent redisplay in Berlin. It traces the long history of the Alhambra through the prism of the cupola, from the Muslim craftsmen who built it, to its adaptation by the Christian conquerors after the fall of Granada in 1492, to its creation as a heritage site. The cupola was sketched by artists from across Europe before it was dismantled by a German financier and taken to Berlin in the 19th century. It witnessed the dramatic events of the 20th century in Germany and was eventually bought by the Museum in 1978. In recent decades, the new visibility of the cupola to the wider public has prompted questions about the object and its movement from Granada to Berlin. Its removal from the Alhambra and the complex reasons behind this loss is central to this biography. Setting the cupola within the wider context of Islamic heritage, it considers the role of collecting practices in the transformation of living monuments into heritage sites in the 20th century. This book presents a focused study of this unique object that cuts across academic disciplines and geographic boundaries to reveal a new perspective on the legacy of Islamic art in Europe and its continuing relevance today.
Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Part of the series CAHIM Connecting Art Histories in the Museum, Anna McSweeney's book <a href="https://bookshop.org/a/12343/9783862068319"><em>From Granada to Berlin: The Alhambra Cupola</em></a> (Kettler Verlag, 2020) is the story of an extraordinary survivor from the Alhambra palace in Granada, Spain: the Alhambra cupola, now in the Museum of Islamic Art in Berlin. The cupola, a ceiling crafted from carved and painted wood, was made to crown an exquisite mirador in one of the earliest palace buildings of the Alhambra. The book is the cupola's biography from its medieval construction to its imminent redisplay in Berlin. It traces the long history of the Alhambra through the prism of the cupola, from the Muslim craftsmen who built it, to its adaptation by the Christian conquerors after the fall of Granada in 1492, to its creation as a heritage site. The cupola was sketched by artists from across Europe before it was dismantled by a German financier and taken to Berlin in the 19th century. It witnessed the dramatic events of the 20th century in Germany and was eventually bought by the Museum in 1978. In recent decades, the new visibility of the cupola to the wider public has prompted questions about the object and its movement from Granada to Berlin. Its removal from the Alhambra and the complex reasons behind this loss is central to this biography. Setting the cupola within the wider context of Islamic heritage, it considers the role of collecting practices in the transformation of living monuments into heritage sites in the 20th century. This book presents a focused study of this unique object that cuts across academic disciplines and geographic boundaries to reveal a new perspective on the legacy of Islamic art in Europe and its continuing relevance today.</p><p><em>Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3025</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN6767291966.mp3?updated=1639603617" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aurelia Campbell, "What the Emperor Built: Architecture and Empire in the Early Ming" (U Washington Press, 2020)</title>
      <description>One of the most famous rulers in Chinese history, the Yongle emperor (r. 1402–24) gained renown for constructing Beijing’s magnificent Forbidden City, directing ambitious naval expeditions, and creating the world’s largest encyclopedia. What the Emperor Built: Architecture and Empire in the Early Ming (U Washington Press, 2020) is the first book-length study devoted to the architectural projects of a single Chinese emperor.
Focusing on the imperial palaces in Beijing, a Daoist architectural complex on Mount Wudang, and a Buddhist temple on the Sino-Tibetan frontier, Aurelia Campbell demonstrates how the siting, design, and use of Yongle’s palaces and temples helped cement his authority and legitimize his usurpation of power. Campbell offers insight into Yongle’s sense of empire—from the far-flung locations in which he built, to the distant regions from which he extracted construction materials, and to the use of tens of thousands of craftsmen and other laborers. Through his constructions, Yongle connected himself to the divine, interacted with his subjects, and extended imperial influence across space and time.
Spanning issues of architectural design and construction technologies, this deft analysis reveals remarkable advancements in timber-frame construction and implements an art-historical approach to examine patronage, audience, and reception, situating the buildings within their larger historical and religious contexts.
Noelle Giuffrida is a professor and curator of Asian art at the School of Art and the David Owsley Museum of Art at Ball State University. Email: ngiuffrida@bsu.edu.
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      <pubDate>Mon, 20 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>428</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aurelia Campbell</itunes:subtitle>
      <itunes:summary>One of the most famous rulers in Chinese history, the Yongle emperor (r. 1402–24) gained renown for constructing Beijing’s magnificent Forbidden City, directing ambitious naval expeditions, and creating the world’s largest encyclopedia. What the Emperor Built: Architecture and Empire in the Early Ming (U Washington Press, 2020) is the first book-length study devoted to the architectural projects of a single Chinese emperor.
Focusing on the imperial palaces in Beijing, a Daoist architectural complex on Mount Wudang, and a Buddhist temple on the Sino-Tibetan frontier, Aurelia Campbell demonstrates how the siting, design, and use of Yongle’s palaces and temples helped cement his authority and legitimize his usurpation of power. Campbell offers insight into Yongle’s sense of empire—from the far-flung locations in which he built, to the distant regions from which he extracted construction materials, and to the use of tens of thousands of craftsmen and other laborers. Through his constructions, Yongle connected himself to the divine, interacted with his subjects, and extended imperial influence across space and time.
Spanning issues of architectural design and construction technologies, this deft analysis reveals remarkable advancements in timber-frame construction and implements an art-historical approach to examine patronage, audience, and reception, situating the buildings within their larger historical and religious contexts.
Noelle Giuffrida is a professor and curator of Asian art at the School of Art and the David Owsley Museum of Art at Ball State University. Email: ngiuffrida@bsu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One of the most famous rulers in Chinese history, the Yongle emperor (r. 1402–24) gained renown for constructing Beijing’s magnificent Forbidden City, directing ambitious naval expeditions, and creating the world’s largest encyclopedia. <a href="https://bookshop.org/a/12343/9780295746883"><em>What the Emperor Built: Architecture and Empire in the Early Ming</em></a><em> </em>(U Washington Press, 2020) is the first book-length study devoted to the architectural projects of a single Chinese emperor.</p><p>Focusing on the imperial palaces in Beijing, a Daoist architectural complex on Mount Wudang, and a Buddhist temple on the Sino-Tibetan frontier, Aurelia Campbell demonstrates how the siting, design, and use of Yongle’s palaces and temples helped cement his authority and legitimize his usurpation of power. Campbell offers insight into Yongle’s sense of empire—from the far-flung locations in which he built, to the distant regions from which he extracted construction materials, and to the use of tens of thousands of craftsmen and other laborers. Through his constructions, Yongle connected himself to the divine, interacted with his subjects, and extended imperial influence across space and time.</p><p>Spanning issues of architectural design and construction technologies, this deft analysis reveals remarkable advancements in timber-frame construction and implements an art-historical approach to examine patronage, audience, and reception, situating the buildings within their larger historical and religious contexts.</p><p><em>Noelle Giuffrida is a professor and curator of Asian art at the School of Art and the David Owsley Museum of Art at Ball State University. Email: </em><a href="http://ngiuffrida@bsu.edu/"><em>ngiuffrida@bsu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3611</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN9804904451.mp3?updated=1736091102" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael S. Dodson, "Bureaucracy, Belonging, and the City in North India: 1870-1930" (Routledge, 2020)</title>
      <description>Michael S. Dodson's Bureaucracy, Belonging, and the City in North India: 1870-1930 (Routledge, 2020) is a re-evaluation of modern urbanism and architecture and a history of urbanism, architecture, and local identity in colonial north India at the turn of the twentieth century.
Focusing on Banaras and Jaunpur, two of northern India's most traditional cities, the book examines the workings of colonial bureaucracy in the cities and argues that interactions with the colonial state were an integral aspect of the ways that Indians created a sense of their own personal investment in the city in which they lived. The book explores the every-day and the mundane to better understand the limits of British colonial power, and the role of Indians themselves, in the making of the modern city. Based on highly localized archival source material, the author analyses two key aspects of city-making in this era: the building of new infrastructure, such as water supply and sewerage, and new policies governing historical architectural conservation. The book also incorporates an ethnography of contemporary urban space in these cities to advocate for a more nuanced and responsible approach to writing the history of such cities and to address the myriad problems of present-day north Indian urbanism.
Containing examples of bureaucratic procedure and its contradictions and enlivened by a set of personal reflections and narratives of the author's own experiences, this book is a valuable addition to the field of South Asian Studies, Asian History and Asian Culture and Society, Colonial History and Urban History.
Ujaan Ghosh is a graduate student at the Department of Art History at University of Wisconsin, Madison
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 16 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael S. Dodson</itunes:subtitle>
      <itunes:summary>Michael S. Dodson's Bureaucracy, Belonging, and the City in North India: 1870-1930 (Routledge, 2020) is a re-evaluation of modern urbanism and architecture and a history of urbanism, architecture, and local identity in colonial north India at the turn of the twentieth century.
Focusing on Banaras and Jaunpur, two of northern India's most traditional cities, the book examines the workings of colonial bureaucracy in the cities and argues that interactions with the colonial state were an integral aspect of the ways that Indians created a sense of their own personal investment in the city in which they lived. The book explores the every-day and the mundane to better understand the limits of British colonial power, and the role of Indians themselves, in the making of the modern city. Based on highly localized archival source material, the author analyses two key aspects of city-making in this era: the building of new infrastructure, such as water supply and sewerage, and new policies governing historical architectural conservation. The book also incorporates an ethnography of contemporary urban space in these cities to advocate for a more nuanced and responsible approach to writing the history of such cities and to address the myriad problems of present-day north Indian urbanism.
Containing examples of bureaucratic procedure and its contradictions and enlivened by a set of personal reflections and narratives of the author's own experiences, this book is a valuable addition to the field of South Asian Studies, Asian History and Asian Culture and Society, Colonial History and Urban History.
Ujaan Ghosh is a graduate student at the Department of Art History at University of Wisconsin, Madison
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Michael S. Dodson's <a href="https://bookshop.org/a/12343/9780367818906"><em>Bureaucracy, Belonging, and the City in North India: 1870-1930</em></a> (Routledge, 2020) is a re-evaluation of modern urbanism and architecture and a history of urbanism, architecture, and local identity in colonial north India at the turn of the twentieth century.</p><p>Focusing on Banaras and Jaunpur, two of northern India's most traditional cities, the book examines the workings of colonial bureaucracy in the cities and argues that interactions with the colonial state were an integral aspect of the ways that Indians created a sense of their own personal investment in the city in which they lived. The book explores the every-day and the mundane to better understand the limits of British colonial power, and the role of Indians themselves, in the making of the modern city. Based on highly localized archival source material, the author analyses two key aspects of city-making in this era: the building of new infrastructure, such as water supply and sewerage, and new policies governing historical architectural conservation. The book also incorporates an ethnography of contemporary urban space in these cities to advocate for a more nuanced and responsible approach to writing the history of such cities and to address the myriad problems of present-day north Indian urbanism.</p><p>Containing examples of bureaucratic procedure and its contradictions and enlivened by a set of personal reflections and narratives of the author's own experiences, this book is a valuable addition to the field of South Asian Studies, Asian History and Asian Culture and Society, Colonial History and Urban History.</p><p><a href="https://arthistory.wisc.edu/staff/ghosh-ujaan/"><em>Ujaan Ghosh</em></a><em> is a graduate student at the Department of Art History at University of Wisconsin, Madison</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4160</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cd3a022c-59eb-11ec-99e8-b36add41ee82]]></guid>
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    </item>
    <item>
      <title>Andrew Demshuk, "Three Cities After Hitler: Redemptive Reconstruction Across Cold War Borders" (U Pittsburgh Press, 2021)</title>
      <description>Three Cities After Hitler: Redemptive Reconstruction Across Cold War Borders (U Pittsburgh Press, 2021) compares how three prewar German cities shared decades of postwar development under three competing post-Nazi regimes: Frankfurt in capitalist West Germany, Leipzig in communist East Germany, and Wrocław (formerly Breslau) in communist Poland. Each city was rebuilt according to two intertwined modern trends. First, certain local edifices were chosen to be resurrected as “sacred sites” to redeem the national story after Nazism. Second, these tokens of a reimagined past were staged against the hegemony of modernist architecture and planning, which wiped out much of whatever was left of the urban landscape that had survived the war. All three cities thus emerged with simplified architectural narratives, whose historically layered complexities only survived in fragments where this twofold “redemptive reconstruction” after Nazism had proven less vigorous, sometimes because local citizens took action to save and appropriate them. Transcending both the Iron Curtain and freshly homogenized nation-states, three cities under three rival regimes shared a surprisingly common history before, during, and after Hitler—in terms of both top-down planning policies and residents’ spontaneous efforts to make home out of their city as its shape shifted around them.
Amber Nickell is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies and Eastern Europe.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 14 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>140</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrew Demshuk</itunes:subtitle>
      <itunes:summary>Three Cities After Hitler: Redemptive Reconstruction Across Cold War Borders (U Pittsburgh Press, 2021) compares how three prewar German cities shared decades of postwar development under three competing post-Nazi regimes: Frankfurt in capitalist West Germany, Leipzig in communist East Germany, and Wrocław (formerly Breslau) in communist Poland. Each city was rebuilt according to two intertwined modern trends. First, certain local edifices were chosen to be resurrected as “sacred sites” to redeem the national story after Nazism. Second, these tokens of a reimagined past were staged against the hegemony of modernist architecture and planning, which wiped out much of whatever was left of the urban landscape that had survived the war. All three cities thus emerged with simplified architectural narratives, whose historically layered complexities only survived in fragments where this twofold “redemptive reconstruction” after Nazism had proven less vigorous, sometimes because local citizens took action to save and appropriate them. Transcending both the Iron Curtain and freshly homogenized nation-states, three cities under three rival regimes shared a surprisingly common history before, during, and after Hitler—in terms of both top-down planning policies and residents’ spontaneous efforts to make home out of their city as its shape shifted around them.
Amber Nickell is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies and Eastern Europe.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780822946977"><em>Three Cities After Hitler: Redemptive Reconstruction Across Cold War Borders</em></a> (U Pittsburgh Press, 2021) compares how three prewar German cities shared decades of postwar development under three competing post-Nazi regimes: Frankfurt in capitalist West Germany, Leipzig in communist East Germany, and Wrocław (formerly Breslau) in communist Poland. Each city was rebuilt according to two intertwined modern trends. First, certain local edifices were chosen to be resurrected as “sacred sites” to redeem the national story after Nazism. Second, these tokens of a reimagined past were staged against the hegemony of modernist architecture and planning, which wiped out much of whatever was left of the urban landscape that had survived the war. All three cities thus emerged with simplified architectural narratives, whose historically layered complexities only survived in fragments where this twofold “redemptive reconstruction” after Nazism had proven less vigorous, sometimes because local citizens took action to save and appropriate them. Transcending both the Iron Curtain and freshly homogenized nation-states, three cities under three rival regimes shared a surprisingly common history before, during, and after Hitler—in terms of both top-down planning policies and residents’ spontaneous efforts to make home out of their city as its shape shifted around them.</p><p><a href="https://www.linkedin.com/in/amber-nickell-64358241/"><em>Amber Nickell</em></a><em> is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies and Eastern Europe.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2491</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c9c52232-58fd-11ec-8169-4f62172ca8dd]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN4537859025.mp3?updated=1639060966" length="0" type="audio/mpeg"/>
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    <item>
      <title>Winka Dubbeldam, "Strange Objects, New Solids and Massive Forms" (Actar, 2022)</title>
      <description>The object as solid, having three dimensions, is not just a different formal trend, but a paradigm shift; a reconceiving of how the architectural object is produced and experienced, changing the very concept of objectivity and meaning of architecture. This book celebrates the potential of the strange object, which finds its origin in the proto-space―the moment between the becoming of the idea and the ultimate shape it takes; the state of the still obscure and ‘uninhibited’ object outside the established framework of signification. As seen through an examination of 10 projects by Archi-Tectonics, this strange object is proof of the very capacity of the object to generate new habits and meanings.
For close to a century, modernism was the norm, presented to culturally aware citizens as the expression of modern life. It arrived hand in hand with medical advances, mass standardization, and a shared ideal of what the ease and speed of the modern lifestyle could offer. Only in the early years of the 21st century did our widespread allegiance begin to shift away from modernism and towards a new social realm. The digital revolution introduced online societies, niche cultures, and digital design. Digital manufacturing facilitated opportunities of surface patterning and the fabrication of one-off special building components, removing the constraints of standardization in the construction industry and celebrating the experimental. Testing designs through prototypes allows for a much more informed decision-making process. The focus is on precise, rigorous research and development, rather than representational models.
Now, after nearly two decades of implementing digital tools, we have reached a new platform where digital design and robotic production are the norm, and by extension, digital craft and integral design are as the future. This has been particularly important in the rethinking of advanced digital design processes. As showcased and examined in Strange Objects, New Solids and Massive Forms (Actar, 2022), from the earliest projects and regardless of scale, Archi-Tectonics has valued performance over form, design intelligence over style. Through prototypes and mock-ups, process documentation and testimonials, the book presents 10 current and recent projects that celebrate the particular and singular over the ideal and universal.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 09 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Winka Dubbeldam</itunes:subtitle>
      <itunes:summary>The object as solid, having three dimensions, is not just a different formal trend, but a paradigm shift; a reconceiving of how the architectural object is produced and experienced, changing the very concept of objectivity and meaning of architecture. This book celebrates the potential of the strange object, which finds its origin in the proto-space―the moment between the becoming of the idea and the ultimate shape it takes; the state of the still obscure and ‘uninhibited’ object outside the established framework of signification. As seen through an examination of 10 projects by Archi-Tectonics, this strange object is proof of the very capacity of the object to generate new habits and meanings.
For close to a century, modernism was the norm, presented to culturally aware citizens as the expression of modern life. It arrived hand in hand with medical advances, mass standardization, and a shared ideal of what the ease and speed of the modern lifestyle could offer. Only in the early years of the 21st century did our widespread allegiance begin to shift away from modernism and towards a new social realm. The digital revolution introduced online societies, niche cultures, and digital design. Digital manufacturing facilitated opportunities of surface patterning and the fabrication of one-off special building components, removing the constraints of standardization in the construction industry and celebrating the experimental. Testing designs through prototypes allows for a much more informed decision-making process. The focus is on precise, rigorous research and development, rather than representational models.
Now, after nearly two decades of implementing digital tools, we have reached a new platform where digital design and robotic production are the norm, and by extension, digital craft and integral design are as the future. This has been particularly important in the rethinking of advanced digital design processes. As showcased and examined in Strange Objects, New Solids and Massive Forms (Actar, 2022), from the earliest projects and regardless of scale, Archi-Tectonics has valued performance over form, design intelligence over style. Through prototypes and mock-ups, process documentation and testimonials, the book presents 10 current and recent projects that celebrate the particular and singular over the ideal and universal.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The object as solid, having three dimensions, is not just a different formal trend, but a paradigm shift; a reconceiving of how the architectural object is produced and experienced, changing the very concept of objectivity and meaning of architecture. This book celebrates the potential of the strange object, which finds its origin in the proto-space―the moment between the becoming of the idea and the ultimate shape it takes; the state of the still obscure and ‘uninhibited’ object outside the established framework of signification. As seen through an examination of 10 projects by Archi-Tectonics, this strange object is proof of the very capacity of the object to generate new habits and meanings.</p><p>For close to a century, modernism was the norm, presented to culturally aware citizens as the expression of modern life. It arrived hand in hand with medical advances, mass standardization, and a shared ideal of what the ease and speed of the modern lifestyle could offer. Only in the early years of the 21st century did our widespread allegiance begin to shift away from modernism and towards a new social realm. The digital revolution introduced online societies, niche cultures, and digital design. Digital manufacturing facilitated opportunities of surface patterning and the fabrication of one-off special building components, removing the constraints of standardization in the construction industry and celebrating the experimental. Testing designs through prototypes allows for a much more informed decision-making process. The focus is on precise, rigorous research and development, rather than representational models.</p><p>Now, after nearly two decades of implementing digital tools, we have reached a new platform where digital design and robotic production are the norm, and by extension, digital craft and integral design are as the future. This has been particularly important in the rethinking of advanced digital design processes. As showcased and examined in <a href="https://bookshop.org/a/12343/9781948765701"><em>Strange Objects, New Solids and Massive Forms</em></a> (Actar, 2022), from the earliest projects and regardless of scale, Archi-Tectonics has valued performance over form, design intelligence over style. Through prototypes and mock-ups, process documentation and testimonials, the book presents 10 current and recent projects that celebrate the particular and singular over the ideal and universal.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1778</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0e4af764-5521-11ec-ad80-abcd0d892dfb]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN5052800775.mp3?updated=1638637988" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jisha Menon, "Brutal Beauty: Aesthetics and Aspiration in the Indian City" (Northwestern UP, 2021)</title>
      <description>Brutal Beauty: Aesthetics and Aspiration in the Indian City (Northwestern UP, 2021) follows a postcolonial city as it transforms into a bustling global metropolis after the liberalization of the Indian economy. Taking the once idyllic “garden city” of Bangalore in southern India as its point of departure, the book explores how artists across India and beyond foreground neoliberalism as a “structure of feeling” permeating aesthetics, selfhood, and everyday life.
Jisha Menon conveys the affective life of the city through multiple aesthetic projects that express a range of urban feelings, including aspiration, panic, and obsolescence. As developers and policymakers remodel the city through tumultuous construction projects, urban beautification, privatization, and other templated features of “world‑class cities,” urban citizens are also changing—transformed by nostalgia, narcissism, shame, and the spaces where they dwell and work. Sketching out scenes of urban aspiration and its dark underbelly, Menon delineates the creative and destructive potential of India’s lurch into contemporary capitalism, uncovering the interconnectedness of local and global power structures as well as art’s capacity to absorb and critique liberalization’s discontents. She argues that neoliberalism isn’t just an economic, social, and political phenomenon; neoliberalism is also a profoundly aesthetic project.
Sneha Annavarapu is Assistant Professor of Urban Studies at Yale-NUS College. To know more about Sneha's work, please visit www.snehanna.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 07 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Brutal Beauty: Aesthetics and Aspiration in the Indian City (Northwestern UP, 2021) follows a postcolonial city as it transforms into a bustling global metropolis after the liberalization of the Indian economy. Taking the once idyllic “garden city” of Bangalore in southern India as its point of departure, the book explores how artists across India and beyond foreground neoliberalism as a “structure of feeling” permeating aesthetics, selfhood, and everyday life.
Jisha Menon conveys the affective life of the city through multiple aesthetic projects that express a range of urban feelings, including aspiration, panic, and obsolescence. As developers and policymakers remodel the city through tumultuous construction projects, urban beautification, privatization, and other templated features of “world‑class cities,” urban citizens are also changing—transformed by nostalgia, narcissism, shame, and the spaces where they dwell and work. Sketching out scenes of urban aspiration and its dark underbelly, Menon delineates the creative and destructive potential of India’s lurch into contemporary capitalism, uncovering the interconnectedness of local and global power structures as well as art’s capacity to absorb and critique liberalization’s discontents. She argues that neoliberalism isn’t just an economic, social, and political phenomenon; neoliberalism is also a profoundly aesthetic project.
Sneha Annavarapu is Assistant Professor of Urban Studies at Yale-NUS College. To know more about Sneha's work, please visit www.snehanna.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780810144057"><em>Brutal Beauty: Aesthetics and Aspiration in the Indian City</em></a><em> </em>(Northwestern UP, 2021) follows a postcolonial city as it transforms into a bustling global metropolis after the liberalization of the Indian economy. Taking the once idyllic “garden city” of Bangalore in southern India as its point of departure, the book explores how artists across India and beyond foreground neoliberalism as a “structure of feeling” permeating aesthetics, selfhood, and everyday life.</p><p>Jisha Menon conveys the affective life of the city through multiple aesthetic projects that express a range of urban feelings, including aspiration, panic, and obsolescence. As developers and policymakers remodel the city through tumultuous construction projects, urban beautification, privatization, and other templated features of “world‑class cities,” urban citizens are also changing—transformed by nostalgia, narcissism, shame, and the spaces where they dwell and work. Sketching out scenes of urban aspiration and its dark underbelly, Menon delineates the creative and destructive potential of India’s lurch into contemporary capitalism, uncovering the interconnectedness of local and global power structures as well as art’s capacity to absorb and critique liberalization’s discontents. She argues that neoliberalism isn’t just an economic, social, and political phenomenon; neoliberalism is also a profoundly aesthetic project.</p><p><em>Sneha Annavarapu is Assistant Professor of Urban Studies at Yale-NUS College. To know more about Sneha's work, please visit </em><a href="http://www.snehanna.com/"><em>www.snehanna.com</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2494</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN2185678979.mp3?updated=1638382399" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Barbara White Bryson, "Creating a Culture of Predictable Outcomes: How Leadership, Collaboration, and Decision-Making Drive Architecture and Construction" (Routledge, 2020)</title>
      <description>Creating a Culture of Predictable Outcomes: How Leadership, Collaboration, and Decision-Making Drive Architecture and Construction (Routledge, 2020) demonstrates the importance of creating cultures in the design and construction industries grounded in sophisticated-caring leadership, high-performing collaborative teams, and master-level decision-making discipline, informed by values, to finally address massive inefficiencies, waste, and unpredictability.
Barbara White Bryson offers specific guidance to industry stakeholders to succeed in achieving project-related predictable outcomes by focusing on culture rather than process. This includes selecting the right team members by hiring and firing bravely, valuing psychological safety, leading with values, practicing respect and transparency, fostering empowerment to make decisions at the right level at the right time, and more.
This book is a must-read for design and construction professionals who want to finally understand how to set goals and meet those goals for their clients as well as for their teams.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 26 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Barbara White Bryson</itunes:subtitle>
      <itunes:summary>Creating a Culture of Predictable Outcomes: How Leadership, Collaboration, and Decision-Making Drive Architecture and Construction (Routledge, 2020) demonstrates the importance of creating cultures in the design and construction industries grounded in sophisticated-caring leadership, high-performing collaborative teams, and master-level decision-making discipline, informed by values, to finally address massive inefficiencies, waste, and unpredictability.
Barbara White Bryson offers specific guidance to industry stakeholders to succeed in achieving project-related predictable outcomes by focusing on culture rather than process. This includes selecting the right team members by hiring and firing bravely, valuing psychological safety, leading with values, practicing respect and transparency, fostering empowerment to make decisions at the right level at the right time, and more.
This book is a must-read for design and construction professionals who want to finally understand how to set goals and meet those goals for their clients as well as for their teams.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780367894375"><em>Creating a Culture of Predictable Outcomes: How Leadership, Collaboration, and Decision-Making Drive Architecture and Construction</em></a><em> </em>(Routledge, 2020) demonstrates the importance of creating cultures in the design and construction industries grounded in sophisticated-caring leadership, high-performing collaborative teams, and master-level decision-making discipline, informed by values, to finally address massive inefficiencies, waste, and unpredictability.</p><p>Barbara White Bryson offers specific guidance to industry stakeholders to succeed in achieving project-related predictable outcomes by focusing on culture rather than process. This includes selecting the right team members by hiring and firing bravely, valuing psychological safety, leading with values, practicing respect and transparency, fostering empowerment to make decisions at the right level at the right time, and more.</p><p>This book is a must-read for design and construction professionals who want to finally understand how to set goals and meet those goals for their clients as well as for their teams.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2344</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6005dc60-4949-11ec-8571-5753a4b61fdd]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN2927674174.mp3?updated=1637334549" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kenneth O'Reilly, "Asphalt: A History" (U Nebraska Press, 2021)</title>
      <description>In Asphalt: A History (U Nebraska Press, 2021), Kenneth O’Reilly provides a history of this everyday substance. By tracing the history of asphalt—in both its natural and processed forms—from ancient times to the present, O’Reilly sets out to identify its importance within various contexts of human society and culture. Although O’Reilly argues that asphalt creates our environment, he believes it also eventually threatens it. Looking at its role in economics, politics, and global warming, O’Reilly explores asphalt’s contribution to the history, and future, of America and the world.
Mohamed Gamal-Eldin is a historian of Modern Egypt, who is interested in questions related to the built environment, urban history, architecture, social history and environmental ecology of urban centers in 19th and early 20th century Egypt, the Middle East and globally.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 22 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>88</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kenneth O'Reilly</itunes:subtitle>
      <itunes:summary>In Asphalt: A History (U Nebraska Press, 2021), Kenneth O’Reilly provides a history of this everyday substance. By tracing the history of asphalt—in both its natural and processed forms—from ancient times to the present, O’Reilly sets out to identify its importance within various contexts of human society and culture. Although O’Reilly argues that asphalt creates our environment, he believes it also eventually threatens it. Looking at its role in economics, politics, and global warming, O’Reilly explores asphalt’s contribution to the history, and future, of America and the world.
Mohamed Gamal-Eldin is a historian of Modern Egypt, who is interested in questions related to the built environment, urban history, architecture, social history and environmental ecology of urban centers in 19th and early 20th century Egypt, the Middle East and globally.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781496222077"><em>Asphalt: A History</em></a><em> </em>(U Nebraska Press, 2021), Kenneth O’Reilly provides a history of this everyday substance. By tracing the history of asphalt—in both its natural and processed forms—from ancient times to the present, O’Reilly sets out to identify its importance within various contexts of human society and culture. Although O’Reilly argues that asphalt creates our environment, he believes it also eventually threatens it. Looking at its role in economics, politics, and global warming, O’Reilly explores asphalt’s contribution to the history, and future, of America and the world.</p><p><em>Mohamed Gamal-Eldin is a historian of Modern Egypt, who is interested in questions related to the built environment, urban history, architecture, social history and environmental ecology of urban centers in 19th and early 20th century Egypt, the Middle East and globally.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>5133</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5f9b8cf8-4a1a-11ec-8bf2-6f76bca769da]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN1282959799.mp3?updated=1637423984" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carolyn L. White, "The Archaeology of Burning Man: The Rise and Fall of Black Rock City" (U New Mexico Press, 2020)</title>
      <description>How do you do archaeological research on a place that exists for only one week per year, in the middle of the Nevada desert, and is based on the ethos of "leave no trace?" In The Archaeology of Burning Man: The Rise and Fall of Black Rock City (U New Mexico Press, 2020), Dr. Carolyn White, a professor of anthropology at the University of Nevada, sets out to tackle just this question. Using the methods of contemporary archaeology, White spent a decade attending the annual Burning Man event in the desert of northwestern Nevada, chronicling the construction, the day to day life, and the dismantling of Black Rock City, which is among the largest cities in the state for the short time exists every August and September. White examines the various ways that people live in Black Rock, the semi-invisible infrastructure and bureaucracy which keep it running and keep its 75,000 residents safe, and the day to day life in the city itself. White shows a side of Burning Man not often seen by outsiders, and one that runs counter to the chaotic, Instagram-ified, narrative often presented in mainstream media.
 Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 17 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Carolyn L. White</itunes:subtitle>
      <itunes:summary>How do you do archaeological research on a place that exists for only one week per year, in the middle of the Nevada desert, and is based on the ethos of "leave no trace?" In The Archaeology of Burning Man: The Rise and Fall of Black Rock City (U New Mexico Press, 2020), Dr. Carolyn White, a professor of anthropology at the University of Nevada, sets out to tackle just this question. Using the methods of contemporary archaeology, White spent a decade attending the annual Burning Man event in the desert of northwestern Nevada, chronicling the construction, the day to day life, and the dismantling of Black Rock City, which is among the largest cities in the state for the short time exists every August and September. White examines the various ways that people live in Black Rock, the semi-invisible infrastructure and bureaucracy which keep it running and keep its 75,000 residents safe, and the day to day life in the city itself. White shows a side of Burning Man not often seen by outsiders, and one that runs counter to the chaotic, Instagram-ified, narrative often presented in mainstream media.
 Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do you do archaeological research on a place that exists for only one week per year, in the middle of the Nevada desert, and is based on the ethos of "leave no trace?" In <a href="https://bookshop.org/a/12343/9780826361332"><em>The Archaeology of Burning Man: The Rise and Fall of Black Rock City</em></a><em> </em>(U New Mexico Press, 2020), Dr. Carolyn White, a professor of anthropology at the University of Nevada, sets out to tackle just this question. Using the methods of contemporary archaeology, White spent a decade attending the annual Burning Man event in the desert of northwestern Nevada, chronicling the construction, the day to day life, and the dismantling of Black Rock City, which is among the largest cities in the state for the short time exists every August and September. White examines the various ways that people live in Black Rock, the semi-invisible infrastructure and bureaucracy which keep it running and keep its 75,000 residents safe, and the day to day life in the city itself. White shows a side of Burning Man not often seen by outsiders, and one that runs counter to the chaotic, Instagram-ified, narrative often presented in mainstream media.</p><p><em> Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3577</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[90791b06-4312-11ec-b374-47694e2fd324]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN9712085939.mp3?updated=1636650958" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Conchita Anorve-Tschirgi and Ehsan Abushadi, "The Architecture of Ramses Wissa Wassef" (AU of Cairo Press, 2019)</title>
      <description>The pioneering Egyptian architect and teacher Ramses Wissa Wassef (1911–74) is best known for his founding in 1951 of the Ramses Wissa Wassef Art Centre in Harraniya, a small village near the Giza Pyramids in Greater Cairo. The center, internationally acclaimed for its tapestries and sculptures, began partly as an art school for young villagers, reflecting Wissa Wassef’s aim of reviving traditional Egyptian architecture and crafts, and his belief in the innate creative power and potential of children.
Less well known are Wissa Wassef’s prolific architectural output and his efforts and influence beyond the confines of the Harraniya center to promote artistic expression among Egyptian youth. This generously illustrated volume is the first comprehensive survey of Wissa Wassef’s architectural works, both extant and non-extant, shedding light on his legacy and significant engagement with vernacular and contemporary Egyptian architecture. Wissa Wassef renounced self-promotion and monetary reward in his work, placing human physical and psychological well-being at the center of his architectural philosophy. An astute observer and modest personality, he saw himself as part of the people and began experimenting with participatory design and people-centered architecture before they became popular.
Conchita Anorve-Tschirgi and Ehsan Abushadi's The Architecture of Ramses Wissa Wassef (AU of Cairo Press, 2019) reveals Wissa Wassef’s profuse architectural oeuvre, which spanned private villas and rural houses, as well as public buildings, such as churches, schools, and museums, highlighting his rich contribution to Egypt’s architectural heritage at a moment when that heritage is at risk of being lost.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 11 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The pioneering Egyptian architect and teacher Ramses Wissa Wassef (1911–74) is best known for his founding in 1951 of the Ramses Wissa Wassef Art Centre in Harraniya, a small village near the Giza Pyramids in Greater Cairo. The center, internationally acclaimed for its tapestries and sculptures, began partly as an art school for young villagers, reflecting Wissa Wassef’s aim of reviving traditional Egyptian architecture and crafts, and his belief in the innate creative power and potential of children.
Less well known are Wissa Wassef’s prolific architectural output and his efforts and influence beyond the confines of the Harraniya center to promote artistic expression among Egyptian youth. This generously illustrated volume is the first comprehensive survey of Wissa Wassef’s architectural works, both extant and non-extant, shedding light on his legacy and significant engagement with vernacular and contemporary Egyptian architecture. Wissa Wassef renounced self-promotion and monetary reward in his work, placing human physical and psychological well-being at the center of his architectural philosophy. An astute observer and modest personality, he saw himself as part of the people and began experimenting with participatory design and people-centered architecture before they became popular.
Conchita Anorve-Tschirgi and Ehsan Abushadi's The Architecture of Ramses Wissa Wassef (AU of Cairo Press, 2019) reveals Wissa Wassef’s profuse architectural oeuvre, which spanned private villas and rural houses, as well as public buildings, such as churches, schools, and museums, highlighting his rich contribution to Egypt’s architectural heritage at a moment when that heritage is at risk of being lost.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The pioneering Egyptian architect and teacher Ramses Wissa Wassef (1911–74) is best known for his founding in 1951 of the Ramses Wissa Wassef Art Centre in Harraniya, a small village near the Giza Pyramids in Greater Cairo. The center, internationally acclaimed for its tapestries and sculptures, began partly as an art school for young villagers, reflecting Wissa Wassef’s aim of reviving traditional Egyptian architecture and crafts, and his belief in the innate creative power and potential of children.</p><p>Less well known are Wissa Wassef’s prolific architectural output and his efforts and influence beyond the confines of the Harraniya center to promote artistic expression among Egyptian youth. This generously illustrated volume is the first comprehensive survey of Wissa Wassef’s architectural works, both extant and non-extant, shedding light on his legacy and significant engagement with vernacular and contemporary Egyptian architecture. Wissa Wassef renounced self-promotion and monetary reward in his work, placing human physical and psychological well-being at the center of his architectural philosophy. An astute observer and modest personality, he saw himself as part of the people and began experimenting with participatory design and people-centered architecture before they became popular.</p><p>Conchita Anorve-Tschirgi and Ehsan Abushadi's <a href="https://bookshop.org/a/12343/9789774169243"><em>The Architecture of Ramses Wissa Wassef</em></a> (AU of Cairo Press, 2019) reveals Wissa Wassef’s profuse architectural oeuvre, which spanned private villas and rural houses, as well as public buildings, such as churches, schools, and museums, highlighting his rich contribution to Egypt’s architectural heritage at a moment when that heritage is at risk of being lost.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1100</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c652705e-38ab-11ec-9ee1-5f5d98449f03]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN5759934381.mp3?updated=1635507586" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Simon O'Meara, "The Ka'ba Orientations: Readings in Islam's Ancient House" (Edinburgh UP, 2020)</title>
      <description>The Kaʿba is the famous cuboid structure at the center of the Great Mosque in Mecca. In his book The Kaʿba Orientations: Readings in Islam's Ancient House (Edinburgh University Press, 2020), Simon O'Meara (SOAS) looks at the way Muslims from the beginnings of Islam to the 18th century engaged with the existence of such a structure, as a location, as an architectural object, as a direction, as a focus of devotion and prayer. He studies both material and visual as well as literary engagements through which Muslims pilgrims and scholars interpreted their own place in the world in relation to a location held to be the world's axis, and the consequences from a religious and psychological perspective of the often fraught and violent history of the built structure itself, its uses, and the emotional connection that millions of Muslims continue to feel towards it to this day.
Miguel Monteiro is a PhD student in Near Eastern Languages and Civilizations at Yale University. Twitter @anphph
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 05 Nov 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>151</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Simon O'Meara</itunes:subtitle>
      <itunes:summary>The Kaʿba is the famous cuboid structure at the center of the Great Mosque in Mecca. In his book The Kaʿba Orientations: Readings in Islam's Ancient House (Edinburgh University Press, 2020), Simon O'Meara (SOAS) looks at the way Muslims from the beginnings of Islam to the 18th century engaged with the existence of such a structure, as a location, as an architectural object, as a direction, as a focus of devotion and prayer. He studies both material and visual as well as literary engagements through which Muslims pilgrims and scholars interpreted their own place in the world in relation to a location held to be the world's axis, and the consequences from a religious and psychological perspective of the often fraught and violent history of the built structure itself, its uses, and the emotional connection that millions of Muslims continue to feel towards it to this day.
Miguel Monteiro is a PhD student in Near Eastern Languages and Civilizations at Yale University. Twitter @anphph
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Kaʿba is the famous cuboid structure at the center of the Great Mosque in Mecca. In his book <a href="https://bookshop.org/a/12343/9780748699308"><em>The Kaʿba Orientations: Readings in Islam's Ancient House</em> </a>(Edinburgh University Press, 2020), Simon O'Meara (SOAS) looks at the way Muslims from the beginnings of Islam to the 18th century engaged with the existence of such a structure, as a location, as an architectural object, as a direction, as a focus of devotion and prayer. He studies both material and visual as well as literary engagements through which Muslims pilgrims and scholars interpreted their own place in the world in relation to a location held to be the world's axis, and the consequences from a religious and psychological perspective of the often fraught and violent history of the built structure itself, its uses, and the emotional connection that millions of Muslims continue to feel towards it to this day.</p><p><em>Miguel Monteiro is a PhD student in Near Eastern Languages and Civilizations at Yale University. Twitter @anphph</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3614</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[87c3daaa-3804-11ec-a97d-fb0329b6a2e5]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN9252236525.mp3?updated=1635435527" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Courtney J. Campbell et al, "Empty Spaces: Perspectives on Emptiness in Modern History" (U London Press, 2019)</title>
      <description>How is emptiness made and what historical purpose does it serve? What cultural, material and natural work goes into maintaining 'nothingness'? Why have a variety of historical actors, from colonial powers to artists and urban dwellers, sought to construct, control and maintain (physically and discursively) empty space, and by which processes is emptiness discovered, visualised and reimagined? 
Courtney J. Campbell, Allegra Giovine and Jennifer Keating's Empty Spaces: Perspectives on Emptiness in Modern History (U London Press, 2019) draws together contributions from authors working on landscapes and rurality, along with national and imperial narratives, from Brazil to Russia and Ireland. It considers the visual, including the art of Edward Hopper and the work of the British Empire Marketing Board, while concluding with a section that examines constructions of emptiness in relation to capitalism, development and the (re)appropriation of urban space. In doing so, it foregrounds the importance of emptiness as a productive prism through which to interrogate a variety of imperial, national, cultural and urban history.
Sergio Lopez-Pineiro (Harvard Graduate School of Design) interviews authors on how the portrayal of emptiness and allied concepts (such as voids, nothingness, or limbo) in philosophical, political, religious, and social studies is influenced by the imagination and construction of physical space.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 28 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Courtney J. Campbell</itunes:subtitle>
      <itunes:summary>How is emptiness made and what historical purpose does it serve? What cultural, material and natural work goes into maintaining 'nothingness'? Why have a variety of historical actors, from colonial powers to artists and urban dwellers, sought to construct, control and maintain (physically and discursively) empty space, and by which processes is emptiness discovered, visualised and reimagined? 
Courtney J. Campbell, Allegra Giovine and Jennifer Keating's Empty Spaces: Perspectives on Emptiness in Modern History (U London Press, 2019) draws together contributions from authors working on landscapes and rurality, along with national and imperial narratives, from Brazil to Russia and Ireland. It considers the visual, including the art of Edward Hopper and the work of the British Empire Marketing Board, while concluding with a section that examines constructions of emptiness in relation to capitalism, development and the (re)appropriation of urban space. In doing so, it foregrounds the importance of emptiness as a productive prism through which to interrogate a variety of imperial, national, cultural and urban history.
Sergio Lopez-Pineiro (Harvard Graduate School of Design) interviews authors on how the portrayal of emptiness and allied concepts (such as voids, nothingness, or limbo) in philosophical, political, religious, and social studies is influenced by the imagination and construction of physical space.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How is emptiness made and what historical purpose does it serve? What cultural, material and natural work goes into maintaining 'nothingness'? Why have a variety of historical actors, from colonial powers to artists and urban dwellers, sought to construct, control and maintain (physically and discursively) empty space, and by which processes is emptiness discovered, visualised and reimagined? </p><p>Courtney J. Campbell, Allegra Giovine and Jennifer Keating's <a href="https://bookshop.org/a/12343/9781909646490"><em>Empty Spaces: Perspectives on Emptiness in Modern History</em></a> (U London Press, 2019) draws together contributions from authors working on landscapes and rurality, along with national and imperial narratives, from Brazil to Russia and Ireland. It considers the visual, including the art of Edward Hopper and the work of the British Empire Marketing Board, while concluding with a section that examines constructions of emptiness in relation to capitalism, development and the (re)appropriation of urban space. In doing so, it foregrounds the importance of emptiness as a productive prism through which to interrogate a variety of imperial, national, cultural and urban history.</p><p><a href="https://www.gsd.harvard.edu/person/sergio-lopez-pineiro/"><em>Sergio Lopez-Pineiro</em></a><em> (Harvard Graduate School of Design) interviews authors on how the portrayal of emptiness and allied concepts (such as voids, nothingness, or limbo) in philosophical, political, religious, and social studies is influenced by the imagination and construction of physical space.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3015</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3e86f034-3377-11ec-bd71-877b9df68f5a]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN9107193102.mp3?updated=1635498221" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Justin Beal, "Sandfuture" (MIT Press, 2021)</title>
      <description>Sandfuture (MIT Press, 2021) is a book about the life of the architect Minoru Yamasaki (1912–1986), who remains on the margins of history despite the enormous influence of his work on American architecture and society. That Yamasaki’s most famous projects—the Pruitt-Igoe apartments in St. Louis and the original World Trade Center in New York—were both destroyed on national television, thirty years apart, makes his relative obscurity all the more remarkable.
Sandfuture is also a book about an artist interrogating art and architecture’s role in culture as New York changes drastically after a decade bracketed by terrorism and natural disaster. From the central thread of Yamasaki’s life, Sandfuture spirals outward to include reflections on a wide range of subjects, from the figure of the architect in literature and film and transformations in the contemporary art market to the perils of sick buildings and the broader social and political implications of how, and for whom, cities are built. The result is at once sophisticated in its understanding of material culture and novelistic in its telling of a good story.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 22 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>54</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Justin Beal</itunes:subtitle>
      <itunes:summary>Sandfuture (MIT Press, 2021) is a book about the life of the architect Minoru Yamasaki (1912–1986), who remains on the margins of history despite the enormous influence of his work on American architecture and society. That Yamasaki’s most famous projects—the Pruitt-Igoe apartments in St. Louis and the original World Trade Center in New York—were both destroyed on national television, thirty years apart, makes his relative obscurity all the more remarkable.
Sandfuture is also a book about an artist interrogating art and architecture’s role in culture as New York changes drastically after a decade bracketed by terrorism and natural disaster. From the central thread of Yamasaki’s life, Sandfuture spirals outward to include reflections on a wide range of subjects, from the figure of the architect in literature and film and transformations in the contemporary art market to the perils of sick buildings and the broader social and political implications of how, and for whom, cities are built. The result is at once sophisticated in its understanding of material culture and novelistic in its telling of a good story.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780262543095"><em>Sandfuture</em></a> (MIT Press, 2021) is a book about the life of the architect Minoru Yamasaki (1912–1986), who remains on the margins of history despite the enormous influence of his work on American architecture and society. That Yamasaki’s most famous projects—the Pruitt-Igoe apartments in St. Louis and the original World Trade Center in New York—were both destroyed on national television, thirty years apart, makes his relative obscurity all the more remarkable.</p><p><em>Sandfuture</em> is also a book about an artist interrogating art and architecture’s role in culture as New York changes drastically after a decade bracketed by terrorism and natural disaster. From the central thread of Yamasaki’s life, Sandfuture spirals outward to include reflections on a wide range of subjects, from the figure of the architect in literature and film and transformations in the contemporary art market to the perils of sick buildings and the broader social and political implications of how, and for whom, cities are built. The result is at once sophisticated in its understanding of material culture and novelistic in its telling of a good story.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2317</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[601f2b58-2dcd-11ec-af11-074353d74cd4]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7595607050.mp3?updated=1634316240" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joseph L. Clarke, "Echo's Chambers: Architecture and the Idea of Acoustic Space" (U Pittsburgh Press, 2021)</title>
      <description>A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public. 
Echo's Chambers: Architecture and the Idea of Acoustic Space (U Pittsburgh Press, 2021) explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 19 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>53</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joseph L. Clarke</itunes:subtitle>
      <itunes:summary>A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public. 
Echo's Chambers: Architecture and the Idea of Acoustic Space (U Pittsburgh Press, 2021) explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public. </p><p><a href="https://bookshop.org/a/12343/9780822946571"><em>Echo's Chambers: Architecture and the Idea of Acoustic Space</em></a><em> </em>(U Pittsburgh Press, 2021) explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1966</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[edab3c0a-2841-11ec-831a-0b813df51ad9]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3296591947.mp3?updated=1633703066" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew Fuller, "Investigative Aesthetics: Conflicts and Commons in the Politics of Truth" (Verso, 2021)</title>
      <description>Today, journalists, legal professionals, activists, and artists challenge the state's monopoly on investigation and the production of narratives of truth. They probe corruption, human rights violations, environmental crimes, and technological domination. Organisations such as WikiLeaks, Bellingcat, or Forensic Architecture pore over open-source videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what Fuller and Weizman call 'investigative aesthetics': the mobilisation of sensibilities associated with art, architecture, and other such practices in order to challenge power.
Investigative Aesthetics draws on theories of knowledge, ecology and technology; evaluates the methods of citizen counter-forensics, micro-history and art. These new practices take place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as they strive towards the construction of a new common sense.
Matthew Fuller and Eyal Weizman speak to Pierre d'Alancaisez about the logics behind Forensic Architecture and the evidentiary turn: the aesthetics of distributed sensing, the investigative commons, and the condition of hyperaesthesia.
Matthew Fuller is a Professor of Cultural Studies at Goldsmiths, University of London. He is the author of Media Ecologies, and with Andrew Goffey, Evil Media.
Eyal Weizman is the founder and director of Forensic Architecture and Professor of Spatial and Visual Cultures at Goldsmiths, University of London. He is the author of Hollow Land, The Least of All Possible Evils, and Forensic Architecture: Violence at the Threshold of Detectability.


Forensic Architecture investigation archive.

Investigation: The Bombing of Rafah, 2015

Investigation: The Killing of Mark Duggan, 2020


ICA London exhibiiton.

Investigation: Triple-Chaser, 2019


Protests surrounding the Whitney Museum's trustee Warren Kanders' involvement with Safariland.


Kanders divests from his arms production holdings.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 19 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>73</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew Fuller</itunes:subtitle>
      <itunes:summary>Today, journalists, legal professionals, activists, and artists challenge the state's monopoly on investigation and the production of narratives of truth. They probe corruption, human rights violations, environmental crimes, and technological domination. Organisations such as WikiLeaks, Bellingcat, or Forensic Architecture pore over open-source videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what Fuller and Weizman call 'investigative aesthetics': the mobilisation of sensibilities associated with art, architecture, and other such practices in order to challenge power.
Investigative Aesthetics draws on theories of knowledge, ecology and technology; evaluates the methods of citizen counter-forensics, micro-history and art. These new practices take place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as they strive towards the construction of a new common sense.
Matthew Fuller and Eyal Weizman speak to Pierre d'Alancaisez about the logics behind Forensic Architecture and the evidentiary turn: the aesthetics of distributed sensing, the investigative commons, and the condition of hyperaesthesia.
Matthew Fuller is a Professor of Cultural Studies at Goldsmiths, University of London. He is the author of Media Ecologies, and with Andrew Goffey, Evil Media.
Eyal Weizman is the founder and director of Forensic Architecture and Professor of Spatial and Visual Cultures at Goldsmiths, University of London. He is the author of Hollow Land, The Least of All Possible Evils, and Forensic Architecture: Violence at the Threshold of Detectability.


Forensic Architecture investigation archive.

Investigation: The Bombing of Rafah, 2015

Investigation: The Killing of Mark Duggan, 2020


ICA London exhibiiton.

Investigation: Triple-Chaser, 2019


Protests surrounding the Whitney Museum's trustee Warren Kanders' involvement with Safariland.


Kanders divests from his arms production holdings.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today, journalists, legal professionals, activists, and artists challenge the state's monopoly on investigation and the production of narratives of truth. They probe corruption, human rights violations, environmental crimes, and technological domination. Organisations such as WikiLeaks, Bellingcat, or Forensic Architecture pore over open-source videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what Fuller and Weizman call 'investigative aesthetics': the mobilisation of sensibilities associated with art, architecture, and other such practices in order to challenge power.</p><p><em>Investigative Aesthetics</em> draws on theories of knowledge, ecology and technology; evaluates the methods of citizen counter-forensics, micro-history and art. These new practices take place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as they strive towards the construction of a new common sense.</p><p>Matthew Fuller and Eyal Weizman speak to Pierre d'Alancaisez about the logics behind Forensic Architecture and the evidentiary turn: the aesthetics of distributed sensing, the investigative commons, and the condition of hyperaesthesia.</p><p>Matthew Fuller is a Professor of Cultural Studies at <a href="https://www.gold.ac.uk/media-communications/staff/m-fuller/">Goldsmiths</a>, University of London. He is the author of <em>Media Ecologies</em>, and with Andrew Goffey, <em>Evil Media</em>.</p><p><a href="https://forensic-architecture.org/about/team/member/eyal-weizman">Eyal Weizman</a> is the founder and director of Forensic Architecture and Professor of Spatial and Visual Cultures at <a href="https://www.gold.ac.uk/visual-cultures/w-eizman/">Goldsmiths</a>, University of London. He is the author of <em>Hollow Land</em>, <em>The Least of All Possible Evils</em>, and<em> Forensic Architecture: Violence at the Threshold of Detectability</em>.</p><ul>
<li>
<a href="https://forensic-architecture.org/">Forensic Architecture</a> investigation archive.</li>
<li>Investigation: <a href="https://forensic-architecture.org/investigation/the-bombing-of-rafah"><em>The Bombing of Rafah</em></a>, 2015</li>
<li>Investigation: <a href="https://forensic-architecture.org/investigation/the-killing-of-mark-duggan"><em>The</em> <em>Killing of Mark</em> <em>Duggan</em></a>, 2020</li>
<li>
<a href="https://www.ica.art/exhibitions/war-inna-babylon">ICA London exhibiiton</a>.</li>
<li>Investigation: <a href="https://forensic-architecture.org/investigation/triple-chaser"><em>Triple-Chaser</em></a>, 2019</li>
<li>
<a href="https://hyperallergic.com/473702/whitney-tear-gas-manufacturer-is-revealed/">Protests surrounding the Whitney Museum's trustee Warren Kanders' involvement with Safariland</a>.</li>
<li>
<a href="https://www.nytimes.com/2020/06/09/arts/design/tear-gas-warren-kanders.html?smid=tw-share">Kanders divests from his arms production holdings</a>.</li>
</ul><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4655</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b8335eba-2aba-11ec-b12b-a79872f4f75b]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN4911695850.mp3?updated=1633974782" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Antoine Picon, "The Materiality of Architecture" (U Minnesota Press, 2021)</title>
      <description>Digital tools have launched architecture into a dizzying new era, one in which wood, stone, metal, glass, and other traditional materials are augmented by pixels and code. In The Materiality of Architecture (U Minnesota Press, 2021), an eminent thinker examines what, exactly, the building blocks of architecture have meant over the centuries and how technology may—or may not—be changing how we think about them.

Antoine Picon argues that materiality is not only about matter and that the silence and inscrutability—the otherness—of raw materials work against humanity’s need to live in a meaningful world. He describes how people define who they are, in part, through their specific physical experience of architectural materials and spaces. Indeed, Picon asserts, the entire paradox of the architectural discipline consists in its desire to render matter expressive to human beings. Through a retrospective review of canonical moments in Western European architecture, Picon offers an original perspective on the ways materiality has varied throughout centuries, demonstrating how experiences of the physical world have changed in relation to the evolution of human subjectivity.

Ultimately, Picon concludes that computer-based design methods are not an abrupt departure from previous architectural traditions but rather a new way for architects to control material resources. The result reinforces the fundamentally humanistic nature of architectural endeavor with an increasing sense of design freedom and a release from material constraint in the digital era.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 01 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>51</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Antoine Picon</itunes:subtitle>
      <itunes:summary>Digital tools have launched architecture into a dizzying new era, one in which wood, stone, metal, glass, and other traditional materials are augmented by pixels and code. In The Materiality of Architecture (U Minnesota Press, 2021), an eminent thinker examines what, exactly, the building blocks of architecture have meant over the centuries and how technology may—or may not—be changing how we think about them.

Antoine Picon argues that materiality is not only about matter and that the silence and inscrutability—the otherness—of raw materials work against humanity’s need to live in a meaningful world. He describes how people define who they are, in part, through their specific physical experience of architectural materials and spaces. Indeed, Picon asserts, the entire paradox of the architectural discipline consists in its desire to render matter expressive to human beings. Through a retrospective review of canonical moments in Western European architecture, Picon offers an original perspective on the ways materiality has varied throughout centuries, demonstrating how experiences of the physical world have changed in relation to the evolution of human subjectivity.

Ultimately, Picon concludes that computer-based design methods are not an abrupt departure from previous architectural traditions but rather a new way for architects to control material resources. The result reinforces the fundamentally humanistic nature of architectural endeavor with an increasing sense of design freedom and a release from material constraint in the digital era.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Digital tools have launched architecture into a dizzying new era, one in which wood, stone, metal, glass, and other traditional materials are augmented by pixels and code. In <a href="https://bookshop.org/a/12343/9781517909475"><em>The Materiality of Architecture</em></a> (U Minnesota Press, 2021), an eminent thinker examines what, exactly, the building blocks of architecture have meant over the centuries and how technology may—or may not—be changing how we think about them.</p><p><br></p><p>Antoine Picon argues that materiality is not only about matter and that the silence and inscrutability—the otherness—of raw materials work against humanity’s need to live in a meaningful world. He describes how people define who they are, in part, through their specific physical experience of architectural materials and spaces. Indeed, Picon asserts, the entire paradox of the architectural discipline consists in its desire to render matter expressive to human beings. Through a retrospective review of canonical moments in Western European architecture, Picon offers an original perspective on the ways materiality has varied throughout centuries, demonstrating how experiences of the physical world have changed in relation to the evolution of human subjectivity.</p><p><br></p><p>Ultimately, Picon concludes that computer-based design methods are not an abrupt departure from previous architectural traditions but rather a new way for architects to control material resources. The result reinforces the fundamentally humanistic nature of architectural endeavor with an increasing sense of design freedom and a release from material constraint in the digital era.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1565</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[498ed5e0-1d48-11ec-bfc2-23babc2e0c33]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN1577903414.mp3?updated=1632495986" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shannon Mattern, "A City Is Not a Computer: Other Urban Intelligences" (Princeton UP, 2021)</title>
      <description>Computational models of urbanism—smart cities that use data-driven planning and algorithmic administration—promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. A City Is Not a Computer: Other Urban Intelligences (Princeton UP, 2021) reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models.
Shannon Mattern begins by examining the ethical and ontological implications of urban technologies and computational models, discussing how they shape and in many cases profoundly limit our engagement with cities. She looks at the methods and underlying assumptions of data-driven urbanism, and demonstrates how the “city-as-computer” metaphor, which undergirds much of today’s urban policy and design, reduces place-based knowledge to information processing. Mattern then imagines how we might sustain institutions and infrastructures that constitute more diverse, open, inclusive urban forms. She shows how the public library functions as a steward of urban intelligence, and describes the scales of upkeep needed to sustain a city’s many moving parts, from spinning hard drives to bridge repairs.
Incorporating insights from urban studies, data science, and media and information studies, A City Is Not a Computer offers a visionary new approach to urban planning and design.
Shannon Mattern is professor of anthropology at the New School for Social Research. Her books include Code and Clay, Data and Dirt: Five Thousand Years of Urban Media and The New Downtown Library: Designing with Communities. She lives in New York City. Website wordsinspace.net Instagram @atlas.sounds Twitter @shannonmattern
Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City &amp; Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 24 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>38</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Shannon Mattern</itunes:subtitle>
      <itunes:summary>Computational models of urbanism—smart cities that use data-driven planning and algorithmic administration—promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. A City Is Not a Computer: Other Urban Intelligences (Princeton UP, 2021) reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models.
Shannon Mattern begins by examining the ethical and ontological implications of urban technologies and computational models, discussing how they shape and in many cases profoundly limit our engagement with cities. She looks at the methods and underlying assumptions of data-driven urbanism, and demonstrates how the “city-as-computer” metaphor, which undergirds much of today’s urban policy and design, reduces place-based knowledge to information processing. Mattern then imagines how we might sustain institutions and infrastructures that constitute more diverse, open, inclusive urban forms. She shows how the public library functions as a steward of urban intelligence, and describes the scales of upkeep needed to sustain a city’s many moving parts, from spinning hard drives to bridge repairs.
Incorporating insights from urban studies, data science, and media and information studies, A City Is Not a Computer offers a visionary new approach to urban planning and design.
Shannon Mattern is professor of anthropology at the New School for Social Research. Her books include Code and Clay, Data and Dirt: Five Thousand Years of Urban Media and The New Downtown Library: Designing with Communities. She lives in New York City. Website wordsinspace.net Instagram @atlas.sounds Twitter @shannonmattern
Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City &amp; Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Computational models of urbanism—smart cities that use data-driven planning and algorithmic administration—promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. <a href="https://bookshop.org/a/12343/9780691208053"><em>A City Is Not a Computer: Other Urban Intelligences</em></a> (Princeton UP, 2021) reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models.</p><p>Shannon Mattern begins by examining the ethical and ontological implications of urban technologies and computational models, discussing how they shape and in many cases profoundly limit our engagement with cities. She looks at the methods and underlying assumptions of data-driven urbanism, and demonstrates how the “city-as-computer” metaphor, which undergirds much of today’s urban policy and design, reduces place-based knowledge to information processing. Mattern then imagines how we might sustain institutions and infrastructures that constitute more diverse, open, inclusive urban forms. She shows how the public library functions as a steward of urban intelligence, and describes the scales of upkeep needed to sustain a city’s many moving parts, from spinning hard drives to bridge repairs.</p><p>Incorporating insights from urban studies, data science, and media and information studies, <em>A City Is Not a Computer</em> offers a visionary new approach to urban planning and design.</p><p><strong>Shannon Mattern</strong> is professor of anthropology at the New School for Social Research. Her books include <em>Code and Clay, Data and Dirt: Five Thousand Years of Urban Media</em> and <em>The New Downtown Library: Designing with Communities</em>. She lives in New York City. Website <a href="https://wordsinspace.net/">wordsinspace.net</a> Instagram <a href="https://www.instagram.com/atlas.sounds/?hl=en">@atlas.sounds</a> Twitter <a href="https://twitter.com/shannonmattern">@shannonmattern</a></p><p><a href="https://www.alizearican.com/"><em>Alize Arıcan</em></a><em> is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in </em><a href="https://www.journals.uchicago.edu/doi/10.1086/713112"><em>Current Anthropology</em></a><em>, </em><a href="https://doi.org/10.1111/ciso.12348"><em>City &amp; Society</em></a><em>, </em><a href="https://radicalhousingjournal.org/2020/care-in-tarlabasi-amidst-heightened-inequalities-urban-transformation-and-coronavirus/"><em>Radical Housing Journal</em></a><em>, and </em><a href="https://entanglementsjournal.org/the-ghost-of-karl-marx/"><em>entanglements: experiments in multimodal ethnography</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2735</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[acfb435a-1890-11ec-b729-bf078fb3cd05]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7885212066.mp3?updated=1735743672" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>It's a Mad, Mad, Mad, Mad World: Chinese-Inspired Architecture</title>
      <description>Howard chats with Dang Qun, one of the three founding partners of Beijing-based MAD architects, about aesthetics, history, cultural distinctiveness and architecture's unique balance of the concrete and ethereal.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 22 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>106</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dang Qun</itunes:subtitle>
      <itunes:summary>Howard chats with Dang Qun, one of the three founding partners of Beijing-based MAD architects, about aesthetics, history, cultural distinctiveness and architecture's unique balance of the concrete and ethereal.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Howard chats with Dang Qun, one of the three founding partners of Beijing-based MAD architects, about aesthetics, history, cultural distinctiveness and architecture's unique balance of the concrete and ethereal.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>5633</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d7cfd81c-1ad8-11ec-a7c7-9baf08bde352]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7046434022.mp3?updated=1632227754" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rolf Hughes and Rachel Armstrong, "The Art of Experiment: Artistic Research in Experimental Architecture" (Routledge, 2020)</title>
      <description>In search of new knowledge practices that can help us make the world livable again, this book takes the reader on a journey across time―from the deep past to the unfolding future. The authors search beyond human knowledge to establish negotiated partnerships with forms of knowledge within the planet itself, examining how we have manipulated these historically through an anthropocentric focus. Rolf Hughes and Rachel Armstrong's book The Art of Experiment: Artistic Research in Experimental Architecture (Routledge, 2020) explores the many different kinds of knowledge, and the diversity of instruments needed to invoke and actuate the potency of human and nonhuman agencies. Four key phases in our ways of knowing are identified: material, strengthening, reconfiguring, and extending, which are exemplified through case studies that take the form of worlding experiments.
This pioneering work will inspire architects, artists and designers as well as students, teachers and researchers across arts and design disciplines.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 09 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rolf Hughes and Rachel Armstrong</itunes:subtitle>
      <itunes:summary>In search of new knowledge practices that can help us make the world livable again, this book takes the reader on a journey across time―from the deep past to the unfolding future. The authors search beyond human knowledge to establish negotiated partnerships with forms of knowledge within the planet itself, examining how we have manipulated these historically through an anthropocentric focus. Rolf Hughes and Rachel Armstrong's book The Art of Experiment: Artistic Research in Experimental Architecture (Routledge, 2020) explores the many different kinds of knowledge, and the diversity of instruments needed to invoke and actuate the potency of human and nonhuman agencies. Four key phases in our ways of knowing are identified: material, strengthening, reconfiguring, and extending, which are exemplified through case studies that take the form of worlding experiments.
This pioneering work will inspire architects, artists and designers as well as students, teachers and researchers across arts and design disciplines.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In search of new knowledge practices that can help us make the world livable again, this book takes the reader on a journey across time―from the deep past to the unfolding future. The authors search beyond human knowledge to establish negotiated partnerships with forms of knowledge within the planet itself, examining how we have manipulated these historically through an anthropocentric focus. Rolf Hughes and Rachel Armstrong's book <a href="https://bookshop.org/a/12343/9781138479579"><em>The Art of Experiment: Artistic Research in Experimental Architecture</em></a> (Routledge, 2020) explores the many different kinds of knowledge, and the diversity of instruments needed to invoke and actuate the potency of human and nonhuman agencies. Four key phases in our ways of knowing are identified: material, strengthening, reconfiguring, and extending, which are exemplified through case studies that take the form of worlding experiments.</p><p>This pioneering work will inspire architects, artists and designers as well as students, teachers and researchers across arts and design disciplines.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3679</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ee63151a-0ced-11ec-95d3-bbaa79b4dced]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3511201119.mp3?updated=1630698309" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Thomas C. Hubka, "Big House, Little House, Back House, Barn: The Connected Farm Buildings of New England" (UP of New England, 2004)</title>
      <description>“Big house, little house, back house, barn”―this rhythmic cadence was sung by nineteenth-century children as they played. It also portrays the four essential components of the farms where many of them lived. The stately and beautiful connected farm buildings made by nineteenth-century New Englanders stand today as a living expression of a rural culture, offering insights into the people who made them and their agricultural way of life. A visual delight as well as an engaging tribute to our nineteenth-century forebears, Thomas C. Hubka's Big House, Little House, Back House, Barn: The Connected Farm Buildings of New England (UP of New England, 2004) has become one of the standard works on regional farmsteads in America.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 24 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Thomas C. Hubka</itunes:subtitle>
      <itunes:summary>“Big house, little house, back house, barn”―this rhythmic cadence was sung by nineteenth-century children as they played. It also portrays the four essential components of the farms where many of them lived. The stately and beautiful connected farm buildings made by nineteenth-century New Englanders stand today as a living expression of a rural culture, offering insights into the people who made them and their agricultural way of life. A visual delight as well as an engaging tribute to our nineteenth-century forebears, Thomas C. Hubka's Big House, Little House, Back House, Barn: The Connected Farm Buildings of New England (UP of New England, 2004) has become one of the standard works on regional farmsteads in America.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“Big house, little house, back house, barn”―this rhythmic cadence was sung by nineteenth-century children as they played. It also portrays the four essential components of the farms where many of them lived. The stately and beautiful connected farm buildings made by nineteenth-century New Englanders stand today as a living expression of a rural culture, offering insights into the people who made them and their agricultural way of life. A visual delight as well as an engaging tribute to our nineteenth-century forebears, Thomas C. Hubka's <a href="https://bookshop.org/a/12343/9781584653721"><em>Big House, Little House, Back House, Barn: The Connected Farm Buildings of New England</em></a> (UP of New England, 2004) has become one of the standard works on regional farmsteads in America.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1962</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[62bda800-fc2f-11eb-97d4-53b2c6697e09]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN4352488594.mp3?updated=1629776640" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Craig Robertson, "The Filing Cabinet: A Vertical History of Information" (U Minnesota Press, 2021)</title>
      <description>The history of how a deceptively ordinary piece of office furniture transformed our relationship with information The ubiquity of the filing cabinet in the twentieth-century office space, along with its noticeable absence of style, has obscured its transformative role in the histories of both information technology and work. 
In The Filing Cabinet: A Vertical History of Information (U Minnesota Press, 2021), Craig Robertson explores how the filing cabinet profoundly shaped the way that information and data have been sorted, stored, retrieved, and used. Invented in the 1890s, the filing cabinet was a result of the nineteenth-century faith in efficiency. Previously, paper records were arranged haphazardly: bound into books, stacked in piles, curled into slots, or impaled on spindles. The filing cabinet organized loose papers in tabbed folders that could be sorted alphanumerically, radically changing how people accessed, circulated, and structured information. Robertson's unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an "automatic memory" machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women's nimble fingers helped to naturalize the changes that brought women into the workforce as low-level clerical workers. The filing cabinet emerges from this unexpected account as a sophisticated piece of information technology and a site of gendered labor that with its folders, files, and tabs continues to shape how we interact with information and data in today's digital world.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 20 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Craig Robertson</itunes:subtitle>
      <itunes:summary>The history of how a deceptively ordinary piece of office furniture transformed our relationship with information The ubiquity of the filing cabinet in the twentieth-century office space, along with its noticeable absence of style, has obscured its transformative role in the histories of both information technology and work. 
In The Filing Cabinet: A Vertical History of Information (U Minnesota Press, 2021), Craig Robertson explores how the filing cabinet profoundly shaped the way that information and data have been sorted, stored, retrieved, and used. Invented in the 1890s, the filing cabinet was a result of the nineteenth-century faith in efficiency. Previously, paper records were arranged haphazardly: bound into books, stacked in piles, curled into slots, or impaled on spindles. The filing cabinet organized loose papers in tabbed folders that could be sorted alphanumerically, radically changing how people accessed, circulated, and structured information. Robertson's unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an "automatic memory" machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women's nimble fingers helped to naturalize the changes that brought women into the workforce as low-level clerical workers. The filing cabinet emerges from this unexpected account as a sophisticated piece of information technology and a site of gendered labor that with its folders, files, and tabs continues to shape how we interact with information and data in today's digital world.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The history of how a deceptively ordinary piece of office furniture transformed our relationship with information The ubiquity of the filing cabinet in the twentieth-century office space, along with its noticeable absence of style, has obscured its transformative role in the histories of both information technology and work. </p><p>In <a href="https://bookshop.org/a/12343/9781517909468"><em>The Filing Cabinet: A Vertical History of Information</em></a><em> </em>(U Minnesota Press, 2021), Craig Robertson explores how the filing cabinet profoundly shaped the way that information and data have been sorted, stored, retrieved, and used. Invented in the 1890s, the filing cabinet was a result of the nineteenth-century faith in efficiency. Previously, paper records were arranged haphazardly: bound into books, stacked in piles, curled into slots, or impaled on spindles. The filing cabinet organized loose papers in tabbed folders that could be sorted alphanumerically, radically changing how people accessed, circulated, and structured information. Robertson's unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an "automatic memory" machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women's nimble fingers helped to naturalize the changes that brought women into the workforce as low-level clerical workers. The filing cabinet emerges from this unexpected account as a sophisticated piece of information technology and a site of gendered labor that with its folders, files, and tabs continues to shape how we interact with information and data in today's digital world.</p><p><a href="http://nushelledesilva.com/"><em>Nushelle de Silva</em></a><em> is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3628</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d0d546b4-f8fa-11eb-b20d-77085a9670a9]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN4500458414.mp3?updated=1628504809" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Benedikt, "Architecture Beyond Experience" (Applied Research &amp; Design, 2020)</title>
      <description>Architecture Beyond Experience (Applied Research &amp; Design, 2020) is a work in the service of one goal: the bringing about of a more relational, “posthuman” and yet humanist strain in architecture. It argues against the values that currently guide much architectural production (and the larger economy’s too), which is the making, marketing, and staging of ever more arresting experiences. The result, in architecture, is experientialism: the belief that what gives a building value, aside from fulfilling its shelter functions, is how its views and spaces make us personally feel as we move around it. The book argues that it’s time to find a deeper basis for making and judging architecture, a basis which is not personal-experience-multiplied, but which is dialogical and relational from the start. It uses the word relational to describe an architecture that guides people in search of encounter with (or avoidance of) each other and that manifests and demonstrates those same desires in its own forms, components, and materials. Buildings are beings. When architecture, they teach as well as protect; they tell us who we were and who we want to be; they exemplify, they deserve respect, invite investment, and reward affection. These are social-relational values, values that both underlie and go beyond experiential ones (sometimes called “phenomenological”). Such relational values have been suppressed, in part because architects have joined the Experience Economy, hardly noticing they have done so. Architecture Beyond Experience provides the argument and the concepts to ultimately re-center a profession.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 17 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>44</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Benedikt</itunes:subtitle>
      <itunes:summary>Architecture Beyond Experience (Applied Research &amp; Design, 2020) is a work in the service of one goal: the bringing about of a more relational, “posthuman” and yet humanist strain in architecture. It argues against the values that currently guide much architectural production (and the larger economy’s too), which is the making, marketing, and staging of ever more arresting experiences. The result, in architecture, is experientialism: the belief that what gives a building value, aside from fulfilling its shelter functions, is how its views and spaces make us personally feel as we move around it. The book argues that it’s time to find a deeper basis for making and judging architecture, a basis which is not personal-experience-multiplied, but which is dialogical and relational from the start. It uses the word relational to describe an architecture that guides people in search of encounter with (or avoidance of) each other and that manifests and demonstrates those same desires in its own forms, components, and materials. Buildings are beings. When architecture, they teach as well as protect; they tell us who we were and who we want to be; they exemplify, they deserve respect, invite investment, and reward affection. These are social-relational values, values that both underlie and go beyond experiential ones (sometimes called “phenomenological”). Such relational values have been suppressed, in part because architects have joined the Experience Economy, hardly noticing they have done so. Architecture Beyond Experience provides the argument and the concepts to ultimately re-center a profession.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781943532896"><em>Architecture Beyond Experience</em></a> (Applied Research &amp; Design, 2020) is a work in the service of one goal: the bringing about of a more relational, “posthuman” and yet humanist strain in architecture. It argues against the values that currently guide much architectural production (and the larger economy’s too), which is the making, marketing, and staging of ever more arresting experiences. The result, in architecture, is experientialism: the belief that what gives a building value, aside from fulfilling its shelter functions, is how its views and spaces make us personally feel as we move around it. The book argues that it’s time to find a deeper basis for making and judging architecture, a basis which is not personal-experience-multiplied, but which is dialogical and relational from the start. It uses the word relational to describe an architecture that guides people in search of encounter with (or avoidance of) each other and that manifests and demonstrates those same desires in its own forms, components, and materials. Buildings are beings. When architecture, they teach as well as protect; they tell us who we were and who we want to be; they exemplify, they deserve respect, invite investment, and reward affection. These are social-relational values, values that both underlie and go beyond experiential ones (sometimes called “phenomenological”). Such relational values have been suppressed, in part because architects have joined the Experience Economy, hardly noticing they have done so. Architecture Beyond Experience provides the argument and the concepts to ultimately re-center a profession.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2938</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f1dc31f6-f5d5-11eb-95bc-4f49761c59ce]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN5005987898.mp3?updated=1628159090" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aaron Passell, "Preserving Neighborhoods: How Urban Policy and Community Strategy Shape Baltimore and Brooklyn" (Columbia UP, 2021)</title>
      <description>Historic preservation is typically regarded as an elitist practice. In this view, designating a neighborhood as historic is a project by and for affluent residents concerned with aesthetics, not affordability. It leads to gentrification and rising property values for wealthy homeowners, while displacement afflicts longer-term, lower-income residents of the neighborhood, often people of color.
Through rich case studies of Baltimore and Brooklyn, Aaron Passell complicates this story, exploring how community activists and local governments use historic preservation to accelerate or slow down neighborhood change. He argues that this form of regulation is one of the few remaining urban policy interventions that enable communities to exercise some control over the changing built environments of their neighborhoods. In Baltimore, it is part of a primarily top-down strategy for channeling investment into historic neighborhoods, many of them plagued by vacancy and abandonment. In central Brooklyn, neighborhood groups have discovered the utility of landmark district designation as they seek to mitigate rapid change with whatever legal tools they can. The contrast between Baltimore and Brooklyn reveals that the relationship between historic preservation and neighborhood change varies not only from city to city, but even from neighborhood to neighborhood. In speaking with local activists, Passell finds that historic district designation and enforcement efforts can be a part of neighborhood community building and bottom-up revitalization.
Featuring compelling narrative interviews alongside quantitative data, Preserving Neighborhoods: How Urban Policy and Community Strategy Shape Baltimore and Brooklyn (Columbia UP, 2021) is a nuanced mixed-methods study of an important local-level urban policy and its surprisingly varied consequences.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 11 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aaron Passell</itunes:subtitle>
      <itunes:summary>Historic preservation is typically regarded as an elitist practice. In this view, designating a neighborhood as historic is a project by and for affluent residents concerned with aesthetics, not affordability. It leads to gentrification and rising property values for wealthy homeowners, while displacement afflicts longer-term, lower-income residents of the neighborhood, often people of color.
Through rich case studies of Baltimore and Brooklyn, Aaron Passell complicates this story, exploring how community activists and local governments use historic preservation to accelerate or slow down neighborhood change. He argues that this form of regulation is one of the few remaining urban policy interventions that enable communities to exercise some control over the changing built environments of their neighborhoods. In Baltimore, it is part of a primarily top-down strategy for channeling investment into historic neighborhoods, many of them plagued by vacancy and abandonment. In central Brooklyn, neighborhood groups have discovered the utility of landmark district designation as they seek to mitigate rapid change with whatever legal tools they can. The contrast between Baltimore and Brooklyn reveals that the relationship between historic preservation and neighborhood change varies not only from city to city, but even from neighborhood to neighborhood. In speaking with local activists, Passell finds that historic district designation and enforcement efforts can be a part of neighborhood community building and bottom-up revitalization.
Featuring compelling narrative interviews alongside quantitative data, Preserving Neighborhoods: How Urban Policy and Community Strategy Shape Baltimore and Brooklyn (Columbia UP, 2021) is a nuanced mixed-methods study of an important local-level urban policy and its surprisingly varied consequences.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Historic preservation is typically regarded as an elitist practice. In this view, designating a neighborhood as historic is a project by and for affluent residents concerned with aesthetics, not affordability. It leads to gentrification and rising property values for wealthy homeowners, while displacement afflicts longer-term, lower-income residents of the neighborhood, often people of color.</p><p>Through rich case studies of Baltimore and Brooklyn, Aaron Passell complicates this story, exploring how community activists and local governments use historic preservation to accelerate or slow down neighborhood change. He argues that this form of regulation is one of the few remaining urban policy interventions that enable communities to exercise some control over the changing built environments of their neighborhoods. In Baltimore, it is part of a primarily top-down strategy for channeling investment into historic neighborhoods, many of them plagued by vacancy and abandonment. In central Brooklyn, neighborhood groups have discovered the utility of landmark district designation as they seek to mitigate rapid change with whatever legal tools they can. The contrast between Baltimore and Brooklyn reveals that the relationship between historic preservation and neighborhood change varies not only from city to city, but even from neighborhood to neighborhood. In speaking with local activists, Passell finds that historic district designation and enforcement efforts can be a part of neighborhood community building and bottom-up revitalization.</p><p>Featuring compelling narrative interviews alongside quantitative data, <a href="https://bookshop.org/a/12343/9780231194068"><em>Preserving Neighborhoods: How Urban Policy and Community Strategy Shape Baltimore and Brooklyn</em></a><em> </em>(Columbia UP, 2021) is a nuanced mixed-methods study of an important local-level urban policy and its surprisingly varied consequences.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1698</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bd3e568a-f086-11eb-963e-9be25d4c2a32]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3783855369.mp3?updated=1627575261" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patricia Bickers, "The Ends of Art Criticism" (Lund Humphries Publishers, 2021)</title>
      <description>Crisis? What Crisis? At a time where there are repeated claims of the impending demise of art criticism, The Ends of Art Criticism (Lund Humphries Publishers, 2021) dispel these myths by arguing that the lack of a single dominant voice in criticism is not, as some believe, a weakness, but a strength, allowing previously marginalised voices and new global and political perspectives to come to the fore.
Patricia Bickers speaks with Pierre d’Alancaisez about her time as the editor of Art Monthly, the changing role of art criticism, the politics of speaking and writing about art, the art school, the relationship between artists and critics, the academicisation of critical discourse, the relationship between art history and criticism, and.. the art of the interview.
Some of the works mentioned in the conversation:

The Freeze exhibitions


That Jerry Saltz tweet


Richard Serra, Weight and Measure



Danielle Brathwaite-Shirley, Black Trans Archive


Pilvi Takala, The Trainee


Cameron Rowland, 3 &amp; 4 Will. IV c. 73


The Art Monthly Talking Art anthology of artist interviews: Volume 1, Volume 2


A bonus episode with an extra 20 minutes from the conversation is available on Pierre’s website.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 06 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>70</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Patricia Bickers</itunes:subtitle>
      <itunes:summary>Crisis? What Crisis? At a time where there are repeated claims of the impending demise of art criticism, The Ends of Art Criticism (Lund Humphries Publishers, 2021) dispel these myths by arguing that the lack of a single dominant voice in criticism is not, as some believe, a weakness, but a strength, allowing previously marginalised voices and new global and political perspectives to come to the fore.
Patricia Bickers speaks with Pierre d’Alancaisez about her time as the editor of Art Monthly, the changing role of art criticism, the politics of speaking and writing about art, the art school, the relationship between artists and critics, the academicisation of critical discourse, the relationship between art history and criticism, and.. the art of the interview.
Some of the works mentioned in the conversation:

The Freeze exhibitions


That Jerry Saltz tweet


Richard Serra, Weight and Measure



Danielle Brathwaite-Shirley, Black Trans Archive


Pilvi Takala, The Trainee


Cameron Rowland, 3 &amp; 4 Will. IV c. 73


The Art Monthly Talking Art anthology of artist interviews: Volume 1, Volume 2


A bonus episode with an extra 20 minutes from the conversation is available on Pierre’s website.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Crisis? What Crisis? At a time where there are repeated claims of the impending demise of art criticism, <a href="https://bookshop.org/a/12343/9781848224261"><em>The Ends of Art Criticism</em></a><em> </em>(Lund Humphries Publishers, 2021) dispel these myths by arguing that the lack of a single dominant voice in criticism is not, as some believe, a weakness, but a strength, allowing previously marginalised voices and new global and political perspectives to come to the fore.</p><p>Patricia Bickers speaks with Pierre d’Alancaisez about her time as the editor of <a href="http://www.artmonthly.co.uk/">Art Monthly</a>, the changing role of art criticism, the politics of speaking and writing about art, the art school, the relationship between artists and critics, the academicisation of critical discourse, the relationship between art history and criticism, and.. the art of the interview.</p><p>Some of the works mentioned in the conversation:</p><ul>
<li>The <a href="https://en.wikipedia.org/wiki/Freeze_(art_exhibition)"><em>Freeze</em> exhibitions</a>
</li>
<li>That Jerry Saltz <a href="https://twitter.com/jerrysaltz/status/1353732519225675779">tweet</a>
</li>
<li>Richard Serra, <em>Weight </em><a href="https://brooklynrail.org/2017/12/artseen/Measuring-the-Weight-with-Richard-Serra"><em>and Measure</em></a>
</li>
<li>
<a href="https://www.daniellebrathwaiteshirley.com/">Danielle Brathwaite-Shirley</a>, <a href="https://blacktransarchive.com/"><em>Black Trans Archive</em></a>
</li>
<li>Pilvi Takala, <a href="https://pilvitakala.com/the-trainee">The Trainee</a>
</li>
<li>Cameron Rowland, <a href="https://www.ica.art/exhibitions/cameron-rowland">3 &amp; 4 Will. IV c. 73</a>
</li>
<li>The Art Monthly <em>Talking Art</em> anthology of artist interviews: <a href="https://www.cornerhousepublications.org/publications/talking-art-volume-1-2nd-edition/">Volume 1</a>, <a href="https://www.cornerhousepublications.org/publications/talking-art-2/">Volume 2</a>
</li>
</ul><p>A bonus episode with an extra 20 minutes from the conversation is available <a href="http://petitpoi.net/patricia-bickers-the-ends-of-art-criticism/">on Pierre’s website</a>.</p><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3873</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c228f514-eed4-11eb-8159-578df99ad49d]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3704479212.mp3?updated=1627388569" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Katie Cummer and Lynne D. DiStefano, "Asian Revitalization: Adaptive Reuse in Hong Kong, Shanghai, and Singapore" (Hong Kong UP, 2021)</title>
      <description>Adaptive reuse, or using a building for a new purpose, has become popular around the world, but discussion about adaptive reuse in Asia is relatively scarce. As a result, this architectural innovation in Asia, which includes redesigned institutional buildings, awards for cultural heritage conservation projects, and adapted reuse field studies, is overdue for consideration. Asian Revitalization’s review of adaptive reuse begins by comparing the global presence of adaptive reuse to its presence in Asia and evolves into a detailed examination of adaptive reuse’s relationship to urban development and sustainability, how adaptive reuse supports heritage buildings, and its connection to best practices in heritage conservation in Asia. The text grounds its analysis in essays, timelines, and case studies that focus on revitalization in Hong Kong, commercial development in Shanghai, and community building in Singapore in addition to analysis of government policy documents and extensive fieldwork. At a time when sustainable development is crucial, Asian Revitalization can provide classrooms and a professional readership with a valuable resource about Asia’s participation in this flourishing and creative architectural movement.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 03 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Katie Cummer and Lynne D. DiStefano</itunes:subtitle>
      <itunes:summary>Adaptive reuse, or using a building for a new purpose, has become popular around the world, but discussion about adaptive reuse in Asia is relatively scarce. As a result, this architectural innovation in Asia, which includes redesigned institutional buildings, awards for cultural heritage conservation projects, and adapted reuse field studies, is overdue for consideration. Asian Revitalization’s review of adaptive reuse begins by comparing the global presence of adaptive reuse to its presence in Asia and evolves into a detailed examination of adaptive reuse’s relationship to urban development and sustainability, how adaptive reuse supports heritage buildings, and its connection to best practices in heritage conservation in Asia. The text grounds its analysis in essays, timelines, and case studies that focus on revitalization in Hong Kong, commercial development in Shanghai, and community building in Singapore in addition to analysis of government policy documents and extensive fieldwork. At a time when sustainable development is crucial, Asian Revitalization can provide classrooms and a professional readership with a valuable resource about Asia’s participation in this flourishing and creative architectural movement.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Adaptive reuse, or using a building for a new purpose, has become popular around the world, but discussion about adaptive reuse in Asia is relatively scarce. As a result, this architectural innovation in Asia, which includes redesigned institutional buildings, awards for cultural heritage conservation projects, and adapted reuse field studies, is overdue for consideration. <a href="https://bookshop.org/a/12343/9789888528554"><em>Asian Revitalization</em></a>’s review of adaptive reuse begins by comparing the global presence of adaptive reuse to its presence in Asia and evolves into a detailed examination of adaptive reuse’s relationship to urban development and sustainability, how adaptive reuse supports heritage buildings, and its connection to best practices in heritage conservation in Asia. The text grounds its analysis in essays, timelines, and case studies that focus on revitalization in Hong Kong, commercial development in Shanghai, and community building in Singapore in addition to analysis of government policy documents and extensive fieldwork. At a time when sustainable development is crucial, <em>Asian Revitalization </em>can provide classrooms and a professional readership with a valuable resource about Asia’s participation in this flourishing and creative architectural movement.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3477</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dd017f64-ea60-11eb-9ade-73b9d784e556]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN2844628793.mp3?updated=1626901202" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lisa Heschong, "Visual Delight in Architecture: Visual Delight in Architecture" (Routledge, 2021)</title>
      <description>Lisa Heschong's book Visual Delight in Architecture: Visual Delight in Architecture (Routledge, 2021) examines the many ways that our lives are enriched by the presence of natural daylight and window views within our buildings. It makes a compelling case that daily exposure to the rhythms of daylight is essential to our health and well-being, tied to the very genetic foundations of our physiology and cognitive function. It describes all the subtlety, beauty, and pleasures of well-daylit spaces and attractive window views, and explains how these are woven into the fabric of both our everyday sensory experience and enduring cultural perspectives.
All types of environmental designers, along with anyone interested in human health and well- being, will fi nd new insights offered by Visual Delight in Architecture. The book is both accessible and provocative, full of personal stories and persuasive research, helping designers to gain a deeper understanding of the scientific basis of their designs, scientists to better grasp the real-world implications of their work, and everyone to more fully appreciate the role of windows in their lives.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 23 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lisa Heschong</itunes:subtitle>
      <itunes:summary>Lisa Heschong's book Visual Delight in Architecture: Visual Delight in Architecture (Routledge, 2021) examines the many ways that our lives are enriched by the presence of natural daylight and window views within our buildings. It makes a compelling case that daily exposure to the rhythms of daylight is essential to our health and well-being, tied to the very genetic foundations of our physiology and cognitive function. It describes all the subtlety, beauty, and pleasures of well-daylit spaces and attractive window views, and explains how these are woven into the fabric of both our everyday sensory experience and enduring cultural perspectives.
All types of environmental designers, along with anyone interested in human health and well- being, will fi nd new insights offered by Visual Delight in Architecture. The book is both accessible and provocative, full of personal stories and persuasive research, helping designers to gain a deeper understanding of the scientific basis of their designs, scientists to better grasp the real-world implications of their work, and everyone to more fully appreciate the role of windows in their lives.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Lisa Heschong's book <a href="https://bookshop.org/a/12343/9780367563226"><em>Visual Delight in Architecture: Visual Delight in Architecture</em></a><em> </em>(Routledge, 2021) examines the many ways that our lives are enriched by the presence of natural daylight and window views within our buildings. It makes a compelling case that daily exposure to the rhythms of daylight is essential to our health and well-being, tied to the very genetic foundations of our physiology and cognitive function. It describes all the subtlety, beauty, and pleasures of well-daylit spaces and attractive window views, and explains how these are woven into the fabric of both our everyday sensory experience and enduring cultural perspectives.</p><p>All types of environmental designers, along with anyone interested in human health and well- being, will fi nd new insights offered by <em>Visual Delight in Architecture</em>. The book is both accessible and provocative, full of personal stories and persuasive research, helping designers to gain a deeper understanding of the scientific basis of their designs, scientists to better grasp the real-world implications of their work, and everyone to more fully appreciate the role of windows in their lives.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1698</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0380b7e4-dfe0-11eb-b776-67950e6bcadf]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN8996475719.mp3?updated=1625744377" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jacob Lederman, "Chasing World-Class Urbanism: Global Policy Versus Everyday Survival in Buenos Aires" (U Minnesota Press, 2020)</title>
      <description>What makes some cities world class? Increasingly, that designation reflects the use of a toolkit of urban planning practices and policies that circulates around the globe. These strategies—establishing creative districts dedicated to technology and design, “greening” the streets, reinventing historic districts as tourist draws—were deployed to build a globally competitive Buenos Aires after its devastating 2001 economic crisis. In this richly drawn account, Jacob Lederman explores what those efforts teach us about fast-evolving changes in city planning practices and why so many local officials chase a nearly identical vision of world-class urbanism.
Lederman explores the influence of Northern nongovernmental organizations and multilateral agencies on a prominent city of the global South. Using empirical data, keen observations, and interviews with people ranging from urban planners to street vendors he explores how transnational best practices actually affect the lives of city dwellers. His research also documents the forms of resistance enacted by everyday residents and the tendency of local institutions and social relations to undermine the top-down plans of officials. Most important, Lederman highlights the paradoxes of world-class urbanism: for instance, while the priorities identified by international agencies are expressed through nonmarket values such as sustainability, inclusion, and livability, local officials often use market-centric solutions to pursue them. Further, despite the progressive rhetoric used to describe urban planning goals, in most cases their result has been greater social, economic, and geographic stratification.
Chasing World-Class Urbanism: Global Policy Versus Everyday Survival in Buenos Aires (U Minnesota Press, 2020) is a much-needed guide to the intersections of culture, ideology, and the realities of twenty-first-century life in a major Latin American city, one that illuminates the tension between technocratic aspirations and lived experience.
Dr. Lederman is Associate Professor of Sociology at University of Michigan-Flint and his research interests span Urban sociology, development and globalization, political economy.
Sneha Annavarapu is a postdoctoral researcher at the University of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 22 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>191</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jacob Lederman</itunes:subtitle>
      <itunes:summary>What makes some cities world class? Increasingly, that designation reflects the use of a toolkit of urban planning practices and policies that circulates around the globe. These strategies—establishing creative districts dedicated to technology and design, “greening” the streets, reinventing historic districts as tourist draws—were deployed to build a globally competitive Buenos Aires after its devastating 2001 economic crisis. In this richly drawn account, Jacob Lederman explores what those efforts teach us about fast-evolving changes in city planning practices and why so many local officials chase a nearly identical vision of world-class urbanism.
Lederman explores the influence of Northern nongovernmental organizations and multilateral agencies on a prominent city of the global South. Using empirical data, keen observations, and interviews with people ranging from urban planners to street vendors he explores how transnational best practices actually affect the lives of city dwellers. His research also documents the forms of resistance enacted by everyday residents and the tendency of local institutions and social relations to undermine the top-down plans of officials. Most important, Lederman highlights the paradoxes of world-class urbanism: for instance, while the priorities identified by international agencies are expressed through nonmarket values such as sustainability, inclusion, and livability, local officials often use market-centric solutions to pursue them. Further, despite the progressive rhetoric used to describe urban planning goals, in most cases their result has been greater social, economic, and geographic stratification.
Chasing World-Class Urbanism: Global Policy Versus Everyday Survival in Buenos Aires (U Minnesota Press, 2020) is a much-needed guide to the intersections of culture, ideology, and the realities of twenty-first-century life in a major Latin American city, one that illuminates the tension between technocratic aspirations and lived experience.
Dr. Lederman is Associate Professor of Sociology at University of Michigan-Flint and his research interests span Urban sociology, development and globalization, political economy.
Sneha Annavarapu is a postdoctoral researcher at the University of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What makes some cities world class? Increasingly, that designation reflects the use of a toolkit of urban planning practices and policies that circulates around the globe. These strategies—establishing creative districts dedicated to technology and design, “greening” the streets, reinventing historic districts as tourist draws—were deployed to build a globally competitive Buenos Aires after its devastating 2001 economic crisis. In this richly drawn account, Jacob Lederman explores what those efforts teach us about fast-evolving changes in city planning practices and why so many local officials chase a nearly identical vision of world-class urbanism.</p><p>Lederman explores the influence of Northern nongovernmental organizations and multilateral agencies on a prominent city of the global South. Using empirical data, keen observations, and interviews with people ranging from urban planners to street vendors he explores how transnational best practices actually affect the lives of city dwellers. His research also documents the forms of resistance enacted by everyday residents and the tendency of local institutions and social relations to undermine the top-down plans of officials. Most important, Lederman highlights the paradoxes of world-class urbanism: for instance, while the priorities identified by international agencies are expressed through nonmarket values such as sustainability, inclusion, and livability, local officials often use market-centric solutions to pursue them. Further, despite the progressive rhetoric used to describe urban planning goals, in most cases their result has been greater social, economic, and geographic stratification.</p><p><a href="https://bookshop.org/a/12343/9781517908829"><em>Chasing World-Class Urbanism: Global Policy Versus Everyday Survival in Buenos Aires</em></a><em> </em>(U Minnesota Press, 2020) is a much-needed guide to the intersections of culture, ideology, and the realities of twenty-first-century life in a major Latin American city, one that illuminates the tension between technocratic aspirations and lived experience.</p><p>Dr. Lederman is Associate Professor of Sociology at University of Michigan-Flint and his research interests span Urban sociology, development and globalization, political economy.</p><p><a href="https://www.snehanna.com/"><em>Sneha Annavarapu</em></a><em> is a postdoctoral researcher at the University of Chicago.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3205</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[905e9e40-df6a-11eb-85a9-57aba4080297]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN2828435423.mp3?updated=1625693672" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Catharina Gabrielsson et al., "Neoliberalism on the Ground: Architecture and Transformation from the 1960s to the Present" (U Pittsburgh Press, 2020)</title>
      <description>Architecture and urbanism have contributed to one of the most sweeping transformations of our times. Over the past four decades, neoliberalism has been not only a dominant paradigm in politics but a process of bricks and mortar in everyday life. Rather than to ask what a neoliberal architecture looks like, or how architecture represents neoliberalism, this volume examines the multivalent role of architecture and urbanism in geographically variable yet interconnected processes of neoliberal transformation across scales—from China, Turkey, South Africa, Argentina, Mexico, the United States, Britain, Sweden, and Czechoslovakia. Analyzing how buildings and urban projects in different regions since the 1960s have served in the implementation of concrete policies such as privatization, fiscal reform, deregulation, state restructuring, and the expansion of free trade, contributors reveal neoliberalism as a process marked by historical contingency. 
Neoliberalism on the Ground: Architecture and Transformation from the 1960s to the Present (U Pittsburgh Press, 2020) fundamentally reframes accepted narratives of both neoliberalism and postmodernism by demonstrating how architecture has articulated changing relationships between state, society, and economy since the 1960s.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 14 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>40</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Catharina Gabrielsson</itunes:subtitle>
      <itunes:summary>Architecture and urbanism have contributed to one of the most sweeping transformations of our times. Over the past four decades, neoliberalism has been not only a dominant paradigm in politics but a process of bricks and mortar in everyday life. Rather than to ask what a neoliberal architecture looks like, or how architecture represents neoliberalism, this volume examines the multivalent role of architecture and urbanism in geographically variable yet interconnected processes of neoliberal transformation across scales—from China, Turkey, South Africa, Argentina, Mexico, the United States, Britain, Sweden, and Czechoslovakia. Analyzing how buildings and urban projects in different regions since the 1960s have served in the implementation of concrete policies such as privatization, fiscal reform, deregulation, state restructuring, and the expansion of free trade, contributors reveal neoliberalism as a process marked by historical contingency. 
Neoliberalism on the Ground: Architecture and Transformation from the 1960s to the Present (U Pittsburgh Press, 2020) fundamentally reframes accepted narratives of both neoliberalism and postmodernism by demonstrating how architecture has articulated changing relationships between state, society, and economy since the 1960s.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Architecture and urbanism have contributed to one of the most sweeping transformations of our times. Over the past four decades, neoliberalism has been not only a dominant paradigm in politics but a process of bricks and mortar in everyday life. Rather than to ask what a neoliberal architecture looks like, or how architecture represents neoliberalism, this volume examines the multivalent role of architecture and urbanism in geographically variable yet interconnected processes of neoliberal transformation across scales—from China, Turkey, South Africa, Argentina, Mexico, the United States, Britain, Sweden, and Czechoslovakia. Analyzing how buildings and urban projects in different regions since the 1960s have served in the implementation of concrete policies such as privatization, fiscal reform, deregulation, state restructuring, and the expansion of free trade, contributors reveal neoliberalism as a process marked by historical contingency. </p><p><a href="https://bookshop.org/a/12343/9780822946014"><em>Neoliberalism on the Ground: Architecture and Transformation from the 1960s to the Present</em></a><em> </em>(U Pittsburgh Press, 2020) fundamentally reframes accepted narratives of both neoliberalism and postmodernism by demonstrating how architecture has articulated changing relationships between state, society, and economy since the 1960s.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1507</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fa2163d8-d9c7-11eb-af45-cf51f7603107]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3714593101.mp3?updated=1625074729" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Under the Arch of Titus: A Gateway to the Jewish Community</title>
      <description>In this episode, Steven Fine, Churgin Professor of Jewish History at Yeshiva University, Israel, discusses his new book Arch of Titus: From Jerusalem to Rome—and Back, published in Brill’s Religious Studies, Theology and Philosophy E-Books Online collection.
He explores how the Arch has been a symbol of subjugation as well as empowerment for both Jewish and Christian cultures as they evolved across centuries; how it is a door to the story of the Jewish community’s resilience; how it has inspired other monuments of power over globally; the layers of meaning it contains; and the reverberation, and thus enhancement, of its meaning in the digital age.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 14 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>34</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steven Fine</itunes:subtitle>
      <itunes:summary>In this episode, Steven Fine, Churgin Professor of Jewish History at Yeshiva University, Israel, discusses his new book Arch of Titus: From Jerusalem to Rome—and Back, published in Brill’s Religious Studies, Theology and Philosophy E-Books Online collection.
He explores how the Arch has been a symbol of subjugation as well as empowerment for both Jewish and Christian cultures as they evolved across centuries; how it is a door to the story of the Jewish community’s resilience; how it has inspired other monuments of power over globally; the layers of meaning it contains; and the reverberation, and thus enhancement, of its meaning in the digital age.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Steven Fine, Churgin Professor of Jewish History at Yeshiva University, Israel, discusses his new book <em>Arch of Titus: From Jerusalem to Rome—and Back</em>, published in Brill’s <em>Religious Studies, Theology and Philosophy E-Books Online</em> collection.</p><p>He explores how the Arch has been a symbol of subjugation as well as empowerment for both Jewish and Christian cultures as they evolved across centuries; how it is a door to the story of the Jewish community’s resilience; how it has inspired other monuments of power over globally; the layers of meaning it contains; and the reverberation, and thus enhancement, of its meaning in the digital age.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1869</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b125b55e-e596-11ec-9e7c-4772dca56a0b]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7159473479.mp3?updated=1654449393" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Grace Ong Yan, "Building Brands: The Architecture of Corporate Modernism" (Lund Humphries, 2021)</title>
      <description>Between the Stock Market Crash and the Vietnam War, American corporations were responsible for the construction of thousands of headquarters across the United States. Over this time, the design of corporate headquarters evolved from Beaux-Arts facades to bold modernist expressions. \
Grace Ong Yan's book Building Brands: The Architecture of Corporate Modernism (Lund Humphries, 2021) examines how clients and architects together crafted buildings to reflect their company’s brand, carefully considering consumers’ perception and their emotions towards the architecture and the messages they communicated. By focusing on four American corporate headquarters: the PSFS Building by George Howe and William Lescaze, the Johnson Wax Administration Building by Frank Lloyd Wright, Lever House by Skidmore, Owings &amp; Merrill, and The Röhm &amp; Haas Building by Pietro Belluschi, Building Brands shows how corporate modernism evolved. In the 1930s, architecture and branding were separate and distinct. By the 1960s, they were completely integrated. Drawing on interviews and original material from corporations' archives, it examines how company leaders, together with their architects, conceived of their corporate headquarters not only as the consolidation of employee workplaces, but as architectural mediums to communicate their corporate identities and brands.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 08 Jul 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>39</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Grace Ong Yan</itunes:subtitle>
      <itunes:summary>Between the Stock Market Crash and the Vietnam War, American corporations were responsible for the construction of thousands of headquarters across the United States. Over this time, the design of corporate headquarters evolved from Beaux-Arts facades to bold modernist expressions. \
Grace Ong Yan's book Building Brands: The Architecture of Corporate Modernism (Lund Humphries, 2021) examines how clients and architects together crafted buildings to reflect their company’s brand, carefully considering consumers’ perception and their emotions towards the architecture and the messages they communicated. By focusing on four American corporate headquarters: the PSFS Building by George Howe and William Lescaze, the Johnson Wax Administration Building by Frank Lloyd Wright, Lever House by Skidmore, Owings &amp; Merrill, and The Röhm &amp; Haas Building by Pietro Belluschi, Building Brands shows how corporate modernism evolved. In the 1930s, architecture and branding were separate and distinct. By the 1960s, they were completely integrated. Drawing on interviews and original material from corporations' archives, it examines how company leaders, together with their architects, conceived of their corporate headquarters not only as the consolidation of employee workplaces, but as architectural mediums to communicate their corporate identities and brands.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Between the Stock Market Crash and the Vietnam War, American corporations were responsible for the construction of thousands of headquarters across the United States. Over this time, the design of corporate headquarters evolved from Beaux-Arts facades to bold modernist expressions. \</p><p>Grace Ong Yan's book <a href="https://bookshop.org/a/12343/9781848224070"><em>Building Brands: The Architecture of Corporate Modernism</em></a> (Lund Humphries, 2021) examines how clients and architects together crafted buildings to reflect their company’s brand, carefully considering consumers’ perception and their emotions towards the architecture and the messages they communicated. By focusing on four American corporate headquarters: the PSFS Building by George Howe and William Lescaze, the Johnson Wax Administration Building by Frank Lloyd Wright, Lever House by Skidmore, Owings &amp; Merrill, and The Röhm &amp; Haas Building by Pietro Belluschi, <em>Building Brands</em> shows how corporate modernism evolved. In the 1930s, architecture and branding were separate and distinct. By the 1960s, they were completely integrated. Drawing on interviews and original material from corporations' archives, it examines how company leaders, together with their architects, conceived of their corporate headquarters not only as the consolidation of employee workplaces, but as architectural mediums to communicate their corporate identities and brands.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2064</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8d2ed166-d44a-11eb-97bf-3704090488cd]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN6775182005.mp3?updated=1624472298" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sergio Lopez-Pineiro, "A Glossary of Urban Voids" (Jovis Verlag, 2020)</title>
      <description>Hello, this is Eric LeMay, a host on the New Books Network. Today I interview Sergio Lopez-Pineiro about his new book, A Glossary of Urban Voids (2020). It's one of the more fascinating books I've encountered in some time. And I say "encountered" because it's not only a book, in the traditional sense of something you read, but also a keen intellectual and aesthetic experience: the very design of the book and its use of the glossary as a form open up exciting ways of thinking and seeing. And this is very much to the point for Lopez-Pineiro, because the urban void about which he writes is a phenomenon that resists definition. It is, in his words, "unspecified and underspecified." And that's exactly what makes it so intriguing. Join me in hearing Lopez-Pineiro show us how some of the most seemingly overlooked and neglected areas of our urban environments may end up being the most crucial for our freedoms and our possibilities.
 Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at eric@ericlemay.org.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 05 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>191</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sergio Lopez-Pineiro</itunes:subtitle>
      <itunes:summary>Hello, this is Eric LeMay, a host on the New Books Network. Today I interview Sergio Lopez-Pineiro about his new book, A Glossary of Urban Voids (2020). It's one of the more fascinating books I've encountered in some time. And I say "encountered" because it's not only a book, in the traditional sense of something you read, but also a keen intellectual and aesthetic experience: the very design of the book and its use of the glossary as a form open up exciting ways of thinking and seeing. And this is very much to the point for Lopez-Pineiro, because the urban void about which he writes is a phenomenon that resists definition. It is, in his words, "unspecified and underspecified." And that's exactly what makes it so intriguing. Join me in hearing Lopez-Pineiro show us how some of the most seemingly overlooked and neglected areas of our urban environments may end up being the most crucial for our freedoms and our possibilities.
 Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at eric@ericlemay.org.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Hello, this is Eric LeMay, a host on the New Books Network. Today I interview <a href="https://www.gsd.harvard.edu/person/sergio-lopez-pineiro/">Sergio Lopez-Pineiro</a> about his new book, <a href="https://bookshop.org/a/12343/9783868596045"><em>A Glossary of Urban Voids</em></a> (2020). It's one of the more fascinating books I've encountered in some time. And I say "encountered" because it's not only a book, in the traditional sense of something you read, but also a keen intellectual and aesthetic experience: the very design of the book and its use of the glossary as a form open up exciting ways of thinking and seeing. And this is very much to the point for Lopez-Pineiro, because the urban void about which he writes is a phenomenon that resists definition. It is, in his words, "unspecified and underspecified." And that's exactly what makes it so intriguing. Join me in hearing Lopez-Pineiro show us how some of the most seemingly overlooked and neglected areas of our urban environments may end up being the most crucial for our freedoms and our possibilities.</p><p><em> Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at </em><a href="mailto:eric@ericlemay.org"><em>eric@ericlemay.org</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2813</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6b2fc39e-d1b7-11eb-8d67-1b9908e93363]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3062820351.mp3?updated=1624187329" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stuart Walker, "Design and Spirituality: A Philosophy of Material Cultures" (Routledge, 2021)</title>
      <description>Design and Spirituality: A Philosophy of Material Cultures (Routledge, 2021) examines the philosophical context of our current situation and its implications for design. It explores how modernity and our constricted notions of progress have contributed to today’s crisis of values, and argues for a re-establishment and re-affirmation of self-transcending priorities, together with an ethos of moderation and sufficiency.
A wide range of topics are covered, including material culture and spiritual teachings; sustainability and the spiritual perspective; traditional and indigenous knowledge; technology and spirituality; notions of meaningful design; and how particular material things can have deeper, symbolic significance. There are also reflections on areas such as the language of design; busyness and its relationship to wisdom; design and social disparity; and traditional sacred practices. While not avoiding issues that are controversial, and sometimes hard-hitting, Design and Spirituality gets to the heart of the key issues affecting us today and presents them in a highly readable and accessible format.
The author is a leading thinker in the field and he presents his arguments in a manner that invites the reader to reflect and think about where we are going, why we are going there and what really matters.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 30 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>38</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stuart Walker</itunes:subtitle>
      <itunes:summary>Design and Spirituality: A Philosophy of Material Cultures (Routledge, 2021) examines the philosophical context of our current situation and its implications for design. It explores how modernity and our constricted notions of progress have contributed to today’s crisis of values, and argues for a re-establishment and re-affirmation of self-transcending priorities, together with an ethos of moderation and sufficiency.
A wide range of topics are covered, including material culture and spiritual teachings; sustainability and the spiritual perspective; traditional and indigenous knowledge; technology and spirituality; notions of meaningful design; and how particular material things can have deeper, symbolic significance. There are also reflections on areas such as the language of design; busyness and its relationship to wisdom; design and social disparity; and traditional sacred practices. While not avoiding issues that are controversial, and sometimes hard-hitting, Design and Spirituality gets to the heart of the key issues affecting us today and presents them in a highly readable and accessible format.
The author is a leading thinker in the field and he presents his arguments in a manner that invites the reader to reflect and think about where we are going, why we are going there and what really matters.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780367619978"><em>Design and Spirituality: A Philosophy of Material Cultures</em></a><em> </em>(Routledge, 2021) examines the philosophical context of our current situation and its implications for design. It explores how modernity and our constricted notions of progress have contributed to today’s crisis of values, and argues for a re-establishment and re-affirmation of self-transcending priorities, together with an ethos of moderation and sufficiency.</p><p>A wide range of topics are covered, including material culture and spiritual teachings; sustainability and the spiritual perspective; traditional and indigenous knowledge; technology and spirituality; notions of meaningful design; and how particular material things can have deeper, symbolic significance. There are also reflections on areas such as the language of design; busyness and its relationship to wisdom; design and social disparity; and traditional sacred practices. While not avoiding issues that are controversial, and sometimes hard-hitting, <em>Design and Spirituality</em> gets to the heart of the key issues affecting us today and presents them in a highly readable and accessible format.</p><p>The author is a leading thinker in the field and he presents his arguments in a manner that invites the reader to reflect and think about where we are going, why we are going there and what really matters.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2680</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cb7bd87e-cec3-11eb-b6f3-eba378e84143]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN5855354434.mp3?updated=1623863142" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephen Murray, "Notre-Dame of Amiens: Life of the Gothic Cathedral" (Columbia UP, 2020)</title>
      <description>Notre-Dame of Amiens is one of the great Gothic cathedrals. Its construction began in 1220, and artistic production in the Gothic mode lasted well into the sixteenth century. In Notre-Dame of Amiens: Life of the Gothic Cathedral (Columbia UP, 2020), Stephen Murray invites readers to see the cathedral as more than just a thing of the past: it is a living document of medieval Christian society that endures in our own time.
Murray tells the cathedral’s story from the overlapping perspectives of the social groups connected to it, exploring the ways that the layfolk who visit the cathedral occasionally, the clergy who use it daily, and the artisans who created it have interacted with the building over the centuries. He considers the cycles of human activity around the cathedral and shows how groups of makers and users have been inextricably intertwined in collaboration and, occasionally, conflict. The book travels around and through the spaces of the cathedral, allowing us to re-create similar passages by our medieval predecessors. Murray reveals the many worlds of the cathedral and brings them together in the architectural triumph of its central space.
A beautifully illustrated account of a grand, historically and religiously important building from a variety of perspectives and in a variety of time periods, this book offers readers a memorable tour of Notre-Dame of Amiens that celebrates the cathedral’s eight hundredth anniversary.
Notre-Dame of Amiens is enhanced by high-resolution images, liturgical music, and animations embedded in an innovative website.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 22 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>37</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stephen Murray</itunes:subtitle>
      <itunes:summary>Notre-Dame of Amiens is one of the great Gothic cathedrals. Its construction began in 1220, and artistic production in the Gothic mode lasted well into the sixteenth century. In Notre-Dame of Amiens: Life of the Gothic Cathedral (Columbia UP, 2020), Stephen Murray invites readers to see the cathedral as more than just a thing of the past: it is a living document of medieval Christian society that endures in our own time.
Murray tells the cathedral’s story from the overlapping perspectives of the social groups connected to it, exploring the ways that the layfolk who visit the cathedral occasionally, the clergy who use it daily, and the artisans who created it have interacted with the building over the centuries. He considers the cycles of human activity around the cathedral and shows how groups of makers and users have been inextricably intertwined in collaboration and, occasionally, conflict. The book travels around and through the spaces of the cathedral, allowing us to re-create similar passages by our medieval predecessors. Murray reveals the many worlds of the cathedral and brings them together in the architectural triumph of its central space.
A beautifully illustrated account of a grand, historically and religiously important building from a variety of perspectives and in a variety of time periods, this book offers readers a memorable tour of Notre-Dame of Amiens that celebrates the cathedral’s eight hundredth anniversary.
Notre-Dame of Amiens is enhanced by high-resolution images, liturgical music, and animations embedded in an innovative website.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Notre-Dame of Amiens is one of the great Gothic cathedrals. Its construction began in 1220, and artistic production in the Gothic mode lasted well into the sixteenth century. In <a href="https://bookshop.org/a/12343/9780231195768"><em>Notre-Dame of Amiens: Life of the Gothic Cathedral</em></a><em> </em>(Columbia UP, 2020), Stephen Murray invites readers to see the cathedral as more than just a thing of the past: it is a living document of medieval Christian society that endures in our own time.</p><p>Murray tells the cathedral’s story from the overlapping perspectives of the social groups connected to it, exploring the ways that the layfolk who visit the cathedral occasionally, the clergy who use it daily, and the artisans who created it have interacted with the building over the centuries. He considers the cycles of human activity around the cathedral and shows how groups of makers and users have been inextricably intertwined in collaboration and, occasionally, conflict. The book travels around and through the spaces of the cathedral, allowing us to re-create similar passages by our medieval predecessors. Murray reveals the many worlds of the cathedral and brings them together in the architectural triumph of its central space.</p><p>A beautifully illustrated account of a grand, historically and religiously important building from a variety of perspectives and in a variety of time periods, this book offers readers a memorable tour of Notre-Dame of Amiens that celebrates the cathedral’s eight hundredth anniversary.</p><p><em>Notre-Dame of Amiens</em> is enhanced by high-resolution images, liturgical music, and animations embedded in an innovative website.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1911</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN6100909142.mp3?updated=1623254665" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Tait, "Entering Architectural Practice" (Routledge, 2020)</title>
      <description>Featuring exclusive interviews with the internationally renowned architects: Kengo Kuma; Alberto Campo Baeza; Špela Videcnik (OFIS); Fernanda Canales; Jonathan Sergison (Sergison Bates); and Jane Hall (Assemble) Entering Architectural Practice (Routledge, 2020) is a practical and honest guide for architecture students, entering the world of architectural practice.
There is often a disconnection between what you are taught in architecture school and the actual practice of architecture in the workplace. As both a practicing architect and architecture school tutor, the author has first-hand experience of this disconnection and so helps students bridge this divide between academia and practice.
Focused on providing industry insight, dispelling myths, and above all providing a combination of reality and hope to students of architecture entering the workplace, the book is beautifully and richly illustrated, providing a compelling visual story alongside the invaluable information it imparts.
Serious but enjoyable, thoroughly researched but highly approachable, this book is simply essential reading for every individual about to embark on a career in practice.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 11 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>36</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James Tait</itunes:subtitle>
      <itunes:summary>Featuring exclusive interviews with the internationally renowned architects: Kengo Kuma; Alberto Campo Baeza; Špela Videcnik (OFIS); Fernanda Canales; Jonathan Sergison (Sergison Bates); and Jane Hall (Assemble) Entering Architectural Practice (Routledge, 2020) is a practical and honest guide for architecture students, entering the world of architectural practice.
There is often a disconnection between what you are taught in architecture school and the actual practice of architecture in the workplace. As both a practicing architect and architecture school tutor, the author has first-hand experience of this disconnection and so helps students bridge this divide between academia and practice.
Focused on providing industry insight, dispelling myths, and above all providing a combination of reality and hope to students of architecture entering the workplace, the book is beautifully and richly illustrated, providing a compelling visual story alongside the invaluable information it imparts.
Serious but enjoyable, thoroughly researched but highly approachable, this book is simply essential reading for every individual about to embark on a career in practice.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Featuring exclusive interviews with the internationally renowned architects: Kengo Kuma; Alberto Campo Baeza; Špela Videcnik (OFIS); Fernanda Canales; Jonathan Sergison (Sergison Bates); and Jane Hall (Assemble) <a href="https://bookshop.org/a/12343/9780367365141"><em>Entering Architectural Practice</em></a> (Routledge, 2020) is a practical and honest guide for architecture students, entering the world of architectural practice.</p><p>There is often a disconnection between what you are taught in architecture school and the actual practice of architecture in the workplace. As both a practicing architect and architecture school tutor, the author has first-hand experience of this disconnection and so helps students bridge this divide between academia and practice.</p><p>Focused on providing industry insight, dispelling myths, and above all providing a combination of reality and hope to students of architecture entering the workplace, the book is beautifully and richly illustrated, providing a compelling visual story alongside the invaluable information it imparts.</p><p>Serious but enjoyable, thoroughly researched but highly approachable, this book is simply essential reading for every individual about to embark on a career in practice.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2145</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3d4269e6-be48-11eb-b453-5bb16d149a64]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN4773578791.mp3?updated=1622051519" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amy D. Finstein, "Modern Mobility Aloft: Elevated Highways, Architecture, and Urban Change in Pre-interstate America" (Temple UP, 2020)</title>
      <description>In the first half of the twentieth century, urban elevated highways were much more than utilitarian infrastructure, lifting traffic above the streets; they were statements of civic pride, asserting boldly modern visions for a city’s architecture, economy, and transportation network. Yet three of the most ambitious projects, launched in Chicago, New York, and Boston in the spirit of utopian models by architects such as Le Corbusier and Hugh Ferriss, ultimately fell short of their ideals.
Modern Mobility Aloft: Elevated Highways, Architecture, and Urban Change in Pre-interstate America (Temple UP, 2020) is the first study to focus on pre-Interstate urban elevated highways within American architectural and urban history. Amy Finstein traces the idealistic roots of these superstructures, their contrasting realities once built, their impacts on successive development patterns, and the recent challenges they have posed to contemporary urban designers.
Filled with more than 100 historic photographs and illustrations of beaux arts and art deco architecture, Modern Mobility Aloft provides a critical understanding of urban landscapes, transportation, and technological change as cities moved into the modern era.
Amy Finstein is an Assistant Professor in the Department of Visual Arts at the College of the Holy Cross, where she teaches modern architectural and urban history.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 02 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>35</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amy D. Finstein</itunes:subtitle>
      <itunes:summary>In the first half of the twentieth century, urban elevated highways were much more than utilitarian infrastructure, lifting traffic above the streets; they were statements of civic pride, asserting boldly modern visions for a city’s architecture, economy, and transportation network. Yet three of the most ambitious projects, launched in Chicago, New York, and Boston in the spirit of utopian models by architects such as Le Corbusier and Hugh Ferriss, ultimately fell short of their ideals.
Modern Mobility Aloft: Elevated Highways, Architecture, and Urban Change in Pre-interstate America (Temple UP, 2020) is the first study to focus on pre-Interstate urban elevated highways within American architectural and urban history. Amy Finstein traces the idealistic roots of these superstructures, their contrasting realities once built, their impacts on successive development patterns, and the recent challenges they have posed to contemporary urban designers.
Filled with more than 100 historic photographs and illustrations of beaux arts and art deco architecture, Modern Mobility Aloft provides a critical understanding of urban landscapes, transportation, and technological change as cities moved into the modern era.
Amy Finstein is an Assistant Professor in the Department of Visual Arts at the College of the Holy Cross, where she teaches modern architectural and urban history.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the first half of the twentieth century, urban elevated highways were much more than utilitarian infrastructure, lifting traffic above the streets; they were statements of civic pride, asserting boldly modern visions for a city’s architecture, economy, and transportation network. Yet three of the most ambitious projects, launched in Chicago, New York, and Boston in the spirit of utopian models by architects such as Le Corbusier and Hugh Ferriss, ultimately fell short of their ideals.</p><p><a href="https://bookshop.org/a/12343/9781439919187"><em>Modern Mobility Aloft: Elevated Highways, Architecture, and Urban Change in Pre-interstate America</em></a><em> </em>(Temple UP, 2020) is the first study to focus on pre-Interstate urban elevated highways within American architectural and urban history. Amy Finstein traces the idealistic roots of these superstructures, their contrasting realities once built, their impacts on successive development patterns, and the recent challenges they have posed to contemporary urban designers.</p><p>Filled with more than 100 historic photographs and illustrations of beaux arts and art deco architecture, <em>Modern Mobility Aloft</em> provides a critical understanding of urban landscapes, transportation, and technological change as cities moved into the modern era.</p><p>Amy Finstein is an Assistant Professor in the Department of Visual Arts at the College of the Holy Cross, where she teaches modern architectural and urban history.</p><p><a href="http://nushelledesilva.com/"><em>Nushelle de Silva</em></a><em> is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3276</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a270741c-b7d5-11eb-a91b-db8970e93be5]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7189516591.mp3?updated=1621342401" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Skylar Tibbits, "Things Fall Together: A Guide to the New Materials Revolution" (Princeton UP, 2021)</title>
      <description>Things in life tend to fall apart. Cars break down. Buildings fall into disrepair. Personal items deteriorate. Yet today’s researchers are exploiting newly understood properties of matter to program materials that physically sense, adapt, and fall together instead of apart. These materials open new directions for industrial innovation and challenge us to rethink the way we build and collaborate with our environment. Things Fall Together: A Guide to the New Materials Revolution (Princeton UP, 2021) is a provocative guide to this emerging, often mind-bending reality, presenting a bold vision for harnessing the intelligence embedded in the material world.
Drawing on his pioneering work on self-assembly and programmable material technologies, Skylar Tibbits lays out the core, frequently counterintuitive ideas and strategies that animate this new approach to design and innovation. From furniture that builds itself to shoes printed flat that jump into shape to islands that grow themselves, he describes how matter can compute and exhibit behaviors that we typically associate with biological organisms, and challenges our fundamental assumptions about what physical materials can do and how we can interact with them. Intelligent products today often rely on electronics, batteries, and complicated mechanisms. Tibbits offers a different approach, showing how we can design simple and elegant material intelligence that may one day animate and improve itself—and along the way help us build a more sustainable future.
Compelling and beautifully designed, Things Fall Together provides an insider’s perspective on the materials revolution that lies ahead, revealing the spectacular possibilities for designing active materials that can self-assemble, collaborate, and one day even evolve and design on their own.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 01 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Skylar Tibbits</itunes:subtitle>
      <itunes:summary>Things in life tend to fall apart. Cars break down. Buildings fall into disrepair. Personal items deteriorate. Yet today’s researchers are exploiting newly understood properties of matter to program materials that physically sense, adapt, and fall together instead of apart. These materials open new directions for industrial innovation and challenge us to rethink the way we build and collaborate with our environment. Things Fall Together: A Guide to the New Materials Revolution (Princeton UP, 2021) is a provocative guide to this emerging, often mind-bending reality, presenting a bold vision for harnessing the intelligence embedded in the material world.
Drawing on his pioneering work on self-assembly and programmable material technologies, Skylar Tibbits lays out the core, frequently counterintuitive ideas and strategies that animate this new approach to design and innovation. From furniture that builds itself to shoes printed flat that jump into shape to islands that grow themselves, he describes how matter can compute and exhibit behaviors that we typically associate with biological organisms, and challenges our fundamental assumptions about what physical materials can do and how we can interact with them. Intelligent products today often rely on electronics, batteries, and complicated mechanisms. Tibbits offers a different approach, showing how we can design simple and elegant material intelligence that may one day animate and improve itself—and along the way help us build a more sustainable future.
Compelling and beautifully designed, Things Fall Together provides an insider’s perspective on the materials revolution that lies ahead, revealing the spectacular possibilities for designing active materials that can self-assemble, collaborate, and one day even evolve and design on their own.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Things in life tend to fall apart. Cars break down. Buildings fall into disrepair. Personal items deteriorate. Yet today’s researchers are exploiting newly understood properties of matter to program materials that physically sense, adapt, and fall together instead of apart. These materials open new directions for industrial innovation and challenge us to rethink the way we build and collaborate with our environment. <a href="https://press.princeton.edu/books/hardcover/9780691170336/things-fall-together"><em>Things Fall Together: A Guide to the New Materials Revolution</em></a> (Princeton UP, 2021) is a provocative guide to this emerging, often mind-bending reality, presenting a bold vision for harnessing the intelligence embedded in the material world.</p><p>Drawing on his pioneering work on self-assembly and programmable material technologies, Skylar Tibbits lays out the core, frequently counterintuitive ideas and strategies that animate this new approach to design and innovation. From furniture that builds itself to shoes printed flat that jump into shape to islands that grow themselves, he describes how matter can compute and exhibit behaviors that we typically associate with biological organisms, and challenges our fundamental assumptions about what physical materials can do and how we can interact with them. Intelligent products today often rely on electronics, batteries, and complicated mechanisms. Tibbits offers a different approach, showing how we can design simple and elegant material intelligence that may one day animate and improve itself—and along the way help us build a more sustainable future.</p><p>Compelling and beautifully designed, <em>Things Fall Together</em> provides an insider’s perspective on the materials revolution that lies ahead, revealing the spectacular possibilities for designing active materials that can self-assemble, collaborate, and one day even evolve and design on their own.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3030</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN8910403740.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Sorkin and Deen Sharp, "Open Gaza: Architectures of Hope" ( American University in Cairo Press, 2021)</title>
      <description>The Gaza Strip is one of the most beleaguered environments on earth. Crammed into a space of 139 square miles (360 square kilometers), 1.8 million people live under an Israeli siege, enforcing conditions that continue to plummet to ever more unimaginable depths of degradation and despair. Gaza, however, is more than an endless encyclopedia of depressing statistics. It is also a place of fortitude, resistance, and imagination; a context in which inhabitants go to remarkable lengths to create the ordinary conditions of the everyday and to reject their exceptional status. Inspired by Gaza’s inhabitants, this book builds on the positive capabilities of Gazans. It brings together environmentalists, planners, activists, and scholars from Palestine and Israel, the US, the UK, India, and elsewhere to create hopeful interventions that imagine a better place for Gazans and Palestinians. Open Gaza: Architectures of Hope ( American University in Cairo Press, 2021) engages the Gaza Strip within and beyond the logics of siege and warfare, it considers how life can be improved inside the limitations imposed by the Israeli blockade, and outside the idiocy of violence and warfare.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 28 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>34</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Deen Sharp and Salem Al Qudwa</itunes:subtitle>
      <itunes:summary>The Gaza Strip is one of the most beleaguered environments on earth. Crammed into a space of 139 square miles (360 square kilometers), 1.8 million people live under an Israeli siege, enforcing conditions that continue to plummet to ever more unimaginable depths of degradation and despair. Gaza, however, is more than an endless encyclopedia of depressing statistics. It is also a place of fortitude, resistance, and imagination; a context in which inhabitants go to remarkable lengths to create the ordinary conditions of the everyday and to reject their exceptional status. Inspired by Gaza’s inhabitants, this book builds on the positive capabilities of Gazans. It brings together environmentalists, planners, activists, and scholars from Palestine and Israel, the US, the UK, India, and elsewhere to create hopeful interventions that imagine a better place for Gazans and Palestinians. Open Gaza: Architectures of Hope ( American University in Cairo Press, 2021) engages the Gaza Strip within and beyond the logics of siege and warfare, it considers how life can be improved inside the limitations imposed by the Israeli blockade, and outside the idiocy of violence and warfare.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Gaza Strip is one of the most beleaguered environments on earth. Crammed into a space of 139 square miles (360 square kilometers), 1.8 million people live under an Israeli siege, enforcing conditions that continue to plummet to ever more unimaginable depths of degradation and despair. Gaza, however, is more than an endless encyclopedia of depressing statistics. It is also a place of fortitude, resistance, and imagination; a context in which inhabitants go to remarkable lengths to create the ordinary conditions of the everyday and to reject their exceptional status. Inspired by Gaza’s inhabitants, this book builds on the positive capabilities of Gazans. It brings together environmentalists, planners, activists, and scholars from Palestine and Israel, the US, the UK, India, and elsewhere to create hopeful interventions that imagine a better place for Gazans and Palestinians. <a href="https://bookshop.org/a/12343/9781649030719"><em>Open Gaza: Architectures of Hope</em></a> ( American University in Cairo Press, 2021)<em> </em>engages the Gaza Strip within and beyond the logics of siege and warfare, it considers how life can be improved inside the limitations imposed by the Israeli blockade, and outside the idiocy of violence and warfare.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2324</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8c34193e-b3f6-11eb-9d10-6feed0ea13a0]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7385988037.mp3?updated=1620916361" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew Thompson, "Reconstructing Public Housing: Liverpool's Hidden History of Collective Alternatives" (Liverpool UP, 2020)</title>
      <description>How can we develop solutions to the housing crisis? In Reconstructing Public Housing: Liverpool's Hidden History of Collective Alternatives (Liverpool UP, 2020), Matthew Thompson, a Leverhulme Early Career Fellow at Heseltine Institute for Public Policy, Practice and Place, University of Liverpool, offers a history of collective alternatives to state and market driven housing in Liverpool, drawing out the practical and theoretical lessons from the rich history of the city. The book uses detailed case studies of key developments, from the original experiments in resistance to ‘slum’ clearances to recent examples from the now famous Homebaked in Anfield and the Granby Community Land Trust, which is home to a Turner Prize winning project. The book is open access and will be essential reading across arts, humanities, and social sciences, as well as for readers interested in housing, the history of Liverpool, and lessons on how to think beyond states and markets to address social issues.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 27 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>226</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew Thompson</itunes:subtitle>
      <itunes:summary>How can we develop solutions to the housing crisis? In Reconstructing Public Housing: Liverpool's Hidden History of Collective Alternatives (Liverpool UP, 2020), Matthew Thompson, a Leverhulme Early Career Fellow at Heseltine Institute for Public Policy, Practice and Place, University of Liverpool, offers a history of collective alternatives to state and market driven housing in Liverpool, drawing out the practical and theoretical lessons from the rich history of the city. The book uses detailed case studies of key developments, from the original experiments in resistance to ‘slum’ clearances to recent examples from the now famous Homebaked in Anfield and the Granby Community Land Trust, which is home to a Turner Prize winning project. The book is open access and will be essential reading across arts, humanities, and social sciences, as well as for readers interested in housing, the history of Liverpool, and lessons on how to think beyond states and markets to address social issues.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we develop solutions to the housing crisis? In <a href="https://bookshop.org/a/12343/9781789621082"><em>Reconstructing Public Housing: Liverpool's Hidden History of Collective Alternatives </em></a>(Liverpool UP, 2020), <a href="https://twitter.com/mattwthompson">Matthew Thompson</a>, <a href="https://www.liverpool.ac.uk/humanities-and-social-sciences/staff/matthew-william-thompson/">a Leverhulme Early Career Fellow at Heseltine Institute for Public Policy, Practice and Place, University of Liverpool</a>, offers a history of collective alternatives to state and market driven housing in Liverpool, drawing out the practical and theoretical lessons from the rich history of the city. The book uses detailed case studies of key developments, from the original experiments in resistance to ‘slum’ clearances to recent examples from the now famous Homebaked in Anfield and the Granby Community Land Trust, which is home to a Turner Prize winning project. The book is <a href="https://www.liverpooluniversitypress.co.uk/books/isbn/9781789621082/">open access</a> and will be essential reading across arts, humanities, and social sciences, as well as for readers interested in housing, the history of Liverpool, and lessons on how to think beyond states and markets to address social issues.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3471</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9b67f294-b31b-11eb-8c16-e345d90f1e43]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN4494251059.mp3?updated=1620821916" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aaron Shapiro, "Design, Control, Predict: Logistical Governance in the Smart City" (U Minnesota Press, 2020)</title>
      <description>The “smart” city of today looks little like what experts of yesteryear expected them to. In this book, Aaron Shapiro, Ph.D. takes readers on a behind the scenes tour of the smart city and shows the revolution in urban technology that is currently taking place in large metropolitan areas around the United States. Technology has fundamentally transformed urban life. Throughout Design, Control, Predict: Logistical Governance in the Smart City (U Minnesota Press, 2020), Shapiro develops a new lens called logistical governance in his effort to interpret and understand urban technologies. This lens was used to critique urban future based on extraction and rationalization.
Through ethnographic research, journalistic interviews, and his own hands-on experience, Shapiro helps readers peer through cracks of the façade that smart cities are bearing. He investigates the true price New Yorkers pay for “free,” ad-funded WiFi, finding that it is ultimately serving the ends of commercial media. Shapiro also builds on his experience as a bike courier delivering food for a startup company and examines how promises of “flexible employment” in the gig economy paves the way for strict managerial control. And he turns his discussion toward the current debates about police violence and new patrol technologies, asking whether algorithms are the answer to reforming the ongoing crises of criminal justice in large urban cities.
Through these gripping accounts of new technology in urban areas, Shapiro and Design, Control, Predict make vital contributions to conversations about data privacy and algorithmic governance. Shapiro provides a ground level account of a timely and important piece of research in Design, Control, Predict. This piece can be used when comprehending urbanism today and when identifying strategies to advance the critique and resistance to a dystopian future that is often viewed as inevitable.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant“, was published in Gender Issues Journal. He researches culture, social identity, and collective representation as it is presented in everyday social interactions. He is currently studying the social interactions that people engage in at two annual festivals that take place during the summer months along the banks of the Mississippi River. You can learn more about him on his website, Google Scholar, follow him on Twitter @ProfessorJohnst, or email him at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 19 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>182</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aaron Shapiro</itunes:subtitle>
      <itunes:summary>The “smart” city of today looks little like what experts of yesteryear expected them to. In this book, Aaron Shapiro, Ph.D. takes readers on a behind the scenes tour of the smart city and shows the revolution in urban technology that is currently taking place in large metropolitan areas around the United States. Technology has fundamentally transformed urban life. Throughout Design, Control, Predict: Logistical Governance in the Smart City (U Minnesota Press, 2020), Shapiro develops a new lens called logistical governance in his effort to interpret and understand urban technologies. This lens was used to critique urban future based on extraction and rationalization.
Through ethnographic research, journalistic interviews, and his own hands-on experience, Shapiro helps readers peer through cracks of the façade that smart cities are bearing. He investigates the true price New Yorkers pay for “free,” ad-funded WiFi, finding that it is ultimately serving the ends of commercial media. Shapiro also builds on his experience as a bike courier delivering food for a startup company and examines how promises of “flexible employment” in the gig economy paves the way for strict managerial control. And he turns his discussion toward the current debates about police violence and new patrol technologies, asking whether algorithms are the answer to reforming the ongoing crises of criminal justice in large urban cities.
Through these gripping accounts of new technology in urban areas, Shapiro and Design, Control, Predict make vital contributions to conversations about data privacy and algorithmic governance. Shapiro provides a ground level account of a timely and important piece of research in Design, Control, Predict. This piece can be used when comprehending urbanism today and when identifying strategies to advance the critique and resistance to a dystopian future that is often viewed as inevitable.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant“, was published in Gender Issues Journal. He researches culture, social identity, and collective representation as it is presented in everyday social interactions. He is currently studying the social interactions that people engage in at two annual festivals that take place during the summer months along the banks of the Mississippi River. You can learn more about him on his website, Google Scholar, follow him on Twitter @ProfessorJohnst, or email him at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The “smart” city of today looks little like what experts of yesteryear expected them to. In this book, <a href="https://comm.unc.edu/people/department-faculty/aaron-shapiro/">Aaron Shapiro, Ph.D.</a> takes readers on a behind the scenes tour of the smart city and shows the revolution in urban technology that is currently taking place in large metropolitan areas around the United States. Technology has fundamentally transformed urban life. Throughout <a href="https://bookshop.org/a/12343/9781517908263"><em>Design, Control, Predict: Logistical Governance in the Smart City</em></a> (U Minnesota Press, 2020), Shapiro develops a new lens called logistical governance in his effort to interpret and understand urban technologies. This lens was used to critique urban future based on extraction and rationalization.</p><p>Through ethnographic research, journalistic interviews, and his own hands-on experience, Shapiro helps readers peer through cracks of the façade that smart cities are bearing. He investigates the true price New Yorkers pay for “free,” ad-funded WiFi, finding that it is ultimately serving the ends of commercial media. Shapiro also builds on his experience as a bike courier delivering food for a startup company and examines how promises of “flexible employment” in the gig economy paves the way for strict managerial control. And he turns his discussion toward the current debates about police violence and new patrol technologies, asking whether algorithms are the answer to reforming the ongoing crises of criminal justice in large urban cities.</p><p>Through these gripping accounts of new technology in urban areas, Shapiro and <em>Design, Control, Predict</em> make vital contributions to conversations about data privacy and algorithmic governance. Shapiro provides a ground level account of a timely and important piece of research in <em>Design, Control, Predict</em>. This piece can be used when comprehending urbanism today and when identifying strategies to advance the critique and resistance to a dystopian future that is often viewed as inevitable.</p><p><em>Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “</em><a href="https://link.springer.com/article/10.1007/s12147-020-09266-z"><em>The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant</em></a><em>“, was published in Gender Issues Journal. He researches culture, social identity, and collective representation as it is presented in everyday social interactions. He is currently studying the social interactions that people engage in at two annual festivals that take place during the summer months along the banks of the Mississippi River. You can learn more about him on his </em><a href="https://www.wmpenn.edu/person/michael-o-johnston-ph-d/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, follow him on Twitter </em><a href="https://twitter.com/professorjohnst?lang=en"><em>@ProfessorJohnst</em></a><em>, or email him at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3841</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[74c32304-ac34-11eb-84db-132a951b3bc6]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN8099008581.mp3?updated=1620062906" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Simon Unwin, "Analysing Architecture: The Universal Language of Place-Making" (Routledge, 2020)</title>
      <description>Now in its fifth edition, Analyzing Architecture has become internationally established as the best introduction to architecture. Aimed primarily at those wishing to become professional architects, it also offers those in disciplines related to architecture (from archaeology to stage design, garden design to installation art), a clear and accessible insight into the workings of this rich and fascinating subject. With copious illustrations from his own notebooks, the author dissects examples from around the world and all periods of history to explain underlying strategies in architectural design and show how drawing may be used as a medium for analysis.
This new edition of Analyzing Architecture is revised and expanded. Notably, the chapter on ‘Basic Elements of Architecture’ has been enlarged to discuss the ‘powers’ various architectural elements offer the architect. Three new chapters have been added to the section on ‘Themes in Spatial Organization’, covering ‘Occupying the In-between’, ‘Inhabited Wall’ and ‘Refuge and Prospect’. Two new examples – a Mud House from Kerala, India and the Mongyo-tei (a tea house) from Kyoto, Japan – have been added to the ‘Case Studies’ at the end of the book. The ‘Select Bibliography’ has been expanded and the ‘Index’ revised.
Works of architecture are instruments for managing, orchestrating, modifying our relationship with the world around us. They frame just about everything we do. Architecture is complex, subtle, frustrating… but ultimately extremely rewarding. It can be a difficult discipline to get to grips with; nothing in school quite prepares anyone for the particular demands of an architecture course. But this book will help.
Analyzing Architecture is the foundation volume of a series of books by Simon Unwin exploring the workings of architecture. Other books in the series include Twenty Buildings Every Architect Should Understand and Exercises in Architecture.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 17 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>33</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Simon Unwin</itunes:subtitle>
      <itunes:summary>Now in its fifth edition, Analyzing Architecture has become internationally established as the best introduction to architecture. Aimed primarily at those wishing to become professional architects, it also offers those in disciplines related to architecture (from archaeology to stage design, garden design to installation art), a clear and accessible insight into the workings of this rich and fascinating subject. With copious illustrations from his own notebooks, the author dissects examples from around the world and all periods of history to explain underlying strategies in architectural design and show how drawing may be used as a medium for analysis.
This new edition of Analyzing Architecture is revised and expanded. Notably, the chapter on ‘Basic Elements of Architecture’ has been enlarged to discuss the ‘powers’ various architectural elements offer the architect. Three new chapters have been added to the section on ‘Themes in Spatial Organization’, covering ‘Occupying the In-between’, ‘Inhabited Wall’ and ‘Refuge and Prospect’. Two new examples – a Mud House from Kerala, India and the Mongyo-tei (a tea house) from Kyoto, Japan – have been added to the ‘Case Studies’ at the end of the book. The ‘Select Bibliography’ has been expanded and the ‘Index’ revised.
Works of architecture are instruments for managing, orchestrating, modifying our relationship with the world around us. They frame just about everything we do. Architecture is complex, subtle, frustrating… but ultimately extremely rewarding. It can be a difficult discipline to get to grips with; nothing in school quite prepares anyone for the particular demands of an architecture course. But this book will help.
Analyzing Architecture is the foundation volume of a series of books by Simon Unwin exploring the workings of architecture. Other books in the series include Twenty Buildings Every Architect Should Understand and Exercises in Architecture.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Now in its fifth edition, <a href="https://bookshop.org/a/12343/9780367523572"><em>Analyzing Architecture</em></a> has become internationally established as the best introduction to architecture. Aimed primarily at those wishing to become professional architects, it also offers those in disciplines related to architecture (from archaeology to stage design, garden design to installation art), a clear and accessible insight into the workings of this rich and fascinating subject. With copious illustrations from his own notebooks, the author dissects examples from around the world and all periods of history to explain underlying strategies in architectural design and show how drawing may be used as a medium for analysis.</p><p>This new edition of <em>Analyzing Architecture </em>is revised and expanded. Notably, the chapter on ‘Basic Elements of Architecture’ has been enlarged to discuss the ‘powers’ various architectural elements offer the architect. Three new chapters have been added to the section on ‘Themes in Spatial Organization’, covering ‘Occupying the In-between’, ‘Inhabited Wall’ and ‘Refuge and Prospect’. Two new examples – a Mud House from Kerala, India and the Mongyo-tei (a tea house) from Kyoto, Japan – have been added to the ‘Case Studies’ at the end of the book. The ‘Select Bibliography’ has been expanded and the ‘Index’ revised.</p><p>Works of architecture are instruments for managing, orchestrating, modifying our relationship with the world around us. They frame just about everything we do. Architecture is complex, subtle, frustrating… but ultimately extremely rewarding. It can be a difficult discipline to get to grips with; nothing in school quite prepares anyone for the particular demands of an architecture course. But this book will help.</p><p><em>Analyzing Architecture </em>is the foundation volume of a series of books by Simon Unwin exploring the workings of architecture. Other books in the series include <em>Twenty Buildings Every Architect Should Understand </em>and <em>Exercises in Architecture</em>.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2469</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[91e4382c-a9c5-11eb-b086-8b398049eda1]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3891461863.mp3?updated=1619795756" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Louis Nelson, "Mosaic: War Monument Mystery" (239 Productions, 2021)</title>
      <description>The Korean War is now America's seminal war. It was the first war conducted with the new United Nations, the first war fought against the Chinese Communists, and the first modern war the US didn't win. Louis Nelson designed the mural wall at the Korean Veterans Memorial on the Mall in Washington DC. His just published memoir, Mosaic: War Monument Mystery, An Historical Memoir (239 Productions, 2021), is his story about the Korean War today and its Memorial. It is a story of death, rescue and growth. MOSAIC examines how this war affected him and its veterans--then and now--leading to the design of the memorial. It situates the memorial in its context featuring the Washington Monument, and the Lincoln and Vietnam Memorials. It is also the story of one of the late 20th century's great designers. 
Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm &amp; Carry On Investing podcast are at https://strategicdividendinves...
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 14 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Louis Nelson</itunes:subtitle>
      <itunes:summary>The Korean War is now America's seminal war. It was the first war conducted with the new United Nations, the first war fought against the Chinese Communists, and the first modern war the US didn't win. Louis Nelson designed the mural wall at the Korean Veterans Memorial on the Mall in Washington DC. His just published memoir, Mosaic: War Monument Mystery, An Historical Memoir (239 Productions, 2021), is his story about the Korean War today and its Memorial. It is a story of death, rescue and growth. MOSAIC examines how this war affected him and its veterans--then and now--leading to the design of the memorial. It situates the memorial in its context featuring the Washington Monument, and the Lincoln and Vietnam Memorials. It is also the story of one of the late 20th century's great designers. 
Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm &amp; Carry On Investing podcast are at https://strategicdividendinves...
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Korean War is now America's seminal war. It was the first war conducted with the new United Nations, the first war fought against the Chinese Communists, and the first modern war the US didn't win. <a href="https://en.wikipedia.org/wiki/Louis_Nelson_(artist)">Louis Nelson</a> designed the mural wall at the Korean Veterans Memorial on the Mall in Washington DC. His just published memoir, <a href="https://bookshop.org/a/12343/9781098366124"><em>Mosaic: War Monument Mystery, An Historical Memoir</em></a> (239 Productions, 2021), is his story about the Korean War today and its Memorial. It is a story of death, rescue and growth. MOSAIC examines how this war affected him and its veterans--then and now--leading to the design of the memorial. It situates the memorial in its context featuring the Washington Monument, and the Lincoln and Vietnam Memorials. It is also the story of one of the late 20th century's great designers. </p><p><em>Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm &amp; Carry On Investing podcast are at </em><a href="https://strategicdividendinvestor.com/"><em>https://strategicdividendinves...</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1987</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[84463d5c-a815-11eb-a07d-6368da987678]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN9584555042.mp3?updated=1619610114" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kathy D. Dixon et al., "The Business of Architecture: Your Guide to a Financially Successful Firm" (Routledge, 2017)</title>
      <description>The Business of Architecture: Your Guide to a Financially Successful Firm (Routledge, 2017) is the essential guide to understanding the critical fundamentals to succeed as an architect. Written by successful architects for architects everywhere, this book shows the architecture industry from a corporate business perspective, refining the approach to architecture as a personal statement to one that must design and build within the confines of business and clients. The Business of Architecture will educate new and experienced architects alike with valuable insights about profit centers, the architect as developer, how to respond to requests for proposals, intellectual property, and much more.
Kathy Dixon FAIA, NOMA, and CEO of WMCRP Architects, Inc and principal of K. Dixon Architecture, is a licensed architect with 26 years of experience. 
Timothy A. Kephart has degrees in Economics and Political Science from the University of Rochester. 
Karl L. Moody began his career as an associate architect with Simmons and Associates in New York City. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 14 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>31</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kathy D. Dixon</itunes:subtitle>
      <itunes:summary>The Business of Architecture: Your Guide to a Financially Successful Firm (Routledge, 2017) is the essential guide to understanding the critical fundamentals to succeed as an architect. Written by successful architects for architects everywhere, this book shows the architecture industry from a corporate business perspective, refining the approach to architecture as a personal statement to one that must design and build within the confines of business and clients. The Business of Architecture will educate new and experienced architects alike with valuable insights about profit centers, the architect as developer, how to respond to requests for proposals, intellectual property, and much more.
Kathy Dixon FAIA, NOMA, and CEO of WMCRP Architects, Inc and principal of K. Dixon Architecture, is a licensed architect with 26 years of experience. 
Timothy A. Kephart has degrees in Economics and Political Science from the University of Rochester. 
Karl L. Moody began his career as an associate architect with Simmons and Associates in New York City. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781138190344"><em>The Business of Architecture: Your Guide to a Financially Successful Firm</em></a> (Routledge, 2017) is the essential guide to understanding the critical fundamentals to succeed as an architect. Written by successful architects for architects everywhere, this book shows the architecture industry from a corporate business perspective, refining the approach to architecture as a personal statement to one that must design and build within the confines of business and clients. The Business of Architecture will educate new and experienced architects alike with valuable insights about profit centers, the architect as developer, how to respond to requests for proposals, intellectual property, and much more.</p><p>Kathy Dixon FAIA, NOMA, and CEO of WMCRP Architects, Inc and principal of K. Dixon Architecture, is a licensed architect with 26 years of experience. </p><p><a href="https://www.routledge.com/search?author=Timothy%20A.%20Kephart">Timothy A. Kephart</a> has degrees in Economics and Political Science from the University of Rochester. </p><p><a href="https://www.routledge.com/search?author=Karl%20L.%20Moody">Karl L. Moody</a> began his career as an associate architect with Simmons and Associates in New York City. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3131</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2c9f584e-a064-11eb-af73-bf24f3da6099]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7410681962.mp3?updated=1618764362" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Scott Berkun, "How Design Makes the World" (2020)</title>
      <description>Everything you use, from your home to your smartphone, from highways to supermarkets, was designed by someone. What did they get right? Where did they go wrong? And what can we learn from how these experts think that can help us improve our own lives?
In How Design Makes The World, bestselling author and designer Scott Berkun reveals how designers, from software engineers to city planners, have succeeded and failed us. From the airplane armrest to the Facebook “like” button, and everything in between, Berkun shows how design helps or hinders everyone, and offers a new way to think about the world around you.
Whether you spend time in a studio or a boardroom, an office or the outdoors, How Design Makes the World empowers you to ask better questions—and to understand the designs in everything that matters.
Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 11 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>47</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Scott Berkun</itunes:subtitle>
      <itunes:summary>Everything you use, from your home to your smartphone, from highways to supermarkets, was designed by someone. What did they get right? Where did they go wrong? And what can we learn from how these experts think that can help us improve our own lives?
In How Design Makes The World, bestselling author and designer Scott Berkun reveals how designers, from software engineers to city planners, have succeeded and failed us. From the airplane armrest to the Facebook “like” button, and everything in between, Berkun shows how design helps or hinders everyone, and offers a new way to think about the world around you.
Whether you spend time in a studio or a boardroom, an office or the outdoors, How Design Makes the World empowers you to ask better questions—and to understand the designs in everything that matters.
Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Everything you use, from your home to your smartphone, from highways to supermarkets, was designed by someone. What did they get right? Where did they go wrong? And what can we learn from how these experts think that can help us improve our own lives?</p><p>In <a href="https://bookshop.org/a/12343/9780983873181"><em>How Design Makes The World</em></a>, bestselling author and designer Scott Berkun reveals how designers, from software engineers to city planners, have succeeded and failed us. From the airplane armrest to the Facebook “like” button, and everything in between, Berkun shows how design helps or hinders everyone, and offers a new way to think about the world around you.</p><p>Whether you spend time in a studio or a boardroom, an office or the outdoors, <em>How Design Makes the World</em> empowers you to ask better questions—and to understand the designs in everything that matters.</p><p><em>Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3060</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dc4485ee-a393-11eb-9190-37fecfaec742]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN8552044147.mp3?updated=1619114329" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Barth, "Parks and Recreation System Planning: A New Approach for Creating Sustainable, Resilient Communities" (Island Press, 2020)</title>
      <description>Parks and recreation systems have evolved in remarkable ways over the past two decades. No longer just playgrounds and ballfields, parks and open spaces have become recognized as essential green infrastructure with the potential to contribute to community resiliency and sustainability. To capitalize on this potential, the parks and recreation system planning process must evolve as well. In Parks and Recreation System Planning: A New Approach for Creating Sustainable, Resilient Communities (Island Press, 2020), David Barth provides a new, step-by-step approach to creating parks systems that generate greater economic, social, and environmental benefits.
Barth first advocates that parks and recreation systems should no longer be regarded as isolated facilities, but as elements of an integrated public realm. Each space should be designed to generate multiple community benefits. Next, he presents a new approach for parks and recreation planning that is integrated into community-wide issues. Chapters outline each step—evaluating existing systems, implementing a carefully crafted plan, and more—necessary for creating a successful, adaptable system. Throughout the book, he describes initiatives that are creating more resilient, sustainable, and engaging parks and recreation facilities, drawing from his experience consulting in more than 100 communities across the U.S.
Parks and Recreation System Planning meets the critical need to provide an up-to-date, comprehensive approach for planning parks and recreation systems across the country. This is essential reading for every parks and recreation professional, design professional, and public official who wants their community to thrive.
Dr. David Barth is a registered landscape architect, certified planner, and certified parks and recreation professional who specializes in the planning, design, and implementation of the public realm.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 07 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>30</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Barth</itunes:subtitle>
      <itunes:summary>Parks and recreation systems have evolved in remarkable ways over the past two decades. No longer just playgrounds and ballfields, parks and open spaces have become recognized as essential green infrastructure with the potential to contribute to community resiliency and sustainability. To capitalize on this potential, the parks and recreation system planning process must evolve as well. In Parks and Recreation System Planning: A New Approach for Creating Sustainable, Resilient Communities (Island Press, 2020), David Barth provides a new, step-by-step approach to creating parks systems that generate greater economic, social, and environmental benefits.
Barth first advocates that parks and recreation systems should no longer be regarded as isolated facilities, but as elements of an integrated public realm. Each space should be designed to generate multiple community benefits. Next, he presents a new approach for parks and recreation planning that is integrated into community-wide issues. Chapters outline each step—evaluating existing systems, implementing a carefully crafted plan, and more—necessary for creating a successful, adaptable system. Throughout the book, he describes initiatives that are creating more resilient, sustainable, and engaging parks and recreation facilities, drawing from his experience consulting in more than 100 communities across the U.S.
Parks and Recreation System Planning meets the critical need to provide an up-to-date, comprehensive approach for planning parks and recreation systems across the country. This is essential reading for every parks and recreation professional, design professional, and public official who wants their community to thrive.
Dr. David Barth is a registered landscape architect, certified planner, and certified parks and recreation professional who specializes in the planning, design, and implementation of the public realm.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Parks and recreation systems have evolved in remarkable ways over the past two decades. No longer just playgrounds and ballfields, parks and open spaces have become recognized as essential green infrastructure with the potential to contribute to community resiliency and sustainability. To capitalize on this potential, the parks and recreation system planning process must evolve as well. In <a href="https://bookshop.org/a/12343/9781610919333"><em>Parks and Recreation System Planning: A New Approach for Creating Sustainable, Resilient Communities</em></a> (Island Press, 2020), David Barth provides a new, step-by-step approach to creating parks systems that generate greater economic, social, and environmental benefits.</p><p>Barth first advocates that parks and recreation systems should no longer be regarded as isolated facilities, but as elements of an integrated public realm. Each space should be designed to generate multiple community benefits. Next, he presents a new approach for parks and recreation planning that is integrated into community-wide issues. Chapters outline each step—evaluating existing systems, implementing a carefully crafted plan, and more—necessary for creating a successful, adaptable system. Throughout the book, he describes initiatives that are creating more resilient, sustainable, and engaging parks and recreation facilities, drawing from his experience consulting in more than 100 communities across the U.S.</p><p><em>Parks and Recreation System Planning</em> meets the critical need to provide an up-to-date, comprehensive approach for planning parks and recreation systems across the country. This is essential reading for every parks and recreation professional, design professional, and public official who wants their community to thrive.</p><p>Dr. David Barth is a registered landscape architect, certified planner, and certified parks and recreation professional who specializes in the planning, design, and implementation of the public realm.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2932</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[69d975da-a061-11eb-8e25-9fb30048bd64]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN6206355093.mp3?updated=1618763163" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Karsten Jørgensen et al., "Teaching Landscape: The Studio Experience" (Routledge, 2019)</title>
      <description>Teaching Landscape: The Studio Experience (Routledge, 2019) gathers a range of expert contributions from across the world to collect best-practice examples of teaching landscape architecture studios. This is the companion volume to The Routledge Handbook of Teaching Landscape in the two-part set initiated by the European Council of Landscape Architecture Schools (ECLAS).
Design and planning studio as a form of teaching lies at the core of landscape architecture education. They can simulate a professional situation and promote the development of creative solutions based on gaining an understanding of a specific project site or planning area; address existing challenges in urban and rural landscapes; and often involve interaction with real stakeholders, such as municipality representatives, residents or activist groups. In this way, studio-based planning and design teaching brings students closer to everyday practice, helping to prepare them to create real-world, problem-solving designs.
This book provides fully illustrated examples of studios from over twenty different schools of landscape architecture worldwide. With over 250 full colour images, it is an essential resource for instructors and academics across the landscape discipline, for the continuously evolving process of discussing and generating improved teaching modes in landscape architecture.
Karsten Jørgensen is Professor of Landscape Architecture at the School of Landscape Architecture in the Norwegian University of Life Sciences, Norway.
Nilgul Karadeniz is Professor of Landscape Architecture at Ankara University, Turkey.
Elke Mertens is Professor of Landscape Architecture and Open Space Management at the Hochschule Neubrandenburg, University of Applied Sciences, Germany.
Richard Stiles is Professor of Landscape Architecture in the Faculty of Architecture and Planning at Vienna University of Technology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 04 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>29</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Karsten Jørgensen, Elke Mertens and Richard Stiles</itunes:subtitle>
      <itunes:summary>Teaching Landscape: The Studio Experience (Routledge, 2019) gathers a range of expert contributions from across the world to collect best-practice examples of teaching landscape architecture studios. This is the companion volume to The Routledge Handbook of Teaching Landscape in the two-part set initiated by the European Council of Landscape Architecture Schools (ECLAS).
Design and planning studio as a form of teaching lies at the core of landscape architecture education. They can simulate a professional situation and promote the development of creative solutions based on gaining an understanding of a specific project site or planning area; address existing challenges in urban and rural landscapes; and often involve interaction with real stakeholders, such as municipality representatives, residents or activist groups. In this way, studio-based planning and design teaching brings students closer to everyday practice, helping to prepare them to create real-world, problem-solving designs.
This book provides fully illustrated examples of studios from over twenty different schools of landscape architecture worldwide. With over 250 full colour images, it is an essential resource for instructors and academics across the landscape discipline, for the continuously evolving process of discussing and generating improved teaching modes in landscape architecture.
Karsten Jørgensen is Professor of Landscape Architecture at the School of Landscape Architecture in the Norwegian University of Life Sciences, Norway.
Nilgul Karadeniz is Professor of Landscape Architecture at Ankara University, Turkey.
Elke Mertens is Professor of Landscape Architecture and Open Space Management at the Hochschule Neubrandenburg, University of Applied Sciences, Germany.
Richard Stiles is Professor of Landscape Architecture in the Faculty of Architecture and Planning at Vienna University of Technology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780815380542"><em>Teaching Landscape: The Studio Experience</em></a><em> </em>(Routledge, 2019) gathers a range of expert contributions from across the world to collect best-practice examples of teaching landscape architecture studios. This is the companion volume to The Routledge Handbook of Teaching Landscape in the two-part set initiated by the European Council of Landscape Architecture Schools (ECLAS).</p><p>Design and planning studio as a form of teaching lies at the core of landscape architecture education. They can simulate a professional situation and promote the development of creative solutions based on gaining an understanding of a specific project site or planning area; address existing challenges in urban and rural landscapes; and often involve interaction with real stakeholders, such as municipality representatives, residents or activist groups. In this way, studio-based planning and design teaching brings students closer to everyday practice, helping to prepare them to create real-world, problem-solving designs.</p><p>This book provides fully illustrated examples of studios from over twenty different schools of landscape architecture worldwide. With over 250 full colour images, it is an essential resource for instructors and academics across the landscape discipline, for the continuously evolving process of discussing and generating improved teaching modes in landscape architecture.</p><p>Karsten Jørgensen is Professor of Landscape Architecture at the School of Landscape Architecture in the Norwegian University of Life Sciences, Norway.</p><p>Nilgul Karadeniz is Professor of Landscape Architecture at Ankara University, Turkey.</p><p>Elke Mertens is Professor of Landscape Architecture and Open Space Management at the Hochschule Neubrandenburg, University of Applied Sciences, Germany.</p><p>Richard Stiles is Professor of Landscape Architecture in the Faculty of Architecture and Planning at Vienna University of Technology.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3587</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c8b59d52-a05e-11eb-8d8e-8f0007d17243]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN2137237554.mp3?updated=1618762223" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>R. Armstrong and R. Hughes "The Art of Experiment: Post-Pandemic Knowledge Practices for 21st-Century Architecture and Design" (Routledge, 2020)</title>
      <description>The Art of Experiment: Post-Pandemic Knowledge Practices for 21st-Century Architecture and Design (Routledge, 2020) is a handbook for navigating our troubled and precarious times. In search of new knowledge practices that can help us make the world livable again, this book takes the reader on a journey across time—from the deep past to the unfolding future. Hughes and Armstrong search beyond human knowledge to establish negotiated partnerships with forms of knowledge within the planet itself, examining how we have manipulated these historically through an anthropocentric focus.
Rachel Armstrong and Rolf Hughes speak with Pierre d'Alancaisez about their approach to knowledge-making and organa paradoxa as an apparatus for incorporating the unexpected into research and practices. They also talk about sending cockroaches into space, living Shakespearean bricks, and about the value of experimentation in establishing productive cross-disciplinary collaborations.

Some of the works discussed in the interview are described and illustrated in a Nature article.

Caustic Ophelia from Brick Dialogues is on Bandcamp.


The Hanging Gardens of Medusa can be seen here.

They were also a subject of a study by the British Interplanetary Society.

Hughes' and Armstrong's earlier collaboration with Espen Gangvik The Handbook of the Unknowable is available in full here.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 19 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rachel Armstrong and Rolf Hughes</itunes:subtitle>
      <itunes:summary>The Art of Experiment: Post-Pandemic Knowledge Practices for 21st-Century Architecture and Design (Routledge, 2020) is a handbook for navigating our troubled and precarious times. In search of new knowledge practices that can help us make the world livable again, this book takes the reader on a journey across time—from the deep past to the unfolding future. Hughes and Armstrong search beyond human knowledge to establish negotiated partnerships with forms of knowledge within the planet itself, examining how we have manipulated these historically through an anthropocentric focus.
Rachel Armstrong and Rolf Hughes speak with Pierre d'Alancaisez about their approach to knowledge-making and organa paradoxa as an apparatus for incorporating the unexpected into research and practices. They also talk about sending cockroaches into space, living Shakespearean bricks, and about the value of experimentation in establishing productive cross-disciplinary collaborations.

Some of the works discussed in the interview are described and illustrated in a Nature article.

Caustic Ophelia from Brick Dialogues is on Bandcamp.


The Hanging Gardens of Medusa can be seen here.

They were also a subject of a study by the British Interplanetary Society.

Hughes' and Armstrong's earlier collaboration with Espen Gangvik The Handbook of the Unknowable is available in full here.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781138479579"><em>The Art of Experiment: Post-Pandemic Knowledge Practices for 21st-Century Architecture and Design</em></a><em> </em>(Routledge, 2020) is a handbook for navigating our troubled and precarious times. In search of new knowledge practices that can help us make the world livable again, this book takes the reader on a journey across time—from the deep past to the unfolding future. Hughes and Armstrong search beyond human knowledge to establish negotiated partnerships with forms of knowledge within the planet itself, examining how we have manipulated these historically through an anthropocentric focus.</p><p><a href="https://twitter.com/livingarchitect">Rachel Armstrong</a> and Rolf Hughes speak with Pierre d'Alancaisez about their approach to knowledge-making and <em>organa paradoxa</em> as an apparatus for incorporating the unexpected into research and practices. They also talk about sending cockroaches into space, living Shakespearean bricks, and about the value of experimentation in establishing productive cross-disciplinary collaborations.</p><ul>
<li>Some of the works discussed in the interview are described and illustrated<a href="https://www.nature.com/articles/s41599-020-0426-3"> in a Nature article</a>.</li>
<li>Caustic Ophelia from <em>Brick Dialogues</em> is on <a href="https://exlab.bandcamp.com/album/the-brick-dialogues">Bandcamp</a>.</li>
<li>
<em>The Hanging Gardens of Medusa</em> <a href="http://thescienceexplorer.com/universe/stratospheric-sky-garden-tests-organisms-abilities-survive-space">can be seen here</a>.</li>
<li>They were also a subject of a study by the <a href="https://bis-space.com/membership/odyssey/Odyssey43_September%202016.pdf">British Interplanetary Society</a>.</li>
<li>Hughes' and Armstrong's earlier collaboration with Espen Gangvik <em>The Handbook of the Unknowable </em>is <a href="https://www.academia.edu/29044388/The_Handbook_of_the_Unknowable">available in full here</a>.</li>
</ul><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4508</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9a19faf4-93e5-11eb-b581-fb00945eac88]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN9722198483.mp3?updated=1617390227" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Beattie, "Gardens at the Frontier: New Methodological Perspectives on Garden History and Designed Landscapes" (Routledge, 2019)</title>
      <description>Gardens at the Frontier: New Methodological Perspectives on Garden History and Designed Landscapes (Routledge, 2019) addresses broad issues of interest to architectural historians, environmental historians, garden writers, geographers, and other scholars. It uses different disciplinary perspectives to explore garden history’s thematic, geographical, and methodological frontiers through a focus on gardens as sites of cultural contact. The contributors address the extent to which gardens inhibit or further cultural contact; the cultural translation of garden concepts, practices and plants from one place to another; the role of non-written sources in cultural transfer; and which disciplines study gardens and designed landscapes, and how and why their approaches vary.
Chapters cover a range of designed landscapes and locations, periods and approaches: medieval Japanese roji (tea gardens); a seventeenth-century garden of southern China; post-war Australian ‘natural gardens’; iconic twentieth-century American modernist gardens; ‘international’ willow-pattern design; geology and designed landscapes; gnomes; and landscape authorship of a public garden. Each chapter examines transfers of cultural ideas and their physical denouement. This book was originally published as a special issue of Studies in the History of Gardens &amp; Designed Landscapes.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 16 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James Beattie</itunes:subtitle>
      <itunes:summary>Gardens at the Frontier: New Methodological Perspectives on Garden History and Designed Landscapes (Routledge, 2019) addresses broad issues of interest to architectural historians, environmental historians, garden writers, geographers, and other scholars. It uses different disciplinary perspectives to explore garden history’s thematic, geographical, and methodological frontiers through a focus on gardens as sites of cultural contact. The contributors address the extent to which gardens inhibit or further cultural contact; the cultural translation of garden concepts, practices and plants from one place to another; the role of non-written sources in cultural transfer; and which disciplines study gardens and designed landscapes, and how and why their approaches vary.
Chapters cover a range of designed landscapes and locations, periods and approaches: medieval Japanese roji (tea gardens); a seventeenth-century garden of southern China; post-war Australian ‘natural gardens’; iconic twentieth-century American modernist gardens; ‘international’ willow-pattern design; geology and designed landscapes; gnomes; and landscape authorship of a public garden. Each chapter examines transfers of cultural ideas and their physical denouement. This book was originally published as a special issue of Studies in the History of Gardens &amp; Designed Landscapes.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780367589707"><em>Gardens at the Frontier: New Methodological Perspectives on Garden History and Designed Landscapes</em></a><em> </em>(Routledge, 2019) addresses broad issues of interest to architectural historians, environmental historians, garden writers, geographers, and other scholars. It uses different disciplinary perspectives to explore garden history’s thematic, geographical, and methodological frontiers through a focus on gardens as sites of cultural contact. The contributors address the extent to which gardens inhibit or further cultural contact; the cultural translation of garden concepts, practices and plants from one place to another; the role of non-written sources in cultural transfer; and which disciplines study gardens and designed landscapes, and how and why their approaches vary.</p><p>Chapters cover a range of designed landscapes and locations, periods and approaches: medieval Japanese <em>roji </em>(tea gardens); a seventeenth-century garden of southern China; post-war Australian ‘natural gardens’; iconic twentieth-century American modernist gardens; ‘international’ willow-pattern design; geology and designed landscapes; gnomes; and landscape authorship of a public garden. Each chapter examines transfers of cultural ideas and their physical denouement. This book was originally published as a special issue of <em>Studies in the History of Gardens &amp; Designed Landscapes.</em></p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1832</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[21a4b798-9319-11eb-ab64-bb77fc9c15b0]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN8045082642.mp3?updated=1617302684" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shannan Clark, "The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism" (Oxford UP, 2020)</title>
      <description>During the middle decades of the twentieth century, the production of America’s consumer culture was centralized in New York to an extent unparalleled in the history of the United States. Every day tens of thousands of writers, editors, artists, performers, technicians, and secretaries made advertisements, produced media content, and designed the shape and feel of the consumer economy. While this centre of creativity has often been portrayed as a smoothly running machine, within these offices many white-collar workers challenged the managers and executives who directed their labours.
Shannan Clark. author of The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism (Oxford UP, 2020), speaks with Pierre d’Alancaisez about the origins of the creative class, their labour union struggles and successes, the role of the Works Projects Administration, and institutions like the Design Laboratory and Consumer Union which foretell the experiences of today’s culture workers.
 Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 06 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>54</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Shannan Clark</itunes:subtitle>
      <itunes:summary>During the middle decades of the twentieth century, the production of America’s consumer culture was centralized in New York to an extent unparalleled in the history of the United States. Every day tens of thousands of writers, editors, artists, performers, technicians, and secretaries made advertisements, produced media content, and designed the shape and feel of the consumer economy. While this centre of creativity has often been portrayed as a smoothly running machine, within these offices many white-collar workers challenged the managers and executives who directed their labours.
Shannan Clark. author of The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism (Oxford UP, 2020), speaks with Pierre d’Alancaisez about the origins of the creative class, their labour union struggles and successes, the role of the Works Projects Administration, and institutions like the Design Laboratory and Consumer Union which foretell the experiences of today’s culture workers.
 Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During the middle decades of the twentieth century, the production of America’s consumer culture was centralized in New York to an extent unparalleled in the history of the United States. Every day tens of thousands of writers, editors, artists, performers, technicians, and secretaries made advertisements, produced media content, and designed the shape and feel of the consumer economy. While this centre of creativity has often been portrayed as a smoothly running machine, within these offices many white-collar workers challenged the managers and executives who directed their labours.</p><p><a href="https://www.montclair.edu/profilepages/view_profile.php?username=clarksh">Shannan Clark</a>. author of <a href="https://bookshop.org/a/12343/9780199731626"><em>The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism</em></a> (Oxford UP, 2020), speaks with Pierre d’Alancaisez about the origins of the creative class, their labour union struggles and successes, the role of the Works Projects Administration, and institutions like the Design Laboratory and Consumer Union which foretell the experiences of today’s culture workers.</p><p><em> </em><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3828</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[de5b5caa-8b19-11eb-b6a4-b7593e2160d2]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN6784460901.mp3?updated=1735666275" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Timothy Beatley, "The Bird-Friendly City: Creating Safe Urban Habitats" (Island Press, 2020)</title>
      <description>Timothy Beatley is the Teresa Heinz Professor of Sustainable Communities at the School of Architecture at the University of Virginia, where he has taught for over twenty-five years. His primary teaching and research interests are in environmental planning and policy, with a special emphasis on coastal and natural hazards planning, environmental values and ethics, and biodiversity conservation. He has published extensively in these areas, including the following books: Ethical Land Use; Habitat Conservation Planning: Endangered Species and Urban Growth; Natural Hazard Mitigation; and An Introduction to Coastal Zone Management. 
In recent years much of his research and writing has been focused on the subject of sustainable communities and creative strategies by which cities and towns can reduce their ecological footprints, while at the same time becoming more livable and equitable places. His books that explore these issues include Biophilic Cities, Resilient Cities, and Blue Urbanism (Island Press).
In The Bird-Friendly City: Creating Safe Urban Habitats (Island Press, 2020), Timothy Beatley, a longtime advocate for intertwining the built and natural environments, takes readers on a global tour of cities that are reinventing the status quo with birds in mind. Efforts span a fascinating breadth of approaches: public education, urban planning and design, habitat restoration, architecture, art, civil disobedience, and more. Beatley shares empowering examples, including: advocates for “catios,” enclosed outdoor spaces that allow cats to enjoy backyards without being able to catch birds; a public relations campaign for vultures; and innovations in building design that balance aesthetics with preventing bird strikes. 
Through these changes and the others Beatley describes, it is possible to make our urban environments more welcoming to many bird species.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 05 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>26</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Timothy Beatley</itunes:subtitle>
      <itunes:summary>Timothy Beatley is the Teresa Heinz Professor of Sustainable Communities at the School of Architecture at the University of Virginia, where he has taught for over twenty-five years. His primary teaching and research interests are in environmental planning and policy, with a special emphasis on coastal and natural hazards planning, environmental values and ethics, and biodiversity conservation. He has published extensively in these areas, including the following books: Ethical Land Use; Habitat Conservation Planning: Endangered Species and Urban Growth; Natural Hazard Mitigation; and An Introduction to Coastal Zone Management. 
In recent years much of his research and writing has been focused on the subject of sustainable communities and creative strategies by which cities and towns can reduce their ecological footprints, while at the same time becoming more livable and equitable places. His books that explore these issues include Biophilic Cities, Resilient Cities, and Blue Urbanism (Island Press).
In The Bird-Friendly City: Creating Safe Urban Habitats (Island Press, 2020), Timothy Beatley, a longtime advocate for intertwining the built and natural environments, takes readers on a global tour of cities that are reinventing the status quo with birds in mind. Efforts span a fascinating breadth of approaches: public education, urban planning and design, habitat restoration, architecture, art, civil disobedience, and more. Beatley shares empowering examples, including: advocates for “catios,” enclosed outdoor spaces that allow cats to enjoy backyards without being able to catch birds; a public relations campaign for vultures; and innovations in building design that balance aesthetics with preventing bird strikes. 
Through these changes and the others Beatley describes, it is possible to make our urban environments more welcoming to many bird species.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.arch.virginia.edu/people/tim-beatley">Timothy Beatley</a> is the Teresa Heinz Professor of Sustainable Communities at the School of Architecture at the University of Virginia, where he has taught for over twenty-five years. His primary teaching and research interests are in environmental planning and policy, with a special emphasis on coastal and natural hazards planning, environmental values and ethics, and biodiversity conservation. He has published extensively in these areas, including the following books: <em>Ethical Land Use; Habitat Conservation Planning: Endangered Species</em> and <em>Urban Growth; Natural Hazard Mitigation</em>; and <em>An Introduction to Coastal Zone Management</em>. </p><p>In recent years much of his research and writing has been focused on the subject of sustainable communities and creative strategies by which cities and towns can reduce their ecological footprints, while at the same time becoming more livable and equitable places. His books that explore these issues include <em>Biophilic Cities, Resilient Cities, and Blue Urbanism </em>(Island Press).</p><p>In <a href="https://bookshop.org/a/12343/9781642830477"><em>The Bird-Friendly City: Creating Safe Urban Habitats</em></a> (Island Press, 2020), Timothy Beatley, a longtime advocate for intertwining the built and natural environments, takes readers on a global tour of cities that are reinventing the status quo with birds in mind. Efforts span a fascinating breadth of approaches: public education, urban planning and design, habitat restoration, architecture, art, civil disobedience, and more. Beatley shares empowering examples, including: advocates for “catios,” enclosed outdoor spaces that allow cats to enjoy backyards without being able to catch birds; a public relations campaign for vultures; and innovations in building design that balance aesthetics with preventing bird strikes. </p><p>Through these changes and the others Beatley describes, it is possible to make our urban environments more welcoming to many bird species.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3303</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[55a34a6e-8a13-11eb-a8bc-b773bc5c60b8]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN3642951862.mp3?updated=1616311264" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Enoch B. Sears, "Social Media for Architects" (2021)</title>
      <description>Today I talked to Enoch Sears about his short ebook Social Media for Architects. The book details how architects can use social media for lead generation through didactic examples, commentary and case studies.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 30 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>25</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Enoch B. Sears</itunes:subtitle>
      <itunes:summary>Today I talked to Enoch Sears about his short ebook Social Media for Architects. The book details how architects can use social media for lead generation through didactic examples, commentary and case studies.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Enoch Sears about his short ebook <a href="https://www.scribd.com/document/354878925/Social-Media-for-Architects-Business-of-Architecture-pdf"><em>Social Media for Architects</em></a>. The book details how architects can use social media for lead generation through didactic examples, commentary and case studies.</p><p>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to <a href="mailto:btoepfer@toepferarchitecture.com">btoepfer@toepferarchitecture</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2409</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN5882478882.mp3?updated=1616084974" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Thomas C. Hubka, "How the Working-Class Home Became Modern, 1900-1940" (U Minnesota Press, 2020)</title>
      <description>At the turn of the nineteenth century, the average American family still lived by kerosene light, ate in the kitchen, and used an outhouse. By 1940, electric lights, dining rooms, and bathrooms were the norm as the traditional working-class home was fast becoming modern—a fact largely missing from the story of domestic innovation and improvement in twentieth-century America, where such benefits seem to count primarily among the upper classes and the post–World War II denizens of suburbia. Examining the physical evidence of America’s working-class houses, Thomas C. Hubka revises our understanding of how widespread domestic improvement transformed the lives of Americans in the modern era. His work, focused on the broad central portion of the housing population, recalibrates longstanding ideas about the nature and development of the “middle class” and its new measure of improvement, “standards of living.”
In How the Working-Class Home Became Modern, 1900–1940 (University of Minnesota Press, 2020), Hubka analyzes a period when millions of average Americans saw accelerated improvement in their housing and domestic conditions. These improvements were intertwined with the acquisition of entirely new mechanical conveniences, new types of rooms and patterns of domestic life, and such innovations—from public utilities and kitchen appliances to remodeled and multi-unit housing—are at the center of the story Hubka tells. It is a narrative, amply illustrated and finely detailed, that traces changes in household hygiene, sociability, and privacy practices that launched large portions of the working classes into the middle class—and that, in Hubka’s telling, reconfigures and enriches the standard account of the domestic transformation of the American home.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 19 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Thomas C. Hubka</itunes:subtitle>
      <itunes:summary>At the turn of the nineteenth century, the average American family still lived by kerosene light, ate in the kitchen, and used an outhouse. By 1940, electric lights, dining rooms, and bathrooms were the norm as the traditional working-class home was fast becoming modern—a fact largely missing from the story of domestic innovation and improvement in twentieth-century America, where such benefits seem to count primarily among the upper classes and the post–World War II denizens of suburbia. Examining the physical evidence of America’s working-class houses, Thomas C. Hubka revises our understanding of how widespread domestic improvement transformed the lives of Americans in the modern era. His work, focused on the broad central portion of the housing population, recalibrates longstanding ideas about the nature and development of the “middle class” and its new measure of improvement, “standards of living.”
In How the Working-Class Home Became Modern, 1900–1940 (University of Minnesota Press, 2020), Hubka analyzes a period when millions of average Americans saw accelerated improvement in their housing and domestic conditions. These improvements were intertwined with the acquisition of entirely new mechanical conveniences, new types of rooms and patterns of domestic life, and such innovations—from public utilities and kitchen appliances to remodeled and multi-unit housing—are at the center of the story Hubka tells. It is a narrative, amply illustrated and finely detailed, that traces changes in household hygiene, sociability, and privacy practices that launched large portions of the working classes into the middle class—and that, in Hubka’s telling, reconfigures and enriches the standard account of the domestic transformation of the American home.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>At the turn of the nineteenth century, the average American family still lived by kerosene light, ate in the kitchen, and used an outhouse. By 1940, electric lights, dining rooms, and bathrooms were the norm as the traditional working-class home was fast becoming modern—a fact largely missing from the story of domestic innovation and improvement in twentieth-century America, where such benefits seem to count primarily among the upper classes and the post–World War II denizens of suburbia. Examining the physical evidence of America’s working-class houses, Thomas C. Hubka revises our understanding of how widespread domestic improvement transformed the lives of Americans in the modern era. His work, focused on the broad central portion of the housing population, recalibrates longstanding ideas about the nature and development of the “middle class” and its new measure of improvement, “standards of living.”</p><p>In <a href="https://bookshop.org/a/12343/9780816693016"><em>How the Working-Class Home Became Modern, 1900–1940</em></a> (University of Minnesota Press, 2020), Hubka analyzes a period when millions of average Americans saw accelerated improvement in their housing and domestic conditions. These improvements were intertwined with the acquisition of entirely new mechanical conveniences, new types of rooms and patterns of domestic life, and such innovations—from public utilities and kitchen appliances to remodeled and multi-unit housing—are at the center of the story Hubka tells. It is a narrative, amply illustrated and finely detailed, that traces changes in household hygiene, sociability, and privacy practices that launched large portions of the working classes into the middle class—and that, in Hubka’s telling, reconfigures and enriches the standard account of the domestic transformation of the American home.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2242</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN4357833255.mp3?updated=1615057702" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Francoise Bollack, "Material Transfers: Metaphor, Craft, and Place in Contemporary Architecture" (Monacelli Press, 2020)</title>
      <description>In Material Transfers: Metaphor, Craft, and Place in Contemporary Architecture (Monacelli Press, 2020), architect, architectural historian, and preservationist Françoise Bollack presents eighteen projects that use traditional materials to build contemporary forms or use modern materials to build traditional forms, blurring the boundary between tradition and modernity in architecture.
Bollack rejects the modernist taboo against imitation and precedent, tracing the history of adaptive and imitative design from the Renaissance to the Greek and Gothic revivals and to the nineteenth-century modular cast-iron facades that Philip Johnson considered "the basis for modern design."
The book examines projects in the US, Europe, and Japan, encompassing a broad range of building types: residential, hospitality, commercial and retail, and cultural spaces. All share an intriguing, even radical, approach to reinterpreting traditional forms and materials. Humble thatch moves beyond the farmhouse roof to clad the walls of a Danish environmental center; a photographic image of a Parisian facade becomes a scrim on the facade of a new building; the ghost of an ancient Italian basilica is outlined in wire mesh.
Among the featured architects are Kengo Kuma, architect of the Tokyo 2021 Olympic stadium; MVRDV, a highly regarded Dutch firm; Lacaton &amp; Vassal and Chartier/Corbasson in France; Skene Catling de la Peña in the UK; Morris Adjmi in the USA; Max Dudler in Germany; Dortre Mandrup in Denmark; and Herzog &amp; de Meuron in Switzerland.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 12 Mar 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>23</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Francoise Bollack</itunes:subtitle>
      <itunes:summary>In Material Transfers: Metaphor, Craft, and Place in Contemporary Architecture (Monacelli Press, 2020), architect, architectural historian, and preservationist Françoise Bollack presents eighteen projects that use traditional materials to build contemporary forms or use modern materials to build traditional forms, blurring the boundary between tradition and modernity in architecture.
Bollack rejects the modernist taboo against imitation and precedent, tracing the history of adaptive and imitative design from the Renaissance to the Greek and Gothic revivals and to the nineteenth-century modular cast-iron facades that Philip Johnson considered "the basis for modern design."
The book examines projects in the US, Europe, and Japan, encompassing a broad range of building types: residential, hospitality, commercial and retail, and cultural spaces. All share an intriguing, even radical, approach to reinterpreting traditional forms and materials. Humble thatch moves beyond the farmhouse roof to clad the walls of a Danish environmental center; a photographic image of a Parisian facade becomes a scrim on the facade of a new building; the ghost of an ancient Italian basilica is outlined in wire mesh.
Among the featured architects are Kengo Kuma, architect of the Tokyo 2021 Olympic stadium; MVRDV, a highly regarded Dutch firm; Lacaton &amp; Vassal and Chartier/Corbasson in France; Skene Catling de la Peña in the UK; Morris Adjmi in the USA; Max Dudler in Germany; Dortre Mandrup in Denmark; and Herzog &amp; de Meuron in Switzerland.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781580935432"><em>Material Transfers: Metaphor, Craft, and Place in Contemporary Architecture</em></a> (Monacelli Press, 2020), architect, architectural historian, and preservationist Françoise Bollack presents eighteen projects that use traditional materials to build contemporary forms or use modern materials to build traditional forms, blurring the boundary between tradition and modernity in architecture.</p><p>Bollack rejects the modernist taboo against imitation and precedent, tracing the history of adaptive and imitative design from the Renaissance to the Greek and Gothic revivals and to the nineteenth-century modular cast-iron facades that Philip Johnson considered "the basis for modern design."</p><p>The book examines projects in the US, Europe, and Japan, encompassing a broad range of building types: residential, hospitality, commercial and retail, and cultural spaces. All share an intriguing, even radical, approach to reinterpreting traditional forms and materials. Humble thatch moves beyond the farmhouse roof to clad the walls of a Danish environmental center; a photographic image of a Parisian facade becomes a scrim on the facade of a new building; the ghost of an ancient Italian basilica is outlined in wire mesh.</p><p>Among the featured architects are Kengo Kuma, architect of the Tokyo 2021 Olympic stadium; MVRDV, a highly regarded Dutch firm; Lacaton &amp; Vassal and Chartier/Corbasson in France; Skene Catling de la Peña in the UK; Morris Adjmi in the USA; Max Dudler in Germany; Dortre Mandrup in Denmark; and Herzog &amp; de Meuron in Switzerland.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2203</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9eb56096-784f-11eb-9c69-67cd780fa1bd]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN4347206571.mp3?updated=1614357486" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christina Schwenkel, "Building Socialism: The Afterlife of East German Architecture in Urban Vietnam" (Duke UP, 2020)</title>
      <description>Following a decade of U.S. bombing campaigns that obliterated northern Vietnam, East Germany helped Vietnam rebuild in an act of socialist solidarity. In Building Socialism: The Afterlife of East German Architecture in Urban Vietnam (Duke UP, 2020) Christina Schwenkel examines the utopian visions of an expert group of Vietnamese and East German urban planners who sought to transform the devastated industrial town of Vinh into a model socialist city. Drawing on archival and ethnographic research in Vietnam and Germany with architects, engineers, construction workers, and tenants in Vinh’s mass housing complex, Schwenkel explores the material and affective dimensions of urban possibility and the quick fall of Vinh’s new built environment into unplanned obsolescence. She analyzes the tensions between aspirational infrastructure and postwar uncertainty to show how design models and practices that circulated between the socialist North and the decolonizing South underwent significant modification to accommodate alternative cultural logics and ideas about urban futurity. By documenting the building of Vietnam’s first planned city and its aftermath of decay and repurposing, Schwenkel argues that underlying the ambivalent and often unpredictable responses to modernist architectural forms were anxieties about modernity and the future of socialism itself.
This interview is part of an NBN special series on “Mobilities and Methods.”
Christina Schwenkel is Professor of Anthropology at the University of California, Riverside, and author of The American War in Contemporary Vietnam: Transnational Remembrance and Representation.
Alize Arıcan is a PhD candidate in the Department of Anthropology at the University of Illinois at Chicago. Her research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City &amp; Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 10 Mar 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>23</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christina Schwenkel</itunes:subtitle>
      <itunes:summary>Following a decade of U.S. bombing campaigns that obliterated northern Vietnam, East Germany helped Vietnam rebuild in an act of socialist solidarity. In Building Socialism: The Afterlife of East German Architecture in Urban Vietnam (Duke UP, 2020) Christina Schwenkel examines the utopian visions of an expert group of Vietnamese and East German urban planners who sought to transform the devastated industrial town of Vinh into a model socialist city. Drawing on archival and ethnographic research in Vietnam and Germany with architects, engineers, construction workers, and tenants in Vinh’s mass housing complex, Schwenkel explores the material and affective dimensions of urban possibility and the quick fall of Vinh’s new built environment into unplanned obsolescence. She analyzes the tensions between aspirational infrastructure and postwar uncertainty to show how design models and practices that circulated between the socialist North and the decolonizing South underwent significant modification to accommodate alternative cultural logics and ideas about urban futurity. By documenting the building of Vietnam’s first planned city and its aftermath of decay and repurposing, Schwenkel argues that underlying the ambivalent and often unpredictable responses to modernist architectural forms were anxieties about modernity and the future of socialism itself.
This interview is part of an NBN special series on “Mobilities and Methods.”
Christina Schwenkel is Professor of Anthropology at the University of California, Riverside, and author of The American War in Contemporary Vietnam: Transnational Remembrance and Representation.
Alize Arıcan is a PhD candidate in the Department of Anthropology at the University of Illinois at Chicago. Her research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City &amp; Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Following a decade of U.S. bombing campaigns that obliterated northern Vietnam, East Germany helped Vietnam rebuild in an act of socialist solidarity. In <a href="https://bookshop.org/a/12343/9781478011064"><em>Building Socialism: The Afterlife of East German Architecture in Urban Vietnam</em></a><em> </em>(Duke UP, 2020) Christina Schwenkel examines the utopian visions of an expert group of Vietnamese and East German urban planners who sought to transform the devastated industrial town of Vinh into a model socialist city. Drawing on archival and ethnographic research in Vietnam and Germany with architects, engineers, construction workers, and tenants in Vinh’s mass housing complex, Schwenkel explores the material and affective dimensions of urban possibility and the quick fall of Vinh’s new built environment into unplanned obsolescence. She analyzes the tensions between aspirational infrastructure and postwar uncertainty to show how design models and practices that circulated between the socialist North and the decolonizing South underwent significant modification to accommodate alternative cultural logics and ideas about urban futurity. By documenting the building of Vietnam’s first planned city and its aftermath of decay and repurposing, Schwenkel argues that underlying the ambivalent and often unpredictable responses to modernist architectural forms were anxieties about modernity and the future of socialism itself.</p><p>This interview is part of an NBN special series on “<a href="https://newbooksnetwork.com/category/mobilities_and_methods/">Mobilities and Methods</a>.”</p><p>Christina Schwenkel is Professor of Anthropology at the University of California, Riverside, and author of <em>The American War in Contemporary Vietnam: Transnational Remembrance and Representation</em>.</p><p><a href="https://www.alizearican.com/"><em>Alize Arıcan</em></a><em> is a PhD candidate in the Department of Anthropology at the University of Illinois at Chicago. Her research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in </em><a href="https://www.journals.uchicago.edu/doi/10.1086/713112"><em>Current Anthropology</em></a><em>, </em><a href="https://doi.org/10.1111/ciso.12348"><em>City &amp; Society</em></a><em>, </em><a href="https://radicalhousingjournal.org/2020/care-in-tarlabasi-amidst-heightened-inequalities-urban-transformation-and-coronavirus/"><em>Radical Housing Journal</em></a><em>, and </em><a href="https://entanglementsjournal.org/the-ghost-of-karl-marx/"><em>entanglements: experiments in multimodal ethnography</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3356</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c0fc1b14-76c8-11eb-a113-675c148cfa1d]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN8856440314.mp3?updated=1614189184" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sebastiaan Loosen, et al., "The Figure of Knowledge: Conditioning Architectural Theory, 1960s-1990s" (Leuven UP, 2020)</title>
      <description>It is a major challenge to write the history of post-WWII architectural theory without boiling it down to a few defining paradigms. An impressive anthologizing effort during the 1990s charted architectural theory mostly via the various theoretical frameworks employed, such as critical theory, critical regionalism, deconstructivism, and pragmatism.
Yet the intellectual contours of what constitutes architectural theory have been constantly in flux. It is therefore paramount to ask what kind of knowledge has become important in the recent history of architectural theory and how the resulting figure of knowledge sets the conditions for the actual arguments made.
The contributions in The Figure of Knowledge: Conditioning Architectural Theory, 1960s-1990s (Leuven UP, 2020) focus on institutional, geographical, rhetorical, and other conditioning factors. They thus screen the unspoken rules of engagement that postwar architectural theory ascribed to.
Free ebook available at OAPEN Library, JSTOR and ProjectMuse
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 12 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sebastiaan Loosen, Rajesh Heynickx, and Hilde Heynen</itunes:subtitle>
      <itunes:summary>It is a major challenge to write the history of post-WWII architectural theory without boiling it down to a few defining paradigms. An impressive anthologizing effort during the 1990s charted architectural theory mostly via the various theoretical frameworks employed, such as critical theory, critical regionalism, deconstructivism, and pragmatism.
Yet the intellectual contours of what constitutes architectural theory have been constantly in flux. It is therefore paramount to ask what kind of knowledge has become important in the recent history of architectural theory and how the resulting figure of knowledge sets the conditions for the actual arguments made.
The contributions in The Figure of Knowledge: Conditioning Architectural Theory, 1960s-1990s (Leuven UP, 2020) focus on institutional, geographical, rhetorical, and other conditioning factors. They thus screen the unspoken rules of engagement that postwar architectural theory ascribed to.
Free ebook available at OAPEN Library, JSTOR and ProjectMuse
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is a major challenge to write the history of post-WWII architectural theory without boiling it down to a few defining paradigms. An impressive anthologizing effort during the 1990s charted architectural theory mostly via the various theoretical frameworks employed, such as critical theory, critical regionalism, deconstructivism, and pragmatism.</p><p>Yet the intellectual contours of what constitutes architectural theory have been constantly in flux. It is therefore paramount to ask what kind of knowledge has become important in the recent history of architectural theory and how the resulting figure of knowledge sets the conditions for the actual arguments made.</p><p>The contributions in <a href="https://bookshop.org/a/12343/9789462702240"><em>The Figure of Knowledge: Conditioning Architectural Theory, 1960s-1990s</em></a> (Leuven UP, 2020) focus on institutional, geographical, rhetorical, and other conditioning factors. They thus screen the unspoken rules of engagement that postwar architectural theory ascribed to.</p><p>Free ebook available at OAPEN Library, <a href="https://www.jstor.org/stable/j.ctv16x2c28">JSTOR</a> and ProjectMuse</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2740</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ebff9f92-6738-11eb-ae2c-ab377cac66da]]></guid>
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    </item>
    <item>
      <title>Łukasz Stanek, "Architecture in Global Socialism: Eastern Europe, West Africa, and the Middle East in the Cold War" (Princeton UP, 2020)</title>
      <description>In the course of the Cold War, architects, planners, and construction companies from socialist Eastern Europe engaged in a vibrant collaboration with those in West Africa and the Middle East in order to bring modernization to the developing world. Architecture in Global Socialism: Eastern Europe, West Africa, and the Middle East in the Cold War (Princeton UP, 2020) shows how their collaboration reshaped five cities in the Global South: Accra, Lagos, Baghdad, Abu Dhabi, and Kuwait City.

Łukasz Stanek describes how local authorities and professionals in these cities drew on Soviet prefabrication systems, Hungarian and Polish planning methods, Yugoslav and Bulgarian construction materials, Romanian and East German standard designs, and manual laborers from across Eastern Europe. He explores how the socialist development path was adapted to tropical conditions in Ghana in the 1960s, and how Eastern European architectural traditions were given new life in 1970s Nigeria. He looks at how the differences between socialist foreign trade and the emerging global construction market were exploited in the Middle East in the closing decades of the Cold War. Stanek demonstrates how these and other practices of global cooperation by socialist countries—what he calls socialist worldmaking—left their enduring mark on urban landscapes in the postcolonial world.

Featuring an extensive collection of previously unpublished images, Architecture in Global Socialism draws on original archival research on four continents and a wealth of in-depth interviews. This incisive book presents a new understanding of global urbanization and its architecture through the lens of socialist internationalism, challenging long-held notions about modernization and development in the Global South.
If you are curious to see some of the architectural projects discussed in Stanek's award-winning book, please review some images here. 
 Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 11 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Łukasz Stanek</itunes:subtitle>
      <itunes:summary>In the course of the Cold War, architects, planners, and construction companies from socialist Eastern Europe engaged in a vibrant collaboration with those in West Africa and the Middle East in order to bring modernization to the developing world. Architecture in Global Socialism: Eastern Europe, West Africa, and the Middle East in the Cold War (Princeton UP, 2020) shows how their collaboration reshaped five cities in the Global South: Accra, Lagos, Baghdad, Abu Dhabi, and Kuwait City.

Łukasz Stanek describes how local authorities and professionals in these cities drew on Soviet prefabrication systems, Hungarian and Polish planning methods, Yugoslav and Bulgarian construction materials, Romanian and East German standard designs, and manual laborers from across Eastern Europe. He explores how the socialist development path was adapted to tropical conditions in Ghana in the 1960s, and how Eastern European architectural traditions were given new life in 1970s Nigeria. He looks at how the differences between socialist foreign trade and the emerging global construction market were exploited in the Middle East in the closing decades of the Cold War. Stanek demonstrates how these and other practices of global cooperation by socialist countries—what he calls socialist worldmaking—left their enduring mark on urban landscapes in the postcolonial world.

Featuring an extensive collection of previously unpublished images, Architecture in Global Socialism draws on original archival research on four continents and a wealth of in-depth interviews. This incisive book presents a new understanding of global urbanization and its architecture through the lens of socialist internationalism, challenging long-held notions about modernization and development in the Global South.
If you are curious to see some of the architectural projects discussed in Stanek's award-winning book, please review some images here. 
 Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the course of the Cold War, architects, planners, and construction companies from socialist Eastern Europe engaged in a vibrant collaboration with those in West Africa and the Middle East in order to bring modernization to the developing world. <a href="https://bookshop.org/a/12343/9780691168708"><em>Architecture in Global Socialism: Eastern Europe, West Africa, and the Middle East in the Cold War</em></a><em> </em>(Princeton UP, 2020) shows how their collaboration reshaped five cities in the Global South: Accra, Lagos, Baghdad, Abu Dhabi, and Kuwait City.</p><p><br></p><p>Łukasz Stanek describes how local authorities and professionals in these cities drew on Soviet prefabrication systems, Hungarian and Polish planning methods, Yugoslav and Bulgarian construction materials, Romanian and East German standard designs, and manual laborers from across Eastern Europe. He explores how the socialist development path was adapted to tropical conditions in Ghana in the 1960s, and how Eastern European architectural traditions were given new life in 1970s Nigeria. He looks at how the differences between socialist foreign trade and the emerging global construction market were exploited in the Middle East in the closing decades of the Cold War. Stanek demonstrates how these and other practices of global cooperation by socialist countries—what he calls socialist worldmaking—left their enduring mark on urban landscapes in the postcolonial world.</p><p><br></p><p>Featuring an extensive collection of previously unpublished images, <em>Architecture in Global Socialism</em> draws on original archival research on four continents and a wealth of in-depth interviews. This incisive book presents a new understanding of global urbanization and its architecture through the lens of socialist internationalism, challenging long-held notions about modernization and development in the Global South.</p><p>If you are curious to see some of the architectural projects discussed in Stanek's award-winning book, please review some images <a href="https://www.abitare.it/en/gallery/research/publications/cold-war-socialist-architects-in-the-third-world/?foto=1">here</a>. </p><p><em> </em><a href="https://www.usna.edu/History/Faculty/Crawford.php"><em>Sharika Crawford</em></a><em> is an associate professor of history at the United States Naval Academy in Annapolis and the author of </em>The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making<em> (University of North Carolina Press, 2020).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2645</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Katherine Zubovich, "Moscow Monumental: Soviet Skyscrapers and Urban Life in Stalin's Capital" (Princeton UP, 2020)</title>
      <description>In Moscow Monumental: Soviet Skyscrapers and Urban Life in Stalin’s Capital (Princeton University Press, 2021), Professor Katherine Zubovich of the University of Buffalo of the State University of New York takes us into one of the more turbulent eras in the 874-year history of Moscow, the decades long effort to transform Russia’s ancient second city into the triumphant capital of the new socialist state.
Before the revolutions of 1917, Moscow was known for its “forty times, forty churches,” and by these distinctive onion-shaped cupolas, which once soared above the two and three-story skyline, Muscovites navigated their city. Today, many of those churches are only distant memories and the new markers of the city’s horizons are seven soaring skyscrapers, affectionately known as “Stalin’s wedding cakes,” or simply as the “vysotniye” or the “tall buildings.” Two are ministries, two are hotels, two are elite residential buildings, and one houses Moscow State University. Zubovich uses these iconic buildings as the skeleton of her story, taking us through the many iterations of the Soviet vision of an idealized capital. Zubovich’s grounding in Art History serves her particularly well in the first half of the book as she examines evolving vision for the new Moscow, including the government’s ambitious plans to construct a massive Palace of Soviets as the hub of the new architectural ensemble. Moscow Monumental is particularly interesting in its carefully researched account of the pre-war Soviet drive to involve Western architects and engineers in the construction projects.
Zubovich’s stamina as a field researcher pays off in the second half of the book, as her focus shifts to the human cost of this urban renewal in the post-war era. Here she weaves in narratives of the construction workers who built the skyscrapers, many of them newly released GULAG prisoners, and those of ordinary citizens whose lives were uprooted by the project. These voices of everyday Soviet citizens come to brilliant life through Zubovich’s adroit use of letters sent by ordinary Soviet citizens, petitioning the government for assistance in relocation as neighborhoods are razed to the ground to make way for the new skyscrapers. Zubovich does an excellent job portraying this ostensibly classless society, in which Muscovites are ironically divided between those who are literally moving “up” into elite skyscraper apartments and those who are being forced “out” to the hastily constructed, and barely habitable new neighborhoods of the city’s periphery.
Moscow Monumental is a fascinating story of architecture, politics, urban development, and social history, which perfectly captures the aspirational arc of Moscow’s first six decades as the capital of the USSR.
Katherine Zubovich is an assistant professor of history at the University of Buffalo, State University of New York. Zubovich is also working on a short book, Making Cities Socialist to be published as part of the Cambridge Elements in Global Urban History series. Follow her on Twitter at @kzubovich.
Jennifer Eremeeva is an American expatriate writer who writes about travel, culture, cuisine and culinary history, Russian history, and Royal History, with bylines in Reuters, Fodor's, USTOA, LitHub, The Moscow Times, and Russian Life. She is the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow and Have Personality Disorder, Will Rule Russia: A Pocket Guide to Russian History.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 10 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>138</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Katherine Zubovich</itunes:subtitle>
      <itunes:summary>In Moscow Monumental: Soviet Skyscrapers and Urban Life in Stalin’s Capital (Princeton University Press, 2021), Professor Katherine Zubovich of the University of Buffalo of the State University of New York takes us into one of the more turbulent eras in the 874-year history of Moscow, the decades long effort to transform Russia’s ancient second city into the triumphant capital of the new socialist state.
Before the revolutions of 1917, Moscow was known for its “forty times, forty churches,” and by these distinctive onion-shaped cupolas, which once soared above the two and three-story skyline, Muscovites navigated their city. Today, many of those churches are only distant memories and the new markers of the city’s horizons are seven soaring skyscrapers, affectionately known as “Stalin’s wedding cakes,” or simply as the “vysotniye” or the “tall buildings.” Two are ministries, two are hotels, two are elite residential buildings, and one houses Moscow State University. Zubovich uses these iconic buildings as the skeleton of her story, taking us through the many iterations of the Soviet vision of an idealized capital. Zubovich’s grounding in Art History serves her particularly well in the first half of the book as she examines evolving vision for the new Moscow, including the government’s ambitious plans to construct a massive Palace of Soviets as the hub of the new architectural ensemble. Moscow Monumental is particularly interesting in its carefully researched account of the pre-war Soviet drive to involve Western architects and engineers in the construction projects.
Zubovich’s stamina as a field researcher pays off in the second half of the book, as her focus shifts to the human cost of this urban renewal in the post-war era. Here she weaves in narratives of the construction workers who built the skyscrapers, many of them newly released GULAG prisoners, and those of ordinary citizens whose lives were uprooted by the project. These voices of everyday Soviet citizens come to brilliant life through Zubovich’s adroit use of letters sent by ordinary Soviet citizens, petitioning the government for assistance in relocation as neighborhoods are razed to the ground to make way for the new skyscrapers. Zubovich does an excellent job portraying this ostensibly classless society, in which Muscovites are ironically divided between those who are literally moving “up” into elite skyscraper apartments and those who are being forced “out” to the hastily constructed, and barely habitable new neighborhoods of the city’s periphery.
Moscow Monumental is a fascinating story of architecture, politics, urban development, and social history, which perfectly captures the aspirational arc of Moscow’s first six decades as the capital of the USSR.
Katherine Zubovich is an assistant professor of history at the University of Buffalo, State University of New York. Zubovich is also working on a short book, Making Cities Socialist to be published as part of the Cambridge Elements in Global Urban History series. Follow her on Twitter at @kzubovich.
Jennifer Eremeeva is an American expatriate writer who writes about travel, culture, cuisine and culinary history, Russian history, and Royal History, with bylines in Reuters, Fodor's, USTOA, LitHub, The Moscow Times, and Russian Life. She is the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow and Have Personality Disorder, Will Rule Russia: A Pocket Guide to Russian History.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780691178905"><em>Moscow Monumental: Soviet Skyscrapers and Urban Life in Stalin’s Capital</em></a> (Princeton University Press, 2021), Professor Katherine Zubovich of the University of Buffalo of the State University of New York takes us into one of the more turbulent eras in the 874-year history of Moscow, the decades long effort to transform Russia’s ancient second city into the triumphant capital of the new socialist state.</p><p>Before the revolutions of 1917, Moscow was known for its “forty times, forty churches,” and by these distinctive onion-shaped cupolas, which once soared above the two and three-story skyline, Muscovites navigated their city. Today, many of those churches are only distant memories and the new markers of the city’s horizons are seven soaring skyscrapers, affectionately known as “Stalin’s wedding cakes,” or simply as the “vysotniye” or the “tall buildings.” Two are ministries, two are hotels, two are elite residential buildings, and one houses Moscow State University. Zubovich uses these iconic buildings as the skeleton of her story, taking us through the many iterations of the Soviet vision of an idealized capital. Zubovich’s grounding in Art History serves her particularly well in the first half of the book as she examines evolving vision for the new Moscow, including the government’s ambitious plans to construct a massive Palace of Soviets as the hub of the new architectural ensemble. <em>Moscow Monumental</em> is particularly interesting in its carefully researched account of the pre-war Soviet drive to involve Western architects and engineers in the construction projects.</p><p>Zubovich’s stamina as a field researcher pays off in the second half of the book, as her focus shifts to the human cost of this urban renewal in the post-war era. Here she weaves in narratives of the construction workers who built the skyscrapers, many of them newly released GULAG prisoners, and those of ordinary citizens whose lives were uprooted by the project. These voices of everyday Soviet citizens come to brilliant life through Zubovich’s adroit use of letters sent by ordinary Soviet citizens, petitioning the government for assistance in relocation as neighborhoods are razed to the ground to make way for the new skyscrapers. Zubovich does an excellent job portraying this ostensibly classless society, in which Muscovites are ironically divided between those who are literally moving “up” into elite skyscraper apartments and those who are being forced “out” to the hastily constructed, and barely habitable new neighborhoods of the city’s periphery.</p><p><em>Moscow Monumental</em> is a fascinating story of architecture, politics, urban development, and social history, which perfectly captures the aspirational arc of Moscow’s first six decades as the capital of the USSR.</p><p>Katherine Zubovich is an assistant professor of history at the University of Buffalo, State University of New York. Zubovich is also working on a short book, <em>Making Cities Socialist</em> to be published as part of the Cambridge Elements in Global Urban History series. Follow her on Twitter at @kzubovich.</p><p><a href="https://jennifereremeeva.com/"><em>Jennifer Eremeeva</em></a><em> is an American expatriate writer who writes about travel, culture, cuisine and culinary history, Russian history, and Royal History, with bylines in Reuters, Fodor's, USTOA, LitHub, The Moscow Times, and Russian Life. She is the award-winning author of </em><a href="https://amzn.to/2QbzIKW"><em>Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow</em></a><em> and </em><a href="https://newbooksnetwork.com/admin/entries/episodes/%22https:/"><em>Have Personality Disorder, Will Rule Russia: A Pocket Guide to Russian History</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3095</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[86e0d5e4-63fb-11eb-8142-df63b40af4b9]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN4512209099.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>B. Kilpatrick and M. Patel, "Estate Regeneration: Learning from the Past, Housing Communities of the Future" (Routledge, 2020)</title>
      <description>One hundred years ago, the Addison Act created the circumstances for the large scale construction of municipal housing in the UK. This would lead to the most prolific phases of housing estate building the country has ever seen. The legacy of this historic period has been tackled for the last twenty-five years as these estates began to suffer from misguided allocation policies, systemic building and fabric failure and financial austerity. A series of estate regeneration programs sought to rectify the mistakes of the past. 
Estate Regeneration: Learning from the Past, Housing Communities of the Future (Routledge, 2020) describes 24 of these regeneration schemes from across the UK and the design philosophy and resident engagement which formed each new community. A number of essays from a wide range of industry experts amplify the learning experience from some key estate regeneration initiatives and provide observations on the broader issues of this sector of the housing market. Regeneration is inevitable; it is a matter of the form which regeneration should take. The information presented here is a guide to an intuitive approach to estate regeneration which commences with the derivation of strong urban design principles and is guided by real community engagement. The experience presented seeks to learn from the mistakes of the past to create the best possible platform for regeneration of the housing estates of the future.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 02 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Brendan Kilpatrick and Manisha Patel</itunes:subtitle>
      <itunes:summary>One hundred years ago, the Addison Act created the circumstances for the large scale construction of municipal housing in the UK. This would lead to the most prolific phases of housing estate building the country has ever seen. The legacy of this historic period has been tackled for the last twenty-five years as these estates began to suffer from misguided allocation policies, systemic building and fabric failure and financial austerity. A series of estate regeneration programs sought to rectify the mistakes of the past. 
Estate Regeneration: Learning from the Past, Housing Communities of the Future (Routledge, 2020) describes 24 of these regeneration schemes from across the UK and the design philosophy and resident engagement which formed each new community. A number of essays from a wide range of industry experts amplify the learning experience from some key estate regeneration initiatives and provide observations on the broader issues of this sector of the housing market. Regeneration is inevitable; it is a matter of the form which regeneration should take. The information presented here is a guide to an intuitive approach to estate regeneration which commences with the derivation of strong urban design principles and is guided by real community engagement. The experience presented seeks to learn from the mistakes of the past to create the best possible platform for regeneration of the housing estates of the future.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One hundred years ago, the Addison Act created the circumstances for the large scale construction of municipal housing in the UK. This would lead to the most prolific phases of housing estate building the country has ever seen. The legacy of this historic period has been tackled for the last twenty-five years as these estates began to suffer from misguided allocation policies, systemic building and fabric failure and financial austerity. A series of estate regeneration programs sought to rectify the mistakes of the past. </p><p><a href="https://bookshop.org/a/12343/9780367271282"><em>Estate Regeneration: Learning from the Past, Housing Communities of the Future</em></a><em> </em>(Routledge, 2020) describes 24 of these regeneration schemes from across the UK and the design philosophy and resident engagement which formed each new community. A number of essays from a wide range of industry experts amplify the learning experience from some key estate regeneration initiatives and provide observations on the broader issues of this sector of the housing market. Regeneration is inevitable; it is a matter of the form which regeneration should take. The information presented here is a guide to an intuitive approach to estate regeneration which commences with the derivation of strong urban design principles and is guided by real community engagement. The experience presented seeks to learn from the mistakes of the past to create the best possible platform for regeneration of the housing estates of the future.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2905</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c662ca20-5d83-11eb-9c62-fb2be0a6e3d3]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN2213870944.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yasser Megahed, "Practiceopolis: Stories from the Architectural Profession" (Routledge, 2020)</title>
      <description>Practiceopolis: Stories from the Architectural Profession (Routledge, 2020) is a graphic novel about the contemporary architectural profession, in which it acts as the protagonist in the form of an imaginary city called Practiceopolis. The novel narrates quasi-realistic stories that exaggerate the architectural everyday and the tacit, in order to make them prominent and tangible. They depict and dramatize the value conflicts between the different cultures of practicing architecture and between the architectural profession and other members of the building industry as political conflicts around the future of Practiceopolis.
The book uses the metaphorical world of Practiceopolis to provoke big questions about everyday routines in the profession that practitioners may take for granted and to examine different ideologies at work among architects and other members of the construction industry. The novel ends in the tradition of dystopian worlds common in a certain strand of graphic novels.
By vividly illustrating and narrating the critical issues he interrogates, the author has created a world which any architect, student or professional, will both instantly recognize and simultaneously reject, provoking the reader to challenge themselves and the profession at large.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 15 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Yasser Megahed</itunes:subtitle>
      <itunes:summary>Practiceopolis: Stories from the Architectural Profession (Routledge, 2020) is a graphic novel about the contemporary architectural profession, in which it acts as the protagonist in the form of an imaginary city called Practiceopolis. The novel narrates quasi-realistic stories that exaggerate the architectural everyday and the tacit, in order to make them prominent and tangible. They depict and dramatize the value conflicts between the different cultures of practicing architecture and between the architectural profession and other members of the building industry as political conflicts around the future of Practiceopolis.
The book uses the metaphorical world of Practiceopolis to provoke big questions about everyday routines in the profession that practitioners may take for granted and to examine different ideologies at work among architects and other members of the construction industry. The novel ends in the tradition of dystopian worlds common in a certain strand of graphic novels.
By vividly illustrating and narrating the critical issues he interrogates, the author has created a world which any architect, student or professional, will both instantly recognize and simultaneously reject, provoking the reader to challenge themselves and the profession at large.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780367425449"><em>Practiceopolis: Stories from the Architectural Profession</em></a> (Routledge, 2020) is a graphic novel about the contemporary architectural profession, in which it acts as the protagonist in the form of an imaginary city called Practiceopolis. The novel narrates quasi-realistic stories that exaggerate the architectural everyday and the tacit, in order to make them prominent and tangible. They depict and dramatize the value conflicts between the different cultures of practicing architecture and between the architectural profession and other members of the building industry as political conflicts around the future of Practiceopolis.</p><p>The book uses the metaphorical world of Practiceopolis to provoke big questions about everyday routines in the profession that practitioners may take for granted and to examine different ideologies at work among architects and other members of the construction industry. The novel ends in the tradition of dystopian worlds common in a certain strand of graphic novels.</p><p>By vividly illustrating and narrating the critical issues he interrogates, the author has created a world which any architect, student or professional, will both instantly recognize and simultaneously reject, provoking the reader to challenge themselves and the profession at large.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1865</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4b548806-512f-11eb-933e-4f23101ca280]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN6267766697.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel A. Barber, "Modern Architecture and Climate: Design Before Air Conditioning" (Princeton UP, 2020)</title>
      <description>Modern Architecture and Climate explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design.
Extensively illustrated with archival material, Modern Architecture and Climate: Design Before Air Conditioning (Princeton UP, 2020) provides global perspectives on modern architecture and its evolving relationship with a changing climate, showcasing designs from Latin America, Europe, the United States, the Middle East, and Africa. This timely and important book reconciles the cultural dynamism of architecture with the material realities of ever-increasing carbon emissions from the mechanical cooling systems of buildings, and offers a historical foundation for today’s zero-carbon design.
Daniel A. Barber is an associate professor of architecture at the University of Pennsylvania Weitzman School of Design.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 06 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel A. Barber</itunes:subtitle>
      <itunes:summary>Modern Architecture and Climate explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design.
Extensively illustrated with archival material, Modern Architecture and Climate: Design Before Air Conditioning (Princeton UP, 2020) provides global perspectives on modern architecture and its evolving relationship with a changing climate, showcasing designs from Latin America, Europe, the United States, the Middle East, and Africa. This timely and important book reconciles the cultural dynamism of architecture with the material realities of ever-increasing carbon emissions from the mechanical cooling systems of buildings, and offers a historical foundation for today’s zero-carbon design.
Daniel A. Barber is an associate professor of architecture at the University of Pennsylvania Weitzman School of Design.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Modern Architecture and Climate explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design.</p><p>Extensively illustrated with archival material, <a href="https://bookshop.org/a/12343/9780691170039"><em>Modern Architecture and Climate: Design Before Air Conditioning</em></a> (Princeton UP, 2020) provides global perspectives on modern architecture and its evolving relationship with a changing climate, showcasing designs from Latin America, Europe, the United States, the Middle East, and Africa. This timely and important book reconciles the cultural dynamism of architecture with the material realities of ever-increasing carbon emissions from the mechanical cooling systems of buildings, and offers a historical foundation for today’s zero-carbon design.</p><p>Daniel A. Barber is an associate professor of architecture at the University of Pennsylvania Weitzman School of Design.</p><p><a href="http://nushelledesilva.com/"><em>Nushelle de Silva</em></a><em> is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3746</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[80ae39cc-456b-11eb-8c75-1f6f2b23d297]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN6742083260.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jodi Rios, "Black Lives and Spatial Matters: Policing Blackness and Practicing Freedom in Suburban St. Louis" (Cornell UP, 2020)</title>
      <description>In Black Lives and Spatial Matters: Policing Blackness and Practicing Freedom in Suburban St. Louis (Cornell University Press, 2020), Dr. Jodi Rios examines relationships between blackness, space, and racism, in the northern suburbs of St. Louis. She argues that the “double bind of living as Black in North St. Louis County means that Black residents both suffer from, and pay for, the loss of economic and political viability that occurs when they simply occupy space” (1). Rios theorizes “Blackness-as-risk” as foundational to the historical and contemporary construction of metropolitan space. She documents the ways in which Black residents in the north St. Louis suburbs are subject to excessive ordinances and constant policing. Yet, these residents also resist such constraints. After the murder of Michael Brown in August 2014, Black Lives Matter protests erupted throughout St. Louis as well as across the country. Through the lens of such protests, Rios theorizes “Blackness-as-freedom” as “the unique capacity of blackness to embody freedom in the face of death and to imagine other worlds, other futures” (5). Black Lives and Spatial Matters is a transdisciplinary work that draws from history, ethnography, geography, as well as architecture and design, to show how anti-blackness is produced and contested when Black people occupy space.
Jodi Rios is a scholar, designer, and educator whose work is located at the intersection of physical, social, and political space.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 05 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>91</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jodi Rios</itunes:subtitle>
      <itunes:summary>In Black Lives and Spatial Matters: Policing Blackness and Practicing Freedom in Suburban St. Louis (Cornell University Press, 2020), Dr. Jodi Rios examines relationships between blackness, space, and racism, in the northern suburbs of St. Louis. She argues that the “double bind of living as Black in North St. Louis County means that Black residents both suffer from, and pay for, the loss of economic and political viability that occurs when they simply occupy space” (1). Rios theorizes “Blackness-as-risk” as foundational to the historical and contemporary construction of metropolitan space. She documents the ways in which Black residents in the north St. Louis suburbs are subject to excessive ordinances and constant policing. Yet, these residents also resist such constraints. After the murder of Michael Brown in August 2014, Black Lives Matter protests erupted throughout St. Louis as well as across the country. Through the lens of such protests, Rios theorizes “Blackness-as-freedom” as “the unique capacity of blackness to embody freedom in the face of death and to imagine other worlds, other futures” (5). Black Lives and Spatial Matters is a transdisciplinary work that draws from history, ethnography, geography, as well as architecture and design, to show how anti-blackness is produced and contested when Black people occupy space.
Jodi Rios is a scholar, designer, and educator whose work is located at the intersection of physical, social, and political space.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781501750472"><em>Black Lives and Spatial Matters: Policing Blackness and Practicing Freedom in Suburban St. Louis</em></a> (Cornell University Press, 2020), Dr. Jodi Rios examines relationships between blackness, space, and racism, in the northern suburbs of St. Louis. She argues that the “double bind of living as Black in North St. Louis County means that Black residents both suffer from, and pay for, the loss of economic and political viability that occurs when they simply occupy space” (1). Rios theorizes “Blackness-as-risk” as foundational to the historical and contemporary construction of metropolitan space. She documents the ways in which Black residents in the north St. Louis suburbs are subject to excessive ordinances and constant policing. Yet, these residents also resist such constraints. After the murder of Michael Brown in August 2014, Black Lives Matter protests erupted throughout St. Louis as well as across the country. Through the lens of such protests, Rios theorizes “Blackness-as-freedom” as “the unique capacity of blackness to embody freedom in the face of death and to imagine other worlds, other futures” (5). Black Lives and Spatial Matters is a transdisciplinary work that draws from history, ethnography, geography, as well as architecture and design, to show how anti-blackness is produced and contested when Black people occupy space.</p><p>Jodi Rios is a scholar, designer, and educator whose work is located at the intersection of physical, social, and political space.</p><p><em>Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3185</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7d5e8570-42ef-11eb-94bf-0b3e408f7f01]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN5120841630.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adina Hoffman, "Till We Have Built Jerusalem: Architects of a New City" (FSG, 2017)</title>
      <description>A remarkable view of one of the world's most beloved and troubled cities, Adina Hoffman's Till We Have Built Jerusalem: Architects of a New City (FSG, 2017) is a gripping and intimate journey into the very different lives of three architects who helped shape modern Jerusalem.
The book unfolds as an excavation. It opens with the 1934 arrival in Jerusalem of the celebrated Berlin architect Erich Mendelsohn, a refugee from Hitler's Germany who must reckon with a complex new Middle Eastern reality. Next we meet Austen St. Barbe Harrison, Palestine's chief government architect from 1922 to 1937. Steeped in the traditions of Byzantine and Islamic building, this "most private of public servants" finds himself working under the often stifling and violent conditions of British rule. And in the riveting final section, Hoffman herself sets out through the battered streets of today's Jerusalem searching for traces of a possibly Greek, possibly Arab architect named Spyro Houris. Once a fixture on the local scene, Houris is now utterly forgotten, though his grand Armenian-tile-clad buildings still stand, a ghostly testimony to the cultural fluidity that has historically characterized Jerusalem at its best.
A beautifully written rumination on memory and forgetting, place and displacement, Till We Have Built Jerusalem uncovers the ramifying layers of one great city's buried history as it asks what it means, everywhere, to be foreign and to belong.
Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 04 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>34</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adina Hoffman</itunes:subtitle>
      <itunes:summary>A remarkable view of one of the world's most beloved and troubled cities, Adina Hoffman's Till We Have Built Jerusalem: Architects of a New City (FSG, 2017) is a gripping and intimate journey into the very different lives of three architects who helped shape modern Jerusalem.
The book unfolds as an excavation. It opens with the 1934 arrival in Jerusalem of the celebrated Berlin architect Erich Mendelsohn, a refugee from Hitler's Germany who must reckon with a complex new Middle Eastern reality. Next we meet Austen St. Barbe Harrison, Palestine's chief government architect from 1922 to 1937. Steeped in the traditions of Byzantine and Islamic building, this "most private of public servants" finds himself working under the often stifling and violent conditions of British rule. And in the riveting final section, Hoffman herself sets out through the battered streets of today's Jerusalem searching for traces of a possibly Greek, possibly Arab architect named Spyro Houris. Once a fixture on the local scene, Houris is now utterly forgotten, though his grand Armenian-tile-clad buildings still stand, a ghostly testimony to the cultural fluidity that has historically characterized Jerusalem at its best.
A beautifully written rumination on memory and forgetting, place and displacement, Till We Have Built Jerusalem uncovers the ramifying layers of one great city's buried history as it asks what it means, everywhere, to be foreign and to belong.
Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A remarkable view of one of the world's most beloved and troubled cities, Adina Hoffman's <a href="https://bookshop.org/a/12343/9780374536787"><em>Till We Have Built Jerusalem: Architects of a New City</em></a><em> </em>(FSG, 2017) is a gripping and intimate journey into the very different lives of three architects who helped shape modern Jerusalem.</p><p>The book unfolds as an excavation. It opens with the 1934 arrival in Jerusalem of the celebrated Berlin architect Erich Mendelsohn, a refugee from Hitler's Germany who must reckon with a complex new Middle Eastern reality. Next we meet Austen St. Barbe Harrison, Palestine's chief government architect from 1922 to 1937. Steeped in the traditions of Byzantine and Islamic building, this "most private of public servants" finds himself working under the often stifling and violent conditions of British rule. And in the riveting final section, Hoffman herself sets out through the battered streets of today's Jerusalem searching for traces of a possibly Greek, possibly Arab architect named Spyro Houris. Once a fixture on the local scene, Houris is now utterly forgotten, though his grand Armenian-tile-clad buildings still stand, a ghostly testimony to the cultural fluidity that has historically characterized Jerusalem at its best.</p><p>A beautifully written rumination on memory and forgetting, place and displacement, <em>Till We Have Built Jerusalem </em>uncovers the ramifying layers of one great city's buried history as it asks what it means, everywhere, to be foreign and to belong.</p><p><em>Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3096</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Jose Sanchez, "Architecture for the Commons: Participatory Systems in the Age of Platforms" (Routledge, 2020)</title>
      <description>Architecture for the Commons: Participatory Systems in the Age of Platforms (Routledge, 2020) dives into an analysis of how the tectonics of a building is fundamentally linked to the economic organizations that allow them to exist. By tracing the origins and promises of current technological practices in design, the book provides an alternative path, one that reconsiders the means of achieving complexity through combinatorial strategies. This move requires reconsidering serial production with crowdsourcing and user content in mind. The ideas presented will be explored through the design research developed within Plethora Project, a design practice that explores the use of video game interfaces as a mechanism for participation and user design.
The research work presented throughout the book seeks to align with a larger project that is currently taking place in many different fields: The Construction of the Commons. By developing both the ideological and physical infrastructure, the project of the Commons has become an antidote to current economic practices that perpetuate inequality. The mechanisms of the production and governance of the Commons are discussed, inviting the reader to get involved and participate in the discussion. The current political and economic landscape calls for a reformulation of our current economic practices and alternative value systems that challenge the current market monopolies.
This book will be of great interest not only to architects and designers studying the impact of digital technologies in the field of design but also to researchers studying novel techniques for social participation and cooperating of communities through digital networks. The book connects principles of architecture, economics and social sciences to provide alternatives to the current production trends.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 15 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jose Sanchez</itunes:subtitle>
      <itunes:summary>Architecture for the Commons: Participatory Systems in the Age of Platforms (Routledge, 2020) dives into an analysis of how the tectonics of a building is fundamentally linked to the economic organizations that allow them to exist. By tracing the origins and promises of current technological practices in design, the book provides an alternative path, one that reconsiders the means of achieving complexity through combinatorial strategies. This move requires reconsidering serial production with crowdsourcing and user content in mind. The ideas presented will be explored through the design research developed within Plethora Project, a design practice that explores the use of video game interfaces as a mechanism for participation and user design.
The research work presented throughout the book seeks to align with a larger project that is currently taking place in many different fields: The Construction of the Commons. By developing both the ideological and physical infrastructure, the project of the Commons has become an antidote to current economic practices that perpetuate inequality. The mechanisms of the production and governance of the Commons are discussed, inviting the reader to get involved and participate in the discussion. The current political and economic landscape calls for a reformulation of our current economic practices and alternative value systems that challenge the current market monopolies.
This book will be of great interest not only to architects and designers studying the impact of digital technologies in the field of design but also to researchers studying novel techniques for social participation and cooperating of communities through digital networks. The book connects principles of architecture, economics and social sciences to provide alternatives to the current production trends.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781138362369"><em>Architecture for the Commons: Participatory Systems in the Age of Platforms</em></a> (Routledge, 2020) dives into an analysis of how the tectonics of a building is fundamentally linked to the economic organizations that allow them to exist. By tracing the origins and promises of current technological practices in design, the book provides an alternative path, one that reconsiders the means of achieving complexity through combinatorial strategies. This move requires reconsidering serial production with crowdsourcing and user content in mind. The ideas presented will be explored through the design research developed within Plethora Project, a design practice that explores the use of video game interfaces as a mechanism for participation and user design.</p><p>The research work presented throughout the book seeks to align with a larger project that is currently taking place in many different fields: The Construction of the Commons. By developing both the ideological and physical infrastructure, the project of the Commons has become an antidote to current economic practices that perpetuate inequality. The mechanisms of the production and governance of the Commons are discussed, inviting the reader to get involved and participate in the discussion. The current political and economic landscape calls for a reformulation of our current economic practices and alternative value systems that challenge the current market monopolies.</p><p>This book will be of great interest not only to architects and designers studying the impact of digital technologies in the field of design but also to researchers studying novel techniques for social participation and cooperating of communities through digital networks. The book connects principles of architecture, economics and social sciences to provide alternatives to the current production trends.</p><p><br></p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1805</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Diana Darke, "Stealing from the Saracens: How Islamic Architecture Shaped Europe" (Hurst, 2020)</title>
      <description>Visitors around the world have travelled to Europe to see the tall spires and stained glass windows of the continent’s Gothic cathedrals: in Cologne, Chartres, Milan, Florence, York and Paris. The trappings of Gothic architecture have become shorthand for “medieval Europe”.
Yet in Stealing from the Saracens: How Islamic Architecture Shaped Europe (Hurst: 2020), Diana Darke investigates the Islamic origins of Gothic architecture, tracing its history through pre-Islamic Syria through the Islamic empires to the tall European cathedrals between the 12th and 17th centuries. The book sold out on its first day of sale, in part due to its review in The Guardian, which called the book "an exhilarating, meticulously researched book that sheds light on centuries of borrowing."
In this interivew, Diana Darke and I talk about the origins of what we consider to be “Gothic architecture”, how those styles came to Europe, how this history of cultural and intellectual exchange may have gotten lost, and what we miss when we code something as fully “European”, fully “Islamic”, or fully any kind of culture.
Diana Darke is an Arabist and cultural expert who has lived and worked in the Middle East for over thirty years. Among her better-known books are The Merchant of Syria: A History of Survival and My House in Damascus: An Inside View of the Syrian Crisis.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of Stealing from the Saracens. Follow on Facebook or on Twitter at @BookReviewsAsia.
Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 03 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Darke investigates the Islamic origins of Gothic architecture, tracing its history through pre-Islamic Syria through the Islamic empires to the tall European cathedrals between the 12th and 17th centuries...</itunes:subtitle>
      <itunes:summary>Visitors around the world have travelled to Europe to see the tall spires and stained glass windows of the continent’s Gothic cathedrals: in Cologne, Chartres, Milan, Florence, York and Paris. The trappings of Gothic architecture have become shorthand for “medieval Europe”.
Yet in Stealing from the Saracens: How Islamic Architecture Shaped Europe (Hurst: 2020), Diana Darke investigates the Islamic origins of Gothic architecture, tracing its history through pre-Islamic Syria through the Islamic empires to the tall European cathedrals between the 12th and 17th centuries. The book sold out on its first day of sale, in part due to its review in The Guardian, which called the book "an exhilarating, meticulously researched book that sheds light on centuries of borrowing."
In this interivew, Diana Darke and I talk about the origins of what we consider to be “Gothic architecture”, how those styles came to Europe, how this history of cultural and intellectual exchange may have gotten lost, and what we miss when we code something as fully “European”, fully “Islamic”, or fully any kind of culture.
Diana Darke is an Arabist and cultural expert who has lived and worked in the Middle East for over thirty years. Among her better-known books are The Merchant of Syria: A History of Survival and My House in Damascus: An Inside View of the Syrian Crisis.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of Stealing from the Saracens. Follow on Facebook or on Twitter at @BookReviewsAsia.
Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Visitors around the world have travelled to Europe to see the tall spires and stained glass windows of the continent’s Gothic cathedrals: in Cologne, Chartres, Milan, Florence, York and Paris. The trappings of Gothic architecture have become shorthand for “medieval Europe”.</p><p>Yet in <a href="https://bookshop.org/a/12343/9781787383050"><em>Stealing from the Saracens: How Islamic Architecture Shaped Europe</em></a><em> </em>(Hurst: 2020), Diana Darke investigates the Islamic origins of Gothic architecture, tracing its history through pre-Islamic Syria through the Islamic empires to the tall European cathedrals between the 12th and 17th centuries. The book sold out on its first day of sale, in part due to its review in <a href="https://www.theguardian.com/artanddesign/2020/aug/13/looted-landmarks-notre-dame-big-ben-st-marks-east-stealing-from-the-saracens"><em>The Guardian</em></a><em>, </em>which called the book "an exhilarating, meticulously researched book that sheds light on centuries of borrowing."</p><p>In this interivew, Diana Darke and I talk about the origins of what we consider to be “Gothic architecture”, how those styles came to Europe, how this history of cultural and intellectual exchange may have gotten lost, and what we miss when we code something as fully “European”, fully “Islamic”, or fully any kind of culture.</p><p>Diana Darke is an Arabist and cultural expert who has lived and worked in the Middle East for over thirty years. Among her better-known books are <em>The Merchant of Syria: A History of Survival</em> and <em>My House in Damascus: An Inside View of the Syrian Crisis</em>.</p><p>You can find more reviews, excerpts, interviews, and essays at <em>The Asian Review of Books, </em>where you can find its review of <a href="https://asianreviewofbooks.com/content/stealing-from-the-saracens-how-islamic-architecture-shaped-europe-by-diana-darke/"><em>Stealing from the Saracens</em></a><em>. </em>Follow on <a href="https://www.facebook.com/Asian-Review-of-Books-296497060400354/">Facebook</a> or on Twitter at <a href="https://twitter.com/BookReviewsAsia">@BookReviewsAsia</a>.</p><p><em>Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at </em><a href="https://twitter.com/nickrigordon?lang=en"><em>@nickrigordon</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2233</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Philip D. Plowright, "Making Architecture Through Being Human: A Handbook of Design Ideas" (Routledge, 2019)</title>
      <description>Architecture can seem complicated, mysterious or even ill-defined, especially to a student being introduced to architectural ideas for the first time. One way to approach architecture is simply as the design of human environments. When we consider architecture in this way, there is a good place to start – ourselves. Our engagement in our environment has shaped the way we think which we, in turn, use to then shape that environment. It is from this foundation that we produce meaning, make sense of our surroundings, structure relationships and even frame more complex and abstract ideas. This is the start of architectural design.
Philip D. Plowright's book Making Architecture Through Being Human: A Handbook of Design Ideas (Routledge, 2019) is a reference book that presents 51 concepts, notions, ideas and actions that are fundamental to human thinking and how we interpret the environment around us. The book focuses on the application of these ideas by architectural designers to produce meaningful spaces that make sense to people. Each idea is isolated for clarity in the manner of a dictionary with short and concise definitions, examples and illustrations. They are organized in five sections of increasing complexity or changing focus. While many of the entries might be familiar to the reader, they are presented here as instances of a larger system of human thinking rather than simply graphic or formal principles. The cognitive approach to these design ideas allows a designer to understand the greater context and application when aligned with their own purpose or intentions.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 27 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Plowright presents 51 concepts, notions, ideas and actions that are fundamental to human thinking and how we interpret the environment around us...</itunes:subtitle>
      <itunes:summary>Architecture can seem complicated, mysterious or even ill-defined, especially to a student being introduced to architectural ideas for the first time. One way to approach architecture is simply as the design of human environments. When we consider architecture in this way, there is a good place to start – ourselves. Our engagement in our environment has shaped the way we think which we, in turn, use to then shape that environment. It is from this foundation that we produce meaning, make sense of our surroundings, structure relationships and even frame more complex and abstract ideas. This is the start of architectural design.
Philip D. Plowright's book Making Architecture Through Being Human: A Handbook of Design Ideas (Routledge, 2019) is a reference book that presents 51 concepts, notions, ideas and actions that are fundamental to human thinking and how we interpret the environment around us. The book focuses on the application of these ideas by architectural designers to produce meaningful spaces that make sense to people. Each idea is isolated for clarity in the manner of a dictionary with short and concise definitions, examples and illustrations. They are organized in five sections of increasing complexity or changing focus. While many of the entries might be familiar to the reader, they are presented here as instances of a larger system of human thinking rather than simply graphic or formal principles. The cognitive approach to these design ideas allows a designer to understand the greater context and application when aligned with their own purpose or intentions.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Architecture can seem complicated, mysterious or even ill-defined, especially to a student being introduced to architectural ideas for the first time. One way to approach architecture is simply as the design of human environments. When we consider architecture in this way, there is a good place to start – ourselves. Our engagement in our environment has shaped the way we think which we, in turn, use to then shape that environment. It is from this foundation that we produce meaning, make sense of our surroundings, structure relationships and even frame more complex and abstract ideas. This is the start of architectural design.</p><p>Philip D. Plowright's book <a href="https://bookshop.org/a/12343/9780367204761"><em>Making Architecture Through Being Human: A Handbook of Design Ideas</em></a><em> </em>(Routledge, 2019) is a reference book that presents 51 concepts, notions, ideas and actions that are fundamental to human thinking and how we interpret the environment around us. The book focuses on the application of these ideas by architectural designers to produce meaningful spaces that make sense to people. Each idea is isolated for clarity in the manner of a dictionary with short and concise definitions, examples and illustrations. They are organized in five sections of increasing complexity or changing focus. While many of the entries might be familiar to the reader, they are presented here as instances of a larger system of human thinking rather than simply graphic or formal principles. The cognitive approach to these design ideas allows a designer to understand the greater context and application when aligned with their own purpose or intentions.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1966</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Douglas Kelbaugh, "The Urban Fix: Resilient Cities in the War Against Climate Change, Heat Islands and Overpopulation" (Routledge, 2019)</title>
      <description>Cities are one of the most significant contributors to global climate change. The rapid speed at which urban centers use large amounts of resources adds to the global crisis and can lead to extreme local heat. The Urban Fix: Resilient Cities in the War Against Climate Change, Heat Islands and Overpopulation (Routledge, 2019) addresses how urban design, planning and policies can counter the threats of climate change, urban heat islands and overpopulation, helping cities take full advantage of their inherent advantages and new technologies to catalyze social, cultural and physical solutions to combat the epic, unprecedented challenges humanity faces.
The book fills a conspicuous void in the international dialogue on climate change and heat islands by examining both the environmental benefits in developed countries and the population benefit in developing countries. Urban heat islands can be addressed in incremental, manageable steps, such as planting trees and painting roofs white, which provide a more concrete and proactive sense of progress for policymakers and practitioners. This book is invaluable to anyone searching for a better understanding of the impact of resilient cities in the monumental and urgent fight against climate change, and provides the tools to do so.
For a 20% discount on the book, go here and enter "SOC19" at checkout.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 16 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Cities are one of the most significant contributors to global climate change...</itunes:subtitle>
      <itunes:summary>Cities are one of the most significant contributors to global climate change. The rapid speed at which urban centers use large amounts of resources adds to the global crisis and can lead to extreme local heat. The Urban Fix: Resilient Cities in the War Against Climate Change, Heat Islands and Overpopulation (Routledge, 2019) addresses how urban design, planning and policies can counter the threats of climate change, urban heat islands and overpopulation, helping cities take full advantage of their inherent advantages and new technologies to catalyze social, cultural and physical solutions to combat the epic, unprecedented challenges humanity faces.
The book fills a conspicuous void in the international dialogue on climate change and heat islands by examining both the environmental benefits in developed countries and the population benefit in developing countries. Urban heat islands can be addressed in incremental, manageable steps, such as planting trees and painting roofs white, which provide a more concrete and proactive sense of progress for policymakers and practitioners. This book is invaluable to anyone searching for a better understanding of the impact of resilient cities in the monumental and urgent fight against climate change, and provides the tools to do so.
For a 20% discount on the book, go here and enter "SOC19" at checkout.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cities are one of the most significant contributors to global climate change. The rapid speed at which urban centers use large amounts of resources adds to the global crisis and can lead to extreme local heat. <em>The Urban Fix: Resilient Cities in the War Against Climate Change, Heat Islands and Overpopulation </em>(Routledge, 2019) addresses how urban design, planning and policies can counter the threats of climate change, urban heat islands and overpopulation, helping cities take full advantage of their inherent advantages and new technologies to catalyze social, cultural and physical solutions to combat the epic, unprecedented challenges humanity faces.</p><p>The book fills a conspicuous void in the international dialogue on climate change and heat islands by examining both the environmental benefits in developed countries and the population benefit in developing countries. Urban heat islands can be addressed in incremental, manageable steps, such as planting trees and painting roofs white, which provide a more concrete and proactive sense of progress for policymakers and practitioners. This book is invaluable to anyone searching for a better understanding of the impact of resilient cities in the monumental and urgent fight against climate change, and provides the tools to do so.</p><p>For a 20% discount on the book, go <a href="https://www.routledge.com/The-Urban-Fix-Resilient-Cities-in-the-War-Against-Climate-Change-Heat/Kelbaugh/p/book/9780367175702">here</a> and enter "SOC19" at checkout.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2522</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Stephen H. Whiteman, "Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe" (U Washington Press, 2020)</title>
      <description>In 1702, the second emperor of the Qing dynasty ordered construction of a new summer palace in Rehe (now Chengde, Hebei) to support his annual tours north among the court’s Inner Mongolian allies. The Mountain Estate to Escape the Heat (Bishu Shanzhuang) was strategically located at the node of mountain “veins” through which the Qing empire’s geomantic energy was said to flow. At this site, from late spring through early autumn, the Kangxi emperor presided over rituals of intimacy and exchange that celebrated his rule: garden tours, banquets, entertainments, and gift giving. 
Stephen Whiteman's book, Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe (University of Washington Press in 2020) draws on resources and methods from art and architectural history, garden and landscape history, early modern global history, and historical geography to reconstruct the Mountain Estate as it evolved under Kangxi, illustrating the importance of landscape as a medium for ideological expression during the early Qing and in the early modern world more broadly. Examination of paintings, prints, historical maps, newly created maps informed by GIS-based research, and personal accounts reveals the significance of geographic space and its representation in the negotiation of Qing imperial ideology. The first monograph in any language to focus solely on the art and architecture of the Kangxi court, Where Dragon Veins Meet illuminates the court’s production and deployment of landscape as a reflection of contemporary concerns and offers new insight into the sources and forms of Qing power through material expressions.
Suvi Rautio is a Postdoctoral Researcher at the University of Helsinki. As an anthropologist, her interests delve into themes, such as Chinese state-society relations, space and memory, to deconstruct the social orderings of marginalized populations living in China and reveal the layers of social difference that characterize the nation today. suvi.rautio@helsinki.fi
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 11 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>357</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In 1702, the second emperor of the Qing dynasty ordered construction of a new summer palace in Rehe (now Chengde, Hebei) to support his annual tours north among the court’s Inner Mongolian allies....</itunes:subtitle>
      <itunes:summary>In 1702, the second emperor of the Qing dynasty ordered construction of a new summer palace in Rehe (now Chengde, Hebei) to support his annual tours north among the court’s Inner Mongolian allies. The Mountain Estate to Escape the Heat (Bishu Shanzhuang) was strategically located at the node of mountain “veins” through which the Qing empire’s geomantic energy was said to flow. At this site, from late spring through early autumn, the Kangxi emperor presided over rituals of intimacy and exchange that celebrated his rule: garden tours, banquets, entertainments, and gift giving. 
Stephen Whiteman's book, Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe (University of Washington Press in 2020) draws on resources and methods from art and architectural history, garden and landscape history, early modern global history, and historical geography to reconstruct the Mountain Estate as it evolved under Kangxi, illustrating the importance of landscape as a medium for ideological expression during the early Qing and in the early modern world more broadly. Examination of paintings, prints, historical maps, newly created maps informed by GIS-based research, and personal accounts reveals the significance of geographic space and its representation in the negotiation of Qing imperial ideology. The first monograph in any language to focus solely on the art and architecture of the Kangxi court, Where Dragon Veins Meet illuminates the court’s production and deployment of landscape as a reflection of contemporary concerns and offers new insight into the sources and forms of Qing power through material expressions.
Suvi Rautio is a Postdoctoral Researcher at the University of Helsinki. As an anthropologist, her interests delve into themes, such as Chinese state-society relations, space and memory, to deconstruct the social orderings of marginalized populations living in China and reveal the layers of social difference that characterize the nation today. suvi.rautio@helsinki.fi
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1702, the second emperor of the Qing dynasty ordered construction of a new summer palace in Rehe (now Chengde, Hebei) to support his annual tours north among the court’s Inner Mongolian allies. The Mountain Estate to Escape the Heat (<em>Bishu Shanzhuang</em>) was strategically located at the node of mountain “veins” through which the Qing empire’s geomantic energy was said to flow. At this site, from late spring through early autumn, the Kangxi emperor presided over rituals of intimacy and exchange that celebrated his rule: garden tours, banquets, entertainments, and gift giving. </p><p>Stephen Whiteman's book, <a href="https://bookshop.org/a/12343/9780295745800"><em>Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe</em></a><em> </em>(University of Washington Press in 2020) draws on resources and methods from art and architectural history, garden and landscape history, early modern global history, and historical geography to reconstruct the Mountain Estate as it evolved under Kangxi, illustrating the importance of landscape as a medium for ideological expression during the early Qing and in the early modern world more broadly. Examination of paintings, prints, historical maps, newly created maps informed by GIS-based research, and personal accounts reveals the significance of geographic space and its representation in the negotiation of Qing imperial ideology. The first monograph in any language to focus solely on the art and architecture of the Kangxi court, <em>Where Dragon Veins Meet</em> illuminates the court’s production and deployment of landscape as a reflection of contemporary concerns and offers new insight into the sources and forms of Qing power through material expressions.</p><p><a href="https://researchportal.helsinki.fi/en/persons/suvi-rautio"><em>Suvi Rautio</em></a><em> is a Postdoctoral Researcher at the University of Helsinki. As an anthropologist, her interests delve into themes, such as Chinese state-society relations, space and memory, to deconstruct the social orderings of marginalized populations living in China and reveal the layers of social difference that characterize the nation today. suvi.rautio@helsinki.fi</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>5100</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Jennifer S. Light, "States of Childhood: From the Junior Republic to the American Republic, 1895-1945" (MIT Press, 2020)</title>
      <description>A number of curious communities sprang up across the United States in the late nineteenth and early twentieth century: simulated cities, states, and nations in which children played the roles of legislators, police officers, bankers, journalists, shopkeepers, and other adults. They performed real work—passing laws, growing food, and constructing buildings, among other tasks—inside virtual worlds. In States of Childhood: From the Junior Republic to the American Republic, 1895-1945 (MIT Press, 2020), Jennifer Light examines the phenomena of “junior republics” and argues that they marked the transition to a new kind of “sheltered” childhood for American youth. Banished from the labor force and public life, children inhabited worlds that mirrored the one they had left.
Light describes the invention of junior republics as independent institutions and how they were later established at schools, on playgrounds, in housing projects, and on city streets, as public officials discovered children's role playing helped their bottom line. The junior republic movement aligned with cutting-edge developmental psychology and educational philosophy, and complemented the era's fascination with models and miniatures, shaping educational and recreational programs across the nation. Light's account of how earlier generations distinguished "real life" from role playing reveals a hidden history of child labor in America and offers insights into the deep roots of such contemporary concepts as gamification, play labor, and virtuality.
Jennifer S. Light is the Department Head of the Program in Science, Technology, and Society and a Professor of the History of Science and of Urban Studies and Planning at the Massachusetts Institute of Technology.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 04 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A number of curious communities sprang up across the United States in the late nineteenth and early twentieth century: simulated cities, states, and nations in which children played the roles of legislators, police officers, bankers, journalists, shopkeepers, and other adults...</itunes:subtitle>
      <itunes:summary>A number of curious communities sprang up across the United States in the late nineteenth and early twentieth century: simulated cities, states, and nations in which children played the roles of legislators, police officers, bankers, journalists, shopkeepers, and other adults. They performed real work—passing laws, growing food, and constructing buildings, among other tasks—inside virtual worlds. In States of Childhood: From the Junior Republic to the American Republic, 1895-1945 (MIT Press, 2020), Jennifer Light examines the phenomena of “junior republics” and argues that they marked the transition to a new kind of “sheltered” childhood for American youth. Banished from the labor force and public life, children inhabited worlds that mirrored the one they had left.
Light describes the invention of junior republics as independent institutions and how they were later established at schools, on playgrounds, in housing projects, and on city streets, as public officials discovered children's role playing helped their bottom line. The junior republic movement aligned with cutting-edge developmental psychology and educational philosophy, and complemented the era's fascination with models and miniatures, shaping educational and recreational programs across the nation. Light's account of how earlier generations distinguished "real life" from role playing reveals a hidden history of child labor in America and offers insights into the deep roots of such contemporary concepts as gamification, play labor, and virtuality.
Jennifer S. Light is the Department Head of the Program in Science, Technology, and Society and a Professor of the History of Science and of Urban Studies and Planning at the Massachusetts Institute of Technology.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A number of curious communities sprang up across the United States in the late nineteenth and early twentieth century: simulated cities, states, and nations in which children played the roles of legislators, police officers, bankers, journalists, shopkeepers, and other adults. They performed real work—passing laws, growing food, and constructing buildings, among other tasks—inside virtual worlds. In <a href="https://bookshop.org/a/12343/9780262539012"><em>States of Childhood: From the Junior Republic to the American Republic, 1895-1945</em></a> (MIT Press, 2020), Jennifer Light examines the phenomena of “junior republics” and argues that they marked the transition to a new kind of “sheltered” childhood for American youth. Banished from the labor force and public life, children inhabited worlds that mirrored the one they had left.</p><p>Light describes the invention of junior republics as independent institutions and how they were later established at schools, on playgrounds, in housing projects, and on city streets, as public officials discovered children's role playing helped their bottom line. The junior republic movement aligned with cutting-edge developmental psychology and educational philosophy, and complemented the era's fascination with models and miniatures, shaping educational and recreational programs across the nation. Light's account of how earlier generations distinguished "real life" from role playing reveals a hidden history of child labor in America and offers insights into the deep roots of such contemporary concepts as gamification, play labor, and virtuality.</p><p>Jennifer S. Light is the Department Head of the Program in Science, Technology, and Society and a Professor of the History of Science and of Urban Studies and Planning at the Massachusetts Institute of Technology.</p><p><a href="http://nushelledesilva.com/"><em>Nushelle de Silva</em></a><em> is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3816</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Eric Reinholdt, "Architect and Entrepreneur" (Design Workshop Press, 2015)</title>
      <description>Today I talked to Eric Reinholdt about two excellent books: Architect + Entrepreneur Volume 1: A Field Guide (Design Workshop Press, 2015) and Architect + Entrepreneur Volume 2: A How-To Guide (Design Workshop Press, 2015).
Architect + Entrepreneur: A Field Guide is filled with contemporary, relevant, fresh tips and advice, from a seasoned professional architect building a new business. The guide advocates novel strategies and tools that merge entrepreneurship with the practice of architecture and interior design. The Problem: Embarking on a new business venture is intimidating; you have questions. But many of the resources available to help entrepreneur architects and interior designers start their design business lack timeliness and relevance. Most are geared toward building colossal firms like SOM and Gensler using outdated methods and old business models. If you’re an individual or small team contemplating starting a design business, this is your field guide; crafted to inspire action. The Solution: Using the lean startup methodology to create a minimum viable product, the handbook encourages successive small wins that support a broader vision enabling one to “think big, start small, and learn fast.” It’s a unique take on design practice viewed through the lens of entrepreneurship and is designed to answer the questions all new business owners face, from the rote to the existential.
Architect + Entrepreneur: A How-To Guide challenges the foundations of traditional practice and asks: + In what ways can we hack our craft to serve both our personal lifestyle and our professional goals? + What if design practice capitalized on the architect’s drive to be creative and consumer buying culture in equal measure? + How can we turn our services into products? + How can young professionals compete in today’s marketplace leveraging the power of the Internet? Reinholdt, founder of 30X40 Design Workshop describes in detail how his business model has evolved to leverage passive income producing products and offers a new paradigm for practice. It’s a manual of high-level strategies, field-tested tactics, and case studies showing how architects are reinventing practice in the 21st century.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 03 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>So you're an architect. Now what?</itunes:subtitle>
      <itunes:summary>Today I talked to Eric Reinholdt about two excellent books: Architect + Entrepreneur Volume 1: A Field Guide (Design Workshop Press, 2015) and Architect + Entrepreneur Volume 2: A How-To Guide (Design Workshop Press, 2015).
Architect + Entrepreneur: A Field Guide is filled with contemporary, relevant, fresh tips and advice, from a seasoned professional architect building a new business. The guide advocates novel strategies and tools that merge entrepreneurship with the practice of architecture and interior design. The Problem: Embarking on a new business venture is intimidating; you have questions. But many of the resources available to help entrepreneur architects and interior designers start their design business lack timeliness and relevance. Most are geared toward building colossal firms like SOM and Gensler using outdated methods and old business models. If you’re an individual or small team contemplating starting a design business, this is your field guide; crafted to inspire action. The Solution: Using the lean startup methodology to create a minimum viable product, the handbook encourages successive small wins that support a broader vision enabling one to “think big, start small, and learn fast.” It’s a unique take on design practice viewed through the lens of entrepreneurship and is designed to answer the questions all new business owners face, from the rote to the existential.
Architect + Entrepreneur: A How-To Guide challenges the foundations of traditional practice and asks: + In what ways can we hack our craft to serve both our personal lifestyle and our professional goals? + What if design practice capitalized on the architect’s drive to be creative and consumer buying culture in equal measure? + How can we turn our services into products? + How can young professionals compete in today’s marketplace leveraging the power of the Internet? Reinholdt, founder of 30X40 Design Workshop describes in detail how his business model has evolved to leverage passive income producing products and offers a new paradigm for practice. It’s a manual of high-level strategies, field-tested tactics, and case studies showing how architects are reinventing practice in the 21st century.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Eric Reinholdt about two excellent books: <a href="https://thirtybyforty.com/architect-and-entrepreneur-home-page"><em>Architect + Entrepreneur Volume 1: A Field Guide</em></a> (Design Workshop Press, 2015) and <a href="https://thirtybyforty.com/architect-and-entrepreneur-home-page"><em>Architect + Entrepreneur Volume 2: A How-To Guide</em></a> (Design Workshop Press, 2015).</p><p><em>Architect + Entrepreneur: A Field Guide</em> is filled with contemporary, relevant, fresh tips and advice, from a seasoned professional architect building a new business. The guide advocates novel strategies and tools that merge entrepreneurship with the practice of architecture and interior design. The Problem: Embarking on a new business venture is intimidating; you have questions. But many of the resources available to help entrepreneur architects and interior designers start their design business lack timeliness and relevance. Most are geared toward building colossal firms like SOM and Gensler using outdated methods and old business models. If you’re an individual or small team contemplating starting a design business, this is your field guide; crafted to inspire action. The Solution: Using the lean startup methodology to create a minimum viable product, the handbook encourages successive small wins that support a broader vision enabling one to “think big, start small, and learn fast.” It’s a unique take on design practice viewed through the lens of entrepreneurship and is designed to answer the questions all new business owners face, from the rote to the existential.</p><p><em>Architect + Entrepreneur: A How-To Guide</em> challenges the foundations of traditional practice and asks: + In what ways can we hack our craft to serve both our personal lifestyle and our professional goals? + What if design practice capitalized on the architect’s drive to be creative and consumer buying culture in equal measure? + How can we turn our services into products? + How can young professionals compete in today’s marketplace leveraging the power of the Internet? Reinholdt, founder of 30X40 Design Workshop describes in detail how his business model has evolved to leverage passive income producing products and offers a new paradigm for practice. It’s a manual of high-level strategies, field-tested tactics, and case studies showing how architects are reinventing practice in the 21st century.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3382</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Annapurna Garimella, “The Contemporary Hindu Temple: Fragments for a History” (Marg Foundation, 2019)</title>
      <description>Contemporary Hindu temples raise aesthetic, economic, political and philosophical questions about the role of architecture in making a place for the sacred in society. This book presents the Hindu temple from the perspectives of institutions and individuals, including priests, building practitioners and worshippers, to consider what it means when the temple is no longer at the centre of Indic life, but has instead become one among several important sites of social praxis.
Annapurna Garimella, Shriya Sridharan, A. Srivathsan's The Contemporary Hindu Temple: Fragments for a History (Marg Foundation, 2019) takes as its subject the multiple forms of architecture, design and sociability that Hindu spaces of worship encompass today. The essays cover shrines located in urban and rural India, where Hindu temples are being maintained, resuscitated or newly constructed at a rapid pace. The authors of the essays in this volume take the contemporary as a moment in which historic structures, modern renovations, evolving religiosities and new design and construction practices intersect and converge. This centres the temple in a landscape of automobility, wireless connectivity and economic reformation, at the crossroads of informal acts of insertion, formal planning and governmentality, or as an architect-designed structure consciously being pushed toward the fresh horizons that a changing society offers. By focusing on a variety of structures, large and small, on expansive forms of encroachment, and on incremental acts of negotiation and seemingly insignificant processes, small feelings and pieties, this book nuances and expands our understanding of the Hindu temple today.
For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 03 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>76</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This book takes as its subject the multiple forms of architecture, design and sociability that Hindu spaces of worship encompass today...</itunes:subtitle>
      <itunes:summary>Contemporary Hindu temples raise aesthetic, economic, political and philosophical questions about the role of architecture in making a place for the sacred in society. This book presents the Hindu temple from the perspectives of institutions and individuals, including priests, building practitioners and worshippers, to consider what it means when the temple is no longer at the centre of Indic life, but has instead become one among several important sites of social praxis.
Annapurna Garimella, Shriya Sridharan, A. Srivathsan's The Contemporary Hindu Temple: Fragments for a History (Marg Foundation, 2019) takes as its subject the multiple forms of architecture, design and sociability that Hindu spaces of worship encompass today. The essays cover shrines located in urban and rural India, where Hindu temples are being maintained, resuscitated or newly constructed at a rapid pace. The authors of the essays in this volume take the contemporary as a moment in which historic structures, modern renovations, evolving religiosities and new design and construction practices intersect and converge. This centres the temple in a landscape of automobility, wireless connectivity and economic reformation, at the crossroads of informal acts of insertion, formal planning and governmentality, or as an architect-designed structure consciously being pushed toward the fresh horizons that a changing society offers. By focusing on a variety of structures, large and small, on expansive forms of encroachment, and on incremental acts of negotiation and seemingly insignificant processes, small feelings and pieties, this book nuances and expands our understanding of the Hindu temple today.
For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Contemporary Hindu temples raise aesthetic, economic, political and philosophical questions about the role of architecture in making a place for the sacred in society. This book presents the Hindu temple from the perspectives of institutions and individuals, including priests, building practitioners and worshippers, to consider what it means when the temple is no longer at the centre of Indic life, but has instead become one among several important sites of social praxis.</p><p>Annapurna Garimella, Shriya Sridharan, A. Srivathsan's <a href="https://marg-art.org/product/UHJvZHVjdDozMDE5"><em>The Contemporary Hindu Temple: Fragments for a History</em></a> (Marg Foundation, 2019) takes as its subject the multiple forms of architecture, design and sociability that Hindu spaces of worship encompass today. The essays cover shrines located in urban and rural India, where Hindu temples are being maintained, resuscitated or newly constructed at a rapid pace. The authors of the essays in this volume take the contemporary as a moment in which historic structures, modern renovations, evolving religiosities and new design and construction practices intersect and converge. This centres the temple in a landscape of automobility, wireless connectivity and economic reformation, at the crossroads of informal acts of insertion, formal planning and governmentality, or as an architect-designed structure consciously being pushed toward the fresh horizons that a changing society offers. By focusing on a variety of structures, large and small, on expansive forms of encroachment, and on incremental acts of negotiation and seemingly insignificant processes, small feelings and pieties, this book nuances and expands our understanding of the Hindu temple today.</p><p><em>For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2662</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[090a498e-1176-11eb-b421-9b9bfe239e34]]></guid>
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    </item>
    <item>
      <title>John Lobell, "Louis Kahn: Architecture as Philosophy" (Monacelli Press, 2020)</title>
      <description>For everyone interested in the enduring appeal of Louis Kahn, this book demonstrates that a close look at how Kahn put his buildings together will reveal a deeply felt philosophy.
Louis I. Kahn is one of the most influential and poetic architects of the twentieth century, a figure whose appeal extends beyond the realm of specialists. In this book, noted Kahn expert John Lobell explores how Kahn's focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy. Kahn's work clearly conveys a kind of "transcendent rootedness"--a rootedness in the fundamentals of architecture that also asks soaring questions about our experience of light and space, and even how we fit into the world. In Louis Kahn: The Philosophy of Architecture, John Lobell seeks to reveal how Kahn's buildings speak to grand humanistic concerns.
Through examinations of five of Kahn's great buildings--the Richards Medical Research Building in Philadelphia; the Salk Institute for Biological Studies in La Jolla; the Phillips Exeter Academy Library in New Hampshire; the Kimbell Art Museum in Fort Worth; and the Yale Center for British Art in New Haven--Lobell presents a clear but detailed look at how the way these buildings are put together presents Kahn's philosophy, including how Kahn wishes us to experience them. An architecture book that touches on topics that addresses the universal human interests of consciousness and creativity, Louis Kahn: Architecture as Philosophy (Monacelli Press, 2020) helps us understand our place and the nature of well-being in the built environment.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 27 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>For everyone interested in the enduring appeal of Louis Kahn, this book demonstrates that a close look at how Kahn put his buildings together will reveal a deeply felt philosophy.</itunes:subtitle>
      <itunes:summary>For everyone interested in the enduring appeal of Louis Kahn, this book demonstrates that a close look at how Kahn put his buildings together will reveal a deeply felt philosophy.
Louis I. Kahn is one of the most influential and poetic architects of the twentieth century, a figure whose appeal extends beyond the realm of specialists. In this book, noted Kahn expert John Lobell explores how Kahn's focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy. Kahn's work clearly conveys a kind of "transcendent rootedness"--a rootedness in the fundamentals of architecture that also asks soaring questions about our experience of light and space, and even how we fit into the world. In Louis Kahn: The Philosophy of Architecture, John Lobell seeks to reveal how Kahn's buildings speak to grand humanistic concerns.
Through examinations of five of Kahn's great buildings--the Richards Medical Research Building in Philadelphia; the Salk Institute for Biological Studies in La Jolla; the Phillips Exeter Academy Library in New Hampshire; the Kimbell Art Museum in Fort Worth; and the Yale Center for British Art in New Haven--Lobell presents a clear but detailed look at how the way these buildings are put together presents Kahn's philosophy, including how Kahn wishes us to experience them. An architecture book that touches on topics that addresses the universal human interests of consciousness and creativity, Louis Kahn: Architecture as Philosophy (Monacelli Press, 2020) helps us understand our place and the nature of well-being in the built environment.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For everyone interested in the enduring appeal of Louis Kahn, this book demonstrates that a close look at how Kahn put his buildings together will reveal a deeply felt philosophy.</p><p>Louis I. Kahn is one of the most influential and poetic architects of the twentieth century, a figure whose appeal extends beyond the realm of specialists. In this book, noted Kahn expert John Lobell explores how Kahn's focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy. Kahn's work clearly conveys a kind of "transcendent rootedness"--a rootedness in the fundamentals of architecture that also asks soaring questions about our experience of light and space, and even how we fit into the world. In Louis Kahn: The Philosophy of Architecture, John Lobell seeks to reveal how Kahn's buildings speak to grand humanistic concerns.</p><p>Through examinations of five of Kahn's great buildings--the Richards Medical Research Building in Philadelphia; the Salk Institute for Biological Studies in La Jolla; the Phillips Exeter Academy Library in New Hampshire; the Kimbell Art Museum in Fort Worth; and the Yale Center for British Art in New Haven--Lobell presents a clear but detailed look at how the way these buildings are put together presents Kahn's philosophy, including how Kahn wishes us to experience them. An architecture book that touches on topics that addresses the universal human interests of consciousness and creativity, <a href="https://bookshop.org/a/12343/9781580935289"><em>Louis Kahn: Architecture as Philosophy</em></a> (Monacelli Press, 2020) helps us understand our place and the nature of well-being in the built environment.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2425</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8856d076-0e3e-11eb-83d3-3f31b047e198]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT1263264502.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Newton D'Souza, "The Multi-Skilled Designer" (Taylor and Francis, 2020)</title>
      <description>Newton D'Souza's new book The Multi-Skilled Designer (Taylor &amp; Francis, 2020) presents and analyzes different approaches to contemporary architectural design and interprets them through the theory of multiple intelligences. The book establishes a systematic framework that uses the lens of cognitive psychology and developments in psychometric and brain research to analyze the unique cognitive thought processes of architectural designers and compiles design projects that could serve as a pedagogical companion for the reader. The book is aimed at design practitioners and students interested in examining their own thinking styles as well as those involved in design cognition research.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 13 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>D'Souza presents and analyzes different approaches to contemporary architectural design and interprets them through the theory of multiple intelligences...</itunes:subtitle>
      <itunes:summary>Newton D'Souza's new book The Multi-Skilled Designer (Taylor &amp; Francis, 2020) presents and analyzes different approaches to contemporary architectural design and interprets them through the theory of multiple intelligences. The book establishes a systematic framework that uses the lens of cognitive psychology and developments in psychometric and brain research to analyze the unique cognitive thought processes of architectural designers and compiles design projects that could serve as a pedagogical companion for the reader. The book is aimed at design practitioners and students interested in examining their own thinking styles as well as those involved in design cognition research.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Newton D'Souza's new book <a href="https://bookshop.org/a/12343/9781138121133"><em>The Multi-Skilled Designer</em></a><em> </em>(Taylor &amp; Francis, 2020) presents and analyzes different approaches to contemporary architectural design and interprets them through the theory of multiple intelligences. The book establishes a systematic framework that uses the lens of cognitive psychology and developments in psychometric and brain research to analyze the unique cognitive thought processes of architectural designers and compiles design projects that could serve as a pedagogical companion for the reader. The book is aimed at design practitioners and students interested in examining their own thinking styles as well as those involved in design cognition research.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1900</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e551d4b2-042d-11eb-8ec4-7f25606a8677]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT6923794250.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jewish Architecture: A Stage for Jewish Liturgy</title>
      <description>Jewish religious architecture is central to the Jewish religion. Across the centuries, Jewish temples and synagogues have been treated as symbols of hope, representations of collective memory, and focal points of conflict. They are built around the Jewish way of life and in turn, define it.
What are the foundations of Jewish architecture? And what cultures and ideologies have shaped it? With particular reference to Herod’s Temple, these are questions that Professor Steven Fine, Director at the Center for Israel Studies at Yeshiva University, discusses in this podcast, based on the Brill publication Jewish Religious Architecture: From Biblical Israel to Modern Judaism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 12 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steven Fine</itunes:subtitle>
      <itunes:summary>Jewish religious architecture is central to the Jewish religion. Across the centuries, Jewish temples and synagogues have been treated as symbols of hope, representations of collective memory, and focal points of conflict. They are built around the Jewish way of life and in turn, define it.
What are the foundations of Jewish architecture? And what cultures and ideologies have shaped it? With particular reference to Herod’s Temple, these are questions that Professor Steven Fine, Director at the Center for Israel Studies at Yeshiva University, discusses in this podcast, based on the Brill publication Jewish Religious Architecture: From Biblical Israel to Modern Judaism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jewish religious architecture is central to the Jewish religion. Across the centuries, Jewish temples and synagogues have been treated as symbols of hope, representations of collective memory, and focal points of conflict. They are built around the Jewish way of life and in turn, define it.</p><p>What are the foundations of Jewish architecture? And what cultures and ideologies have shaped it? With particular reference to Herod’s Temple, these are questions that Professor Steven Fine, Director at the Center for Israel Studies at Yeshiva University, discusses in this podcast, based on the <em>Brill</em> publication <em>Jewish Religious Architecture: From Biblical Israel to Modern Judaism</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1683</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6fbd201e-e58e-11ec-9d05-2f1573b4ab70]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/NBN7146574018.mp3?updated=1654447400" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Prita Meier, "Swahili Port Cities: The Architecture of Elsewhere" (Indiana UP, 2016)</title>
      <description>On the Swahili coast of East Africa, monumental stone houses, tombs, and mosques mark the border zone between the interior of the African continent and the Indian Ocean. In Swahili Port Cities: The Architecture of Elsewhere (Indiana University Press), Prita Meier explores this coastal environment and shows how an African mercantile society created a place of cosmopolitan longing.
Meier understands architecture as more than a way to remake local space. Rather, the architecture of this liminal zone was an expression of the desire of coastal inhabitants to belong to places beyond their homeports. Here architecture embodies modern ideas and social identities engendered by the encounter of Africans with others in the Indian Ocean world.
Prita Meier is Associate Professor of Art History, Department of Art History, and the Institute of Fine Arts, NYU. She co-edited with Allyson Purpura World on the Horizon: Swahili Arts across the Indian Ocean (Krannert Art Museum, 2017).
Co-hosted with Jenny Peruski a Ph.D. student at Harvard University, Department of History of Art and Architecture. Her research focuses on ornamentation and bodily adornment in coastal Eastern Africa. She can be reached by email at jperuski@g.harvard.edu.
Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 05 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>On the Swahili coast of East Africa, monumental stone houses, tombs, and mosques mark the border zone between the interior of the African continent and the Indian Ocean...</itunes:subtitle>
      <itunes:summary>On the Swahili coast of East Africa, monumental stone houses, tombs, and mosques mark the border zone between the interior of the African continent and the Indian Ocean. In Swahili Port Cities: The Architecture of Elsewhere (Indiana University Press), Prita Meier explores this coastal environment and shows how an African mercantile society created a place of cosmopolitan longing.
Meier understands architecture as more than a way to remake local space. Rather, the architecture of this liminal zone was an expression of the desire of coastal inhabitants to belong to places beyond their homeports. Here architecture embodies modern ideas and social identities engendered by the encounter of Africans with others in the Indian Ocean world.
Prita Meier is Associate Professor of Art History, Department of Art History, and the Institute of Fine Arts, NYU. She co-edited with Allyson Purpura World on the Horizon: Swahili Arts across the Indian Ocean (Krannert Art Museum, 2017).
Co-hosted with Jenny Peruski a Ph.D. student at Harvard University, Department of History of Art and Architecture. Her research focuses on ornamentation and bodily adornment in coastal Eastern Africa. She can be reached by email at jperuski@g.harvard.edu.
Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On the Swahili coast of East Africa, monumental stone houses, tombs, and mosques mark the border zone between the interior of the African continent and the Indian Ocean. In <a href="https://www.amazon.com/Swahili-Port-Cities-Architecture-Expressive/dp/025301915X/?tag=newbooinhis-20"><em>Swahili Port Cities: The Architecture of Elsewhere</em></a> (Indiana University Press), Prita Meier explores this coastal environment and shows how an African mercantile society created a place of cosmopolitan longing.</p><p>Meier understands architecture as more than a way to remake local space. Rather, the architecture of this liminal zone was an expression of the desire of coastal inhabitants to belong to places beyond their homeports. Here architecture embodies modern ideas and social identities engendered by the encounter of Africans with others in the Indian Ocean world.</p><p><a href="https://www.nyu.edu/gsas/dept/fineart/people/faculty/meier.htm">Prita Meier</a> is Associate Professor of Art History, Department of Art History, and the Institute of Fine Arts, NYU. She co-edited with Allyson Purpura <em>World on the Horizon: Swahili Arts across the Indian Ocean</em> (Krannert Art Museum, 2017).</p><p><em>Co-hosted with </em><a href="https://haa.fas.harvard.edu/people/jenny-peruski"><em>Jenny Peruski</em></a><em> a Ph.D. student at Harvard University, Department of History of Art and Architecture. Her research focuses on ornamentation and bodily adornment in coastal Eastern Africa. She can be reached by email at jperuski@g.harvard.edu.</em></p><p><a href="https://nes.princeton.edu/people/ahmed-y-almaazmi"><em>Ahmed Yaqoub AlMaazmi</em></a><em> is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>5274</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0e1ba25c-d4d5-11ea-a373-674abd34d8fa]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT5029897101.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carla Yanni, "Living on Campus: An Architectural History of the American Dormitory" (U Minnesota Press, 2019)</title>
      <description>Every fall on move-in day, parents tearfully bid farewell to their beloved sons and daughters at college dormitories: it is an age-old ritual. The residence hall has come to mark the threshold between childhood and adulthood, housing young people during a transformational time in their lives. Whether a Gothic stone pile, a quaint Colonial box, or a concrete slab, the dormitory is decidedly unhomelike, yet it takes center stage in the dramatic arc of many American families. This richly illustrated book examines the architecture of dormitories in the United States from the eighteenth century to 1968, asking fundamental questions: Why have American educators believed for so long that housing students is essential to educating them? And how has architecture validated that idea? Living on Campus: An Architectural History of the American Dormitory (University of Minnesota Press, 2019) is the first architectural history of this critical building type. 
Grounded in extensive archival research, Carla Yanni’s study highlights the opinions of architects, professors, and deans, and also includes the voices of students. For centuries, academic leaders in the United States asserted that on-campus living enhanced the moral character of youth; that somewhat dubious claim nonetheless influenced the design and planning of these ubiquitous yet often overlooked campus buildings. Through nuanced architectural analysis and detailed social history, Yanni offers unexpected glimpses into the past: double-loaded corridors (which made surveillance easy but echoed with noise), staircase plans (which prevented roughhousing but offered no communal space), lavish lounges in women’s halls (intended to civilize male visitors), specially designed upholstered benches for courting couples, mixed-gender saunas for students in the radical 1960s, and lazy rivers for the twenty-first century’s stressed-out undergraduates. 
Against the backdrop of sweeping societal changes, communal living endured because it bolstered networking, if not studying. Housing policies often enabled discrimination according to class, race, and gender, despite the fact that deans envisioned the residence hall as a democratic alternative to the elitist fraternity. Yanni focuses on the dormitory as a place of exclusion as much as a site of fellowship, and considers the uncertain future of residence halls in the age of distance learning.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 22 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Every fall on move-in day, parents tearfully bid farewell to their beloved sons and daughters at college dormitories: it is an age-old ritual...</itunes:subtitle>
      <itunes:summary>Every fall on move-in day, parents tearfully bid farewell to their beloved sons and daughters at college dormitories: it is an age-old ritual. The residence hall has come to mark the threshold between childhood and adulthood, housing young people during a transformational time in their lives. Whether a Gothic stone pile, a quaint Colonial box, or a concrete slab, the dormitory is decidedly unhomelike, yet it takes center stage in the dramatic arc of many American families. This richly illustrated book examines the architecture of dormitories in the United States from the eighteenth century to 1968, asking fundamental questions: Why have American educators believed for so long that housing students is essential to educating them? And how has architecture validated that idea? Living on Campus: An Architectural History of the American Dormitory (University of Minnesota Press, 2019) is the first architectural history of this critical building type. 
Grounded in extensive archival research, Carla Yanni’s study highlights the opinions of architects, professors, and deans, and also includes the voices of students. For centuries, academic leaders in the United States asserted that on-campus living enhanced the moral character of youth; that somewhat dubious claim nonetheless influenced the design and planning of these ubiquitous yet often overlooked campus buildings. Through nuanced architectural analysis and detailed social history, Yanni offers unexpected glimpses into the past: double-loaded corridors (which made surveillance easy but echoed with noise), staircase plans (which prevented roughhousing but offered no communal space), lavish lounges in women’s halls (intended to civilize male visitors), specially designed upholstered benches for courting couples, mixed-gender saunas for students in the radical 1960s, and lazy rivers for the twenty-first century’s stressed-out undergraduates. 
Against the backdrop of sweeping societal changes, communal living endured because it bolstered networking, if not studying. Housing policies often enabled discrimination according to class, race, and gender, despite the fact that deans envisioned the residence hall as a democratic alternative to the elitist fraternity. Yanni focuses on the dormitory as a place of exclusion as much as a site of fellowship, and considers the uncertain future of residence halls in the age of distance learning.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Every fall on move-in day, parents tearfully bid farewell to their beloved sons and daughters at college dormitories: it is an age-old ritual. The residence hall has come to mark the threshold between childhood and adulthood, housing young people during a transformational time in their lives. Whether a Gothic stone pile, a quaint Colonial box, or a concrete slab, the dormitory is decidedly unhomelike, yet it takes center stage in the dramatic arc of many American families. This richly illustrated book examines the architecture of dormitories in the United States from the eighteenth century to 1968, asking fundamental questions: Why have American educators believed for so long that housing students is essential to educating them? And how has architecture validated that idea? <a href="https://bookshop.org/a/12343/9781517904562"><em>Living on Campus: An Architectural History of the American Dormitory</em></a> (University of Minnesota Press, 2019) is the first architectural history of this critical building type. </p><p>Grounded in extensive archival research, Carla Yanni’s study highlights the opinions of architects, professors, and deans, and also includes the voices of students. For centuries, academic leaders in the United States asserted that on-campus living enhanced the moral character of youth; that somewhat dubious claim nonetheless influenced the design and planning of these ubiquitous yet often overlooked campus buildings. Through nuanced architectural analysis and detailed social history, Yanni offers unexpected glimpses into the past: double-loaded corridors (which made surveillance easy but echoed with noise), staircase plans (which prevented roughhousing but offered no communal space), lavish lounges in women’s halls (intended to civilize male visitors), specially designed upholstered benches for courting couples, mixed-gender saunas for students in the radical 1960s, and lazy rivers for the twenty-first century’s stressed-out undergraduates. </p><p>Against the backdrop of sweeping societal changes, communal living endured because it bolstered networking, if not studying. Housing policies often enabled discrimination according to class, race, and gender, despite the fact that deans envisioned the residence hall as a democratic alternative to the elitist fraternity. Yanni focuses on the dormitory as a place of exclusion as much as a site of fellowship, and considers the uncertain future of residence halls in the age of distance learning.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1808</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Despina Stratigakos, "Hitler’s Northern Utopia: Building the New Order in Occupied Norway" (Princeton UP, 2020)</title>
      <description>In her new book Hitler’s Northern Utopia: Building the New Order in Occupied Norway (Princeton University Press, 2020), Despina Stratigakos investigates the Nazi occupation of Norway. Between 1940 and 1945, German occupiers transformed Norway into a vast construction zone. This remarkable building campaign, largely unknown today, was designed to extend the Greater German Reich beyond the Arctic Circle and turn the Scandinavian country into a racial utopia. From ideal new cities to a scenic superhighway stretching from Berlin to northern Norway, plans to remake the country into a model “Aryan” society fired the imaginations of Hitler, his architect Albert Speer, and other Nazi leaders. In Hitler’s Northern Utopia, Despina Stratigakos provides the first major history of Nazi efforts to build a Nordic empire—one that they believed would improve their genetic stock and confirm their destiny as a new order of Vikings.
Drawing on extraordinary unpublished diaries, photographs, and maps, as well as newspapers from the period, Hitler’s Northern Utopia tells the story of a broad range of completed and unrealized architectural and infrastructure projects far beyond the well-known German military defenses built on Norway’s Atlantic coast. These ventures included maternity centers, cultural and recreational facilities for German soldiers, and a plan to create quintessential National Socialist communities out of twenty-three towns damaged in the German invasion, an overhaul Norwegian architects were expected to lead. The most ambitious scheme—a German cultural capital and naval base—remained a closely guarded secret for fear of provoking Norwegian resistance.
A gripping account of the rise of a Nazi landscape in occupied Norway, Hitler’s Northern Utopia reveals a haunting vision of what might have been—a world colonized under the swastika.
Despina Stratigakos is vice provost and professor of architecture at the University at Buffalo, State University of New York.
Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 17 Sep 2020 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>96</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Between 1940 and 1945, German occupiers transformed Norway into a vast construction zone....</itunes:subtitle>
      <itunes:summary>In her new book Hitler’s Northern Utopia: Building the New Order in Occupied Norway (Princeton University Press, 2020), Despina Stratigakos investigates the Nazi occupation of Norway. Between 1940 and 1945, German occupiers transformed Norway into a vast construction zone. This remarkable building campaign, largely unknown today, was designed to extend the Greater German Reich beyond the Arctic Circle and turn the Scandinavian country into a racial utopia. From ideal new cities to a scenic superhighway stretching from Berlin to northern Norway, plans to remake the country into a model “Aryan” society fired the imaginations of Hitler, his architect Albert Speer, and other Nazi leaders. In Hitler’s Northern Utopia, Despina Stratigakos provides the first major history of Nazi efforts to build a Nordic empire—one that they believed would improve their genetic stock and confirm their destiny as a new order of Vikings.
Drawing on extraordinary unpublished diaries, photographs, and maps, as well as newspapers from the period, Hitler’s Northern Utopia tells the story of a broad range of completed and unrealized architectural and infrastructure projects far beyond the well-known German military defenses built on Norway’s Atlantic coast. These ventures included maternity centers, cultural and recreational facilities for German soldiers, and a plan to create quintessential National Socialist communities out of twenty-three towns damaged in the German invasion, an overhaul Norwegian architects were expected to lead. The most ambitious scheme—a German cultural capital and naval base—remained a closely guarded secret for fear of provoking Norwegian resistance.
A gripping account of the rise of a Nazi landscape in occupied Norway, Hitler’s Northern Utopia reveals a haunting vision of what might have been—a world colonized under the swastika.
Despina Stratigakos is vice provost and professor of architecture at the University at Buffalo, State University of New York.
Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book <a href="https://bookshop.org/a/12343/9780691198217"><em>Hitler’s Northern Utopia: Building the New Order in Occupied Norway</em></a> (Princeton University Press, 2020), Despina Stratigakos investigates the Nazi occupation of Norway. Between 1940 and 1945, German occupiers transformed Norway into a vast construction zone. This remarkable building campaign, largely unknown today, was designed to extend the Greater German Reich beyond the Arctic Circle and turn the Scandinavian country into a racial utopia. From ideal new cities to a scenic superhighway stretching from Berlin to northern Norway, plans to remake the country into a model “Aryan” society fired the imaginations of Hitler, his architect Albert Speer, and other Nazi leaders. In <em>Hitler’s Northern Utopia</em>, Despina Stratigakos provides the first major history of Nazi efforts to build a Nordic empire—one that they believed would improve their genetic stock and confirm their destiny as a new order of Vikings.</p><p>Drawing on extraordinary unpublished diaries, photographs, and maps, as well as newspapers from the period, <em>Hitler’s Northern Utopia </em>tells the story of a broad range of completed and unrealized architectural and infrastructure projects far beyond the well-known German military defenses built on Norway’s Atlantic coast. These ventures included maternity centers, cultural and recreational facilities for German soldiers, and a plan to create quintessential National Socialist communities out of twenty-three towns damaged in the German invasion, an overhaul Norwegian architects were expected to lead. The most ambitious scheme—a German cultural capital and naval base—remained a closely guarded secret for fear of provoking Norwegian resistance.</p><p>A gripping account of the rise of a Nazi landscape in occupied Norway, <em>Hitler’s Northern Utopia </em>reveals a haunting vision of what might have been—a world colonized under the swastika.</p><p>Despina Stratigakos is vice provost and professor of architecture at the University at Buffalo, State University of New York.</p><p><em>Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter </em><a href="https://twitter.com/craig_sorvillo?lang=en"><em>@craig_sorvillo</em></a><em>.</em></p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3518</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Mariana Mogilevich, "The Invention of Public Space: Designing for Inclusion in Lindsay's New York" (U Minnesota Press, 2020)</title>
      <description>As suburbanization, racial conflict, and the consequences of urban renewal threatened New York City with “urban crisis,” the administration of Mayor John V. Lindsay (1966–1973) experimented with a broad array of projects in open spaces to affirm the value of city life. Mariana Mogilevich provides a fascinating history of a watershed moment when designers, government administrators, and residents sought to remake the city in the image of a diverse, free, and democratic society.
New pedestrian malls, residential plazas, playgrounds in vacant lots, and parks on postindustrial waterfronts promised everyday spaces for play, social interaction, and participation in the life of the city. Whereas designers had long created urban spaces for a broad amorphous public, Mogilevich demonstrates how political pressures and the influence of the psychological sciences led them to a new conception of public space that included diverse publics and encouraged individual flourishing.
Drawing on extensive archival research, site work, interviews, and the analysis of film and photographs, The Invention of Public Space: Designing for Inclusion in Lindsay's New York (University of Minnesota Press) considers familiar figures, such as William H. Whyte and Jane Jacobs, in a new light and foregrounds the important work of landscape architects Paul Friedberg and Lawrence Halprin and the architects of New York City’s Urban Design Group.
The Invention of Public Space brings together psychology, politics, and design to uncover a critical moment of transformation in our understanding of city life and reveals the emergence of a concept of public space that remains today a powerful, if unrealized, aspiration.
Mariana Mogilevich is a historian of architecture and urbanism and editor-in-chief of the Urban Omnibus, the online publication of the Architectural League of New York.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 14 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Mogilevich provides a fascinating history of a watershed moment when designers, government administrators, and residents sought to remake the city in the image of a diverse, free, and democratic society...</itunes:subtitle>
      <itunes:summary>As suburbanization, racial conflict, and the consequences of urban renewal threatened New York City with “urban crisis,” the administration of Mayor John V. Lindsay (1966–1973) experimented with a broad array of projects in open spaces to affirm the value of city life. Mariana Mogilevich provides a fascinating history of a watershed moment when designers, government administrators, and residents sought to remake the city in the image of a diverse, free, and democratic society.
New pedestrian malls, residential plazas, playgrounds in vacant lots, and parks on postindustrial waterfronts promised everyday spaces for play, social interaction, and participation in the life of the city. Whereas designers had long created urban spaces for a broad amorphous public, Mogilevich demonstrates how political pressures and the influence of the psychological sciences led them to a new conception of public space that included diverse publics and encouraged individual flourishing.
Drawing on extensive archival research, site work, interviews, and the analysis of film and photographs, The Invention of Public Space: Designing for Inclusion in Lindsay's New York (University of Minnesota Press) considers familiar figures, such as William H. Whyte and Jane Jacobs, in a new light and foregrounds the important work of landscape architects Paul Friedberg and Lawrence Halprin and the architects of New York City’s Urban Design Group.
The Invention of Public Space brings together psychology, politics, and design to uncover a critical moment of transformation in our understanding of city life and reveals the emergence of a concept of public space that remains today a powerful, if unrealized, aspiration.
Mariana Mogilevich is a historian of architecture and urbanism and editor-in-chief of the Urban Omnibus, the online publication of the Architectural League of New York.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As suburbanization, racial conflict, and the consequences of urban renewal threatened New York City with “urban crisis,” the administration of Mayor John V. Lindsay (1966–1973) experimented with a broad array of projects in open spaces to affirm the value of city life. Mariana Mogilevich provides a fascinating history of a watershed moment when designers, government administrators, and residents sought to remake the city in the image of a diverse, free, and democratic society.</p><p>New pedestrian malls, residential plazas, playgrounds in vacant lots, and parks on postindustrial waterfronts promised everyday spaces for play, social interaction, and participation in the life of the city. Whereas designers had long created urban spaces for a broad amorphous public, Mogilevich demonstrates how political pressures and the influence of the psychological sciences led them to a new conception of public space that included diverse publics and encouraged individual flourishing.</p><p>Drawing on extensive archival research, site work, interviews, and the analysis of film and photographs, <a href="https://bookshop.org/a/12343/9781517905767"><em>The Invention of Public Space: Designing for Inclusion in Lindsay's New York</em></a> (University of Minnesota Press) considers familiar figures, such as William H. Whyte and Jane Jacobs, in a new light and foregrounds the important work of landscape architects Paul Friedberg and Lawrence Halprin and the architects of New York City’s Urban Design Group.</p><p>The Invention of Public Space brings together psychology, politics, and design to uncover a critical moment of transformation in our understanding of city life and reveals the emergence of a concept of public space that remains today a powerful, if unrealized, aspiration.</p><p><a href="https://arc-hum.princeton.edu/people/fellows/14-15/mogilevich">Mariana Mogilevich</a> is a historian of architecture and urbanism and editor-in-chief of the <em>Urban Omnibus</em>, the online publication of the Architectural League of New York.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2417</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Emily Anthes, "The Great Indoors" (Scientific American, 2020)</title>
      <description>Modern humans are an indoor species. We spend 90 percent of our time inside, shuttling between homes and offices, schools and stores, restaurants and gyms. And yet, in many ways, the indoor world remains unexplored territory. For all the time we spend inside buildings, we rarely stop to consider: How do these spaces affect our mental and physical well-being? Our thoughts, feelings, and behaviors? Our productivity, performance, and relationships?
In this wide-ranging, character-driven book, science journalist Emily Anthes takes us on an adventure into the buildings in which we spend our days, exploring the profound, and sometimes unexpected, ways that they shape our lives. Drawing on cutting-edge research, she probes the pain-killing power of a well-placed window and examines how the right office layout can expand our social networks. She investigates how room temperature regulates our cognitive performance, how the microbes hiding in our homes influence our immune systems, and how cafeteria design affects what―and how much―we eat.
Along the way, Anthes takes readers into an operating room designed to minimize medical errors, a school designed to boost students’ physical fitness, and a prison designed to support inmates’ psychological needs. And she previews the homes of the future, from the high-tech houses that could monitor our health to the 3D-printed structures that might allow us to live on the Moon.
The Great Indoors: The Surprising Science of How Buildings Shape Our Behavior, Health, and Happiness provides a fresh perspective on our most familiar surroundings and a new understanding of the power of architecture and design. It's an argument for thoughtful interventions into the built environment and a story about how to build a better world―one room at a time.
Emily Anthes is a freelance science journalist. Her work has appeared in Seed, Scientific American Mind, Discover, Slate, Good, New York, and the Boston Globe. 
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 09 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Modern humans are an indoor species.,.</itunes:subtitle>
      <itunes:summary>Modern humans are an indoor species. We spend 90 percent of our time inside, shuttling between homes and offices, schools and stores, restaurants and gyms. And yet, in many ways, the indoor world remains unexplored territory. For all the time we spend inside buildings, we rarely stop to consider: How do these spaces affect our mental and physical well-being? Our thoughts, feelings, and behaviors? Our productivity, performance, and relationships?
In this wide-ranging, character-driven book, science journalist Emily Anthes takes us on an adventure into the buildings in which we spend our days, exploring the profound, and sometimes unexpected, ways that they shape our lives. Drawing on cutting-edge research, she probes the pain-killing power of a well-placed window and examines how the right office layout can expand our social networks. She investigates how room temperature regulates our cognitive performance, how the microbes hiding in our homes influence our immune systems, and how cafeteria design affects what―and how much―we eat.
Along the way, Anthes takes readers into an operating room designed to minimize medical errors, a school designed to boost students’ physical fitness, and a prison designed to support inmates’ psychological needs. And she previews the homes of the future, from the high-tech houses that could monitor our health to the 3D-printed structures that might allow us to live on the Moon.
The Great Indoors: The Surprising Science of How Buildings Shape Our Behavior, Health, and Happiness provides a fresh perspective on our most familiar surroundings and a new understanding of the power of architecture and design. It's an argument for thoughtful interventions into the built environment and a story about how to build a better world―one room at a time.
Emily Anthes is a freelance science journalist. Her work has appeared in Seed, Scientific American Mind, Discover, Slate, Good, New York, and the Boston Globe. 
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Modern humans are an indoor species. We spend 90 percent of our time inside, shuttling between homes and offices, schools and stores, restaurants and gyms. And yet, in many ways, the indoor world remains unexplored territory. For all the time we spend inside buildings, we rarely stop to consider: How do these spaces affect our mental and physical well-being? Our thoughts, feelings, and behaviors? Our productivity, performance, and relationships?</p><p>In this wide-ranging, character-driven book, science journalist Emily Anthes takes us on an adventure into the buildings in which we spend our days, exploring the profound, and sometimes unexpected, ways that they shape our lives. Drawing on cutting-edge research, she probes the pain-killing power of a well-placed window and examines how the right office layout can expand our social networks. She investigates how room temperature regulates our cognitive performance, how the microbes hiding in our homes influence our immune systems, and how cafeteria design affects what―and how much―we eat.</p><p>Along the way, Anthes takes readers into an operating room designed to minimize medical errors, a school designed to boost students’ physical fitness, and a prison designed to support inmates’ psychological needs. And she previews the homes of the future, from the high-tech houses that could monitor our health to the 3D-printed structures that might allow us to live on the Moon.</p><p><a href="https://bookshop.org/a/12343/9780374166632"><em>The Great Indoors: The Surprising Science of How Buildings Shape Our Behavior, Health, and Happiness</em></a> provides a fresh perspective on our most familiar surroundings and a new understanding of the power of architecture and design. It's an argument for thoughtful interventions into the built environment and a story about how to build a better world―one room at a time.</p><p><a href="http://emilyanthes.com/">Emily Anthes</a> is a freelance science journalist. Her work has appeared in <em>Seed, Scientific American Mind, Discover, Slate, Good, New York, </em>and the <em>Boston Globe. </em></p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1841</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Karen Holl, "Primer of Ecological Restoration" (Island Press, 2020)</title>
      <description>The pace, intensity, and scale at which humans have altered our planet in recent decades is unprecedented. We have dramatically transformed landscapes and waterways through agriculture, logging, mining, and fire suppression, with drastic impacts on public health and human well-being. What can we do to counteract and even reverse the worst of these effects? Restore damaged ecosystems.
Karen Holl's Primer of Ecological Restoration (Island Press, 2020) is a succinct introduction to the theory and practice of ecological restoration as a strategy to conserve biodiversity and ecosystems. In twelve brief chapters, the book introduces readers to the basics of restoration project planning, monitoring, and adaptive management. It explains abiotic factors such as landforms, soil, and hydrology that are the building blocks to successfully recovering microorganism, plant, and animal communities. Additional chapters cover topics such as invasive species and legal and financial considerations. Each chapter concludes with recommended reading and reference lists, and the book can be paired with online resources for teaching.
Perfect for introductory classes in ecological restoration or for practitioners seeking constructive guidance for real-world projects, Primer of Ecological Restoration offers accessible, practical information on recent trends in the field.
Karen D. Holl is a professor of environmental studies at the University of California, Santa Cruz, where she has taught ecological restoration for over 20 years.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 08 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>54</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Holl offers a succinct introduction to the theory and practice of ecological restoration as a strategy to conserve biodiversity and ecosystems...</itunes:subtitle>
      <itunes:summary>The pace, intensity, and scale at which humans have altered our planet in recent decades is unprecedented. We have dramatically transformed landscapes and waterways through agriculture, logging, mining, and fire suppression, with drastic impacts on public health and human well-being. What can we do to counteract and even reverse the worst of these effects? Restore damaged ecosystems.
Karen Holl's Primer of Ecological Restoration (Island Press, 2020) is a succinct introduction to the theory and practice of ecological restoration as a strategy to conserve biodiversity and ecosystems. In twelve brief chapters, the book introduces readers to the basics of restoration project planning, monitoring, and adaptive management. It explains abiotic factors such as landforms, soil, and hydrology that are the building blocks to successfully recovering microorganism, plant, and animal communities. Additional chapters cover topics such as invasive species and legal and financial considerations. Each chapter concludes with recommended reading and reference lists, and the book can be paired with online resources for teaching.
Perfect for introductory classes in ecological restoration or for practitioners seeking constructive guidance for real-world projects, Primer of Ecological Restoration offers accessible, practical information on recent trends in the field.
Karen D. Holl is a professor of environmental studies at the University of California, Santa Cruz, where she has taught ecological restoration for over 20 years.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The pace, intensity, and scale at which humans have altered our planet in recent decades is unprecedented. We have dramatically transformed landscapes and waterways through agriculture, logging, mining, and fire suppression, with drastic impacts on public health and human well-being. What can we do to counteract and even reverse the worst of these effects? Restore damaged ecosystems.</p><p>Karen Holl's <a href="https://bookshop.org/a/12343/9781610919722"><em>Primer of Ecological Restoration</em></a> (Island Press, 2020) is a succinct introduction to the theory and practice of ecological restoration as a strategy to conserve biodiversity and ecosystems. In twelve brief chapters, the book introduces readers to the basics of restoration project planning, monitoring, and adaptive management. It explains abiotic factors such as landforms, soil, and hydrology that are the building blocks to successfully recovering microorganism, plant, and animal communities. Additional chapters cover topics such as invasive species and legal and financial considerations. Each chapter concludes with recommended reading and reference lists, and the book can be paired with online resources for teaching.</p><p>Perfect for introductory classes in ecological restoration or for practitioners seeking constructive guidance for real-world projects, Primer of Ecological Restoration offers accessible, practical information on recent trends in the field.</p><p>Karen D. Holl is a professor of environmental studies at the University of California, Santa Cruz, where she has taught ecological restoration for over 20 years.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3076</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3073fe6c-e245-11ea-9e0f-936f2dbafe32]]></guid>
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    </item>
    <item>
      <title>Joseph S. Cialdella, "Motor City Green: A Century of Landscapes and Environmentalism in Detroit" (U of Pittsburg Press, 2020)</title>
      <description>Joseph S. Cialdella's Motor City Green: A Century of Landscapes and Environmentalism in Detroit (University of Pittsburg Press, 2020) is a history of green spaces in metropolitan Detroit from the late nineteenth- to early twenty-first century. The book focuses primarily on the history of gardens and parks in the city of Detroit and its suburbs in southeast Michigan. Cialdella argues Detroit residents used green space to address problems created by the city’s industrial rise and decline, and racial segregation and economic inequality. As the city’s social landscape became increasingly uncontrollable, Detroiters turned to parks, gardens, yards, and other outdoor spaces to relieve the negative social and environmental consequences of industrial capitalism. Motor City Green looks to the past to demonstrate how today’s urban gardens in Detroit evolved from, but are also distinct from, other urban gardens and green spaces in the city’s past.
Joseph S. Cialdella is a public historian and educator with experience in museums, higher education, and the humanities. He writes about cities, nature, and the built environment. Currently he is a Program Manager at the University of Michigan, where he leads the Rackham Graduate School's Program in Public Scholarship
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 01 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>53</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Cialdella is a history of green spaces in metropolitan Detroit from the late nineteenth- to early twenty-first century...</itunes:subtitle>
      <itunes:summary>Joseph S. Cialdella's Motor City Green: A Century of Landscapes and Environmentalism in Detroit (University of Pittsburg Press, 2020) is a history of green spaces in metropolitan Detroit from the late nineteenth- to early twenty-first century. The book focuses primarily on the history of gardens and parks in the city of Detroit and its suburbs in southeast Michigan. Cialdella argues Detroit residents used green space to address problems created by the city’s industrial rise and decline, and racial segregation and economic inequality. As the city’s social landscape became increasingly uncontrollable, Detroiters turned to parks, gardens, yards, and other outdoor spaces to relieve the negative social and environmental consequences of industrial capitalism. Motor City Green looks to the past to demonstrate how today’s urban gardens in Detroit evolved from, but are also distinct from, other urban gardens and green spaces in the city’s past.
Joseph S. Cialdella is a public historian and educator with experience in museums, higher education, and the humanities. He writes about cities, nature, and the built environment. Currently he is a Program Manager at the University of Michigan, where he leads the Rackham Graduate School's Program in Public Scholarship
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Joseph S. Cialdella's <a href="https://bookshop.org/a/12343/9780822945727"><em>Motor City Green: A Century of Landscapes and Environmentalism in Detroit</em></a><em> </em>(University of Pittsburg Press, 2020) is a history of green spaces in metropolitan Detroit from the late nineteenth- to early twenty-first century. The book focuses primarily on the history of gardens and parks in the city of Detroit and its suburbs in southeast Michigan. Cialdella argues Detroit residents used green space to address problems created by the city’s industrial rise and decline, and racial segregation and economic inequality. As the city’s social landscape became increasingly uncontrollable, Detroiters turned to parks, gardens, yards, and other outdoor spaces to relieve the negative social and environmental consequences of industrial capitalism. Motor City Green looks to the past to demonstrate how today’s urban gardens in Detroit evolved from, but are also distinct from, other urban gardens and green spaces in the city’s past.</p><p>Joseph S. Cialdella is a public historian and educator with experience in museums, higher education, and the humanities. He writes about cities, nature, and the built environment. Currently he is a Program Manager at the University of Michigan, where he leads the Rackham Graduate School's Program in Public Scholarship</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3028</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[96be308c-e242-11ea-b53d-0b53c9998d95]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT6831630586.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joy Knoblauch, "The Architecture of Good Behavior" (U Pittsburgh Press, 2020)</title>
      <description>Inspired by the rise of environmental psychology and increasing support for behavioral research after the Second World War, new initiatives at the federal, state, and local levels looked to influence the human psyche through form, or elicit desired behaviors with environmental incentives, implementing what Joy Knoblauch calls “psychological functionalism.”
Recruited by federal construction and research programs for institutional reform and expansion—which included hospitals, mental health centers, prisons, and public housing—architects theorized new ways to control behavior and make it more functional by exercising soft power, or power through persuasion, with their designs.
In the 1960s –1970s era of anti-institutional sentiment, they hoped to offer an enlightened, palatable, more humane solution to larger social problems related to health, mental health, justice, and security of the population by applying psychological expertise to institutional design.
In turn, Knoblauch argues, architects gained new roles as researchers, organizers, and writers while theories of confinement, territory, and surveillance proliferated. The Architecture of Good Behavior: Psychology and Modern Institutional Design in Postwar America (University of Pittsburgh Press) explores psychological functionalism as a political tool and the architectural projects funded by a postwar nation in its efforts to govern, exert control over, and ultimately pacify its patients, prisoners, and residents.
Joy Knoblauch is Assistant Professor of Architecture at the University of Michigan, where she teaches history and theory of architecture as an exploration of architecture's engagement with politics and science.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 21 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Knoblauch argues, architects gained new roles as researchers, organizers, and writers while theories of confinement, territory, and surveillance proliferated...</itunes:subtitle>
      <itunes:summary>Inspired by the rise of environmental psychology and increasing support for behavioral research after the Second World War, new initiatives at the federal, state, and local levels looked to influence the human psyche through form, or elicit desired behaviors with environmental incentives, implementing what Joy Knoblauch calls “psychological functionalism.”
Recruited by federal construction and research programs for institutional reform and expansion—which included hospitals, mental health centers, prisons, and public housing—architects theorized new ways to control behavior and make it more functional by exercising soft power, or power through persuasion, with their designs.
In the 1960s –1970s era of anti-institutional sentiment, they hoped to offer an enlightened, palatable, more humane solution to larger social problems related to health, mental health, justice, and security of the population by applying psychological expertise to institutional design.
In turn, Knoblauch argues, architects gained new roles as researchers, organizers, and writers while theories of confinement, territory, and surveillance proliferated. The Architecture of Good Behavior: Psychology and Modern Institutional Design in Postwar America (University of Pittsburgh Press) explores psychological functionalism as a political tool and the architectural projects funded by a postwar nation in its efforts to govern, exert control over, and ultimately pacify its patients, prisoners, and residents.
Joy Knoblauch is Assistant Professor of Architecture at the University of Michigan, where she teaches history and theory of architecture as an exploration of architecture's engagement with politics and science.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Inspired by the rise of environmental psychology and increasing support for behavioral research after the Second World War, new initiatives at the federal, state, and local levels looked to influence the human psyche through form, or elicit desired behaviors with environmental incentives, implementing what Joy Knoblauch calls “psychological functionalism.”</p><p>Recruited by federal construction and research programs for institutional reform and expansion—which included hospitals, mental health centers, prisons, and public housing—architects theorized new ways to control behavior and make it more functional by exercising soft power, or power through persuasion, with their designs.</p><p>In the 1960s –1970s era of anti-institutional sentiment, they hoped to offer an enlightened, palatable, more humane solution to larger social problems related to health, mental health, justice, and security of the population by applying psychological expertise to institutional design.</p><p>In turn, Knoblauch argues, architects gained new roles as researchers, organizers, and writers while theories of confinement, territory, and surveillance proliferated. <a href="https://bookshop.org/a/12343/9780822945738"><em>The Architecture of Good Behavior: Psychology and Modern Institutional Design in Postwar America</em></a> (University of Pittsburgh Press) explores psychological functionalism as a political tool and the architectural projects funded by a postwar nation in its efforts to govern, exert control over, and ultimately pacify its patients, prisoners, and residents.</p><p><a href="https://taubmancollege.umich.edu/faculty/directory/joy-knoblauch">Joy Knoblauch</a> is Assistant Professor of Architecture at the University of Michigan, where she teaches history and theory of architecture as an exploration of architecture's engagement with politics and science.</p><p><a href="http://www.clairedclark.com/"><em>Claire Clark</em></a><em> is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2437</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[369a3d3e-df33-11ea-96d1-8728a22066ff]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT2177877564.mp3?updated=1726607363" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hank Dittmar, "DIY City: The Collective Power of Small Actions" (Island Press, 2020)</title>
      <description>Some utopian plans have shaped our cities —from England’s New Towns and Garden Cities to the Haussmann plan for Paris and the L’Enfant plan for Washington, DC. But these grand plans are the exception, and seldom turn out as envisioned by the utopian planner. Inviting city neighborhoods are more often works of improvisation on a small scale. This type of bottom-up development gives cities both their character and the ability to respond to sudden change.
Hank Dittmar, urban planner, friend of artists and creatives, sometime rancher, “high priest of town planning” to the Prince of Wales, believed in letting small things happen. Dittmar concluded that big plans were often the problem. Looking at the global cities of the world, he saw a crisis of success, with gentrification and global capital driving up home prices in some cities, while others decayed for lack of investment.
In DIY City: The Collective Power of Small Actions (Island Press, 2020), Dittmar explains why individual initiative, small-scale business, and small development matter, using lively stories from his own experience and examples from recent history, such as the revival of Camden Lock in London and the nascent rebirth of Detroit. DIY City, Dittmar’s last original work, captures the lessons he learned throughout the course of his varied career—from transit-oriented development to Lean Urbanism—that can be replicated to create cities where people can flourish.
DIY City is a timely response to the challenges many cities face today, with a short supply of affordable housing, continued gentrification, and offshore investment. Dittmar’s answer to this crisis is to make Do-It-Yourself the norm rather than the exception by removing the barriers to small-scale building and local business. The message of DIY City can offer hope to anyone who cares about cities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 20 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>52</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Hank Dittmar, urban planner, friend of artists and creatives, sometime rancher, “high priest of town planning” to the Prince of Wales, believed in letting small things happen...</itunes:subtitle>
      <itunes:summary>Some utopian plans have shaped our cities —from England’s New Towns and Garden Cities to the Haussmann plan for Paris and the L’Enfant plan for Washington, DC. But these grand plans are the exception, and seldom turn out as envisioned by the utopian planner. Inviting city neighborhoods are more often works of improvisation on a small scale. This type of bottom-up development gives cities both their character and the ability to respond to sudden change.
Hank Dittmar, urban planner, friend of artists and creatives, sometime rancher, “high priest of town planning” to the Prince of Wales, believed in letting small things happen. Dittmar concluded that big plans were often the problem. Looking at the global cities of the world, he saw a crisis of success, with gentrification and global capital driving up home prices in some cities, while others decayed for lack of investment.
In DIY City: The Collective Power of Small Actions (Island Press, 2020), Dittmar explains why individual initiative, small-scale business, and small development matter, using lively stories from his own experience and examples from recent history, such as the revival of Camden Lock in London and the nascent rebirth of Detroit. DIY City, Dittmar’s last original work, captures the lessons he learned throughout the course of his varied career—from transit-oriented development to Lean Urbanism—that can be replicated to create cities where people can flourish.
DIY City is a timely response to the challenges many cities face today, with a short supply of affordable housing, continued gentrification, and offshore investment. Dittmar’s answer to this crisis is to make Do-It-Yourself the norm rather than the exception by removing the barriers to small-scale building and local business. The message of DIY City can offer hope to anyone who cares about cities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Some utopian plans have shaped our cities —from England’s New Towns and Garden Cities to the Haussmann plan for Paris and the L’Enfant plan for Washington, DC. But these grand plans are the exception, and seldom turn out as envisioned by the utopian planner. Inviting city neighborhoods are more often works of improvisation on a small scale. This type of bottom-up development gives cities both their character and the ability to respond to sudden change.</p><p>Hank Dittmar, urban planner, friend of artists and creatives, sometime rancher, “high priest of town planning” to the Prince of Wales, believed in letting small things happen. Dittmar concluded that big plans were often the problem. Looking at the global cities of the world, he saw a crisis of success, with gentrification and global capital driving up home prices in some cities, while others decayed for lack of investment.</p><p>In <a href="https://bookshop.org/a/12343/9781642830521"><em>DIY City: The Collective Power of Small Actions</em></a> (Island Press, 2020), Dittmar explains why individual initiative, small-scale business, and small development matter, using lively stories from his own experience and examples from recent history, such as the revival of Camden Lock in London and the nascent rebirth of Detroit. <em>DIY City</em>, Dittmar’s last original work, captures the lessons he learned throughout the course of his varied career—from transit-oriented development to Lean Urbanism—that can be replicated to create cities where people can flourish.</p><p><em>DIY City</em> is a timely response to the challenges many cities face today, with a short supply of affordable housing, continued gentrification, and offshore investment. Dittmar’s answer to this crisis is to make Do-It-Yourself the norm rather than the exception by removing the barriers to small-scale building and local business. The message of <em>DIY City</em> can offer hope to anyone who cares about cities.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3522</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0a1aa268-e23e-11ea-9c86-6bb33e0c4c84]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT9282046282.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>T. Fischer and C.M. Herr, "Design Cybernetics: Navigating the New" (Springer, 2019)</title>
      <description>Those who have followed this podcast in the past, and those who follow developments in cybernetics in the present, will be no strangers to the name Ranulph Glanville. This brilliant, multiple-PhD holding polymath who co-mingled cybernetics with ethics, pedagogy, and, above all, design, has, through his voluminous body of ground-breaking papers, had a greater influence upon the field than, arguably, any scholar since Heinz von Foerster.
At the 2015 Conference of the International Society for the Systems Sciences in Berlin, a group of self-proclaimed “Glanvillians” made up largely of former students and collaborators of Glanville, and a few interlopers like myself, met over a breakfast table at the Scandic Hotel, Potzdammer Platz, Berlin and, at the prompting of Thomas Fischer and Candy Herr, committed themselves to consolidating Glanville’s legacy and pointing the way to future extensions and investigations of his central claim that design is the practice of cybernetics and cybernetics is theory for design.
The result is Design Cybernetics: Navigating the New (Springer) edited by Fischer and Herr. Featuring an eclectic blend of mid-career and senior scholars, the assembled chapters probe the vital relationship between conversation and design, the commitments of a radical constructivist epistemology, the virtues of being “out of control”, the embracing of error, and the seemingly paradoxical notion of getting “lost with rigour” across a wide array of artistic and scientific domains.
As both the interviewer and a contributor to the book, I have, in the sprit of “walking our talk”, eschewed the erasure of error by editing and left, in full view, the meandering trail of a wandering and, at times, stumbling conversational journey featuring prolonged gaps in thinking, confusion between different articles by the same author, technical miscues, and even a pitched battle between my two cats, in order to model our commitment to process over perfection and personify Glanville’s favourite Samuel Beckett quote: “Try again, fail again, fail better.” I hope you find the stops along the way of this meandering journey as stimulating as I did.
Thomas Fischer is a design researcher, epistemologist and cybernetician. He is a Professor and Director of Research at the Department of Architecture at XJTLU in Suzhou, China. Thomas is also a Visiting Associate Professor at the School of Design at The Hong Kong Polytechnic University.
Christiane M. Herr is an architectural researcher and educator focusing on the areas of structural design, digitally supported design, radical constructivism, design pedagogy and traditional Chinese approaches to creative thinking. Christiane is a Senior Associate Professor at Xi’an Jiaotong-Liverpool University in China, where she directs the Master of Architectural Design as well as the Bachelor of Architectural Engineering programmes.
 
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 20 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Those who have followed this podcast in the past, and those who follow developments in cybernetics in the present, will be no strangers to the name Ranulph Glanville.</itunes:subtitle>
      <itunes:summary>Those who have followed this podcast in the past, and those who follow developments in cybernetics in the present, will be no strangers to the name Ranulph Glanville. This brilliant, multiple-PhD holding polymath who co-mingled cybernetics with ethics, pedagogy, and, above all, design, has, through his voluminous body of ground-breaking papers, had a greater influence upon the field than, arguably, any scholar since Heinz von Foerster.
At the 2015 Conference of the International Society for the Systems Sciences in Berlin, a group of self-proclaimed “Glanvillians” made up largely of former students and collaborators of Glanville, and a few interlopers like myself, met over a breakfast table at the Scandic Hotel, Potzdammer Platz, Berlin and, at the prompting of Thomas Fischer and Candy Herr, committed themselves to consolidating Glanville’s legacy and pointing the way to future extensions and investigations of his central claim that design is the practice of cybernetics and cybernetics is theory for design.
The result is Design Cybernetics: Navigating the New (Springer) edited by Fischer and Herr. Featuring an eclectic blend of mid-career and senior scholars, the assembled chapters probe the vital relationship between conversation and design, the commitments of a radical constructivist epistemology, the virtues of being “out of control”, the embracing of error, and the seemingly paradoxical notion of getting “lost with rigour” across a wide array of artistic and scientific domains.
As both the interviewer and a contributor to the book, I have, in the sprit of “walking our talk”, eschewed the erasure of error by editing and left, in full view, the meandering trail of a wandering and, at times, stumbling conversational journey featuring prolonged gaps in thinking, confusion between different articles by the same author, technical miscues, and even a pitched battle between my two cats, in order to model our commitment to process over perfection and personify Glanville’s favourite Samuel Beckett quote: “Try again, fail again, fail better.” I hope you find the stops along the way of this meandering journey as stimulating as I did.
Thomas Fischer is a design researcher, epistemologist and cybernetician. He is a Professor and Director of Research at the Department of Architecture at XJTLU in Suzhou, China. Thomas is also a Visiting Associate Professor at the School of Design at The Hong Kong Polytechnic University.
Christiane M. Herr is an architectural researcher and educator focusing on the areas of structural design, digitally supported design, radical constructivism, design pedagogy and traditional Chinese approaches to creative thinking. Christiane is a Senior Associate Professor at Xi’an Jiaotong-Liverpool University in China, where she directs the Master of Architectural Design as well as the Bachelor of Architectural Engineering programmes.
 
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Those who have followed this podcast in the past, and those who follow developments in cybernetics in the present, will be no strangers to the name Ranulph Glanville. This brilliant, multiple-PhD holding polymath who co-mingled cybernetics with ethics, pedagogy, and, above all, design, has, through his voluminous body of ground-breaking papers, had a greater influence upon the field than, arguably, any scholar since Heinz von Foerster.</p><p>At the 2015 Conference of the International Society for the Systems Sciences in Berlin, a group of self-proclaimed “Glanvillians” made up largely of former students and collaborators of Glanville, and a few interlopers like myself, met over a breakfast table at the Scandic Hotel, Potzdammer Platz, Berlin and, at the prompting of Thomas Fischer and Candy Herr, committed themselves to consolidating Glanville’s legacy and pointing the way to future extensions and investigations of his central claim that design is the practice of cybernetics and cybernetics is theory for design.</p><p>The result is <a href="https://bookshop.org/a/12343/9783030185565"><em>Design Cybernetics: Navigating the New</em></a> (Springer) edited by Fischer and Herr. Featuring an eclectic blend of mid-career and senior scholars, the assembled chapters probe the vital relationship between conversation and design, the commitments of a radical constructivist epistemology, the virtues of being “out of control”, the embracing of error, and the seemingly paradoxical notion of getting “lost with rigour” across a wide array of artistic and scientific domains.</p><p>As both the interviewer and a contributor to the book, I have, in the sprit of “walking our talk”, eschewed the erasure of error by editing and left, in full view, the meandering trail of a wandering and, at times, stumbling conversational journey featuring prolonged gaps in thinking, confusion between different articles by the same author, technical miscues, and even a pitched battle between my two cats, in order to model our commitment to process over perfection and personify Glanville’s favourite Samuel Beckett quote: “Try again, fail again, fail better.” I hope you find the stops along the way of this meandering journey as stimulating as I did.</p><p><a href="https://www.xjtlu.edu.cn/en/departments/academic-departments/architecture/staff/thomas-fischer">Thomas Fischer</a> is a design researcher, epistemologist and cybernetician. He is a Professor and Director of Research at the Department of Architecture at XJTLU in Suzhou, China. Thomas is also a Visiting Associate Professor at the School of Design at The Hong Kong Polytechnic University.</p><p><a href="https://www.xjtlu.edu.cn/en/departments/academic-departments/architecture/staff/christiane-margerita-herr">Christiane M. Herr</a> is an architectural researcher and educator focusing on the areas of structural design, digitally supported design, radical constructivism, design pedagogy and traditional Chinese approaches to creative thinking. Christiane is a Senior Associate Professor at Xi’an Jiaotong-Liverpool University in China, where she directs the Master of Architectural Design as well as the Bachelor of Architectural Engineering programmes.</p><p> </p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4225</itunes:duration>
      <guid isPermaLink="false"><![CDATA[0afaba10-de51-11ea-81e0-43b12b6bbeed]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT4510146152.mp3?updated=1598113132" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sasha Costanza-Chock, "Design Justice: Community-Led Practices to Build the Worlds We Need" (MIT Press, 2020)</title>
      <description>In Design Justice: Community-Led Practices to Build the Worlds We Need (MIT Press, 2020), Sasha Costanza-Chock, an associate professor of Civic Media at MIT, builds the case for designers and researchers to make the communities they impact co-equal partners in the products, services, and organizations they create.
This requires more than eliciting participation from community members, particularly if the goal is extraction. On the contrary, design justice demands a deep understanding of the community and its needs, engagement with community members, and a recognition of their expertise, along with reciprocation of value.
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      <pubDate>Mon, 27 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Design justice demands a deep understanding of the community and its needs, engagement with community members, and a recognition of their expertise, along with reciprocation of value....</itunes:subtitle>
      <itunes:summary>In Design Justice: Community-Led Practices to Build the Worlds We Need (MIT Press, 2020), Sasha Costanza-Chock, an associate professor of Civic Media at MIT, builds the case for designers and researchers to make the communities they impact co-equal partners in the products, services, and organizations they create.
This requires more than eliciting participation from community members, particularly if the goal is extraction. On the contrary, design justice demands a deep understanding of the community and its needs, engagement with community members, and a recognition of their expertise, along with reciprocation of value.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/Design-Justice-Community-Led-Practices-Information/dp/0262043459/?tag=newbooinhis-20"><em>Design Justice: Community-Led Practices to Build the Worlds We Need</em></a> (MIT Press, 2020), <a href="http://schock.cc/about/">Sasha Costanza-Chock</a>, an associate professor of Civic Media at MIT, builds the case for designers and researchers to make the communities they impact co-equal partners in the products, services, and organizations they create.</p><p>This requires more than eliciting participation from community members, particularly if the goal is extraction. On the contrary, design justice demands a deep understanding of the community and its needs, engagement with community members, and a recognition of their expertise, along with reciprocation of value.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2211</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e27886fa-c206-11ea-9e1c-4bee9c52caca]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT7735355417.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Thomas Bishop, "Every Home a Fortress: Cold War Fatherhood and the Family Fallout Shelter" (UMass Press, 2020)</title>
      <description>In Every Home a Fortress: Cold War Fatherhood and the Family Fallout Shelter (University of Massachusetts Press, 2020), Thomas Bishop details the remarkable cultural history and personal stories behind an iconic figure of Cold War masculinity—the fallout shelter father, who, with spade in hand and the canned goods he has amassed, sought to save his family from atomic warfare. Putting policy documents and presidential addresses into conversation with previously unmined personal letters, diaries, local media coverage, and antinuclear ephemera, Bishop demonstrates that the nuclear crisis years of 1957 to 1963 were not just pivotal for the history of international relations but were also a transitional moment in the social histories of the white middle class and American fatherhood. During this era, public concerns surrounding civil defense shaped private family conversations, and the fallout shelter emerged as a site at which ideas of nationhood, national security, and masculinity collided with the complex reality of trying to raise and protect a family in the nuclear age.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 24 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>162</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Bishop details the remarkable cultural history and personal stories behind an iconic figure of Cold War masculinity—the fallout shelter father...</itunes:subtitle>
      <itunes:summary>In Every Home a Fortress: Cold War Fatherhood and the Family Fallout Shelter (University of Massachusetts Press, 2020), Thomas Bishop details the remarkable cultural history and personal stories behind an iconic figure of Cold War masculinity—the fallout shelter father, who, with spade in hand and the canned goods he has amassed, sought to save his family from atomic warfare. Putting policy documents and presidential addresses into conversation with previously unmined personal letters, diaries, local media coverage, and antinuclear ephemera, Bishop demonstrates that the nuclear crisis years of 1957 to 1963 were not just pivotal for the history of international relations but were also a transitional moment in the social histories of the white middle class and American fatherhood. During this era, public concerns surrounding civil defense shaped private family conversations, and the fallout shelter emerged as a site at which ideas of nationhood, national security, and masculinity collided with the complex reality of trying to raise and protect a family in the nuclear age.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/dp/162534483X/?tag=newbooinhis-20"><em>Every Home a Fortress: Cold War Fatherhood and the Family Fallout Shelter</em></a> (University of Massachusetts Press, 2020), <a href="https://staff.lincoln.ac.uk/a1de57e2-de8d-4800-a17a-a8fc896159aa#:~:text=Senior%20Lecturer%20in%20American%20History%20%2F%20Programme%20Leader&amp;text=Tom%20Bishop%20is%20a%20Lecturer%20in%20American%20History%20in%20College%20of%20Arts.&amp;text=Before%20that%20he%20was%20a,He%20completed%20his%20Ph.">Thomas Bishop</a> details the remarkable cultural history and personal stories behind an iconic figure of Cold War masculinity—the fallout shelter father, who, with spade in hand and the canned goods he has amassed, sought to save his family from atomic warfare. Putting policy documents and presidential addresses into conversation with previously unmined personal letters, diaries, local media coverage, and antinuclear ephemera, Bishop demonstrates that the nuclear crisis years of 1957 to 1963 were not just pivotal for the history of international relations but were also a transitional moment in the social histories of the white middle class and American fatherhood. During this era, public concerns surrounding civil defense shaped private family conversations, and the fallout shelter emerged as a site at which ideas of nationhood, national security, and masculinity collided with the complex reality of trying to raise and protect a family in the nuclear age.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1523</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5bf0c9fa-c849-11ea-aaf6-8bc0492c8912]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT3570178933.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Laurie Olin, "Be Seated" (ORO Editions, 2017)</title>
      <description>Today I talked to Laurie Olin about his book Be Seated (ORO Editions, 2017). Olin’s interest in public outdoor seating in parks and civic spaces revolves around two poles: the first is a concern for aspects of the ordinary in our settings and actions, the apparatus and effects of the quotidian in our individual lives and experience; the other is the utility of public seating in the conduct and potential of our role as citizens and the establishment of place and community. A not inconsiderable aspect of both is the engendering of pleasure. In a democracy we are expected to fulfill two potentials – those of private citizen and contributing member of a community. When sitting on a bench or chair in a park or plaza we inevitably participate in the life of a particular space, city, and society while simultaneously pursuing our own life with its demands and aspirations. Chairs and benches in their many varieties and situations are the setting (pun intended) for profoundly simple, albeit important, and largely unnoticed aspects of our lives.
Laurie Olin is a distinguished teacher, author, and one of the most renowned landscape architects practicing today. From vision to realization, he has guided many of OLIN’s signature projects, which span the history of the studio from the Washington Monument Grounds in Washington, DC to Bryant Park in New York City. His recent projects include the AIA award-winning Barnes Foundation in Philadelphia, Pennsylvania
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 22 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Olin’s interest in public outdoor seating in parks and civic spaces revolves around two poles...</itunes:subtitle>
      <itunes:summary>Today I talked to Laurie Olin about his book Be Seated (ORO Editions, 2017). Olin’s interest in public outdoor seating in parks and civic spaces revolves around two poles: the first is a concern for aspects of the ordinary in our settings and actions, the apparatus and effects of the quotidian in our individual lives and experience; the other is the utility of public seating in the conduct and potential of our role as citizens and the establishment of place and community. A not inconsiderable aspect of both is the engendering of pleasure. In a democracy we are expected to fulfill two potentials – those of private citizen and contributing member of a community. When sitting on a bench or chair in a park or plaza we inevitably participate in the life of a particular space, city, and society while simultaneously pursuing our own life with its demands and aspirations. Chairs and benches in their many varieties and situations are the setting (pun intended) for profoundly simple, albeit important, and largely unnoticed aspects of our lives.
Laurie Olin is a distinguished teacher, author, and one of the most renowned landscape architects practicing today. From vision to realization, he has guided many of OLIN’s signature projects, which span the history of the studio from the Washington Monument Grounds in Washington, DC to Bryant Park in New York City. His recent projects include the AIA award-winning Barnes Foundation in Philadelphia, Pennsylvania
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to <a href="https://en.wikipedia.org/wiki/Laurie_Olin">Laurie Olin</a> about his book <a href="https://www.amazon.com/dp/1939621720/?tag=newbooinhis-20"><em>Be Seated</em></a> (ORO Editions, 2017). Olin’s interest in public outdoor seating in parks and civic spaces revolves around two poles: the first is a concern for aspects of the ordinary in our settings and actions, the apparatus and effects of the quotidian in our individual lives and experience; the other is the utility of public seating in the conduct and potential of our role as citizens and the establishment of place and community. A not inconsiderable aspect of both is the engendering of pleasure. In a democracy we are expected to fulfill two potentials – those of private citizen and contributing member of a community. When sitting on a bench or chair in a park or plaza we inevitably participate in the life of a particular space, city, and society while simultaneously pursuing our own life with its demands and aspirations. Chairs and benches in their many varieties and situations are the setting (pun intended) for profoundly simple, albeit important, and largely unnoticed aspects of our lives.</p><p>Laurie Olin is a distinguished teacher, author, and one of the most renowned landscape architects practicing today. From vision to realization, he has guided many of OLIN’s signature projects, which span the history of the studio from the Washington Monument Grounds in Washington, DC to Bryant Park in New York City. His recent projects include the AIA award-winning Barnes Foundation in Philadelphia, Pennsylvania</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3043</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[78df218c-bee0-11ea-b3f6-f7798f6421ae]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT4543506310.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>R. Sroufe and S. Melnyk, "Developing Sustainable Supply Chains to Drive Value" (Business Expert Press, 2017)</title>
      <description>Robert Sroufe and Steven Melnyk's Developing Sustainable Supply Chains to Drive Value (Business Expert Press) provides a multi-perspective approach to sustainability and value chains to allow understanding from a variety of disciplines and professional backgrounds.
Some of the key features of this book include: Short vignettes of important trends along with relevant management issues; Evidence-based management examples from leading multinational companies, small, and medium enterprises spanning supply chains; References to appropriate tools, emerging technology, and practices; Chapter action items for the reader to take a deeper look at integration opportunities involving sustainability and supply chain management; An action-learning approach to applying concepts and tools so readers from any functional perspective can implement and manage sustainability projects including; Guidelines on how to move forward with your first supply chain sustainability initiative.
Robert Sroufe is Ph.D., Operations, Michigan State University M.B.A., Materials and Logistics Management, Michigan State University.
 
Tricia Keffer ASLA, MLA Landscape Architecture with a design practice in the Florida Keys PlantsPeopleLove.com
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 17 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Sroufe and Melnyk provide a multi-perspective approach to sustainability and value chains to allow understanding from a variety of disciplines and professional backgrounds...</itunes:subtitle>
      <itunes:summary>Robert Sroufe and Steven Melnyk's Developing Sustainable Supply Chains to Drive Value (Business Expert Press) provides a multi-perspective approach to sustainability and value chains to allow understanding from a variety of disciplines and professional backgrounds.
Some of the key features of this book include: Short vignettes of important trends along with relevant management issues; Evidence-based management examples from leading multinational companies, small, and medium enterprises spanning supply chains; References to appropriate tools, emerging technology, and practices; Chapter action items for the reader to take a deeper look at integration opportunities involving sustainability and supply chain management; An action-learning approach to applying concepts and tools so readers from any functional perspective can implement and manage sustainability projects including; Guidelines on how to move forward with your first supply chain sustainability initiative.
Robert Sroufe is Ph.D., Operations, Michigan State University M.B.A., Materials and Logistics Management, Michigan State University.
 
Tricia Keffer ASLA, MLA Landscape Architecture with a design practice in the Florida Keys PlantsPeopleLove.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Robert Sroufe and Steven Melnyk's <a href="https://www.amazon.com/Developing-Sustainable-Supply-Chains-Drive/dp/1631578499/?tag=newbooinhis-20"><em>Developing Sustainable Supply Chains to Drive Value</em></a><em> </em>(Business Expert Press) provides a multi-perspective approach to sustainability and value chains to allow understanding from a variety of disciplines and professional backgrounds.</p><p>Some of the key features of this book include: Short vignettes of important trends along with relevant management issues; Evidence-based management examples from leading multinational companies, small, and medium enterprises spanning supply chains; References to appropriate tools, emerging technology, and practices; Chapter action items for the reader to take a deeper look at integration opportunities involving sustainability and supply chain management; An action-learning approach to applying concepts and tools so readers from any functional perspective can implement and manage sustainability projects including; Guidelines on how to move forward with your first supply chain sustainability initiative.</p><p><a href="https://www.duq.edu/academics/faculty/robert-sroufe">Robert Sroufe</a> is Ph.D., Operations, Michigan State University M.B.A., Materials and Logistics Management, Michigan State University.</p><p> </p><p><em>Tricia Keffer ASLA, MLA Landscape Architecture with a design practice in the Florida Keys </em><a href="http://PlantsPeopleLove.com"><em>PlantsPeopleLove.com</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3052</itunes:duration>
      <guid isPermaLink="false"><![CDATA[476225bc-c121-11ea-bffa-6fa8e1375a5c]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT8835537872.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Thaisa Way, "River Cities, City Rivers" (Dumbarton Oaks, 2018)</title>
      <description>Today I talked to Thaisa Way, editor of River Cities, City Rivers (Dumbarton Oaks Research Library and Collection, 2018).
Cities have been built alongside rivers throughout history. These rivers can shape a city’s success or cause its destruction. At the same time, city-building reshapes rivers and their landscapes. Cities have harnessed, modified, and engineered rivers, altering ecologies and creating new landscapes in the process of urbanization. Rivers are also shaped by the development of cities as urban landscapes, just as the cities are shaped by their relationship to the river.
In the river city, the city river is a dynamic contributor to the urban landscape with its flow of urban economies, geographies, and cultures. Yet we have rarely given these urban landscapes their due. Building on emerging interest in the resilience of cities, this book and the original symposium consider river cities and city rivers to explore how histories have shaped the present and how they might inform our visions of the future.
Thaisa Way is Program Director, Garden &amp; Landscape Studies, Dumbarton Oaks Professor Urban University Of Washington
Tricia Keffer ASLA, MLA Landscape Architecture with a design practice in the Florida Keys PlantsPeopleLove.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 16 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Cities have been built alongside rivers throughout history...</itunes:subtitle>
      <itunes:summary>Today I talked to Thaisa Way, editor of River Cities, City Rivers (Dumbarton Oaks Research Library and Collection, 2018).
Cities have been built alongside rivers throughout history. These rivers can shape a city’s success or cause its destruction. At the same time, city-building reshapes rivers and their landscapes. Cities have harnessed, modified, and engineered rivers, altering ecologies and creating new landscapes in the process of urbanization. Rivers are also shaped by the development of cities as urban landscapes, just as the cities are shaped by their relationship to the river.
In the river city, the city river is a dynamic contributor to the urban landscape with its flow of urban economies, geographies, and cultures. Yet we have rarely given these urban landscapes their due. Building on emerging interest in the resilience of cities, this book and the original symposium consider river cities and city rivers to explore how histories have shaped the present and how they might inform our visions of the future.
Thaisa Way is Program Director, Garden &amp; Landscape Studies, Dumbarton Oaks Professor Urban University Of Washington
Tricia Keffer ASLA, MLA Landscape Architecture with a design practice in the Florida Keys PlantsPeopleLove.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Thaisa Way, editor of <a href="https://www.amazon.com/Dumbarton-Colloquium-History-Landscape-Architecture/dp/0884024253/?tag=newbooinhis-20"><em>River Cities, City Rivers</em></a> (Dumbarton Oaks Research Library and Collection, 2018).</p><p>Cities have been built alongside rivers throughout history. These rivers can shape a city’s success or cause its destruction. At the same time, city-building reshapes rivers and their landscapes. Cities have harnessed, modified, and engineered rivers, altering ecologies and creating new landscapes in the process of urbanization. Rivers are also shaped by the development of cities as urban landscapes, just as the cities are shaped by their relationship to the river.</p><p>In the river city, the city river is a dynamic contributor to the urban landscape with its flow of urban economies, geographies, and cultures. Yet we have rarely given these urban landscapes their due. Building on emerging interest in the resilience of cities, this book and the original symposium consider river cities and city rivers to explore how histories have shaped the present and how they might inform our visions of the future.</p><p><a href="https://www.thaisaway.com/">Thaisa Way</a> is Program Director, Garden &amp; Landscape Studies, Dumbarton Oaks Professor Urban University Of Washington</p><p><em>Tricia Keffer ASLA, MLA Landscape Architecture with a design practice in the Florida Keys </em><a href="http://PlantsPeopleLove.com"><em>PlantsPeopleLove.com</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3486</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[af46c99c-bfb1-11ea-93ec-5b329f3da6ac]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT3198318864.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laurie Olin, "France Sketchbook" (ORO Editions, 2020)</title>
      <description>For centuries artists and designers have recorded places, people, and life in travel sketchbooks. Over a period of fifty years, Laurie Olin, one of America’s most distinguished landscape architects, has recorded aspects of France: its cities and countryside, streets and cafes, ancient ruins, vineyards, and parks—from humble to grand, things that interested his designer’s eye—taking the time to see things carefully. Paris in its seasons, agriculture in Provence and Bordeaux, trees, dogs, and fountains, all are noted over the years in watercolor or pen and ink.
Originally intended for the pleasure of merely being there as well as self-education, Olin's France Sketchbook (ORO Editions, 2020) offers a selection from his many sketchbooks is accompanied by transcriptions of notes and observations, along with introductory remarks for the different regions included: Paris, Haute Loire, Provence, Haute Provence, Normandy, Aquitaine, and Entre des Meures.
Laurie Olin is a distinguished teacher, author, and one of the most renowned landscape architects practicing today. From vision to realization, he has guided many of OLIN’s signature projects, which span the history of the studio from the Washington Monument Grounds in Washington, DC to Bryant Park in New York City. His recent projects include the AIA award-winning Barnes Foundation in Philadelphia, Pennsylvania.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 15 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Olin offers a selection from his many sketchbooks is accompanied by transcriptions of notes and observations...</itunes:subtitle>
      <itunes:summary>For centuries artists and designers have recorded places, people, and life in travel sketchbooks. Over a period of fifty years, Laurie Olin, one of America’s most distinguished landscape architects, has recorded aspects of France: its cities and countryside, streets and cafes, ancient ruins, vineyards, and parks—from humble to grand, things that interested his designer’s eye—taking the time to see things carefully. Paris in its seasons, agriculture in Provence and Bordeaux, trees, dogs, and fountains, all are noted over the years in watercolor or pen and ink.
Originally intended for the pleasure of merely being there as well as self-education, Olin's France Sketchbook (ORO Editions, 2020) offers a selection from his many sketchbooks is accompanied by transcriptions of notes and observations, along with introductory remarks for the different regions included: Paris, Haute Loire, Provence, Haute Provence, Normandy, Aquitaine, and Entre des Meures.
Laurie Olin is a distinguished teacher, author, and one of the most renowned landscape architects practicing today. From vision to realization, he has guided many of OLIN’s signature projects, which span the history of the studio from the Washington Monument Grounds in Washington, DC to Bryant Park in New York City. His recent projects include the AIA award-winning Barnes Foundation in Philadelphia, Pennsylvania.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For centuries artists and designers have recorded places, people, and life in travel sketchbooks. Over a period of fifty years, <a href="https://en.wikipedia.org/wiki/Laurie_Olin">Laurie Olin</a>, one of America’s most distinguished landscape architects, has recorded aspects of France: its cities and countryside, streets and cafes, ancient ruins, vineyards, and parks—from humble to grand, things that interested his designer’s eye—taking the time to see things carefully. Paris in its seasons, agriculture in Provence and Bordeaux, trees, dogs, and fountains, all are noted over the years in watercolor or pen and ink.</p><p>Originally intended for the pleasure of merely being there as well as self-education, Olin's <a href="https://www.amazon.com/dp/1943532575/?tag=newbooinhis-20"><em>France Sketchbook</em></a> (ORO Editions, 2020) offers a selection from his many sketchbooks is accompanied by transcriptions of notes and observations, along with introductory remarks for the different regions included: Paris, Haute Loire, Provence, Haute Provence, Normandy, Aquitaine, and Entre des Meures.</p><p>Laurie Olin is a distinguished teacher, author, and one of the most renowned landscape architects practicing today. From vision to realization, he has guided many of OLIN’s signature projects, which span the history of the studio from the Washington Monument Grounds in Washington, DC to Bryant Park in New York City. His recent projects include the AIA award-winning Barnes Foundation in Philadelphia, Pennsylvania.</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3034</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[054f51ac-bedf-11ea-9457-43a7e844e730]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT1384988781.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert Sroufe, "Integrated Management: How Sustainability Creates Value for Any Business" (Emerald, 2018)</title>
      <description>Integration has been a key theme across the general management, organizational behavior, supply chain management, strategy, information systems and the environmental management literature for decades. Sustainability continues to be, at the “top of the agenda” in the C-suite. Despite this, specialists in academia and organizations lack the peripheral vision to understand the power of a more integrated approach that will empower functional groups to become best-in-class without forcing trade-offs that pull down other groups connected to overall operations. Integrated Management is the key driver of innovation and profitability in progressive companies. It reduces risks while pursuing new opportunities, and the checks and balances for prudent management are baked in the strategy for modern go-to-market synergy and growth.
What can be done, then, by individuals, functions, organizations, value chains, and even whole cities to integrate and align sustainability? In his book Integrated Management: How Sustainability Creates Value for Any Business (Emerald, 2018), Robert Sroufe answers this question. Sroufe considers the opportunity we have to enable an enterprise value proposition that includes environmental, social and governance (ESG) performance. Integrated management applies a proven strategic planning approach to uncover the tools and actions available for change management and performance measured with an Integrated Bottom Line (IBL). Using evidence based examples from best-in-practice enterprises, proven management tenets, models and tools alongside emerging technologies, we can develop integrated solutions aligned with the UN Sustainable Development Goals (SDGs).
Tricia Keffer ASLA, MLA Landscape Architecture with a design practice in the Florida Keys PlantsPeopleLove.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 10 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>54</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What can be done, then, by individuals, functions, organizations, value chains, and even whole cities to integrate and align sustainability?</itunes:subtitle>
      <itunes:summary>Integration has been a key theme across the general management, organizational behavior, supply chain management, strategy, information systems and the environmental management literature for decades. Sustainability continues to be, at the “top of the agenda” in the C-suite. Despite this, specialists in academia and organizations lack the peripheral vision to understand the power of a more integrated approach that will empower functional groups to become best-in-class without forcing trade-offs that pull down other groups connected to overall operations. Integrated Management is the key driver of innovation and profitability in progressive companies. It reduces risks while pursuing new opportunities, and the checks and balances for prudent management are baked in the strategy for modern go-to-market synergy and growth.
What can be done, then, by individuals, functions, organizations, value chains, and even whole cities to integrate and align sustainability? In his book Integrated Management: How Sustainability Creates Value for Any Business (Emerald, 2018), Robert Sroufe answers this question. Sroufe considers the opportunity we have to enable an enterprise value proposition that includes environmental, social and governance (ESG) performance. Integrated management applies a proven strategic planning approach to uncover the tools and actions available for change management and performance measured with an Integrated Bottom Line (IBL). Using evidence based examples from best-in-practice enterprises, proven management tenets, models and tools alongside emerging technologies, we can develop integrated solutions aligned with the UN Sustainable Development Goals (SDGs).
Tricia Keffer ASLA, MLA Landscape Architecture with a design practice in the Florida Keys PlantsPeopleLove.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Integration has been a key theme across the general management, organizational behavior, supply chain management, strategy, information systems and the environmental management literature for decades. Sustainability continues to be, at the “top of the agenda” in the C-suite. Despite this, specialists in academia and organizations lack the peripheral vision to understand the power of a more integrated approach that will empower functional groups to become best-in-class without forcing trade-offs that pull down other groups connected to overall operations. Integrated Management is the key driver of innovation and profitability in progressive companies. It reduces risks while pursuing new opportunities, and the checks and balances for prudent management are baked in the strategy for modern go-to-market synergy and growth.</p><p>What can be done, then, by individuals, functions, organizations, value chains, and even whole cities to integrate and align sustainability? In his book <a href="https://www.amazon.com/dp/178714562X/?tag=newbooinhis-20"><em>Integrated Management: How Sustainability Creates Value for Any Business</em></a> (Emerald, 2018), <a href="https://www.duq.edu/academics/faculty/robert-sroufe">Robert Sroufe</a> answers this question. Sroufe considers the opportunity we have to enable an enterprise value proposition that includes environmental, social and governance (ESG) performance. Integrated management applies a proven strategic planning approach to uncover the tools and actions available for change management and performance measured with an Integrated Bottom Line (IBL). Using evidence based examples from best-in-practice enterprises, proven management tenets, models and tools alongside emerging technologies, we can develop integrated solutions aligned with the UN Sustainable Development Goals (SDGs).</p><p><em>Tricia Keffer ASLA, MLA Landscape Architecture with a design practice in the Florida Keys </em><a href="http://PlantsPeopleLove.com"><em>PlantsPeopleLove.com</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3061</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[65bd61c0-bbb8-11ea-8dc5-9ff970a6ef35]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT4694374386.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sam Roberts, "A History of New York in 27 Buildings: The 400-Year Untold Story of an American Metropolis" (Bloomsbury, 2019)</title>
      <description>In his new book A History of New York in 27 Buildings: The 400-Year Untold Story of an American Metropolis (Bloomsbury, 2019), New York Times correspondent Sam Roberts tells the story of the city through bricks, glass, wood, and mortar, revealing why and how it evolved into the nation's biggest and most influential. From the seven hundred thousand or so buildings in New York, Roberts selects twenty-seven that, in the past four centuries, have been the most emblematic of the city's economic, social, and political evolution. Roberts describes not only the buildings and how they came to be, but also their enduring impact on the city and its people and how the consequences of the construction often reverberated around the world.
A few structures, such as the Empire State Building, are architectural icons, but Roberts goes beyond the familiar with intriguing stories of the personalities and exploits behind the unrivaled skyscraper's construction. Some stretch the definition of buildings, to include the city's oldest bridge and the landmark Coney Island Boardwalk. Others offer surprises: where the United Nations General Assembly first met; a hidden hub of global internet traffic; a nondescript factory that produced billions of dollars of currency in the poorest neighborhood in the country; and the buildings that triggered the Depression and launched the New Deal.
With his deep knowledge of the city and penchant for fascinating facts, Roberts brings to light the brilliant architecture, remarkable history, and bright future of the greatest city in the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 24 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>159</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Roberts tells the story of the city through bricks, glass, wood, and mortar, revealing why and how it evolved into the nation's biggest and most influential....</itunes:subtitle>
      <itunes:summary>In his new book A History of New York in 27 Buildings: The 400-Year Untold Story of an American Metropolis (Bloomsbury, 2019), New York Times correspondent Sam Roberts tells the story of the city through bricks, glass, wood, and mortar, revealing why and how it evolved into the nation's biggest and most influential. From the seven hundred thousand or so buildings in New York, Roberts selects twenty-seven that, in the past four centuries, have been the most emblematic of the city's economic, social, and political evolution. Roberts describes not only the buildings and how they came to be, but also their enduring impact on the city and its people and how the consequences of the construction often reverberated around the world.
A few structures, such as the Empire State Building, are architectural icons, but Roberts goes beyond the familiar with intriguing stories of the personalities and exploits behind the unrivaled skyscraper's construction. Some stretch the definition of buildings, to include the city's oldest bridge and the landmark Coney Island Boardwalk. Others offer surprises: where the United Nations General Assembly first met; a hidden hub of global internet traffic; a nondescript factory that produced billions of dollars of currency in the poorest neighborhood in the country; and the buildings that triggered the Depression and launched the New Deal.
With his deep knowledge of the city and penchant for fascinating facts, Roberts brings to light the brilliant architecture, remarkable history, and bright future of the greatest city in the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book <a href="https://www.amazon.com/dp/1620409801/?tag=newbooinhis-20"><em>A History of New York in 27 Buildings: The 400-Year Untold Story of an American Metropolis</em></a> (Bloomsbury, 2019), <em>New York Times </em>correspondent <a href="https://www.nytimes.com/by/sam-roberts">Sam Roberts</a> tells the story of the city through bricks, glass, wood, and mortar, revealing why and how it evolved into the nation's biggest and most influential. From the seven hundred thousand or so buildings in New York, Roberts selects twenty-seven that, in the past four centuries, have been the most emblematic of the city's economic, social, and political evolution. Roberts describes not only the buildings and how they came to be, but also their enduring impact on the city and its people and how the consequences of the construction often reverberated around the world.</p><p>A few structures, such as the Empire State Building, are architectural icons, but Roberts goes beyond the familiar with intriguing stories of the personalities and exploits behind the unrivaled skyscraper's construction. Some stretch the definition of buildings, to include the city's oldest bridge and the landmark Coney Island Boardwalk. Others offer surprises: where the United Nations General Assembly first met; a hidden hub of global internet traffic; a nondescript factory that produced billions of dollars of currency in the poorest neighborhood in the country; and the buildings that triggered the Depression and launched the New Deal.</p><p>With his deep knowledge of the city and penchant for fascinating facts, Roberts brings to light the brilliant architecture, remarkable history, and bright future of the greatest city in the world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2414</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5b491894-ac1b-11ea-b259-9f6b5d4280fb]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT6251964773.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Erica Bauermeister, "House Lessons: Renovating a Life" (Sasquatch Books, 2020)</title>
      <description>From the New York Times, best selling author Erica Bauermeister comes House Lessons: Renovating a Life (Sasquatch Books, 2020). This memoir is about the power of home, and the transformative act of restoring one house in particular. In this mesmerizing memoir-in-essays, Erica Bauermeister renovates a trash-filled house in eccentric Port Townsend, Washington, and in the process takes readers on a journey to discover the ways our spaces subliminally affect us. A personal, accessible, and literary exploration of the psychology of architecture, as well as a loving tribute to the connections we forge with the homes we care for and live in, this book is designed for anyone who's ever fallen head over heels for a house. It is also a story of a marriage, of family, and of the kind of roots that settle deep into your heart. Discover what happens when a house has its own lessons to teach in this moving and insightful memoir that ultimately shows us how to make our own homes (and lives) better.
Erica Bauermeister is the bestselling author of four novels, and the co-author of two works of non-fiction: 500 Great Books by Women: A Reader's Guide and Let's Hear It For the Girls: 375 Great Books for Readers 2-14. She has a PhD in literature from the University of Washington and has taught there and at Antioch University. She is a founding member of the Seattle 7 Writers and currently lives in Port Townsend, Washington, in the house she renovated with her family.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 08 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>116</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This memoir is about the power of home, and the transformative act of restoring one house in particular...</itunes:subtitle>
      <itunes:summary>From the New York Times, best selling author Erica Bauermeister comes House Lessons: Renovating a Life (Sasquatch Books, 2020). This memoir is about the power of home, and the transformative act of restoring one house in particular. In this mesmerizing memoir-in-essays, Erica Bauermeister renovates a trash-filled house in eccentric Port Townsend, Washington, and in the process takes readers on a journey to discover the ways our spaces subliminally affect us. A personal, accessible, and literary exploration of the psychology of architecture, as well as a loving tribute to the connections we forge with the homes we care for and live in, this book is designed for anyone who's ever fallen head over heels for a house. It is also a story of a marriage, of family, and of the kind of roots that settle deep into your heart. Discover what happens when a house has its own lessons to teach in this moving and insightful memoir that ultimately shows us how to make our own homes (and lives) better.
Erica Bauermeister is the bestselling author of four novels, and the co-author of two works of non-fiction: 500 Great Books by Women: A Reader's Guide and Let's Hear It For the Girls: 375 Great Books for Readers 2-14. She has a PhD in literature from the University of Washington and has taught there and at Antioch University. She is a founding member of the Seattle 7 Writers and currently lives in Port Townsend, Washington, in the house she renovated with her family.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the <em>New York Times</em>, best selling author <a href="http://www.ericabauermeister.com/"><em>Erica Bauermeister</em></a> comes <a href="https://www.amazon.com/dp/1632172445/?tag=newbooinhis-20"><em>House Lessons: Renovating a Life</em></a><em> </em>(Sasquatch Books, 2020). This memoir is about the power of home, and the transformative act of restoring one house in particular. In this mesmerizing memoir-in-essays, Erica Bauermeister renovates a trash-filled house in eccentric Port Townsend, Washington, and in the process takes readers on a journey to discover the ways our spaces subliminally affect us. A personal, accessible, and literary exploration of the psychology of architecture, as well as a loving tribute to the connections we forge with the homes we care for and live in, this book is designed for anyone who's ever fallen head over heels for a house. It is also a story of a marriage, of family, and of the kind of roots that settle deep into your heart. Discover what happens when a house has its own lessons to teach in this moving and insightful memoir that ultimately shows us how to make our own homes (and lives) better.</p><p>Erica Bauermeister is the bestselling author of four novels, and the co-author of two works of non-fiction: <em>500 Great Books by Women: A Reader's Guide</em> and <em>Let's Hear It For the Girls: 375 Great Books for Readers 2-14.</em> She has a PhD in literature from the University of Washington and has taught there and at Antioch University. She is a founding member of the Seattle 7 Writers and currently lives in Port Townsend, Washington, in the house she renovated with her family.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3696</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c4a85a22-a106-11ea-9e81-cbfc0a45e65f]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT1582582930.mp3?updated=1591738517" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anne Godfrey, "Active Landscape Photography: Theoretical Groundwork for Landscape Architecture" (Routledge, 2020)</title>
      <description>Photographs play a hugely influential but largely unexamined role in the practice of landscape architecture and design. Through a diverse set of essays and case studies, this seminal text unpacks the complex relationship between landscape architecture and photography. It explores the influence of photographic seeing on the design process by presenting theoretical concepts from photography and cultural theory through the lens of landscape architecture practice to create a rigorous, open discussion.
Beautifully illustrated in full color throughout, with over 200 images, Anne Godfrey's Active Landscape Photography: Theoretical Groundwork for Landscape Architecture (Routledge, 2020) covers a variety of topics: the diversity of everyday photographic practices for design decision making, the perception of landscape architecture through photography, transcending the objective and subjective with photography, and deploying multiplicity in photographic representation as a means to better represent the complexity of the discipline. Rather than solving problems and providing tidy solutions to the ubiquitous relationship between photography and landscape architecture, this book aims to invigorate a wider dialogue about photography's influence on how landscapes are understood, valued and designed. Active photographic practices are presented throughout for professionals, academics, students and researchers.
Anne Godfrey is an award winning professor of landscape architecture in both teaching and research at SUNY College of Environmental Science and Forestry.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 05 Jun 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>53</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Photographs play a hugely influential but largely unexamined role in the practice of landscape architecture and design...</itunes:subtitle>
      <itunes:summary>Photographs play a hugely influential but largely unexamined role in the practice of landscape architecture and design. Through a diverse set of essays and case studies, this seminal text unpacks the complex relationship between landscape architecture and photography. It explores the influence of photographic seeing on the design process by presenting theoretical concepts from photography and cultural theory through the lens of landscape architecture practice to create a rigorous, open discussion.
Beautifully illustrated in full color throughout, with over 200 images, Anne Godfrey's Active Landscape Photography: Theoretical Groundwork for Landscape Architecture (Routledge, 2020) covers a variety of topics: the diversity of everyday photographic practices for design decision making, the perception of landscape architecture through photography, transcending the objective and subjective with photography, and deploying multiplicity in photographic representation as a means to better represent the complexity of the discipline. Rather than solving problems and providing tidy solutions to the ubiquitous relationship between photography and landscape architecture, this book aims to invigorate a wider dialogue about photography's influence on how landscapes are understood, valued and designed. Active photographic practices are presented throughout for professionals, academics, students and researchers.
Anne Godfrey is an award winning professor of landscape architecture in both teaching and research at SUNY College of Environmental Science and Forestry.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Photographs play a hugely influential but largely unexamined role in the practice of landscape architecture and design. Through a diverse set of essays and case studies, this seminal text unpacks the complex relationship between landscape architecture and photography. It explores the influence of photographic seeing on the design process by presenting theoretical concepts from photography and cultural theory through the lens of landscape architecture practice to create a rigorous, open discussion.</p><p>Beautifully illustrated in full color throughout, with over 200 images, <a href="https://www.esf.edu/faculty/godfrey/">Anne Godfrey</a>'s <a href="https://www.amazon.com/dp/1138479071/?tag=newbooinhis-20"><em>Active Landscape Photography: Theoretical Groundwork for Landscape Architecture</em></a> (Routledge, 2020) covers a variety of topics: the diversity of everyday photographic practices for design decision making, the perception of landscape architecture through photography, transcending the objective and subjective with photography, and deploying multiplicity in photographic representation as a means to better represent the complexity of the discipline. Rather than solving problems and providing tidy solutions to the ubiquitous relationship between photography and landscape architecture, this book aims to invigorate a wider dialogue about photography's influence on how landscapes are understood, valued and designed. Active photographic practices are presented throughout for professionals, academics, students and researchers.</p><p>Anne Godfrey is an award winning professor of landscape architecture in both teaching and research at SUNY College of Environmental Science and Forestry.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3104</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2707789e-9def-11ea-ab07-5b72fab613ce]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT1841083919.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Susie Hodge, "The Short Story of Architecture" (Laurence King Publishing, 2019)</title>
      <description>What makes a building’s design come alive as it helps shape our existence?
Listen in as I discuss this and other questions with Susie Hodge, author of The Short Story of Architecture: A Pocket Guide to Key Styles, Buildings, Elements &amp; Materials (Laurence King Publishing, 2019)
Hodge is an art and design historian, author and artist with over 150 books published for adults and children alike. She’s also a frequent contributor to magazines, museum and gallery web resources, and radio and TV news programs and documentaries.
Topics covered in this episode include:
--The religious, civic, and cultural buildings that most stand out for Hodge, among the book’s stellar options, with the specific emotional responses each one elicits.
--Frank Lloyd Wright, Le Corbusier and Antoni Gaudi weren’t just great architects, they also had forceful, colorful personalities revealed here through select anecdotes.
--Which of the houses in this book influenced the top 10 must popular house styles in America? Learn as well which rooms in their houses Americans favor the most.
Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. To check out his “Faces of the Week” blog, visit https://emotionswizard.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 04 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What makes a building’s design come alive as it helps shape our existence?</itunes:subtitle>
      <itunes:summary>What makes a building’s design come alive as it helps shape our existence?
Listen in as I discuss this and other questions with Susie Hodge, author of The Short Story of Architecture: A Pocket Guide to Key Styles, Buildings, Elements &amp; Materials (Laurence King Publishing, 2019)
Hodge is an art and design historian, author and artist with over 150 books published for adults and children alike. She’s also a frequent contributor to magazines, museum and gallery web resources, and radio and TV news programs and documentaries.
Topics covered in this episode include:
--The religious, civic, and cultural buildings that most stand out for Hodge, among the book’s stellar options, with the specific emotional responses each one elicits.
--Frank Lloyd Wright, Le Corbusier and Antoni Gaudi weren’t just great architects, they also had forceful, colorful personalities revealed here through select anecdotes.
--Which of the houses in this book influenced the top 10 must popular house styles in America? Learn as well which rooms in their houses Americans favor the most.
Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. To check out his “Faces of the Week” blog, visit https://emotionswizard.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>What makes a building’s design come alive as it helps shape our existence?</em></p><p>Listen in as I discuss this and other questions with <a href="https://www.susiehodge.com/">Susie Hodge</a>, author of <a href="https://www.amazon.com/dp/1786273705/?tag=newbooinhis-20"><em>The Short Story of Architecture: A Pocket Guide to Key Styles, Buildings, Elements &amp; Materials</em></a> (Laurence King Publishing, 2019)</p><p>Hodge is an art and design historian, author and artist with over 150 books published for adults and children alike. She’s also a frequent contributor to magazines, museum and gallery web resources, and radio and TV news programs and documentaries.</p><p>Topics covered in this episode include:</p><p>--The religious, civic, and cultural buildings that most stand out for Hodge, among the book’s stellar options, with the specific emotional responses each one elicits.</p><p>--Frank Lloyd Wright, Le Corbusier and Antoni Gaudi weren’t just great architects, they also had forceful, colorful personalities revealed here through select anecdotes.</p><p>--Which of the houses in this book influenced the top 10 must popular house styles in America? Learn as well which rooms in their houses Americans favor the most.</p><p><a href="https://www.sensorylogic.com"><em>Dan Hill</em></a><em>, PhD, is the author of eight books and leads Sensory Logic, Inc. To check out his “Faces of the Week” blog, visit </em><a href="https://emotionswizard.com"><em>https://emotionswizard.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2467</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2ec6b9a6-b7b1-11ea-bbc7-bbccf473879e]]></guid>
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    </item>
    <item>
      <title>Pablo Meninato, "Unexpected Affinities: The History of Type in Architectural Project from Laugier to Duchamp" (Routledge, 2018)</title>
      <description>While the concept of "type" has been present in architectural discourse since its formal introduction at the end of the eighteenth century, its role in the development of architectural projects has not been comprehensively analyzed. This book proposes a reassessment of architectural type throughout history and its impact on the development of architectural theory and practice. Beginning with Laugier's 1753 Essay on Architecture, Pablo Meninato's Unexpected Affinities: The History of Type from Laugier to Duchamp (Routledge, 2018) traces type through nineteenth- and twentiethth-century architectural movements and thoeries, culminating in a discussion of the affinities between architectural type and Duchamp's concept of the readymade. Includes over sixty black and white images.
Pablo Meninato, PhD is an architect, architectural critic, and educator whose research focuses on the conception and development of the architectural project.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 03 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>52</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>While the concept of "type" has been present in architectural discourse since its formal introduction at the end of the eighteenth century, its role in the development of architectural projects has not been comprehensively analyzed...</itunes:subtitle>
      <itunes:summary>While the concept of "type" has been present in architectural discourse since its formal introduction at the end of the eighteenth century, its role in the development of architectural projects has not been comprehensively analyzed. This book proposes a reassessment of architectural type throughout history and its impact on the development of architectural theory and practice. Beginning with Laugier's 1753 Essay on Architecture, Pablo Meninato's Unexpected Affinities: The History of Type from Laugier to Duchamp (Routledge, 2018) traces type through nineteenth- and twentiethth-century architectural movements and thoeries, culminating in a discussion of the affinities between architectural type and Duchamp's concept of the readymade. Includes over sixty black and white images.
Pablo Meninato, PhD is an architect, architectural critic, and educator whose research focuses on the conception and development of the architectural project.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While the concept of "type" has been present in architectural discourse since its formal introduction at the end of the eighteenth century, its role in the development of architectural projects has not been comprehensively analyzed. This book proposes a reassessment of architectural type throughout history and its impact on the development of architectural theory and practice. Beginning with Laugier's 1753 <em>Essay on Architecture</em>, <a href="https://tyler.temple.edu/faculty/pablo-meninato-phd">Pablo Meninato</a>'s <a href="https://www.amazon.com/dp/0815363931/?tag=newbooinhis-20"><em>Unexpected Affinities: The History of Type from Laugier to Duchamp</em></a> (Routledge, 2018)<em> </em>traces type through nineteenth- and twentiethth-century architectural movements and thoeries, culminating in a discussion of the affinities between architectural type and Duchamp's concept of the readymade. Includes over sixty black and white images.</p><p>Pablo Meninato, PhD is an architect, architectural critic, and educator whose research focuses on the conception and development of the architectural project.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2930</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[82ae4312-9dbd-11ea-8170-63fce3b941e8]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT2213916572.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brian Greene, "Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe" (Random House, 2020)</title>
      <description>Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020)
Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced.
John Weston is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at john.weston@aalto.fi and @johnwphd.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 02 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Greene offers the the reader a theory of everything...</itunes:subtitle>
      <itunes:summary>Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020)
Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced.
John Weston is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at john.weston@aalto.fi and @johnwphd.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.briangreene.org/">Brian Greene</a> is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the <a href="https://www.worldsciencefestival.com/">World Science Festival</a>. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book <a href="https://www.amazon.com/dp/0593171721/?tag=newbooinhis-20"><em>Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe</em></a> (Random House, 2020)</p><p><em>Until the End of Time</em> gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced.</p><p><a href="https://www.aalto.fi/en/people/john-weston"><em>John Weston</em></a><em> is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at </em><a href="mailto:john.weston@aalto.fi"><em>john.weston@aalto.fi</em></a><em> and </em><a href="https://twitter.com/johnwphd"><em>@johnwphd</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>7237</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1a25e208-a34b-11ea-b75f-9b21be7ce439]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT4419084274.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jane Hutton, "Reciprocal Landscapes: Stories of Material Movements" (Routledge, 2020)</title>
      <description>How are the far-away, invisible landscapes where materials come from related to the highly visible, urban landscapes where those same materials are installed? Reciprocal Landscapes: Stories of Material Movements traces five everyday landscape construction materials – fertilizer, stone, steel, trees, and wood – from seminal public landscapes in New York City, back to where they came from.
Jane Hutton's new book Reciprocal Landscapes: Stories of Material Movements (Routledge, 2020) considers the social, political, and ecological entanglements of material practice, challenging readers to think of materials not as inert products but as continuous with land and the people that shape them, and to reimagine forms of construction in solidarity with people, other species, and landscapes elsewhere.
Jane Hutton is a landscape architect and Assistant Professor in the School of Architecture at the University of Waterloo Ontario, Canada.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 01 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>51</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How are the far-away, invisible landscapes where materials come from related to the highly visible, urban landscapes where those same materials are installed?</itunes:subtitle>
      <itunes:summary>How are the far-away, invisible landscapes where materials come from related to the highly visible, urban landscapes where those same materials are installed? Reciprocal Landscapes: Stories of Material Movements traces five everyday landscape construction materials – fertilizer, stone, steel, trees, and wood – from seminal public landscapes in New York City, back to where they came from.
Jane Hutton's new book Reciprocal Landscapes: Stories of Material Movements (Routledge, 2020) considers the social, political, and ecological entanglements of material practice, challenging readers to think of materials not as inert products but as continuous with land and the people that shape them, and to reimagine forms of construction in solidarity with people, other species, and landscapes elsewhere.
Jane Hutton is a landscape architect and Assistant Professor in the School of Architecture at the University of Waterloo Ontario, Canada.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How are the far-away, invisible landscapes where materials come from related to the highly visible, urban landscapes where those same materials are installed? Reciprocal Landscapes: Stories of Material Movements traces five everyday landscape construction materials – fertilizer, stone, steel, trees, and wood – from seminal public landscapes in New York City, back to where they came from.</p><p>Jane Hutton's new book <a href="https://www.amazon.com/dp/1138830682/?tag=newbooinhis-20"><em>Reciprocal Landscapes: Stories of Material Movements</em></a> (Routledge, 2020) considers the social, political, and ecological entanglements of material practice, challenging readers to think of materials not as inert products but as continuous with land and the people that shape them, and to reimagine forms of construction in solidarity with people, other species, and landscapes elsewhere.</p><p><a href="https://uwaterloo.ca/architecture/people-profiles/jane-hutton">Jane Hutton</a> is a landscape architect and Assistant Professor in the School of Architecture at the University of Waterloo Ontario, Canada.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2602</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[088ca528-9d14-11ea-981b-47adb5c62b9c]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT7389003724.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert Sroufe et al, "The Power of Existing Buildings" (Island Press, 2019)</title>
      <description>Your building has the potential to change the world. Existing buildings consume approximately 40 percent of the energy and emit nearly half of the carbon dioxide in the US each year. In recognition of the significant contribution of buildings to climate change, the idea of building green has become increasingly popular. But is it enough? If an energy-efficient building is new construction, it may take 10 to 80 years to overcome the climate change impacts of the building process. New buildings are sexy, but few realize the value in existing buildings and how easy it is to get to “zero energy” or low-energy consumption through deep energy retrofits. Existing buildings can and should be retrofit to reduce environmental impacts that contribute to climate change, while improving human health and productivity for building occupants.
In The Power of Existing Buildings: Save Money, Improve Health, and Reduce Environmental Impacts (Island Press, 2019), academic sustainability expert Robert Sroufe, and construction and building experts Craig Stevenson and Beth Eckenrode, explain how to realize the potential of existing buildings and make them perform like new. This step-by-step guide will help readers to: understand where to start a project; develop financial models and realize costs savings; assemble an expert team; and align goals with numerous sustainability programs. The Power of Existing Buildings will challenge you to rethink spaces where people work and play, while determining how existing buildings can save the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 12 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Your building has the potential to change the world...</itunes:subtitle>
      <itunes:summary>Your building has the potential to change the world. Existing buildings consume approximately 40 percent of the energy and emit nearly half of the carbon dioxide in the US each year. In recognition of the significant contribution of buildings to climate change, the idea of building green has become increasingly popular. But is it enough? If an energy-efficient building is new construction, it may take 10 to 80 years to overcome the climate change impacts of the building process. New buildings are sexy, but few realize the value in existing buildings and how easy it is to get to “zero energy” or low-energy consumption through deep energy retrofits. Existing buildings can and should be retrofit to reduce environmental impacts that contribute to climate change, while improving human health and productivity for building occupants.
In The Power of Existing Buildings: Save Money, Improve Health, and Reduce Environmental Impacts (Island Press, 2019), academic sustainability expert Robert Sroufe, and construction and building experts Craig Stevenson and Beth Eckenrode, explain how to realize the potential of existing buildings and make them perform like new. This step-by-step guide will help readers to: understand where to start a project; develop financial models and realize costs savings; assemble an expert team; and align goals with numerous sustainability programs. The Power of Existing Buildings will challenge you to rethink spaces where people work and play, while determining how existing buildings can save the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Your building has the potential to change the world. Existing buildings consume approximately 40 percent of the energy and emit nearly half of the carbon dioxide in the US each year. In recognition of the significant contribution of buildings to climate change, the idea of building green has become increasingly popular. But is it enough? If an energy-efficient building is new construction, it may take 10 to 80 years to overcome the climate change impacts of the building process. New buildings are sexy, but few realize the value in existing buildings and how easy it is to get to “zero energy” or low-energy consumption through deep energy retrofits. Existing buildings can and should be retrofit to reduce environmental impacts that contribute to climate change, while improving human health and productivity for building occupants.</p><p>In <a href="https://www.amazon.com/dp/164283050X/?tag=newbooinhis-20"><em>The Power of Existing Buildings: Save Money, Improve Health, and Reduce Environmental Impacts</em></a> (Island Press, 2019), academic sustainability expert <a href="https://www.duq.edu/academics/faculty/robert-sroufe">Robert Sroufe</a>, and construction and building experts <a href="https://www.aurosgroup.com/team">Craig Stevenson</a> and <a href="https://www.aurosgroup.com/team">Beth Eckenrode</a>, explain how to realize the potential of existing buildings and make them perform like new. This step-by-step guide will help readers to: understand where to start a project; develop financial models and realize costs savings; assemble an expert team; and align goals with numerous sustainability programs. The Power of Existing Buildings will challenge you to rethink spaces where people work and play, while determining how existing buildings can save the world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3424</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d1c83c00-8ef9-11ea-9bce-7bbc9852ca28]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT5214274225.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Richard Williams "Why Cities Look the Way They Do" (Polity, 2019)</title>
      <description>How should we understand our cities? In Why Cities Look the Way They Do (Polity, 2019), Richard Williams, Professor of Contemporary Visual Cultures in History of Art at the University of Edinburgh explores the processes that shape the city foregrounding images over the idea that cities are designed or planned. The processes include the impact and influence of money, war, gender and sexuality, along with power and work. The book has a wealth of examples from cities across the world, from the megacities of Brazil, the financial hub of London, the sexual and computing spaces of San Francisco, to the aftermath of war in Belgrade. The range of examples, along with the focus on processes, make the book essential reading across the humanities and for anyone interested in contemporary urban life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 11 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>166</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How should we understand our cities?</itunes:subtitle>
      <itunes:summary>How should we understand our cities? In Why Cities Look the Way They Do (Polity, 2019), Richard Williams, Professor of Contemporary Visual Cultures in History of Art at the University of Edinburgh explores the processes that shape the city foregrounding images over the idea that cities are designed or planned. The processes include the impact and influence of money, war, gender and sexuality, along with power and work. The book has a wealth of examples from cities across the world, from the megacities of Brazil, the financial hub of London, the sexual and computing spaces of San Francisco, to the aftermath of war in Belgrade. The range of examples, along with the focus on processes, make the book essential reading across the humanities and for anyone interested in contemporary urban life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand our cities? In <a href="https://www.amazon.com/dp/3030246817/?tag=newbooinhis-20"><em>Why Cities Look the Way They Do </em></a>(Polity, 2019), <a href="https://twitter.com/rjwilliams44">Richard Williams</a>, <a href="https://www.eca.ed.ac.uk/profile/prof-richard-williams">Professor of Contemporary Visual Cultures </a>in History of Art at the University of Edinburgh explores the processes that shape the city foregrounding images over the idea that cities are designed or planned. The processes include the impact and influence of money, war, gender and sexuality, along with power and work. The book has a wealth of examples from cities across the world, from the megacities of Brazil, the financial hub of London, the sexual and computing spaces of San Francisco, to the aftermath of war in Belgrade. The range of examples, along with the focus on processes, make the book essential reading across the humanities and for anyone interested in contemporary urban life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2195</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5b58133a-8d7b-11ea-960e-77b0ee5c72c3]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT2026600459.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patrick M. Condon, "Five Rules for Tomorrow’s Cities" (Island Press, 2020)</title>
      <description>How we design our cities over the next four decades will be critical for our planet. If we continue to spill excessive greenhouse gas into the atmosphere, we will run out of time to keep our global temperature from increasing. Since approximately 80% of greenhouse gases come from cities, it follows that in the design of cities lies the fate of the world.
As urban designers respond to the critical issue of climate change they must also address three cresting cultural waves: the worldwide rural-to-urban migration; the collapse of global fertility rates; and the disappearance of the middle class. In Five Rules for Tomorrow's Cities: Design in an Age of Urban Migration, Demographic Change, and a Disappearing Middle Class (Island Press, 2020) planning and design expert Patrick Condon explains how urban designers can assimilate these interconnected changes into their work.
Condon shows how the very things that constrain cities—climate change, migration, financial stress, population change—could actually enable the emergence of a more equitable and resource-efficient city. He provides five rules for urban designers: (1) See the City as a System; (2) Recognize Patterns in the Urban Environment; (3) Apply Lighter, Greener, Smarter Infrastructure; (4) Strengthen Social and Economic Urban Resilience; and (5) Adapt to Shifts in Jobs, Retail, and Wages.
In Five Rules for Tomorrow’s Cities, Condon provides grounded and financially feasible design examples for tomorrow’s sustainable cities, and the design tools needed to achieve them.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 29 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How we design our cities over the next four decades will be critical for our planet...</itunes:subtitle>
      <itunes:summary>How we design our cities over the next four decades will be critical for our planet. If we continue to spill excessive greenhouse gas into the atmosphere, we will run out of time to keep our global temperature from increasing. Since approximately 80% of greenhouse gases come from cities, it follows that in the design of cities lies the fate of the world.
As urban designers respond to the critical issue of climate change they must also address three cresting cultural waves: the worldwide rural-to-urban migration; the collapse of global fertility rates; and the disappearance of the middle class. In Five Rules for Tomorrow's Cities: Design in an Age of Urban Migration, Demographic Change, and a Disappearing Middle Class (Island Press, 2020) planning and design expert Patrick Condon explains how urban designers can assimilate these interconnected changes into their work.
Condon shows how the very things that constrain cities—climate change, migration, financial stress, population change—could actually enable the emergence of a more equitable and resource-efficient city. He provides five rules for urban designers: (1) See the City as a System; (2) Recognize Patterns in the Urban Environment; (3) Apply Lighter, Greener, Smarter Infrastructure; (4) Strengthen Social and Economic Urban Resilience; and (5) Adapt to Shifts in Jobs, Retail, and Wages.
In Five Rules for Tomorrow’s Cities, Condon provides grounded and financially feasible design examples for tomorrow’s sustainable cities, and the design tools needed to achieve them.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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      <content:encoded>
        <![CDATA[<p>How we design our cities over the next four decades will be critical for our planet. If we continue to spill excessive greenhouse gas into the atmosphere, we will run out of time to keep our global temperature from increasing. Since approximately 80% of greenhouse gases come from cities, it follows that in the design of cities lies the fate of the world.</p><p>As urban designers respond to the critical issue of climate change they must also address three cresting cultural waves: the worldwide rural-to-urban migration; the collapse of global fertility rates; and the disappearance of the middle class. In <a href="https://www.amazon.com/dp/1610919602/?tag=newbooinhis-20"><em>Five Rules for Tomorrow's Cities: Design in an Age of Urban Migration, Demographic Change, and a Disappearing Middle Class</em></a> (Island Press, 2020) planning and design expert <a href="https://en.wikipedia.org/wiki/Patrick_Condon">Patrick Condon</a> explains how urban designers can assimilate these interconnected changes into their work.</p><p>Condon shows how the very things that constrain cities—climate change, migration, financial stress, population change—could actually enable the emergence of a more equitable and resource-efficient city. He provides five rules for urban designers: (1) See the City as a System; (2) Recognize Patterns in the Urban Environment; (3) Apply Lighter, Greener, Smarter Infrastructure; (4) Strengthen Social and Economic Urban Resilience; and (5) Adapt to Shifts in Jobs, Retail, and Wages.</p><p>In <em>Five Rules for Tomorrow’s Cities</em>, Condon provides grounded and financially feasible design examples for tomorrow’s sustainable cities, and the design tools needed to achieve them.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3441</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Leslie M. Harris, "Slavery and the University: Histories and Legacies" (U Georgia Press, 2019)</title>
      <description>Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.
The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.
Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of Slavery in New York and the coeditor, with Daina Ramey Berry, of Slavery and Freedom in Savannah (Georgia).
Adam McNeil is a History PhD student at Rutgers University-New Brunswick.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 28 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>193</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How involved with slavery were American universities? And what does their involvement mean for us?</itunes:subtitle>
      <itunes:summary>Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.
The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.
Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of Slavery in New York and the coeditor, with Daina Ramey Berry, of Slavery and Freedom in Savannah (Georgia).
Adam McNeil is a History PhD student at Rutgers University-New Brunswick.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.amazon.com/dp/0820354422/?tag=newbooinhis-20"><em>Slavery and the University: Histories and Legacies</em></a> (University of Georgia Press, 2019), edited by <a href="https://www.history.northwestern.edu/people/faculty/core-faculty/leslie-m-harris.html">Leslie M. Harris</a>, J<a href="https://history.stanford.edu/people/james-t-campbell">ames T. Campbell</a>, and <a href="https://en.wikipedia.org/wiki/Alfred_Brophy">Alfred L. Brophy</a>, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.</p><p>The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of <em>Slavery and the University</em> stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.</p><p>Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of <em>Slavery in New York</em> and the coeditor, with Daina Ramey Berry, of <em>Slavery and Freedom in Savannah</em> (Georgia).</p><p><em>Adam McNeil is a History PhD student at Rutgers University-New Brunswick.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3575</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Ünver Rüstem, "Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul" (Princeton UP, 2019)</title>
      <description>In Istanbul, there is a mosque on every hill. Cruising along the Bosphorus, either for pleasure, or like the majority of Istanbul’s denizens, for transit, you cannot help but notice that the city’s landscape would be dramatically altered without the mosques of the city. In Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul (Princeton University Press, 2019), Ünver Rüstem takes a stab of a slice of that history, arguing that we should see the eighteenth-century Baroque period in Ottoman mosque architecture as innovative and not derivative in how Ottoman mosque architecture integrated Baroque elements. By doing so, he pushes back effectively against notions of Ottoman decline and demonstrates that such architecture, praised in the contemporary writings of both Ottoman and Western viewers, successfully rebranded the Ottoman capital for a changing world. He also draws our eyes to the complex social process by which mosque design develops, bringing in a cast of characters that includes non-Muslims as much as non-Muslims. On this New Books interview, we walk you through the book, Rüstem’s process, what Baroque means in different contexts and mosque architecture in Istanbul today.
Ünver Rüstem is Assistant Professor of Islamic Art and Architecture at Johns Hopkins University.
Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 28 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>102</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Rüstem takes a stab of a slice of that history, arguing that we should see the eighteenth-century Baroque period in Ottoman mosque architecture as innovative and not derivative...</itunes:subtitle>
      <itunes:summary>In Istanbul, there is a mosque on every hill. Cruising along the Bosphorus, either for pleasure, or like the majority of Istanbul’s denizens, for transit, you cannot help but notice that the city’s landscape would be dramatically altered without the mosques of the city. In Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul (Princeton University Press, 2019), Ünver Rüstem takes a stab of a slice of that history, arguing that we should see the eighteenth-century Baroque period in Ottoman mosque architecture as innovative and not derivative in how Ottoman mosque architecture integrated Baroque elements. By doing so, he pushes back effectively against notions of Ottoman decline and demonstrates that such architecture, praised in the contemporary writings of both Ottoman and Western viewers, successfully rebranded the Ottoman capital for a changing world. He also draws our eyes to the complex social process by which mosque design develops, bringing in a cast of characters that includes non-Muslims as much as non-Muslims. On this New Books interview, we walk you through the book, Rüstem’s process, what Baroque means in different contexts and mosque architecture in Istanbul today.
Ünver Rüstem is Assistant Professor of Islamic Art and Architecture at Johns Hopkins University.
Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In Istanbul, there is a mosque on every hill. Cruising along the Bosphorus, either for pleasure, or like the majority of Istanbul’s denizens, for transit, you cannot help but notice that the city’s landscape would be dramatically altered without the mosques of the city. In <a href="https://www.amazon.com/dp/069118187X/?tag=newbooinhis-20"><em>Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul</em></a><em> </em>(Princeton University Press, 2019), <a href="https://arthist.jhu.edu/directory/unver-rustem/">Ünver Rüstem</a> takes a stab of a slice of that history, arguing that we should see the eighteenth-century Baroque period in Ottoman mosque architecture as innovative and not derivative in how Ottoman mosque architecture integrated Baroque elements. By doing so, he pushes back effectively against notions of Ottoman decline and demonstrates that such architecture, praised in the contemporary writings of both Ottoman and Western viewers, successfully rebranded the Ottoman capital for a changing world. He also draws our eyes to the complex social process by which mosque design develops, bringing in a cast of characters that includes non-Muslims as much as non-Muslims. On this New Books interview, we walk you through the book, Rüstem’s process, what Baroque means in different contexts and mosque architecture in Istanbul today.</p><p>Ünver Rüstem is Assistant Professor of Islamic Art and Architecture at Johns Hopkins University.</p><p><em>Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets </em><a href="https://twitter.com/namansour26"><em>@NAMansour26</em></a><em> and produces another Middle-East and North Africa-related podcast: </em><a href="https://www.facebook.com/ReintroducingPodcast/"><em>Reintroducing</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4323</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ddd251ba-8333-11ea-aaf5-bf3799158364]]></guid>
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    <item>
      <title>Phoebe Lickwar and Roxi Thoren, "Farmscape: The Design of Productive Landscapes" (Routledge, 2020)</title>
      <description>Phoebe Lickwar and Roxi Thoren's book Farmscape: The Design of Productive Landscapes (Routledge, 2020) situates agriculture as a design practice, using a wide range of international case studies and analytical essays to propose lessons for contemporary landscape architects who are interested in integrating agriculture into their designs. Agricultural processes, technologies, and cycles have long shaped landscape architectural projects, from the ornamented farm of the eighteenth century, to contemporary projects that integrate agriculture and ecological restoration. The book describes the history of agriculture within landscape architecture and reveals the diversity of current design practices that use the rhythms and forms of agriculture to create productive farms that are also sites of beauty, community, ecological conservation, remediation, and pleasure. Highly illustrated in full colour, this book provides essential context, resources, and best practice examples of rural and periurban designed sites for professionals and students alike.
Phoebe Lickwar is an Associate Professor in Landscape Architecture at The University of Texas at Austin. She is founding principal of Forge Landscape Architecture, an award-winning critical design practice based in Austin.
Roxi Thoren is an Associate Professor of Architecture and Landscape Architecture at the University of Oregon. She studies the integration of second nature, productive landscapes, in landscape architectural design through research and design projects around agriculture, forestry, and power.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 21 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>48</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Lickwar and Thoren situate agriculture as a design practice, using a wide range of international case studies and analytical essays to propose lessons for contemporary landscape architects who are interested in integrating agriculture into their designs</itunes:subtitle>
      <itunes:summary>Phoebe Lickwar and Roxi Thoren's book Farmscape: The Design of Productive Landscapes (Routledge, 2020) situates agriculture as a design practice, using a wide range of international case studies and analytical essays to propose lessons for contemporary landscape architects who are interested in integrating agriculture into their designs. Agricultural processes, technologies, and cycles have long shaped landscape architectural projects, from the ornamented farm of the eighteenth century, to contemporary projects that integrate agriculture and ecological restoration. The book describes the history of agriculture within landscape architecture and reveals the diversity of current design practices that use the rhythms and forms of agriculture to create productive farms that are also sites of beauty, community, ecological conservation, remediation, and pleasure. Highly illustrated in full colour, this book provides essential context, resources, and best practice examples of rural and periurban designed sites for professionals and students alike.
Phoebe Lickwar is an Associate Professor in Landscape Architecture at The University of Texas at Austin. She is founding principal of Forge Landscape Architecture, an award-winning critical design practice based in Austin.
Roxi Thoren is an Associate Professor of Architecture and Landscape Architecture at the University of Oregon. She studies the integration of second nature, productive landscapes, in landscape architectural design through research and design projects around agriculture, forestry, and power.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://soa.utexas.edu/people/phoebe-lickwar">Phoebe Lickwar</a> and <a href="https://archenvironment.uoregon.edu/landscape-arch/roxi-thoren">Roxi Thoren</a>'s book <a href="https://www.amazon.com/dp/1138054658/?tag=newbooinhis-20"><em>Farmscape: The Design of Productive Landscapes</em></a><em> </em>(Routledge, 2020) situates agriculture as a design practice, using a wide range of international case studies and analytical essays to propose lessons for contemporary landscape architects who are interested in integrating agriculture into their designs. Agricultural processes, technologies, and cycles have long shaped landscape architectural projects, from the ornamented farm of the eighteenth century, to contemporary projects that integrate agriculture and ecological restoration. The book describes the history of agriculture within landscape architecture and reveals the diversity of current design practices that use the rhythms and forms of agriculture to create productive farms that are also sites of beauty, community, ecological conservation, remediation, and pleasure. Highly illustrated in full colour, this book provides essential context, resources, and best practice examples of rural and periurban designed sites for professionals and students alike.</p><p>Phoebe Lickwar is an Associate Professor in Landscape Architecture at The University of Texas at Austin. She is founding principal of Forge Landscape Architecture, an award-winning critical design practice based in Austin.</p><p>Roxi Thoren is an Associate Professor of Architecture and Landscape Architecture at the University of Oregon. She studies the integration of second nature, productive landscapes, in landscape architectural design through research and design projects around agriculture, forestry, and power.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3498</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Patrick Mooney, "Planting Design: Connecting People and Place" (Routledge, 2020)</title>
      <description>Landscape designers have long understood the use of plants to provide beauty, aesthetic pleasure and visual stimulation while supporting a broad range of functional goals. However, the potential for plants in the landscape to elicit human involvement and provide mental stimulation and restoration is much less well understood.
Patrick Mooney's book Planting Design: Connecting People and Place (Routledge, 2020) meshes the art of planting design with an understanding of how humans respond to natural environments. Beginning with an understanding of human needs, preferences and responses to landscape, the author interprets the ways in which an understanding of the human-environment interaction can inform planting design. Many of the principles and techniques that may be used in planting design are beautifully illustrated in full colour with examples by leading landscape architects and designers from the United Kingdom, Europe, North America and Asia.
Planting Design stimulates thought, provides new direction and assists the reader to find their own unique design voice. Because there are many valid processes and intentions for landscape design, the book is not intended to be overly prescriptive. Rather than presenting a strict design method and accompanying set of rules, Planting Design provides information, insight and inspiration as a basis for developing the individual designer’s own expression in this most challenging of art forms.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 16 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Mooney meshes the art of planting design with an understanding of how humans respond to natural environments...</itunes:subtitle>
      <itunes:summary>Landscape designers have long understood the use of plants to provide beauty, aesthetic pleasure and visual stimulation while supporting a broad range of functional goals. However, the potential for plants in the landscape to elicit human involvement and provide mental stimulation and restoration is much less well understood.
Patrick Mooney's book Planting Design: Connecting People and Place (Routledge, 2020) meshes the art of planting design with an understanding of how humans respond to natural environments. Beginning with an understanding of human needs, preferences and responses to landscape, the author interprets the ways in which an understanding of the human-environment interaction can inform planting design. Many of the principles and techniques that may be used in planting design are beautifully illustrated in full colour with examples by leading landscape architects and designers from the United Kingdom, Europe, North America and Asia.
Planting Design stimulates thought, provides new direction and assists the reader to find their own unique design voice. Because there are many valid processes and intentions for landscape design, the book is not intended to be overly prescriptive. Rather than presenting a strict design method and accompanying set of rules, Planting Design provides information, insight and inspiration as a basis for developing the individual designer’s own expression in this most challenging of art forms.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Landscape designers have long understood the use of plants to provide beauty, aesthetic pleasure and visual stimulation while supporting a broad range of functional goals. However, the potential for plants in the landscape to elicit human involvement and provide mental stimulation and restoration is much less well understood.</p><p><a href="https://sala.ubc.ca/people/faculty/patrick-mooney">Patrick Mooney</a>'s book <a href="https://www.amazon.com/dp/1138026050/?tag=newbooinhis-20"><em>Planting Design: Connecting People and Place</em></a> (Routledge, 2020) meshes the art of planting design with an understanding of how humans respond to natural environments. Beginning with an understanding of human needs, preferences and responses to landscape, the author interprets the ways in which an understanding of the human-environment interaction can inform planting design. Many of the principles and techniques that may be used in planting design are beautifully illustrated in full colour with examples by leading landscape architects and designers from the United Kingdom, Europe, North America and Asia.</p><p><em>Planting Design</em> stimulates thought, provides new direction and assists the reader to find their own unique design voice. Because there are many valid processes and intentions for landscape design, the book is not intended to be overly prescriptive. Rather than presenting a strict design method and accompanying set of rules, <em>Planting Design </em>provides information, insight and inspiration as a basis for developing the individual designer’s own expression in this most challenging of art forms.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3561</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Theodora Vardouli and Olga Touloumi, "Computer Architectures: Constructing the Common Ground" (Routledge, 2019)</title>
      <description>Weaving together intellectual, social, cultural, and material histories, Theodora Vardouli and Olga Touloumi's book Computer Architectures: Constructing the Common Ground (Routledge, 2019) paints the landscape that brought computing into the imagination, production, and management of the built environment, whilst foregrounding the impact of architecture in shaping technological development.
The book is organized into sections corresponding to the classic von Neumann diagram for computer architecture: program (control unit), storage (memory), input/output and computation (arithmetic/logic unit), each acting as a quasi- material category for parsing debates among architects, engineers, mathematicians, and technologists. Collectively, authors bring forth the striking homologies between a computer program and an architectural program, a wall and an interface, computer memory and storage architectures, structures of mathematics and structures of things. The collection initiates new histories of knowledge and technology production that turn an eye toward disciplinary fusions and their institutional and intellectual drives.
Theodora Vardouli is Assistant Professor at the Peter Guo-hua Fu School of Architecture, McGill University, Canada.
Olga Touloumi is Assistant Professor of Architectural History at Bard College, USA.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 14 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>47</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This book paints the landscape that brought computing into the imagination, production, and management of the built environment, whilst foregrounding the impact of architecture in shaping technological development...</itunes:subtitle>
      <itunes:summary>Weaving together intellectual, social, cultural, and material histories, Theodora Vardouli and Olga Touloumi's book Computer Architectures: Constructing the Common Ground (Routledge, 2019) paints the landscape that brought computing into the imagination, production, and management of the built environment, whilst foregrounding the impact of architecture in shaping technological development.
The book is organized into sections corresponding to the classic von Neumann diagram for computer architecture: program (control unit), storage (memory), input/output and computation (arithmetic/logic unit), each acting as a quasi- material category for parsing debates among architects, engineers, mathematicians, and technologists. Collectively, authors bring forth the striking homologies between a computer program and an architectural program, a wall and an interface, computer memory and storage architectures, structures of mathematics and structures of things. The collection initiates new histories of knowledge and technology production that turn an eye toward disciplinary fusions and their institutional and intellectual drives.
Theodora Vardouli is Assistant Professor at the Peter Guo-hua Fu School of Architecture, McGill University, Canada.
Olga Touloumi is Assistant Professor of Architectural History at Bard College, USA.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Weaving together intellectual, social, cultural, and material histories, <a href="https://www.mcgill.ca/architecture/people-0/faculty/vardouli">Theodora Vardouli</a> and <a href="https://www.bard.edu/faculty/details/?id=3650">Olga Touloumi</a>'s book <a href="https://www.amazon.com/dp/081539652X/?tag=newbooinhis-20">Computer Architectures: Constructing the Common Ground</a> (Routledge, 2019) paints the landscape that brought computing into the imagination, production, and management of the built environment, whilst foregrounding the impact of architecture in shaping technological development.</p><p>The book is organized into sections corresponding to the classic von Neumann diagram for computer architecture: program (control unit), storage (memory), input/output and computation (arithmetic/logic unit), each acting as a quasi- material category for parsing debates among architects, engineers, mathematicians, and technologists. Collectively, authors bring forth the striking homologies between a computer program and an architectural program, a wall and an interface, computer memory and storage architectures, structures of mathematics and structures of things. The collection initiates new histories of knowledge and technology production that turn an eye toward disciplinary fusions and their institutional and intellectual drives.</p><p>Theodora Vardouli is Assistant Professor at the Peter Guo-hua Fu School of Architecture, McGill University, Canada.</p><p>Olga Touloumi is Assistant Professor of Architectural History at Bard College, USA.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3557</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[db5f2cce-79d7-11ea-90ed-0302a3ebbdb2]]></guid>
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    </item>
    <item>
      <title>Kristian Ly Serena, "Age-Inclusive Public Space" (Hatje Cantz, 2020)</title>
      <description>Public spaces tend to over-represent facilities and spatial design for the young and the middle-aged, whereas elderly citizens are all too often neglected by contemporary urban design practice. Dominique Hauderowicz and Kristian Ly Serena's edited volume Age-Inclusive Public Space (Hatje Cantz, 2020) establishes a dialogue between architects and academic contributors from a range of disciplines.
Collecting examples and showcasing architectural case studies as well as providing a broad portrait of age-inclusive design methodology, it provides practitioners with inspiration and theoretical and practical knowledge on how to design public space to meet the needs of people of all ages.
Drawings, photographs and illustrations of contemporary built environments, historic gardens, art installations and atmospheric landscapes provide a range of contexts for spatial practitioners of all stripes.
Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 10 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Public spaces tend to over-represent facilities and spatial design for the young and the middle-aged, whereas elderly citizens are all too often neglected by contemporary urban design practice....</itunes:subtitle>
      <itunes:summary>Public spaces tend to over-represent facilities and spatial design for the young and the middle-aged, whereas elderly citizens are all too often neglected by contemporary urban design practice. Dominique Hauderowicz and Kristian Ly Serena's edited volume Age-Inclusive Public Space (Hatje Cantz, 2020) establishes a dialogue between architects and academic contributors from a range of disciplines.
Collecting examples and showcasing architectural case studies as well as providing a broad portrait of age-inclusive design methodology, it provides practitioners with inspiration and theoretical and practical knowledge on how to design public space to meet the needs of people of all ages.
Drawings, photographs and illustrations of contemporary built environments, historic gardens, art installations and atmospheric landscapes provide a range of contexts for spatial practitioners of all stripes.
Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Public spaces tend to over-represent facilities and spatial design for the young and the middle-aged, whereas elderly citizens are all too often neglected by contemporary urban design practice. <a href="http://www.studiofountainhead.dk/">Dominique Hauderowicz and Kristian Ly Serena</a>'s edited volume <a href="https://www.amazon.com/dp/3775745904/?tag=newbooinhis-20"><em>Age-Inclusive Public Space</em></a> (Hatje Cantz, 2020) establishes a dialogue between architects and academic contributors from a range of disciplines.</p><p>Collecting examples and showcasing architectural case studies as well as providing a broad portrait of age-inclusive design methodology, it provides practitioners with inspiration and theoretical and practical knowledge on how to design public space to meet the needs of people of all ages.</p><p>Drawings, photographs and illustrations of contemporary built environments, historic gardens, art installations and atmospheric landscapes provide a range of contexts for spatial practitioners of all stripes.</p><p><em>Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2900</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fd9f0c06-7751-11ea-974e-1b723934446c]]></guid>
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    </item>
    <item>
      <title>Jonathan Barnett, "Designing the Megaregion: Meeting Urban Challenges at a New Scale" (Island Press, 2020)</title>
      <description>The US population is estimated to grow by more than 110 million people by 2050, and much of this growth will take place where cities and their suburbs are expanding to meet the suburbs of neighboring cities, creating continuous urban megaregions. There are now at least a dozen megaregions in the US. If current trends continue unchanged, new construction in these megaregions will put more and more stress on the natural systems that are necessary for our existence, will make highway gridlock and airline delays much worse, and will continue to attract investment away from older areas. However, the megaregion in 2050 is still a prediction. Future economic and population growth could go only to environmentally safe locations. while helping repair landscapes damaged by earlier development. Improved transportation systems could reduce highway and airport congestion. Some new investment could be drawn to by-passed parts of older cities, which are becoming more separate and unequal.
In Designing the Megaregion: Meeting Urban Challenges at a New Scale (Island Press, 2020), planning and urban design expert Jonathan Barnett describes how to redesign megaregional growth using mostly private investment, without having to wait for massive government funding or new governmental structures. Barnett explains practical initiatives to make new development fit into its environmental setting, especially important as the climate changes; reorganize transportation systems to pull together all the components of these large urban regions; and redirect the market forces which are making megaregions very unequal places.
There is an urgent need to begin designing megaregions, and Barnett shows that the ways to make major improvements are already available.
Jonathan Barnett is an Emeritus Professor of Practice in City and Regional Planning, and former Director of the Urban Design Program, at the University of Pennsylvania. He is an architect and planner as an educator.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 08 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>44</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Barnett describes how to redesign megaregional growth using mostly private investment,..</itunes:subtitle>
      <itunes:summary>The US population is estimated to grow by more than 110 million people by 2050, and much of this growth will take place where cities and their suburbs are expanding to meet the suburbs of neighboring cities, creating continuous urban megaregions. There are now at least a dozen megaregions in the US. If current trends continue unchanged, new construction in these megaregions will put more and more stress on the natural systems that are necessary for our existence, will make highway gridlock and airline delays much worse, and will continue to attract investment away from older areas. However, the megaregion in 2050 is still a prediction. Future economic and population growth could go only to environmentally safe locations. while helping repair landscapes damaged by earlier development. Improved transportation systems could reduce highway and airport congestion. Some new investment could be drawn to by-passed parts of older cities, which are becoming more separate and unequal.
In Designing the Megaregion: Meeting Urban Challenges at a New Scale (Island Press, 2020), planning and urban design expert Jonathan Barnett describes how to redesign megaregional growth using mostly private investment, without having to wait for massive government funding or new governmental structures. Barnett explains practical initiatives to make new development fit into its environmental setting, especially important as the climate changes; reorganize transportation systems to pull together all the components of these large urban regions; and redirect the market forces which are making megaregions very unequal places.
There is an urgent need to begin designing megaregions, and Barnett shows that the ways to make major improvements are already available.
Jonathan Barnett is an Emeritus Professor of Practice in City and Regional Planning, and former Director of the Urban Design Program, at the University of Pennsylvania. He is an architect and planner as an educator.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The US population is estimated to grow by more than 110 million people by 2050, and much of this growth will take place where cities and their suburbs are expanding to meet the suburbs of neighboring cities, creating continuous urban megaregions. There are now at least a dozen megaregions in the US. If current trends continue unchanged, new construction in these megaregions will put more and more stress on the natural systems that are necessary for our existence, will make highway gridlock and airline delays much worse, and will continue to attract investment away from older areas. However, the megaregion in 2050 is still a prediction. Future economic and population growth could go only to environmentally safe locations. while helping repair landscapes damaged by earlier development. Improved transportation systems could reduce highway and airport congestion. Some new investment could be drawn to by-passed parts of older cities, which are becoming more separate and unequal.</p><p>In <a href="https://www.amazon.com/dp/1642830437/?tag=newbooinhis-20"><em>Designing the Megaregion: Meeting Urban Challenges at a New Scale</em></a> (Island Press, 2020), planning and urban design expert <a href="https://www.design.upenn.edu/city-regional-planning/graduate/people/jonathan-barnett">Jonathan Barnett</a> describes how to redesign megaregional growth using mostly private investment, without having to wait for massive government funding or new governmental structures. Barnett explains practical initiatives to make new development fit into its environmental setting, especially important as the climate changes; reorganize transportation systems to pull together all the components of these large urban regions; and redirect the market forces which are making megaregions very unequal places.</p><p>There is an urgent need to begin designing megaregions, and Barnett shows that the ways to make major improvements are already available.</p><p>Jonathan Barnett is an Emeritus Professor of Practice in City and Regional Planning, and former Director of the Urban Design Program, at the University of Pennsylvania. He is an architect and planner as an educator.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3800</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Matt Cook, "Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy" (MIT Press, 2020)</title>
      <description>Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy (MIT Press, 2020), Matt Cook and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction.
The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's Pirates of Penzance. Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world―and much more.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 30 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>According to Cook, a paradox paradox is a sophisticated kind of magic trick...</itunes:subtitle>
      <itunes:summary>Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy (MIT Press, 2020), Matt Cook and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction.
The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's Pirates of Penzance. Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world―and much more.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In <a href="https://www.amazon.com/dp/0262043467/?tag=newbooinhis-20"><em>Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy</em></a> (MIT Press, 2020), <a href="https://www.linkedin.com/in/matt-cook-349811132/">Matt Cook</a> and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction.</p><p>The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's <em>Pirates of Penzance. </em>Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world―and much more.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3094</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[800d80b8-6ec5-11ea-a3ce-b39c136a60c2]]></guid>
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    </item>
    <item>
      <title>Diane Jones Allen, "Lost in the Transit Desert: Race, Transit Access, and Suburban Form" (Routledge, 2017)</title>
      <description>Increased redevelopment, the dismantling of public housing, and increasing housing costs are forcing a shift in migration of lower income and transit dependent populations to the suburbs. These suburbs are often missing basic transportation, and strategies to address this are lacking. This absence of public transit creates barriers to viable employment and accessibility to cultural networks, and plays a role in increasing social inequality.
In her book Lost in the Transit Desert: Race, Transit Access, and Suburban Form (Routledge, 2017), Diane Jones Allen investigates how housing and transport policy have played their role in creating these "Transit Deserts," and what impact race has upon those likely to be affected. Jones Allen uses research from New Orleans, Baltimore, and Chicago to explore the forces at work in these situations, as well as proposing potential solutions. Mapping, interviews, photographs, and narratives all come together to highlight the inequities and challenges in Transit Deserts, where a lack of access can make all journeys, such as to jobs, stores, or relatives, much more difficult. Alternatives to public transit abound, from traditional methods such as biking and carpooling to more culturally specific tactics, and are examined comprehensively.
This is valuable reading for students and researchers interested in transport planning, urban planning, city infrastructure, and transport geography.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 18 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jones Allen investigates how housing and transport policy have played their role in creating these "Transit Deserts," and what impact race has upon those likely to be affected...</itunes:subtitle>
      <itunes:summary>Increased redevelopment, the dismantling of public housing, and increasing housing costs are forcing a shift in migration of lower income and transit dependent populations to the suburbs. These suburbs are often missing basic transportation, and strategies to address this are lacking. This absence of public transit creates barriers to viable employment and accessibility to cultural networks, and plays a role in increasing social inequality.
In her book Lost in the Transit Desert: Race, Transit Access, and Suburban Form (Routledge, 2017), Diane Jones Allen investigates how housing and transport policy have played their role in creating these "Transit Deserts," and what impact race has upon those likely to be affected. Jones Allen uses research from New Orleans, Baltimore, and Chicago to explore the forces at work in these situations, as well as proposing potential solutions. Mapping, interviews, photographs, and narratives all come together to highlight the inequities and challenges in Transit Deserts, where a lack of access can make all journeys, such as to jobs, stores, or relatives, much more difficult. Alternatives to public transit abound, from traditional methods such as biking and carpooling to more culturally specific tactics, and are examined comprehensively.
This is valuable reading for students and researchers interested in transport planning, urban planning, city infrastructure, and transport geography.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Increased redevelopment, the dismantling of public housing, and increasing housing costs are forcing a shift in migration of lower income and transit dependent populations to the suburbs. These suburbs are often missing basic transportation, and strategies to address this are lacking. This absence of public transit creates barriers to viable employment and accessibility to cultural networks, and plays a role in increasing social inequality.</p><p>In her book <a href="http://www.amazon.com/dp/0367207826/?tag=newbooinhis-20"><em>Lost in the Transit Desert: Race, Transit Access, and Suburban Form</em></a> (Routledge, 2017), <a href="https://www.linkedin.com/in/diane-jones-allen-58122b27/">Diane Jones Allen</a> investigates how housing and transport policy have played their role in creating these "Transit Deserts," and what impact race has upon those likely to be affected. Jones Allen uses research from New Orleans, Baltimore, and Chicago to explore the forces at work in these situations, as well as proposing potential solutions. Mapping, interviews, photographs, and narratives all come together to highlight the inequities and challenges in <em>Transit Deserts</em>, where a lack of access can make all journeys, such as to jobs, stores, or relatives, much more difficult. Alternatives to public transit abound, from traditional methods such as biking and carpooling to more culturally specific tactics, and are examined comprehensively.</p><p>This is valuable reading for students and researchers interested in transport planning, urban planning, city infrastructure, and transport geography.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2822</itunes:duration>
      <guid isPermaLink="false"><![CDATA[ae282730-63b4-11ea-80a4-938344ad3019]]></guid>
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    </item>
    <item>
      <title>Cole Roskam, "Improvised City: Architecture and Governance in Shanghai, 1843-1937" (U Washington Press, 2019)</title>
      <description>Shanghai’s role in shaping modern China and indeed the very idea of what modernity is in China can hardly be overstated. Much of this long-lasting influence can be seen in how the city itself came into being as a complex product of Chinese and colonial forces, and as Cole Roskam shows us in Improvised City: Architecture and Governance in Shanghai, 1843-1937 (University of Washington Press, 2019), it is in the very material actions of architects and town planners that this is most obvious.
Accompanied by a rich array of archival photos, maps and designs, Roskam’s book takes us down to street level, showing up close how the competing influences of Chinese, British, French, American and other governance and architectural regimes interacted and shaped the urban landscape. As Shanghai has again become an arena where global markets and design innovations collide, appreciating this tangled legacy is key to understanding this metropolis and indeed China as a whole.
Ed Pulford is a postdoctoral researcher at the University of Amsterdam. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 10 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>312</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Accompanied by a rich array of archival photos, maps and designs, Roskam’s book takes us down to street level,..</itunes:subtitle>
      <itunes:summary>Shanghai’s role in shaping modern China and indeed the very idea of what modernity is in China can hardly be overstated. Much of this long-lasting influence can be seen in how the city itself came into being as a complex product of Chinese and colonial forces, and as Cole Roskam shows us in Improvised City: Architecture and Governance in Shanghai, 1843-1937 (University of Washington Press, 2019), it is in the very material actions of architects and town planners that this is most obvious.
Accompanied by a rich array of archival photos, maps and designs, Roskam’s book takes us down to street level, showing up close how the competing influences of Chinese, British, French, American and other governance and architectural regimes interacted and shaped the urban landscape. As Shanghai has again become an arena where global markets and design innovations collide, appreciating this tangled legacy is key to understanding this metropolis and indeed China as a whole.
Ed Pulford is a postdoctoral researcher at the University of Amsterdam. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Shanghai’s role in shaping modern China and indeed the very idea of what modernity is in China can hardly be overstated. Much of this long-lasting influence can be seen in how the city itself came into being as a complex product of Chinese and colonial forces, and as <a href="https://www.arch.hku.hk/staff/arch/roskam-cole/">Cole Roskam</a> shows us in <a href="http://www.amazon.com/dp/0295744782/?tag=newbooinhis-20"><em>Improvised City: Architecture and Governance in Shanghai, 1843-1937</em></a> (University of Washington Press, 2019), it is in the very material actions of architects and town planners that this is most obvious.</p><p>Accompanied by a rich array of archival photos, maps and designs, Roskam’s book takes us down to street level, showing up close how the competing influences of Chinese, British, French, American and other governance and architectural regimes interacted and shaped the urban landscape. As Shanghai has again become an arena where global markets and design innovations collide, appreciating this tangled legacy is key to understanding this metropolis and indeed China as a whole.</p><p><a href="http://edpulf.org/"><em>Ed Pulford</em></a><em> is a postdoctoral researcher at the University of Amsterdam. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3762</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Thaïsa Way, "GGN: Landscapes 1999 to 2018" (Timber Press, 2018)</title>
      <description>Gustafson Guthrie Nichol (GGN) is a landscape architecture firm based in Seattle, Washington. GGN was founded in 1999 by Jennifer Guthrie, Shannon Nichol, and Kathryn Gustafson, and it is world-renowned for designing high-use landscapes in complex, urban contexts. Thaïsa Way's GGN: Landscapes 1999 to 2018 (Timber Press, 2018) is the first book devoted to their ground-breaking work. It surveys some of their most important achievements including the Bill &amp; Melinda Gates Foundation Campus in Seattle, Washington; the National Museum of African American History and Culture in Washington, DC; the Lurie Garden at Millennium Park in Chicago, Illinois; and the Venice Biennale in Italy. Packed with practical design lessons and inspiration, this is a must-have resource for design students and professionals, and fans of beautifully designed public spaces.
Thaïsa Way is an Urban landscape historian teaching and researching history, theory, and design in the Dept. of Landscape Architecture at the College of Built Environments, University of Washington, Seattle. She is the current Chair at Dumbarton Oaks Research Center.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 09 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Way surveys some of GNN's most important achievements...</itunes:subtitle>
      <itunes:summary>Gustafson Guthrie Nichol (GGN) is a landscape architecture firm based in Seattle, Washington. GGN was founded in 1999 by Jennifer Guthrie, Shannon Nichol, and Kathryn Gustafson, and it is world-renowned for designing high-use landscapes in complex, urban contexts. Thaïsa Way's GGN: Landscapes 1999 to 2018 (Timber Press, 2018) is the first book devoted to their ground-breaking work. It surveys some of their most important achievements including the Bill &amp; Melinda Gates Foundation Campus in Seattle, Washington; the National Museum of African American History and Culture in Washington, DC; the Lurie Garden at Millennium Park in Chicago, Illinois; and the Venice Biennale in Italy. Packed with practical design lessons and inspiration, this is a must-have resource for design students and professionals, and fans of beautifully designed public spaces.
Thaïsa Way is an Urban landscape historian teaching and researching history, theory, and design in the Dept. of Landscape Architecture at the College of Built Environments, University of Washington, Seattle. She is the current Chair at Dumbarton Oaks Research Center.
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      <content:encoded>
        <![CDATA[<p>Gustafson Guthrie Nichol (GGN) is a landscape architecture firm based in Seattle, Washington. GGN was founded in 1999 by Jennifer Guthrie, Shannon Nichol, and Kathryn Gustafson, and it is world-renowned for designing high-use landscapes in complex, urban contexts. Thaïsa Way's <a href="http://www.amazon.com/dp/1604698233/?tag=newbooinhis-20"><em>GGN: Landscapes 1999 to 2018</em></a> (Timber Press, 2018) is the first book devoted to their ground-breaking work. It surveys some of their most important achievements including the Bill &amp; Melinda Gates Foundation Campus in Seattle, Washington; the National Museum of African American History and Culture in Washington, DC; the Lurie Garden at Millennium Park in Chicago, Illinois; and the Venice Biennale in Italy. Packed with practical design lessons and inspiration, this is a must-have resource for design students and professionals, and fans of beautifully designed public spaces.</p><p><a href="http://larch.be.uw.edu/people/thaisa-way/">Thaïsa Way</a> is an Urban landscape historian teaching and researching history, theory, and design in the Dept. of Landscape Architecture at the College of Built Environments, University of Washington, Seattle. She is the current Chair at Dumbarton Oaks Research Center.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3581</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[640c3096-5b3b-11ea-b783-3b539bc8e750]]></guid>
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    </item>
    <item>
      <title>Steven Stolman, "Heirloom Houses: The Architecture of Wade Weissmann" (Gibbs Smith, 2018)</title>
      <description>In Heirloom Houses : the Architecture of Wade Weissmann (Gibbs Smith, 2018), Steven Stolman explains how the houses designed by Wade Weissmann and his firm tell the stories of the homeowners. Like beautiful music, a Wade Weissmann house is composed of notes and expressions, rhythm and syncopation, moving forward in time and space toward a resolution that separates ordinary from extraordinary architecture: harmony. Known for their shingle-style homes, they also design ranch houses and equestrian estates, romantic cottages, contemporary penthouses, and lake homes.
There is nothing ordinary about a WWA house; custom wood work, architectural details, and the finest materials set these residences apart from all others. Also featured are a couple of striking commercial designs.
Steven Stolman is a writer and designer with an observant eye on high society. He has a keen sense of the history of design in fashion, architecture and interiors. He is a brand consultant and sought-after speaker. He has authored four previous books, among them Scalamandre: Haute Décor.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 05 Mar 2020 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Like beautiful music, a Wade Weissmann house is composed of notes and expressions, rhythm and syncopation, moving forward in time and space toward a resolution that separates ordinary from extraordinary architecture: harmony...</itunes:subtitle>
      <itunes:summary>In Heirloom Houses : the Architecture of Wade Weissmann (Gibbs Smith, 2018), Steven Stolman explains how the houses designed by Wade Weissmann and his firm tell the stories of the homeowners. Like beautiful music, a Wade Weissmann house is composed of notes and expressions, rhythm and syncopation, moving forward in time and space toward a resolution that separates ordinary from extraordinary architecture: harmony. Known for their shingle-style homes, they also design ranch houses and equestrian estates, romantic cottages, contemporary penthouses, and lake homes.
There is nothing ordinary about a WWA house; custom wood work, architectural details, and the finest materials set these residences apart from all others. Also featured are a couple of striking commercial designs.
Steven Stolman is a writer and designer with an observant eye on high society. He has a keen sense of the history of design in fashion, architecture and interiors. He is a brand consultant and sought-after speaker. He has authored four previous books, among them Scalamandre: Haute Décor.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/1423649613/?tag=newbooinhis-20"><em>Heirloom Houses : the Architecture of Wade Weissmann</em></a> (Gibbs Smith, 2018), Steven Stolman explains how the houses designed by Wade Weissmann and his firm tell the stories of the homeowners. Like beautiful music, a Wade Weissmann house is composed of notes and expressions, rhythm and syncopation, moving forward in time and space toward a resolution that separates ordinary from extraordinary architecture: harmony. Known for their shingle-style homes, they also design ranch houses and equestrian estates, romantic cottages, contemporary penthouses, and lake homes.</p><p>There is nothing ordinary about a WWA house; custom wood work, architectural details, and the finest materials set these residences apart from all others. Also featured are a couple of striking commercial designs.</p><p><a href="https://www.stevenstolmaninc.com/">Steven Stolman</a> is a writer and designer with an observant eye on high society. He has a keen sense of the history of design in fashion, architecture and interiors. He is a brand consultant and sought-after speaker. He has authored four previous books, among them <em>Scalamandre: Haute Décor</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3343</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ec755b0c-59a0-11ea-9984-4b614109e1ac]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT7846259618.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Morton, "Age of Concrete: Housing and the Shape of Aspiration in the Capital of Mozambique" (Ohio UP, 2019) </title>
      <description>Who built Africa’s cities? Going beyond the colonial archive and the planner’s gaze, David Morton’s Age of Concrete: Housing and the Shape of Aspiration in the Capital of Mozambique (Ohio University Press, 2019) describes the incremental process through which Maputo’s suburbios – popular neighborhoods outside the formally planned city – were built and occupied. Through key episode’s in Mozambique’s urban history – from colonial responses to migrant labor to independence-era responses to flooding, he interprets the routine forms of house construction as critical political acts through which ordinary residents of the city have inserted themselves into the city and concretized urban belonging. The materiality of different building materials are central this story. The risks and obstacles of constructing permanent, concrete, housing in the face of politically enforced urban impermanence an d ambiguous legal status kept the popular suburbios in suspension.
David Morton talks to host Jacob Doherty about the ways that the built environment both reflects and shapes the changing aspirations and achievements of the city’s residents. Offering a critical contribution to the process of decolonization in African cities, Morton examines the racial and spatial effects of colonial Portugal’s officially race-blind ideology as well as the ambivalent anti-urban bias of the early FRELIMO regime.
David Morton is an assistant professor of African History at the University of British Colombia. He has written about architectural and planning histories, Portuguese colonialism, informal settlements, housing, and citizenship, and decolonization.
Jacob Doherty is a lecturer in the Anthropology of Development at the University of Edinburgh.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 03 Mar 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Who built Africa’s cities?</itunes:subtitle>
      <itunes:summary>Who built Africa’s cities? Going beyond the colonial archive and the planner’s gaze, David Morton’s Age of Concrete: Housing and the Shape of Aspiration in the Capital of Mozambique (Ohio University Press, 2019) describes the incremental process through which Maputo’s suburbios – popular neighborhoods outside the formally planned city – were built and occupied. Through key episode’s in Mozambique’s urban history – from colonial responses to migrant labor to independence-era responses to flooding, he interprets the routine forms of house construction as critical political acts through which ordinary residents of the city have inserted themselves into the city and concretized urban belonging. The materiality of different building materials are central this story. The risks and obstacles of constructing permanent, concrete, housing in the face of politically enforced urban impermanence an d ambiguous legal status kept the popular suburbios in suspension.
David Morton talks to host Jacob Doherty about the ways that the built environment both reflects and shapes the changing aspirations and achievements of the city’s residents. Offering a critical contribution to the process of decolonization in African cities, Morton examines the racial and spatial effects of colonial Portugal’s officially race-blind ideology as well as the ambivalent anti-urban bias of the early FRELIMO regime.
David Morton is an assistant professor of African History at the University of British Colombia. He has written about architectural and planning histories, Portuguese colonialism, informal settlements, housing, and citizenship, and decolonization.
Jacob Doherty is a lecturer in the Anthropology of Development at the University of Edinburgh.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who built Africa’s cities? Going beyond the colonial archive and the planner’s gaze, David Morton’s <a href="http://www.amazon.com/dp/0821423681/?tag=newbooinhis-20"><em>Age of Concrete: Housing and the Shape of Aspiration in the Capital of Mozambique</em></a> (Ohio University Press, 2019) describes the incremental process through which Maputo’s <em>suburbios</em> – popular neighborhoods outside the formally planned city – were built and occupied. Through key episode’s in Mozambique’s urban history – from colonial responses to migrant labor to independence-era responses to flooding, he interprets the routine forms of house construction as critical political acts through which ordinary residents of the city have inserted themselves into the city and concretized urban belonging. The materiality of different building materials are central this story. The risks and obstacles of constructing permanent, concrete, housing in the face of politically enforced urban impermanence an d ambiguous legal status kept the popular <em>suburbios</em> in suspension.</p><p>David Morton talks to host Jacob Doherty about the ways that the built environment both reflects and shapes the changing aspirations and achievements of the city’s residents. Offering a critical contribution to the process of decolonization in African cities, Morton examines the racial and spatial effects of colonial Portugal’s officially race-blind ideology as well as the ambivalent anti-urban bias of the early FRELIMO regime.</p><p><a href="https://history.ubc.ca/profile/david-morton/">David Morton</a> is an assistant professor of African History at the University of British Colombia. He has written about architectural and planning histories, Portuguese colonialism, informal settlements, housing, and citizenship, and decolonization.</p><p><a href="http://www.san.ed.ac.uk/people/faculty/jacob_doherty"><em>Jacob Doherty</em></a><em> is a lecturer in the Anthropology of Development at the University of Edinburgh.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>5479</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c38b833e-567f-11ea-a9b2-bf8b17ed8342]]></guid>
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    </item>
    <item>
      <title>Steven Higashide, "Better Buses, Better Cities : How to Plan, Run, and Win the Fight for Effective Transit" (Island Press, 2019)</title>
      <description>Buses can and should be the cornerstone of urban transportation. They offer affordable mobility and can connect citizens with every aspect of their lives. But in the US, they have long been an afterthought in budgeting and planning. With a compelling narrative and actionable steps, Better Buses, Better Cities : How to Plan, Run, and Win the Fight for Effective Transit (Island Press, 2019) inspires us to fix the bus.
Transit expert Steven Higashide shows us what a successful bus system looks like with real-world stories of reform—such as Houston redrawing its bus network overnight, Boston making room on its streets to put buses first, and Indianapolis winning better bus service on Election Day. Higashide shows how to marshal the public in support of better buses and how new technologies can keep buses on time and make complex transit systems understandable.
Steven Higashide is one of America's leading experts on public transportation and the people who use it. As director of research for the national foundation TransitCenter, Higashide has authored groundbreaking reports that have redefined how decision makers and journalists understand transit. He has taken the bus in 30 cities around the US and the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 02 Mar 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>40</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Higashide shows us what a successful bus system looks like with real-world stories of reform—such as Houston redrawing its bus network overnight,</itunes:subtitle>
      <itunes:summary>Buses can and should be the cornerstone of urban transportation. They offer affordable mobility and can connect citizens with every aspect of their lives. But in the US, they have long been an afterthought in budgeting and planning. With a compelling narrative and actionable steps, Better Buses, Better Cities : How to Plan, Run, and Win the Fight for Effective Transit (Island Press, 2019) inspires us to fix the bus.
Transit expert Steven Higashide shows us what a successful bus system looks like with real-world stories of reform—such as Houston redrawing its bus network overnight, Boston making room on its streets to put buses first, and Indianapolis winning better bus service on Election Day. Higashide shows how to marshal the public in support of better buses and how new technologies can keep buses on time and make complex transit systems understandable.
Steven Higashide is one of America's leading experts on public transportation and the people who use it. As director of research for the national foundation TransitCenter, Higashide has authored groundbreaking reports that have redefined how decision makers and journalists understand transit. He has taken the bus in 30 cities around the US and the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Buses can and should be the cornerstone of urban transportation. They offer affordable mobility and can connect citizens with every aspect of their lives. But in the US, they have long been an afterthought in budgeting and planning. With a compelling narrative and actionable steps, <a href="http://www.amazon.com/dp/1642830143/?tag=newbooinhis-20"><em>Better Buses, Better Cities : How to Plan, Run, and Win the Fight for Effective Transit</em></a><em> </em>(Island Press, 2019) inspires us to fix the bus.</p><p>Transit expert <a href="https://twitter.com/shigashide?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Steven Higashide</a> shows us what a successful bus system looks like with real-world stories of reform—such as Houston redrawing its bus network overnight, Boston making room on its streets to put buses first, and Indianapolis winning better bus service on Election Day. Higashide shows how to marshal the public in support of better buses and how new technologies can keep buses on time and make complex transit systems understandable.</p><p>Steven Higashide is one of America's leading experts on public transportation and the people who use it. As director of research for the national foundation <a href="https://transitcenter.org/">TransitCenter</a>, Higashide has authored groundbreaking reports that have redefined how decision makers and journalists understand transit. He has taken the bus in 30 cities around the US and the world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2966</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[82176bf8-55a2-11ea-bbae-9ba4684e70e2]]></guid>
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    </item>
    <item>
      <title>Phillipa Chong, “Inside the Critics’ Circle: Book Reviewing in Uncertain Times” (Princeton UP, 2020)</title>
      <description>How does the world of book reviews work? In Inside the Critics’ Circle: Book Reviewing in Uncertain Times (Princeton University Press, 2020), Phillipa Chong, assistant professor in sociology at McMaster University, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 25 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>154</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How does the world of book reviews work?</itunes:subtitle>
      <itunes:summary>How does the world of book reviews work? In Inside the Critics’ Circle: Book Reviewing in Uncertain Times (Princeton University Press, 2020), Phillipa Chong, assistant professor in sociology at McMaster University, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does the world of book reviews work? In <a href="http://www.amazon.com/dp/069116746X/?tag=newbooinhis-20"><em>Inside the Critics’ Circle: Book Reviewing in Uncertain Times </em></a>(Princeton University Press, 2020), <a href="https://twitter.com/ChongSOC">Phillipa Chong</a>, <a href="https://www.phillipachong.com/">assistant professor in sociology</a> at <a href="https://socialsciences.mcmaster.ca/people/chong-phillipa">McMaster University</a>, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2541</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[12648c82-5354-11ea-bc86-53c7e7c436d3]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT1449105805.mp3?updated=1663953394" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Simon Bell, "Elements of Visual Design in the Landscape" (Routledge, 2019)</title>
      <description>Elements of Visual Design in the Landscape (Routledge, 2019) presents a vocabulary of visual design, structured in a logical and easy to follow sequence. It is profusely illustrated using both abstract and real examples taken from a wide range of international locations together with cross referencing between related principles and case studies demonstrating how the principles can be applied in practice.
The visual aspects of design have often been treated as 'cosmetic' and therefore not meriting attention or purely subjective and therefore open to personal preference. Few attempts have been made to explain how we see the landscape in any rational and structured way, and to demonstrate how visually creative design and management can be undertaken. This book aims to fill that gap.
Simon Bell is a forester and landscape architect. He is Chair Professor and Head of the Chair of Landscape Architecture at this Estonian University of Life Sciences and Associate Director of the OPENspace Research Centre at the Edinburgh School of Architecture and landscape Architecture at the University of Edinburgh, UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 24 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>39</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Bell presents a vocabulary of visual design, structured in a logical and easy to follow sequence...</itunes:subtitle>
      <itunes:summary>Elements of Visual Design in the Landscape (Routledge, 2019) presents a vocabulary of visual design, structured in a logical and easy to follow sequence. It is profusely illustrated using both abstract and real examples taken from a wide range of international locations together with cross referencing between related principles and case studies demonstrating how the principles can be applied in practice.
The visual aspects of design have often been treated as 'cosmetic' and therefore not meriting attention or purely subjective and therefore open to personal preference. Few attempts have been made to explain how we see the landscape in any rational and structured way, and to demonstrate how visually creative design and management can be undertaken. This book aims to fill that gap.
Simon Bell is a forester and landscape architect. He is Chair Professor and Head of the Chair of Landscape Architecture at this Estonian University of Life Sciences and Associate Director of the OPENspace Research Centre at the Edinburgh School of Architecture and landscape Architecture at the University of Edinburgh, UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/0367024470/?tag=newbooinhis-20"><em>Elements of Visual Design in the Landscape</em></a> (Routledge, 2019) presents a vocabulary of visual design, structured in a logical and easy to follow sequence. It is profusely illustrated using both abstract and real examples taken from a wide range of international locations together with cross referencing between related principles and case studies demonstrating how the principles can be applied in practice.</p><p>The visual aspects of design have often been treated as 'cosmetic' and therefore not meriting attention or purely subjective and therefore open to personal preference. Few attempts have been made to explain how we see the landscape in any rational and structured way, and to demonstrate how visually creative design and management can be undertaken. This book aims to fill that gap.</p><p><a href="https://www.etis.ee/CV/Simon_Bell/eng">Simon Bell</a> is a forester and landscape architect. He is Chair Professor and Head of the Chair of Landscape Architecture at this Estonian University of Life Sciences and Associate Director of the OPENspace Research Centre at the Edinburgh School of Architecture and landscape Architecture at the University of Edinburgh, UK.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3504</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2e73935c-5244-11ea-a1e1-2f4c32095740]]></guid>
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    </item>
    <item>
      <title>Julian Bolleter, "Desert Paradises: Surveying the Landscapes of Dubai’s Urban Model" (Routledge, 2019)</title>
      <description>Desert Paradises: Surveying the Landscapes of Dubai’s Urban Model (Routledge, 2019) explores how designed landscapes can play a vital role in constructing a city’s global image and legitimizing its socio-political hierarchy. Using the case study of Dubai, Julian Bolleter explores how Dubai’s rulers employ a paradisiacal image of greening the desert, in part, as a tool for political legitimization. Bolleter also evaluates the designed landscapes of Dubai against the principles of the United Nations and the International Federation of Landscape Architects and argues that what is happening in Dubai represents a significant discrepancy between theory and practice. This book offers a new perspective on landscape design that has until now been unexplored. It would be beneficial to academics and students of geography, landscape architecture, urban design and urban planning – particularly those with an interest in Dubai or the many cities in the region that are experiencing Dubaiification.
Julian Bolleter is the Deputy Director at the Australian Urban Design Research Centre (AUDRC) at the University of Western Australia. He is a Landscape Architect and Urban Designer.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 17 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>38</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Bolleter explores how designed landscapes can play a vital role in constructing a city’s global image and legitimizing its socio-political hierarchy...</itunes:subtitle>
      <itunes:summary>Desert Paradises: Surveying the Landscapes of Dubai’s Urban Model (Routledge, 2019) explores how designed landscapes can play a vital role in constructing a city’s global image and legitimizing its socio-political hierarchy. Using the case study of Dubai, Julian Bolleter explores how Dubai’s rulers employ a paradisiacal image of greening the desert, in part, as a tool for political legitimization. Bolleter also evaluates the designed landscapes of Dubai against the principles of the United Nations and the International Federation of Landscape Architects and argues that what is happening in Dubai represents a significant discrepancy between theory and practice. This book offers a new perspective on landscape design that has until now been unexplored. It would be beneficial to academics and students of geography, landscape architecture, urban design and urban planning – particularly those with an interest in Dubai or the many cities in the region that are experiencing Dubaiification.
Julian Bolleter is the Deputy Director at the Australian Urban Design Research Centre (AUDRC) at the University of Western Australia. He is a Landscape Architect and Urban Designer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/0815355505/?tag=newbooinhis-20"><em>Desert Paradises: Surveying the Landscapes of Dubai’s Urban Model</em></a> (Routledge, 2019) explores how designed landscapes can play a vital role in constructing a city’s global image and legitimizing its socio-political hierarchy. Using the case study of Dubai, <a href="https://research-repository.uwa.edu.au/en/persons/julian-bolleter">Julian Bolleter</a> explores how Dubai’s rulers employ a paradisiacal image of greening the desert, in part, as a tool for political legitimization. Bolleter also evaluates the designed landscapes of Dubai against the principles of the United Nations and the International Federation of Landscape Architects and argues that what is happening in Dubai represents a significant discrepancy between theory and practice. This book offers a new perspective on landscape design that has until now been unexplored. It would be beneficial to academics and students of geography, landscape architecture, urban design and urban planning – particularly those with an interest in Dubai or the many cities in the region that are experiencing Dubaiification.</p><p>Julian Bolleter is the Deputy Director at the Australian Urban Design Research Centre (AUDRC) at the University of Western Australia. He is a Landscape Architect and Urban Designer.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3022</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5b3517e6-4cf2-11ea-9b4c-b3bdefbaccec]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT8670217274.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>K. Linder et al., "Going Alt-Ac: A Guide to Alternative Academic Careers" (Stylus Publishing, 2020)</title>
      <description>If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you.
Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. Going Alt-Ac: A Guide to Alternative Academic Careers (Stylus Publishing, 2020) by Kathryn E. Linder, Kevin Kelly, and Thomas J. Tobin offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague or too ambiguous, this book corrects that by outlining not just how to figure out what you might want to do, but critically, how you might go about accomplishing that.
Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 30 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>103</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change...</itunes:subtitle>
      <itunes:summary>If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you.
Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. Going Alt-Ac: A Guide to Alternative Academic Careers (Stylus Publishing, 2020) by Kathryn E. Linder, Kevin Kelly, and Thomas J. Tobin offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague or too ambiguous, this book corrects that by outlining not just how to figure out what you might want to do, but critically, how you might go about accomplishing that.
Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you.</p><p>Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. <a href="http://www.amazon.com/dp/1620368315/?tag=newbooinhis-20"><em>Going Alt-Ac: A Guide to Alternative Academic Careers</em></a> (Stylus Publishing, 2020) by <a href="https://styluspub.presswarehouse.com/browse/author/2a07e59f-b1c2-4cc9-95e5-57f26cb59fc5/Kathryn-E-Linder?page=1">Kathryn E. Linder</a>, <a href="https://styluspub.presswarehouse.com/browse/author/b942fd05-5d35-4095-8f84-df50f428d8f3/Kevin-Kelly?page=1">Kevin Kelly</a>, and <a href="https://styluspub.presswarehouse.com/browse/author/a0500dde-c9b8-476b-b278-24a474aa5399/Thomas-J-Tobin?page=1">Thomas J. Tobin</a> offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague or too ambiguous, this book corrects that by outlining not just how to figure out what you might want to do, but critically, how you might go about accomplishing that.</p><p><em>Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to </em><a href="mailto:zeb.larson@gmail.com"><em>zeb.larson@gmail.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2370</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f307a914-403e-11ea-9513-635a784c3e66]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT6495735133.mp3?updated=1580043968" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Darius Sollohub, "Millennials in Architecture: Generations, Disruption, and the Legacy of a Profession" (U Texas Press, 2019)</title>
      <description>Much has been written about Millennials, but until now their growing presence in the field of architecture has not been examined in depth. In an era of significant challenges stemming from explosive population growth, climate change, and the density of cities, Darius Sollohub, Millennials in Architecture: Generations, Disruption, and the Legacy of a Profession (University of Texas Press, 2019) embraces the digitally savvy disruptors who are joining the field at a crucial time as it grapples with the best ways to respond to a changing physical world.
Taking a clear-eyed look at the new generation in the context of the design professions, Sollohub begins by situating Millennials in a line of generations stretching back to early Modernism, exploring how each generation negotiates the ones before and after. He then considers the present moment, closely evaluating the significance of Millennial behaviors and characteristics (from civic-mindedness to collaboration, and time management in a 24/7 culture), all underpinned by fluency in the digital world. The book concludes with an assessment of the profound changes and opportunities that Millennial disruption will bring to education, licensure, and firm management. Encouraging new alliances, Millennials in Architecture is an essential resource for the architectural community and its stakeholders.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 24 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>36</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Much has been written about Millennials, but until now their growing presence in the field of architecture has not been examined in depth...</itunes:subtitle>
      <itunes:summary>Much has been written about Millennials, but until now their growing presence in the field of architecture has not been examined in depth. In an era of significant challenges stemming from explosive population growth, climate change, and the density of cities, Darius Sollohub, Millennials in Architecture: Generations, Disruption, and the Legacy of a Profession (University of Texas Press, 2019) embraces the digitally savvy disruptors who are joining the field at a crucial time as it grapples with the best ways to respond to a changing physical world.
Taking a clear-eyed look at the new generation in the context of the design professions, Sollohub begins by situating Millennials in a line of generations stretching back to early Modernism, exploring how each generation negotiates the ones before and after. He then considers the present moment, closely evaluating the significance of Millennial behaviors and characteristics (from civic-mindedness to collaboration, and time management in a 24/7 culture), all underpinned by fluency in the digital world. The book concludes with an assessment of the profound changes and opportunities that Millennial disruption will bring to education, licensure, and firm management. Encouraging new alliances, Millennials in Architecture is an essential resource for the architectural community and its stakeholders.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Much has been written about Millennials, but until now their growing presence in the field of architecture has not been examined in depth. In an era of significant challenges stemming from explosive population growth, climate change, and the density of cities, <a href="https://design.njit.edu/faculty/sollohub">Darius Sollohub</a>, <a href="http://www.amazon.com/dp/1477318941/?tag=newbooinhis-20"><em>Millennials in Architecture: Generations, Disruption, and the Legacy of a Profession</em></a> (University of Texas Press, 2019) embraces the digitally savvy disruptors who are joining the field at a crucial time as it grapples with the best ways to respond to a changing physical world.</p><p>Taking a clear-eyed look at the new generation in the context of the design professions, Sollohub begins by situating Millennials in a line of generations stretching back to early Modernism, exploring how each generation negotiates the ones before and after. He then considers the present moment, closely evaluating the significance of Millennial behaviors and characteristics (from civic-mindedness to collaboration, and time management in a 24/7 culture), all underpinned by fluency in the digital world. The book concludes with an assessment of the profound changes and opportunities that Millennial disruption will bring to education, licensure, and firm management. Encouraging new alliances, <em>Millennials in Architecture</em> is an essential resource for the architectural community and its stakeholders.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3095</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b3c66a04-200b-11ea-b502-579bc2d79703]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT6612679590.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Thomas Yarrow, "Architects: Portraits of a Practice" (Cornell UP, 2019)</title>
      <description>What is creativity? What is the relationship between work life and personal life? How is it possible to live truthfully in a world of contradiction and compromise? These deep and deeply personal questions spring to the fore in Thomas Yarrow's vivid exploration of the life of architects. Yarrow takes us inside the world of architects, showing us the anxiety, exhilaration, hope, idealism, friendship, conflict, and the personal commitments that feed these acts of creativity.
Architects: Portraits of a Practice (Cornell University Press, 2019) rethinks "creativity," demonstrating how it happens in everyday practice. It highlights how the pursuit of good architecture, relates to the pursuit of a good life in intimate and individually specific ways. And it reveals the surprising and routine social negotiations through which designs and buildings are actually made.
Prue Chiles is Professor of Architectural Design Research at Newcastle University
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 12 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>35</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is creativity? What is the relationship between work life and personal life? How is it possible to live truthfully in a world of contradiction and compromise? </itunes:subtitle>
      <itunes:summary>What is creativity? What is the relationship between work life and personal life? How is it possible to live truthfully in a world of contradiction and compromise? These deep and deeply personal questions spring to the fore in Thomas Yarrow's vivid exploration of the life of architects. Yarrow takes us inside the world of architects, showing us the anxiety, exhilaration, hope, idealism, friendship, conflict, and the personal commitments that feed these acts of creativity.
Architects: Portraits of a Practice (Cornell University Press, 2019) rethinks "creativity," demonstrating how it happens in everyday practice. It highlights how the pursuit of good architecture, relates to the pursuit of a good life in intimate and individually specific ways. And it reveals the surprising and routine social negotiations through which designs and buildings are actually made.
Prue Chiles is Professor of Architectural Design Research at Newcastle University
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is creativity? What is the relationship between work life and personal life? How is it possible to live truthfully in a world of contradiction and compromise? These deep and deeply personal questions spring to the fore in <a href="https://www.dur.ac.uk/research/directory/staff/?id=9727">Thomas Yarrow</a>'s vivid exploration of the life of architects. Yarrow takes us inside the world of architects, showing us the anxiety, exhilaration, hope, idealism, friendship, conflict, and the personal commitments that feed these acts of creativity.</p><p><a href="http://www.amazon.com/dp/1501738496/?tag=newbooinhis-20"><em>Architects: Portraits of a Practice</em></a> (Cornell University Press, 2019) rethinks "creativity," demonstrating how it happens in everyday practice. It highlights how the pursuit of good architecture, relates to the pursuit of a good life in intimate and individually specific ways. And it reveals the surprising and routine social negotiations through which designs and buildings are actually made.</p><p><a href="https://www.ncl.ac.uk/apl/staff/profile/pruechiles.html#background"><em>Prue Chiles</em></a><em> is Professor of Architectural Design Research at Newcastle University</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2217</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b4794b8c-1828-11ea-a3aa-3bbc86b53f2e]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT1976866536.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael R. Boswell, "Climate Action Planning: A Guide to Creating Low-Carbon, Resilient Communities" (Island Press, 2019)</title>
      <description>Climate Action Planning: A Guide to Creating Low-Carbon, Resilient Communities (Island Press, 2019) is designed to help planners, municipal staff and officials, citizens and others working at local levels to develop and implement plans to mitigate a community's greenhouse gas emissions and increase the resilience of communities against climate change impacts. This fully revised and expanded edition goes well beyond climate action plans to examine the mix of policy and planning instruments available to every community. Michael R. Boswell, Adrienne I. Greve, and Tammy L. Seale also look at process and communication: How does a community bring diverse voices to the table? What do recent examples and research tell us about successful communication strategies?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 06 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>33</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>"Climate Action Planning" is designed to help planners, municipal staff and officials, citizens and others working at local levels to develop and implement plans to mitigate a community's greenhouse gas emissions...</itunes:subtitle>
      <itunes:summary>Climate Action Planning: A Guide to Creating Low-Carbon, Resilient Communities (Island Press, 2019) is designed to help planners, municipal staff and officials, citizens and others working at local levels to develop and implement plans to mitigate a community's greenhouse gas emissions and increase the resilience of communities against climate change impacts. This fully revised and expanded edition goes well beyond climate action plans to examine the mix of policy and planning instruments available to every community. Michael R. Boswell, Adrienne I. Greve, and Tammy L. Seale also look at process and communication: How does a community bring diverse voices to the table? What do recent examples and research tell us about successful communication strategies?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/1610919637/?tag=newbooinhis-20"><em>Climate Action Planning: A Guide to Creating Low-Carbon, Resilient Communities</em></a> (Island Press, 2019) is designed to help planners, municipal staff and officials, citizens and others working at local levels to develop and implement plans to mitigate a community's greenhouse gas emissions and increase the resilience of communities against climate change impacts. This fully revised and expanded edition goes well beyond climate action plans to examine the mix of policy and planning instruments available to every community. <a href="https://web.calpoly.edu/~crp/facultystaff/boswell.html">Michael R. Boswell</a>, <a href="https://planning.calpoly.edu/content/people/greve">Adrienne I. Greve</a>, and <a href="http://placeworks.com/about-us/leadership/8-tammy-l-seale/">Tammy L. Seale</a> also look at process and communication: How does a community bring diverse voices to the table? What do recent examples and research tell us about successful communication strategies?</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3009</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9d3963ae-0715-11ea-9640-3b9d2e6c62d1]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT3961843509.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alberto Cairo, "How Charts Lie: Getting Smarter about Visual Information" (Norton, 2019)</title>
      <description>We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them.
However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas.
In How Charts Lie: Getting Smarter about Visual Information (W. W. Norton, 2019), data visualization expert Alberto Cairo teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, How Charts Lie demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 03 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at?</itunes:subtitle>
      <itunes:summary>We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them.
However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas.
In How Charts Lie: Getting Smarter about Visual Information (W. W. Norton, 2019), data visualization expert Alberto Cairo teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, How Charts Lie demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them.</p><p>However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas.</p><p>In <a href="http://www.amazon.com/dp/1324001569/?tag=newbooinhis-20"><em>How Charts Lie: Getting Smarter about Visual Information</em></a> (W. W. Norton, 2019), data visualization expert <a href="http://albertocairo.com/">Alberto Cairo</a> teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, <em>How Charts Lie</em> demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3452</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2dee9c96-0f83-11ea-879a-83faa1f59866]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT5230869545.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kathryn Holliday, "The Open-Ended City: David Dillon on Texas Architecture" (U Texas Press, 2019)</title>
      <description>It may only be a slight exaggeration to say that one of David Dillon's career accomplishments was to put the words "Dallas" and "architecture" in the same sentence again. After a screed in 1980 entitled "Why Is Dallas Architecture So Bad?" launched his career as an architecture critic, Dillon took to the pages of the Dallas Morning News to praise, lament, explain, beg, scold, suggest, cajole, and influence how Dallas and its metropolitan region took shape throughout three revolutionary decades of development. To follow his career as a critic from the early 1980s, when downtown was dormant and street life an afterthought, to his retirement--when a new mindset for urban planning had largely set in, but still had far to go--is to listen to a larger story about how thinking about the built environment in North American cities has changed over the last generation, the new questions that have been raised, and the old ones that persist.
Some of Dillon's most memorable and enduring columns were recently published by University of Texas Press in a collection called The Open-Ended City: David Dillon on Texas Architecture, part of a series furnished by the Roger Fullington Endowment in Architecture. The book is edited and introduced by Kathryn Holliday, associate professor of architecture at the University of Texas at Arlington, where she is also the founding director of the David Dillon Center for Texas Architecture.
Holliday is the author of Leopold Eidlitz: Architecture and Idealism in the Gilded Age (W. W. Norton &amp; Company, 2008) and Ralph Walker: Architect of the Century (Rizzoli, 2012).
David Dillon was the nationally acclaimed architecture critic of the Dallas Morning News, where his work received awards from the Associated Press, the Dallas Press Club, and the Texas Society of Architects.
Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 02 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>34</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>It may only be a slight exaggeration to say that one of David Dillon's career accomplishments was to put the words "Dallas" and "architecture" in the same sentence again...</itunes:subtitle>
      <itunes:summary>It may only be a slight exaggeration to say that one of David Dillon's career accomplishments was to put the words "Dallas" and "architecture" in the same sentence again. After a screed in 1980 entitled "Why Is Dallas Architecture So Bad?" launched his career as an architecture critic, Dillon took to the pages of the Dallas Morning News to praise, lament, explain, beg, scold, suggest, cajole, and influence how Dallas and its metropolitan region took shape throughout three revolutionary decades of development. To follow his career as a critic from the early 1980s, when downtown was dormant and street life an afterthought, to his retirement--when a new mindset for urban planning had largely set in, but still had far to go--is to listen to a larger story about how thinking about the built environment in North American cities has changed over the last generation, the new questions that have been raised, and the old ones that persist.
Some of Dillon's most memorable and enduring columns were recently published by University of Texas Press in a collection called The Open-Ended City: David Dillon on Texas Architecture, part of a series furnished by the Roger Fullington Endowment in Architecture. The book is edited and introduced by Kathryn Holliday, associate professor of architecture at the University of Texas at Arlington, where she is also the founding director of the David Dillon Center for Texas Architecture.
Holliday is the author of Leopold Eidlitz: Architecture and Idealism in the Gilded Age (W. W. Norton &amp; Company, 2008) and Ralph Walker: Architect of the Century (Rizzoli, 2012).
David Dillon was the nationally acclaimed architecture critic of the Dallas Morning News, where his work received awards from the Associated Press, the Dallas Press Club, and the Texas Society of Architects.
Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It may only be a slight exaggeration to say that one of David Dillon's career accomplishments was to put the words "Dallas" and "architecture" in the same sentence again. After a screed in 1980 entitled "Why Is Dallas Architecture So Bad?" launched his career as an architecture critic, Dillon took to the pages of the <em>Dallas Morning News</em> to praise, lament, explain, beg, scold, suggest, cajole, and influence how Dallas and its metropolitan region took shape throughout three revolutionary decades of development. To follow his career as a critic from the early 1980s, when downtown was dormant and street life an afterthought, to his retirement--when a new mindset for urban planning had largely set in, but still had far to go--is to listen to a larger story about how thinking about the built environment in North American cities has changed over the last generation, the new questions that have been raised, and the old ones that persist.</p><p>Some of Dillon's most memorable and enduring columns were recently published by University of Texas Press in a collection called <a href="http://www.amazon.com/dp/1477317619/?tag=newbooinhis-20"><em>The Open-Ended City: David Dillon on Texas Architecture</em></a>, part of a series furnished by the Roger Fullington Endowment in Architecture. The book is edited and introduced by <a href="https://www.uta.edu/cappa/about/faculty-staff/profiles/kathryn-holliday.php">Kathryn Holliday</a>, associate professor of architecture at the University of Texas at Arlington, where she is also the founding director of the David Dillon Center for Texas Architecture.</p><p>Holliday is the author of <em>Leopold Eidlitz: Architecture and Idealism in the Gilded Age</em> (W. W. Norton &amp; Company, 2008) and <em>Ralph Walker: Architect of the Century</em> (Rizzoli, 2012).</p><p>David Dillon was the nationally acclaimed architecture critic of the <em>Dallas Morning News</em>, where his work received awards from the Associated Press, the Dallas Press Club, and the Texas Society of Architects.</p><p><a href="http://www.nathanbierma.com"><em>Nathan Bierma</em></a><em> is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2371</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Malcolm Woollen, "Erik Gunnar Asplund: Landscapes and Buildings" (Routledge, 2018)</title>
      <description>Taking an interdisciplinary approach, weaving together art, philosophy, history, and literature, this book investigates the landscapes and buildings of Swedish architect Erik Gunnar Asplund. Through critical essays and beautiful illustrations focusing on four projects, the Woodland Cemetery, the Stockholm Public Library, the Stockholm Exhibition and Asplund’s own house at Stennäs, it addresses the topic of buildings accompanied by landscapes.
It proposes that themes related to landscape are central to Asplund’s distinctive work, with these particular sites forming a collection that documents an evolution in his design thinking from 1915 to 1940. The architect himself wrote comparatively little about his design intentions. However, through close reading and analysis of the selected projects as landscapes with architecture, Malcolm Woollen argues that reflections of the history of Swedish landscape architecture and the intellectual climate in the late nineteenth and early twentieth centuries are evident in his work and help to explain the architect’s intentions.
Erik Gunnar Asplund: Landscapes and Buildings (Routledge, 2018) is a must-have for academics, advanced students and researchers in landscape architecture and design who are interested in Nordic Classicism and the works of Erik Gunnar Asplund.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 29 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Woollen investigates the landscapes and buildings of Swedish architect Erik Gunnar Asplund...</itunes:subtitle>
      <itunes:summary>Taking an interdisciplinary approach, weaving together art, philosophy, history, and literature, this book investigates the landscapes and buildings of Swedish architect Erik Gunnar Asplund. Through critical essays and beautiful illustrations focusing on four projects, the Woodland Cemetery, the Stockholm Public Library, the Stockholm Exhibition and Asplund’s own house at Stennäs, it addresses the topic of buildings accompanied by landscapes.
It proposes that themes related to landscape are central to Asplund’s distinctive work, with these particular sites forming a collection that documents an evolution in his design thinking from 1915 to 1940. The architect himself wrote comparatively little about his design intentions. However, through close reading and analysis of the selected projects as landscapes with architecture, Malcolm Woollen argues that reflections of the history of Swedish landscape architecture and the intellectual climate in the late nineteenth and early twentieth centuries are evident in his work and help to explain the architect’s intentions.
Erik Gunnar Asplund: Landscapes and Buildings (Routledge, 2018) is a must-have for academics, advanced students and researchers in landscape architecture and design who are interested in Nordic Classicism and the works of Erik Gunnar Asplund.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Taking an interdisciplinary approach, weaving together art, philosophy, history, and literature, this book investigates the landscapes and buildings of Swedish architect Erik Gunnar Asplund. Through critical essays and beautiful illustrations focusing on four projects, the Woodland Cemetery, the Stockholm Public Library, the Stockholm Exhibition and Asplund’s own house at Stennäs, it addresses the topic of buildings accompanied by landscapes.</p><p>It proposes that themes related to landscape are central to Asplund’s distinctive work, with these particular sites forming a collection that documents an evolution in his design thinking from 1915 to 1940. The architect himself wrote comparatively little about his design intentions. However, through close reading and analysis of the selected projects as landscapes with architecture, <a href="https://stuckeman.psu.edu/faculty/malcolm-woollen">Malcolm Woollen</a> argues that reflections of the history of Swedish landscape architecture and the intellectual climate in the late nineteenth and early twentieth centuries are evident in his work and help to explain the architect’s intentions.</p><p><a href="http://www.amazon.com/dp/081537822X/?tag=newbooinhis-20"><em>Erik Gunnar Asplund: Landscapes and Buildings</em></a> (Routledge, 2018) is a must-have for academics, advanced students and researchers in landscape architecture and design who are interested in Nordic Classicism and the works of Erik Gunnar Asplund.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3380</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2f5f1b24-0320-11ea-acf3-173d59e3bc56]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT6780959254.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gary Meisner, "The Golden Ratio: The Divine Beauty of Mathematics" (Race Point Press, 2018)</title>
      <description>From the pyramids of Giza, to quasicrystals, to the proportions of the human face, the golden ratio has an infinite capacity to generate shapes with exquisite properties. This book invites you to take a new look at this timeless topic, with a compilation of research and information worthy of a text book, accompanied by over 200 beautiful color illustrations that transform this into the ultimate coffee table book.
In The Golden Ratio: The Divine Beauty of Mathematics (Race Point Press, 2018), Gary Meisner shares the results of his twenty-year investigation and collaboration with thousands of people across the globe in dozens of professions and walks of life. The evidence will close the gaps of understanding related to many claims of the golden ratio’s appearances and applications, and present new findings to take our knowledge further yet.
Whoever you are, and whatever you may know about this topic, you’ll find something new, interesting, and informative in this book, and may find yourself challenged to see, apply, and share this unique number of mathematics and science in new ways.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 22 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>31</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>From the pyramids of Giza, to quasicrystals, to the proportions of the human face, the golden ratio has an infinite capacity to generate shapes with exquisite properties...</itunes:subtitle>
      <itunes:summary>From the pyramids of Giza, to quasicrystals, to the proportions of the human face, the golden ratio has an infinite capacity to generate shapes with exquisite properties. This book invites you to take a new look at this timeless topic, with a compilation of research and information worthy of a text book, accompanied by over 200 beautiful color illustrations that transform this into the ultimate coffee table book.
In The Golden Ratio: The Divine Beauty of Mathematics (Race Point Press, 2018), Gary Meisner shares the results of his twenty-year investigation and collaboration with thousands of people across the globe in dozens of professions and walks of life. The evidence will close the gaps of understanding related to many claims of the golden ratio’s appearances and applications, and present new findings to take our knowledge further yet.
Whoever you are, and whatever you may know about this topic, you’ll find something new, interesting, and informative in this book, and may find yourself challenged to see, apply, and share this unique number of mathematics and science in new ways.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the pyramids of Giza, to quasicrystals, to the proportions of the human face, the golden ratio has an infinite capacity to generate shapes with exquisite properties. This book invites you to take a new look at this timeless topic, with a compilation of research and information worthy of a text book, accompanied by over 200 beautiful color illustrations that transform this into the ultimate coffee table book.</p><p>In <a href="http://www.amazon.com/dp/163106486X/?tag=newbooinhis-20"><em>The Golden Ratio: The Divine Beauty of Mathematics</em></a> (Race Point Press, 2018), <a href="https://www.goldennumber.net/about/">Gary Meisner</a> shares the results of his twenty-year investigation and collaboration with thousands of people across the globe in dozens of professions and walks of life. The evidence will close the gaps of understanding related to many claims of the golden ratio’s appearances and applications, and present new findings to take our knowledge further yet.</p><p>Whoever you are, and whatever you may know about this topic, you’ll find something new, interesting, and informative in this book, and may find yourself challenged to see, apply, and share this unique number of mathematics and science in new ways.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2456</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4d9c9478-031a-11ea-959e-7bb93cece550]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT2491950918.mp3?updated=1573322693" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dewey Thorbeck, "Agricultural Landscapes: Seeing Rural Through Design" (Routledge, 2019)</title>
      <description>Dewey Thorbeck's new book Agricultural Landscapes: Seeing Rural Through Design (Routledge, 2019) follows on from the author’s previous books, Rural Design and Architecture and Agriculture, to encourage using design thinking to provide greater meaning and understanding of places where humans live and work with the rural landscape. Rural areas around the world are often viewed as special places with cultural, historical and natural significance for people. Dewey Thorbeck emphasizes the importance of these rural sites and their connections to urban areas through full-color case studies of these places with particular emphasis on Globally Important Agricultural Heritage Systems (GIAHS), as identified by the UN Food and Agriculture Organization, to document and explore personal experiences, lessons learned, and implications for the future.
Thorbeck's Bachelor of Architecture is from the University of Minnesota and a Master of Architecture from Yale University. He then won a Rome Prize Fellowship and studied in Italy for two years. The recipient of a number of architectural design awards, he is a Fellow of the American Academy in Rome, Fellow of the American Institute of Architects, and past president of AIA Minnesota. Because of his rural design expertise, he was selected to serve as Vice Director of the organizing committee for the creation of the first World Rural Development Committee that will be managed by the World Green Design Organization established in 2010 by China and the European Union.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 19 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Thorbeck encourages using design thinking to provide greater meaning and understanding of places where humans live and work with the rural landscape...</itunes:subtitle>
      <itunes:summary>Dewey Thorbeck's new book Agricultural Landscapes: Seeing Rural Through Design (Routledge, 2019) follows on from the author’s previous books, Rural Design and Architecture and Agriculture, to encourage using design thinking to provide greater meaning and understanding of places where humans live and work with the rural landscape. Rural areas around the world are often viewed as special places with cultural, historical and natural significance for people. Dewey Thorbeck emphasizes the importance of these rural sites and their connections to urban areas through full-color case studies of these places with particular emphasis on Globally Important Agricultural Heritage Systems (GIAHS), as identified by the UN Food and Agriculture Organization, to document and explore personal experiences, lessons learned, and implications for the future.
Thorbeck's Bachelor of Architecture is from the University of Minnesota and a Master of Architecture from Yale University. He then won a Rome Prize Fellowship and studied in Italy for two years. The recipient of a number of architectural design awards, he is a Fellow of the American Academy in Rome, Fellow of the American Institute of Architects, and past president of AIA Minnesota. Because of his rural design expertise, he was selected to serve as Vice Director of the organizing committee for the creation of the first World Rural Development Committee that will be managed by the World Green Design Organization established in 2010 by China and the European Union.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://arch.design.umn.edu/directory/thorbeckd/">Dewey Thorbeck</a>'s new book <a href="http://www.amazon.com/dp/1138308188/?tag=newbooinhis-20"><em>Agricultural Landscapes: Seeing Rural Through Design</em></a> (Routledge, 2019) follows on from the author’s previous books, <em>Rural Design and Architecture and Agriculture</em>, to encourage using design thinking to provide greater meaning and understanding of places where humans live and work with the rural landscape. Rural areas around the world are often viewed as special places with cultural, historical and natural significance for people. Dewey Thorbeck emphasizes the importance of these rural sites and their connections to urban areas through full-color case studies of these places with particular emphasis on Globally Important Agricultural Heritage Systems (GIAHS), as identified by the UN Food and Agriculture Organization, to document and explore personal experiences, lessons learned, and implications for the future.</p><p>Thorbeck's Bachelor of Architecture is from the University of Minnesota and a Master of Architecture from Yale University. He then won a Rome Prize Fellowship and studied in Italy for two years. The recipient of a number of architectural design awards, he is a Fellow of the American Academy in Rome, Fellow of the American Institute of Architects, and past president of AIA Minnesota. Because of his rural design expertise, he was selected to serve as Vice Director of the organizing committee for the creation of the first World Rural Development Committee that will be managed by the World Green Design Organization established in 2010 by China and the European Union.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3238</itunes:duration>
      <guid isPermaLink="false"><![CDATA[387f79fe-f5b7-11e9-918f-07ca7051a42a]]></guid>
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    </item>
    <item>
      <title>R. Cervero, E. Guerra, S. Al, "Beyond Mobility: Planning Cities for People and Places" (Island Press, 2017)</title>
      <description>Beyond Mobility: Planning Cities for People and Places (Island Press, 2017) by Robert Cervero, Erick Guerra and Stefan Al is about prioritizing the needs and aspirations of people and the creation of great places. This is as important, if not more important, than expediting movement. A stronger focus on accessibility and place creates better communities, environments, and economies. Rethinking how projects are planned and designed in cities and suburbs needs to occur at multiple geographic scales, from micro-designs (such as parklets), corridors (such as road-diets), and city-regions (such as an urban growth boundary). It can involve both software (a shift in policy) and hardware (a physical transformation). Moving beyond mobility must also be socially inclusive, a significant challenge in light of the price increases that typically result from creating higher quality urban spaces.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 15 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>30</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>"Beyond Mobility" is about prioritizing the needs and aspirations of people and the creation of great places...</itunes:subtitle>
      <itunes:summary>Beyond Mobility: Planning Cities for People and Places (Island Press, 2017) by Robert Cervero, Erick Guerra and Stefan Al is about prioritizing the needs and aspirations of people and the creation of great places. This is as important, if not more important, than expediting movement. A stronger focus on accessibility and place creates better communities, environments, and economies. Rethinking how projects are planned and designed in cities and suburbs needs to occur at multiple geographic scales, from micro-designs (such as parklets), corridors (such as road-diets), and city-regions (such as an urban growth boundary). It can involve both software (a shift in policy) and hardware (a physical transformation). Moving beyond mobility must also be socially inclusive, a significant challenge in light of the price increases that typically result from creating higher quality urban spaces.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/1610918347/?tag=newbooinhis-20"><em>Beyond Mobility: Planning Cities for People and Places</em></a> (Island Press, 2017) by <a href="https://ced.berkeley.edu/ced/faculty-staff/robert-cervero">Robert Cervero</a>, <a href="https://www.design.upenn.edu/city-regional-planning/graduate/people/erick-guerra">Erick Guerra</a> and <a href="https://www.stefanal.com/">Stefan Al</a> is about prioritizing the needs and aspirations of people and the creation of great places. This is as important, if not more important, than expediting movement. A stronger focus on accessibility and place creates better communities, environments, and economies. Rethinking how projects are planned and designed in cities and suburbs needs to occur at multiple geographic scales, from micro-designs (such as parklets), corridors (such as road-diets), and city-regions (such as an urban growth boundary). It can involve both software (a shift in policy) and hardware (a physical transformation). Moving beyond mobility must also be socially inclusive, a significant challenge in light of the price increases that typically result from creating higher quality urban spaces.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2979</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a8ef1e90-0266-11ea-af35-bf17aeed3c73]]></guid>
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    </item>
    <item>
      <title>Eddie Chau, "Random Imaginations: A Collection of Illustrated Musings" (ORO Editions, 2018)</title>
      <description>Today I talked to Eddie Chau about his new book Random Imaginations: A Collection of Illustrated Musings (ORO Editions, 2018). The book is a reproduction of thousands of graphic images from a single sketchbook, drawn over the course of 27 years. As a way to challenge the approach of drawing what is in front of the artist, these freehand drawings are a collection of images from imagination and memory. What started as an exercise to break out of a design block, these images began on a single sheet and then became a visual journey and exploration of landscapes, everyday items, architecture, abstracts, and compositions. Like the original sketchbook, Random Imaginations is a visual catalog of countless subjects and visions, to be used as discovery, inspiration, or just casual viewing.
Eddie Chau is the owner and Landscape Architect of ECLA Studio in San Francisco, CA. In addition to being a practicing landscape architect, he has taught at U.C. Davis and U.C. Berkeley Extension, where he is the Program Director of the Landscape Architecture Program. He also draws and paints and is a big fan of the University of California Golden Bears.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 12 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>28</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Chau's book reproduces of thousands of graphic images from a single sketchbook, drawn over the course of 27 years.</itunes:subtitle>
      <itunes:summary>Today I talked to Eddie Chau about his new book Random Imaginations: A Collection of Illustrated Musings (ORO Editions, 2018). The book is a reproduction of thousands of graphic images from a single sketchbook, drawn over the course of 27 years. As a way to challenge the approach of drawing what is in front of the artist, these freehand drawings are a collection of images from imagination and memory. What started as an exercise to break out of a design block, these images began on a single sheet and then became a visual journey and exploration of landscapes, everyday items, architecture, abstracts, and compositions. Like the original sketchbook, Random Imaginations is a visual catalog of countless subjects and visions, to be used as discovery, inspiration, or just casual viewing.
Eddie Chau is the owner and Landscape Architect of ECLA Studio in San Francisco, CA. In addition to being a practicing landscape architect, he has taught at U.C. Davis and U.C. Berkeley Extension, where he is the Program Director of the Landscape Architecture Program. He also draws and paints and is a big fan of the University of California Golden Bears.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to <a href="https://www.linkedin.com/in/eddie-chau-176b845/">Eddie Chau</a> about his new book <a href="http://www.amazon.com/dp/1940743435/?tag=newbooinhis-20"><em>Random Imaginations: A Collection of Illustrated Musings</em></a> (ORO Editions, 2018). The book is a reproduction of thousands of graphic images from a single sketchbook, drawn over the course of 27 years. As a way to challenge the approach of drawing what is in front of the artist, these freehand drawings are a collection of images from imagination and memory. What started as an exercise to break out of a design block, these images began on a single sheet and then became a visual journey and exploration of landscapes, everyday items, architecture, abstracts, and compositions. Like the original sketchbook, Random Imaginations is a visual catalog of countless subjects and visions, to be used as discovery, inspiration, or just casual viewing.</p><p>Eddie Chau is the owner and Landscape Architect of ECLA Studio in San Francisco, CA. In addition to being a practicing landscape architect, he has taught at U.C. Davis and U.C. Berkeley Extension, where he is the Program Director of the Landscape Architecture Program. He also draws and paints and is a big fan of the University of California Golden Bears.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2623</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ac0ac540-f5b2-11e9-b071-431a4bee401c]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT2185976614.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Thaisa Way, "The Landscape Architecture of Richard Haag: From Modern Space to Urban Ecological Design" (U Washington Press, 2019)</title>
      <description>Today I talked to Thaisa Way about her new books The Landscape Architecture of Richard Haag: From Modern Space to Urban Ecological Design (University of Washington Press, 2019). Haag is best known for his rehabilitation of Gas Works Park in Seattle and for a series of remarkable gardens at the Bloedel Reserve on Bainbridge Island. He reshaped the field of landscape architecture as a designer, teacher, and activist. In 1964, Haag founded the landscape architecture department at the University of Washington, and his innovative work contributed to the increasingly significant design approach known as urban ecological design, which encourages thinking beyond the boundaries of gardens and parks to consider the broader roles that landscapes play within urban ecosystems, such as storm water drainage and wildlife habitat.
Thaisa Way is an urban landscape historian teaching and researching history, theory, and design in the Department of Landscape Architecture at the College of Built Environments, University of Washington, Seattle. She is currently the Chair of the Faculty Senate’s Committee on Planning and Budgets at the University of Washington. Currently she is the Program Director for Garden and Landscape Studies, Harvard University/ Dumbarton Oaks Research Center.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 05 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Haag founded the landscape architecture department at the University of Washington, and his innovative work contributed to the increasingly significant design approach known as urban ecological design...</itunes:subtitle>
      <itunes:summary>Today I talked to Thaisa Way about her new books The Landscape Architecture of Richard Haag: From Modern Space to Urban Ecological Design (University of Washington Press, 2019). Haag is best known for his rehabilitation of Gas Works Park in Seattle and for a series of remarkable gardens at the Bloedel Reserve on Bainbridge Island. He reshaped the field of landscape architecture as a designer, teacher, and activist. In 1964, Haag founded the landscape architecture department at the University of Washington, and his innovative work contributed to the increasingly significant design approach known as urban ecological design, which encourages thinking beyond the boundaries of gardens and parks to consider the broader roles that landscapes play within urban ecosystems, such as storm water drainage and wildlife habitat.
Thaisa Way is an urban landscape historian teaching and researching history, theory, and design in the Department of Landscape Architecture at the College of Built Environments, University of Washington, Seattle. She is currently the Chair of the Faculty Senate’s Committee on Planning and Budgets at the University of Washington. Currently she is the Program Director for Garden and Landscape Studies, Harvard University/ Dumbarton Oaks Research Center.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to <a href="https://www.thaisaway.com/">Thaisa Way</a> about her new books <a href="http://www.amazon.com/dp/0295746467/?tag=newbooinhis-20"><em>The Landscape Architecture of Richard Haag: From Modern Space to Urban Ecological Design</em></a> (University of Washington Press, 2019). Haag is best known for his rehabilitation of Gas Works Park in Seattle and for a series of remarkable gardens at the Bloedel Reserve on Bainbridge Island. He reshaped the field of landscape architecture as a designer, teacher, and activist. In 1964, Haag founded the landscape architecture department at the University of Washington, and his innovative work contributed to the increasingly significant design approach known as urban ecological design, which encourages thinking beyond the boundaries of gardens and parks to consider the broader roles that landscapes play within urban ecosystems, such as storm water drainage and wildlife habitat.</p><p>Thaisa Way is an urban landscape historian teaching and researching history, theory, and design in the Department of Landscape Architecture at the College of Built Environments, University of Washington, Seattle. She is currently the Chair of the Faculty Senate’s Committee on Planning and Budgets at the University of Washington. Currently she is the Program Director for Garden and Landscape Studies, Harvard University/ Dumbarton Oaks Research Center.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2930</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4845eb78-f5af-11e9-aa43-cb73306b5d08]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT5366440881.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Kathryn Conrad on University Press Publishing</title>
      <description>As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it.
How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in.
Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 03 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What do university presses do, and how do they do it?</itunes:subtitle>
      <itunes:summary>As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it.
How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in.
Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it.</p><p>How do they do it? Today I talked to <a href="https://uapress.arizona.edu/2019/06/kathryn-conrad-president-aupresses">Kathryn Conrad</a>, the president of the <a href="http://www.aupresses.org/">Association of University Presses</a>, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in.</p><p><em>Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2260</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c6c3e8ea-fd68-11e9-8b13-73d3be382f2a]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT9399627259.mp3?updated=1664640061" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marc Treib, "Doing Almost Nothing: The Landscapes of Georges Descombes" (ORO Edition, 2019)</title>
      <description>Today I talked to Marc Treib about his new book Doing Almost Nothing: The Landscapes of Georges Descombes (ORO Editions, 2019).
Until now, writings about the architect/landscape architect Georges Descombes have been relatively limited, appearing primarily in publications in Switzerland and abroad as conversations, interviews, and conference proceedings; most of them have appeared only in French. However, during his forty years of practice, Descombes has developed and applied a method unique to landscape architecture, one in which an extremely broad vision, both scientifically and culturally, shapes his thinking and projects. Descombes enters each project by attempting to understand the existing conditions on site and how, using minimal means and interventions, those conditions can be modified to meet the requirements of the program and those appropriate to the natural or urban environment. To some critics it would appear that Descombes has always done too little on and to the site, and in some instances have condemned him for “doing almost nothing.” Although simplicity usually demands greater concentration and study, it often yields greater rewards that result from just that restraint. Perhaps how we approach the world is more important that how we shape the world. Descombes’s landscapes are instructive in this regard.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 30 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>26</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Descombes has developed and applied a method unique to landscape architecture, one in which an extremely broad vision, both scientifically and culturally, shapes his thinking and projects...</itunes:subtitle>
      <itunes:summary>Today I talked to Marc Treib about his new book Doing Almost Nothing: The Landscapes of Georges Descombes (ORO Editions, 2019).
Until now, writings about the architect/landscape architect Georges Descombes have been relatively limited, appearing primarily in publications in Switzerland and abroad as conversations, interviews, and conference proceedings; most of them have appeared only in French. However, during his forty years of practice, Descombes has developed and applied a method unique to landscape architecture, one in which an extremely broad vision, both scientifically and culturally, shapes his thinking and projects. Descombes enters each project by attempting to understand the existing conditions on site and how, using minimal means and interventions, those conditions can be modified to meet the requirements of the program and those appropriate to the natural or urban environment. To some critics it would appear that Descombes has always done too little on and to the site, and in some instances have condemned him for “doing almost nothing.” Although simplicity usually demands greater concentration and study, it often yields greater rewards that result from just that restraint. Perhaps how we approach the world is more important that how we shape the world. Descombes’s landscapes are instructive in this regard.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to <a href="https://ced.berkeley.edu/ced/faculty-staff/marc-treib">Marc Treib</a> about his new book <a href="http://www.amazon.com/dp/1940743842/?tag=newbooinhis-20"><em>Doing Almost Nothing: The Landscapes of Georges Descombes</em></a> (ORO Editions, 2019).</p><p>Until now, writings about the architect/landscape architect Georges Descombes have been relatively limited, appearing primarily in publications in Switzerland and abroad as conversations, interviews, and conference proceedings; most of them have appeared only in French. However, during his forty years of practice, Descombes has developed and applied a method unique to landscape architecture, one in which an extremely broad vision, both scientifically and culturally, shapes his thinking and projects. Descombes enters each project by attempting to understand the existing conditions on site and how, using minimal means and interventions, those conditions can be modified to meet the requirements of the program and those appropriate to the natural or urban environment. To some critics it would appear that Descombes has always done too little on and to the site, and in some instances have condemned him for “doing almost nothing.” Although simplicity usually demands greater concentration and study, it often yields greater rewards that result from just that restraint. Perhaps how we approach the world is more important that how we shape the world. Descombes’s landscapes are instructive in this regard.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2935</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8790604c-f041-11e9-a096-a369d26c6117]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT7626622527.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>J. Neuhaus, "Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers" (West Virginia UP, 2019)</title>
      <description>The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all.
Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 24 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The things that make people academics do not necessarily make them good teachers...</itunes:subtitle>
      <itunes:summary>The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all.
Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. <a href="https://www.plattsburgh.edu/academics/schools/arts-sciences/history/faculty/neuhaus.html">Jessamyn Neuhaus</a>’s <a href="http://www.amazon.com/dp/1949199061/?tag=newbooinhis-20"><em>Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers</em></a><em> </em>(West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all.</p><p><a href="http://www.stephenpimpare.com/"><em>Stephen Pimpare</em></a><em> is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of </em>The New Victorians<em> (New Press, 2004), </em>A Peoples History of Poverty in America<em> (New Press, 2008), winner of the Michael Harrington Award, and </em>Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen<em> (Oxford, 2017).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1963</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[61e8aa18-f017-11e9-84ed-7f5d4009d3b8]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT4206427958.mp3?updated=1571231703" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kate Baker, “Captured Landscape: Architecture and the Enclosed Garden” (Routledge, 2018)</title>
      <description>In her book Captured Landscape: Architecture and the Enclosed Garden (Routledge, 2018; 2nd edition), Kate Baker discusses the continuing relevance of the typology of the enclosed garden to contemporary architects by exploring influential historical examples and the concepts they generate, alongside some of the best of contemporary designs – brought to life with vivid photography and detailed drawings – taken primarily from Britain, the Mediterranean, Japan and North and South America. She argues that understanding the potential of the enclosed garden requires us to think of it as both a design and an experience.
Kate Baker is an architect and has been a lecturer at the University of Portsmouth, UK, and previously at Cambridge University, UK. Before that, she was partner in an architectural practice. She is an active researcher in both architecture and landscape, and our sensory relationship with space.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 23 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>25</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Baker discusses the continuing relevance of the typology of the enclosed garden to contemporary architects...</itunes:subtitle>
      <itunes:summary>In her book Captured Landscape: Architecture and the Enclosed Garden (Routledge, 2018; 2nd edition), Kate Baker discusses the continuing relevance of the typology of the enclosed garden to contemporary architects by exploring influential historical examples and the concepts they generate, alongside some of the best of contemporary designs – brought to life with vivid photography and detailed drawings – taken primarily from Britain, the Mediterranean, Japan and North and South America. She argues that understanding the potential of the enclosed garden requires us to think of it as both a design and an experience.
Kate Baker is an architect and has been a lecturer at the University of Portsmouth, UK, and previously at Cambridge University, UK. Before that, she was partner in an architectural practice. She is an active researcher in both architecture and landscape, and our sensory relationship with space.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her book <a href="http://www.amazon.com/dp/1138679259/?tag=newbooinhis-20"><em>Captured Landscape: Architecture and the Enclosed Garden</em></a> (Routledge, 2018; 2nd edition), <a href="https://www.linkedin.com/in/kate-baker-b3138a7a/?originalSubdomain=uk">Kate Baker</a> discusses the continuing relevance of the typology of the enclosed garden to contemporary architects by exploring influential historical examples and the concepts they generate, alongside some of the best of contemporary designs – brought to life with vivid photography and detailed drawings – taken primarily from Britain, the Mediterranean, Japan and North and South America. She argues that understanding the potential of the enclosed garden requires us to think of it as both a design and an experience.</p><p>Kate Baker is an architect and has been a lecturer at the University of Portsmouth, UK, and previously at Cambridge University, UK. Before that, she was partner in an architectural practice. She is an active researcher in both architecture and landscape, and our sensory relationship with space.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3022</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8e663e0a-ee89-11e9-ac7f-f3923f5e9bb4]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT3762607727.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephen Hamnett, "Planning Singapore: The Experimental City" (Routledge, 2019)</title>
      <description>In this episode, we talk with Stephen Hamnett about Planning Singapore: The Experimental City(Routledge, 2019), a book he edited with Belinda Yuen.
Two hundred years ago, Sir Stamford Raffles established the modern settlement of Singapore with the intent of seeing it become ‘a great commercial emporium and fulcrum’. But by the time independence was achieved in 1965, the city faced daunting problems of housing shortage, slums and high unemployment. Since then, Singapore has become one of the richest countries on earth, providing, in Sir Peter Hall’s words, ‘perhaps the most extraordinary case of economic development in the history of the world’. The story of Singapore’s remarkable achievements in the first half century after its independence is now widely known.
Stephen Hamnett is Emeritus Professor of Urban and Regional Planning at the University of South Australia and a Commissioner of the Environment, Resources and Development Court of South Australia. Belinda Yuen is Professorial Research Fellow and Research Director at the Lee Kuan Yew Centre for Innovative cities, Singapore University of Technology and Design.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 07 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Two hundred years ago, Sir Stamford Raffles established the modern settlement of Singapore...</itunes:subtitle>
      <itunes:summary>In this episode, we talk with Stephen Hamnett about Planning Singapore: The Experimental City(Routledge, 2019), a book he edited with Belinda Yuen.
Two hundred years ago, Sir Stamford Raffles established the modern settlement of Singapore with the intent of seeing it become ‘a great commercial emporium and fulcrum’. But by the time independence was achieved in 1965, the city faced daunting problems of housing shortage, slums and high unemployment. Since then, Singapore has become one of the richest countries on earth, providing, in Sir Peter Hall’s words, ‘perhaps the most extraordinary case of economic development in the history of the world’. The story of Singapore’s remarkable achievements in the first half century after its independence is now widely known.
Stephen Hamnett is Emeritus Professor of Urban and Regional Planning at the University of South Australia and a Commissioner of the Environment, Resources and Development Court of South Australia. Belinda Yuen is Professorial Research Fellow and Research Director at the Lee Kuan Yew Centre for Innovative cities, Singapore University of Technology and Design.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, we talk with <a href="https://people.unisa.edu.au/steve.hamnett">Stephen Hamnett</a> about <a href="http://www.amazon.com/dp/113848234X/?tag=newbooinhis-20"><em>Planning Singapore: The Experimental City</em></a>(Routledge, 2019), a book he edited with <a href="https://lkycic.sutd.edu.sg/people/centre-leadership/belinda-yuen">Belinda Yuen</a>.</p><p>Two hundred years ago, Sir Stamford Raffles established the modern settlement of Singapore with the intent of seeing it become ‘a great commercial emporium and fulcrum’. But by the time independence was achieved in 1965, the city faced daunting problems of housing shortage, slums and high unemployment. Since then, Singapore has become one of the richest countries on earth, providing, in Sir Peter Hall’s words, ‘perhaps the most extraordinary case of economic development in the history of the world’. The story of Singapore’s remarkable achievements in the first half century after its independence is now widely known.</p><p>Stephen Hamnett is Emeritus Professor of Urban and Regional Planning at the University of South Australia and a Commissioner of the Environment, Resources and Development Court of South Australia. Belinda Yuen is Professorial Research Fellow and Research Director at the Lee Kuan Yew Centre for Innovative cities, Singapore University of Technology and Design.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3265</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Kathryn E. O’Rourke, "O’Neil Ford on Architecture" (U Texas Press, 2019)</title>
      <description>O’Neil Ford on Architecture (University of Texas Press, 2019) brings together Ford’s major professional writings and speeches for the first time. Revealing the intellectual and theoretical underpinnings of his distinctive modernism, they illuminate his fascination with architectural history, his pioneering uses of new technologies and construction systems, his deep concerns for the landscape and environment, and his passionate commitments to education and civil rights. An interlocutor with titans of the twentieth century, including Louis Kahn and J. Robert Oppenheimer, Ford understood architecture as inseparable from the social, political, and scientific developments of his day. An introductory essay by Kathryn E. O’Rourke provides a critical assessment of Ford’s essays and lectures and repositions him in the history of US architectural modernism. As some of his most important buildings turn sixty, O’Neil Ford on Architecture demonstrates that this Texas modernist deserves to be ranked among the leading midcentury American architects.
Kathryn E. O’Rourke is an associate professor of art history at Trinity University in San Antonio, TX. She is the author of Architecture in Mexico City: History, Representation, and the Shaping of a Capital.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 04 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>23</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>O'Rourke brings together Ford’s major professional writings and speeches for the first time.,,</itunes:subtitle>
      <itunes:summary>O’Neil Ford on Architecture (University of Texas Press, 2019) brings together Ford’s major professional writings and speeches for the first time. Revealing the intellectual and theoretical underpinnings of his distinctive modernism, they illuminate his fascination with architectural history, his pioneering uses of new technologies and construction systems, his deep concerns for the landscape and environment, and his passionate commitments to education and civil rights. An interlocutor with titans of the twentieth century, including Louis Kahn and J. Robert Oppenheimer, Ford understood architecture as inseparable from the social, political, and scientific developments of his day. An introductory essay by Kathryn E. O’Rourke provides a critical assessment of Ford’s essays and lectures and repositions him in the history of US architectural modernism. As some of his most important buildings turn sixty, O’Neil Ford on Architecture demonstrates that this Texas modernist deserves to be ranked among the leading midcentury American architects.
Kathryn E. O’Rourke is an associate professor of art history at Trinity University in San Antonio, TX. She is the author of Architecture in Mexico City: History, Representation, and the Shaping of a Capital.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/1477316388/?tag=newbooinhis-20"><em>O’Neil Ford on Architecture</em></a> (University of Texas Press, 2019) brings together Ford’s major professional writings and speeches for the first time. Revealing the intellectual and theoretical underpinnings of his distinctive modernism, they illuminate his fascination with architectural history, his pioneering uses of new technologies and construction systems, his deep concerns for the landscape and environment, and his passionate commitments to education and civil rights. An interlocutor with titans of the twentieth century, including Louis Kahn and J. Robert Oppenheimer, Ford understood architecture as inseparable from the social, political, and scientific developments of his day. An introductory essay by Kathryn E. O’Rourke provides a critical assessment of Ford’s essays and lectures and repositions him in the history of US architectural modernism. As some of his most important buildings turn sixty, O’Neil Ford on Architecture demonstrates that this Texas modernist deserves to be ranked among the leading midcentury American architects.</p><p><a href="https://inside.trinity.edu/directory/korourke">Kathryn E. O’Rourke</a> is an associate professor of art history at Trinity University in San Antonio, TX. She is the author of <em>Architecture in Mexico City: History, Representation, and the Shaping of a Capital</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3030</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6bb2776a-dbb1-11e9-8556-67b5d4687b83]]></guid>
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    </item>
    <item>
      <title>Paul McClean, "McClean Design: Creating the Contemporary House" (Rizzoli, 2019)</title>
      <description>Paul McClean grew up in Irelands where he studied architecture before moving to Southern California and establishing McClean Design. Over the past 18 years it has grown into one of the leading contemporary residential design firms in Los Angles committed to excellence. Today we're taking about his book McClean Design: Creating the Contemporary House (Rizzoli, 2019)
Design is not just a job for Paul McClean. It is a dream realized from his childhood. It is his passion. This is evident in every one of his visionary custom-built residences. His firm’s projects reflect an interest in modern living and a desire to connect their clients to the beauty of the surrounding natural environment. The incorporation of water and the elimination of the barrier between indoors and outdoors are hallmarks of McClean’s designs. His firm makes extensive use of glazing systems to maximize views and provide a warm light-filled contemporary space. With his designs, McClean strives for simplicity with expansive views. He places an emphasis on texture and natural materials with the homes he creates, and his firm is committed to environmentally sustainable design practices. McClean Design continues to strive for excellence in design and to push the boundaries of imagination in creating extraordinary spaces they hope will provide enjoyment for many years to come. McClean’s eponymous firm has become one of the leading contemporary residential design firms in Southern California, with a reach that can be felt as far as British Columbia.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 01 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Design is not just a job for Paul McClean. It is a dream realized from his childhood. It is his passion...</itunes:subtitle>
      <itunes:summary>Paul McClean grew up in Irelands where he studied architecture before moving to Southern California and establishing McClean Design. Over the past 18 years it has grown into one of the leading contemporary residential design firms in Los Angles committed to excellence. Today we're taking about his book McClean Design: Creating the Contemporary House (Rizzoli, 2019)
Design is not just a job for Paul McClean. It is a dream realized from his childhood. It is his passion. This is evident in every one of his visionary custom-built residences. His firm’s projects reflect an interest in modern living and a desire to connect their clients to the beauty of the surrounding natural environment. The incorporation of water and the elimination of the barrier between indoors and outdoors are hallmarks of McClean’s designs. His firm makes extensive use of glazing systems to maximize views and provide a warm light-filled contemporary space. With his designs, McClean strives for simplicity with expansive views. He places an emphasis on texture and natural materials with the homes he creates, and his firm is committed to environmentally sustainable design practices. McClean Design continues to strive for excellence in design and to push the boundaries of imagination in creating extraordinary spaces they hope will provide enjoyment for many years to come. McClean’s eponymous firm has become one of the leading contemporary residential design firms in Southern California, with a reach that can be felt as far as British Columbia.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.mccleandesign.com/"><em>Paul McClean</em></a> grew up in Irelands where he studied architecture before moving to Southern California and establishing McClean Design. Over the past 18 years it has grown into one of the leading contemporary residential design firms in Los Angles committed to excellence. Today we're taking about his book <a href="http://www.amazon.com/dp/0847863506/?tag=newbooinhis-20"><em>McClean Design: Creating the Contemporary House</em></a> (Rizzoli, 2019)</p><p>Design is not just a job for Paul McClean. It is a dream realized from his childhood. It is his passion. This is evident in every one of his visionary custom-built residences. His firm’s projects reflect an interest in modern living and a desire to connect their clients to the beauty of the surrounding natural environment. The incorporation of water and the elimination of the barrier between indoors and outdoors are hallmarks of McClean’s designs. His firm makes extensive use of glazing systems to maximize views and provide a warm light-filled contemporary space. With his designs, McClean strives for simplicity with expansive views. He places an emphasis on texture and natural materials with the homes he creates, and his firm is committed to environmentally sustainable design practices. <em>McClean Design</em> continues to strive for excellence in design and to push the boundaries of imagination in creating extraordinary spaces they hope will provide enjoyment for many years to come. McClean’s eponymous firm has become one of the leading contemporary residential design firms in Southern California, with a reach that can be felt as far as British Columbia.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3226</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Jacky Bowring, "Melancholy and the Landscape: Locating Sadness, Memory, and Reflection in the Landscape" (Routledge, 2018)</title>
      <description>Written as an advocacy of melancholy’s value as part of landscape, experience, Melancholy and the Landscape: Locating Sadness, Memory, and Reflection in the Landscape(Routledge, 2018) situates the concept with landscape’s aesthetic traditions, and reveals how it is a critical part of ethics and empathy. With a history that extends back to ancient times, melancholy has hovered at the edges of the appreciation of landscape, including the aesthetic exertions of the 18th century. Implicated in the more formal categories of the sublime and the picturesque, melancholy captures the subtle condition of beautiful sadness....
Jacky Bowring is a professor of Landscape Architecture at Lincoln University, Christchurch, New Zealand.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 27 Sep 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Bowring situates the concept with landscape’s aesthetic traditions, and reveals how it is a critical part of ethics and empathy...</itunes:subtitle>
      <itunes:summary>Written as an advocacy of melancholy’s value as part of landscape, experience, Melancholy and the Landscape: Locating Sadness, Memory, and Reflection in the Landscape(Routledge, 2018) situates the concept with landscape’s aesthetic traditions, and reveals how it is a critical part of ethics and empathy. With a history that extends back to ancient times, melancholy has hovered at the edges of the appreciation of landscape, including the aesthetic exertions of the 18th century. Implicated in the more formal categories of the sublime and the picturesque, melancholy captures the subtle condition of beautiful sadness....
Jacky Bowring is a professor of Landscape Architecture at Lincoln University, Christchurch, New Zealand.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Written as an advocacy of melancholy’s value as part of landscape, experience, <a href="http://www.amazon.com/dp/1138588768/?tag=newbooinhis-20"><em>Melancholy and the Landscape: Locating Sadness, Memory, and Reflection in the Landscape</em></a>(Routledge, 2018) situates the concept with landscape’s aesthetic traditions, and reveals how it is a critical part of ethics and empathy. With a history that extends back to ancient times, melancholy has hovered at the edges of the appreciation of landscape, including the aesthetic exertions of the 18th century. Implicated in the more formal categories of the sublime and the picturesque, melancholy captures the subtle condition of beautiful sadness....</p><p><a href="https://en.wikipedia.org/wiki/Jacky_Bowring">Jacky Bowring</a> is a professor of Landscape Architecture at Lincoln University, Christchurch, New Zealand.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2911</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[692a1e42-d98d-11e9-86eb-4b18fe2ff2e3]]></guid>
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    </item>
    <item>
      <title>Kenneth Olwig, "The Meanings of Landscape: Essays on Place, Space, Nature and Justice" (Routledge, 2019)</title>
      <description>In The Meanings of Landscape: Essays on Place, Space, Nature and Justice (Routledge, 2019), Kenneth Olwig presents explorations in landscape geography and architecture from an environmental humanities perspective. With influence from art, literature, theatre staging, architecture, and garden design, landscape has now come to be viewed as a form of spatial scenery, but this reading captures only a narrow representation of landscape meaning today. This book positions landscape as a concept shaped through the centuries, evolving from place to place to provide nuanced interpretations of landscape meaning. The essays are woven together to gather an international approach to understanding the past and present importance of landscape as place and polity, as designed space, as nature, and as an influential factor in the shaping of ideas in a just social and physical environment.
Olwig is an American-born landscape geographer, specializing in the study of the Scandinavian landscape. He is best known for advocating a "substantive" understanding landscape, one that incorporates legal and other lived significances of landscape, rather than viewing it in a more purely aesthetic way. His writings include Landscape, Nature and the Body Politic (2002) and Nature's Ideological Landscape (1984). Olwig is Professor Emeritus of Landscape Architecture Planning and Management at the Swedish University of Agricultural Sciences in Alnarp, Sweden.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 13 Sep 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Olwig presents explorations in landscape geography and architecture from an environmental humanities perspective...</itunes:subtitle>
      <itunes:summary>In The Meanings of Landscape: Essays on Place, Space, Nature and Justice (Routledge, 2019), Kenneth Olwig presents explorations in landscape geography and architecture from an environmental humanities perspective. With influence from art, literature, theatre staging, architecture, and garden design, landscape has now come to be viewed as a form of spatial scenery, but this reading captures only a narrow representation of landscape meaning today. This book positions landscape as a concept shaped through the centuries, evolving from place to place to provide nuanced interpretations of landscape meaning. The essays are woven together to gather an international approach to understanding the past and present importance of landscape as place and polity, as designed space, as nature, and as an influential factor in the shaping of ideas in a just social and physical environment.
Olwig is an American-born landscape geographer, specializing in the study of the Scandinavian landscape. He is best known for advocating a "substantive" understanding landscape, one that incorporates legal and other lived significances of landscape, rather than viewing it in a more purely aesthetic way. His writings include Landscape, Nature and the Body Politic (2002) and Nature's Ideological Landscape (1984). Olwig is Professor Emeritus of Landscape Architecture Planning and Management at the Swedish University of Agricultural Sciences in Alnarp, Sweden.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/1138483931/?tag=newbooinhis-20"><em>The Meanings of Landscape: Essays on Place, Space, Nature and Justice</em></a> (Routledge, 2019), <a href="https://en.wikipedia.org/wiki/Kenneth_Olwig">Kenneth Olwig</a> presents explorations in landscape geography and architecture from an environmental humanities perspective. With influence from art, literature, theatre staging, architecture, and garden design, landscape has now come to be viewed as a form of spatial scenery, but this reading captures only a narrow representation of landscape meaning today. This book positions landscape as a concept shaped through the centuries, evolving from place to place to provide nuanced interpretations of landscape meaning. The essays are woven together to gather an international approach to understanding the past and present importance of landscape as place and polity, as designed space, as nature, and as an influential factor in the shaping of ideas in a just social and physical environment.</p><p>Olwig is an American-born landscape geographer, specializing in the study of the Scandinavian landscape. He is best known for advocating a "substantive" understanding landscape, one that incorporates legal and other lived significances of landscape, rather than viewing it in a more purely aesthetic way. His writings include <em>Landscape, Nature and the Body Politic</em> (2002) and <em>Nature's Ideological Landscape</em> (1984). Olwig is Professor Emeritus of Landscape Architecture Planning and Management at the Swedish University of Agricultural Sciences in Alnarp, Sweden.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3896</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Susan Jaques, "The Caesar of Paris:  Napoleon Bonaparte, Rome, and the Artistic Obsession That Shaped An Empire" (Pegasus Books, 2018)</title>
      <description>In her book, The Caesar of Paris:  Napoleon Bonaparte, Rome, and the Artistic Obsession That Shaped An Empire (Pegasus Books, 2018), Susan Jaques offers up a richly detailed and researched account of Napoleon’s fascination with ancient Rome, and how this obsession shaped not only France in the early part of the nineteenth century, but also the city of Paris we know today.  In this interview, she traces the cultural history and legacy of the Napoleonic era, discussing topics such as the looting of artworks from conquered states, the creation of the Empire style by architects Charles Percier and Pierre Fontaine, the Roman inspirations for the Arc de Triomphe, the Arc du Carrousel, and the Vendôme column, and the politics of art repatriation after Napoleon’s defeat at Waterloo.
Susan Jaques is a Los Angeles-based author and journalist with a consuming interest in history and art. Her biography, The Empress of Art: Catherine the Great and the Transformation of Russia explores the tsarina’s bold, unprecedented use of art and architecture to legitimize her reign and transform Russia into a European superpower.  Her new cultural history, The Caesar of Paris: Napoleon Bonaparte, Rome, and the Artistic Obsession that Shaped an Empire examines Napoleon’s fascination with antiquity and its impact on the urban landscape of Paris (Pegasus Books, April 2016 &amp; December 2018).
Susan’s articles, profiles, and reviews have appeared in such publications as Fine Arts Connoisseur, The Huffington Post, Los Angeles Times, Chicago Tribune, Toronto Globe and Mail, and NY Review of Books.
Susan holds a Bachelor of Arts degree in history from Stanford University and an MBA from the University of California, Los Angeles. She is a member of Historians of Eighteenth-Century Art &amp; Architecture and the Napoleon Historical Society. Susan is a docent at the J. Paul Getty Museum in Los Angeles.
Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 22 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>578</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jaques offers up a richly detailed and researched account of Napoleon’s fascination with ancient Rome,..</itunes:subtitle>
      <itunes:summary>In her book, The Caesar of Paris:  Napoleon Bonaparte, Rome, and the Artistic Obsession That Shaped An Empire (Pegasus Books, 2018), Susan Jaques offers up a richly detailed and researched account of Napoleon’s fascination with ancient Rome, and how this obsession shaped not only France in the early part of the nineteenth century, but also the city of Paris we know today.  In this interview, she traces the cultural history and legacy of the Napoleonic era, discussing topics such as the looting of artworks from conquered states, the creation of the Empire style by architects Charles Percier and Pierre Fontaine, the Roman inspirations for the Arc de Triomphe, the Arc du Carrousel, and the Vendôme column, and the politics of art repatriation after Napoleon’s defeat at Waterloo.
Susan Jaques is a Los Angeles-based author and journalist with a consuming interest in history and art. Her biography, The Empress of Art: Catherine the Great and the Transformation of Russia explores the tsarina’s bold, unprecedented use of art and architecture to legitimize her reign and transform Russia into a European superpower.  Her new cultural history, The Caesar of Paris: Napoleon Bonaparte, Rome, and the Artistic Obsession that Shaped an Empire examines Napoleon’s fascination with antiquity and its impact on the urban landscape of Paris (Pegasus Books, April 2016 &amp; December 2018).
Susan’s articles, profiles, and reviews have appeared in such publications as Fine Arts Connoisseur, The Huffington Post, Los Angeles Times, Chicago Tribune, Toronto Globe and Mail, and NY Review of Books.
Susan holds a Bachelor of Arts degree in history from Stanford University and an MBA from the University of California, Los Angeles. She is a member of Historians of Eighteenth-Century Art &amp; Architecture and the Napoleon Historical Society. Susan is a docent at the J. Paul Getty Museum in Los Angeles.
Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her book, <a href="http://www.amazon.com/dp/1681778696/?tag=newbooinhis-20"><em>The Caesar of Paris:  Napoleon Bonaparte, Rome, and the Artistic Obsession That Shaped An Empire</em></a> (Pegasus Books, 2018), <a href="https://susanjaques.com/">Susan Jaques</a> offers up a richly detailed and researched account of Napoleon’s fascination with ancient Rome, and how this obsession shaped not only France in the early part of the nineteenth century, but also the city of Paris we know today.  In this interview, she traces the cultural history and legacy of the Napoleonic era, discussing topics such as the looting of artworks from conquered states, the creation of the Empire style by architects Charles Percier and Pierre Fontaine, the Roman inspirations for the Arc de Triomphe, the Arc du Carrousel, and the Vendôme column, and the politics of art repatriation after Napoleon’s defeat at Waterloo.</p><p>Susan Jaques is a Los Angeles-based author and journalist with a consuming interest in history and art. Her biography, <em>The Empress of Art: Catherine the Great and the Transformation of Russia</em> explores the tsarina’s bold, unprecedented use of art and architecture to legitimize her reign and transform Russia into a European superpower.  Her new cultural history, <em>The Caesar of Paris: Napoleon Bonaparte, Rome, and the Artistic Obsession that Shaped an Empire </em>examines Napoleon’s fascination with antiquity and its impact on the urban landscape of Paris (Pegasus Books, April 2016 &amp; December 2018).</p><p>Susan’s articles, profiles, and reviews have appeared in such publications as <em>Fine Arts Connoisseur, The Huffington Post, Los Angeles Times, Chicago Tribune, Toronto Globe and Mail</em>, and <em>NY Review of Books</em>.</p><p>Susan holds a Bachelor of Arts degree in history from Stanford University and an MBA from the University of California, Los Angeles. She is a member of Historians of Eighteenth-Century Art &amp; Architecture and the Napoleon Historical Society. Susan is a docent at the J. Paul Getty Museum in Los Angeles.</p><p><em>Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2676</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[78f592a6-c070-11e9-82d5-2f484bf0ad32]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT4343235671.mp3?updated=1664637488" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kapila D. Silva and Amita Sinha, "Cultural Landscapes of South Asia : Studies in Heritage Conservation, and Management" (Routledge, 2017)</title>
      <description>The book today is Cultural Landscapes of South Asia : Studies in Heritage Conservation, and Management (Routledge, 2017) edited by Kapila D. Silva and Amita Sinha. It's the Winner of the Environmental Design Research Association's 2018 Achievement Award. South Asian architecture and landscapes are not as well known in the western design schools. This book adds to our body of knowledge about “how to” design spaces with culturally sensitivity for projects in South Asia but also what we can learn from them. It's about how their multi-faceted cultural appreciation of the land that derives from their religion, food, and way of living with ecologies affects their designs and placemaking. It’s a fascinating book to view western cultures in a new light and also our current struggles with sea level rise and ecological challenges.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 15 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>South Asian architecture and landscapes are not as well known in the western design schools...</itunes:subtitle>
      <itunes:summary>The book today is Cultural Landscapes of South Asia : Studies in Heritage Conservation, and Management (Routledge, 2017) edited by Kapila D. Silva and Amita Sinha. It's the Winner of the Environmental Design Research Association's 2018 Achievement Award. South Asian architecture and landscapes are not as well known in the western design schools. This book adds to our body of knowledge about “how to” design spaces with culturally sensitivity for projects in South Asia but also what we can learn from them. It's about how their multi-faceted cultural appreciation of the land that derives from their religion, food, and way of living with ecologies affects their designs and placemaking. It’s a fascinating book to view western cultures in a new light and also our current struggles with sea level rise and ecological challenges.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The book today is <a href="http://www.amazon.com/dp/1138601578/?tag=newbooinhis-20">Cultural Landscapes of South Asia : Studies in Heritage Conservation, and Management</a> (Routledge, 2017) edited by <a href="https://architecture.ku.edu/kapila-silva">Kapila D. Silva</a> and <a href="https://ernrt.academia.edu/AmitaSinha">Amita Sinha</a>. It's the Winner of the Environmental Design Research Association's 2018 Achievement Award. South Asian architecture and landscapes are not as well known in the western design schools. This book adds to our body of knowledge about “how to” design spaces with culturally sensitivity for projects in South Asia but also what we can learn from them. It's about how their multi-faceted cultural appreciation of the land that derives from their religion, food, and way of living with ecologies affects their designs and placemaking. It’s a fascinating book to view western cultures in a new light and also our current struggles with sea level rise and ecological challenges.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3197</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[74d73148-bc6a-11e9-924b-7b85c74617af]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT9038377120.mp3?updated=1568397989" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chris Reed and Nina-Marie Lister, "Projective Ecologies" (HGSD, 2014)</title>
      <description>Chris Reed and Nina-Marie Lister's book  Projective Ecologies (Harvard Graduate School of Design 2014) is about how landscape architecture can move forward in the design field beyond garden landscapes to delve into the serious issues of climate change and land use master planing affecting our global landscapes today. Projective ecologies is a “how to get started” guide to understanding what we can control, what we can’t control, and to embrace all of the creative chaos to produce good and meaning peacemaking for humans and nature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 09 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>"Projective Ecologies" is about how landscape architecture can move forward in the design field beyond garden landscapes...</itunes:subtitle>
      <itunes:summary>Chris Reed and Nina-Marie Lister's book  Projective Ecologies (Harvard Graduate School of Design 2014) is about how landscape architecture can move forward in the design field beyond garden landscapes to delve into the serious issues of climate change and land use master planing affecting our global landscapes today. Projective ecologies is a “how to get started” guide to understanding what we can control, what we can’t control, and to embrace all of the creative chaos to produce good and meaning peacemaking for humans and nature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.gsd.harvard.edu/person/chris-reed/">Chris Reed</a> and <a href="https://www.ryerson.ca/surp/people/faculty/nina-marie-lister/">Nina-Marie Lister</a>'s book  <a href="http://www.amazon.com/dp/1940291127/?tag=newbooinhis-20"><em>Projective Ecologies</em></a> (Harvard Graduate School of Design 2014) is about how landscape architecture can move forward in the design field beyond garden landscapes to delve into the serious issues of climate change and land use master planing affecting our global landscapes today. Projective ecologies is a “how to get started” guide to understanding what we can control, what we can’t control, and to embrace all of the creative chaos to produce good and meaning peacemaking for humans and nature.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3458</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[542a52a2-b703-11e9-b1c3-b3b1a261cae9]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT1683431754.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Erin-Marie Legacey, "Making Space for the Dead:  Catacombs, Cemeteries, and the Reimagining of Paris, 1780-1830" (Cornell UP, 2019)</title>
      <description>In Making Space for the Dead: Catacombs, Cemeteries, and the Reimagining of Paris, 1780-1830 (Cornell University Press, 2019), Dr. Erin-Marie Legacey, Assistant Professor of History at Texas Tech University, explores the transformation of burial practices in the aftermath of the French Revolution. Public health concerns under the Old Regime prompted reforms in how the French buried their dead, with millions of bones carted away from church graveyards to the deserted mining tunnels underneath the city. After the Revolution, the Catacombs, as well as newly established cemeteries such as Père Lachaise, became more than simply places for the disposal of the deceased. Amidst the turmoil and upheaval wrought by the Revolution, these burial sites became public spaces for Parisians to, as Dr. Legacey writes, “assert and assess their radical break with the past, to reconsider a new set of moeurs in the wake of that break, to reconnect with their fellow Parisians, both alive and dead, and to reimagine their past and its relationship to the present.”
Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 07 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>567</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Legacey explores the transformation of burial practices in the aftermath of the French Revolution...</itunes:subtitle>
      <itunes:summary>In Making Space for the Dead: Catacombs, Cemeteries, and the Reimagining of Paris, 1780-1830 (Cornell University Press, 2019), Dr. Erin-Marie Legacey, Assistant Professor of History at Texas Tech University, explores the transformation of burial practices in the aftermath of the French Revolution. Public health concerns under the Old Regime prompted reforms in how the French buried their dead, with millions of bones carted away from church graveyards to the deserted mining tunnels underneath the city. After the Revolution, the Catacombs, as well as newly established cemeteries such as Père Lachaise, became more than simply places for the disposal of the deceased. Amidst the turmoil and upheaval wrought by the Revolution, these burial sites became public spaces for Parisians to, as Dr. Legacey writes, “assert and assess their radical break with the past, to reconsider a new set of moeurs in the wake of that break, to reconnect with their fellow Parisians, both alive and dead, and to reimagine their past and its relationship to the present.”
Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/1501715593/?tag=newbooinhis-20"><em>Making Space for the Dead: Catacombs, Cemeteries, and the Reimagining of Paris, 1780-1830</em></a> (Cornell University Press, 2019), <a href="https://www.depts.ttu.edu/history/faculty/profiles/legacey_erin.php">Dr. Erin-Marie Legacey</a>, Assistant Professor of History at Texas Tech University, explores the transformation of burial practices in the aftermath of the French Revolution. Public health concerns under the Old Regime prompted reforms in how the French buried their dead, with millions of bones carted away from church graveyards to the deserted mining tunnels underneath the city. After the Revolution, the Catacombs, as well as newly established cemeteries such as Père Lachaise, became more than simply places for the disposal of the deceased. Amidst the turmoil and upheaval wrought by the Revolution, these burial sites became public spaces for Parisians to, as Dr. Legacey writes, “assert and assess their radical break with the past, to reconsider a new set of moeurs in the wake of that break, to reconnect with their fellow Parisians, both alive and dead, and to reimagine their past and its relationship to the present.”</p><p><em>Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3138</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[49cfc50a-b3d7-11e9-b346-931d6fa846cc]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT9469123879.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elizabeth Otto, "Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics" (MIT Press, 2019)</title>
      <description>In this segment of New Books in History, Jana Byars talks with Elizabeth “Libby” Otto, Associate Professor of Art History and Visual Studies and Executive Director of the Humanities Institute at the University of Buffalo about her forthcoming work, Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics (MIT Press, 2019). The MIT press release appropriately notes that Otto “liberates Bauhaus history” with this work, drawing the focus from the handful of male artists like Klee and Breuer outward as she considers the other 1200 odd Bauhäusler. Otto discusses spiritism, gender constructions, and the nature of queer before turning her attention to the unavoidable political landscape of the 1930s. Our conversation was wide ranging and as edifying as it was fun.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 06 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>566</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Otto “liberates Bauhaus history” with this work, drawing the focus from the handful of male artists like Klee and Breuer outward as she considers the other 1200 odd Bauhäusler...</itunes:subtitle>
      <itunes:summary>In this segment of New Books in History, Jana Byars talks with Elizabeth “Libby” Otto, Associate Professor of Art History and Visual Studies and Executive Director of the Humanities Institute at the University of Buffalo about her forthcoming work, Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics (MIT Press, 2019). The MIT press release appropriately notes that Otto “liberates Bauhaus history” with this work, drawing the focus from the handful of male artists like Klee and Breuer outward as she considers the other 1200 odd Bauhäusler. Otto discusses spiritism, gender constructions, and the nature of queer before turning her attention to the unavoidable political landscape of the 1930s. Our conversation was wide ranging and as edifying as it was fun.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this segment of New Books in History, Jana Byars talks with <a href="https://arts-sciences.buffalo.edu/global-gender-sexuality/faculty/faculty-directory/elizabeth-otto.html">Elizabeth “Libby” Otto</a>, Associate Professor of Art History and Visual Studies and Executive Director of the Humanities Institute at the University of Buffalo about her forthcoming work, <a href="http://www.amazon.com/dp/0262043297/?tag=newbooinhis-20"><em>Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics</em></a> (MIT Press, 2019). The MIT press release appropriately notes that Otto “liberates Bauhaus history” with this work, drawing the focus from the handful of male artists like Klee and Breuer outward as she considers the other 1200 odd Bauhäusler. Otto discusses spiritism, gender constructions, and the nature of queer before turning her attention to the unavoidable political landscape of the 1930s. Our conversation was wide ranging and as edifying as it was fun.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4448</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[321d7f04-b24e-11e9-a685-0bced78bd204]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT4786658112.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nadia Amoroso, "Representing Landscapes: Analogue" (Routledge, 2019)</title>
      <description>Nadia Amoroso's last book Representing Landscapes: Analogue (Routledge, 2019) focuses the art of hand drawings and why they are still relevant and important in our digital age. Nadia takes us on a journey through the diverse Landscape Architecture University programs showcasing the best in student work. Simple hand drawings can tell powerful stories if we know “how to “ do them. Each chapter illustrates a different style and type of drawing along with an essay from the leading professors at the major universities. Visual communication is the heart of Landscape Architecture. Her book series captures that spirt.
Nadia Amoroso, PhD, is a faculty member at the University of Guelph, Department of Landscape, School of Environmental Design and Rural Development. She was the Lawrence Halprin Fellow at Cornell University and the Garvan Chair Visiting Professor at the University of Arkansas. She holds a PhD from the Bartlett School of Architecture, UCL, London, and degrees in Landscape Architecture and Urban Design from the University of Toronto. She specializes in visual communication in landscape architecture, digital design, data visualization and creative mapping. She also operates an illustration studio, under her name, focusing on landscape architectural visual communication. She has written a number of articles and books on topics relating to creative mapping, visual representation, and digital design including, The Exposed City: Mapping the Urban Invisibles, Representing Landscapes: Digital, and more recently Representing Landscapes: Hybrid.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 05 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Amoroso focuses the art of hand drawings and why they are still relevant and important in our digital age...</itunes:subtitle>
      <itunes:summary>Nadia Amoroso's last book Representing Landscapes: Analogue (Routledge, 2019) focuses the art of hand drawings and why they are still relevant and important in our digital age. Nadia takes us on a journey through the diverse Landscape Architecture University programs showcasing the best in student work. Simple hand drawings can tell powerful stories if we know “how to “ do them. Each chapter illustrates a different style and type of drawing along with an essay from the leading professors at the major universities. Visual communication is the heart of Landscape Architecture. Her book series captures that spirt.
Nadia Amoroso, PhD, is a faculty member at the University of Guelph, Department of Landscape, School of Environmental Design and Rural Development. She was the Lawrence Halprin Fellow at Cornell University and the Garvan Chair Visiting Professor at the University of Arkansas. She holds a PhD from the Bartlett School of Architecture, UCL, London, and degrees in Landscape Architecture and Urban Design from the University of Toronto. She specializes in visual communication in landscape architecture, digital design, data visualization and creative mapping. She also operates an illustration studio, under her name, focusing on landscape architectural visual communication. She has written a number of articles and books on topics relating to creative mapping, visual representation, and digital design including, The Exposed City: Mapping the Urban Invisibles, Representing Landscapes: Digital, and more recently Representing Landscapes: Hybrid.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.nadiaamoroso.com/">Nadia Amoroso</a>'s last book <a href="http://www.amazon.com/dp/1138485578/?tag=newbooinhis-20"><em>Representing Landscapes: Analogue</em></a> (Routledge, 2019) focuses the art of hand drawings and why they are still relevant and important in our digital age. Nadia takes us on a journey through the diverse Landscape Architecture University programs showcasing the best in student work. Simple hand drawings can tell powerful stories if we know “how to “ do them. Each chapter illustrates a different style and type of drawing along with an essay from the leading professors at the major universities. Visual communication is the heart of Landscape Architecture. Her book series captures that spirt.</p><p>Nadia Amoroso, PhD, is a faculty member at the University of Guelph, Department of Landscape, School of Environmental Design and Rural Development. She was the Lawrence Halprin Fellow at Cornell University and the Garvan Chair Visiting Professor at the University of Arkansas. She holds a PhD from the Bartlett School of Architecture, UCL, London, and degrees in Landscape Architecture and Urban Design from the University of Toronto. She specializes in visual communication in landscape architecture, digital design, data visualization and creative mapping. She also operates an illustration studio, under her name, focusing on landscape architectural visual communication. She has written a number of articles and books on topics relating to creative mapping, visual representation, and digital design including, <em>The Exposed City: Mapping the Urban Invisibles</em>, <em>Representing Landscapes: Digital</em>, and more recently <em>Representing Landscapes: Hybrid</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1526</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[06448918-acb3-11e9-95ae-db9234536cbd]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT7051120963.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stefan Al, "Adapting Cities to Sea Level Rise: Green and Gray Strategies" (Island Press, 2018)</title>
      <description>Stefan Al, PhD, is a native of the Netherlands, a low-lying county that would not exist without flood protection, is an architect, urban designer, and infrastructure expert at global design at Kohn Pedersen Fox in New York. He has served as a TED resident, advisor to the United Nations High Level Political Forum on sustainable development and Professor of urban design at the University of Pennsylvania.
Adapting Cities to Sea Level Rise: Green and Gray Strategies(Island Press, 2018) is a tool kit for adapting and managing sea level rise and storm events for metropolitan cities and smaller communities. It’s a “how to” guide to create better comprehensive strategies and ideas for implementation. The beautiful and simple diagrams illustrate the difference responses possible for cities and the pros and cons of each. The book makes the argument that collaboration is the key to finding successful solutions for all stakeholders.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 05 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This book is a tool kit for adapting and managing sea level rise and storm events for metropolitan cities and smaller communities...</itunes:subtitle>
      <itunes:summary>Stefan Al, PhD, is a native of the Netherlands, a low-lying county that would not exist without flood protection, is an architect, urban designer, and infrastructure expert at global design at Kohn Pedersen Fox in New York. He has served as a TED resident, advisor to the United Nations High Level Political Forum on sustainable development and Professor of urban design at the University of Pennsylvania.
Adapting Cities to Sea Level Rise: Green and Gray Strategies(Island Press, 2018) is a tool kit for adapting and managing sea level rise and storm events for metropolitan cities and smaller communities. It’s a “how to” guide to create better comprehensive strategies and ideas for implementation. The beautiful and simple diagrams illustrate the difference responses possible for cities and the pros and cons of each. The book makes the argument that collaboration is the key to finding successful solutions for all stakeholders.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.stefanal.com/">Stefan Al</a>, PhD, is a native of the Netherlands, a low-lying county that would not exist without flood protection, is an architect, urban designer, and infrastructure expert at global design at Kohn Pedersen Fox in New York. He has served as a TED resident, advisor to the United Nations High Level Political Forum on sustainable development and Professor of urban design at the University of Pennsylvania.</p><p><a href="http://www.amazon.com/dp/1610919076/?tag=newbooinhis-20"><em>Adapting Cities to Sea Level Rise: Green and Gray Strategies</em></a>(Island Press, 2018) is a tool kit for adapting and managing sea level rise and storm events for metropolitan cities and smaller communities. It’s a “how to” guide to create better comprehensive strategies and ideas for implementation. The beautiful and simple diagrams illustrate the difference responses possible for cities and the pros and cons of each. The book makes the argument that collaboration is the key to finding successful solutions for all stakeholders.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3158</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ee97ade2-b23c-11e9-a793-ff84ddf47d38]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT2192649289.mp3?updated=1565126108" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sandra L. Albro, "Vacant to Vibrant: Creating Successful Green Infrastructure Networks" (Island Press, 2019)</title>
      <description>Vacant lots, so often seen as neighborhood blight, have the potential to be a key element of community revitalization. As manufacturing cities reinvent themselves after decades of lost jobs and population, abundant vacant land resources and interest in green infrastructure are expanding opportunities for community and environmental resilience. Vacant to Vibrant: Creating Successful Green Infrastructure Networks (Island Press, 2019) explains how inexpensive green infrastructure projects can reduce stormwater runoff and pollution, and provide neighborhood amenities, especially in areas with little or no access to existing green space.
Sandra Albro offers practical insights through her experience leading the five-year Vacant to Vibrant project, which piloted the creation of green infrastructure networks in Gary, Indiana; Cleveland, Ohio; and Buffalo, New York. Vacant to Vibrant provides a point of comparison among the three cities as they adapt old systems to new, green technology. An overview of the larger economic and social dynamics in play throughout the Rust Belt region establishes context for the promise of green infrastructure. Albro then offers lessons learned from the Vacant to Vibrant project, including planning, design, community engagement, implementation, and maintenance successes and challenges. An appendix shows designs and plans that can be adapted to small vacant lots.
Sandra Albro, research associate at Holden Forests &amp; Gardens, investigates how improving soil and plants can boost the ecological and social value of vacant lots in Great Lakes cities. She is project manager for two projects that test low-cost, low-maintenance urban greening projects that manage stormwater and revitalize communities in Gary, IN; Cleveland, OH; and Buffalo, NY. Ms.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 30 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Vacant lots, so often seen as neighborhood blight, have the potential to be a key element of community revitalization...</itunes:subtitle>
      <itunes:summary>Vacant lots, so often seen as neighborhood blight, have the potential to be a key element of community revitalization. As manufacturing cities reinvent themselves after decades of lost jobs and population, abundant vacant land resources and interest in green infrastructure are expanding opportunities for community and environmental resilience. Vacant to Vibrant: Creating Successful Green Infrastructure Networks (Island Press, 2019) explains how inexpensive green infrastructure projects can reduce stormwater runoff and pollution, and provide neighborhood amenities, especially in areas with little or no access to existing green space.
Sandra Albro offers practical insights through her experience leading the five-year Vacant to Vibrant project, which piloted the creation of green infrastructure networks in Gary, Indiana; Cleveland, Ohio; and Buffalo, New York. Vacant to Vibrant provides a point of comparison among the three cities as they adapt old systems to new, green technology. An overview of the larger economic and social dynamics in play throughout the Rust Belt region establishes context for the promise of green infrastructure. Albro then offers lessons learned from the Vacant to Vibrant project, including planning, design, community engagement, implementation, and maintenance successes and challenges. An appendix shows designs and plans that can be adapted to small vacant lots.
Sandra Albro, research associate at Holden Forests &amp; Gardens, investigates how improving soil and plants can boost the ecological and social value of vacant lots in Great Lakes cities. She is project manager for two projects that test low-cost, low-maintenance urban greening projects that manage stormwater and revitalize communities in Gary, IN; Cleveland, OH; and Buffalo, NY. Ms.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Vacant lots, so often seen as neighborhood blight, have the potential to be a key element of community revitalization. As manufacturing cities reinvent themselves after decades of lost jobs and population, abundant vacant land resources and interest in green infrastructure are expanding opportunities for community and environmental resilience. <a href="http://www.amazon.com/dp/1610919009/?tag=newbooinhis-20"><em>Vacant to Vibrant: Creating Successful Green Infrastructure Networks</em></a> (Island Press, 2019) explains how inexpensive green infrastructure projects can reduce stormwater runoff and pollution, and provide neighborhood amenities, especially in areas with little or no access to existing green space.</p><p><a href="https://www.linkedin.com/in/sandra-albro/">Sandra Albro</a> offers practical insights through her experience leading the five-year Vacant to Vibrant project, which piloted the creation of green infrastructure networks in Gary, Indiana; Cleveland, Ohio; and Buffalo, New York. Vacant to Vibrant provides a point of comparison among the three cities as they adapt old systems to new, green technology. An overview of the larger economic and social dynamics in play throughout the Rust Belt region establishes context for the promise of green infrastructure. Albro then offers lessons learned from the Vacant to Vibrant project, including planning, design, community engagement, implementation, and maintenance successes and challenges. An appendix shows designs and plans that can be adapted to small vacant lots.</p><p>Sandra Albro, research associate at Holden Forests &amp; Gardens, investigates how improving soil and plants can boost the ecological and social value of vacant lots in Great Lakes cities. She is project manager for two projects that test low-cost, low-maintenance urban greening projects that manage stormwater and revitalize communities in Gary, IN; Cleveland, OH; and Buffalo, NY. Ms.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2688</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[221f9a32-aca0-11e9-9a0b-8bba6bf67ed8]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT9914406214.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Edward Hutchison, "Drawing for Landscape Architecture: Sketch to Screen to Site" (Thames and Hudson, 2019)</title>
      <description>Today’s guest hails to us from England. Mr. Edward Hutchison’s new book is Drawing for Landscape Architecture: Sketch to Screen to Site (Thames &amp; Hudson, 2019). Can you draw? The answer is yes and we must. As designers, understanding the landscape beings with the basics. Like learning your musical scales, so is drawing to design. It’s the fundamental skill to understand a place’s the culture, space, color, and discovering the genius loci. Mr. Hutchison’s latest book is “how to do it.” He explains his process for understanding how taking the time to understand the site influences his designs and the benefits of it.
Edward Hutchison is principal of his own successful landscape design practice in London. He was previously an associate of Foster + Partners. His drawings have been included in major exhibitions.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 23 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Mr. Hutchison’s latest book is “how to do it.” He explains his process for understanding how taking the time to understand the site influences his designs and the benefits of it...</itunes:subtitle>
      <itunes:summary>Today’s guest hails to us from England. Mr. Edward Hutchison’s new book is Drawing for Landscape Architecture: Sketch to Screen to Site (Thames &amp; Hudson, 2019). Can you draw? The answer is yes and we must. As designers, understanding the landscape beings with the basics. Like learning your musical scales, so is drawing to design. It’s the fundamental skill to understand a place’s the culture, space, color, and discovering the genius loci. Mr. Hutchison’s latest book is “how to do it.” He explains his process for understanding how taking the time to understand the site influences his designs and the benefits of it.
Edward Hutchison is principal of his own successful landscape design practice in London. He was previously an associate of Foster + Partners. His drawings have been included in major exhibitions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today’s guest hails to us from England. <a href="http://www.edwardhutchison.com/">Mr. Edward Hutchison</a>’s new book is <a href="http://www.amazon.com/dp/0500289549/?tag=newbooinhis-20"><em>Drawing for Landscape Architecture: Sketch to Screen to Site</em></a> (Thames &amp; Hudson, 2019). Can you draw? The answer is yes and we must. As designers, understanding the landscape beings with the basics. Like learning your musical scales, so is drawing to design. It’s the fundamental skill to understand a place’s the culture, space, color, and discovering the genius loci. Mr. Hutchison’s latest book is “how to do it.” He explains his process for understanding how taking the time to understand the site influences his designs and the benefits of it.</p><p>Edward Hutchison is principal of his own successful landscape design practice in London. He was previously an associate of Foster + Partners. His drawings have been included in major exhibitions.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3548</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[246306c2-a8da-11e9-a68a-bb63761ffbd9]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT8730308688.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nancy S. Steinhardt, "Chinese Architecture: A History" (Princeton UP, 2019)</title>
      <description>If there’s one thing that conjures up the – rightly contested – idea of a ‘civilisation’, it is grand palatial or religious buildings, and many such structures are foremost in how China is imagined throughout the world. But as Nancy S. Steinhardt notes in Chinese Architecture: A History (Princeton University Press, 2019), many iconic edifices such Beijing’s Forbidden City or Shanxi’s temples share features in common with the humblest ordinary dwellings which people in what we now call China have inhabited for centuries.
Steinhardt here draws on decades of exhaustive reading and tireless fieldwork to tell the story of Chinese building practices, principles and techniques across space and time, from the earliest archaeological traces of construction right up to the present day. Both highly accessible and richly illustrated with hundreds of colour photographs, as well as intricate technical diagrams, this extraordinary treasure trove of a book is much more than an architectural compendium. The countless insights Steinhardt offers into the wider worlds of art and urban planning, and the political, economic and religious contexts in which Chinese buildings have been built for thousands of years, will serve as an engrossing and materially-rooted account of Chinese ‘civilisation’ for anyone with even a fleeting interest in the country.
Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 16 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>283</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Steinhardt here draws on decades of exhaustive reading and tireless fieldwork to tell the story of Chinese building practices, principles and techniques across space and time...</itunes:subtitle>
      <itunes:summary>If there’s one thing that conjures up the – rightly contested – idea of a ‘civilisation’, it is grand palatial or religious buildings, and many such structures are foremost in how China is imagined throughout the world. But as Nancy S. Steinhardt notes in Chinese Architecture: A History (Princeton University Press, 2019), many iconic edifices such Beijing’s Forbidden City or Shanxi’s temples share features in common with the humblest ordinary dwellings which people in what we now call China have inhabited for centuries.
Steinhardt here draws on decades of exhaustive reading and tireless fieldwork to tell the story of Chinese building practices, principles and techniques across space and time, from the earliest archaeological traces of construction right up to the present day. Both highly accessible and richly illustrated with hundreds of colour photographs, as well as intricate technical diagrams, this extraordinary treasure trove of a book is much more than an architectural compendium. The countless insights Steinhardt offers into the wider worlds of art and urban planning, and the political, economic and religious contexts in which Chinese buildings have been built for thousands of years, will serve as an engrossing and materially-rooted account of Chinese ‘civilisation’ for anyone with even a fleeting interest in the country.
Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If there’s one thing that conjures up the – rightly contested – idea of a ‘civilisation’, it is grand palatial or religious buildings, and many such structures are foremost in how China is imagined throughout the world. But as <a href="https://ealc.sas.upenn.edu/people/prof-nancy-s-steinhardt">Nancy S. Steinhardt</a> notes in <a href="http://www.amazon.com/dp/0691169985/?tag=newbooinhis-20"><em>Chinese Architecture: A History</em></a> (Princeton University Press, 2019), many iconic edifices such Beijing’s Forbidden City or Shanxi’s temples share features in common with the humblest ordinary dwellings which people in what we now call China have inhabited for centuries.</p><p>Steinhardt here draws on decades of exhaustive reading and tireless fieldwork to tell the story of Chinese building practices, principles and techniques across space and time, from the earliest archaeological traces of construction right up to the present day. Both highly accessible and richly illustrated with hundreds of colour photographs, as well as intricate technical diagrams, this extraordinary treasure trove of a book is much more than an architectural compendium. The countless insights Steinhardt offers into the wider worlds of art and urban planning, and the political, economic and religious contexts in which Chinese buildings have been built for thousands of years, will serve as an engrossing and materially-rooted account of Chinese ‘civilisation’ for anyone with even a fleeting interest in the country.</p><p><a href="https://global.oup.com/academic/product/mirrorlands-9781787381384?prevSortField=8&amp;sortField=8&amp;start=0&amp;resultsPerPage=60&amp;view=Standard&amp;prevNumResPerPage=60&amp;lang=en&amp;cc=us"><em>Ed Pulford</em></a><em> is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3947</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[438cc3da-a24a-11e9-93ee-8b6a558dc7f3]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT3562892520.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Raymond Jungles, “The Cultivated Wild: Gardens and Landscapes by Raymond Jungles” (The Monacelli Press, 2015)</title>
      <description>Raymond Jungles is the founder of the Miami based Landscape Architecture firm Raymond Jungles Inc. He graduate from the University of Florida with honors in 1981. And, was elected as a Fellow in 2006 in the American Society of Landscape Architects. Raymond’s work has earned 2 national awards and 40 state awards. He has lectured internationally at a diverse number of institutions and universities. In his book The Cultivated Wild: Gardens and Landscapes (The Monacelli Press, 2015), Jungles discusses his design process and its synthesis with local ecologies for our human desires of cultivated landscapes. The story of Jungles’s mentors weaves in and out of his projects. The art and ecology begins in the photography and hand drawings.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 27 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jungles discusses his design process and its synthesis with local ecologies for our human desires of cultivated landscapes.</itunes:subtitle>
      <itunes:summary>Raymond Jungles is the founder of the Miami based Landscape Architecture firm Raymond Jungles Inc. He graduate from the University of Florida with honors in 1981. And, was elected as a Fellow in 2006 in the American Society of Landscape Architects. Raymond’s work has earned 2 national awards and 40 state awards. He has lectured internationally at a diverse number of institutions and universities. In his book The Cultivated Wild: Gardens and Landscapes (The Monacelli Press, 2015), Jungles discusses his design process and its synthesis with local ecologies for our human desires of cultivated landscapes. The story of Jungles’s mentors weaves in and out of his projects. The art and ecology begins in the photography and hand drawings.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://en.wikipedia.org/wiki/Raymond_Jungles">Raymond Jungles</a> is the founder of the Miami based Landscape Architecture firm Raymond Jungles Inc. He graduate from the University of Florida with honors in 1981. And, was elected as a Fellow in 2006 in the American Society of Landscape Architects. Raymond’s work has earned 2 national awards and 40 state awards. He has lectured internationally at a diverse number of institutions and universities. In his book <a href="http://www.amazon.com/dp/1580934404/?tag=newbooinhis-20"><em>The Cultivated Wild: Gardens and Landscapes</em></a> (The Monacelli Press, 2015), Jungles discusses his design process and its synthesis with local ecologies for our human desires of cultivated landscapes. The story of Jungles’s mentors weaves in and out of his projects. The art and ecology begins in the photography and hand drawings.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3850</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[012ce202-8eec-11e9-a234-6bb0c23c4aad]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT1657878955.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jason Dewees, "Designing with Palms" (Timber Press, 2018)</title>
      <description>Jason Dewees is the staff horticulturist at Flora Grubb Gardens and East West Trees in San Francisco. Responsible for the Tree Canopy Succession Plan for the San Francisco Botanical Garden, he serves on the Horticultural Advisory Committee for the San Francisco Botanical Garden, and on The San Francisco Conservatory of Flowers Advisory Council.
Five years in the making, Jason's beautiful, award-winning book Designing with Palms (Timber Press, 2018) offers a wealth of design inspiration and ideas, exquisitely photographed by Caitlin Atkinson and featuring gardens in Hawai`i, South Florida, the Bay Area, Southern California, South Carolina, and the Desert Southwest. Jason shares lessons from some of the best designers working with palms in the United States. Useful information about the palm family and a portfolio of hardy and popular palm species equip designers and gardeners to embrace the power of palms in landscape design.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 10 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Dewees' book offers a wealth of design inspiration and ideas, exquisitely photographed by Caitlin Atkinson and featuring gardens in Hawai`i, South Florida, the Bay Area, Southern California, South Carolina, and the Desert Southwest...</itunes:subtitle>
      <itunes:summary>Jason Dewees is the staff horticulturist at Flora Grubb Gardens and East West Trees in San Francisco. Responsible for the Tree Canopy Succession Plan for the San Francisco Botanical Garden, he serves on the Horticultural Advisory Committee for the San Francisco Botanical Garden, and on The San Francisco Conservatory of Flowers Advisory Council.
Five years in the making, Jason's beautiful, award-winning book Designing with Palms (Timber Press, 2018) offers a wealth of design inspiration and ideas, exquisitely photographed by Caitlin Atkinson and featuring gardens in Hawai`i, South Florida, the Bay Area, Southern California, South Carolina, and the Desert Southwest. Jason shares lessons from some of the best designers working with palms in the United States. Useful information about the palm family and a portfolio of hardy and popular palm species equip designers and gardeners to embrace the power of palms in landscape design.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://twitter.com/jasondewees?lang=en">Jason Dewees</a> is the staff horticulturist at Flora Grubb Gardens and East West Trees in San Francisco. Responsible for the Tree Canopy Succession Plan for the San Francisco Botanical Garden, he serves on the Horticultural Advisory Committee for the San Francisco Botanical Garden, and on The San Francisco Conservatory of Flowers Advisory Council.</p><p>Five years in the making, Jason's beautiful, award-winning book <a href="http://www.amazon.com/dp/1604695439/?tag=newbooinhis-20"><em>Designing with Palms</em></a> (Timber Press, 2018) offers a wealth of design inspiration and ideas, exquisitely photographed by Caitlin Atkinson and featuring gardens in Hawai`i, South Florida, the Bay Area, Southern California, South Carolina, and the Desert Southwest. Jason shares lessons from some of the best designers working with palms in the United States. Useful information about the palm family and a portfolio of hardy and popular palm species equip designers and gardeners to embrace the power of palms in landscape design.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3226</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ee4eb93a-7fb9-11e9-9511-d3c3107706dd]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT4450224349.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alexander Garvin, "The Heart of the City: Creating Vibrant Downtowns for a New Century" (Island Press, 2019)</title>
      <description>Downtowns are more than economic engines: they are repositories of knowledge and culture and generators of new ideas, technology, and ventures. They are the heart of the city that drives its future. If we are to have healthy downtowns, we need to understand what downtown is all about; how and why some American downtowns never stopped thriving (such as San Jose and Houston), some have been in decline for half a century (including Detroit and St. Louis), and still others are resurging after temporary decline (many, including Lower Manhattan and Los Angeles). The downtowns that are prospering are those that more easily adapt to changing needs and lifestyles.
In The Heart of the City: Creating Vibrant Downtowns for a New Century (Island Press, 2019), distinguished urban planner Alexander Garvin shares lessons on how to plan for a mix of housing, businesses, and attractions; enhance the public realm; improve mobility; and successfully manage downtown services. Garvin opens the book with diagnoses of downtowns across the United States, including the people, businesses, institutions, and public agencies implementing changes. In a review of prescriptions and treatments for any downtown, Garvin shares brief accounts—of both successes and failures—of what individuals with very different objectives have done to change their downtowns. The final chapters look at what is possible for downtowns in the future, closing with suggested national, state, and local legislation to create standard downtown business improvement districts to better manage downtowns.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 10 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Downtowns are more than economic engines: they are repositories of knowledge and culture and generators of new ideas, technology, and ventures. They are the heart of the city that drives its future...</itunes:subtitle>
      <itunes:summary>Downtowns are more than economic engines: they are repositories of knowledge and culture and generators of new ideas, technology, and ventures. They are the heart of the city that drives its future. If we are to have healthy downtowns, we need to understand what downtown is all about; how and why some American downtowns never stopped thriving (such as San Jose and Houston), some have been in decline for half a century (including Detroit and St. Louis), and still others are resurging after temporary decline (many, including Lower Manhattan and Los Angeles). The downtowns that are prospering are those that more easily adapt to changing needs and lifestyles.
In The Heart of the City: Creating Vibrant Downtowns for a New Century (Island Press, 2019), distinguished urban planner Alexander Garvin shares lessons on how to plan for a mix of housing, businesses, and attractions; enhance the public realm; improve mobility; and successfully manage downtown services. Garvin opens the book with diagnoses of downtowns across the United States, including the people, businesses, institutions, and public agencies implementing changes. In a review of prescriptions and treatments for any downtown, Garvin shares brief accounts—of both successes and failures—of what individuals with very different objectives have done to change their downtowns. The final chapters look at what is possible for downtowns in the future, closing with suggested national, state, and local legislation to create standard downtown business improvement districts to better manage downtowns.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Downtowns are more than economic engines: they are repositories of knowledge and culture and generators of new ideas, technology, and ventures. They are the heart of the city that drives its future. If we are to have healthy downtowns, we need to understand what downtown is all about; how and why some American downtowns never stopped thriving (such as San Jose and Houston), some have been in decline for half a century (including Detroit and St. Louis), and still others are resurging after temporary decline (many, including Lower Manhattan and Los Angeles). The downtowns that are prospering are those that more easily adapt to changing needs and lifestyles.</p><p>In <a href="http://www.amazon.com/dp/1610919491/?tag=newbooinhis-20"><em>The Heart of the City: Creating Vibrant Downtowns for a New Century</em></a> (Island Press, 2019), distinguished urban planner <a href="https://www.architecture.yale.edu/faculty/304-alexander-garvin">Alexander Garvin</a> shares lessons on how to plan for a mix of housing, businesses, and attractions; enhance the public realm; improve mobility; and successfully manage downtown services. Garvin opens the book with diagnoses of downtowns across the United States, including the people, businesses, institutions, and public agencies implementing changes. In a review of prescriptions and treatments for any downtown, Garvin shares brief accounts—of both successes and failures—of what individuals with very different objectives have done to change their downtowns. The final chapters look at what is possible for downtowns in the future, closing with suggested national, state, and local legislation to create standard downtown business improvement districts to better manage downtowns.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2898</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ad9d9040-7fe7-11e9-af8a-9b63848d9b3c]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT1798313299.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bradley Cantrell and Adam Mekies, "Codify: Parametric and Computational Design in Landscape Architecture" (Routledge, 2018)</title>
      <description>Bradley Cantrell and Adam Mekies' new book Codify: Parametric and Computational Design in Landscape Architecture(Routledge, 2018) Bradley Cantrell and Adam Mekies, "Codify: Parametric and Computational Design in Landscape Architecture" (Routledge, 2018) Landscape architecture has a long history of innovation in the areas of computation and media, particularly in how the discipline represents, analyses, and constructs complex systems. This curated volume spans academic and professional projects to form a snapshot of digital practices that aim to show how computation is a tool that goes beyond methods of representation and media. The book is organized into four sections; syntax, perception, employ, and prospective. The essays are written by leading academics and professionals and the sections examine the role of computational tools in landscape architecture through case studies, historical accounts, theoretical arguments, and nascent propositions.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 04 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Landscape architecture has a long history of innovation in the areas of computation and media, particularly in how the discipline represents, analyses, and constructs complex systems...</itunes:subtitle>
      <itunes:summary>Bradley Cantrell and Adam Mekies' new book Codify: Parametric and Computational Design in Landscape Architecture(Routledge, 2018) Bradley Cantrell and Adam Mekies, "Codify: Parametric and Computational Design in Landscape Architecture" (Routledge, 2018) Landscape architecture has a long history of innovation in the areas of computation and media, particularly in how the discipline represents, analyses, and constructs complex systems. This curated volume spans academic and professional projects to form a snapshot of digital practices that aim to show how computation is a tool that goes beyond methods of representation and media. The book is organized into four sections; syntax, perception, employ, and prospective. The essays are written by leading academics and professionals and the sections examine the role of computational tools in landscape architecture through case studies, historical accounts, theoretical arguments, and nascent propositions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.arch.virginia.edu/people/brad-cantrell">Bradley Cantrell</a> and <a href="https://www.design.iastate.edu/alumni_news/2018/07/adam-mekies/">Adam Mekies</a>' new book <a href="http://www.amazon.com/dp/1138125040/?tag=newbooinhis-20"><em>Codify: Parametric and Computational Design in Landscape Architecture</em></a>(Routledge, 2018) Bradley Cantrell and Adam Mekies, "Codify: Parametric and Computational Design in Landscape Architecture" (Routledge, 2018) Landscape architecture has a long history of innovation in the areas of computation and media, particularly in how the discipline represents, analyses, and constructs complex systems. This curated volume spans academic and professional projects to form a snapshot of digital practices that aim to show how computation is a tool that goes beyond methods of representation and media. The book is organized into four sections; syntax, perception, employ, and prospective. The essays are written by leading academics and professionals and the sections examine the role of computational tools in landscape architecture through case studies, historical accounts, theoretical arguments, and nascent propositions.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3082</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[021d8918-7d7c-11e9-af45-ab8b18fe1e51]]></guid>
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    </item>
    <item>
      <title>Chip Sullivan, “Cartooning the Landscape” (U Virginia Press, 2016)</title>
      <description>This is a magically journey about the mystery of the design process. Chip Sullivan's Cartooning the Landscape (University of Virginia Press, 2016) is about using your drawing skills to exercise and stretch your imagination. He takes you step by step through a process of creativity to enhance your own design and challenge your limitations. Why not? Where does creativity come? This book will help guide you on your own path to go there...somewhere. You are your only limitation.
Chip Sullivan is Professor of Landscape Architecture and Environmental Planning at the University of California, Berkeley.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 16 May 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This is a magically journey about the mystery of the design process...</itunes:subtitle>
      <itunes:summary>This is a magically journey about the mystery of the design process. Chip Sullivan's Cartooning the Landscape (University of Virginia Press, 2016) is about using your drawing skills to exercise and stretch your imagination. He takes you step by step through a process of creativity to enhance your own design and challenge your limitations. Why not? Where does creativity come? This book will help guide you on your own path to go there...somewhere. You are your only limitation.
Chip Sullivan is Professor of Landscape Architecture and Environmental Planning at the University of California, Berkeley.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This is a magically journey about the mystery of the design process. <a href="https://ced.berkeley.edu/ced/faculty-staff/charles-chip-sullivan">Chip Sullivan</a>'s <a href="http://www.amazon.com/dp/0813939208/?tag=newbooinhis-20"><em>Cartooning the Landscape</em></a> (University of Virginia Press, 2016) is about using your drawing skills to exercise and stretch your imagination. He takes you step by step through a process of creativity to enhance your own design and challenge your limitations. Why not? Where does creativity come? This book will help guide you on your own path to go there...somewhere. You are your only limitation.</p><p>Chip Sullivan is Professor of Landscape Architecture and Environmental Planning at the University of California, Berkeley.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3612</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d220a304-7334-11e9-9d47-338cf3735760]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT3379495660.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kenneth I. Helphand, "Lawrence Halprin" (Library of American Landscape History, 2017)</title>
      <description>During a career spanning six decades, Lawrence Halprin (1916–2009) became one of the most prolific and outspoken landscape architects of his generation. He took on challenging new project types, developing a multidisciplinary practice while experimenting with adaptive reuse and ecological designs for new shopping malls, freeways, and urban parks. In his lifelong effort to improve the American landscape, Halprin celebrated the creative process as a form of social activism.
Kenneth Helphand is a Fellow in the American Society of Landscape Architects and professor emeritus of Landscape Architecture at the University of Oregon. His fascinating insights and research reveal a design process that lead Landscape Architecture’s most iconic places. In this interview about his new book Lawrence Halprin (Library of American Landscape History, 2017), Kenny discusses the love that Halprin had for landscape and his role in shaping the way the public uses and enjoys its public spaces.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 24 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:title>During a career spanning six decades, Lawrence Halprin (1916–2009) became one of the most prolific and outspoken landscape architects of his generation...</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>During a career spanning six decades, Lawrence Halprin (1916–2009) became one of the most prolific and outspoken landscape architects of his generation. He took on challenging new project types, developing a multidisciplinary practice while experimenting with adaptive reuse and ecological designs for new shopping malls, freeways, and urban parks. In his lifelong effort to improve the American landscape, Halprin celebrated the creative process as a form of social activism.
Kenneth Helphand is a Fellow in the American Society of Landscape Architects and professor emeritus of Landscape Architecture at the University of Oregon. His fascinating insights and research reveal a design process that lead Landscape Architecture’s most iconic places. In this interview about his new book Lawrence Halprin (Library of American Landscape History, 2017), Kenny discusses the love that Halprin had for landscape and his role in shaping the way the public uses and enjoys its public spaces.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During a career spanning six decades, Lawrence Halprin (1916–2009) became one of the most prolific and outspoken landscape architects of his generation. He took on challenging new project types, developing a multidisciplinary practice while experimenting with adaptive reuse and ecological designs for new shopping malls, freeways, and urban parks. In his lifelong effort to improve the American landscape, Halprin celebrated the creative process as a form of social activism.</p><p><a href="https://archenvironment.uoregon.edu/landscape-arch/kenneth-helphand">Kenneth Helphand</a> is a Fellow in the American Society of Landscape Architects and professor emeritus of Landscape Architecture at the University of Oregon. His fascinating insights and research reveal a design process that lead Landscape Architecture’s most iconic places. In this interview about his new book <a href="http://www.amazon.com/dp/0820352071/?tag=newbooinhis-20"><em>Lawrence Halprin</em></a> (Library of American Landscape History, 2017), Kenny discusses the love that Halprin had for landscape and his role in shaping the way the public uses and enjoys its public spaces.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3109</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3ac37024-6365-11e9-b0c7-2720bd2a2604]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT3360955013.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christof Spieler, "Trains, Buses, People: An Opinionated Atlas of US Transit" (Island Press, 2018)</title>
      <description>Christof Spieler, PE, LEED AP, is a Vice President and Director of Planning at Huitt-Zollars and a lecturer in Architecture and Engineering at Rice University. He was a member of the board of directors of Houston METRO from 2010-2018, where he oversaw a complete redesign of the bus network that has resulted in Houston being one of the few US cities that are increasing transit ridership.
His Trains, Buses, People: An Opinionated Atlas of US Transit (Island Press, 2018) is a fascinating book about “How To” develop better transportation modes for US cities and urban areas. Christof has put assembled a dense amount of research with maps, diagrams, and images to demonstrate the successes and lessons learned from US transit. This is a must read book for anyone interested in urban planning, landscape architecture, and the design of our cities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 22 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>"Trains, Buses, People' is a fascinating book about “How To” develop better transportation modes for US cities and urban... </itunes:subtitle>
      <itunes:summary>Christof Spieler, PE, LEED AP, is a Vice President and Director of Planning at Huitt-Zollars and a lecturer in Architecture and Engineering at Rice University. He was a member of the board of directors of Houston METRO from 2010-2018, where he oversaw a complete redesign of the bus network that has resulted in Houston being one of the few US cities that are increasing transit ridership.
His Trains, Buses, People: An Opinionated Atlas of US Transit (Island Press, 2018) is a fascinating book about “How To” develop better transportation modes for US cities and urban areas. Christof has put assembled a dense amount of research with maps, diagrams, and images to demonstrate the successes and lessons learned from US transit. This is a must read book for anyone interested in urban planning, landscape architecture, and the design of our cities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.trainsbusespeople.org/christof-spieler">Christof Spieler</a>, PE, LEED AP, is a Vice President and Director of Planning at Huitt-Zollars and a lecturer in Architecture and Engineering at Rice University. He was a member of the board of directors of Houston METRO from 2010-2018, where he oversaw a complete redesign of the bus network that has resulted in Houston being one of the few US cities that are increasing transit ridership.</p><p>His <a href="http://www.amazon.com/dp/1610919033/?tag=newbooinhis-20"><em>Trains, Buses, People: An Opinionated Atlas of US Transit</em></a> (Island Press, 2018) is a fascinating book about “How To” develop better transportation modes for US cities and urban areas. Christof has put assembled a dense amount of research with maps, diagrams, and images to demonstrate the successes and lessons learned from US transit. This is a must read book for anyone interested in urban planning, landscape architecture, and the design of our cities.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2927</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4c85937c-611d-11e9-95a8-2f26638900a2]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT1962051822.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Harold Holzer, "Monument Man: The Life and Art of Daniel Chester French" (Princeton Architectural Press, 2019)</title>
      <description>Harold Holzer has written a biography of one of America’s greatest public artists of the nineteenth and early twentieth century, Daniel Chester French.  In Monument Man: The Life and Art of Daniel Chester French (Princeton Architectural Press, 2019), Holzer chronicles the career of French, who became best known for his sculpture of Abraham Lincoln for the Lincoln Memorial in Washington, D.C.  French was born in 1850 and became one of the most sought after sculptors of portraits and thematic sculptures in America.  Holzer reveals French’s methods of creation and execution of his sculptural commissions, which included many notable works before the famous Lincoln Memorial.  Yet, the Lincoln Memorial and its place in the American imagination are a central feature of this book.  Holzer reveals how the statue had different political meanings to different audiences from the moment of it dedication.
Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 19 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>144</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Holzer chronicles the career of French, who became best known for his sculpture of Abraham Lincoln for the Lincoln Memorial in Washington, D.C. </itunes:subtitle>
      <itunes:summary>Harold Holzer has written a biography of one of America’s greatest public artists of the nineteenth and early twentieth century, Daniel Chester French.  In Monument Man: The Life and Art of Daniel Chester French (Princeton Architectural Press, 2019), Holzer chronicles the career of French, who became best known for his sculpture of Abraham Lincoln for the Lincoln Memorial in Washington, D.C.  French was born in 1850 and became one of the most sought after sculptors of portraits and thematic sculptures in America.  Holzer reveals French’s methods of creation and execution of his sculptural commissions, which included many notable works before the famous Lincoln Memorial.  Yet, the Lincoln Memorial and its place in the American imagination are a central feature of this book.  Holzer reveals how the statue had different political meanings to different audiences from the moment of it dedication.
Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.haroldholzer.com/">Harold Holzer</a> has written a biography of one of America’s greatest public artists of the nineteenth and early twentieth century, Daniel Chester French.  In <a href="http://www.amazon.com/dp/1616897538/?tag=newbooinhis-20"><em>Monument Man: The Life and Art of Daniel Chester French</em></a> (Princeton Architectural Press, 2019), Holzer chronicles the career of French, who became best known for his sculpture of Abraham Lincoln for the Lincoln Memorial in Washington, D.C.  French was born in 1850 and became one of the most sought after sculptors of portraits and thematic sculptures in America.  Holzer reveals French’s methods of creation and execution of his sculptural commissions, which included many notable works before the famous Lincoln Memorial.  Yet, the Lincoln Memorial and its place in the American imagination are a central feature of this book.  Holzer reveals how the statue had different political meanings to different audiences from the moment of it dedication.</p><p><a href="https://www.montclair.edu/profilepages/view_profile.php?username=drakei"><em>Ian J. Drake</em></a><em> is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4025</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f734c5a0-5ee2-11e9-80d9-ab5c2cf935a5]]></guid>
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    </item>
    <item>
      <title>Anne Cheng, "Second Skin: Josephine Baker and the Modern Surface" (Oxford UP, 2017)</title>
      <description>On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an inimitable work of critique: Second Skin: Josephine Baker and the Modern Surface (Oxford University Press, 2017). Moving fluidly and with suspense through Baker’s performances, personal journals, museums, architectural designs, and the lyrics of Cole Porter--to name a few--Cheng draws on the oft-studied but little considered Josephine Baker as a figure of articulation for the nuanced contradictions of primitivism, modernism, and theory. Through Baker, Cheng invites us to reconsider the mutual imbrication of object/subject, surface/depth, and exploitation/fascination. Cheng’s careful eye and beautiful command of texture illustrates that dissolving Baker into pure particularity--into pure surface--is the best way to capture her unique agency.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 25 Mar 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Through Baker, Cheng invites us to reconsider the mutual imbrication of object/subject, surface/depth, and exploitation/fascination...</itunes:subtitle>
      <itunes:summary>On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an inimitable work of critique: Second Skin: Josephine Baker and the Modern Surface (Oxford University Press, 2017). Moving fluidly and with suspense through Baker’s performances, personal journals, museums, architectural designs, and the lyrics of Cole Porter--to name a few--Cheng draws on the oft-studied but little considered Josephine Baker as a figure of articulation for the nuanced contradictions of primitivism, modernism, and theory. Through Baker, Cheng invites us to reconsider the mutual imbrication of object/subject, surface/depth, and exploitation/fascination. Cheng’s careful eye and beautiful command of texture illustrates that dissolving Baker into pure particularity--into pure surface--is the best way to capture her unique agency.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode of the New Books Network, Dr. <a href="http://leempierce.com/">Lee Pierce</a> (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. <a href="https://english.princeton.edu/people/anne-cheng">Anne Cheng</a> (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an inimitable work of critique: <a href="https://aax-us-east.amazon-adsystem.com/x/c/QvbIp69kEVq82diZiBV9XH4AAAFpi4gvsgEAAAFKAYV7KEw/https://www.amazon.com/dp/0199988161/?creativeASIN=0199988161&amp;linkCode=w61&amp;imprToken=B7B8-USHl2T8lx2cKEc.4Q&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Second Skin: Josephine Baker and the Modern Surface</em></a> (Oxford University Press, 2017). Moving fluidly and with suspense through Baker’s performances, personal journals, museums, architectural designs, and the lyrics of Cole Porter--to name a few--Cheng draws on the oft-studied but little considered Josephine Baker as a figure of articulation for the nuanced contradictions of primitivism, modernism, and theory. Through Baker, Cheng invites us to reconsider the mutual imbrication of object/subject, surface/depth, and exploitation/fascination. Cheng’s careful eye and beautiful command of texture illustrates that dissolving Baker into pure particularity--into pure surface--is the best way to capture her unique agency.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2511</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>K. Kennen and N. Kirkwood, "Phyto: Principals and Resources for Site Remediation and Landscape Design" (Routledge, 2015)</title>
      <description>Environmental crises are making headlines in the news everyday. As public awareness increases about brownfields, pollutants, and water quality, Phyto: Principals and Resources for Site Remediation and Landscape Design (Routledge, 2015) is the tool to mediate those pressing issues. The authors are both landscape architects who address “how to” contain and mediate through phytotechnologies the pollutants humans have used in the environment. The book demonstrates what we can, and the limitations of what we can do, to create healthy beautifully designed ecological sensitive environments for humans, plants, and animals.
Kate Kennen is a landscape architect from Boston MA and founder of Offshoot, Inc. Her undergraduate is from Cornell University and master’s degree from Harvard Graduate School with distinction. She began this study about plant remediation as an undergraduate and it bloomed (pun intended) into an amazing book of tools and recommendations for students and practitioners to incorporate plants to create healthy and beautiful environments.
Niall Kirkwood has been teaching at Harvard Graduate School of Design since 1992. His research topics relate to sustainable reuse of land and urban regeneration. His publications include Manufactured Sites: Rethinking the Post-Industrial Landscape (Routledge), Principals of Brownfield Regeneration (Island Press), and Weathering and Durability in Landscape Architecture (Wiley). He is a Fellow of the American Society of Landscape Architects and is a visiting professor to University of Ulster, Korea University, and Tsinghua University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 22 Mar 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The authors are both landscape architects who address “how to” contain and mediate through phytotechnologies the pollutants humans have used in the environment...</itunes:subtitle>
      <itunes:summary>Environmental crises are making headlines in the news everyday. As public awareness increases about brownfields, pollutants, and water quality, Phyto: Principals and Resources for Site Remediation and Landscape Design (Routledge, 2015) is the tool to mediate those pressing issues. The authors are both landscape architects who address “how to” contain and mediate through phytotechnologies the pollutants humans have used in the environment. The book demonstrates what we can, and the limitations of what we can do, to create healthy beautifully designed ecological sensitive environments for humans, plants, and animals.
Kate Kennen is a landscape architect from Boston MA and founder of Offshoot, Inc. Her undergraduate is from Cornell University and master’s degree from Harvard Graduate School with distinction. She began this study about plant remediation as an undergraduate and it bloomed (pun intended) into an amazing book of tools and recommendations for students and practitioners to incorporate plants to create healthy and beautiful environments.
Niall Kirkwood has been teaching at Harvard Graduate School of Design since 1992. His research topics relate to sustainable reuse of land and urban regeneration. His publications include Manufactured Sites: Rethinking the Post-Industrial Landscape (Routledge), Principals of Brownfield Regeneration (Island Press), and Weathering and Durability in Landscape Architecture (Wiley). He is a Fellow of the American Society of Landscape Architects and is a visiting professor to University of Ulster, Korea University, and Tsinghua University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Environmental crises are making headlines in the news everyday. As public awareness increases about brownfields, pollutants, and water quality, <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qph6MRcv31uJFhPwKf6Q3h4AAAFpgcfUlAEAAAFKAa--taA/https://www.amazon.com/dp/0415814154/?creativeASIN=0415814154&amp;linkCode=w61&amp;imprToken=9mU4kC1XbZU45Lux8o3UcQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Phyto: Principals and Resources for Site Remediation and Landscape Design</em></a> (Routledge, 2015) is the tool to mediate those pressing issues. The authors are both landscape architects who address “how to” contain and mediate through phytotechnologies the pollutants humans have used in the environment. The book demonstrates what we can, and the limitations of what we can do, to create healthy beautifully designed ecological sensitive environments for humans, plants, and animals.</p><p><a href="https://www.offshootsinc.com/about-us/our-staff/">Kate Kennen</a> is a landscape architect from Boston MA and founder of Offshoot, Inc. Her undergraduate is from Cornell University and master’s degree from Harvard Graduate School with distinction. She began this study about plant remediation as an undergraduate and it bloomed (pun intended) into an amazing book of tools and recommendations for students and practitioners to incorporate plants to create healthy and beautiful environments.</p><p><a href="https://www.gsd.harvard.edu/person/niall-kirkwood/">Niall Kirkwood</a> has been teaching at Harvard Graduate School of Design since 1992. His research topics relate to sustainable reuse of land and urban regeneration. His publications include <em>Manufactured Sites: Rethinking the Post-Industrial Landscape</em> (Routledge), <em>Principals of Brownfield Regeneration</em> (Island Press), and <em>Weathering and Durability in Landscape Architecture</em> (Wiley). He is a Fellow of the American Society of Landscape Architects and is a visiting professor to University of Ulster, Korea University, and Tsinghua University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3201</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Discussion of Massive Online Peer Review and Open Access Publishing</title>
      <description>In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge.
You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/
Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 19 Mar 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic...</itunes:subtitle>
      <itunes:summary>In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge.
You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/
Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor <a href="https://www.sandiego.edu/peace/about/biography.php?profile_id=2082">Austin Choi-Fitzpatrick</a>, whose book, <em>The Good Drone: How Social Movements Democratize Surveillance</em> (forthcoming with <a href="https://mitpress.mit.edu/">MIT Press</a>) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge.</p><p>You can participate in the MOPR process of <em>The Good Drone</em> through this link: <a href="https://thegooddrone.pubpub.org/">https://thegooddrone.pubpub.org/</a></p><p><a href="http://www.felipegsantos.com/"><em>Felipe G. Santos </em></a><em>is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1935</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e77643c0-44c3-11e9-826e-afa4a3c59014]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT3041511317.mp3?updated=1711745249" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Seth Bernard, "Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy" (Oxford UP, 2018)</title>
      <description>Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy (Oxford University Press, 2018), offers a holistic treatment of the development of the Mid-Republican city from 396 to 168 BCE. As Romans established imperial control over Italy and beyond, the city itself radically transformed from an ambitious central Italian settlement into the capital of the Mediterranean world. Seth Bernard describes this transformation in terms of both new urban architecture, much of it unprecedented in form and extent, and new socioeconomic structures, including slavery, coinage, and market-exchange. These physical and historical developments were closely linked: building the Republican city was expensive, and meeting such costs had significant implications for urban society. Building Mid-Republican Rome brings both architectural and socioeconomic developments into a single account of urban change. Seth Bernard, an Assistant Professor of Classics at the University of Toronto, assembles a wide array of evidence, from literary sources to coins, epigraphy, and especially archaeological remains, revealing the period's importance for the decline of the Roman state's reliance on obligation and dependency and the rise of slavery and an urban labor market. This narrative is told through an investigation of the evolving institutional frameworks shaping the organization of public construction. A quantitative model of the costs of the Republican city walls reconstructs their economic impact. A new account of building technology in the period allows for a better understanding of the social and demographic profile of the city's builders. Building Mid-Republican Rome thus provides an innovative synthesis of a major Western city's spatial and historical aspects, shedding much-needed light on a seminal period in Rome's development.
Ryan Tripp teaches history in California.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 14 Mar 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>As Romans established imperial control over Italy and beyond, the city itself radically transformed from an ambitious central Italian settlement into the capital of the Mediterranean world...</itunes:subtitle>
      <itunes:summary>Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy (Oxford University Press, 2018), offers a holistic treatment of the development of the Mid-Republican city from 396 to 168 BCE. As Romans established imperial control over Italy and beyond, the city itself radically transformed from an ambitious central Italian settlement into the capital of the Mediterranean world. Seth Bernard describes this transformation in terms of both new urban architecture, much of it unprecedented in form and extent, and new socioeconomic structures, including slavery, coinage, and market-exchange. These physical and historical developments were closely linked: building the Republican city was expensive, and meeting such costs had significant implications for urban society. Building Mid-Republican Rome brings both architectural and socioeconomic developments into a single account of urban change. Seth Bernard, an Assistant Professor of Classics at the University of Toronto, assembles a wide array of evidence, from literary sources to coins, epigraphy, and especially archaeological remains, revealing the period's importance for the decline of the Roman state's reliance on obligation and dependency and the rise of slavery and an urban labor market. This narrative is told through an investigation of the evolving institutional frameworks shaping the organization of public construction. A quantitative model of the costs of the Republican city walls reconstructs their economic impact. A new account of building technology in the period allows for a better understanding of the social and demographic profile of the city's builders. Building Mid-Republican Rome thus provides an innovative synthesis of a major Western city's spatial and historical aspects, shedding much-needed light on a seminal period in Rome's development.
Ryan Tripp teaches history in California.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://aax-us-east.amazon-adsystem.com/x/c/QvdVukXB6rxT2ho3nK-mRHMAAAFpXiNAVAEAAAFKAXR3vOc/https://www.amazon.com/dp/0190878789/?creativeASIN=0190878789&amp;linkCode=w61&amp;imprToken=UKbYofSNSTPjF8laK6jXaw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy</em></a> (Oxford University Press, 2018), offers a holistic treatment of the development of the Mid-Republican city from 396 to 168 BCE. As Romans established imperial control over Italy and beyond, the city itself radically transformed from an ambitious central Italian settlement into the capital of the Mediterranean world. <a href="http://classics.utoronto.ca/people/faculty/seth-bernard/">Seth Bernard</a> describes this transformation in terms of both new urban architecture, much of it unprecedented in form and extent, and new socioeconomic structures, including slavery, coinage, and market-exchange. These physical and historical developments were closely linked: building the Republican city was expensive, and meeting such costs had significant implications for urban society. <em>Building Mid-Republican Rome</em> brings both architectural and socioeconomic developments into a single account of urban change. Seth Bernard, an Assistant Professor of Classics at the University of Toronto, assembles a wide array of evidence, from literary sources to coins, epigraphy, and especially archaeological remains, revealing the period's importance for the decline of the Roman state's reliance on obligation and dependency and the rise of slavery and an urban labor market. This narrative is told through an investigation of the evolving institutional frameworks shaping the organization of public construction. A quantitative model of the costs of the Republican city walls reconstructs their economic impact. A new account of building technology in the period allows for a better understanding of the social and demographic profile of the city's builders. <em>Building Mid-Republican</em> <em>Rome</em> thus provides an innovative synthesis of a major Western city's spatial and historical aspects, shedding much-needed light on a seminal period in Rome's development.</p><p><em>Ryan Tripp teaches history in California.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2132</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Adrienne Brown, "The Black Skyscraper: Architecture and the Perception of Race" (John Hopkins UP, 2017)</title>
      <description>Adrienne Brown joins the New Books Network this week to talk about her fascinating 2017 book, The Black Skyscraper: Architecture and the Perception of Race (John Hopkins University Press, 2017), which was a recent recipient of the Modern Studies Association's First Book prize.
Tracing the interconnected histories of the skyscraper and racial thought between the 1880s and the 1930s, Brown provides a sophisticated account of how vertical as well as horizontal expansion within the modern American city helped to shape perceptions and understandings of race and racial difference.
Drawing on a rich array of material, including art, literature, architectural design and urban planning records, The Black Skyscraper explores architecture's effects on the process of seeing and being seen as a racialized subject. In this bold and deeply interdisciplinary work, Brown demonstrates the centrality of race to modern architectural design and the impact of the skyscraper on perceptions of race in the late nineteenth and early twentieth centuries.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 25 Feb 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>154</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle> In this bold and deeply interdisciplinary work, Brown demonstrates the centrality of race to modern architectural design...</itunes:subtitle>
      <itunes:summary>Adrienne Brown joins the New Books Network this week to talk about her fascinating 2017 book, The Black Skyscraper: Architecture and the Perception of Race (John Hopkins University Press, 2017), which was a recent recipient of the Modern Studies Association's First Book prize.
Tracing the interconnected histories of the skyscraper and racial thought between the 1880s and the 1930s, Brown provides a sophisticated account of how vertical as well as horizontal expansion within the modern American city helped to shape perceptions and understandings of race and racial difference.
Drawing on a rich array of material, including art, literature, architectural design and urban planning records, The Black Skyscraper explores architecture's effects on the process of seeing and being seen as a racialized subject. In this bold and deeply interdisciplinary work, Brown demonstrates the centrality of race to modern architectural design and the impact of the skyscraper on perceptions of race in the late nineteenth and early twentieth centuries.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://english.uchicago.edu/faculty/adrienne-brown">Adrienne Brown</a> joins the New Books Network this week to talk about her fascinating 2017 book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QhLag_QlTrkddZKgSRW5Ua8AAAFoq18c8gEAAAFKAWmrdpo/https://www.amazon.com/dp/1421423839/?creativeASIN=1421423839&amp;linkCode=w61&amp;imprToken=BTHnjQUV9mKZZ7ClovzitA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>The Black Skyscraper: Architecture and the Perception of Race</em></a> (John Hopkins University Press, 2017), which was a recent recipient of the Modern Studies Association's First Book prize.</p><p>Tracing the interconnected histories of the skyscraper and racial thought between the 1880s and the 1930s, Brown provides a sophisticated account of how vertical as well as horizontal expansion within the modern American city helped to shape perceptions and understandings of race and racial difference.</p><p>Drawing on a rich array of material, including art, literature, architectural design and urban planning records, <em>The Black Skyscraper </em>explores architecture's effects on the process of seeing and being seen as a racialized subject. In this bold and deeply interdisciplinary work, Brown demonstrates the centrality of race to modern architectural design and the impact of the skyscraper on perceptions of race in the late nineteenth and early twentieth centuries.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4627</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c7d2862c-32f9-11e9-bd87-277c543cf817]]></guid>
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    </item>
    <item>
      <title>Nadia Amoroso, "Representing Landscapes: A Visual Collection of Landscape Architectural Drawings" (Routledge, 2012)</title>
      <description>Nadia Amoroso’s Representing Landscapes: A Visual Collection of Landscape Architectural Drawings (Routledge, 2012) is a collaboration between landscape architecture professors and practitioners leading the field today. The inspiration for the book came from her design studios. She wanted to demonstrate to students how they too could produce beautiful graphics by utilizing a software workflow. The book is divided into the major visual language alphabet for landscape architects: diagrams and mapping, presentation plans, axonometric, section-elevations, perspectives, modeling, and finally case studies. Each section contains an essay describing the graphic elements and usefulness for students and professionals. Nadia Amoroso is the co-founder and Creative Director of DataAppeal, a visualization firm that focuses on the creative mapping of digital media, urban design and GIS representation. She also actively teaches design studios at the University of Guelph. Her academic background includes degrees in Landscape Architecture &amp; Urban Design from the University of Toronto and a PhD from the Bartlett School of Architecture.  
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 22 Feb 2019 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Nadia Amoroso’s Representing Landscapes: A Visual Collection of Landscape Architectural Drawings (Routledge, 2012) is a collaboration between landscape architecture professors and practitioners leading the field today. The inspiration for the book came from her design studios. She wanted to demonstrate to students how they too could produce beautiful graphics by utilizing a software workflow. The book is divided into the major visual language alphabet for landscape architects: diagrams and mapping, presentation plans, axonometric, section-elevations, perspectives, modeling, and finally case studies. Each section contains an essay describing the graphic elements and usefulness for students and professionals. Nadia Amoroso is the co-founder and Creative Director of DataAppeal, a visualization firm that focuses on the creative mapping of digital media, urban design and GIS representation. She also actively teaches design studios at the University of Guelph. Her academic background includes degrees in Landscape Architecture &amp; Urban Design from the University of Toronto and a PhD from the Bartlett School of Architecture.  
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nadia Amoroso’s Representing Landscapes: A Visual Collection of Landscape Architectural Drawings (Routledge, 2012) is a collaboration between landscape architecture professors and practitioners leading the field today. The inspiration for the book came from her design studios. She wanted to demonstrate to students how they too could produce beautiful graphics by utilizing a software workflow. The book is divided into the major visual language alphabet for landscape architects: diagrams and mapping, presentation plans, axonometric, section-elevations, perspectives, modeling, and finally case studies. Each section contains an essay describing the graphic elements and usefulness for students and professionals. Nadia Amoroso is the co-founder and Creative Director of DataAppeal, a visualization firm that focuses on the creative mapping of digital media, urban design and GIS representation. She also actively teaches design studios at the University of Guelph. Her academic background includes degrees in Landscape Architecture &amp; Urban Design from the University of Toronto and a PhD from the Bartlett School of Architecture.  </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3507</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[843ca70c-3174-11e9-a2b4-d3639391657d]]></guid>
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    </item>
    <item>
      <title>Sun-Young Park, "Ideals of the Body: Architecture, Urbanism, and Hygiene in Postrevolutionary Paris" (U Pittsburgh Press, 2018)</title>
      <description>We know quite a bit about the physical signatures of urban “modernity” foisted upon Paris by Baron Haussmann in the late nineteenth century — the broad boulevards, networked infrastructures, connected apartment houses, and assorted monuments — but little scholarship has seized on its precursors in the half-century prior. In Ideals of the Body: Architecture, Urbanism, and Hygiene in Postrevolutionary Paris (University of Pittsburgh Press, 2018), Sun-Young Park turns to another modernity, recovering a daunting array of Romantic and especially post-Napoleonic interventions — less spectacular but arguably more complex — on mobile Parisian bodies and the everyday spaces that host them. Park considers military gymnasia, schools, barracks, leisure gardens, and other spaces purpose-built to inculcate vigor in both individuated physical bodies and, their proponents hoped amid specters of national decline, in the French body politic. Each of these spaces, Park shows, a “threshold” between fully private and fully public realms, helped install — albeit imperfectly — its own “ideal” of the sanitized and gendered human subject. Ideals of the Body is a detailed, visually rich, theoretically motivated study in urban and architectural history, one that just might realign how we periodize and make sense of urban modernity writ large.
Peter Ekman is Lecturer in Human Geography at the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at psrekman@berkeley.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 01 Feb 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>We know quite a bit about the physical signatures of urban “modernity” foisted upon Paris by Baron Haussmann in the late nineteenth century, but little scholarship has seized on its precursors...</itunes:subtitle>
      <itunes:summary>We know quite a bit about the physical signatures of urban “modernity” foisted upon Paris by Baron Haussmann in the late nineteenth century — the broad boulevards, networked infrastructures, connected apartment houses, and assorted monuments — but little scholarship has seized on its precursors in the half-century prior. In Ideals of the Body: Architecture, Urbanism, and Hygiene in Postrevolutionary Paris (University of Pittsburgh Press, 2018), Sun-Young Park turns to another modernity, recovering a daunting array of Romantic and especially post-Napoleonic interventions — less spectacular but arguably more complex — on mobile Parisian bodies and the everyday spaces that host them. Park considers military gymnasia, schools, barracks, leisure gardens, and other spaces purpose-built to inculcate vigor in both individuated physical bodies and, their proponents hoped amid specters of national decline, in the French body politic. Each of these spaces, Park shows, a “threshold” between fully private and fully public realms, helped install — albeit imperfectly — its own “ideal” of the sanitized and gendered human subject. Ideals of the Body is a detailed, visually rich, theoretically motivated study in urban and architectural history, one that just might realign how we periodize and make sense of urban modernity writ large.
Peter Ekman is Lecturer in Human Geography at the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at psrekman@berkeley.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We know quite a bit about the physical signatures of urban “modernity” foisted upon Paris by Baron Haussmann in the late nineteenth century — the broad boulevards, networked infrastructures, connected apartment houses, and assorted monuments — but little scholarship has seized on its precursors in the half-century prior. In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QonyjN5389mAQOVVtZtlOPgAAAFopljZUAEAAAFKAQXJTxU/https://www.amazon.com/dp/0822945282/?creativeASIN=0822945282&amp;linkCode=w61&amp;imprToken=bgPkzocFDU3ylXz9gY-mkA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Ideals of the Body: Architecture, Urbanism, and Hygiene in Postrevolutionary Paris</em></a> (University of Pittsburgh Press, 2018), <a href="https://historyarthistory.gmu.edu/people/spark53">Sun-Young Park</a> turns to another modernity, recovering a daunting array of Romantic and especially post-Napoleonic interventions — less spectacular but arguably more complex — on mobile Parisian bodies and the everyday spaces that host them. Park considers military gymnasia, schools, barracks, leisure gardens, and other spaces purpose-built to inculcate vigor in both individuated physical bodies and, their proponents hoped amid specters of national decline, in the French body politic. Each of these spaces, Park shows, a “threshold” between fully private and fully public realms, helped install — albeit imperfectly — its own “ideal” of the sanitized and gendered human subject. Ideals of the Body is a detailed, visually rich, theoretically motivated study in urban and architectural history, one that just might realign how we periodize and make sense of urban modernity writ large.</p><p><em>Peter Ekman is Lecturer in Human Geography at the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at psrekman@berkeley.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3150</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Elizabeth Macaulay-Lewis. "Classical New York: Discovering Greece and Rome in Gotham" (Empire States Editions, 2018)</title>
      <description>A new book explores how and why New York City became a showcase for the art and architectural styles of ancient Greece and Rome. Classical New York: Discovering Greece and Rome in Gotham (Empire States Editions, 2018), co-edited by Elizabeth Macaulay-Lewis and Matthew McGowan (Fordham University Press, 2018), examines the Greco-Roman influence on buildings, monuments and public spaces from Rockefeller Center to the Gould Memorial Library at Bronx Community College.
Walking around New York, Macaulay-Lewis says she “was struck by how many classical-looking buildings there were.” Indeed, references to the myths, gods, motifs and structures of the ancient world are seemingly everywhere: in courthouses, museums and libraries, in arches and columns, in Latin inscriptions and sculptures. But these classical references aren’t just about aesthetics or engineering. They also symbolize the aspirations of a city that saw itself as a capital of learning, culture, and civic life, on par with the finest institutions of the ancient world.
This interview is part of an occasional series on the history of New York City sponsored by the Gotham Center at CUNY.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 30 Jan 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>132</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A new book explores how and why New York City became a showcase for the art and architectural styles of ancient Greece and Rome.</itunes:subtitle>
      <itunes:summary>A new book explores how and why New York City became a showcase for the art and architectural styles of ancient Greece and Rome. Classical New York: Discovering Greece and Rome in Gotham (Empire States Editions, 2018), co-edited by Elizabeth Macaulay-Lewis and Matthew McGowan (Fordham University Press, 2018), examines the Greco-Roman influence on buildings, monuments and public spaces from Rockefeller Center to the Gould Memorial Library at Bronx Community College.
Walking around New York, Macaulay-Lewis says she “was struck by how many classical-looking buildings there were.” Indeed, references to the myths, gods, motifs and structures of the ancient world are seemingly everywhere: in courthouses, museums and libraries, in arches and columns, in Latin inscriptions and sculptures. But these classical references aren’t just about aesthetics or engineering. They also symbolize the aspirations of a city that saw itself as a capital of learning, culture, and civic life, on par with the finest institutions of the ancient world.
This interview is part of an occasional series on the history of New York City sponsored by the Gotham Center at CUNY.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A new book explores how and why New York City became a showcase for the art and architectural styles of ancient Greece and Rome. <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qpg6cUIccjX7RNPJ4NnS0CEAAAFoTRATiAEAAAFKAYtfgKg/https://www.amazon.com/dp/0823281027/?creativeASIN=0823281027&amp;linkCode=w61&amp;imprToken=a5awNVQTO5ukHC5d1JkU7A&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Classical New York: Discovering Greece and Rome in Gotham</em></a> (Empire States Editions, 2018)<em>, </em>co-edited by <a href="https://www.gc.cuny.edu/Faculty/Core-Bios/Elizabeth-Macaulay-Lewis">Elizabeth Macaulay-Lewis</a> and <a href="http://faculty.fordham.edu/mamcgowan/">Matthew McGowan</a> (Fordham University Press, 2018), examines the Greco-Roman influence on buildings, monuments and public spaces from Rockefeller Center to the Gould Memorial Library at Bronx Community College.</p><p>Walking around New York, Macaulay-Lewis says she “was struck by how many classical-looking buildings there were.” Indeed, references to the myths, gods, motifs and structures of the ancient world are seemingly everywhere: in courthouses, museums and libraries, in arches and columns, in Latin inscriptions and sculptures. But these classical references aren’t just about aesthetics or engineering. They also symbolize the aspirations of a city that saw itself as a capital of learning, culture, and civic life, on par with the finest institutions of the ancient world.</p><p>This interview is part of an occasional series on the history of New York City sponsored by the<a href="https://www.gothamcenter.org/"> Gotham Center</a> at CUNY.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2337</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4ca54cd2-23f9-11e9-bd2f-c7530188f9c3]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT5401456238.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert C. Trumpbour and Kenneth Womack, "The Eighth Wonder of the World: The Life of Houston's Iconic Astrodome" (U Nebraska Press, 2016)</title>
      <description>It rose against the Texas sun in all its architectural audacity: a domed stadium big enough to cover a baseball field. When it opened in 1965, the Houston Astrodome defied engineering precedent and forever changed professional sports. Today, its legacy today is complicated, and its future remains uncertain.
Robert Trumpbour and Kenneth Womack tell the story of this groundbreaking building in The Eighth Wonder of the World The Life of Houston's Iconic Astrodome (University of Nebraska Press, 2016). The book won the Seymour Medal from the Society for American Baseball Research in 2017.
Trumpbour is professor of communications at Penn State University. He is also the author of The New Cathedrals: Politics and Media in the History of Stadium Construction (Syracuse Univ. Press, 2006). Womack is a dean and professor of English at Monmouth University, and the author of several books, including Long and Winding Roads: The Evolving Artistry of the Beatles (Bloomsbury, 2007).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 12 Dec 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>t rose against the Texas sun in all its architectural audacity: a domed stadium big enough to cover a baseball field...</itunes:subtitle>
      <itunes:summary>It rose against the Texas sun in all its architectural audacity: a domed stadium big enough to cover a baseball field. When it opened in 1965, the Houston Astrodome defied engineering precedent and forever changed professional sports. Today, its legacy today is complicated, and its future remains uncertain.
Robert Trumpbour and Kenneth Womack tell the story of this groundbreaking building in The Eighth Wonder of the World The Life of Houston's Iconic Astrodome (University of Nebraska Press, 2016). The book won the Seymour Medal from the Society for American Baseball Research in 2017.
Trumpbour is professor of communications at Penn State University. He is also the author of The New Cathedrals: Politics and Media in the History of Stadium Construction (Syracuse Univ. Press, 2006). Womack is a dean and professor of English at Monmouth University, and the author of several books, including Long and Winding Roads: The Evolving Artistry of the Beatles (Bloomsbury, 2007).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It rose against the Texas sun in all its architectural audacity: a domed stadium big enough to cover a baseball field. When it opened in 1965, the Houston Astrodome defied engineering precedent and forever changed professional sports. Today, its legacy today is complicated, and its future remains uncertain.</p><p><a href="https://altoona.psu.edu/person/robert-c-trumpbour-phd">Robert Trumpbour</a> and <a href="https://kennethwomack.com/">Kenneth Womack</a> tell the story of this groundbreaking building in <a href="https://aax-us-east.amazon-adsystem.com/x/c/QneFs1MWs-g4X0VJrW2kbssAAAFnj9fZXwEAAAFKAT_3Yfs/https://www.amazon.com/dp/0803255454/?creativeASIN=0803255454&amp;linkCode=w61&amp;imprToken=p-xTB3sB2HSnEFcWR1tW5g&amp;slotNum=0&amp;tag=newbooinhis-20"><em>The Eighth Wonder of the World The Life of Houston's Iconic Astrodome</em></a> (University of Nebraska Press, 2016). The book won the Seymour Medal from the Society for American Baseball Research in 2017.</p><p>Trumpbour is professor of communications at Penn State University. He is also the author of <em>The New Cathedrals: Politics and Media in the History of Stadium Construction</em> (Syracuse Univ. Press, 2006). Womack is a dean and professor of English at Monmouth University, and the author of several books, including <em>Long and Winding Roads: The Evolving Artistry of the Beatles</em> (Bloomsbury, 2007).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3395</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[52e8321e-fb39-11e8-aaf8-27ccb5125faf]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT4470460678.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>McKenzie Wark, "General Intellects: Twenty-One Thinkers for the Twenty-First Century" (Verso, 2017)</title>
      <description>McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with!
 Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 06 Dec 2018 13:04:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention...</itunes:subtitle>
      <itunes:summary>McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with!
 Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://en.wikipedia.org/wiki/McKenzie_Wark">McKenzie Wark</a>’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of <a href="https://aax-us-east.amazon-adsystem.com/x/c/QvE0-zOplJN8ReY79aduX1wAAAFnajN8CQEAAAFKAfKc31U/https://www.amazon.com/dp/1786631903/ref=as_at?creativeASIN=1786631903&amp;linkCode=w61&amp;imprToken=zbjqVnRPdMcgHhrCGI3XPg&amp;slotNum=0&amp;tag=newbooinhis-20"><em>General Intellects: Twenty-One Thinkers for the Twenty-First Century </em></a>(Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with!</p><p> <em>Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work </em><a href="https://carlanappi.com/"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3841</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e38e4638-f958-11e8-9e12-57aa24dbd2b8]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT2240317763.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ronald Rael, “Borderwall as Architecture: A Manifesto for the U.S.-Mexico Boundary” (U California Press, 2017)</title>
      <description>With the passage of the Secure Fence Act in 2006, the U.S. Congress authorized funding for what has become the largest domestic construction project in twenty-first century America. The result? Approximately 700 miles of fencing, barricades, and walls comprised of newly built and repurposed materials, strategically placed along the 1,954-mile international border between the United Mexican States and the United States of America. At an initial cost of $3.4 billion, the most current estimates predict that the expense of maintaining the existing wall will exceed $49 billion by 2032. Envisioned solely as a piece of security infrastructure—with minimal input from architects and designers—the existing barrier has also levied a heavy toll on the lives of individuals, communities, municipalities, and the surrounding environment. In Borderwall as Architecture: A Manifesto for the U.S.-Mexico Boundary (UC Press, 2017), Professor Ronald Rael proposes a series of architectural designs that advocate for the transformation of the existing 700-mile-wall into a piece of civic infrastructure that makes positive contributions to the social, cultural, and ecological landscapes of the U.S.-Mexico borderlands. As both a muse and act of political protest, Rael’s designs challenge us to question the efficacy of the current barrier, while simultaneously stoking our imagination concerning its future.



David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of the U.S.-Mexico Borderlands, the development of multi-ethnic/racial cities, and the evolution of Latina/o identity and politics. His research centers on the relationship between Latina/o politics and the metropolitan development of Orange County, CA throughout the 20th century. You may follow him on Twitter @djgonzoPhD.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 16 Nov 2018 11:00:29 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>With the passage of the Secure Fence Act in 2006, the U.S. Congress authorized funding for what has become the largest domestic construction project in twenty-first century America. The result? Approximately 700 miles of fencing, barricades,</itunes:subtitle>
      <itunes:summary>With the passage of the Secure Fence Act in 2006, the U.S. Congress authorized funding for what has become the largest domestic construction project in twenty-first century America. The result? Approximately 700 miles of fencing, barricades, and walls comprised of newly built and repurposed materials, strategically placed along the 1,954-mile international border between the United Mexican States and the United States of America. At an initial cost of $3.4 billion, the most current estimates predict that the expense of maintaining the existing wall will exceed $49 billion by 2032. Envisioned solely as a piece of security infrastructure—with minimal input from architects and designers—the existing barrier has also levied a heavy toll on the lives of individuals, communities, municipalities, and the surrounding environment. In Borderwall as Architecture: A Manifesto for the U.S.-Mexico Boundary (UC Press, 2017), Professor Ronald Rael proposes a series of architectural designs that advocate for the transformation of the existing 700-mile-wall into a piece of civic infrastructure that makes positive contributions to the social, cultural, and ecological landscapes of the U.S.-Mexico borderlands. As both a muse and act of political protest, Rael’s designs challenge us to question the efficacy of the current barrier, while simultaneously stoking our imagination concerning its future.



David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of the U.S.-Mexico Borderlands, the development of multi-ethnic/racial cities, and the evolution of Latina/o identity and politics. His research centers on the relationship between Latina/o politics and the metropolitan development of Orange County, CA throughout the 20th century. You may follow him on Twitter @djgonzoPhD.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With the passage of the Secure Fence Act in 2006, the U.S. Congress authorized funding for what has become the largest domestic construction project in twenty-first century America. The result? Approximately 700 miles of fencing, barricades, and walls comprised of newly built and repurposed materials, strategically placed along the 1,954-mile international border between the United Mexican States and the United States of America. At an initial cost of $3.4 billion, the most current estimates predict that the expense of maintaining the existing wall will exceed $49 billion by 2032. Envisioned solely as a piece of security infrastructure—with minimal input from architects and designers—the existing barrier has also levied a heavy toll on the lives of individuals, communities, municipalities, and the surrounding environment. In <a href="https://www.amazon.com/Borderwall-Architecture-Manifesto-U-S-Mexico-Ahmanson-Murphy/dp/0520283945/ref=sr_1_1?ie=UTF8&amp;qid=1541798762&amp;sr=8-1&amp;keywords=border+wall+as+architecture">Borderwall as Architecture: A Manifesto for the U.S.-Mexico Boundary</a> (UC Press, 2017), Professor <a href="https://ced.berkeley.edu/ced/faculty-staff/ronald-rael">Ronald Rael</a> proposes a series of architectural designs that advocate for the transformation of the existing 700-mile-wall into a piece of civic infrastructure that makes positive contributions to the social, cultural, and ecological landscapes of the U.S.-Mexico borderlands. As both a muse and act of political protest, Rael’s designs challenge us to question the efficacy of the current barrier, while simultaneously stoking our imagination concerning its future.</p><p>
</p><p>
<a href="https://fhssfaculty.byu.edu/FacultyPage/djgonzo">David-James Gonzales</a> (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of the U.S.-Mexico Borderlands, the development of multi-ethnic/racial cities, and the evolution of Latina/o identity and politics. His research centers on the relationship between Latina/o politics and the metropolitan development of Orange County, CA throughout the 20th century. You may follow him on <a href="https://twitter.com/djgonzophd?lang=en">Twitter @djgonzoPhD</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2639</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=79436]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT7803802314.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Pamela Woolner, ed., “School Design Together” (Routledge, 2014)</title>
      <description>Pamela Woolner, senior lecturer in education at Newcastle University, joins us in this episode to discuss her edited volume, School Design Together (Routledge, 2014). Pam is an expert in understanding and developing learning environments, particularly the use of participatory research methods to engage and empower users to share their experiences and knowledge.

My conversation with Pam begins with her background in psychology and how her early research studying the use of visuals in math then led her to her research on school environments. In the interview, Pam reflects on the genesis of the book: a 2011 conference to bring together a diverse collective of architects, designers, educators, and researchers at the conclusion of the UK’s Building Schools for the Future programme.

For those unfamiliar with learning environments research, a common question is, “Which comes first, the innovative space or innovative teaching?” To answer this question, Pam discusses the complexity of school change, and describes using a cyclical approach that engages a range of participants, at different levels of participation, and at different times in the process. Throughout our conversation, Pam shares her insight about the ways the physical environment is linked to change in schools.



Julie Kallio is a graduate student in Educational Leadership and Policy Analysis at the University of Wisconsin – Madison. Her research interests include educational change, innovation and improvement networks, physical spaces of schools, and participatory design. You can find more about her work on her website, follow her on twitter, or email her at jmkallio@wisc.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 29 Oct 2018 10:00:16 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Pamela Woolner, senior lecturer in education at Newcastle University, joins us in this episode to discuss her edited volume, School Design Together (Routledge, 2014). Pam is an expert in understanding and developing learning environments,</itunes:subtitle>
      <itunes:summary>Pamela Woolner, senior lecturer in education at Newcastle University, joins us in this episode to discuss her edited volume, School Design Together (Routledge, 2014). Pam is an expert in understanding and developing learning environments, particularly the use of participatory research methods to engage and empower users to share their experiences and knowledge.

My conversation with Pam begins with her background in psychology and how her early research studying the use of visuals in math then led her to her research on school environments. In the interview, Pam reflects on the genesis of the book: a 2011 conference to bring together a diverse collective of architects, designers, educators, and researchers at the conclusion of the UK’s Building Schools for the Future programme.

For those unfamiliar with learning environments research, a common question is, “Which comes first, the innovative space or innovative teaching?” To answer this question, Pam discusses the complexity of school change, and describes using a cyclical approach that engages a range of participants, at different levels of participation, and at different times in the process. Throughout our conversation, Pam shares her insight about the ways the physical environment is linked to change in schools.



Julie Kallio is a graduate student in Educational Leadership and Policy Analysis at the University of Wisconsin – Madison. Her research interests include educational change, innovation and improvement networks, physical spaces of schools, and participatory design. You can find more about her work on her website, follow her on twitter, or email her at jmkallio@wisc.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.ncl.ac.uk/ecls/staff/profile/pamelawoolner.html#background">Pamela Woolner</a>, senior lecturer in education at Newcastle University, joins us in this episode to discuss her edited volume, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QnRrillJQxaNDxKMqgNKBBAAAAFmq6DmQQEAAAFKAQ3iiYE/https://www.amazon.com/dp/0415840767/ref=as_at?creativeASIN=0415840767&amp;linkCode=w61&amp;imprToken=ThxFNwtAwMFVdb0epSzv7w&amp;slotNum=0&amp;tag=newbooinhis-20">School Design Together</a> (Routledge, 2014). Pam is an expert in understanding and developing learning environments, particularly the use of participatory research methods to engage and empower users to share their experiences and knowledge.</p><p>
My conversation with Pam begins with her background in psychology and how her early research studying the use of visuals in math then led her to her research on school environments. In the interview, Pam reflects on the genesis of the book: a 2011 conference to bring together a diverse collective of architects, designers, educators, and researchers at the conclusion of the UK’s Building Schools for the Future programme.</p><p>
For those unfamiliar with learning environments research, a common question is, “Which comes first, the innovative space or innovative teaching?” To answer this question, Pam discusses the complexity of school change, and describes using a cyclical approach that engages a range of participants, at different levels of participation, and at different times in the process. Throughout our conversation, Pam shares her insight about the ways the physical environment is linked to change in schools.</p><p>
</p><p>
<a href="http://www.juliekallio.com/">Julie Kallio</a> is a graduate student in <a href="http://elpa.education.wisc.edu/">Educational Leadership and Policy Analysis</a> at the University of Wisconsin – Madison. Her research interests include educational change, innovation and improvement networks, physical spaces of schools, and participatory design. You can find more about her work on her <a href="http://www.juliekallio.com/">website</a>, follow her on <a href="http://www.twitter.com/juliekallio">twitter</a>, or email her at <a href="mailto:jmkallio@wisc.edu">jmkallio@wisc.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1852</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78947]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT9844008353.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laura Neitzel, “The Life We Longed for: Danchi Housing and the Middle Class Dream in Postwar Japan” (MerwinAsia, 2016)</title>
      <description>Laura Neitzel’s The Life We Longed for: Danchi Housing and the Middle Class Dream in Postwar Japan (MerwinAsia, 2016) is a chronicle of the large, government-sponsored housing projects called danchi that were built during Japan’s high-growth years, roughly 1955 until the first oil shock in the early 1970s. Though only a minority of Japanese lived in the danchi, they took on an outsized place in the public imagination of and aspirations for the ideal new “bright life” of postwar Japan. The danchi, built by the Japan Housing Corporation (JHC) to accommodate the rush of families relocating to the cities during this transformational period, were the symbol of a new “democratic” middle-class life freed from the “feudal” past, a great social and architectural experiment, and the source of enormous social cathexis. Drawing on a wide range of sources from government white papers to popular women’s magazines, and paying close attention to the danchi as an everyday revolution of the everyday, to both the positive and negative views of the danchi, and to their relationship to contemporaneous social imaginaries of democratic-capitalist affluence around the world, Neitzel paints a clear and concise portrait of the danchi as aspiration, but also paradoxically as a kind of nostalgia a longed-for life that never really was. The book provides a clear and sensitive look at danchi as modern design and design for modernity, as a fantasy of middle-class life and a middle-class fantasy, warts and all.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 30 Aug 2018 10:00:24 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Laura Neitzel’s The Life We Longed for: Danchi Housing and the Middle Class Dream in Postwar Japan (MerwinAsia, 2016) is a chronicle of the large, government-sponsored housing projects called danchi that were built during Japan’s high-growth years,</itunes:subtitle>
      <itunes:summary>Laura Neitzel’s The Life We Longed for: Danchi Housing and the Middle Class Dream in Postwar Japan (MerwinAsia, 2016) is a chronicle of the large, government-sponsored housing projects called danchi that were built during Japan’s high-growth years, roughly 1955 until the first oil shock in the early 1970s. Though only a minority of Japanese lived in the danchi, they took on an outsized place in the public imagination of and aspirations for the ideal new “bright life” of postwar Japan. The danchi, built by the Japan Housing Corporation (JHC) to accommodate the rush of families relocating to the cities during this transformational period, were the symbol of a new “democratic” middle-class life freed from the “feudal” past, a great social and architectural experiment, and the source of enormous social cathexis. Drawing on a wide range of sources from government white papers to popular women’s magazines, and paying close attention to the danchi as an everyday revolution of the everyday, to both the positive and negative views of the danchi, and to their relationship to contemporaneous social imaginaries of democratic-capitalist affluence around the world, Neitzel paints a clear and concise portrait of the danchi as aspiration, but also paradoxically as a kind of nostalgia a longed-for life that never really was. The book provides a clear and sensitive look at danchi as modern design and design for modernity, as a fantasy of middle-class life and a middle-class fantasy, warts and all.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://cgt.columbia.edu/about/people/staff/laura-neitzel/">Laura Neitzel</a>’s <a href="https://aax-us-east.amazon-adsystem.com/x/c/QqRhtku-Ts6UrFTn35nUr3AAAAFlcT9roAEAAAFKAatwvsA/https://www.amazon.com/dp/1937385868/ref=as_at?creativeASIN=1937385868&amp;linkCode=w61&amp;imprToken=TjzKRc2YWpfPNkvJ82Ee8g&amp;slotNum=0&amp;tag=newbooinhis-20">The Life We Longed for: Danchi Housing and the Middle Class Dream in Postwar Japan</a> (MerwinAsia, 2016) is a chronicle of the large, government-sponsored housing projects called danchi that were built during Japan’s high-growth years, roughly 1955 until the first oil shock in the early 1970s. Though only a minority of Japanese lived in the danchi, they took on an outsized place in the public imagination of and aspirations for the ideal new “bright life” of postwar Japan. The danchi, built by the Japan Housing Corporation (JHC) to accommodate the rush of families relocating to the cities during this transformational period, were the symbol of a new “democratic” middle-class life freed from the “feudal” past, a great social and architectural experiment, and the source of enormous social cathexis. Drawing on a wide range of sources from government white papers to popular women’s magazines, and paying close attention to the danchi as an everyday revolution of the everyday, to both the positive and negative views of the danchi, and to their relationship to contemporaneous social imaginaries of democratic-capitalist affluence around the world, Neitzel paints a clear and concise portrait of the danchi as aspiration, but also paradoxically as a kind of nostalgia a longed-for life that never really was. The book provides a clear and sensitive look at danchi as modern design and design for modernity, as a fantasy of middle-class life and a middle-class fantasy, warts and all.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2074</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=77425]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT2600665717.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Richard S. Hopkins, “Planning the Greenspaces of Nineteenth-Century Paris” (LSU Press, 2015)</title>
      <description>Beginning in the mid-1800s, Paris experienced an unprecedented growth in the development of parks, squares, and gardens. This greenspace was part of Napoleon III’s plan for a new, modern Paris and a France restored to glory on the international stage.  Adolphe Alphand, as director of the newly established park service, brought his own democratic and egalitarian vision to urban planning.  In Planning the Greenspaces of Nineteenth-Century Paris (Louisiana State University Press, 2015), Dr. Richard S. Hopkins examines the urban landscape of Paris from the Second Empire through the Third Republic as an expression of France’s revolutionary past in which disparate groups—from planners, reformers, and engineers to neighborhood residents and park visitors—came together to create, define, and negotiate this new public space.

Richard S. Hopkins is an Assistant Professor of History at Widener University. He teaches courses in European, urban, environmental, and gender history. His research focuses on the social and cultural history of modern France, urban space, and the relationship between the individual and state authority. He is co-editor of the book Practiced Citizenship: Women, Gender, and the State in Modern France, University of Nebraska Press (forthcoming January, 2019).



Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 22 Aug 2018 10:00:05 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Beginning in the mid-1800s, Paris experienced an unprecedented growth in the development of parks, squares, and gardens. This greenspace was part of Napoleon III’s plan for a new, modern Paris and a France restored to glory on the international stage.</itunes:subtitle>
      <itunes:summary>Beginning in the mid-1800s, Paris experienced an unprecedented growth in the development of parks, squares, and gardens. This greenspace was part of Napoleon III’s plan for a new, modern Paris and a France restored to glory on the international stage.  Adolphe Alphand, as director of the newly established park service, brought his own democratic and egalitarian vision to urban planning.  In Planning the Greenspaces of Nineteenth-Century Paris (Louisiana State University Press, 2015), Dr. Richard S. Hopkins examines the urban landscape of Paris from the Second Empire through the Third Republic as an expression of France’s revolutionary past in which disparate groups—from planners, reformers, and engineers to neighborhood residents and park visitors—came together to create, define, and negotiate this new public space.

Richard S. Hopkins is an Assistant Professor of History at Widener University. He teaches courses in European, urban, environmental, and gender history. His research focuses on the social and cultural history of modern France, urban space, and the relationship between the individual and state authority. He is co-editor of the book Practiced Citizenship: Women, Gender, and the State in Modern France, University of Nebraska Press (forthcoming January, 2019).



Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Beginning in the mid-1800s, Paris experienced an unprecedented growth in the development of parks, squares, and gardens. This greenspace was part of Napoleon III’s plan for a new, modern Paris and a France restored to glory on the international stage.  Adolphe Alphand, as director of the newly established park service, brought his own democratic and egalitarian vision to urban planning.  In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QtZFkqMcf9qcpoqstts4GGcAAAFlPu6AUwEAAAFKAUwbOLY/http://www.amazon.com/dp/0807159840/ref=as_at?creativeASIN=0807159840&amp;linkCode=w61&amp;imprToken=-larseKfb5phiuG6R27dKA&amp;slotNum=0&amp;tag=newbooinhis-20">Planning the Greenspaces of Nineteenth-Century Paris</a> (Louisiana State University Press, 2015), Dr. <a href="http://www.widener.edu/academics/faculty/hopkinsr/default.aspx">Richard S. Hopkins</a> examines the urban landscape of Paris from the Second Empire through the Third Republic as an expression of France’s revolutionary past in which disparate groups—from planners, reformers, and engineers to neighborhood residents and park visitors—came together to create, define, and negotiate this new public space.</p><p>
Richard S. Hopkins is an Assistant Professor of History at Widener University. He teaches courses in European, urban, environmental, and gender history. His research focuses on the social and cultural history of modern France, urban space, and the relationship between the individual and state authority. He is co-editor of the book Practiced Citizenship: Women, Gender, and the State in Modern France, University of Nebraska Press (forthcoming January, 2019).</p><p>
</p><p>
Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3086</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=77147]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT6358548892.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ross King, “Seoul: Memory, Reinvention and the Korean Wave” (University of Hawaii Press, 2018)</title>
      <description>Seoul, as any listener who has visited will recognize, can be a pretty overwhelming place. This is well recognized by Ross King, Professorial Fellow in the Faculty of Architecture, Building and Planning at the University of Melbourne, who notes that cities like this “are experienced as disaggregated places, always already fragmented, bits, moments, feelings, memories” (p. 131). But in his richly illustrated and luxuriously produced book Seoul: Memory, Reinvention and the Korean Wave (University of Hawaii Press, 2018), Professor King does an expert job of ‘reading’ (p. 15) this megalopolis with deftness and elegance, interpreting the multiplicity of faces which it presents to visitor and local alike.

Drawing not only on observations of architecture and urban form, his own areas of expertise, King also offers insights from historiography, literature, film, religion, television and popular culture as they relate to the city. Bringing these into dialogue, he builds up a sophisticated picture of the myriad influences and symbolisms at play in Seoul’s urban landscape, and shows how they are layered, juxtaposed and entangled. Reading Seoul, we thus come to apprehend the city in its Korean, its Asian, and its global contexts. Equally importantly, we also learn how to see it as a crucible of overlapping and contending histories, and of successive developmental modernist projects, most recently those tied the ‘Korean Wave’. Anyone interested in Asian modernization at large, urban planning, and more generally in how national and urban transformations fit into wider social and cultural contexts will find a great deal to engage with here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 14 Jun 2018 10:23:39 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Seoul, as any listener who has visited will recognize, can be a pretty overwhelming place. This is well recognized by Ross King, Professorial Fellow in the Faculty of Architecture, Building and Planning at the University of Melbourne,</itunes:subtitle>
      <itunes:summary>Seoul, as any listener who has visited will recognize, can be a pretty overwhelming place. This is well recognized by Ross King, Professorial Fellow in the Faculty of Architecture, Building and Planning at the University of Melbourne, who notes that cities like this “are experienced as disaggregated places, always already fragmented, bits, moments, feelings, memories” (p. 131). But in his richly illustrated and luxuriously produced book Seoul: Memory, Reinvention and the Korean Wave (University of Hawaii Press, 2018), Professor King does an expert job of ‘reading’ (p. 15) this megalopolis with deftness and elegance, interpreting the multiplicity of faces which it presents to visitor and local alike.

Drawing not only on observations of architecture and urban form, his own areas of expertise, King also offers insights from historiography, literature, film, religion, television and popular culture as they relate to the city. Bringing these into dialogue, he builds up a sophisticated picture of the myriad influences and symbolisms at play in Seoul’s urban landscape, and shows how they are layered, juxtaposed and entangled. Reading Seoul, we thus come to apprehend the city in its Korean, its Asian, and its global contexts. Equally importantly, we also learn how to see it as a crucible of overlapping and contending histories, and of successive developmental modernist projects, most recently those tied the ‘Korean Wave’. Anyone interested in Asian modernization at large, urban planning, and more generally in how national and urban transformations fit into wider social and cultural contexts will find a great deal to engage with here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Seoul, as any listener who has visited will recognize, can be a pretty overwhelming place. This is well recognized by <a href="https://findanexpert.unimelb.edu.au/display/person16220">Ross King</a>, Professorial Fellow in the Faculty of Architecture, Building and Planning at the University of Melbourne, who notes that cities like this “are experienced as disaggregated places, always already fragmented, bits, moments, feelings, memories” (p. 131). But in his richly illustrated and luxuriously produced book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QlUGvkunuuxEZ50PoMFRQKoAAAFj_cq6ZAEAAAFKART5Kvk/http://www.amazon.com/dp/0824872053/ref=as_at?creativeASIN=0824872053&amp;linkCode=w61&amp;imprToken=r4KOG4a-fr-gBE.PgFPtZQ&amp;slotNum=0&amp;tag=newbooinhis-20">Seoul: Memory, Reinvention and the Korean Wave</a> (University of Hawaii Press, 2018), Professor King does an expert job of ‘reading’ (p. 15) this megalopolis with deftness and elegance, interpreting the multiplicity of faces which it presents to visitor and local alike.</p><p>
Drawing not only on observations of architecture and urban form, his own areas of expertise, King also offers insights from historiography, literature, film, religion, television and popular culture as they relate to the city. Bringing these into dialogue, he builds up a sophisticated picture of the myriad influences and symbolisms at play in Seoul’s urban landscape, and shows how they are layered, juxtaposed and entangled. Reading Seoul, we thus come to apprehend the city in its Korean, its Asian, and its global contexts. Equally importantly, we also learn how to see it as a crucible of overlapping and contending histories, and of successive developmental modernist projects, most recently those tied the ‘Korean Wave’. Anyone interested in Asian modernization at large, urban planning, and more generally in how national and urban transformations fit into wider social and cultural contexts will find a great deal to engage with here.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3208</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74618]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT9782168482.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Toufoul Abou-Hodeib, “A Taste for Home: The Modern Middle Class in Ottoman Beirut” (Stanford UP, 2017)</title>
      <description>Toufoul Abou-Hodeib‘s A Taste for Home: The Modern Middle Class in Ottoman Beirut (Stanford University Press, 2017) is a welcome addition to the scholarship on the urban history of Beirut precisely because it exceeds the disciplinary boundaries of urban history: A Taste for Home tells the story of late Ottoman Beirut through the middle class and their sense of self. Abou-Hodeib uses domesticity as a category of analysis to look at how the middle class functioned and what it aspired to be in the midst of the late Ottoman period. However, the book also succeeds wildly because it treats a local context within the global setting, taking seriously the intersecting themes of global capitalism and consumer culture, themes of domesticity and taste. Over the course of the book, leisure and urban development are also shown to be key elements in the development of the middle class, defining the city for generations to come. A Taste for Home will be critical for conversations for many years to come on class, the economy, the city, and the home in the study of the Middle East and the Ottoman Empire.



Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 15 May 2018 10:00:47 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Toufoul Abou-Hodeib‘s A Taste for Home: The Modern Middle Class in Ottoman Beirut (Stanford University Press, 2017) is a welcome addition to the scholarship on the urban history of Beirut precisely because it exceeds the disciplinary boundaries of urba...</itunes:subtitle>
      <itunes:summary>Toufoul Abou-Hodeib‘s A Taste for Home: The Modern Middle Class in Ottoman Beirut (Stanford University Press, 2017) is a welcome addition to the scholarship on the urban history of Beirut precisely because it exceeds the disciplinary boundaries of urban history: A Taste for Home tells the story of late Ottoman Beirut through the middle class and their sense of self. Abou-Hodeib uses domesticity as a category of analysis to look at how the middle class functioned and what it aspired to be in the midst of the late Ottoman period. However, the book also succeeds wildly because it treats a local context within the global setting, taking seriously the intersecting themes of global capitalism and consumer culture, themes of domesticity and taste. Over the course of the book, leisure and urban development are also shown to be key elements in the development of the middle class, defining the city for generations to come. A Taste for Home will be critical for conversations for many years to come on class, the economy, the city, and the home in the study of the Middle East and the Ottoman Empire.



Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.hf.uio.no/iakh/english/people/aca/toufoul/">Toufoul Abou-Hodeib</a>‘s <a href="http://aax-us-east.amazon-adsystem.com/x/c/QiUIg1s8yw1vQL1DbUUFnkcAAAFf_j6q6AEAAAFKAcNwD4Q/http://www.amazon.com/dp/0804799792/ref=as_at?creativeASIN=0804799792&amp;linkCode=w61&amp;imprToken=nWNNwPziv5dtbBfzy2UCUQ&amp;slotNum=0&amp;tag=newbooinhis-20">A Taste for Home: The Modern Middle Class in Ottoman Beirut</a> (<a href="http://www.sup.org/books/title/?id=24145">Stanford University Press</a>, 2017) is a welcome addition to the scholarship on the urban history of Beirut precisely because it exceeds the disciplinary boundaries of urban history: A Taste for Home tells the story of late Ottoman Beirut through the middle class and their sense of self. Abou-Hodeib uses domesticity as a category of analysis to look at how the middle class functioned and what it aspired to be in the midst of the late Ottoman period. However, the book also succeeds wildly because it treats a local context within the global setting, taking seriously the intersecting themes of global capitalism and consumer culture, themes of domesticity and taste. Over the course of the book, leisure and urban development are also shown to be key elements in the development of the middle class, defining the city for generations to come. A Taste for Home will be critical for conversations for many years to come on class, the economy, the city, and the home in the study of the Middle East and the Ottoman Empire.</p><p>
</p><p>
Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets <a href="https://twitter.com/namansour26">@NAMansour26</a> and produces another Middle-East and North Africa-related podcast: <a href="https://www.facebook.com/ReintroducingPodcast/">Reintroducing</a>.</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2139</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68662]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT9664707358.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joseph Sciorra, “Built with Faith: Italian American Imagination and Catholic Material Culture in NYC” (U Tennessee Press, 2018)</title>
      <description>Folklore scholar Joseph Sciorra is the Director for Academic and Cultural Programs at the John D. Calandra Italian American Institute in Queens College which is part of the City University of New York.  He’s also a Brooklyn-born and -raised Italian American and in this episode of the New Books in Folklore podcast, he talks about his latest book, Built with Faith: Italian American Imagination and Catholic Material Culture in New York City (University of Tennessee Press, 2015) which “offers a place-centric, ethnographic study of the religious material culture of New York City’s Italian American Catholics” (xiv).

A transdisciplinary work, albeit firmly grounded in folklore scholarship and based on ethnographic research conducted over 35 years, this book is a comprehensive study of the myriad ways in which a people express their personal religious faith in tangible, dynamic, and often public forms.  The resulting yard shrines, sidewalk altars, elaborate presepi (Nativity scenes), and other manifestations – which also include extravagant Christmas light adornments of domestic exteriors, The Our Lady of Mount Carmel Grotto in Rosebank, Staten Island, and a series of Brooklyn religious processions – usually receive no kind of official sanction. In fact, they are more likely to provoke disdain than approbation in most quarters.  Nonetheless, they allow residents to both meaningfully relate to and actively construct the city in a way that is unique to “New York” and also speak to a vernacular Italian-American ethos that sets great store by the concept of lavoro ben fatto, or “work done well”.

In Built with Faith, Sciorra gives prominence to the voices of the creators of this landscape of devotional material culture, voices which he has captured over decades in formal interviews as well as less formal ‘phone conversations, and casual street-side chats. He also takes pains to present the history of the sorts of displays that are his subject. In addition, the volume includes numerous photographs of the sites in question, often taken by the author himself.

As noted by another New Books in Folkore interviewee, Luisa Del Giudice, in her review for the Journal of American Folkore: “Sciorra has vividly demonstrated why the study and practice of such material culture is important and how individual human creativity informed by a spiritual and cultural core becomes an act of both personal and community identity. These art forms may not have much social capital, but Sciorra does. As Director of Academic and Cultural Programs at the John D. Calandra Italian American Institute of New York, editor (Italian American Review), blogger (“Joey Skee,” for i-Italy), noted scholar and cultural activist, Sciorra, through Built with Faith, will make a high impact beyond the disciplines of vernacular culture; art and architecture; migration and ethnic, urban, religious studies; and beyond New York City. This is definitely a carefully crafted work—that is, un lavoro ben fatto.”

Cindy R. Lobel, writing for the Vernacular Architecture Forum’s Buildings and Landscapes journal, is similarly effusive: “Built with Faith makes a fine contribution to the literature on landscape, material culture, immigration, ethnic studies, and urban studies. It offers important information on the kinds of approaches Italian American New Yorkers have taken toward shaping the built environment of New York through their religious and cultural practices. Sciorra documents and offers wonderful thick descriptions of Italian American mat...
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 08 May 2018 10:00:10 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Folklore scholar Joseph Sciorra is the Director for Academic and Cultural Programs at the John D. Calandra Italian American Institute in Queens College which is part of the City University of New York.  He’s also a Brooklyn-born and -raised Italian Ame...</itunes:subtitle>
      <itunes:summary>Folklore scholar Joseph Sciorra is the Director for Academic and Cultural Programs at the John D. Calandra Italian American Institute in Queens College which is part of the City University of New York.  He’s also a Brooklyn-born and -raised Italian American and in this episode of the New Books in Folklore podcast, he talks about his latest book, Built with Faith: Italian American Imagination and Catholic Material Culture in New York City (University of Tennessee Press, 2015) which “offers a place-centric, ethnographic study of the religious material culture of New York City’s Italian American Catholics” (xiv).

A transdisciplinary work, albeit firmly grounded in folklore scholarship and based on ethnographic research conducted over 35 years, this book is a comprehensive study of the myriad ways in which a people express their personal religious faith in tangible, dynamic, and often public forms.  The resulting yard shrines, sidewalk altars, elaborate presepi (Nativity scenes), and other manifestations – which also include extravagant Christmas light adornments of domestic exteriors, The Our Lady of Mount Carmel Grotto in Rosebank, Staten Island, and a series of Brooklyn religious processions – usually receive no kind of official sanction. In fact, they are more likely to provoke disdain than approbation in most quarters.  Nonetheless, they allow residents to both meaningfully relate to and actively construct the city in a way that is unique to “New York” and also speak to a vernacular Italian-American ethos that sets great store by the concept of lavoro ben fatto, or “work done well”.

In Built with Faith, Sciorra gives prominence to the voices of the creators of this landscape of devotional material culture, voices which he has captured over decades in formal interviews as well as less formal ‘phone conversations, and casual street-side chats. He also takes pains to present the history of the sorts of displays that are his subject. In addition, the volume includes numerous photographs of the sites in question, often taken by the author himself.

As noted by another New Books in Folkore interviewee, Luisa Del Giudice, in her review for the Journal of American Folkore: “Sciorra has vividly demonstrated why the study and practice of such material culture is important and how individual human creativity informed by a spiritual and cultural core becomes an act of both personal and community identity. These art forms may not have much social capital, but Sciorra does. As Director of Academic and Cultural Programs at the John D. Calandra Italian American Institute of New York, editor (Italian American Review), blogger (“Joey Skee,” for i-Italy), noted scholar and cultural activist, Sciorra, through Built with Faith, will make a high impact beyond the disciplines of vernacular culture; art and architecture; migration and ethnic, urban, religious studies; and beyond New York City. This is definitely a carefully crafted work—that is, un lavoro ben fatto.”

Cindy R. Lobel, writing for the Vernacular Architecture Forum’s Buildings and Landscapes journal, is similarly effusive: “Built with Faith makes a fine contribution to the literature on landscape, material culture, immigration, ethnic studies, and urban studies. It offers important information on the kinds of approaches Italian American New Yorkers have taken toward shaping the built environment of New York through their religious and cultural practices. Sciorra documents and offers wonderful thick descriptions of Italian American mat...
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Folklore scholar <a href="http://qcpages.qc.cuny.edu/calandra/joseph-sciorra-phd-0">Joseph Sciorra</a> is the Director for Academic and Cultural Programs at the John D. Calandra Italian American Institute in Queens College which is part of the City University of New York.  He’s also a Brooklyn-born and -raised Italian American and in this episode of the New Books in Folklore podcast, he talks about his latest book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QuyTAO-3JhEKY5BQJgXSHEcAAAFjO07nlgEAAAFKAbC-jNQ/http://www.amazon.com/dp/162190119X/ref=as_at?creativeASIN=162190119X&amp;linkCode=w61&amp;imprToken=9deb3imTEd2GY2xDJw41qQ&amp;slotNum=0&amp;tag=newbooinhis-20">Built with Faith: Italian American Imagination and Catholic Material Culture in New York City </a>(University of Tennessee Press, 2015) which “offers a place-centric, ethnographic study of the religious material culture of New York City’s Italian American Catholics” (xiv).</p><p>
A transdisciplinary work, albeit firmly grounded in folklore scholarship and based on ethnographic research conducted over 35 years, this book is a comprehensive study of the myriad ways in which a people express their personal religious faith in tangible, dynamic, and often public forms.  The resulting yard shrines, sidewalk altars, elaborate presepi (Nativity scenes), and other manifestations – which also include extravagant Christmas light adornments of domestic exteriors, The Our Lady of Mount Carmel Grotto in Rosebank, Staten Island, and a series of Brooklyn religious processions – usually receive no kind of official sanction. In fact, they are more likely to provoke disdain than approbation in most quarters.  Nonetheless, they allow residents to both meaningfully relate to and actively construct the city in a way that is unique to “New York” and also speak to a vernacular Italian-American ethos that sets great store by the concept of lavoro ben fatto, or “work done well”.</p><p>
In Built with Faith, Sciorra gives prominence to the voices of the creators of this landscape of devotional material culture, voices which he has captured over decades in formal interviews as well as less formal ‘phone conversations, and casual street-side chats. He also takes pains to present the history of the sorts of displays that are his subject. In addition, the volume includes numerous photographs of the sites in question, often taken by the author himself.</p><p>
As noted by another New Books in Folkore interviewee, Luisa Del Giudice, in her review for the Journal of American Folkore: “Sciorra has vividly demonstrated why the study and practice of such material culture is important and how individual human creativity informed by a spiritual and cultural core becomes an act of both personal and community identity. These art forms may not have much social capital, but Sciorra does. As Director of Academic and Cultural Programs at the John D. Calandra Italian American Institute of New York, editor (Italian American Review), blogger (“Joey Skee,” for i-Italy), noted scholar and cultural activist, Sciorra, through Built with Faith, will make a high impact beyond the disciplines of vernacular culture; art and architecture; migration and ethnic, urban, religious studies; and beyond New York City. This is definitely a carefully crafted work—that is, un lavoro ben fatto.”</p><p>
Cindy R. Lobel, writing for the Vernacular Architecture Forum’s Buildings and Landscapes journal, is similarly effusive: “Built with Faith makes a fine contribution to the literature on landscape, material culture, immigration, ethnic studies, and urban studies. It offers important information on the kinds of approaches Italian American New Yorkers have taken toward shaping the built environment of New York through their religious and cultural practices. Sciorra documents and offers wonderful thick descriptions of Italian American mat...</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3802</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73378]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT8331473692.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Caitlin DeSilvey, “Curated Decay: Heritage Beyond Saving” (U Minnesota Press, 2017)</title>
      <description>In Curated Decay: Heritage Beyond Saving (University of Minnesota Press, 2017), geographer Caitlin DeSilvey offers a set of alternatives to those who would assign a misplaced solidity to historic buildings and landscapes in order then to “preserve” or “conserve” them. DeSilvey reimagines processes of material decay, which always intermingle natural and cultural landscapes, as more animate, eventful, productive, and worthy of affirmation than prevailing practice would have it. Her narrative wends through Montana, Vermont, Germany’s Ruhr Valley, and numerous English sites, each of them rendered at close range, in lithe, sometimes experimental prose. Through these encounters, and with a remarkably light touch, she thinks in a key recognizable alongside, but never subservient to, many strands of recent geographic thought on the force or vitality of nonhuman matter. Curated Decay is an ethical intervention, too, posing difficult questions about vulnerability, rights, care, repair, maintenance, and how we might better respond to environments as they weather and fragment. Just this week, happily, the book was just awarded the Historic Preservation Book Prize by the Center for Historic Preservation at the University of Mary Washington. It will satisfy a wide and curious readership across diverse domains of theory and practice, and because the lines of questioning it opens are not easily closed down, it will stoke debate for some time to come.



Peter Ekman teaches in the departments of geography at Sonoma State University and the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at psrekman@berkeley.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 04 May 2018 12:40:01 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Curated Decay: Heritage Beyond Saving (University of Minnesota Press, 2017), geographer Caitlin DeSilvey offers a set of alternatives to those who would assign a misplaced solidity to historic buildings and landscapes in order then to “preserve” or ...</itunes:subtitle>
      <itunes:summary>In Curated Decay: Heritage Beyond Saving (University of Minnesota Press, 2017), geographer Caitlin DeSilvey offers a set of alternatives to those who would assign a misplaced solidity to historic buildings and landscapes in order then to “preserve” or “conserve” them. DeSilvey reimagines processes of material decay, which always intermingle natural and cultural landscapes, as more animate, eventful, productive, and worthy of affirmation than prevailing practice would have it. Her narrative wends through Montana, Vermont, Germany’s Ruhr Valley, and numerous English sites, each of them rendered at close range, in lithe, sometimes experimental prose. Through these encounters, and with a remarkably light touch, she thinks in a key recognizable alongside, but never subservient to, many strands of recent geographic thought on the force or vitality of nonhuman matter. Curated Decay is an ethical intervention, too, posing difficult questions about vulnerability, rights, care, repair, maintenance, and how we might better respond to environments as they weather and fragment. Just this week, happily, the book was just awarded the Historic Preservation Book Prize by the Center for Historic Preservation at the University of Mary Washington. It will satisfy a wide and curious readership across diverse domains of theory and practice, and because the lines of questioning it opens are not easily closed down, it will stoke debate for some time to come.



Peter Ekman teaches in the departments of geography at Sonoma State University and the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at psrekman@berkeley.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QjfIbCACwIsDvTgyK6n-_SIAAAFjKyOVIgEAAAFKAeY__1w/http://www.amazon.com/dp/0816694389/ref=as_at?creativeASIN=0816694389&amp;linkCode=w61&amp;imprToken=Bk6sAfntfgVGsrRHMvlUSQ&amp;slotNum=0&amp;tag=newbooinhis-20">Curated Decay: Heritage Beyond Saving </a>(University of Minnesota Press, 2017), geographer <a href="http://www.exeter.ac.uk/esi/people/academicandhonorary/desilvey/">Caitlin DeSilvey</a> offers a set of alternatives to those who would assign a misplaced solidity to historic buildings and landscapes in order then to “preserve” or “conserve” them. DeSilvey reimagines processes of material decay, which always intermingle natural and cultural landscapes, as more animate, eventful, productive, and worthy of affirmation than prevailing practice would have it. Her narrative wends through Montana, Vermont, Germany’s Ruhr Valley, and numerous English sites, each of them rendered at close range, in lithe, sometimes experimental prose. Through these encounters, and with a remarkably light touch, she thinks in a key recognizable alongside, but never subservient to, many strands of recent geographic thought on the force or vitality of nonhuman matter. Curated Decay is an ethical intervention, too, posing difficult questions about vulnerability, rights, care, repair, maintenance, and how we might better respond to environments as they weather and fragment. Just this week, happily, the book was just awarded the Historic Preservation Book Prize by the Center for Historic Preservation at the University of Mary Washington. It will satisfy a wide and curious readership across diverse domains of theory and practice, and because the lines of questioning it opens are not easily closed down, it will stoke debate for some time to come.</p><p>
</p><p>
Peter Ekman teaches in the departments of geography at Sonoma State University and the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at <a href="mailto:psrekman@berkeley.edu">psrekman@berkeley.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3102</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73309]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT8173298672.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aimi Hamraie, “Building Access: Universal Design and the Politics of Disability” (U Minnesota Press, 2017)</title>
      <description>The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book, Building Access: Universal Design and the Politics of Disability (University of Minnesota Press, 2017), Aimi Hamraie takes a “sledgehammer to history” in the spirit of one guerrilla activist group that they track in the archives—among many other people, objects, and historical contexts. Hamraie focuses on work around “access-knowledge”—that is, the forms of expertise that were considered legitimate ways of knowing and responding to disability through design. What has counted as legitimate access-knowledge, Hamraie argues, indicates designers’ goals: Was the aim of design to make productive workers, liberal consumers, or structures that materialized a commitment to spacial belonging? Who were the imagined users and how could new political priorities materialize in worlds already built? Answers to these questions made—and continue to remake—our material world and its frictions.  Hamraie brings their training in feminist epistemology to never-before-accessed archival materials, along with an array of historical images and documents. The result is a persuasive, beautiful, and intrepidly researched book. Building Access torques received wisdom in disability studies, history of science, and architectural design, and models how to attend to research, writing, and publishing as a material practice.

Hamraie is Assistant Professor at Vanderbilt University’s Center for Medicine, Health &amp; Society, and Director of Vanderbilt’s Critical Design Lab.



This interview was a collective effort among Vanderbilt faculty and graduate students in the course New Approaches to STS. For more information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 25 Apr 2018 10:00:07 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book,</itunes:subtitle>
      <itunes:summary>The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book, Building Access: Universal Design and the Politics of Disability (University of Minnesota Press, 2017), Aimi Hamraie takes a “sledgehammer to history” in the spirit of one guerrilla activist group that they track in the archives—among many other people, objects, and historical contexts. Hamraie focuses on work around “access-knowledge”—that is, the forms of expertise that were considered legitimate ways of knowing and responding to disability through design. What has counted as legitimate access-knowledge, Hamraie argues, indicates designers’ goals: Was the aim of design to make productive workers, liberal consumers, or structures that materialized a commitment to spacial belonging? Who were the imagined users and how could new political priorities materialize in worlds already built? Answers to these questions made—and continue to remake—our material world and its frictions.  Hamraie brings their training in feminist epistemology to never-before-accessed archival materials, along with an array of historical images and documents. The result is a persuasive, beautiful, and intrepidly researched book. Building Access torques received wisdom in disability studies, history of science, and architectural design, and models how to attend to research, writing, and publishing as a material practice.

Hamraie is Assistant Professor at Vanderbilt University’s Center for Medicine, Health &amp; Society, and Director of Vanderbilt’s Critical Design Lab.



This interview was a collective effort among Vanderbilt faculty and graduate students in the course New Approaches to STS. For more information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qr8lThPsLbx0QWXMoiFESEwAAAFi93OkRAEAAAFKAUTpOMw/http://www.amazon.com/dp/1517901642/ref=as_at?creativeASIN=1517901642&amp;linkCode=w61&amp;imprToken=e8hfzi.tkQaFHqMO8CQZkw&amp;slotNum=0&amp;tag=newbooinhis-20">Building Access: Universal Design and the Politics of Disability</a> (University of Minnesota Press, 2017), <a href="https://www.vanderbilt.edu/mhs/faculty/aimi-hamraie/">Aimi Hamraie</a> takes a “sledgehammer to history” in the spirit of one guerrilla activist group that they track in the archives—among many other people, objects, and historical contexts. Hamraie focuses on work around “access-knowledge”—that is, the forms of expertise that were considered legitimate ways of knowing and responding to disability through design. What has counted as legitimate access-knowledge, Hamraie argues, indicates designers’ goals: Was the aim of design to make productive workers, liberal consumers, or structures that materialized a commitment to spacial belonging? Who were the imagined users and how could new political priorities materialize in worlds already built? Answers to these questions made—and continue to remake—our material world and its frictions.  Hamraie brings their training in feminist epistemology to never-before-accessed archival materials, along with an array of historical images and documents. The result is a persuasive, beautiful, and intrepidly researched book. Building Access torques received wisdom in disability studies, history of science, and architectural design, and models how to attend to research, writing, and publishing as a material practice.</p><p>
Hamraie is Assistant Professor at Vanderbilt University’s Center for Medicine, Health &amp; Society, and Director of Vanderbilt’s <a href="https://www.mapping-access.com/lab/">Critical Design Lab</a>.</p><p>
</p><p>
This interview was a collective effort among Vanderbilt faculty and graduate students in the course New Approaches to STS. For more information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2652</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73041]]></guid>
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    </item>
    <item>
      <title>Alison B. Hirsch, “City Choreographer: Lawrence Halprin in Urban Renewal America” (U Minnesota Press, 2014)</title>
      <description>Lawrence Halprin, one of the central figures in twentieth-century American landscape architecture, is well known to city-watchers for his work on San Francisco’s Ghirardelli Square, Seattle’s Freeway Park, downtown Portland’s open-space sequence, the FDR Memorial on the National Mall, and the California planned community of Sea Ranch. Less well known is his distinctive, process-based approach to design—his theoretical commitment, on the one hand, to a dynamic “choreography” of bodies moving through space, and, on the other, the visually arresting notational techniques of “scoring” he devised to represent such movement and carry out his projects in consultation with the public. In City Choreographer: Lawrence Halprin in Urban Renewal America (University of Minnesota Press, 2014), Alison Bick Hirsch addresses Halprin’s built work and community workshops in equal measure, pointing up important tensions that his participatory “Take Part Process” never quite extinguished: between manipulation and facilitation, universality and difference, conscious choice and emergent chance. Through Lawrence Halprin and his wife, the modern dancer Anna Halprin, Hirsch opens onto a broader history of postwar landscape and urban design, and onto some of the complicated politics in which proponents and critics of Urban Renewal alike found themselves immersed. Hirsch has written a decisive work that joins the intellectual, social, political, and aesthetic histories of urbanism. Geographers, historians, and urbanists of many stripes will learn from her able analysis.



Peter Ekman teaches in the departments of geography at Sonoma State University and the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at psrekman@berkeley.edu.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 16 Apr 2018 10:00:31 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Lawrence Halprin, one of the central figures in twentieth-century American landscape architecture, is well known to city-watchers for his work on San Francisco’s Ghirardelli Square, Seattle’s Freeway Park, downtown Portland’s open-space sequence,</itunes:subtitle>
      <itunes:summary>Lawrence Halprin, one of the central figures in twentieth-century American landscape architecture, is well known to city-watchers for his work on San Francisco’s Ghirardelli Square, Seattle’s Freeway Park, downtown Portland’s open-space sequence, the FDR Memorial on the National Mall, and the California planned community of Sea Ranch. Less well known is his distinctive, process-based approach to design—his theoretical commitment, on the one hand, to a dynamic “choreography” of bodies moving through space, and, on the other, the visually arresting notational techniques of “scoring” he devised to represent such movement and carry out his projects in consultation with the public. In City Choreographer: Lawrence Halprin in Urban Renewal America (University of Minnesota Press, 2014), Alison Bick Hirsch addresses Halprin’s built work and community workshops in equal measure, pointing up important tensions that his participatory “Take Part Process” never quite extinguished: between manipulation and facilitation, universality and difference, conscious choice and emergent chance. Through Lawrence Halprin and his wife, the modern dancer Anna Halprin, Hirsch opens onto a broader history of postwar landscape and urban design, and onto some of the complicated politics in which proponents and critics of Urban Renewal alike found themselves immersed. Hirsch has written a decisive work that joins the intellectual, social, political, and aesthetic histories of urbanism. Geographers, historians, and urbanists of many stripes will learn from her able analysis.



Peter Ekman teaches in the departments of geography at Sonoma State University and the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at psrekman@berkeley.edu.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Lawrence Halprin, one of the central figures in twentieth-century American landscape architecture, is well known to city-watchers for his work on San Francisco’s Ghirardelli Square, Seattle’s Freeway Park, downtown Portland’s open-space sequence, the FDR Memorial on the National Mall, and the California planned community of Sea Ranch. Less well known is his distinctive, process-based approach to design—his theoretical commitment, on the one hand, to a dynamic “choreography” of bodies moving through space, and, on the other, the visually arresting notational techniques of “scoring” he devised to represent such movement and carry out his projects in consultation with the public. In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QgiCpNTqYQlpvgCc7qjEzWEAAAFixVzymgEAAAFKAatjCew/http://www.amazon.com/dp/0816679797/ref=as_at?creativeASIN=0816679797&amp;linkCode=w61&amp;imprToken=wbhs2uY4ycZR2-1c8nKLnQ&amp;slotNum=0&amp;tag=newbooinhis-20">City Choreographer: Lawrence Halprin in Urban Renewal America</a> (University of Minnesota Press, 2014), <a href="https://arch.usc.edu/faculty/alisonh">Alison Bick Hirsch</a> addresses Halprin’s built work and community workshops in equal measure, pointing up important tensions that his participatory “Take Part Process” never quite extinguished: between manipulation and facilitation, universality and difference, conscious choice and emergent chance. Through Lawrence Halprin and his wife, the modern dancer Anna Halprin, Hirsch opens onto a broader history of postwar landscape and urban design, and onto some of the complicated politics in which proponents and critics of Urban Renewal alike found themselves immersed. Hirsch has written a decisive work that joins the intellectual, social, political, and aesthetic histories of urbanism. Geographers, historians, and urbanists of many stripes will learn from her able analysis.</p><p>
</p><p>
Peter Ekman teaches in the departments of geography at Sonoma State University and the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at <a href="mailto:psrekman@berkeley.edu">psrekman@berkeley.edu</a>.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3746</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=72821]]></guid>
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    </item>
    <item>
      <title>Jo Farb Hernandez, “Singular Spaces: From the Eccentric to the Extraordinary in Spanish Art Environments” (Raw Vision, 2013)</title>
      <description>Singular Spaces: From the Eccentric to the Extraordinary in Spanish Art Environments (Raw Vision, 2013) is an audacious tome. A comprehensive survey of 45 art environments on the Spanish mainland, it weighs just over eight and a half pounds and contains over 1300 color photographs (with over 4000 more plus site plans on the accompanying CD). Its author, Jo Farb Hernandez, is the Director of SPACES, a non-profit focused on art environments around the world. She first became interested in place-based creative constructions when she was an undergraduate in Wisconsin. In her introduction to Singular Spaces, she recounts how this particular book began: she and her husband were in the process of renovating an old farmhouse they’d purchased in Catalonia. They took a short road-trip to explore the area around their new home and chanced upon “the enormous roadside construction of Josep Pujiula I Vila, at that time one of the largest and most idiosyncratic art environments found worldwide” (16). Shortly thereafter Farb Hernandez began documenting Pujiula’s work while writing another book. In the process she came across more and more such endeavors that demanded her attention. Singular Spaces is devoted to those sites and like them, the book is the product of years of labor and dedication.

Singular Spaces features the work of 45 artists, all men. Alongside the photographs and descriptions of the art environments, Farb Hernandez also tells the stories of their creators’ lives, and details the history and development of each project. She also describes the challenges that many of the artists have faced, not least those posed by unhappy neighbors and unsympathetic municipal authorities. In fact, helping the men deal with local adversities has led to Farb Hernandez frequently taking on the role of advocate on behalf of her interlocutors.

A recent review in the Journal of American Folklore described Singular Spaces as “incredibly important for those who are interested in architecture, the politics of place and space, folk art and art in general, art and activism, the psychology of creativity, and relationships between tradition and the individual. Jo Farb Hernandez has written more than a survey of eccentric art spaces. She has opened a door to each artist and space so that they may be explored, analyzed, and, in some cases, loved by any who enjoy such contextual art forms.”



Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 28 Mar 2018 10:00:56 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Singular Spaces: From the Eccentric to the Extraordinary in Spanish Art Environments (Raw Vision, 2013) is an audacious tome. A comprehensive survey of 45 art environments on the Spanish mainland, it weighs just over eight and a half pounds and contain...</itunes:subtitle>
      <itunes:summary>Singular Spaces: From the Eccentric to the Extraordinary in Spanish Art Environments (Raw Vision, 2013) is an audacious tome. A comprehensive survey of 45 art environments on the Spanish mainland, it weighs just over eight and a half pounds and contains over 1300 color photographs (with over 4000 more plus site plans on the accompanying CD). Its author, Jo Farb Hernandez, is the Director of SPACES, a non-profit focused on art environments around the world. She first became interested in place-based creative constructions when she was an undergraduate in Wisconsin. In her introduction to Singular Spaces, she recounts how this particular book began: she and her husband were in the process of renovating an old farmhouse they’d purchased in Catalonia. They took a short road-trip to explore the area around their new home and chanced upon “the enormous roadside construction of Josep Pujiula I Vila, at that time one of the largest and most idiosyncratic art environments found worldwide” (16). Shortly thereafter Farb Hernandez began documenting Pujiula’s work while writing another book. In the process she came across more and more such endeavors that demanded her attention. Singular Spaces is devoted to those sites and like them, the book is the product of years of labor and dedication.

Singular Spaces features the work of 45 artists, all men. Alongside the photographs and descriptions of the art environments, Farb Hernandez also tells the stories of their creators’ lives, and details the history and development of each project. She also describes the challenges that many of the artists have faced, not least those posed by unhappy neighbors and unsympathetic municipal authorities. In fact, helping the men deal with local adversities has led to Farb Hernandez frequently taking on the role of advocate on behalf of her interlocutors.

A recent review in the Journal of American Folklore described Singular Spaces as “incredibly important for those who are interested in architecture, the politics of place and space, folk art and art in general, art and activism, the psychology of creativity, and relationships between tradition and the individual. Jo Farb Hernandez has written more than a survey of eccentric art spaces. She has opened a door to each artist and space so that they may be explored, analyzed, and, in some cases, loved by any who enjoy such contextual art forms.”



Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://aax-us-east.amazon-adsystem.com/x/c/QoPyPXAZXGWPQ-gFvjK-N0wAAAFiYqvREQEAAAFKAdYuJX4/http://www.amazon.com/dp/0615785654/ref=as_at?creativeASIN=0615785654&amp;linkCode=w61&amp;imprToken=8IFWUIWq95wqByIN-nLfsw&amp;slotNum=0&amp;tag=newbooinhis-20">Singular Spaces: From the Eccentric to the Extraordinary in Spanish Art Environments</a> (Raw Vision, 2013) is an audacious tome. A comprehensive survey of 45 art environments on the Spanish mainland, it weighs just over eight and a half pounds and contains over 1300 color photographs (with over 4000 more plus site plans on the accompanying CD). Its author, <a href="https://jofarbhernandez.com">Jo Farb Hernandez</a>, is the Director of SPACES, a non-profit focused on art environments around the world. She first became interested in place-based creative constructions when she was an undergraduate in Wisconsin. In her introduction to Singular Spaces, she recounts how this particular book began: she and her husband were in the process of renovating an old farmhouse they’d purchased in Catalonia. They took a short road-trip to explore the area around their new home and chanced upon “the enormous roadside construction of Josep Pujiula I Vila, at that time one of the largest and most idiosyncratic art environments found worldwide” (16). Shortly thereafter Farb Hernandez began documenting Pujiula’s work while writing another book. In the process she came across more and more such endeavors that demanded her attention. Singular Spaces is devoted to those sites and like them, the book is the product of years of labor and dedication.</p><p>
Singular Spaces features the work of 45 artists, all men. Alongside the photographs and descriptions of the art environments, Farb Hernandez also tells the stories of their creators’ lives, and details the history and development of each project. She also describes the challenges that many of the artists have faced, not least those posed by unhappy neighbors and unsympathetic municipal authorities. In fact, helping the men deal with local adversities has led to Farb Hernandez frequently taking on the role of advocate on behalf of her interlocutors.</p><p>
A recent review in the Journal of American Folklore described Singular Spaces as “incredibly important for those who are interested in architecture, the politics of place and space, folk art and art in general, art and activism, the psychology of creativity, and relationships between tradition and the individual. Jo Farb Hernandez has written more than a survey of eccentric art spaces. She has opened a door to each artist and space so that they may be explored, analyzed, and, in some cases, loved by any who enjoy such contextual art forms.”</p><p>
</p><p>
<a href="http://rachelhopkin.com/">Rachel Hopkin</a> is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3867</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=72220]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT7901223496.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Reston, Jr., “A Rift in the Earth:  Art, Memory and the Fight for a Vietnam War Memorial” (Arcade Publishing, 2017)</title>
      <description>My students don’t remember Vietnam.

That’s hard to believe, for someone born in 1968. But it’s true, nonetheless. High school history courses rarely make it past World War Two. The Cold War and the Berlin Wall are mysteries. And Vietnam, unless someone in their family fought there, is just a country.

But most, if not all, of my students have heard of the Vietnam Memorial. They may not know what or who it commemorates. But they’ve seen it on class trips, or in textbooks. And they universally praise its power and simplicity. So, unless you’re my age, it’s hard to imagine the bitterness and divisions which greeted Maya Lin’s memorial.

In his new book A Rift in the Earth: Art, Memory and the Fight for a Vietnam War Memorial (Arcade Publishing, 2017), James Reston, Jr. retells this story in a way that brings it alive again. Reston brings a journalist’s eye for character and narrative to the book. Several authors have told this tale, but Reston is by far the best at bringing the story to life. Less interested in putting this memorial into the broader context of memorialization in the 1970s, he instead concentrates on retelling the story and on explaining to a modern audience why it matters. And, when you’ve finished the narrative heart of the book, you suddenly learn why the story seems so personal and important to Reston.



Kelly McFall is Professor of History and Director of the Honors Program at Newman University. He’s the author of four modules in the Reacting to the Pastseries, including The Needs of Others: Human Rights, International Organizations and Intervention in Rwanda,1994.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 07 Mar 2018 11:00:20 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>My students don’t remember Vietnam. That’s hard to believe, for someone born in 1968. But it’s true, nonetheless. High school history courses rarely make it past World War Two. The Cold War and the Berlin Wall are mysteries. And Vietnam,</itunes:subtitle>
      <itunes:summary>My students don’t remember Vietnam.

That’s hard to believe, for someone born in 1968. But it’s true, nonetheless. High school history courses rarely make it past World War Two. The Cold War and the Berlin Wall are mysteries. And Vietnam, unless someone in their family fought there, is just a country.

But most, if not all, of my students have heard of the Vietnam Memorial. They may not know what or who it commemorates. But they’ve seen it on class trips, or in textbooks. And they universally praise its power and simplicity. So, unless you’re my age, it’s hard to imagine the bitterness and divisions which greeted Maya Lin’s memorial.

In his new book A Rift in the Earth: Art, Memory and the Fight for a Vietnam War Memorial (Arcade Publishing, 2017), James Reston, Jr. retells this story in a way that brings it alive again. Reston brings a journalist’s eye for character and narrative to the book. Several authors have told this tale, but Reston is by far the best at bringing the story to life. Less interested in putting this memorial into the broader context of memorialization in the 1970s, he instead concentrates on retelling the story and on explaining to a modern audience why it matters. And, when you’ve finished the narrative heart of the book, you suddenly learn why the story seems so personal and important to Reston.



Kelly McFall is Professor of History and Director of the Honors Program at Newman University. He’s the author of four modules in the Reacting to the Pastseries, including The Needs of Others: Human Rights, International Organizations and Intervention in Rwanda,1994.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>My students don’t remember Vietnam.</p><p>
That’s hard to believe, for someone born in 1968. But it’s true, nonetheless. High school history courses rarely make it past World War Two. The Cold War and the Berlin Wall are mysteries. And Vietnam, unless someone in their family fought there, is just a country.</p><p>
But most, if not all, of my students have heard of the Vietnam Memorial. They may not know what or who it commemorates. But they’ve seen it on class trips, or in textbooks. And they universally praise its power and simplicity. So, unless you’re my age, it’s hard to imagine the bitterness and divisions which greeted Maya Lin’s memorial.</p><p>
In his new book <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qv-_OcdtNxBAqGM3KTpJsn8AAAFh_b6b4AEAAAFKAfPJyM8/http://www.amazon.com/dp/1628728566/ref=as_at?creativeASIN=1628728566&amp;linkCode=w61&amp;imprToken=q3EhBXlED-ztkss3wpT1Sw&amp;slotNum=0&amp;tag=newbooinhis-20">A Rift in the Earth: Art, Memory and the Fight for a Vietnam War Memorial</a> (Arcade Publishing, 2017), <a href="http://www.restonbooks.com/">James Reston, Jr.</a> retells this story in a way that brings it alive again. Reston brings a journalist’s eye for character and narrative to the book. Several authors have told this tale, but Reston is by far the best at bringing the story to life. Less interested in putting this memorial into the broader context of memorialization in the 1970s, he instead concentrates on retelling the story and on explaining to a modern audience why it matters. And, when you’ve finished the narrative heart of the book, you suddenly learn why the story seems so personal and important to Reston.</p><p>
</p><p>
<a href="https://newmanu.edu/directory?search=Kelly%20McFall&amp;hidedetails=false">Kelly McFall</a> is Professor of History and Director of the Honors Program at Newman University. He’s the author of four modules in the Reacting to the Pastseries, including The Needs of Others: Human Rights, International Organizations and Intervention in Rwanda,1994.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3554</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=71401]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT4515414143.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Molly Wright Steenson, “Architectural Intelligence: How Designers and Architects Created the Digital Landscape” (MIT Press, 2017)</title>
      <description>For most people the field of architecture is not what they think about when discussing artificial intelligence as we describe it today. Yet, architects are a part of the historic foundations of what we call the Internet and now AI. In her new book, Architectural Intelligence: How Designers and Architects Created the Digital Landscape (MIT, 2017), Carnegie Mellon associate professor Molly Wright Steenson, considers four of these designers: Christopher Alexander, Richard Saul Wurman, Cedric Price, and Nicholas Negroponte, to examine how they included elements of interactivity in their projects. In so doing she illuminates how their work influences today’s technology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 27 Feb 2018 11:00:40 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>For most people the field of architecture is not what they think about when discussing artificial intelligence as we describe it today. Yet, architects are a part of the historic foundations of what we call the Internet and now AI. In her new book,</itunes:subtitle>
      <itunes:summary>For most people the field of architecture is not what they think about when discussing artificial intelligence as we describe it today. Yet, architects are a part of the historic foundations of what we call the Internet and now AI. In her new book, Architectural Intelligence: How Designers and Architects Created the Digital Landscape (MIT, 2017), Carnegie Mellon associate professor Molly Wright Steenson, considers four of these designers: Christopher Alexander, Richard Saul Wurman, Cedric Price, and Nicholas Negroponte, to examine how they included elements of interactivity in their projects. In so doing she illuminates how their work influences today’s technology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For most people the field of architecture is not what they think about when discussing artificial intelligence as we describe it today. Yet, architects are a part of the historic foundations of what we call the Internet and now AI. In her new book, <a href="https://mitpress.mit.edu/books/architectural-intelligence">Architectural Intelligence: How Designers and Architects Created the Digital Landscape</a> (MIT, 2017), Carnegie Mellon associate professor <a href="http://www.girlwonder.com/">Molly Wright Steenson</a>, considers four of these designers: Christopher Alexander, Richard Saul Wurman, Cedric Price, and Nicholas Negroponte, to examine how they included elements of interactivity in their projects. In so doing she illuminates how their work influences today’s technology.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1491</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=71144]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT8520123257.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jason Herbeck, “Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean” (Liverpool UP, 2017)</title>
      <description>What do gingerbread houses in Haiti teach us about the construction of identity in the French Caribbean? How do hurricanes and earthquakes reveal the connections between the tangible built environment and intangible notions of identity? Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean (Liverpool University Press, 2017) examines these questions in a rich body of works from Haiti, Guadeloupe and Martinique. The book proposes two key concepts to aid in our understanding of Caribbean writers’ construction of identity in their literary works. The term “architexture” asks readers to be attentive to the building blocks of the text and the inner workings of literary works that reflect on themselves and reach out beyond their own pages to be in conversation with other writers, other texts, other stories. Authenticity underscores the ever-present specter of the colonial past and the possibilities for drawing on multiple influences (or in Herbeck’s terminology, using multiple building materials) to construct a unique and original Caribbean identity. Drawing on a range of writers including Maryse Conde, Daniel Maximin and Yanick Lahens, this book steps back from a narrow view of the finished edifice and takes in the scaffolding and mortar that holds these narratives together.

Jason Herbeck is Professor of French at Boise State University. His research focuses primarily on evolving narrative forms in twentieth and twenty-first-century French and French-Caribbean literatures, and how these forms relate to expressions and constructions of identity. In addition to many articles and book chapters devoted to the literatures and histories of Haiti, Martinique and Guadeloupe, he has also published widely on Albert Camus and is, since 2009, President of the North American Section of the Societe des Etudes Camusiennes.



Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 23 Jan 2018 13:54:02 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What do gingerbread houses in Haiti teach us about the construction of identity in the French Caribbean? How do hurricanes and earthquakes reveal the connections between the tangible built environment and intangible notions of identity?</itunes:subtitle>
      <itunes:summary>What do gingerbread houses in Haiti teach us about the construction of identity in the French Caribbean? How do hurricanes and earthquakes reveal the connections between the tangible built environment and intangible notions of identity? Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean (Liverpool University Press, 2017) examines these questions in a rich body of works from Haiti, Guadeloupe and Martinique. The book proposes two key concepts to aid in our understanding of Caribbean writers’ construction of identity in their literary works. The term “architexture” asks readers to be attentive to the building blocks of the text and the inner workings of literary works that reflect on themselves and reach out beyond their own pages to be in conversation with other writers, other texts, other stories. Authenticity underscores the ever-present specter of the colonial past and the possibilities for drawing on multiple influences (or in Herbeck’s terminology, using multiple building materials) to construct a unique and original Caribbean identity. Drawing on a range of writers including Maryse Conde, Daniel Maximin and Yanick Lahens, this book steps back from a narrow view of the finished edifice and takes in the scaffolding and mortar that holds these narratives together.

Jason Herbeck is Professor of French at Boise State University. His research focuses primarily on evolving narrative forms in twentieth and twenty-first-century French and French-Caribbean literatures, and how these forms relate to expressions and constructions of identity. In addition to many articles and book chapters devoted to the literatures and histories of Haiti, Martinique and Guadeloupe, he has also published widely on Albert Camus and is, since 2009, President of the North American Section of the Societe des Etudes Camusiennes.



Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What do gingerbread houses in Haiti teach us about the construction of identity in the French Caribbean? How do hurricanes and earthquakes reveal the connections between the tangible built environment and intangible notions of identity? <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qok7o4QOMZGP8lY2IaPuJsIAAAFhIzRlnAEAAAFKATR3pZo/http://www.amazon.com/dp/1786940396/ref=as_at?creativeASIN=1786940396&amp;linkCode=w61&amp;imprToken=IWFmfXl.CFFxrJ5LEIWFSA&amp;slotNum=0&amp;tag=newbooinhis-20">Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean</a> (Liverpool University Press, 2017) examines these questions in a rich body of works from Haiti, Guadeloupe and Martinique. The book proposes two key concepts to aid in our understanding of Caribbean writers’ construction of identity in their literary works. The term “architexture” asks readers to be attentive to the building blocks of the text and the inner workings of literary works that reflect on themselves and reach out beyond their own pages to be in conversation with other writers, other texts, other stories. Authenticity underscores the ever-present specter of the colonial past and the possibilities for drawing on multiple influences (or in Herbeck’s terminology, using multiple building materials) to construct a unique and original Caribbean identity. Drawing on a range of writers including Maryse Conde, Daniel Maximin and Yanick Lahens, this book steps back from a narrow view of the finished edifice and takes in the scaffolding and mortar that holds these narratives together.</p><p>
<a href="https://worldlang.boisestate.edu/jason-herbeck/">Jason Herbeck</a> is Professor of French at Boise State University. His research focuses primarily on evolving narrative forms in twentieth and twenty-first-century French and French-Caribbean literatures, and how these forms relate to expressions and constructions of identity. In addition to many articles and book chapters devoted to the literatures and histories of Haiti, Martinique and Guadeloupe, he has also published widely on Albert Camus and is, since 2009, President of the North American Section of the Societe des Etudes Camusiennes.</p><p>
</p><p>
<a href="http://www.annettejosephgabriel.com">Annette Joseph-Gabriel</a> is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2653</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=70020]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT6293218181.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Liss C. Werner, “Cybernetics: State of the Art” (Tech Uni of Berlin Press, 2017)</title>
      <description>It’s no secret that we continue to live in the midst of digital revolution that continues to unfold in a rapidly accelerating fashion. Digital connectivity and the Internet of Things make possible not only Smart Homes, but Smart Cities. As with all technological revolutions, the road ahead is equally dotted with possibilities and pitfalls. Liss C. Werner and her colleagues brought together a collection of thinkers and practitioners in the realms of architecture, design, and urban planning to wrestle with questions around ways we might utilize today’s digital design tools to enable more responsive, resilient, and ultimately, inclusive and democratic forms of urban design and governance without tipping the balance over to a technocratic project that might imprison us within its algorithmic logics. All of the contributors to this discussion share the hope that the insights of second-order cybernetics might provide valuable guidance as we attempt to find that particular “sweet-spot” of human/machine interaction. Their insights are gathered together in Cybernetics: State of the Art edited by our guest, Liss C. Werner, and available free online from the Technical University of Berlin. As editor, Werner has skillfully crafted a dialectic arc that allows the productive tensions between digital utopianism and skepticism enabling a provocative investigation of the revolution that is happening whether we like it or not, and might help us find the means to steer its emergence in ways that are most beneficial for all of us and our environment.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 09 Jan 2018 15:43:02 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>It’s no secret that we continue to live in the midst of digital revolution that continues to unfold in a rapidly accelerating fashion. Digital connectivity and the Internet of Things make possible not only Smart Homes, but Smart Cities.</itunes:subtitle>
      <itunes:summary>It’s no secret that we continue to live in the midst of digital revolution that continues to unfold in a rapidly accelerating fashion. Digital connectivity and the Internet of Things make possible not only Smart Homes, but Smart Cities. As with all technological revolutions, the road ahead is equally dotted with possibilities and pitfalls. Liss C. Werner and her colleagues brought together a collection of thinkers and practitioners in the realms of architecture, design, and urban planning to wrestle with questions around ways we might utilize today’s digital design tools to enable more responsive, resilient, and ultimately, inclusive and democratic forms of urban design and governance without tipping the balance over to a technocratic project that might imprison us within its algorithmic logics. All of the contributors to this discussion share the hope that the insights of second-order cybernetics might provide valuable guidance as we attempt to find that particular “sweet-spot” of human/machine interaction. Their insights are gathered together in Cybernetics: State of the Art edited by our guest, Liss C. Werner, and available free online from the Technical University of Berlin. As editor, Werner has skillfully crafted a dialectic arc that allows the productive tensions between digital utopianism and skepticism enabling a provocative investigation of the revolution that is happening whether we like it or not, and might help us find the means to steer its emergence in ways that are most beneficial for all of us and our environment.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.researchgate.net/publication/320843914_Cybernetics_state_of_the_art"></a>It’s no secret that we continue to live in the midst of digital revolution that continues to unfold in a rapidly accelerating fashion. Digital connectivity and the Internet of Things make possible not only Smart Homes, but Smart Cities. As with all technological revolutions, the road ahead is equally dotted with possibilities and pitfalls. <a href="https://www.researchgate.net/profile/Liss_Werner">Liss C. Werner</a> and her colleagues brought together a collection of thinkers and practitioners in the realms of architecture, design, and urban planning to wrestle with questions around ways we might utilize today’s digital design tools to enable more responsive, resilient, and ultimately, inclusive and democratic forms of urban design and governance without tipping the balance over to a technocratic project that might imprison us within its algorithmic logics. All of the contributors to this discussion share the hope that the insights of second-order cybernetics might provide valuable guidance as we attempt to find that particular “sweet-spot” of human/machine interaction. Their insights are gathered together in Cybernetics: State of the Art edited by our guest, Liss C. Werner, and <a href="https://depositonce.tu-berlin.de/bitstream/11303/6680/3/cybernetics_state_of_the_art_2017.pdf">available free online from the Technical University of Berlin</a>. As editor, Werner has skillfully crafted a dialectic arc that allows the productive tensions between digital utopianism and skepticism enabling a provocative investigation of the revolution that is happening whether we like it or not, and might help us find the means to steer its emergence in ways that are most beneficial for all of us and our environment.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4604</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=69619]]></guid>
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    </item>
    <item>
      <title>Mike Wallace, “Greater Gotham: A History of New York City from 1898-1919” (Oxford UP, 2017)</title>
      <description>In 1898, a new metropolis emerged from the consolidation of New York City with East Bronx, Brooklyn, Staten Island and the western part of Queens County. In Greater Gotham: A History of New York City from 1898 to 1919 (Oxford University Press, 2017), Mike Wallace describes the first two decades of this city’s expanded history, a period in which it led and embodied the developments that were taking place nationally. As he explains, consolidation was a trend throughout America during this era. Big business was at the forefront of this, as Wall Street provided the financing necessary for numerous industries to form dominant corporate combinations through mergers and takeovers. The enormous wealth controlled by these titans was prominent throughout the city, both in the new skyscrapers rising to dominate the city’s skyline and in the cultural and educational institutions that flourished with infusions of their capital. Similar mergers took place in many sectors and aspects of city life, from entertainment to labor, with even the criminal underworld consolidating in a reflection of the times. Wallace’s book chronicles all of this, as well as the developments in the many communities of a richly diverse city that during these years experienced dramatic growth and changes wrought by a global war.
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      <pubDate>Wed, 22 Nov 2017 16:34:48 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In 1898, a new metropolis emerged from the consolidation of New York City with East Bronx, Brooklyn, Staten Island and the western part of Queens County. In Greater Gotham: A History of New York City from 1898 to 1919 (Oxford University Press, 2017),</itunes:subtitle>
      <itunes:summary>In 1898, a new metropolis emerged from the consolidation of New York City with East Bronx, Brooklyn, Staten Island and the western part of Queens County. In Greater Gotham: A History of New York City from 1898 to 1919 (Oxford University Press, 2017), Mike Wallace describes the first two decades of this city’s expanded history, a period in which it led and embodied the developments that were taking place nationally. As he explains, consolidation was a trend throughout America during this era. Big business was at the forefront of this, as Wall Street provided the financing necessary for numerous industries to form dominant corporate combinations through mergers and takeovers. The enormous wealth controlled by these titans was prominent throughout the city, both in the new skyscrapers rising to dominate the city’s skyline and in the cultural and educational institutions that flourished with infusions of their capital. Similar mergers took place in many sectors and aspects of city life, from entertainment to labor, with even the criminal underworld consolidating in a reflection of the times. Wallace’s book chronicles all of this, as well as the developments in the many communities of a richly diverse city that during these years experienced dramatic growth and changes wrought by a global war.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1898, a new metropolis emerged from the consolidation of New York City with East Bronx, Brooklyn, Staten Island and the western part of Queens County. In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QvKEHaGXZvifDngbr7cPB_kAAAFfhAq0qAEAAAFKAeK143k/http://www.amazon.com/dp/0195116356/ref=as_at?creativeASIN=0195116356&amp;linkCode=w61&amp;imprToken=cd9Jue2Ti1lj7XO.eVDUAQ&amp;slotNum=0&amp;tag=newbooinhis-20">Greater Gotham: A History of New York City from 1898 to 1919</a> (<a href="https://global.oup.com/academic/product/greater-gotham-9780195116359?cc=us&amp;lang=en&amp;">Oxford University Press</a>, 2017), <a href="https://www.jjay.cuny.edu/faculty/mike-wallace">Mike Wallace</a> describes the first two decades of this city’s expanded history, a period in which it led and embodied the developments that were taking place nationally. As he explains, consolidation was a trend throughout America during this era. Big business was at the forefront of this, as Wall Street provided the financing necessary for numerous industries to form dominant corporate combinations through mergers and takeovers. The enormous wealth controlled by these titans was prominent throughout the city, both in the new skyscrapers rising to dominate the city’s skyline and in the cultural and educational institutions that flourished with infusions of their capital. Similar mergers took place in many sectors and aspects of city life, from entertainment to labor, with even the criminal underworld consolidating in a reflection of the times. Wallace’s book chronicles all of this, as well as the developments in the many communities of a richly diverse city that during these years experienced dramatic growth and changes wrought by a global war.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3022</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68166]]></guid>
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    </item>
    <item>
      <title>Bruce R. Berglund, “Castle and Cathedral in Modern Prague” (CEU Press, 2017)</title>
      <description>As Bruce R. Berglund, points out in his terrific book Castle and Cathedral in Modern Prague: Longing for the Sacred in a Skeptical Age (CEU Press, 2017), the Czech Republic is an odd place, religion-wise. It’s among the most secular in the world, yet Czechs have a long tradition of believing in “Something.” They even have a thing called “Somethingism.” Just what that Something is and what that Something means for Czechs to do, of course, is and long has been the subject of debate. Bruce takes us into the heart of that debate in the interwar period, a time of great intellectual ferment and creativity in what was then Czechoslovakia. It turns out Czech intellectuals (Masaryk being the foremost of them) wanted the Czechs the be guided by Something in all their affairs. Bruce does a great job of telling us why and how.
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      <pubDate>Thu, 09 Nov 2017 13:23:12 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>As Bruce R. Berglund, points out in his terrific book Castle and Cathedral in Modern Prague: Longing for the Sacred in a Skeptical Age (CEU Press, 2017), the Czech Republic is an odd place, religion-wise. It’s among the most secular in the world,</itunes:subtitle>
      <itunes:summary>As Bruce R. Berglund, points out in his terrific book Castle and Cathedral in Modern Prague: Longing for the Sacred in a Skeptical Age (CEU Press, 2017), the Czech Republic is an odd place, religion-wise. It’s among the most secular in the world, yet Czechs have a long tradition of believing in “Something.” They even have a thing called “Somethingism.” Just what that Something is and what that Something means for Czechs to do, of course, is and long has been the subject of debate. Bruce takes us into the heart of that debate in the interwar period, a time of great intellectual ferment and creativity in what was then Czechoslovakia. It turns out Czech intellectuals (Masaryk being the foremost of them) wanted the Czechs the be guided by Something in all their affairs. Bruce does a great job of telling us why and how.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As <a href="https://calvin.edu/directory/people/bruce-berglund">Bruce R. Berglund</a>, points out in his terrific book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QknydNeybOofTW2xOpfzS2EAAAFfFbtwggEAAAFKAZN2rkQ/http://www.amazon.com/dp/9633861578/ref=as_at?creativeASIN=9633861578&amp;linkCode=w61&amp;imprToken=zKPSkfats85wWjA8x57E9Q&amp;slotNum=0&amp;tag=newbooinhis-20">Castle and Cathedral in Modern Prague: Longing for the Sacred in a Skeptical Age</a> (<a href="http://www.ceupress.com/books/html/Castle_and_Cathedral.htm">CEU Press</a>, 2017), the Czech Republic is an odd place, religion-wise. It’s among the most secular in the world, yet Czechs have a long tradition of believing in “Something.” They even have a thing called “Somethingism.” Just what that Something is and what that Something means for Czechs to do, of course, is and long has been the subject of debate. Bruce takes us into the heart of that debate in the interwar period, a time of great intellectual ferment and creativity in what was then Czechoslovakia. It turns out Czech intellectuals (Masaryk being the foremost of them) wanted the Czechs the be guided by Something in all their affairs. Bruce does a great job of telling us why and how.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3686</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67562]]></guid>
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    </item>
    <item>
      <title>Jeffrey Kidder, “Parkour and the City: Risk, Masculinity, and Meaning in a Postmodern Sport” (Rutgers UP, 2017)</title>
      <description>The meaning assigned to architecture is complex and varied. Urban architecture is often stripped of meaning when people abandon the neighborhoods or are absent of meaning at the time of their inception. This leaves the people who inhabit the terrain to assign their own meaning to the architecture. Jeffrey Kidder, the author of Parkour and the City: Risk, Masculinity, and Meaning in a Postmodern Sport (Rutgers University Press, 2017) and my guest for this episode, observed the way traceurs in Chicago, Illinois use urban architecture to express masculinity and risk-taking in their performance of parkour. In our interview, we discuss how this study was shaped from his past observations of message carriers, as well as topics such as the impact that history has on the development of parkour in nations around the world, the perception that traceurs have on hyper-masculine males who are viewed as dangerous when performing parkour, and the difference between risk-taking behavior and thrill-seeking behavior. We also learn about his thoughts on the current environment of risk-taking in lifestyle sports and how these sports are different from competitive (or team) sports.

Jeffrey Kidder, Ph.D. is an associate professor of sociology at Northern Illinois University in DeKalb, Illinois. Dr. Kidder has focused his research and teaching pursuits on the intersection of cultural sociology and urban sociology. He is currently on a one year sabbatical in Colorado where he is continuing his research on risk-taking behavior and lifestyle sports—this time observing skiers, snowboarders, mountain bikers, climbers, etc.



Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is a graduate of the public policy and public administration program at Walden University. His most recent paper, to be presented at the upcoming American Society for Environmental History conference, is titled “Down Lover’s Lane: A Brief History of Necking in Cars.” You can learn more about Johnston’s work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 26 Oct 2017 20:42:48 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The meaning assigned to architecture is complex and varied. Urban architecture is often stripped of meaning when people abandon the neighborhoods or are absent of meaning at the time of their inception. This leaves the people who inhabit the terrain to...</itunes:subtitle>
      <itunes:summary>The meaning assigned to architecture is complex and varied. Urban architecture is often stripped of meaning when people abandon the neighborhoods or are absent of meaning at the time of their inception. This leaves the people who inhabit the terrain to assign their own meaning to the architecture. Jeffrey Kidder, the author of Parkour and the City: Risk, Masculinity, and Meaning in a Postmodern Sport (Rutgers University Press, 2017) and my guest for this episode, observed the way traceurs in Chicago, Illinois use urban architecture to express masculinity and risk-taking in their performance of parkour. In our interview, we discuss how this study was shaped from his past observations of message carriers, as well as topics such as the impact that history has on the development of parkour in nations around the world, the perception that traceurs have on hyper-masculine males who are viewed as dangerous when performing parkour, and the difference between risk-taking behavior and thrill-seeking behavior. We also learn about his thoughts on the current environment of risk-taking in lifestyle sports and how these sports are different from competitive (or team) sports.

Jeffrey Kidder, Ph.D. is an associate professor of sociology at Northern Illinois University in DeKalb, Illinois. Dr. Kidder has focused his research and teaching pursuits on the intersection of cultural sociology and urban sociology. He is currently on a one year sabbatical in Colorado where he is continuing his research on risk-taking behavior and lifestyle sports—this time observing skiers, snowboarders, mountain bikers, climbers, etc.



Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is a graduate of the public policy and public administration program at Walden University. His most recent paper, to be presented at the upcoming American Society for Environmental History conference, is titled “Down Lover’s Lane: A Brief History of Necking in Cars.” You can learn more about Johnston’s work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The meaning assigned to architecture is complex and varied. Urban architecture is often stripped of meaning when people abandon the neighborhoods or are absent of meaning at the time of their inception. This leaves the people who inhabit the terrain to assign their own meaning to the architecture. Jeffrey Kidder, the author of <a href="http://aax-us-east.amazon-adsystem.com/x/c/QuN9wL9vMymzlXUHn3oApwEAAAFfWSNUaAEAAAFKAULymfU/http://www.amazon.com/dp/0813571952/ref=as_at?creativeASIN=0813571952&amp;linkCode=w61&amp;imprToken=FIY6YtNC1sQ4yEny2hXieg&amp;slotNum=0&amp;tag=newbooinhis-20">Parkour and the City: Risk, Masculinity, and Meaning in a Postmodern Sport </a>(<a href="https://www.rutgersuniversitypress.org/parkour-and-the-city/9780813571959">Rutgers University Press</a>, 2017) and my guest for this episode, observed the way traceurs in Chicago, Illinois use urban architecture to express masculinity and risk-taking in their performance of parkour. In our interview, we discuss how this study was shaped from his past observations of message carriers, as well as topics such as the impact that history has on the development of parkour in nations around the world, the perception that traceurs have on hyper-masculine males who are viewed as dangerous when performing parkour, and the difference between risk-taking behavior and thrill-seeking behavior. We also learn about his thoughts on the current environment of risk-taking in lifestyle sports and how these sports are different from competitive (or team) sports.</p><p>
<a href="http://www.niu.edu/sociology/faculty/staffdirectory/kidder.shtml">Jeffrey Kidder, Ph.D.</a> is an associate professor of sociology at Northern Illinois University in DeKalb, Illinois. Dr. Kidder has focused his research and teaching pursuits on the intersection of cultural sociology and urban sociology. He is currently on a one year sabbatical in Colorado where he is continuing his research on risk-taking behavior and lifestyle sports—this time observing skiers, snowboarders, mountain bikers, climbers, etc.</p><p>
</p><p>
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is a graduate of the public policy and public administration program at Walden University. His most recent paper, to be presented at the upcoming American Society for Environmental History conference, is titled “Down Lover’s Lane: A Brief History of Necking in Cars.” You can learn more about Johnston’s work <a href="http://profjohnston.weebly.com/">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2751</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67903]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT7870814784.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jamin Creed Rowan, “The Sociable City: An American Intellectual Tradition” (U. Penn Press, 2017)</title>
      <description>Jamin Creed Rowan is an assistant professor of English and American Studies at Brigham Young University. His book The Sociable City: An American Intellectual Tradition (University of Pennsylvania Press, 2017) offers a history of how American intellectuals and planners thought about urban relationships shaping modern cities. He traces how cities’ physical landscape changed as ideas about the nature of their social life were reconceived. Beginning with Frederick Law Olmsted in the nineteenth century who expressed anxiety over the erosion of social sympathy, to the progressive era’s deployment of the family ideal for urban friendships, to mid-century models that saw these relationships as part of and analogous to an ecological system. Along the way he examines the thought of Jane Addams, W.E.B. Du Bois, the journalists at the New Yorker, Rachel Carson and Jane Jacobs and the disruptive force of urban renewal projects. Rowan provides the reader with a new way to value “sociable fellow-feelings” in the midst of the diversity and the rapid change of today’s cities.



Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation is forthcoming from Oxford University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 14 Sep 2017 10:00:54 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jamin Creed Rowan is an assistant professor of English and American Studies at Brigham Young University. His book The Sociable City: An American Intellectual Tradition (University of Pennsylvania Press, 2017) offers a history of how American intellectu...</itunes:subtitle>
      <itunes:summary>Jamin Creed Rowan is an assistant professor of English and American Studies at Brigham Young University. His book The Sociable City: An American Intellectual Tradition (University of Pennsylvania Press, 2017) offers a history of how American intellectuals and planners thought about urban relationships shaping modern cities. He traces how cities’ physical landscape changed as ideas about the nature of their social life were reconceived. Beginning with Frederick Law Olmsted in the nineteenth century who expressed anxiety over the erosion of social sympathy, to the progressive era’s deployment of the family ideal for urban friendships, to mid-century models that saw these relationships as part of and analogous to an ecological system. Along the way he examines the thought of Jane Addams, W.E.B. Du Bois, the journalists at the New Yorker, Rachel Carson and Jane Jacobs and the disruptive force of urban renewal projects. Rowan provides the reader with a new way to value “sociable fellow-feelings” in the midst of the diversity and the rapid change of today’s cities.



Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation is forthcoming from Oxford University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://humanities.byu.edu/jamin-creed-rowan/">Jamin Creed Rowan</a> is an assistant professor of English and American Studies at Brigham Young University. His book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QvMId6Vk7x6nUMFXh27tdi0AAAFefSryHwEAAAFKAdIolws/http://www.amazon.com/dp/0812249291/ref=as_at?creativeASIN=0812249291&amp;linkCode=w61&amp;imprToken=fHRM8177R-PkroAAGorgvw&amp;slotNum=0&amp;tag=newbooinhis-20">The Sociable City: An American Intellectual Tradition</a> (<a href="http://www.upenn.edu/pennpress/book/15629.html">University of Pennsylvania Press</a>, 2017) offers a history of how American intellectuals and planners thought about urban relationships shaping modern cities. He traces how cities’ physical landscape changed as ideas about the nature of their social life were reconceived. Beginning with Frederick Law Olmsted in the nineteenth century who expressed anxiety over the erosion of social sympathy, to the progressive era’s deployment of the family ideal for urban friendships, to mid-century models that saw these relationships as part of and analogous to an ecological system. Along the way he examines the thought of Jane Addams, W.E.B. Du Bois, the journalists at the New Yorker, Rachel Carson and Jane Jacobs and the disruptive force of urban renewal projects. Rowan provides the reader with a new way to value “sociable fellow-feelings” in the midst of the diversity and the rapid change of today’s cities.</p><p>
</p><p>
Lilian Calles Barger, <a href="http://www.lilianbarger.com">www.lilianbarger.com</a>, is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation is forthcoming from Oxford University Press.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3413</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67199]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT8056188964.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alexia Yates, “Selling Paris: Property and Commercial Culture in the Fin-de-siecle Capital” (Harvard UP, 2015)</title>
      <description>What comes to mind when you think of Paris in the nineteenth century? For me, its revolutionary politics, the circulation of increasing numbers of people and goods, a range of spectacular cultural displays and amusements, an emergent urban modernity including a host of negotiations between social classes, public and private, men and women, citizens and the state. And if I had to name one historical figure to stand for the transformation of the nineteenth-century capital? Haussmann. Hands down.

Alexia Yates‘s book, Selling Paris: Property and Commercial Culture in the Fin-de-siecle Capital (Harvard UP, 2015), opened my eyes to a whole other world of everyday urbanism and historical actors in the city during the first decades of the Third Republic. Acknowledging the undeniable impact of Haussmann and Haussmannization on the city that Paris became under and after the Second Empire, Selling Paris considers the activities, interests, and effects of a host of other figures who shaped the city’s property relations and commercial culture from the early years of the Third Republic to the First World War. In the books chapters, readers will find a social history of the business of French building during this period, from planning and production to use. Focused on the architects, private developers, municipal authorities, speculators, real estate agents, notaries, property owners, and tenants whose interactions and negotiations influenced the form, representation, and experience of Parisian real estate in purposeful ways, the book makes significant contributions to our understanding of the history of the capital and capitalism in France.



 Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of French culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. 

*The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 12 Jul 2017 21:56:14 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What comes to mind when you think of Paris in the nineteenth century? For me, its revolutionary politics, the circulation of increasing numbers of people and goods, a range of spectacular cultural displays and amusements,</itunes:subtitle>
      <itunes:summary>What comes to mind when you think of Paris in the nineteenth century? For me, its revolutionary politics, the circulation of increasing numbers of people and goods, a range of spectacular cultural displays and amusements, an emergent urban modernity including a host of negotiations between social classes, public and private, men and women, citizens and the state. And if I had to name one historical figure to stand for the transformation of the nineteenth-century capital? Haussmann. Hands down.

Alexia Yates‘s book, Selling Paris: Property and Commercial Culture in the Fin-de-siecle Capital (Harvard UP, 2015), opened my eyes to a whole other world of everyday urbanism and historical actors in the city during the first decades of the Third Republic. Acknowledging the undeniable impact of Haussmann and Haussmannization on the city that Paris became under and after the Second Empire, Selling Paris considers the activities, interests, and effects of a host of other figures who shaped the city’s property relations and commercial culture from the early years of the Third Republic to the First World War. In the books chapters, readers will find a social history of the business of French building during this period, from planning and production to use. Focused on the architects, private developers, municipal authorities, speculators, real estate agents, notaries, property owners, and tenants whose interactions and negotiations influenced the form, representation, and experience of Parisian real estate in purposeful ways, the book makes significant contributions to our understanding of the history of the capital and capitalism in France.



 Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of French culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. 

*The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What comes to mind when you think of Paris in the nineteenth century? For me, its revolutionary politics, the circulation of increasing numbers of people and goods, a range of spectacular cultural displays and amusements, an emergent urban modernity including a host of negotiations between social classes, public and private, men and women, citizens and the state. And if I had to name one historical figure to stand for the transformation of the nineteenth-century capital? Haussmann. Hands down.</p><p>
<a href="https://www.research.manchester.ac.uk/portal/alexia.yates.html">Alexia Yates</a>‘s book, <a href="http://www.amazon.com/dp/0674088212/?tag=newbooinhis-20">Selling Paris: Property and Commercial Culture in the Fin-de-siecle</a> Capital (Harvard UP, 2015), opened my eyes to a whole other world of everyday urbanism and historical actors in the city during the first decades of the Third Republic. Acknowledging the undeniable impact of Haussmann and Haussmannization on the city that Paris became under and after the Second Empire, Selling Paris considers the activities, interests, and effects of a host of other figures who shaped the city’s property relations and commercial culture from the early years of the Third Republic to the First World War. In the books chapters, readers will find a social history of the business of French building during this period, from planning and production to use. Focused on the architects, private developers, municipal authorities, speculators, real estate agents, notaries, property owners, and tenants whose interactions and negotiations influenced the form, representation, and experience of Parisian real estate in purposeful ways, the book makes significant contributions to our understanding of the history of the capital and capitalism in France.</p><p>
</p><p>
 Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of French culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: <a href="mailto:panchasi@sfu.ca">panchasi@sfu.ca</a>. </p><p>
*The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit <a href="https://agonyklub.com/">https://agonyklub.com/</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3707</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66065]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT5177536115.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brigitte Le Normand, “Designing Tito’s Capital: Urban Planning, Modernism, and Socialism in Belgrade” (U. Pittsburgh Press, 2014)</title>
      <description>NB: An earlier version of this podcast has been replaced with a new file in which the the technical problems of the first were corrected. -NBn, 7/11/17

At the end of World War II, Belgrade, the capital of Yugoslavia lay in ruins. Modernist architects believed they could build a new city that would match the modernization goals of the new communist government. In Designing Tito’s Capital: Urban Planning, Modernism, and Socialism in Belgrade (University of Pittsburgh Press, 2014) , Brigitte Le Normand reveals the ideals that under girded these architects plans for Belgrade, along with the postwar realities that thwarted their attempts to foster a new society through a modernist built environment. She analyzes the political, social, and ideological implications of urban planning and the built environment, demonstrating how modernist architects were able to mold their ideal cityscape to fit Yugoslavia’s third way after the Tito-Stalin split and how market socialism created expectations that undermined their vision of social spaces. Her work demonstrates how architects and urban planners in Belgrade were part of a larger movement of modernism in postwar Europe and were affected by the movement away from modernism in the 1960s.

Brigitte Le Normand is Assistant Professor of History at the University of British Columbia, Okanagan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 08 Jul 2017 16:16:11 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>NB: An earlier version of this podcast has been replaced with a new file in which the the technical problems of the first were corrected. -NBn, 7/11/17 At the end of World War II, Belgrade, the capital of Yugoslavia lay in ruins.</itunes:subtitle>
      <itunes:summary>NB: An earlier version of this podcast has been replaced with a new file in which the the technical problems of the first were corrected. -NBn, 7/11/17

At the end of World War II, Belgrade, the capital of Yugoslavia lay in ruins. Modernist architects believed they could build a new city that would match the modernization goals of the new communist government. In Designing Tito’s Capital: Urban Planning, Modernism, and Socialism in Belgrade (University of Pittsburgh Press, 2014) , Brigitte Le Normand reveals the ideals that under girded these architects plans for Belgrade, along with the postwar realities that thwarted their attempts to foster a new society through a modernist built environment. She analyzes the political, social, and ideological implications of urban planning and the built environment, demonstrating how modernist architects were able to mold their ideal cityscape to fit Yugoslavia’s third way after the Tito-Stalin split and how market socialism created expectations that undermined their vision of social spaces. Her work demonstrates how architects and urban planners in Belgrade were part of a larger movement of modernism in postwar Europe and were affected by the movement away from modernism in the 1960s.

Brigitte Le Normand is Assistant Professor of History at the University of British Columbia, Okanagan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>NB: An earlier version of this podcast has been replaced with a new file in which the the technical problems of the first were corrected. -NBn, 7/11/17</p><p>
At the end of World War II, Belgrade, the capital of Yugoslavia lay in ruins. Modernist architects believed they could build a new city that would match the modernization goals of the new communist government. In <a href="http://www.amazon.com/dp/0822962993/?tag=newbooinhis-20">Designing Tito’s Capital: Urban Planning, Modernism, and Socialism in Belgrade</a> (University of Pittsburgh Press, 2014) , Brigitte Le Normand reveals the ideals that under girded these architects plans for Belgrade, along with the postwar realities that thwarted their attempts to foster a new society through a modernist built environment. She analyzes the political, social, and ideological implications of urban planning and the built environment, demonstrating how modernist architects were able to mold their ideal cityscape to fit Yugoslavia’s third way after the Tito-Stalin split and how market socialism created expectations that undermined their vision of social spaces. Her work demonstrates how architects and urban planners in Belgrade were part of a larger movement of modernism in postwar Europe and were affected by the movement away from modernism in the 1960s.</p><p>
<a href="http://hist.ok.ubc.ca/faculty/lenormand.html">Brigitte Le Normand</a> is Assistant Professor of History at the University of British Columbia, Okanagan.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3628</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=65773]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT9341105704.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jordan Lacey, “Sonic Rupture: A Practice-led Approach to Urban Soundscape Design” (Bloomsbury, 2016)</title>
      <description>Sonic Rupture: A Practice-led Approach to Urban Soundscape Design (Bloomsbury 2016) by Jordan Lacey offers a practice-led alternative approach to urban soundscape design. Rather than understanding the functional noises of the city as solely problematic or unaesthetic annoyances to be eliminated, Lacey instead suggests ways in which they can be creatively harnessed to give new expression to urban life. Featuring expansive theoretical discussions and detailed analysis of Lacey’s own work as a sound artist, the book proposes the 5 element sonic rupture model as a way to diversify our experiences of city life.

New Books in Sound Studies is a collaboration between the Centre for Media Data and Society at the Central European University in Budapest, Hungary and the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 15 Jun 2017 12:24:05 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Sonic Rupture: A Practice-led Approach to Urban Soundscape Design (Bloomsbury 2016) by Jordan Lacey offers a practice-led alternative approach to urban soundscape design. Rather than understanding the functional noises of the city as solely problematic...</itunes:subtitle>
      <itunes:summary>Sonic Rupture: A Practice-led Approach to Urban Soundscape Design (Bloomsbury 2016) by Jordan Lacey offers a practice-led alternative approach to urban soundscape design. Rather than understanding the functional noises of the city as solely problematic or unaesthetic annoyances to be eliminated, Lacey instead suggests ways in which they can be creatively harnessed to give new expression to urban life. Featuring expansive theoretical discussions and detailed analysis of Lacey’s own work as a sound artist, the book proposes the 5 element sonic rupture model as a way to diversify our experiences of city life.

New Books in Sound Studies is a collaboration between the Centre for Media Data and Society at the Central European University in Budapest, Hungary and the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/1501309978/?tag=newbooinhis-20">Sonic Rupture: A Practice-led Approach to Urban Soundscape Design</a> (Bloomsbury 2016) by <a href="https://www.rmit.edu.au/contact/staff-contacts/academic-staff/l/lacey-mr-jordan">Jordan Lacey</a> offers a practice-led alternative approach to urban soundscape design. Rather than understanding the functional noises of the city as solely problematic or unaesthetic annoyances to be eliminated, Lacey instead suggests ways in which they can be creatively harnessed to give new expression to urban life. Featuring expansive theoretical discussions and detailed analysis of Lacey’s own work as a sound artist, the book proposes the 5 element sonic rupture model as a way to diversify our experiences of city life.</p><p>
New Books in Sound Studies is a collaboration between the Centre for Media Data and Society at the Central European University in Budapest, Hungary and the New Books Network.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2891</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=65171]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT1038382457.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marilyn Palmer and Ian West, “Technology and the Country House” (Historic England Publishing/U.Chicago, 2016)</title>
      <description>For the aristocracy in Britain and Ireland, country house living was dependent upon the labors of men and women who performed innumerable chores involving cooking, cleaning, and the basic operation of the household. In the 18th century, however, the Industrial Revolution began to change this by introducing new devices and systems that simplified a wide range of duties. In Technology in the Country House (Historic England Publishing, 2016; distributed in the U.S. by University of Chicago Press) Marilyn Palmer and Ian West detail the extensive range of innovations adopted by country house owners from the late 18th to the early 20th centuries and their impact on the operations of their homes and estates. As West explains in this podcast, though many of these innovations were labor-saving devices, often they required not fewer servants, but ones trained in the new tasks of how to operate and maintain them. Their introduction was often undertaken by owners out of a personal interest in the innovations of the age, or who adopted them because of their fashionability–motives which, as West explains, provide useful examples of how technology is introduced into society generally both then and today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 26 May 2017 18:05:36 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>For the aristocracy in Britain and Ireland, country house living was dependent upon the labors of men and women who performed innumerable chores involving cooking, cleaning, and the basic operation of the household. In the 18th century, however,</itunes:subtitle>
      <itunes:summary>For the aristocracy in Britain and Ireland, country house living was dependent upon the labors of men and women who performed innumerable chores involving cooking, cleaning, and the basic operation of the household. In the 18th century, however, the Industrial Revolution began to change this by introducing new devices and systems that simplified a wide range of duties. In Technology in the Country House (Historic England Publishing, 2016; distributed in the U.S. by University of Chicago Press) Marilyn Palmer and Ian West detail the extensive range of innovations adopted by country house owners from the late 18th to the early 20th centuries and their impact on the operations of their homes and estates. As West explains in this podcast, though many of these innovations were labor-saving devices, often they required not fewer servants, but ones trained in the new tasks of how to operate and maintain them. Their introduction was often undertaken by owners out of a personal interest in the innovations of the age, or who adopted them because of their fashionability–motives which, as West explains, provide useful examples of how technology is introduced into society generally both then and today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For the aristocracy in Britain and Ireland, country house living was dependent upon the labors of men and women who performed innumerable chores involving cooking, cleaning, and the basic operation of the household. In the 18th century, however, the Industrial Revolution began to change this by introducing new devices and systems that simplified a wide range of duties. In<a href="http://www.amazon.com/dp/1848022808/?tag=newbooinhis-20"> Technology in the Country House</a> (Historic England Publishing, 2016; distributed in the U.S. by University of Chicago Press) <a href="http://www2.le.ac.uk/departments/archaeology/people/emeritus/palmer">Marilyn Palmer</a> and <a href="https://www2.le.ac.uk/departments/archaeology/research/centre-for-historical-archaeology/research-1/country-house-technology/cht-images/Ian%20West.jpg/view">Ian West</a> detail the extensive range of innovations adopted by country house owners from the late 18th to the early 20th centuries and their impact on the operations of their homes and estates. As West explains in this podcast, though many of these innovations were labor-saving devices, often they required not fewer servants, but ones trained in the new tasks of how to operate and maintain them. Their introduction was often undertaken by owners out of a personal interest in the innovations of the age, or who adopted them because of their fashionability–motives which, as West explains, provide useful examples of how technology is introduced into society generally both then and today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3667</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64797]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT4641046667.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Serhat Unaldi, “Working Towards the Monarchy: The Politics of Space in Downtown Bangkok” (U. of Hawaii Press, 2016)</title>
      <description>In Working Towards the Monarchy: The Politics of Space in Downtown Bangkok (University of Hawaii Press, 2016), Serhat Unaldi offers a provocative and original interpretation of the relationship between space, architecture and power in one of Southeast Asia’s biggest and most complicated cities. Climbing the towers and exploring the alleyways of Siam-Ratchaprasong, that part of Bangkok famous for its gaudy malls, pretentious hotels and tourist strips, Unaldi finds that the charismatic authority of the royal institution has combined with the political economy of the capitalist marketplace to form a highly potent yet unstable admixture of elements for modern state formation. The dense concentration of forces for elite domination of Thailand in these few city blocks at once affirms and celebrates the project’s success, enabling the dominant classes to be seen exactly as they would have themselves seen. But these spaces are also fraught with danger, subject to instability caused by realignments among erstwhile allies within, and to increasingly overt challenges to the status quo from opponents without — expressed most dramatically in the antigovernment protests of 2010, which left in their wake the smoldering ruins of the very architectural hierarchy intended to signify modernity via proper relations of inequality.

Serhat Unaldi joins New Books in Southeast Asian Studies to talk about Siam Paragon and the politics of space, the appeal of Thaksin Shinawatra, the Erawan Shrine and its others, disappeared and hidden palaces, Phibun Songkhram and the making of Chulalongkorn University, and how all roads in Bangkok lead to the monarchy.



Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University and in 2016-17 a member of the Institute for Advanced Study, Princeton. He can be reached at nick.cheesman@anu.edu.au
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 28 Mar 2017 10:00:34 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Working Towards the Monarchy: The Politics of Space in Downtown Bangkok (University of Hawaii Press, 2016), Serhat Unaldi offers a provocative and original interpretation of the relationship between space,</itunes:subtitle>
      <itunes:summary>In Working Towards the Monarchy: The Politics of Space in Downtown Bangkok (University of Hawaii Press, 2016), Serhat Unaldi offers a provocative and original interpretation of the relationship between space, architecture and power in one of Southeast Asia’s biggest and most complicated cities. Climbing the towers and exploring the alleyways of Siam-Ratchaprasong, that part of Bangkok famous for its gaudy malls, pretentious hotels and tourist strips, Unaldi finds that the charismatic authority of the royal institution has combined with the political economy of the capitalist marketplace to form a highly potent yet unstable admixture of elements for modern state formation. The dense concentration of forces for elite domination of Thailand in these few city blocks at once affirms and celebrates the project’s success, enabling the dominant classes to be seen exactly as they would have themselves seen. But these spaces are also fraught with danger, subject to instability caused by realignments among erstwhile allies within, and to increasingly overt challenges to the status quo from opponents without — expressed most dramatically in the antigovernment protests of 2010, which left in their wake the smoldering ruins of the very architectural hierarchy intended to signify modernity via proper relations of inequality.

Serhat Unaldi joins New Books in Southeast Asian Studies to talk about Siam Paragon and the politics of space, the appeal of Thaksin Shinawatra, the Erawan Shrine and its others, disappeared and hidden palaces, Phibun Songkhram and the making of Chulalongkorn University, and how all roads in Bangkok lead to the monarchy.



Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University and in 2016-17 a member of the Institute for Advanced Study, Princeton. He can be reached at nick.cheesman@anu.edu.au
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/dp/0824855728">Working Towards the Monarchy: The Politics of Space in Downtown Bangkok</a> (University of Hawaii Press, 2016), <a href="http://independent.academia.edu/Serhat%C3%9Cnaldi">Serhat Unaldi</a> offers a provocative and original interpretation of the relationship between space, architecture and power in one of Southeast Asia’s biggest and most complicated cities. Climbing the towers and exploring the alleyways of Siam-Ratchaprasong, that part of Bangkok famous for its gaudy malls, pretentious hotels and tourist strips, Unaldi finds that the charismatic authority of the royal institution has combined with the political economy of the capitalist marketplace to form a highly potent yet unstable admixture of elements for modern state formation. The dense concentration of forces for elite domination of Thailand in these few city blocks at once affirms and celebrates the project’s success, enabling the dominant classes to be seen exactly as they would have themselves seen. But these spaces are also fraught with danger, subject to instability caused by realignments among erstwhile allies within, and to increasingly overt challenges to the status quo from opponents without — expressed most dramatically in the antigovernment protests of 2010, which left in their wake the smoldering ruins of the very architectural hierarchy intended to signify modernity via proper relations of inequality.</p><p>
Serhat Unaldi joins <a href="http://newbooksnetwork.com/category/southeast-asian-studies/">New Books in Southeast Asian Studies</a> to talk about Siam Paragon and the politics of space, the appeal of Thaksin Shinawatra, the Erawan Shrine and its others, disappeared and hidden palaces, Phibun Songkhram and the making of Chulalongkorn University, and how all roads in Bangkok lead to the monarchy.</p><p>
</p><p>
<a href="https://researchers.anu.edu.au/researchers/cheesman-nw">Nick Cheesman</a> is a fellow at the College of Asia and the Pacific, Australian National University and in 2016-17 a member of the Institute for Advanced Study, Princeton. He can be reached at <a href="mailto:nick.cheesman@anu.edu.au">nick.cheesman@anu.edu.au</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3539</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63533]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT3772840732.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elana Shapira, “Style and Seduction: Jewish Patrons, Architecture, and Design in Fin de Siecle Vienna” (Brandeis UP, 2016)</title>
      <description>In Style and Seduction: Jewish Patrons, Architecture, and Design in Fin de Siecle Vienna (Brandeis University Press, 2016), Elana Shapira, Lecturer at the University of Applied Arts Vienna, examines the complex histories of Jewish cultural patronage in Vienna. She offers a nuanced and compelling account of the cultural networks of the time. This book is an important contribution, which overturns established ideas about the Jewishness of Viennese cultural figures of this period. Shapira brings into question dominant ideas about assimilation, modernism and cultural interchange. This book will be an important reference on this subject for many years to come.



Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 02 Mar 2017 11:00:22 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Style and Seduction: Jewish Patrons, Architecture, and Design in Fin de Siecle Vienna (Brandeis University Press, 2016), Elana Shapira, Lecturer at the University of Applied Arts Vienna, examines the complex histories of Jewish cultural patronage in...</itunes:subtitle>
      <itunes:summary>In Style and Seduction: Jewish Patrons, Architecture, and Design in Fin de Siecle Vienna (Brandeis University Press, 2016), Elana Shapira, Lecturer at the University of Applied Arts Vienna, examines the complex histories of Jewish cultural patronage in Vienna. She offers a nuanced and compelling account of the cultural networks of the time. This book is an important contribution, which overturns established ideas about the Jewishness of Viennese cultural figures of this period. Shapira brings into question dominant ideas about assimilation, modernism and cultural interchange. This book will be an important reference on this subject for many years to come.



Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/161168921X/?tag=newbooinhis-20">Style and Seduction: Jewish Patrons, Architecture, and Design in Fin de Siecle Vienna</a> (Brandeis University Press, 2016), <a href="http://www.designhistorytheory.at/faculty/shapira/">Elana Shapira</a>, Lecturer at the University of Applied Arts Vienna, examines the complex histories of Jewish cultural patronage in Vienna. She offers a nuanced and compelling account of the cultural networks of the time. This book is an important contribution, which overturns established ideas about the Jewishness of Viennese cultural figures of this period. Shapira brings into question dominant ideas about assimilation, modernism and cultural interchange. This book will be an important reference on this subject for many years to come.</p><p>
</p><p>
Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at <a href="mailto:kaiser@student.unimelb.edu.au">kaiser@student.unimelb.edu.au</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2836</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62958]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT2106458484.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sharon Rotbard, “White City, Black City: Architecture and War in Tel Aviv and Jaffa” (MIT Press, 2015)</title>
      <description>In White City, Black City: Architecture and War in Tel Aviv and Jaffa (MIT Press, 2015), Sharon Rotbard, Senior Lecturer in the Architecture Department at Bezalel Academy in Jerusalem, examines the dual histories of Tel Aviv and Jaffa. He offers a nuanced and compelling deconstruction of the myth of the White City and the erasure of what he deems the Black City. This book is a compelling contribution, bringing critical urban studies into conversation with critical histories of Zionism in innovative and provocative ways.



Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 26 Dec 2016 10:00:06 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In White City, Black City: Architecture and War in Tel Aviv and Jaffa (MIT Press, 2015), Sharon Rotbard, Senior Lecturer in the Architecture Department at Bezalel Academy in Jerusalem, examines the dual histories of Tel Aviv and Jaffa.</itunes:subtitle>
      <itunes:summary>In White City, Black City: Architecture and War in Tel Aviv and Jaffa (MIT Press, 2015), Sharon Rotbard, Senior Lecturer in the Architecture Department at Bezalel Academy in Jerusalem, examines the dual histories of Tel Aviv and Jaffa. He offers a nuanced and compelling deconstruction of the myth of the White City and the erasure of what he deems the Black City. This book is a compelling contribution, bringing critical urban studies into conversation with critical histories of Zionism in innovative and provocative ways.



Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://mitpress.mit.edu/books/white-city-black-city">White City, Black City: Architecture and War in Tel Aviv and Jaffa</a> (MIT Press, 2015), <a href="https://en.wikipedia.org/wiki/Sharon_Rotbard">Sharon Rotbard</a>, Senior Lecturer in the Architecture Department at Bezalel Academy in Jerusalem, examines the dual histories of Tel Aviv and Jaffa. He offers a nuanced and compelling deconstruction of the myth of the White City and the erasure of what he deems the Black City. This book is a compelling contribution, bringing critical urban studies into conversation with critical histories of Zionism in innovative and provocative ways.</p><p>
</p><p>
Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at <a href="mailto:kaiser@student.unimelb.edu.au">kaiser@student.unimelb.edu.au</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2407</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61847]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT2454977495.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gretchen Buggeln, “The Suburban Church: Modernism and Community in Postwar America” (U. Minnesota Press, 2015)</title>
      <description>After World War II, America’s religious denominations spent billions on church architecture as they spread into the suburbs. Gretchen Buggeln’s latest monograph, The Suburban Church: Modernism and Community in Postwar America (University of Minnesota, 2015), is richly illustrated history of mid-century churches in the Midwest that shows how architects and suburban congregations joined forces to create a new wave of modernist churches to reflect and shape developments in postwar religion–its ecumenism, optimism, and liturgical innovation, as well as its fears about staying relevant during a time of vast cultural, social, and demographic change.

Gretchen Buggeln holds the Phyllis and Richard Duesenberg Chair in Christianity and the Arts at Valparaiso University in Indiana.



Hillary Kaell is associate professor of Religion at Concordia University in Montreal.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 10 Dec 2016 14:20:36 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>After World War II, America’s religious denominations spent billions on church architecture as they spread into the suburbs. Gretchen Buggeln’s latest monograph, The Suburban Church: Modernism and Community in Postwar America (University of Minnesota,</itunes:subtitle>
      <itunes:summary>After World War II, America’s religious denominations spent billions on church architecture as they spread into the suburbs. Gretchen Buggeln’s latest monograph, The Suburban Church: Modernism and Community in Postwar America (University of Minnesota, 2015), is richly illustrated history of mid-century churches in the Midwest that shows how architects and suburban congregations joined forces to create a new wave of modernist churches to reflect and shape developments in postwar religion–its ecumenism, optimism, and liturgical innovation, as well as its fears about staying relevant during a time of vast cultural, social, and demographic change.

Gretchen Buggeln holds the Phyllis and Richard Duesenberg Chair in Christianity and the Arts at Valparaiso University in Indiana.



Hillary Kaell is associate professor of Religion at Concordia University in Montreal.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After World War II, America’s religious denominations spent billions on church architecture as they spread into the suburbs. Gretchen Buggeln’s latest monograph, <a href="http://www.amazon.com/dp/0816694966/?tag=newbooinhis-20">The Suburban Church: Modernism and Community in Postwar America</a> (University of Minnesota, 2015), is richly illustrated history of mid-century churches in the Midwest that shows how architects and suburban congregations joined forces to create a new wave of modernist churches to reflect and shape developments in postwar religion–its ecumenism, optimism, and liturgical innovation, as well as its fears about staying relevant during a time of vast cultural, social, and demographic change.</p><p>
<a href="http://www.valpo.edu/christ-college/faculty/">Gretchen Buggeln</a> holds the Phyllis and Richard Duesenberg Chair in Christianity and the Arts at Valparaiso University in Indiana.</p><p>
</p><p>
<a href="http://www.hillarykaell.com/">Hillary Kaell</a> is associate professor of Religion at Concordia University in Montreal.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3726</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61687]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT7240370824.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Federica Goffi, “Time Matter(s): Invention and Reimagination in Built Conservation” (Routledge, 2013)</title>
      <description>Assistant Professor Federica Goffi fills a blind spot in current architectural theory and practice with this book, Time Matter(s): Invention and Re-Imagination in Built Conservation: The Unfinished Drawing and Building of St. Peter’s, the Vatican (Routledge, 2013). In proposing a hybrid approach which merges architectural and conservation theory the work offers the reader a counter-viewpoint to common understandings of preservation as singular moment from the past which has been frozen and brought forward to the present.

Through a micro-historical study of a Renaissance concept of restoration, a theoretical framework to question the issue of conservation as a creative endeavor arises. It focuses on Tiberio Alfarano’s 1571 ichnography of St. Peter’s Basilica in the Vatican, into which a complex body of religious, political, architectural and cultural elements is woven. By merging past and present temple’s plans, Alfarano created a track-drawing questioning the design pursued after Michelangelo’s death (1564), opening the gaze towards other possible future imaginings. Federica Goffi book further uncovers how the drawing was acted on by Carlo Maderno (1556-1629), who literally used it as physical substratum to for new design proposals, completing the renewal of the temple in 1626.

This research shows how architectural and conservation practices can be merged in contemporary renovation. By creating hybrid drawings, the retrospective and prospective gaze of built conservation forms a continuous and contiguous reality, where a pre-existent condition engages with future design joining multiple temporalities within a continuity of identity. The study might provide a paradigmatic and timely model to retune contemporary architectural sensibility when transforming a building of recognized significance.



Brant Matthew Tate

https://au.linkedin.com/in/t8architect

https://uq.academia.edu/BrantMatthewTate

branttate@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 23 Nov 2016 22:24:24 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Assistant Professor Federica Goffi fills a blind spot in current architectural theory and practice with this book, Time Matter(s): Invention and Re-Imagination in Built Conservation: The Unfinished Drawing and Building of St. Peter’s,</itunes:subtitle>
      <itunes:summary>Assistant Professor Federica Goffi fills a blind spot in current architectural theory and practice with this book, Time Matter(s): Invention and Re-Imagination in Built Conservation: The Unfinished Drawing and Building of St. Peter’s, the Vatican (Routledge, 2013). In proposing a hybrid approach which merges architectural and conservation theory the work offers the reader a counter-viewpoint to common understandings of preservation as singular moment from the past which has been frozen and brought forward to the present.

Through a micro-historical study of a Renaissance concept of restoration, a theoretical framework to question the issue of conservation as a creative endeavor arises. It focuses on Tiberio Alfarano’s 1571 ichnography of St. Peter’s Basilica in the Vatican, into which a complex body of religious, political, architectural and cultural elements is woven. By merging past and present temple’s plans, Alfarano created a track-drawing questioning the design pursued after Michelangelo’s death (1564), opening the gaze towards other possible future imaginings. Federica Goffi book further uncovers how the drawing was acted on by Carlo Maderno (1556-1629), who literally used it as physical substratum to for new design proposals, completing the renewal of the temple in 1626.

This research shows how architectural and conservation practices can be merged in contemporary renovation. By creating hybrid drawings, the retrospective and prospective gaze of built conservation forms a continuous and contiguous reality, where a pre-existent condition engages with future design joining multiple temporalities within a continuity of identity. The study might provide a paradigmatic and timely model to retune contemporary architectural sensibility when transforming a building of recognized significance.



Brant Matthew Tate

https://au.linkedin.com/in/t8architect

https://uq.academia.edu/BrantMatthewTate

branttate@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Assistant Professor <a href="https://carleton.ca/architecture/profile/federica-goffi/">Federica Goffi </a>fills a blind spot in current architectural theory and practice with this book, <a href="http://www.amazon.com/dp/1409443019/?tag=newbooinhis-20">Time Matter(s): Invention and Re-Imagination in Built Conservation: The Unfinished Drawing and Building of St. Peter’s, the Vatican</a> (Routledge, 2013). In proposing a hybrid approach which merges architectural and conservation theory the work offers the reader a counter-viewpoint to common understandings of preservation as singular moment from the past which has been frozen and brought forward to the present.</p><p>
Through a micro-historical study of a Renaissance concept of restoration, a theoretical framework to question the issue of conservation as a creative endeavor arises. It focuses on Tiberio Alfarano’s 1571 ichnography of St. Peter’s Basilica in the Vatican, into which a complex body of religious, political, architectural and cultural elements is woven. By merging past and present temple’s plans, Alfarano created a track-drawing questioning the design pursued after Michelangelo’s death (1564), opening the gaze towards other possible future imaginings. Federica Goffi book further uncovers how the drawing was acted on by Carlo Maderno (1556-1629), who literally used it as physical substratum to for new design proposals, completing the renewal of the temple in 1626.</p><p>
This research shows how architectural and conservation practices can be merged in contemporary renovation. By creating hybrid drawings, the retrospective and prospective gaze of built conservation forms a continuous and contiguous reality, where a pre-existent condition engages with future design joining multiple temporalities within a continuity of identity. The study might provide a paradigmatic and timely model to retune contemporary architectural sensibility when transforming a building of recognized significance.</p><p>
</p><p>
Brant Matthew Tate</p><p>
<a href="https://au.linkedin.com/in/t8architect">https://au.linkedin.com/in/t8architect</a></p><p>
<a href="https://uq.academia.edu/BrantMatthewTate">https://uq.academia.edu/BrantMatthewTate</a></p><p>
<a href="mailto:branttate@gmail.com">branttate@gmail.com</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3151</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61480]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT3416399233.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ahmed Ragab, “The Medieval Islamic Hospital: Medicine, Religion, Charity” (Cambridge UP, 2015)</title>
      <description>In his shining new book The Medieval Islamic Hospital: Medicine, Religion, and Charity (Cambridge University Press, 2015), Ahmed Ragab, Assistant Professor of Religion and Science at Harvard Divinity School, charts the institutional and intellectual history of hospitals or bimaristans in medieval Egypt and the Levant. A central argument of this book is that hospitals in Islamdom were more than just institutions where the sick were treated; hospitals also served as important sites of communal services and congregation, as urban architectural monuments, and as symbols and expressions of a rulers political authority. By exploring an astonishing variety and number of sources, Ragab provides an unparalleled window into the aspirations and operations that defined the medieval Islamic hospital. This splendid new book will be of great interest to students of medieval Islamic history, religion and science, medical history, and the study of Islam and religion more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 21 Sep 2016 18:54:40 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his shining new book The Medieval Islamic Hospital: Medicine, Religion, and Charity (Cambridge University Press, 2015), Ahmed Ragab, Assistant Professor of Religion and Science at Harvard Divinity School,</itunes:subtitle>
      <itunes:summary>In his shining new book The Medieval Islamic Hospital: Medicine, Religion, and Charity (Cambridge University Press, 2015), Ahmed Ragab, Assistant Professor of Religion and Science at Harvard Divinity School, charts the institutional and intellectual history of hospitals or bimaristans in medieval Egypt and the Levant. A central argument of this book is that hospitals in Islamdom were more than just institutions where the sick were treated; hospitals also served as important sites of communal services and congregation, as urban architectural monuments, and as symbols and expressions of a rulers political authority. By exploring an astonishing variety and number of sources, Ragab provides an unparalleled window into the aspirations and operations that defined the medieval Islamic hospital. This splendid new book will be of great interest to students of medieval Islamic history, religion and science, medical history, and the study of Islam and religion more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his shining new book <a href="http://www.amazon.com/dp/1107109604/?tag=newbooinhis-20">The Medieval Islamic Hospital: Medicine, Religion, and Charity</a> (Cambridge University Press, 2015), <a href="http://hds.harvard.edu/people/ahmed-ragab">Ahmed Ragab</a>, Assistant Professor of Religion and Science at Harvard Divinity School, charts the institutional and intellectual history of hospitals or bimaristans in medieval Egypt and the Levant. A central argument of this book is that hospitals in Islamdom were more than just institutions where the sick were treated; hospitals also served as important sites of communal services and congregation, as urban architectural monuments, and as symbols and expressions of a rulers political authority. By exploring an astonishing variety and number of sources, Ragab provides an unparalleled window into the aspirations and operations that defined the medieval Islamic hospital. This splendid new book will be of great interest to students of medieval Islamic history, religion and science, medical history, and the study of Islam and religion more broadly.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2187</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60380]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT1738023904.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jade Doskow, “Lost Utopias” (Black Dog Publishing, 2016)</title>
      <description>Since 2007, American photographer Jade Doskow has been documenting the remains of World’s Fair sites, once iconic global attractions that have often been repurposed for less noble aspirations or neglected and fallen into decay. Lost Utopias (Black Dog Publishing, 2016) brings together the substantial body of work that Doskow has completed over the past decade, including iconic monuments such as the Seattle Space Needle, the Eiffel Tower, Brussels Palais des Expositions and New York’s Unisphere. Doskow’s large-scale colorphotographs poignantly illustrate the utopian architecture and art that has surrounded the Worlds Fairs, across both the nineteenth and twentieth centuries. Presented in a large-scale hardback book, Doskow’s work carries a unique sense of both grandeur and dreaminess, whilst also reflecting upon the often temporary purposes that these structures once held. Jade Doskow is an award-winning photographer based in Peekskill, New York. She holds a BA in Philosophy of Art and Music from New York University and an MFA in Photography &amp; Video from the School of Visual Arts. She is currently on the photography faculty of the School of Visual Arts and the International Center of Photography, and was named by ‘American Photo’ as ‘One to Watch’ in 2013.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Wed, 21 Sep 2016 18:48:09 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Since 2007, American photographer Jade Doskow has been documenting the remains of World’s Fair sites, once iconic global attractions that have often been repurposed for less noble aspirations or neglected and fallen into decay.</itunes:subtitle>
      <itunes:summary>Since 2007, American photographer Jade Doskow has been documenting the remains of World’s Fair sites, once iconic global attractions that have often been repurposed for less noble aspirations or neglected and fallen into decay. Lost Utopias (Black Dog Publishing, 2016) brings together the substantial body of work that Doskow has completed over the past decade, including iconic monuments such as the Seattle Space Needle, the Eiffel Tower, Brussels Palais des Expositions and New York’s Unisphere. Doskow’s large-scale colorphotographs poignantly illustrate the utopian architecture and art that has surrounded the Worlds Fairs, across both the nineteenth and twentieth centuries. Presented in a large-scale hardback book, Doskow’s work carries a unique sense of both grandeur and dreaminess, whilst also reflecting upon the often temporary purposes that these structures once held. Jade Doskow is an award-winning photographer based in Peekskill, New York. She holds a BA in Philosophy of Art and Music from New York University and an MFA in Photography &amp; Video from the School of Visual Arts. She is currently on the photography faculty of the School of Visual Arts and the International Center of Photography, and was named by ‘American Photo’ as ‘One to Watch’ in 2013.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since 2007, American photographer <a href="http://www.jadedoskowphotography.com/">Jade Doskow</a> has been documenting the remains of World’s Fair sites, once iconic global attractions that have often been repurposed for less noble aspirations or neglected and fallen into decay. <a href="http://www.amazon.com/dp/1911164112/?tag=newbooinhis-20">Lost Utopias</a> (Black Dog Publishing, 2016) brings together the substantial body of work that Doskow has completed over the past decade, including iconic monuments such as the Seattle Space Needle, the Eiffel Tower, Brussels Palais des Expositions and New York’s Unisphere. Doskow’s large-scale colorphotographs poignantly illustrate the utopian architecture and art that has surrounded the Worlds Fairs, across both the nineteenth and twentieth centuries. Presented in a large-scale hardback book, Doskow’s work carries a unique sense of both grandeur and dreaminess, whilst also reflecting upon the often temporary purposes that these structures once held. Jade Doskow is an award-winning photographer based in Peekskill, New York. She holds a BA in Philosophy of Art and Music from New York University and an MFA in Photography &amp; Video from the School of Visual Arts. She is currently on the photography faculty of the School of Visual Arts and the International Center of Photography, and was named by ‘American Photo’ as ‘One to Watch’ in 2013.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3405</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60389]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT7911793505.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jon Stobart and Mark Rothery, “Consumption and the Country House” (Oxford UP, 2016)</title>
      <description>During the 18th century English country houses served an important function in their society as stages for the display of the status and power of the landed aristocracy. As Jon Stobart and Mark Rothery demonstrate in Consumption and the Country House(Oxford University Press, 2016), though, they also played a revealing role as centers of consumption. Using three aristocratic families from the Midlands as case studies, Stobart and Rothery survey their patterns of spending over several generations, revealing the factors that shaped them. This spending, they argue, was not constant but instead saw fluctuations that coincided with life events, such as deaths and inheritances. Such dramatic changes were followed by the acquisition of goods that often were then used to create venues for these families to display their elite identity, with pursuit of the fashionable often tempered by issues of taste, rank and lineage. Stobart and Rothery’s analysis is not confined to large expenditures, however, as they also examine the more mundane spending necessary to keep these large households functioning and the gendered spheres that often defined the roles played by husband and wife in purchasing goods and services. Their analysis of these activities helps to refine our understanding of country houses, demonstrating how they were not the static exhibits we know today but fluid environments in which families left an ever-changing imprint.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 11 Sep 2016 21:37:10 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>During the 18th century English country houses served an important function in their society as stages for the display of the status and power of the landed aristocracy. As Jon Stobart and Mark Rothery demonstrate in Consumption and the Country House(O...</itunes:subtitle>
      <itunes:summary>During the 18th century English country houses served an important function in their society as stages for the display of the status and power of the landed aristocracy. As Jon Stobart and Mark Rothery demonstrate in Consumption and the Country House(Oxford University Press, 2016), though, they also played a revealing role as centers of consumption. Using three aristocratic families from the Midlands as case studies, Stobart and Rothery survey their patterns of spending over several generations, revealing the factors that shaped them. This spending, they argue, was not constant but instead saw fluctuations that coincided with life events, such as deaths and inheritances. Such dramatic changes were followed by the acquisition of goods that often were then used to create venues for these families to display their elite identity, with pursuit of the fashionable often tempered by issues of taste, rank and lineage. Stobart and Rothery’s analysis is not confined to large expenditures, however, as they also examine the more mundane spending necessary to keep these large households functioning and the gendered spheres that often defined the roles played by husband and wife in purchasing goods and services. Their analysis of these activities helps to refine our understanding of country houses, demonstrating how they were not the static exhibits we know today but fluid environments in which families left an ever-changing imprint.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During the 18th century English country houses served an important function in their society as stages for the display of the status and power of the landed aristocracy. As <a href="https://www2.mmu.ac.uk/hpp/staff/profile/index.php?profile_id=1233">Jon Stobart</a> and <a href="http://www.northampton.ac.uk/directories/people/mark-rothery/">Mark Rothery</a> demonstrate in <a href="http://www.amazon.com/dp/0198726260/?tag=newbooinhis-20">Consumption and the Country House</a>(Oxford University Press, 2016), though, they also played a revealing role as centers of consumption. Using three aristocratic families from the Midlands as case studies, Stobart and Rothery survey their patterns of spending over several generations, revealing the factors that shaped them. This spending, they argue, was not constant but instead saw fluctuations that coincided with life events, such as deaths and inheritances. Such dramatic changes were followed by the acquisition of goods that often were then used to create venues for these families to display their elite identity, with pursuit of the fashionable often tempered by issues of taste, rank and lineage. Stobart and Rothery’s analysis is not confined to large expenditures, however, as they also examine the more mundane spending necessary to keep these large households functioning and the gendered spheres that often defined the roles played by husband and wife in purchasing goods and services. Their analysis of these activities helps to refine our understanding of country houses, demonstrating how they were not the static exhibits we know today but fluid environments in which families left an ever-changing imprint.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3494</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60151]]></guid>
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    </item>
    <item>
      <title>Patricia McCarthy, “Life in the Country House in Georgian Ireland” (Paul Mellon Centre, 2016)</title>
      <description>In the early 18th century, country houses in Ireland underwent a dramatic physical transformation. In her book Life in the Country House in Georgian Ireland (Paul Mellon Centre, 2016), Patricia McCarthy describes the course of this evolution, as the Palladian style turned aristocratic domiciles in rural Ireland from fortified buildings into elegant structures with columns, porticos, and other classically-influenced touches. From there she goes on to describe the interiors of the homes, the functions of the various rooms, and the lives lived both by the upper class and the people who served them. By describing the manifold ways in which the occupants used the spaces, a portrait of their domestic lives emerges that enriches our understanding not just of country house life in the 18th century but the world of the Protestant elite in Georgian Ireland as well.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 16 Jul 2016 20:58:31 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In the early 18th century, country houses in Ireland underwent a dramatic physical transformation. In her book Life in the Country House in Georgian Ireland (Paul Mellon Centre, 2016), Patricia McCarthy describes the course of this evolution,</itunes:subtitle>
      <itunes:summary>In the early 18th century, country houses in Ireland underwent a dramatic physical transformation. In her book Life in the Country House in Georgian Ireland (Paul Mellon Centre, 2016), Patricia McCarthy describes the course of this evolution, as the Palladian style turned aristocratic domiciles in rural Ireland from fortified buildings into elegant structures with columns, porticos, and other classically-influenced touches. From there she goes on to describe the interiors of the homes, the functions of the various rooms, and the lives lived both by the upper class and the people who served them. By describing the manifold ways in which the occupants used the spaces, a portrait of their domestic lives emerges that enriches our understanding not just of country house life in the 18th century but the world of the Protestant elite in Georgian Ireland as well.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the early 18th century, country houses in Ireland underwent a dramatic physical transformation. In her book <a href="http://www.amazon.com/dp/0300218869/?tag=newbooinhis-20">Life in the Country House in Georgian Ireland</a> (Paul Mellon Centre, 2016), Patricia McCarthy describes the course of this evolution, as the Palladian style turned aristocratic domiciles in rural Ireland from fortified buildings into elegant structures with columns, porticos, and other classically-influenced touches. From there she goes on to describe the interiors of the homes, the functions of the various rooms, and the lives lived both by the upper class and the people who served them. By describing the manifold ways in which the occupants used the spaces, a portrait of their domestic lives emerges that enriches our understanding not just of country house life in the 18th century but the world of the Protestant elite in Georgian Ireland as well.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4006</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=58112]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT4969706054.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Saskia Coenen Snyder, “Building a Public Judaism” (Harvard UP, 2013)</title>
      <description>In Building a Public Judaism: Synagogues and Jewish Identity in Nineteenth-Century Europe (Harvard University Press, 2013), Saskia Coenen Snyder, Associate Professor of History at the University of South Carolina, uses buildings to tell a story; specifically, a story about how the construction and architecture of nineteenth-century European synagogues shed light on the different national experiences of modern European Jews. By looking at synagogues in four important European centers: London, Amsterdam, Paris, and Berlin, Snyder explores Jewish space as a marker of acculturation but not full acceptance.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 13 Jun 2016 00:00:11 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Building a Public Judaism: Synagogues and Jewish Identity in Nineteenth-Century Europe (Harvard University Press, 2013), Saskia Coenen Snyder, Associate Professor of History at the University of South Carolina,</itunes:subtitle>
      <itunes:summary>In Building a Public Judaism: Synagogues and Jewish Identity in Nineteenth-Century Europe (Harvard University Press, 2013), Saskia Coenen Snyder, Associate Professor of History at the University of South Carolina, uses buildings to tell a story; specifically, a story about how the construction and architecture of nineteenth-century European synagogues shed light on the different national experiences of modern European Jews. By looking at synagogues in four important European centers: London, Amsterdam, Paris, and Berlin, Snyder explores Jewish space as a marker of acculturation but not full acceptance.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0674059891/?tag=newbooinhis-20">Building a Public Judaism: Synagogues and Jewish Identity in Nineteenth-Century Europe</a> (Harvard University Press, 2013), <a href="http://artsandsciences.sc.edu/hist/saskia-coenen-snyder">Saskia Coenen Snyder</a>, Associate Professor of History at the University of South Carolina, uses buildings to tell a story; specifically, a story about how the construction and architecture of nineteenth-century European synagogues shed light on the different national experiences of modern European Jews. By looking at synagogues in four important European centers: London, Amsterdam, Paris, and Berlin, Snyder explores Jewish space as a marker of acculturation but not full acceptance.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1867</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=56561]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT6008763003.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicole Rudolph, “At Home in Postwar France: Modern Mass Housing and the Right to Comfort” (Berghahn Books, 2015)</title>
      <description>Nicole Rudolph‘s At Home in Postwar France: Modern Mass Housing and the Right to Comfort (Berghahn Books, 2015) contributes to a growing body of scholarship on the three decades after 1945 known as the Trente glorieuses. Rudolph’s emphasis is on French designs and experiences of dwelling, and the interior spaces of French homes in particular. The book argues that housing was essential to the modernizing project that French society engaged in during these years, a vital site of reconstruction in the wake of the Second World War, and a key locus of nation-building and democratization. In this period, the French state actively pursued policies that sought to guarantee its citizens the right to safe, hygienic, and comfortable homes that would nurture individual happiness while helping to strengthen families as the building blocks of a thriving society.

From the creation of a Ministry of Reconstruction and Urbanism in 1945, to the housing crisis of 1953, to the yearly Salon des arts menagers promoting new household methods and technologies, to the oil crisis of the early 1970s, At Home in Postwar France examines the class, gender, and design ideals and tensions of a France in the throes of major transformations on multiple fronts. Pursuing the diffusion, mediation, and reception of the new housing forms that developed in the period, the book considers the contributions of state officials, architects and designers, and proponents of domestic economy and organization in France. It also examines the reactions of the residents and social commentators who felt and evaluated the impact of these forms. At Home in Postwar France explores a range of hopes and dreams for modern French living spaces, thinking through a variety of new approaches to housing on a mass scale. Taking on the complicated relationship between home and citizenship in postwar France, the book offers readers new perspective on how French women and men dwelt and thought about dwelling during this critical period in the nations history.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 17 May 2016 11:25:20 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Nicole Rudolph‘s At Home in Postwar France: Modern Mass Housing and the Right to Comfort (Berghahn Books, 2015) contributes to a growing body of scholarship on the three decades after 1945 known as the Trente glorieuses.</itunes:subtitle>
      <itunes:summary>Nicole Rudolph‘s At Home in Postwar France: Modern Mass Housing and the Right to Comfort (Berghahn Books, 2015) contributes to a growing body of scholarship on the three decades after 1945 known as the Trente glorieuses. Rudolph’s emphasis is on French designs and experiences of dwelling, and the interior spaces of French homes in particular. The book argues that housing was essential to the modernizing project that French society engaged in during these years, a vital site of reconstruction in the wake of the Second World War, and a key locus of nation-building and democratization. In this period, the French state actively pursued policies that sought to guarantee its citizens the right to safe, hygienic, and comfortable homes that would nurture individual happiness while helping to strengthen families as the building blocks of a thriving society.

From the creation of a Ministry of Reconstruction and Urbanism in 1945, to the housing crisis of 1953, to the yearly Salon des arts menagers promoting new household methods and technologies, to the oil crisis of the early 1970s, At Home in Postwar France examines the class, gender, and design ideals and tensions of a France in the throes of major transformations on multiple fronts. Pursuing the diffusion, mediation, and reception of the new housing forms that developed in the period, the book considers the contributions of state officials, architects and designers, and proponents of domestic economy and organization in France. It also examines the reactions of the residents and social commentators who felt and evaluated the impact of these forms. At Home in Postwar France explores a range of hopes and dreams for modern French living spaces, thinking through a variety of new approaches to housing on a mass scale. Taking on the complicated relationship between home and citizenship in postwar France, the book offers readers new perspective on how French women and men dwelt and thought about dwelling during this critical period in the nations history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.adelphi.edu/faculty/profiles/profile.php?PID=0513">Nicole Rudolph</a>‘s <a href="http://www.amazon.com/dp/1782385878/?tag=newbooinhis-20">At Home in Postwar France: Modern Mass Housing and the Right to Comfort</a> (Berghahn Books, 2015) contributes to a growing body of scholarship on the three decades after 1945 known as the Trente glorieuses. Rudolph’s emphasis is on French designs and experiences of dwelling, and the interior spaces of French homes in particular. The book argues that housing was essential to the modernizing project that French society engaged in during these years, a vital site of reconstruction in the wake of the Second World War, and a key locus of nation-building and democratization. In this period, the French state actively pursued policies that sought to guarantee its citizens the right to safe, hygienic, and comfortable homes that would nurture individual happiness while helping to strengthen families as the building blocks of a thriving society.</p><p>
From the creation of a Ministry of Reconstruction and Urbanism in 1945, to the housing crisis of 1953, to the yearly Salon des arts menagers promoting new household methods and technologies, to the oil crisis of the early 1970s, At Home in Postwar France examines the class, gender, and design ideals and tensions of a France in the throes of major transformations on multiple fronts. Pursuing the diffusion, mediation, and reception of the new housing forms that developed in the period, the book considers the contributions of state officials, architects and designers, and proponents of domestic economy and organization in France. It also examines the reactions of the residents and social commentators who felt and evaluated the impact of these forms. At Home in Postwar France explores a range of hopes and dreams for modern French living spaces, thinking through a variety of new approaches to housing on a mass scale. Taking on the complicated relationship between home and citizenship in postwar France, the book offers readers new perspective on how French women and men dwelt and thought about dwelling during this critical period in the nations history.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3665</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55791]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT6701598119.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Peter L. Laurence, “Becoming Jane Jacobs” (University of Pennsylvania Press, 2016)</title>
      <description>Peter L. Laurence is an associate professor of urban design, history and theory at Clemson University School of Architecture. His book Becoming Jane Jacobs (University of Pennsylvania Press, 2016) is an intellectual biography of the architecture critic and neo-functionist Jane Jacobs and how she came to write the 1961 classic The Death and Life of Great American Cities. Beginning with Jacobs’s arrival in New York City in 1934 with only a high school diploma and writing aspirations Laurence follows her career to the pages of Architectural Forum under the editorial direction of Douglas Haskell. At the magazine she honed her critical skills and was exposed to the latest in urban design and renewal working with leading architects and planners. Laurence argues that there are persistent myths about Jacobs, including her status as a housewife and an amateur urban activist who surprisingly wrote a classic, or a genius. Rather, Jacobs transformed herself into a sophisticated critic influenced by the ideas of a wide circle of intellectuals and wrote a great deal before and after her most well known work. Death and Life of Great American Cities synthesized many previous ideas and proposed a new way to think about cities that considered the social networks and perspective of the person on the street rather than top-down planning that disregarded the human element for efficiency and form. Her vision for the city was of a living system with flexibility, creativity, and diversity offering a sense of connection by mixing the old and the new. Laurence offers not only the evolution of Jacobs’s ideas but also the ways mid-century intellectuals conceived of the cities we now live in.



Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 30 Apr 2016 13:01:34 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Peter L. Laurence is an associate professor of urban design, history and theory at Clemson University School of Architecture. His book Becoming Jane Jacobs (University of Pennsylvania Press, 2016) is an intellectual biography of the architecture critic...</itunes:subtitle>
      <itunes:summary>Peter L. Laurence is an associate professor of urban design, history and theory at Clemson University School of Architecture. His book Becoming Jane Jacobs (University of Pennsylvania Press, 2016) is an intellectual biography of the architecture critic and neo-functionist Jane Jacobs and how she came to write the 1961 classic The Death and Life of Great American Cities. Beginning with Jacobs’s arrival in New York City in 1934 with only a high school diploma and writing aspirations Laurence follows her career to the pages of Architectural Forum under the editorial direction of Douglas Haskell. At the magazine she honed her critical skills and was exposed to the latest in urban design and renewal working with leading architects and planners. Laurence argues that there are persistent myths about Jacobs, including her status as a housewife and an amateur urban activist who surprisingly wrote a classic, or a genius. Rather, Jacobs transformed herself into a sophisticated critic influenced by the ideas of a wide circle of intellectuals and wrote a great deal before and after her most well known work. Death and Life of Great American Cities synthesized many previous ideas and proposed a new way to think about cities that considered the social networks and perspective of the person on the street rather than top-down planning that disregarded the human element for efficiency and form. Her vision for the city was of a living system with flexibility, creativity, and diversity offering a sense of connection by mixing the old and the new. Laurence offers not only the evolution of Jacobs’s ideas but also the ways mid-century intellectuals conceived of the cities we now live in.



Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://clemson.academia.edu/PeterLaurence">Peter L. Laurence</a> is an associate professor of urban design, history and theory at Clemson University School of Architecture. His book <a href="http://www.amazon.com/dp/0812247884/?tag=newbooinhis-20">Becoming Jane Jacobs</a> (University of Pennsylvania Press, 2016) is an intellectual biography of the architecture critic and neo-functionist Jane Jacobs and how she came to write the 1961 classic The Death and Life of Great American Cities. Beginning with Jacobs’s arrival in New York City in 1934 with only a high school diploma and writing aspirations Laurence follows her career to the pages of Architectural Forum under the editorial direction of Douglas Haskell. At the magazine she honed her critical skills and was exposed to the latest in urban design and renewal working with leading architects and planners. Laurence argues that there are persistent myths about Jacobs, including her status as a housewife and an amateur urban activist who surprisingly wrote a classic, or a genius. Rather, Jacobs transformed herself into a sophisticated critic influenced by the ideas of a wide circle of intellectuals and wrote a great deal before and after her most well known work. Death and Life of Great American Cities synthesized many previous ideas and proposed a new way to think about cities that considered the social networks and perspective of the person on the street rather than top-down planning that disregarded the human element for efficiency and form. Her vision for the city was of a living system with flexibility, creativity, and diversity offering a sense of connection by mixing the old and the new. Laurence offers not only the evolution of Jacobs’s ideas but also the ways mid-century intellectuals conceived of the cities we now live in.</p><p>
</p><p>
Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3734</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55309]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT4449431033.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kishwar Rizvi, “The Transnational Mosque: Architecture and Historical Memory in the Contemporary Middle East” (UNC Press, 2015)</title>
      <description>In her excellent new book The Transnational Mosque: Architecture and Historical Memory in the Contemporary Middle East (UNC Press, 2015), Kishwar Rizvi, Associate Professor of the History of Art at Yale University, interrogates the interaction of history, memory, and architecture by exploring arguably the most important sacred space in Islam: the mosque. By combining the study of religion, history, and architecture in the most compelling of ways, Rizvi highlights the material and political significance of the mosque as a transnational symbol. While focused on the contexts of Iran, Turkey, Saudi Arabia, and the UAE, the theoretical insights of this richly textured book extend much beyond the contemporary Middle East. In our conversation, we talked about the concept of the transnational mosque, the historicist desires and assumptions that often undergird projects of mosque construction in Muslim societies, the transnational mosque, religious identity and international politics, and ways in which mobile networks of architects and corporations reorient our understanding of what we mean by the Middle East. This stunningly well-written book is also aesthetically pleasing, populated with wonderful visuals and images. It will also make an excellent reading for both undergraduate and graduate courses on sacred space, the modern Middle East, Islam and architecture, and religion, mobility, and globalization.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 08 Feb 2016 13:48:49 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In her excellent new book The Transnational Mosque: Architecture and Historical Memory in the Contemporary Middle East (UNC Press, 2015), Kishwar Rizvi, Associate Professor of the History of Art at Yale University,</itunes:subtitle>
      <itunes:summary>In her excellent new book The Transnational Mosque: Architecture and Historical Memory in the Contemporary Middle East (UNC Press, 2015), Kishwar Rizvi, Associate Professor of the History of Art at Yale University, interrogates the interaction of history, memory, and architecture by exploring arguably the most important sacred space in Islam: the mosque. By combining the study of religion, history, and architecture in the most compelling of ways, Rizvi highlights the material and political significance of the mosque as a transnational symbol. While focused on the contexts of Iran, Turkey, Saudi Arabia, and the UAE, the theoretical insights of this richly textured book extend much beyond the contemporary Middle East. In our conversation, we talked about the concept of the transnational mosque, the historicist desires and assumptions that often undergird projects of mosque construction in Muslim societies, the transnational mosque, religious identity and international politics, and ways in which mobile networks of architects and corporations reorient our understanding of what we mean by the Middle East. This stunningly well-written book is also aesthetically pleasing, populated with wonderful visuals and images. It will also make an excellent reading for both undergraduate and graduate courses on sacred space, the modern Middle East, Islam and architecture, and religion, mobility, and globalization.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her excellent new book <a href="http://www.amazon.com/dp/1469621169/?tag=newbooinhis-20">The Transnational Mosque: Architecture and Historical Memory in the Contemporary Middle East</a> (UNC Press, 2015), <a href="http://arthistory.yale.edu/faculty/faculty/faculty_rizvi.html">Kishwar Rizvi</a>, Associate Professor of the History of Art at Yale University, interrogates the interaction of history, memory, and architecture by exploring arguably the most important sacred space in Islam: the mosque. By combining the study of religion, history, and architecture in the most compelling of ways, Rizvi highlights the material and political significance of the mosque as a transnational symbol. While focused on the contexts of Iran, Turkey, Saudi Arabia, and the UAE, the theoretical insights of this richly textured book extend much beyond the contemporary Middle East. In our conversation, we talked about the concept of the transnational mosque, the historicist desires and assumptions that often undergird projects of mosque construction in Muslim societies, the transnational mosque, religious identity and international politics, and ways in which mobile networks of architects and corporations reorient our understanding of what we mean by the Middle East. This stunningly well-written book is also aesthetically pleasing, populated with wonderful visuals and images. It will also make an excellent reading for both undergraduate and graduate courses on sacred space, the modern Middle East, Islam and architecture, and religion, mobility, and globalization.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1819</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=52903]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT5817998948.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Derek Sayer, “Prague, Capital of the Twentieth Century: A Surrealist History” (Princeton UP 2013)</title>
      <description>Prague, according to Derek Sayer, is the place “in which modernist dreams have time and again unraveled.” In this sweeping history of surrealism centered on Prague as both a physical location and the “magic capital” in the imagination of leading surrealists such as Andre Breton and Paul Aluard, Sayer takes the reader on a thematic journey from the beginning of the 20th  century to the immediate post-war era. In this interview, Sayer talks about why surrealism – and, more importantly, why Prague – is central to understanding the 20th  century and modernism. Through works of literature and works of architecture, Sayer demonstrates how Czech modernists pluralized visions of what modernist art should be. These Czech artists and architects were largely ignored in post-World War II exhibitions and histories of surrealism and modernism. With this book, Derek Sayer returns them to their proper place in the narrative.

Prague, Capital of Twentieth Century: A Surrealist History (Princeton University Press, 2013) received the 2014 George L. Mosse Prize from the American Historical Association. The prize is awarded annually for an outstanding major work of extraordinary scholarly distinction, creativity, and originality in the intellectual and cultural history of Europe since the Renaissance. The book also received an honorable mention for the 2014 Wayne S. Vucinich Book Prize, awarded to the “most important contribution to Russian, Eurasian, and East European studies in any discipline in the humanities or social sciences,” by The Association for Slavic, Eastern European, and Eurasian Studies (ASEEES).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Fri, 24 Jul 2015 18:41:48 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Prague, according to Derek Sayer, is the place “in which modernist dreams have time and again unraveled.” In this sweeping history of surrealism centered on Prague as both a physical location and the “magic capital” in the imagination of leading surrea...</itunes:subtitle>
      <itunes:summary>Prague, according to Derek Sayer, is the place “in which modernist dreams have time and again unraveled.” In this sweeping history of surrealism centered on Prague as both a physical location and the “magic capital” in the imagination of leading surrealists such as Andre Breton and Paul Aluard, Sayer takes the reader on a thematic journey from the beginning of the 20th  century to the immediate post-war era. In this interview, Sayer talks about why surrealism – and, more importantly, why Prague – is central to understanding the 20th  century and modernism. Through works of literature and works of architecture, Sayer demonstrates how Czech modernists pluralized visions of what modernist art should be. These Czech artists and architects were largely ignored in post-World War II exhibitions and histories of surrealism and modernism. With this book, Derek Sayer returns them to their proper place in the narrative.

Prague, Capital of Twentieth Century: A Surrealist History (Princeton University Press, 2013) received the 2014 George L. Mosse Prize from the American Historical Association. The prize is awarded annually for an outstanding major work of extraordinary scholarly distinction, creativity, and originality in the intellectual and cultural history of Europe since the Renaissance. The book also received an honorable mention for the 2014 Wayne S. Vucinich Book Prize, awarded to the “most important contribution to Russian, Eurasian, and East European studies in any discipline in the humanities or social sciences,” by The Association for Slavic, Eastern European, and Eurasian Studies (ASEEES).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Prague, according to <a href="http://www.lancaster.ac.uk/arts-and-social-sciences/about-us/people/derek-sayer">Derek Sayer</a>, is the place “in which modernist dreams have time and again unraveled.” In this sweeping history of surrealism centered on Prague as both a physical location and the “magic capital” in the imagination of leading surrealists such as Andre Breton and Paul Aluard, Sayer takes the reader on a thematic journey from the beginning of the 20th  century to the immediate post-war era. In this interview, Sayer talks about why surrealism – and, more importantly, why Prague – is central to understanding the 20th  century and modernism. Through works of literature and works of architecture, Sayer demonstrates how Czech modernists pluralized visions of what modernist art should be. These Czech artists and architects were largely ignored in post-World War II exhibitions and histories of surrealism and modernism. With this book, Derek Sayer returns them to their proper place in the narrative.</p><p>
<a href="http://press.princeton.edu/titles/9930.html">Prague, Capital of Twentieth Century: A Surrealist History</a> (Princeton University Press, 2013) received the 2014 George L. Mosse Prize from the American Historical Association. The prize is awarded annually for an outstanding major work of extraordinary scholarly distinction, creativity, and originality in the intellectual and cultural history of Europe since the Renaissance. The book also received an honorable mention for the 2014 Wayne S. Vucinich Book Prize, awarded to the “most important contribution to Russian, Eurasian, and East European studies in any discipline in the humanities or social sciences,” by The Association for Slavic, Eastern European, and Eurasian Studies (ASEEES).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4269</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksinarchitecture.com/2015/07/24/derek-sayer-prague-capital-of-the-twentieth-century-a-surrealist-history-princeton-up-2013/]]></guid>
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    </item>
    <item>
      <title>Jonathan M. Reynolds, “Allegories of Time and Space: Japanese Identity in Photography and Architecture” (U of Hawaii Press, 2015)</title>
      <description>Jonathan M. Reynolds‘s new book looks carefully at how photographers, architects, and others wrestled with a postwar identity crisis as they explored and struggled with new meanings of tradition, home, and culture in modern Japan. Building on the work of Walter Benjamin, Allegories of Time and Space: Japanese Identity in Photography and Architecture (University of Hawaii Press, 2015) takes readers into a range of media in which writers and artists engaged with these questions. From photographs of rural inhabitants of the Snow Country of northern Japan to photobooks on Japanese architecture to special structures built to serve young female nomads in Tokyo, the objects of Reynolds’s study all served their makers as spaces for working through problems of identity, Japaneseness, and their transformations. It’s a fascinating study that beautifully integrates images as an integral part of the text, and it is well worth reading.
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      <pubDate>Fri, 24 Jul 2015 18:32:37 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jonathan M. Reynolds‘s new book looks carefully at how photographers, architects, and others wrestled with a postwar identity crisis as they explored and struggled with new meanings of tradition, home, and culture in modern Japan.</itunes:subtitle>
      <itunes:summary>Jonathan M. Reynolds‘s new book looks carefully at how photographers, architects, and others wrestled with a postwar identity crisis as they explored and struggled with new meanings of tradition, home, and culture in modern Japan. Building on the work of Walter Benjamin, Allegories of Time and Space: Japanese Identity in Photography and Architecture (University of Hawaii Press, 2015) takes readers into a range of media in which writers and artists engaged with these questions. From photographs of rural inhabitants of the Snow Country of northern Japan to photobooks on Japanese architecture to special structures built to serve young female nomads in Tokyo, the objects of Reynolds’s study all served their makers as spaces for working through problems of identity, Japaneseness, and their transformations. It’s a fascinating study that beautifully integrates images as an integral part of the text, and it is well worth reading.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.columbia.edu/cu/arthistory/faculty/Reynolds.html">Jonathan M. Reynolds</a>‘s new book looks carefully at how photographers, architects, and others wrestled with a postwar identity crisis as they explored and struggled with new meanings of tradition, home, and culture in modern Japan. Building on the work of Walter Benjamin, <a href="http://www.amazon.com/dp/0824839242/?tag=newbooinhis-20">Allegories of Time and Space: Japanese Identity in Photography and Architecture</a> (University of Hawaii Press, 2015) takes readers into a range of media in which writers and artists engaged with these questions. From photographs of rural inhabitants of the Snow Country of northern Japan to photobooks on Japanese architecture to special structures built to serve young female nomads in Tokyo, the objects of Reynolds’s study all served their makers as spaces for working through problems of identity, Japaneseness, and their transformations. It’s a fascinating study that beautifully integrates images as an integral part of the text, and it is well worth reading.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4148</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/eastasianstudies/?p=2137]]></guid>
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    </item>
    <item>
      <title>Zoe Thompson, ‘Urban Constellations: Spaces of Cultural Regeneration in Post-industrial Britain’ Ashgate 2015</title>
      <description>What is the fate of culture and urban regeneration in the era of austerity? In Urban Constellations: Spaces of Cultural Regeneration in Post-industrial Britain (Ashgate, 2015), Zoe Thompson applies critical cultural theory to help understand this question. The book is based on four case studies, of The Lowry in Salford, The Deep in Hull, The Sage Gateshead and The Public in West Bromwich. These four case studies are read through a variety of methods, including walking and visual methods, along with two key theorists, Jean Baudrillard and Walter Benjamin. Baudrillard and Benjamin are juxtaposed as important thinkers of culture, the symbolic and the urban, in an attempt to show the ambivalences of cultural buildings used for urban regeneration. The buildings are narrated as ‘dreamhouses’ within the symbolic, as well as the political, economy of post-industrial urban spaces. The book shows how all the case studies offer elements of hope and redemption for their locations, whether as sites for individual’s memory, in the case of The Sage, or as collective notions of art and culture, in the example of The Lowry. However the book also shows the risks associated with these spaces, as premature ruins, in the case of the now closed The Public, or sites reminding us of nature’s revenge in the form of climate change, as The Deep does. The book will be of interest to a large range of scholars across cultural and urban studies, through to architecture and critical theory, and it has important lessons for contemporary urban policy too.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sat, 11 Apr 2015 19:40:38 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the fate of culture and urban regeneration in the era of austerity? In Urban Constellations: Spaces of Cultural Regeneration in Post-industrial Britain (Ashgate, 2015), Zoe Thompson applies critical cultural theory to help understand this quest...</itunes:subtitle>
      <itunes:summary>What is the fate of culture and urban regeneration in the era of austerity? In Urban Constellations: Spaces of Cultural Regeneration in Post-industrial Britain (Ashgate, 2015), Zoe Thompson applies critical cultural theory to help understand this question. The book is based on four case studies, of The Lowry in Salford, The Deep in Hull, The Sage Gateshead and The Public in West Bromwich. These four case studies are read through a variety of methods, including walking and visual methods, along with two key theorists, Jean Baudrillard and Walter Benjamin. Baudrillard and Benjamin are juxtaposed as important thinkers of culture, the symbolic and the urban, in an attempt to show the ambivalences of cultural buildings used for urban regeneration. The buildings are narrated as ‘dreamhouses’ within the symbolic, as well as the political, economy of post-industrial urban spaces. The book shows how all the case studies offer elements of hope and redemption for their locations, whether as sites for individual’s memory, in the case of The Sage, or as collective notions of art and culture, in the example of The Lowry. However the book also shows the risks associated with these spaces, as premature ruins, in the case of the now closed The Public, or sites reminding us of nature’s revenge in the form of climate change, as The Deep does. The book will be of interest to a large range of scholars across cultural and urban studies, through to architecture and critical theory, and it has important lessons for contemporary urban policy too.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the fate of culture and urban regeneration in the era of austerity? In <a href="http://www.amazon.com/dp/147242722X/?tag=newbooinhis-20">Urban Constellations: Spaces of Cultural Regeneration in Post-industrial Britain </a>(Ashgate, 2015), <a href="http://www.leedsbeckett.ac.uk/staff/dr-zoe-thompson/">Zoe Thompson</a> applies critical cultural theory to help understand this question. The book is based on four case studies, of <a href="http://www.thelowry.com">The Lowry in Salford</a>, <a href="https://www.thedeep.co.uk">The Deep in Hull</a>, <a href="http://www.sagegateshead.com">The Sage Gateshead</a> and <a href="http://en.wikipedia.org/wiki/The_Public,_West_Bromwich">The Public in West Bromwich</a>. These four case studies are read through a variety of methods, including walking and visual methods, along with two key theorists, Jean Baudrillard and Walter Benjamin. Baudrillard and Benjamin are juxtaposed as important thinkers of culture, the symbolic and the urban, in an attempt to show the ambivalences of cultural buildings used for urban regeneration. The buildings are narrated as ‘dreamhouses’ within the symbolic, as well as the political, economy of post-industrial urban spaces. The book shows how all the case studies offer elements of hope and redemption for their locations, whether as sites for individual’s memory, in the case of The Sage, or as collective notions of art and culture, in the example of The Lowry. However the book also shows the risks associated with these spaces, as premature ruins, in the case of the now closed The Public, or sites reminding us of nature’s revenge in the form of climate change, as The Deep does. The book will be of interest to a large range of scholars across cultural and urban studies, through to architecture and critical theory, and it has important lessons for contemporary urban policy too.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2285</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=563]]></guid>
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    </item>
    <item>
      <title>David Smiley, “Pedestrian Modern: Shopping and American Architecture, 1925-1956” (University of Minnesota Press, 2013)</title>
      <description>Most of us have been to strip malls–lines of shops fronted by acres of parking–and most of us have been to closed malls–massive buildings full of shops and surrounded by acres of parking. Fewer of us have been to open malls: small parks ringed by shops with parking carefully tucked out of sight. That’s because open malls–once numerous–have largely disappeared, having been replaced by strip malls, closed malls and, more recently, big-box stores.

As David Smiley points out in his wonderfully researched and beautifully illustrated book Pedestrian Modern: Shopping and American Architecture, 1925-1956 (University of Minnesota Press, 2013), the open mall was a response to a number of macro-historical, mid-twentieth century forces: the explosion of car culture, the decline of urban centers, the rise of suburbs, and, of course, mass consumerism. But he also shows that the open mall wasn’t just an banal machine for selling; it was a canvas upon which Modernist architects could create a uniquely American kind of Modernist architecture. The strip mall, the closed mall, and the big-box store may be artless, but the mid-century open mall certainly was not. It had style, as the many wonderful images in David’s book show.

Interestingly, the open mall is making a comeback. I visited one outside Hartford, Connecticut. Alas, it has none of the Modernist elements that made the original open malls so interesting. To me, it looked like a closed mall turned inside out.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 13 Mar 2014 15:43:36 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Most of us have been to strip malls–lines of shops fronted by acres of parking–and most of us have been to closed malls–massive buildings full of shops and surrounded by acres of parking. Fewer of us have been to open malls: small parks ringed by shops...</itunes:subtitle>
      <itunes:summary>Most of us have been to strip malls–lines of shops fronted by acres of parking–and most of us have been to closed malls–massive buildings full of shops and surrounded by acres of parking. Fewer of us have been to open malls: small parks ringed by shops with parking carefully tucked out of sight. That’s because open malls–once numerous–have largely disappeared, having been replaced by strip malls, closed malls and, more recently, big-box stores.

As David Smiley points out in his wonderfully researched and beautifully illustrated book Pedestrian Modern: Shopping and American Architecture, 1925-1956 (University of Minnesota Press, 2013), the open mall was a response to a number of macro-historical, mid-twentieth century forces: the explosion of car culture, the decline of urban centers, the rise of suburbs, and, of course, mass consumerism. But he also shows that the open mall wasn’t just an banal machine for selling; it was a canvas upon which Modernist architects could create a uniquely American kind of Modernist architecture. The strip mall, the closed mall, and the big-box store may be artless, but the mid-century open mall certainly was not. It had style, as the many wonderful images in David’s book show.

Interestingly, the open mall is making a comeback. I visited one outside Hartford, Connecticut. Alas, it has none of the Modernist elements that made the original open malls so interesting. To me, it looked like a closed mall turned inside out.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Most of us have been to strip malls–lines of shops fronted by acres of parking–and most of us have been to closed malls–massive buildings full of shops and surrounded by acres of parking. Fewer of us have been to open malls: small parks ringed by shops with parking carefully tucked out of sight. That’s because open malls–once numerous–have largely disappeared, having been replaced by strip malls, closed malls and, more recently, big-box stores.</p><p>
As <a href="http://www.designtrust.org/fellowships/fellow_smiley.html">David Smiley</a> points out in his wonderfully researched and beautifully illustrated book <a href="http://www.amazon.com/dp/0816679304/?tag=newbooinhis-20">Pedestrian Modern: Shopping and American Architecture, 1925-1956</a> (University of Minnesota Press, 2013), the open mall was a response to a number of macro-historical, mid-twentieth century forces: the explosion of car culture, the decline of urban centers, the rise of suburbs, and, of course, mass consumerism. But he also shows that the open mall wasn’t just an banal machine for selling; it was a canvas upon which Modernist architects could create a uniquely American kind of Modernist architecture. The strip mall, the closed mall, and the big-box store may be artless, but the mid-century open mall certainly was not. It had style, as the many wonderful images in David’s book show.</p><p>
Interestingly, the open mall is making a comeback. I visited <a href="https://www.facebook.com/ThePromenadeShopsAtEvergreenWalk">one</a> outside Hartford, Connecticut. Alas, it has none of the Modernist elements that made the original open malls so interesting. To me, it looked like a closed mall turned inside out.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3968</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/history/?p=8159]]></guid>
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    <item>
      <title>Anastasia Karandinou, “No Matter: Theories and Practices of the Ephemeral in Architecture” (Ashgate, 2013)</title>
      <description>The intersection of empirical research and critical theory is the basis for Anastasia Karandinou‘s new book  No Matter: Theories and Practices of the Ephemeral in Architecture (Ashgate, 2013).  The book takes as its starting point the growth of interest in ephemeral aspects of architecture, for example sound or time, which has arisen during the era of social and digital media. The two developments are interconnected across the book’s attempt to disrupt the traditional binary hierarchies dominant in architectural theory. Drawing on Derrida, Benjamin and Deluze, alongside a range of architects and architectural theorists,  No Matter  raises questions about the dominance of the visual over the non-visual; the formal over the material; and the physical over the digital. The range of empirical case studies used to illustrate the instability of the theoretical divisions ranges from audio projects in Edinburgh, Scotland to performative mapping in Shanghai, China. As a result of both its theoretical basis and its use of case study material,  No Matter will interest anyone who wants to know more about the intersection of the built environment around us and the digital world that we use to live our lives.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 30 Jan 2014 15:03:04 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The intersection of empirical research and critical theory is the basis for Anastasia Karandinou‘s new book No Matter: Theories and Practices of the Ephemeral in Architecture (Ashgate, 2013). The book takes as its starting point the growth of interest ...</itunes:subtitle>
      <itunes:summary>The intersection of empirical research and critical theory is the basis for Anastasia Karandinou‘s new book  No Matter: Theories and Practices of the Ephemeral in Architecture (Ashgate, 2013).  The book takes as its starting point the growth of interest in ephemeral aspects of architecture, for example sound or time, which has arisen during the era of social and digital media. The two developments are interconnected across the book’s attempt to disrupt the traditional binary hierarchies dominant in architectural theory. Drawing on Derrida, Benjamin and Deluze, alongside a range of architects and architectural theorists,  No Matter  raises questions about the dominance of the visual over the non-visual; the formal over the material; and the physical over the digital. The range of empirical case studies used to illustrate the instability of the theoretical divisions ranges from audio projects in Edinburgh, Scotland to performative mapping in Shanghai, China. As a result of both its theoretical basis and its use of case study material,  No Matter will interest anyone who wants to know more about the intersection of the built environment around us and the digital world that we use to live our lives.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The intersection of empirical research and critical theory is the basis for <a href="http://www.port.ac.uk/portsmouth-school-of-architecture/staff/dr-anastasia-karandinou.html">Anastasia Karandinou</a>‘s new book  <a href="http://www.amazon.com/dp/1409466280/?tag=newbooinhis-20">No Matter: Theories and Practices of the Ephemeral in Architecture</a> (Ashgate, 2013).  The book takes as its starting point the growth of interest in ephemeral aspects of architecture, for example sound or time, which has arisen during the era of social and digital media. The two developments are interconnected across the book’s attempt to disrupt the traditional binary hierarchies dominant in architectural theory. Drawing on Derrida, Benjamin and Deluze, alongside a range of architects and architectural theorists,  No Matter  raises questions about the dominance of the visual over the non-visual; the formal over the material; and the physical over the digital. The range of empirical case studies used to illustrate the instability of the theoretical divisions ranges from audio projects in Edinburgh, Scotland to performative mapping in Shanghai, China. As a result of both its theoretical basis and its use of case study material,  No Matter will interest anyone who wants to know more about the intersection of the built environment around us and the digital world that we use to live our lives.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>2854</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=295]]></guid>
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    <item>
      <title>Gregory Heller, “Ed Bacon: Planning, Politics, and the Building of Modern Philadelphia” (University of Pennsylvania Press, 2013)</title>
      <description>Gregory Heller is the author of Ed Bacon: Planning, Politics, and the Building of Modern Philadelphia (University of Pennsylvania Press, 2013). Heller is Senior Advisor at Econsult Solutions, Inc. in Philadelphia.

Bacon’s vision and leadership on urban renewal helped to create the physical landscape of what Philadelphia is today. He was central to many of the public and private projects that recreated this modern city. But, as the book title suggests, Bacon’s legacy is more than just as a planner. Heller dubs Heller ‘the planner as policy entrepreneur’. In doing so, Heller’s biography of Bacon can be read as an extended case-study in the policy process and urban politics. Bacon’s deep belief in public participation resulted in a vision for planning that was profoundly democratic and a great departure from many of his contemporaries who were often dismissive or indifferent of public input.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Mon, 12 Aug 2013 06:00:39 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Gregory Heller is the author of Ed Bacon: Planning, Politics, and the Building of Modern Philadelphia (University of Pennsylvania Press, 2013). Heller is Senior Advisor at Econsult Solutions, Inc. in Philadelphia.</itunes:subtitle>
      <itunes:summary>Gregory Heller is the author of Ed Bacon: Planning, Politics, and the Building of Modern Philadelphia (University of Pennsylvania Press, 2013). Heller is Senior Advisor at Econsult Solutions, Inc. in Philadelphia.

Bacon’s vision and leadership on urban renewal helped to create the physical landscape of what Philadelphia is today. He was central to many of the public and private projects that recreated this modern city. But, as the book title suggests, Bacon’s legacy is more than just as a planner. Heller dubs Heller ‘the planner as policy entrepreneur’. In doing so, Heller’s biography of Bacon can be read as an extended case-study in the policy process and urban politics. Bacon’s deep belief in public participation resulted in a vision for planning that was profoundly democratic and a great departure from many of his contemporaries who were often dismissive or indifferent of public input.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.econsultsolutions.com/our-people/senior-advisors/mr-gregory-heller/">Gregory Heller</a> is the author of <a href="http://www.amazon.com/dp/0812244907/?tag=newbooinhis-20">Ed Bacon: Planning, Politics, and the Building of Modern Philadelphia </a>(University of Pennsylvania Press, 2013). Heller is Senior Advisor at Econsult Solutions, Inc. in Philadelphia.</p><p>
Bacon’s vision and leadership on urban renewal helped to create the physical landscape of what Philadelphia is today. He was central to many of the public and private projects that recreated this modern city. But, as the book title suggests, Bacon’s legacy is more than just as a planner. Heller dubs Heller ‘the planner as policy entrepreneur’. In doing so, Heller’s biography of Bacon can be read as an extended case-study in the policy process and urban politics. Bacon’s deep belief in public participation resulted in a vision for planning that was profoundly democratic and a great departure from many of his contemporaries who were often dismissive or indifferent of public input.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>1859</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/politicalscience/?p=763]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT5439848488.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jeffrey Balmer and Michael Swisher, “Diagramming the Big Idea: Methods for Architectural Composition” (Routledge, 2012)</title>
      <description>In their new book Diagramming the Big Idea (Routledge, 2012),  Jeffrey Balmer and Michael Swisher offer some new insights into the eternal problem of how creativity works. As you will hear in our interview, they are beginning design instructors and colleagues at University of North Carolina in Charlotte where they teach architecture students how to communicate their ideas and concepts through diagramming. The material for this book developed out of their teaching and a realization that students and professionals needed more resources to nurture their design thinking skills and methods. Of interest to both architects and anyone who wants to know more about the design process, this book explains how and why diagrams work, provides examples of successful diagramming strategies, and offers step-by-step instructions on how to make your own diagrams in two and three dimensions. The interview offers many insights into this fascinating and understudied topic.
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      <pubDate>Thu, 09 May 2013 13:08:12 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In their new book Diagramming the Big Idea (Routledge, 2012), Jeffrey Balmer and Michael Swisher offer some new insights into the eternal problem of how creativity works. As you will hear in our interview, they are beginning design instructors and coll...</itunes:subtitle>
      <itunes:summary>In their new book Diagramming the Big Idea (Routledge, 2012),  Jeffrey Balmer and Michael Swisher offer some new insights into the eternal problem of how creativity works. As you will hear in our interview, they are beginning design instructors and colleagues at University of North Carolina in Charlotte where they teach architecture students how to communicate their ideas and concepts through diagramming. The material for this book developed out of their teaching and a realization that students and professionals needed more resources to nurture their design thinking skills and methods. Of interest to both architects and anyone who wants to know more about the design process, this book explains how and why diagrams work, provides examples of successful diagramming strategies, and offers step-by-step instructions on how to make your own diagrams in two and three dimensions. The interview offers many insights into this fascinating and understudied topic.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In their new book <a href="http://www.amazon.com/dp/0415894093/?tag=newbooinhis-20">Diagramming the Big Idea</a> (Routledge, 2012),  <a href="http://coaa.uncc.edu/people/jeff-balmer">Jeffrey Balmer</a> and <a href="https://coaa.uncc.edu/people/michael-swisher">Michael Swisher</a> offer some new insights into the eternal problem of how creativity works. As you will hear in our interview, they are beginning design instructors and colleagues at University of North Carolina in Charlotte where they teach architecture students how to communicate their ideas and concepts through diagramming. The material for this book developed out of their teaching and a realization that students and professionals needed more resources to nurture their design thinking skills and methods. Of interest to both architects and anyone who wants to know more about the design process, this book explains how and why diagrams work, provides examples of successful diagramming strategies, and offers step-by-step instructions on how to make your own diagrams in two and three dimensions. The interview offers many insights into this fascinating and understudied topic.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4127</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/architecture/?p=56]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT8700451189.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jini Kim Watson, “The New Asian City: Three-Dimensional Fictions of Space and Urban Form (University of Minnesota Press, 2011)</title>
      <description>Jini Kim Watson‘s book links literature, architecture, urban studies, film, and economic history into a wonderfully rich account of the fictions of urban transformation in Singapore, South Korea, and Taiwan. Ranging from the colonial period to the late 1980s,  The New Asian City: Three-Dimensional Fictions of Space and Urban Form (University of Minnesota Press, 2011) introduces fictional, poetic, and cinematic texts that reflect the different but concordant ways that writers in these newly industrializing cityscapes of the Pacific Rim negotiated new built environments and experiences of modern space. Watson expertly guides us through a historical and theoretical account of colonial urban development and the literature that emerged from it, before moving to the postwar and postcolonial context of the mid-late twentieth century. Individual subjectivities, as we encounter them in a series of fascinating literary texts, are reimagined in cities full of high-rise apartments, construction sites, and spatial forms that grow in tandem with forms of urban labor. Watson’s book considers the refiguring of interiors and exteriors, collectivities and persons, men and women, points and routes. Several chapters offer a comparative analysis of nationalist discourses and fictional forms in light of a new urban space pulsing with flows of commodities and laboring bodies. By the end of the book, the reader leaves this wonderful collection of stories and analyses inspired to think about and experience built space anew. (This reader certainly did!)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Tue, 06 Nov 2012 20:35:04 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jini Kim Watson‘s book links literature, architecture, urban studies, film, and economic history into a wonderfully rich account of the fictions of urban transformation in Singapore, South Korea, and Taiwan.</itunes:subtitle>
      <itunes:summary>Jini Kim Watson‘s book links literature, architecture, urban studies, film, and economic history into a wonderfully rich account of the fictions of urban transformation in Singapore, South Korea, and Taiwan. Ranging from the colonial period to the late 1980s,  The New Asian City: Three-Dimensional Fictions of Space and Urban Form (University of Minnesota Press, 2011) introduces fictional, poetic, and cinematic texts that reflect the different but concordant ways that writers in these newly industrializing cityscapes of the Pacific Rim negotiated new built environments and experiences of modern space. Watson expertly guides us through a historical and theoretical account of colonial urban development and the literature that emerged from it, before moving to the postwar and postcolonial context of the mid-late twentieth century. Individual subjectivities, as we encounter them in a series of fascinating literary texts, are reimagined in cities full of high-rise apartments, construction sites, and spatial forms that grow in tandem with forms of urban labor. Watson’s book considers the refiguring of interiors and exteriors, collectivities and persons, men and women, points and routes. Several chapters offer a comparative analysis of nationalist discourses and fictional forms in light of a new urban space pulsing with flows of commodities and laboring bodies. By the end of the book, the reader leaves this wonderful collection of stories and analyses inspired to think about and experience built space anew. (This reader certainly did!)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://english.as.nyu.edu/object/JiniWatson.html">Jini Kim Watson</a>‘s book links literature, architecture, urban studies, film, and economic history into a wonderfully rich account of the fictions of urban transformation in Singapore, South Korea, and Taiwan. Ranging from the colonial period to the late 1980s,  <a href="http://www.amazon.com/dp/0816675732/?tag=newbooinhis-20">The New Asian City: Three-Dimensional Fictions of Space and Urban Form</a> (University of Minnesota Press, 2011) introduces fictional, poetic, and cinematic texts that reflect the different but concordant ways that writers in these newly industrializing cityscapes of the Pacific Rim negotiated new built environments and experiences of modern space. Watson expertly guides us through a historical and theoretical account of colonial urban development and the literature that emerged from it, before moving to the postwar and postcolonial context of the mid-late twentieth century. Individual subjectivities, as we encounter them in a series of fascinating literary texts, are reimagined in cities full of high-rise apartments, construction sites, and spatial forms that grow in tandem with forms of urban labor. Watson’s book considers the refiguring of interiors and exteriors, collectivities and persons, men and women, points and routes. Several chapters offer a comparative analysis of nationalist discourses and fictional forms in light of a new urban space pulsing with flows of commodities and laboring bodies. By the end of the book, the reader leaves this wonderful collection of stories and analyses inspired to think about and experience built space anew. (This reader certainly did!)</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4227</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/eastasianstudies/?p=524]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT1202461140.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Igor Marjanovic, “Marina City: Bertrand Goldberg’s Urban Vision” (Princeton Architectural Press, 2010)</title>
      <description>Anyone who has visited downtown Chicago will remember seeing the dazzling round towers of Bertrand Goldberg’s Marina City on the north bank of the river. Often photographed, always a curiosity, these iconic buildings have been featured in numerous magazines, postcards, album covers, and films, but until now have received surprisingly little scholarly attention. In their delightful book, Marina City: Bertrand Goldberg’s Urban Vision (Princeton Architectural Press, 2010) authors Igor Marjanovicand Katerina Ruedi Ray meticulously reconstruct the history of this building complex from all conceivable angles. Their chapters include discussions of Goldberg’s career, the project’s financing, the formal and structural successes of its modernist design, and Marina City’s life in images after the project was complete.

As you will learn from my interview with co-author Igor Marjanovic,what most people don’t know are that these towers are only the most visible part of a block-sized complex that also includes a public plaza (that once had a skating rink), an underground shopping center, a theater, and a marina on the river. The project was conceived inside and out by Chicago-based architect Bertrand Goldberg and financed by the Chicago Janitors’ Union, which was looking to invest pension dollars in a prominent real estate project. The financial end of the deal didn’t turn out quite as expected, but Goldberg, who trained at Harvard and the German Bauhaus, managed to construct one of the twentieth century’s greatest urban apartment buildings. This address still attracts design-minded residents looking for compact residential living in the heart of Chicago, and you don’t even have to give up your car (or your boat) to live there.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 24 Jun 2012 12:30:13 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Anyone who has visited downtown Chicago will remember seeing the dazzling round towers of Bertrand Goldberg’s Marina City on the north bank of the river. Often photographed, always a curiosity, these iconic buildings have been featured in numerous maga...</itunes:subtitle>
      <itunes:summary>Anyone who has visited downtown Chicago will remember seeing the dazzling round towers of Bertrand Goldberg’s Marina City on the north bank of the river. Often photographed, always a curiosity, these iconic buildings have been featured in numerous magazines, postcards, album covers, and films, but until now have received surprisingly little scholarly attention. In their delightful book, Marina City: Bertrand Goldberg’s Urban Vision (Princeton Architectural Press, 2010) authors Igor Marjanovicand Katerina Ruedi Ray meticulously reconstruct the history of this building complex from all conceivable angles. Their chapters include discussions of Goldberg’s career, the project’s financing, the formal and structural successes of its modernist design, and Marina City’s life in images after the project was complete.

As you will learn from my interview with co-author Igor Marjanovic,what most people don’t know are that these towers are only the most visible part of a block-sized complex that also includes a public plaza (that once had a skating rink), an underground shopping center, a theater, and a marina on the river. The project was conceived inside and out by Chicago-based architect Bertrand Goldberg and financed by the Chicago Janitors’ Union, which was looking to invest pension dollars in a prominent real estate project. The financial end of the deal didn’t turn out quite as expected, but Goldberg, who trained at Harvard and the German Bauhaus, managed to construct one of the twentieth century’s greatest urban apartment buildings. This address still attracts design-minded residents looking for compact residential living in the heart of Chicago, and you don’t even have to give up your car (or your boat) to live there.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Anyone who has visited downtown Chicago will remember seeing the dazzling round towers of Bertrand Goldberg’s Marina City on the north bank of the river. Often photographed, always a curiosity, these iconic buildings have been featured in numerous magazines, postcards, album covers, and films, but until now have received surprisingly little scholarly attention. In their delightful book, <a href="http://www.amazon.com/dp/156898863X/?tag=newbooinhis-20">Marina City: Bertrand Goldberg’s Urban Vision </a>(Princeton Architectural Press, 2010) authors <a href="http://samfoxschool.wustl.edu/portfolios/faculty/igor_marjanovic">Igor Marjanovic</a>and Katerina Ruedi Ray meticulously reconstruct the history of this building complex from all conceivable angles. Their chapters include discussions of Goldberg’s career, the project’s financing, the formal and structural successes of its modernist design, and Marina City’s life in images after the project was complete.</p><p>
As you will learn from my interview with co-author Igor Marjanovic,what most people don’t know are that these towers are only the most visible part of a block-sized complex that also includes a public plaza (that once had a skating rink), an underground shopping center, a theater, and a marina on the river. The project was conceived inside and out by Chicago-based architect Bertrand Goldberg and financed by the Chicago Janitors’ Union, which was looking to invest pension dollars in a prominent real estate project. The financial end of the deal didn’t turn out quite as expected, but Goldberg, who trained at Harvard and the German Bauhaus, managed to construct one of the twentieth century’s greatest urban apartment buildings. This address still attracts design-minded residents looking for compact residential living in the heart of Chicago, and you don’t even have to give up your car (or your boat) to live there.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3763</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/architecture/?p=28]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT9387038822.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Harwood, “The Interface: IBM and the Transformation of Corporate Design, 1945-1976” (University of Minnesota Press, 2011)</title>
      <description>Philip Kretsedemas is the author of Migrants and Race in the US: Territorial Racism and the Alien/Outside (Routledge, 2014). Kretsedemas is associate professor of sociology at University of Massachusetts-Boston. This is the second time he has been featured on New Books in Political Science podcast. In Migrants and Race in the US, Kretsedemas explains how migrants can be viewed as racial others, not just because they are viewed as nonwhite, but because they are racially “alien.” This way of seeing makes it possible to distinguish migrants from a set of racial categories that are presumed to be indigenous to the nation. In the US, these indigenous racial categories are usually defined in terms of white and black.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Sun, 24 Jun 2012 12:05:33 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Philip Kretsedemas is the author of Migrants and Race in the US: Territorial Racism and the Alien/Outside (Routledge, 2014). Kretsedemas is associate professor of sociology at University of Massachusetts-Boston.</itunes:subtitle>
      <itunes:summary>Philip Kretsedemas is the author of Migrants and Race in the US: Territorial Racism and the Alien/Outside (Routledge, 2014). Kretsedemas is associate professor of sociology at University of Massachusetts-Boston. This is the second time he has been featured on New Books in Political Science podcast. In Migrants and Race in the US, Kretsedemas explains how migrants can be viewed as racial others, not just because they are viewed as nonwhite, but because they are racially “alien.” This way of seeing makes it possible to distinguish migrants from a set of racial categories that are presumed to be indigenous to the nation. In the US, these indigenous racial categories are usually defined in terms of white and black.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.umb.edu/academics/cla/faculty/philip_kretsedemas">Philip Kretsedemas </a>is the author of <a href="http://www.amazon.com/dp/041565839X/?tag=newbooinhis-20">Migrants and Race in the US: Territorial Racism and the Alien/Outside</a> (Routledge, 2014). Kretsedemas is associate professor of sociology at University of Massachusetts-Boston. This is the second time he has been featured on New Books in Political Science podcast. In Migrants and Race in the US, Kretsedemas explains how migrants can be viewed as racial others, not just because they are viewed as nonwhite, but because they are racially “alien.” This way of seeing makes it possible to distinguish migrants from a set of racial categories that are presumed to be indigenous to the nation. In the US, these indigenous racial categories are usually defined in terms of white and black.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>4083</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/architecture/?p=19]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT5424678993.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kimberly Zarecor, “Manufacturing a Socialist Modernity: Housing in Czechoslovakia, 1945-1960” (Pittsburgh UP, 2011)</title>
      <description>When I first went to the Soviet Union (in all my ignorance), I was amazed that everyone in Moscow lived in what I called “housing projects.” The Russians called them “houses” (doma), but they weren’t houses as I understood them at all. They were huge, multi-story, cookie-cutter apartment blocks, one standing right next to the other for miles. “Why?” I asked myself.

Kimberly Zarecor‘s wonderfulManufacturing a Socialist Modernity: Housing in Czechoslovakia, 1945-1960 (Pittsburgh UP, 2011) goes a long way in providing an answer, and it’s a surprising one. As she shows, socialism and architectural modernism were tightly linked even before the Second World War. This was true in the Soviet Union, of course, but it was also true throughout much of Europe–especially in Czechoslovakia. The avante guard of Czech architects were enthralled with modernism, just as they were (with some exceptions) enthralled with the promise of communism. They believed modernism provided a template for a truly socialist architecture, particularly in the sphere of housing. Once the communists came to power after the war, the Czech architects were given the opportunity to realize the dream of building that truly socialist built environment. The result was the “panel house”: pre-fab apartment blocks built in factories, transported to sites, and then assembled. They were strikingly modern in terms of design, construction techniques and materials. Over time, the panel-house vision was compromised: by Socialist Realism, by economic constraints, by corruption and politics. But if you travel to the Czech Republic today, you can still see excellent examples of modernist panel houses in more or less pure form. Let Kimberly Zarecor be you guide.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 31 May 2012 10:55:52 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>When I first went to the Soviet Union (in all my ignorance), I was amazed that everyone in Moscow lived in what I called “housing projects.” The Russians called them “houses” (doma), but they weren’t houses as I understood them at all. They were huge,</itunes:subtitle>
      <itunes:summary>When I first went to the Soviet Union (in all my ignorance), I was amazed that everyone in Moscow lived in what I called “housing projects.” The Russians called them “houses” (doma), but they weren’t houses as I understood them at all. They were huge, multi-story, cookie-cutter apartment blocks, one standing right next to the other for miles. “Why?” I asked myself.

Kimberly Zarecor‘s wonderfulManufacturing a Socialist Modernity: Housing in Czechoslovakia, 1945-1960 (Pittsburgh UP, 2011) goes a long way in providing an answer, and it’s a surprising one. As she shows, socialism and architectural modernism were tightly linked even before the Second World War. This was true in the Soviet Union, of course, but it was also true throughout much of Europe–especially in Czechoslovakia. The avante guard of Czech architects were enthralled with modernism, just as they were (with some exceptions) enthralled with the promise of communism. They believed modernism provided a template for a truly socialist architecture, particularly in the sphere of housing. Once the communists came to power after the war, the Czech architects were given the opportunity to realize the dream of building that truly socialist built environment. The result was the “panel house”: pre-fab apartment blocks built in factories, transported to sites, and then assembled. They were strikingly modern in terms of design, construction techniques and materials. Over time, the panel-house vision was compromised: by Socialist Realism, by economic constraints, by corruption and politics. But if you travel to the Czech Republic today, you can still see excellent examples of modernist panel houses in more or less pure form. Let Kimberly Zarecor be you guide.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When I first went to the Soviet Union (in all my ignorance), I was amazed that everyone in Moscow lived in what I called “housing projects.” The Russians called them “houses” (doma), but they weren’t houses as I understood them at all. They were huge, multi-story, cookie-cutter apartment blocks, one standing right next to the other for miles. “Why?” I asked myself.</p><p>
<a href="http://www.design.iastate.edu/FACULTY/zarecor.php">Kimberly Zarecor</a>‘s wonderful<a href="http://www.amazon.com/dp/0822944049/?tag=newbooinhis-20">Manufacturing a Socialist Modernity: Housing in Czechoslovakia, 1945-1960</a> (Pittsburgh UP, 2011) goes a long way in providing an answer, and it’s a surprising one. As she shows, socialism and architectural modernism were tightly linked even before the Second World War. This was true in the Soviet Union, of course, but it was also true throughout much of Europe–especially in Czechoslovakia. The avante guard of Czech architects were enthralled with modernism, just as they were (with some exceptions) enthralled with the promise of communism. They believed modernism provided a template for a truly socialist architecture, particularly in the sphere of housing. Once the communists came to power after the war, the Czech architects were given the opportunity to realize the dream of building that truly socialist built environment. The result was the “panel house”: pre-fab apartment blocks built in factories, transported to sites, and then assembled. They were strikingly modern in terms of design, construction techniques and materials. Over time, the panel-house vision was compromised: by Socialist Realism, by economic constraints, by corruption and politics. But if you travel to the Czech Republic today, you can still see excellent examples of modernist panel houses in more or less pure form. Let Kimberly Zarecor be you guide.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
      </content:encoded>
      <itunes:duration>3847</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/history/?p=6494]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/traffic.megaphone.fm/LIT2589927989.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Samuel Zipp, “Manhattan Projects: The Rise and Fall of Urban Renewal in Cold War New York” (Oxford UP, 2010)</title>
      <description>If you’ve ever lived in New York City, you know exactly what a “pre-war building” is. First and foremost, it’s better than a “post-war building.” Why, you might ask, is that so?

Well part of the reason has to do with wartime and post-war “urban renewal,” that is, the process by which the Washington, big city governments, big city banks, and big city developers came together to clear “slums” and erect modern (really “modernist”) apartment blocks and complexes of apartment blocks. Think “the projects” (or, more generally, “public housing“). In the 1940s, 1950s, and 1960s, the New York City Housing Authority supervised the construction of a lot of them. Today roughly 500,000 New Yorkers live in them. And many of them, I would guess, probably wish they lived in “pre-war buildings.”

Sandy Zipp does a wonderful job of telling the story of this re-making of New York in his fascinating book Manhattan Projects: The Rise and Fall of Urban Renewal in Cold War New York (Oxford UP, 2010). Along the way, myths are busted (“the projects” were not built for poor folks), villains are redeemed (Robert Moses wasn’t really such a bad guy), and ugly buildings are explained (many serious people really thought tower blocks were beautiful). The book makes plain why large chunks of Manhattan (and many other cities) look the way they do and why they are thought of the way they are. Read it and find out.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</description>
      <pubDate>Thu, 22 Sep 2011 18:25:08 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>If you’ve ever lived in New York City, you know exactly what a “pre-war building” is. First and foremost, it’s better than a “post-war building.” Why, you might ask, is that so? Well part of the reason has to do with wartime and post-war “urban renewal...</itunes:subtitle>
      <itunes:summary>If you’ve ever lived in New York City, you know exactly what a “pre-war building” is. First and foremost, it’s better than a “post-war building.” Why, you might ask, is that so?

Well part of the reason has to do with wartime and post-war “urban renewal,” that is, the process by which the Washington, big city governments, big city banks, and big city developers came together to clear “slums” and erect modern (really “modernist”) apartment blocks and complexes of apartment blocks. Think “the projects” (or, more generally, “public housing“). In the 1940s, 1950s, and 1960s, the New York City Housing Authority supervised the construction of a lot of them. Today roughly 500,000 New Yorkers live in them. And many of them, I would guess, probably wish they lived in “pre-war buildings.”

Sandy Zipp does a wonderful job of telling the story of this re-making of New York in his fascinating book Manhattan Projects: The Rise and Fall of Urban Renewal in Cold War New York (Oxford UP, 2010). Along the way, myths are busted (“the projects” were not built for poor folks), villains are redeemed (Robert Moses wasn’t really such a bad guy), and ugly buildings are explained (many serious people really thought tower blocks were beautiful). The book makes plain why large chunks of Manhattan (and many other cities) look the way they do and why they are thought of the way they are. Read it and find out.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you’ve ever lived in New York City, you know exactly what a “pre-war building” is. First and foremost, it’s better than a “post-war building.” Why, you might ask, is that so?</p><p>
Well part of the reason has to do with wartime and post-war “urban renewal,” that is, the process by which the Washington, big city governments, big city banks, and big city developers came together to clear “slums” and erect modern (really “modernist”) apartment blocks and complexes of apartment blocks. Think “the projects” (or, more generally, “<a href="http://en.wikipedia.org/wiki/Public_housing">public housing</a>“). In the 1940s, 1950s, and 1960s, the <a href="http://en.wikipedia.org/wiki/New_York_City_Housing_Authority">New York City Housing Authority</a> supervised the construction of a lot of them. Today roughly 500,000 New Yorkers live in them. And many of them, I would guess, probably wish they lived in “pre-war buildings.”</p><p>
<a href="http://www.brown.edu/Departments/AmCiv/people/facultypage.php?id=1187362851">Sandy Zipp</a> does a wonderful job of telling the story of this re-making of New York in his fascinating book <a href="http://www.amazon.com/dp/0195328744/?tag=newbooinhis-20">Manhattan Projects: The Rise and Fall of Urban Renewal in Cold War New York</a> (Oxford UP, 2010). Along the way, myths are busted (“the projects” were not built for poor folks), villains are redeemed (Robert Moses wasn’t really such a bad guy), and ugly buildings are explained (many serious people really thought tower blocks were beautiful). The book makes plain why large chunks of Manhattan (and many other cities) look the way they do and why they are thought of the way they are. Read it and find out.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
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      <title>Greg Castillo, “Cold War on the Home Front: The Soft Power of Midcentury Design” (Minnesota UP, 2009)</title>
      <description>If you grew up in the 1960s or 1970s in suburbia, you probably lived in a smallish ranch house that looked like this. That house probably had an “ultra modern” kitchen that probably looked like this. I grew up in such a house and it had such a kitchen. In fact, I think my mom, sister, and self were models for this ad. (Or may be not. My mom never baked, had a job, and generally dressed in what she called “slacks.” Very modern indeed.) Anyway, we didn’t know it, but our house, kitchen, and “life style” were fighting the Cold War. You can read all about it in Greg Castillo’s fascinating new book Cold War on the Home Front: The Soft Power of Midcentury Design (Minnesota UP, 2009). The leaders of both the Capitalist and Communist worlds claimed to be able to afford their citizens a superior way of life and in the post-war world “superior way of life” meant more, better stuff. So these same leaders enlisted industrial designers in their struggle for supremacy. The West had ranch houses, avocado kitchens, and pink telephones; the East had neo-Classical apartment blocks, reading-corners, and built-in radios (pre-tuned, of course, to official stations). In the end, I suppose, the West “won,” but as Greg points out it did so with a kind of domestic architecture and interior design that has now become so bloated that it is, economically at least, unsustainable. The average ranch house was about 1000 square feet; today the average new home in the U.S. is around 2500 square feet. Al Gore’s house is 10,000 square feet (not counting the guest and pool houses). Inconvenient, but true.

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      <pubDate>Fri, 07 May 2010 18:04:34 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>If you grew up in the 1960s or 1970s in suburbia, you probably lived in a smallish ranch house that looked like this. That house probably had an “ultra modern” kitchen that probably looked like this. I grew up in such a house and it had such a kitchen....</itunes:subtitle>
      <itunes:summary>If you grew up in the 1960s or 1970s in suburbia, you probably lived in a smallish ranch house that looked like this. That house probably had an “ultra modern” kitchen that probably looked like this. I grew up in such a house and it had such a kitchen. In fact, I think my mom, sister, and self were models for this ad. (Or may be not. My mom never baked, had a job, and generally dressed in what she called “slacks.” Very modern indeed.) Anyway, we didn’t know it, but our house, kitchen, and “life style” were fighting the Cold War. You can read all about it in Greg Castillo’s fascinating new book Cold War on the Home Front: The Soft Power of Midcentury Design (Minnesota UP, 2009). The leaders of both the Capitalist and Communist worlds claimed to be able to afford their citizens a superior way of life and in the post-war world “superior way of life” meant more, better stuff. So these same leaders enlisted industrial designers in their struggle for supremacy. The West had ranch houses, avocado kitchens, and pink telephones; the East had neo-Classical apartment blocks, reading-corners, and built-in radios (pre-tuned, of course, to official stations). In the end, I suppose, the West “won,” but as Greg points out it did so with a kind of domestic architecture and interior design that has now become so bloated that it is, economically at least, unsustainable. The average ranch house was about 1000 square feet; today the average new home in the U.S. is around 2500 square feet. Al Gore’s house is 10,000 square feet (not counting the guest and pool houses). Inconvenient, but true.

Please become a fan of “New Books in History” on Facebook if you haven’t already.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you grew up in the 1960s or 1970s in suburbia, you probably lived in a smallish ranch house that looked like <a href="http://newbooksinhistory.com/wp-content/uploads/myhouse.gif">this</a>. That house probably had an “ultra modern” kitchen that probably looked like <a href="http://newbooksinhistory.com/wp-content/uploads/mykitchen.jpeg">this</a>. I grew up in such a house and it had such a kitchen. In fact, I think my mom, sister, and self were models for <a href="http://newbooksinhistory.com/wp-content/uploads/myfamily.jpeg">this ad</a>. (Or may be not. My mom never baked, had a job, and generally dressed in what she called “slacks.” Very modern indeed.) Anyway, we didn’t know it, but our house, kitchen, and “life style” were fighting the Cold War. You can read all about it in <a href="http://www.upress.umn.edu/Books/C/castillo_cold.html">Greg Castillo’s</a> fascinating new book <a href="http://www.amazon.com/dp/0816646929/?tag=newbooinhis-20">Cold War on the Home Front: The Soft Power of Midcentury Design</a> (Minnesota UP, 2009). The leaders of both the Capitalist and Communist worlds claimed to be able to afford their citizens a superior way of life and in the post-war world “superior way of life” meant more, better stuff. So these same leaders enlisted industrial designers in their struggle for supremacy. The West had ranch houses, avocado kitchens, and pink telephones; the East had neo-Classical apartment blocks, reading-corners, and built-in radios (pre-tuned, of course, to official stations). In the end, I suppose, the West “won,” but as Greg points out it did so with a kind of domestic architecture and interior design that has now become so bloated that it is, economically at least, unsustainable. The average ranch house was about 1000 square feet; today the average new home in the U.S. is around 2500 square feet. Al Gore’s house is 10,000 square feet (not counting the guest and pool houses). Inconvenient, but true.</p><p>
Please become a fan of “New Books in History” on <a href="http://www.facebook.com/profile.php?id=1361072270#/pages/New-Books-In-History/23393718791?ref=ts">Facebook</a> if you haven’t already.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/architecture">https://newbooksnetwork.supportingcast.fm/architecture</a></p>]]>
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